{"title":"¥50,000–¥100,000","description":"\u003cp\u003eSake cups and vessels by master craftsmen, studio glass and old bottles from ¥50,000 to under ¥100,000 (in-stock items only), featuring representative works by Living National Treasures and Nitten artists.\u003c\/p\u003e","products":[{"product_id":"7","title":"Kagami Crystal (カガミクリスタル) 50th Anniversary Decanter \u0026amp; Shot Glasses Set of 5 #7","description":"\u003cp\u003eKagami Crystal was founded in 1934 and has been providing high-quality products as Japan's first specialized crystal glass factory. This zinc crystal work was made as a commemorative gift to celebrate the 50th anniversary of the company's founding in 1984 (Showa 59). The initial number given to the decanter body and the crystal stopper are engraved, indicating that it is a special item produced in limited quantities. It is a precious cultural asset, with little information remaining even at Kagami Crystal's headquarters. The crane on the crystal surface represents longevity in Japan and is reminiscent of the whisky \"Tsuru\" by Masataka Taketsuru, the founder of Nikka Whisky. It would be great if it could be used to divide and manage Nikka Whisky after opening.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e*If the surface of the product appears slightly blurred, this is due to slight dirt caused by long-term storage, but we will sell it without cleaning.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Kagami Crystal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eYear of production:\u003c\/strong\u003e 1984\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Special box included\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Crystal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 9.2cm, Depth 5.72cm (decanter)\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 4cm, diameter approx. 2.45cm (shot glass)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products we offer are new and unused, they are all listed as second-hand products because they were produced very long ago. Please note that the products may have damage due to aging, so please understand and check before considering purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"カガミクリスタル","offers":[{"title":"Default Title","offer_id":46615836557499,"sku":"","price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0145.jpg?v=1746524204"},{"product_id":"37","title":"1980s distribution, DALMORE 12 Year Old, 1,000ml, 43% #37","description":"\u003cp data-start=\"74\" data-end=\"299\"\u003e\"THE DALMORE SINGLE HIGHLAND MALT 1 litre 43%\" was distilled and barrelled before the 1970s, then bottled in the 1980s and exported to Japan and the US.\u003cbr data-start=\"168\" data-end=\"171\"\u003eAt the time, the same Dalmore 12 Year Old sold in Europe was bottled at 40% alcohol, but for Japan and the US it was bottled at 43% alcohol. This 3% difference in alcohol content is significant, and old bottles of the Dalmore 12 Year Old bottled at 43% alcohol are extremely popular.\u003c\/p\u003e\n\u003cp data-start=\"301\" data-end=\"433\"\u003eThe flavor is characterized by a sweet and mellow taste from delicate sherry cask aging, combined with an elegant and refined woody flavor from the very high-quality oak casks used for aging. Although prices vary depending on the sales region, the selling price at the time is estimated to have been around 16,000 yen.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eProduct name:\u003c\/strong\u003e Dalmore 12 Year Old, 1,000ml, 43%\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Single malt whisky\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAge:\u003c\/strong\u003e 12 years (or more)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCapacity:\u003c\/strong\u003e 1,000ml\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAlcohol content:\u003c\/strong\u003e 43%\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eDistillation period:\u003c\/strong\u003e Before the 1970s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCirculation period:\u003c\/strong\u003e mid-1980s onwards\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRelease price at the time:\u003c\/strong\u003e Approximately 16,000 yen\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 1\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e We carefully select our products, but because this product was manufactured many years ago, it may not retain its original quality. Therefore, even if you are not satisfied with the quality, we cannot accept returns or refunds after purchase. We apologize for the inconvenience, but please be aware of this before purchasing.\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 2\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e Even if an old bottle of whisky is unopened, the volume may have gradually evaporated over the years and decreased. Our store uses the shoulder line of the bottle as a criterion and only carefully selects products that we deem suitable for sale.\n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e■Please cooperate with age verification.\u003c\/h2\u003e\n\u003cdiv class=\"sa-089-age-confirmation-body\"\u003e\n\u003ch3\u003e*Drinking alcohol under the age of 20 is prohibited by law.\u003cbr\u003e*We do not sell alcohol to anyone under the age of 20.\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47057164665019,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0821.jpg?v=1758995213"},{"product_id":"39","title":"Distributed since 1980, Highland Park 12 Year Old, 1,000ml, 43% #39","description":"\u003cp data-start=\"91\" data-end=\"247\" data-is-only-node=\"\"\u003eThis 12-year-old Highland Park whisky, 1,000ml, 43% strength, was distilled and casked in the 1960s and released in the late 1970s. Produced at a distillery in the Orkney Islands, Highland Park is known as one of Scotland's northernmost distilleries, and is blessed with sea breezes and peat for a unique character.\u003c\/p\u003e\n\u003cp data-start=\"249\" data-end=\"378\"\u003e The 12 Year Old from this era is more classically crafted than current products, with a harmonious blend of sweetness and fruitiness derived from sherry cask aging and a soft aroma of subtle peat smoke. It is characterised by the mature depth of old bottles and the full-bodied flavour brought about by the high alcohol content of 43% at the time.\u003c\/p\u003e\n\u003cp data-start=\"380\" data-end=\"464\"\u003e The rare 1 liter bottle appears to have been intended for export, and is in exceptionally good condition for an old bottle of whisky produced during this period. The bottle design is a classic, heavy-duty style, making it a highly collectible item.\u003c\/p\u003e\n\u003cp data-start=\"466\" data-end=\"536\"\u003e Now a rare find, it is popular among old single malt enthusiasts. This vintage masterpiece allows you to experience the history of Highland Park.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e \u003cstrong\u003eProduct name:\u003c\/strong\u003e Highland Park 12 Year Old, 1,000ml, 43%\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eType:\u003c\/strong\u003e Single malt whisky\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eAge:\u003c\/strong\u003e 12 years (or more)\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eCapacity:\u003c\/strong\u003e 1,000ml\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eAlcohol content:\u003c\/strong\u003e 43%\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003e\u003cstrong\u003eDistillation period:\u003c\/strong\u003e Before the 1960s\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eDistribution period:\u003c\/strong\u003e After 1980\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eRelease price at the time:\u003c\/strong\u003e Approximately 20,000 yen\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 1\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e We carefully select our products, but because this product was manufactured many years ago, it may not retain its original quality. Therefore, even if you are not satisfied with the quality, we cannot accept returns or refunds after purchase. We apologize for the inconvenience, but please be aware of this before purchasing.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 2\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e Even if an old bottle of whisky is unopened, the volume may have gradually evaporated over the years and decreased. Our store uses the shoulder line of the bottle as a criterion and only carefully selects products that we deem suitable for sale. \n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e\u003cbr\u003e\u003c\/h2\u003e\n\n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e ■Please cooperate with age verification.\u003c\/h2\u003e\n\n\u003cdiv class=\"sa-089-age-confirmation-body\"\u003e\n\n\u003ch3\u003e *Drinking alcohol under the age of 20 is prohibited by law.\u003cbr\u003e *We do not sell alcohol to anyone under the age of 20.\u003c\/h3\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47057598218427,"sku":null,"price":90000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0873.jpg?v=1759039581"},{"product_id":"58","title":"Mid-1980s distribution, Ballantine's 30 Year Old, 750ml, 43%, Blue-Blue Flag label #58","description":"\u003cp\u003e This bottle is a rare Ballantine's 30 Year Old, which was in circulation during the 1980s, when it was still a special cru. This bottle is characterized by the horse flag in the center of the label, which is blue on both sides (blue-blue flag), and is known as the pinnacle of premium blended whisky at the time.\u003c\/p\u003e\n\n\u003cp\u003e Thanks to its long aging period, it combines a rich malty flavor with a complex, mature aroma that sets it apart from current products. The aroma is layered with toasted malt, caramel sauce, ripe pear and orange peel, and a deep, peaty aroma reminiscent of damp earth. The mouthfeel is mellow and viscous, with the sweetness of honey and raisin butter, a moderate woodiness, and a dry, smoky flavor that lingers for a long time, creating a rich, well-balanced, classic taste.\u003c\/p\u003e\n\n \u003cp data-start=\"458\" data-end=\"553\"\u003eAs this is an old bottle, the liquid level and label may have changed over time. Please check the condition before purchasing.\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cstrong\u003eProduct name:\u003c\/strong\u003e Ballantine's 30 Year Old Blue-Blue Flag\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eType:\u003c\/strong\u003e Blended whisky\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eKey malts:\u003c\/strong\u003e Miltonduff, Glenburgie, Scapa, Glentauchers\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eAge:\u003c\/strong\u003e 30 years\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eCapacity:\u003c\/strong\u003e 760ml\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eAlcohol content:\u003c\/strong\u003e 43%\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003e\u003cstrong\u003eDistillation period:\u003c\/strong\u003e Before the 1950s\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eCirculation period:\u003c\/strong\u003e mid-1980s onwards\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eRelease price at the time:\u003c\/strong\u003e Approximately 80,000 yen\u003c\/li\u003e\n\n\u003cli\u003e \n\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 1\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e We carefully select our products, but because this product was manufactured many years ago, it may not retain its original quality. Therefore, even if you are not satisfied with the quality, we cannot accept returns or refunds after purchase. We apologize for the inconvenience, but please be aware of this before purchasing.\u003c\/li\u003e\n\n\u003cli\u003e \n\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 2\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e Even if an aged whisky (old bottle whisky) is unopened, the whisky may contain sediment, which is the solidification and precipitation of whisky components, or the volume may have gradually evaporated and decreased over the years. At our store, we use the shoulder line of the bottle as one of our criteria and only carefully select products that we have deemed suitable for sale. \n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e\u003cbr\u003e\u003c\/h2\u003e\n\n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e ■Please cooperate with age verification.\u003c\/h2\u003e\n\n\u003cdiv class=\"sa-089-age-confirmation-body\"\u003e\n\n\u003ch3\u003e *Drinking alcohol under the age of 20 is prohibited by law.\u003cbr\u003e *We do not sell alcohol to anyone under the age of 20.\u003c\/h3\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47075947774139,"sku":null,"price":65000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1346.jpg?v=1760193568"},{"product_id":"54","title":"Ishii Koji (石井康治)'s \"Celebration Cup\" Hand-blown Glass Red and White Sake Cup Set #54","description":"\u003cp\u003eIshii Koji (1946–1996) is one of Japan's leading glass artists, known for his fantastical jellyfish motifs. Using a unique entrapment technique, he captures colors and motifs within the glass, creating a sense of transparency and floating that evokes the deep sea. Each of his works is one-of-a-kind, handmade, and is housed in museums both in Japan and abroad. His works continue to receive high praise, with small pieces starting at around 80,000 yen and medium- to large masterpieces fetching over 1 million yen.\u003c\/p\u003e\n\u003cp\u003eThis work, a set of two hand-blown glass sake cups (guinomi) featuring the artist's signature techniques, is presented in a paulownia wood box as \"celebratory cups.\" The beautiful contrast of red and white makes this pair worthy of adding color to a special occasion drinking party. Both cups have a soft, rounded shape, with a slightly flared rim for easy drinking. The fresh luster unique to glass and the slight distortions and bubbles that can only be found in hand-blown glass create a warm and unique appearance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1. White glass (clear\/multicolored inside)\u003c\/strong\u003e\u003cbr\u003eUsing highly transparent clear glass as a base, Ishii's signature inclusion technique is fully utilized. Gold leaf and multicolored glass fragments (red, blue, green, light blue, etc.) are trapped inside the glass, and the way they rise to the surface with delicate bubbles is reminiscent of champagne bubbles or jewels sparkling in the night sky. The rim has a texture reminiscent of a dusting of whitish powder snow, creating an overall glamorous yet pure and dreamy atmosphere.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2. Red glass (gold-painted interior)\u003c\/strong\u003e\u003cbr\u003eThe base color is a vivid, deep crimson glass. From the inside to the outside, lavish gold decoration (gold leaf and golden glass pieces) reflects the light, giving off a gorgeous sparkle. The combination of red and gold is truly fitting for celebrations, and the organic arrangement of the deep red of the glass and the gold decoration evokes a sense of vitality and nobility.\u003c\/p\u003e\n\u003cp\u003eThese two \"celebratory cups\" each have their own unique charm, but when placed together in red and white, they create a beautiful harmony that is exceptional. Not only are they practical as sake vessels, but they are also highly valued works of art.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Ishii Glass Studio Co., Ltd.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e Ishii Koji\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eArtist's representative activities:\u003c\/strong\u003e [1984] Japan Glass Exhibition Grand Prize Winner\u003c\/span\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction period:\u003c\/strong\u003e 1980s-1990s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated wooden box included\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e hand-blown glass\u003c\/span\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e \u003cspan\u003eheight approx. 5cm, diameter approx. 6.5cm\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"石井グラススタジオ","offers":[{"title":"Default Title","offer_id":47085455835323,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1340.jpg?v=1760026877"},{"product_id":"55","title":"1980s distribution, Dufftown 12 Year Old, 1,000ml, 43%, Pure Malt #55","description":"\u003cp\u003eThis \"Dufftown Glenlivet 12 Year Old\" is a rare pure malt whisky bottled by Arthur Bell \u0026amp; Sons in the 1980s. This precious old bottle allows you to enjoy the single malt spirit that was used as the main key malt for the famous blended Scotch whisky \"Bell's,\" the predecessor to the current \"The Singleton of Dufftown.\" This series mainly consisted of \"Dufftown Glenlivet 8 Year Old,\" with \"Dufftown 12 Year Old\" produced in small quantities.\u003c\/p\u003e\n\u003cp\u003eBottles from this period are primarily made up of malts distilled in the 1970s, and are characterised by a rich, complex old-style quality compared to current products. They were released in the late 1980s, when the Special Grade (Tokkyu) classification was abolished in Japan, and were bottled for duty-free shops in 1,000ml (1 litre) sizes, which were rare for single malts at the time.\u003c\/p\u003e\n\u003cp\u003eThe nose is elegant and elegant, showcasing the sweetness of blackcurrant (cassis), dried fruit, vanilla, and toffee, with a rich sherry influence. The palate is characterized by a perfect balance of sweetness and spice, with tropical fruit sweetness complemented by beeswax and woody spice, resulting in a rich and smooth mouthfeel. The finish is refreshing with orange peel-like tannins and a lingering warm spice, showcasing the complexity of good old Speyside malt. This is a collector's item that allows you to enjoy the unique character of Bell's historic malt for all ages.\u003c\/p\u003e\n\u003cp data-end=\"553\" data-start=\"458\"\u003eAs this is an old bottle, the liquid level and label may show signs of aging. There may also be sediment in this whisky. Please check the condition before purchasing.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eProduct name:\u003c\/strong\u003e Dufftown Glenlivet 12 Years\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Single malt whisky\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCapacity:\u003c\/strong\u003e 1,000ml\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAlcohol content:\u003c\/strong\u003e 43%\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eDistillation period:\u003c\/strong\u003e Before the 1960s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDistribution period:\u003c\/strong\u003e After 1979\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRelease price at the time:\u003c\/strong\u003e Approximately 15,000 yen\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 1\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e We carefully select our products, but because this product was manufactured many years ago, it may not retain its original quality. Therefore, even if you are not satisfied with the quality, we cannot accept returns or refunds after purchase. We apologize for the inconvenience, but please be aware of this before purchasing.\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 2\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e Even if an aged whisky (old bottle whisky) is unopened, the whisky may contain sediment, which is the solidification and precipitation of whisky components, or the volume may have gradually evaporated and decreased over the years. At our store, we use the shoulder line of the bottle as one of our criteria and only carefully select products that we have deemed suitable for sale.\n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e■Please cooperate with age verification.\u003c\/h2\u003e\n\u003cdiv class=\"sa-089-age-confirmation-body\"\u003e\n\u003ch3\u003e*Drinking alcohol under the age of 20 is prohibited by law.\u003cbr\u003e*We do not sell alcohol to anyone under the age of 20.\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47092564983995,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1388.jpg?v=1760199774"},{"product_id":"69","title":"Mid-1970s, White Horse Distillers Ltd. Glen Elgin 12 Year Old, 750ml, 43% #69","description":"\u003cp\u003eThis bottle is a 12-year-old single malt from the Glen Elgin distillery, distributed in the mid-1970s, the golden age of Scotch whisky. Nowadays, single malts from this period play a key role in blended whisky, making them a particularly valuable heritage.\u003c\/p\u003e\n\u003cp\u003e This bottle was released by White Horse Distillers Ltd., the original supplier of the blended whisky \"White Horse.\" As if to show their pride, the label prominently features the Queen's Coat of Arms and the symbol of their parent company, White Horse, at the top center.\u003c\/p\u003e\n\u003cp\u003e The \"Special Grade Whisky\" and \"Adjusted Value\" markings on the top right of the label, along with the Japanese label on the back (importer: Kokusai Bussan Co., Ltd.), prove that this is an official import from Japan at the time. The volume is 760ml, with an alcohol content of 43%, faithfully adhering to the standards set by Japan's old liquor tax law. The bottom of the bottle is embossed with a code indicating the glass manufacturer and bottling date, giving it a unique aesthetic that evokes the era.\u003c\/p\u003e\n\u003cp\u003e Located in the heart of Speyside, Glen Elgin Distillery continues to uphold traditional methods. This vintage bottle from the 1970s offers a more classic, full-bodied flavor than current products. The aroma is a perfect balance of Speyside's typical fruitiness of pear and apple, with the gentle vanilla sweetness of the aging casks. The palate is extremely mellow, with a concentrated malt flavor and subtle hints of sherry casks. The finish is long, pleasantly lingering with the delicate malt aroma and soft smoke of Speyside malt.\u003c\/p\u003e\n\u003cp\u003e This is a superb bottle that allows you to experience the high-quality single malt of Glen Elgin from an era when it was overshadowed by blended whiskies. As this is an old bottle, there may be sediment (a deposit of whisky components) and changes in the liquid level and label over time. Please check the condition before purchasing.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e \u003cstrong\u003eProduct name:\u003c\/strong\u003e Glen Elgin (WHITE HORSE GLEN ELGIN) 12 years\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eType:\u003c\/strong\u003e Single malt whisky\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eAge:\u003c\/strong\u003e 12 years (or more)\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eCapacity:\u003c\/strong\u003e 750ml\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eAlcohol content:\u003c\/strong\u003e 43%\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003e\u003cstrong\u003eDistillation period:\u003c\/strong\u003e Before the 1960s\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eCirculation period:\u003c\/strong\u003e mid-1970s onwards\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eRelease price at the time:\u003c\/strong\u003e Approximately 10,000 yen\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 1\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e We carefully select our products, but because this product was manufactured many years ago, it may not retain its original quality. Therefore, even if you are not satisfied with the quality, we cannot accept returns or refunds after purchase. We apologize for the inconvenience, but please be aware of this before purchasing.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 2\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e Even if an aged whisky (old bottle whisky) is unopened, the whisky may contain sediment, which is the solidification and precipitation of whisky components, or the volume may have gradually evaporated and decreased over the years. At our store, we use the shoulder line of the bottle as one of our criteria and only carefully select products that we have deemed suitable for sale. \n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e\u003cbr\u003e\u003c\/h2\u003e\n\n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e ■Please cooperate with age verification.\u003c\/h2\u003e\n\n\u003cdiv class=\"sa-089-age-confirmation-body\"\u003e\n\n\u003ch3\u003e *Drinking alcohol under the age of 20 is prohibited by law.\u003cbr\u003e *We do not sell alcohol to anyone under the age of 20.\u003c\/h3\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47109489623227,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1570.jpg?v=1761034662"},{"product_id":"72","title":"Glendullan 12 Year Old, 750ml, 47%, distributed in the early 1970s #72","description":"\u003cp\u003eThis bottle is a 12-year-old single malt produced by Glendullan, a traditional distillery in the Speyside region. This extremely valuable old bottle was released in the early 1970s, a time when the distillery, known as the key malt for Old Parr, was known for producing whiskies of particularly high quality.\u003c\/p\u003e\n\u003cp\u003e The bottle has a simple, slender shape that highlights the beautiful amber color of the contents. The label is a warm yellow with a bold illustration of the distillery's symbol in the center. The biggest attraction of this bottle is the small sticker on the neck that states the alcohol content is 47%. This was an unusually high concentration for an official bottle at the time, and it is likely that this is what keeps the whisky's flavor rich and powerful.\u003c\/p\u003e\n\u003cp\u003e Bottled at a high strength of 47% ABV, Glendullan boasts the powerful body and rich flavor you expect from an old bottle. The aroma is intense, with malt notes with earthy nuances and a subdued, estery sweetness reminiscent of caramelized apples. The palate is substantial and thick, dominated by a rich sweetness reminiscent of tortoiseshell candy and rich honey. A bittersweet toastiness and a subtle spiciness spread throughout, with earthy old peat nuances slowly seeping in towards the end. This is a supreme bottle that allows you to fully enjoy the charm of a traditional old malt without pretense, and savor the rich barley flavor and high maturity of Speyside malt.\u003c\/p\u003e\n\u003cp data-end=\"553\" data-start=\"458\"\u003e As this is an old bottle, the liquid level and label may show signs of aging. \u003cspan\u003eThere is also \u003cspan style=\"color: rgb(255, 42, 0);\"\u003esediment\u003c\/span\u003e in this whisky. Please check the condition and only consider purchasing if you understand this.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e \u003cstrong\u003eProduct name:\u003c\/strong\u003e Glendullan 12 years\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eType:\u003c\/strong\u003e Single malt whisky\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eCapacity:\u003c\/strong\u003e 750ml\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eAlcohol content:\u003c\/strong\u003e 47%\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003e\u003cstrong\u003eDistillation period:\u003c\/strong\u003e Before the 1960s\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eCirculation period:\u003c\/strong\u003e 1970s onwards\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eRelease price at the time:\u003c\/strong\u003e Approximately 15,000 yen\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eImportant Notes:\u003c\/strong\u003e\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 1\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e We carefully select our products, but because this product was manufactured many years ago, it may not retain its original quality. Therefore, even if you are not satisfied with the quality, we cannot accept returns or refunds after purchase. We apologize for the inconvenience, but please be aware of this before purchasing.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 2\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e Even if an aged whisky (old bottle whisky) is unopened, the whisky may contain sediment, which is the solidification and precipitation of whisky components, or the volume may have gradually evaporated and decreased over the years. At our store, we use the shoulder line of the bottle as one of our criteria and only carefully select products that we have deemed suitable for sale. \n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e\u003cbr\u003e\u003c\/h2\u003e\n\n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e ■Please cooperate with age verification.\u003c\/h2\u003e\n\n\u003cdiv class=\"sa-089-age-confirmation-body\"\u003e\n\n\u003ch3\u003e *Drinking alcohol under the age of 20 is prohibited by law.\u003cbr\u003e *We do not sell alcohol to anyone under the age of 20.\u003c\/h3\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47125243035835,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2048.jpg?v=1761632141"},{"product_id":"73","title":"DAUM CRYSTAL Vette de Saison Floral Engraved Glass Set of 6 #73","description":"\u003cp\u003eDAUM Crystal is a luxury crystal brand founded in Nancy, France in 1878. During the Art Nouveau period, the brand was known as a master of glass art on a par with Émile Gallé, and was highly praised at the Paris World's Fair. Today, the brand continues to uphold traditional savoir-faire (craftsmanship) and produces highly artistic decorative items and tableware. Its delicate cuts and exceptional clarity make it beloved worldwide and highly valued in the collector's market.\u003c\/p\u003e\n\u003cp\u003e This is a set of six crystal glasses from Dome Crystal's \"Vette de Saison\" series. As the name \"Saison\" (seasons) suggests, this collection is themed around the changing of the seasons, with each glass adorned with a different plant, animal, or abstract motif. The glasses feature a sturdy, octagonal base for stability. The elegant, inverted cone-shaped bowls, which widen from the base, are the perfect size for enjoying a small amount of liqueur or aperitif.\u003c\/p\u003e\n\u003cp\u003e The greatest attraction of this glass is the delicate and intricate etching technique applied to the entire bowl. Depending on the light, the etching creates a three-dimensional motif. The back of the glass's base is also engraved with the distinctive cursive \"Daum France\" signature in the dome crystal. This exquisite crystal quietly and fully brings out the aroma of whisky and rare spirits. Enjoy this special glass, part of your long-held collection, while savoring the beauty of French craftsmanship.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eManufacturer:\u003c\/strong\u003e DAUM Crystal, France\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eModel name:\u003c\/strong\u003e Vette de Saison\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction start date:\u003c\/strong\u003e 1970s\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction year:\u003c\/strong\u003e 1970s-1980s\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks, some scratches)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated box\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Crystal\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 7.3cm, diameter approx. 5.5cm\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eSpecial note:\u003c\/strong\u003e What appears to be scratches on the surface of the glass is actually fibrous dust; there are no noticeable scratches like those shown in the image.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eNote 1:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand products. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"DAUM Crystal","offers":[{"title":"Default Title","offer_id":47125254176955,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2078.jpg?v=1761633057"},{"product_id":"78","title":"Ishii Koji (石井康治) Masterpiece: \"Jellyfish\" Art Glass Cup – A Fusion of Ancient Glaze Aesthetics and Hand-blown Brilliance #78","description":"\u003cp\u003eThis hand-blown glass is the work of Ishii Koji (1944-1996), a leading figure in the world of Japanese glass art. Ishii, who made the unusual transition from ceramics to glass art, attempted to express the worldview of traditional Japanese glazes in glass, creating a masterpiece that embodies his unique style.\u003c\/p\u003e\n\u003cp\u003eThe entire glass bowl is inlaid with a unique pattern known as \"Fumon.\" This is an advanced technique that involves spraying silver foil or colored glass powder onto the surface of molten glass and then fusing it with heat, creating complex, fantastical colors and textures. Yellow, blue, white, and silver particles mix together to create a tranquil, deep landscape reminiscent of antique pottery.\u003c\/p\u003e\n\u003cp\u003eThe design features an elegant morning glory shape with a wide opening, a short stem, and a stable, deep blue base. All of Ishii Koji's works are one-of-a-kind, handmade pieces, and are housed in art museums both in Japan and abroad. They continue to receive high praise, with small pieces starting at around 80,000 yen and medium to large masterpieces fetching over 1 million yen.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Ishii Glass Studio Co., Ltd.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Ishii Koji (石井康治)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eNotable Activities:\u003c\/strong\u003e [1979] Work exhibited at Japan New Face II and purchased by Her Imperial Highness Princess Chichibu; [1985] Designed the silhouette bottle for Sanwa Shurui's Iichiko and won a special prize at the Japan Package Design Competition; [1985] Won a special prize at the Seibu Crafts Grand Prize Exhibition; [1994] Held the solo exhibition Symphony of Light and Wind: GLASS Ishii Koji at the Narukawa Museum of Art in Hakone.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eMajor Collections:\u003c\/strong\u003e The National Museum of Modern Art, Tokyo; Aomori Museum of Art; Chiba Prefectural Museum of Art; Toyama Glass Art Museum; Hida Takayama Museum of Art; Narukawa Art Museum (Hakone-Lake Ashi).\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction date:\u003c\/strong\u003e circa 1988\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated box included\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e hand-blown glass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height approx. 7.5cm, diameter approx. 7.8cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"石井グラススタジオ","offers":[{"title":"Default Title","offer_id":47125283504315,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2321.jpg?v=1762099420"},{"product_id":"80","title":"Hand-blown glass by Sakata Jinnai (坂田甚内, Jin), featuring platinum, gold leaf, and gold accents. Set of 3 glasses with a deep Jin crest. #80","description":"\u003cp\u003eThis is a set of three hand-blown glassware by Sakata Jinnai, featuring a deep-patterned design and platinum-lacquered design. These works embody the artist's unique worldview and exceptional skill, transcending the boundaries between glass and ceramic art.\u003c\/p\u003e\n\u003cp\u003eThe glass itself is crafted using a crackle technique, which creates minute cracks on the surface of the glass. When light hits the glass, the finely broken surface, like ice, reflects irregularly, giving the entire piece a fantastical glow and a cool texture.\u003c\/p\u003e\n\u003cp\u003eThe glass's unique design is reminiscent of the Fukajin crest, with the body consisting of two rounded bulges, one above the other, and a single curve in the middle. The inside of the glass's base is decorated with a delicate arabesque pattern in gold, along with the artist's signature, the character \"Jin.\" Gold accents can also be seen on the inside of the glass. This gold decoration elevates the glass beyond a simple sake cup, giving it a high level of value as a work of art.\u003c\/p\u003e\n\u003cp\u003eSakata Jinnai was born in Tokyo in 1943, studied under \u003ca href=\"\/en\/search?q=%22%E5%8A%A0%E5%AE%88%E7%94%B0%E7%AB%A0%E4%BA%8C%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKamoda Shoji\u003c\/a\u003e in 1964, and built his kiln in Mashiko Town in 1966. He is known as an artist who pursues the fusion of ceramics and glass. The decorative experiments in crackle and gold leaf seen in this piece are thought to date from the 1990s to 2000s, when the artist was actively developing his techniques. This exquisite piece will add a touch of elegance to your evening drinks or dinner table, and is also ideal for collections or as a gift.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Sakata Jinnai (坂田甚内, 1943-present)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eThe artist's notable activities include:\u003c\/strong\u003e [ \u003cspan\u003e2009]\u003c\/span\u003e \u003cspan\u003eInvited artist at the 1st Shanghai International Ceramic Living Art Expo; [2013] Donated a large magatama plate with deep-patterned gold leaf and leaf glass, \"The Radiance of Life,\" to the Izumo Taisha Grand Shrine Heisei Grand Shrine Relocation; [2013] Donated a large black porcelain plate with deep-patterned gold leaf and leaf, \"Homage to the Sun,\" to coincide with the Ise Grand Shrine Shikinen Sengu; [\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003e2014] Donated a deep-patterned gold leaf and leaf glass objet d'art, \"Yamanei,\" to Atsuta Shrine; [2014]\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003eDonated a pair of black porcelain engraved gold leaf and leaf boxes, \"Longevity,\" to Kameoka Hachiman Shrine (Mashiko Town).\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction period:\u003c\/strong\u003e 1980s-1990s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Glass, gold leaf\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height approx. 12cm, diameter approx. 4.2cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47134716559547,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2367.jpg?v=1762239411"},{"product_id":"83","title":"1980s distribution, DALMORE 12 Year Old, 1,000ml, 43% #83","description":"\u003cp data-start=\"74\" data-end=\"299\"\u003e\"THE DALMORE SINGLE HIGHLAND MALT 1 litre 43%\" was distilled and barrelled before the 1970s, then bottled in the 1980s and exported to Japan and the US.\u003c\/p\u003e\n\u003cp data-start=\"74\" data-end=\"299\"\u003e At the time, the same Dalmore 12 Year Old sold in Europe was bottled at 40% alcohol, but for Japan and the US it was bottled at 43% alcohol. This 3% difference in alcohol content is significant, and old bottles of the Dalmore 12 Year Old bottled at 43% alcohol are extremely popular.\u003c\/p\u003e\n\u003cp data-start=\"301\" data-end=\"433\"\u003e The flavor is characterized by a sweet and mellow taste from delicate sherry cask aging, combined with an elegant and refined woody flavor from the very high-quality oak casks used for aging. Although prices vary depending on the sales region, the selling price at the time is estimated to have been around 16,000 yen.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e \u003cstrong\u003eProduct name:\u003c\/strong\u003e Dalmore 12 Year Old, 1,000ml, 43%\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eType:\u003c\/strong\u003e Single malt whisky\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eAge:\u003c\/strong\u003e 12 years (or more)\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eCapacity:\u003c\/strong\u003e 1,000ml\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eAlcohol content:\u003c\/strong\u003e 43%\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003e\u003cstrong\u003eDistillation period:\u003c\/strong\u003e Before the 1970s\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eCirculation period:\u003c\/strong\u003e mid-1980s onwards\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eRelease price at the time:\u003c\/strong\u003e Approximately 16,000 yen\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 1\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e We carefully select our products, but because this product was manufactured many years ago, it may not retain its original quality. Therefore, even if you are not satisfied with the quality, we cannot accept returns or refunds after purchase. We apologize for the inconvenience, but please be aware of this before purchasing.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 2\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e Even if an old bottle of whisky is unopened, the volume may have gradually evaporated over the years and decreased. Our store uses the shoulder line of the bottle as a criterion and only carefully selects products that we deem suitable for sale. \n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e\u003cbr\u003e\u003c\/h2\u003e\n\n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e ■Please cooperate with age verification.\u003c\/h2\u003e\n\n\u003cdiv class=\"sa-089-age-confirmation-body\"\u003e\n\n\u003ch3\u003e *Drinking alcohol under the age of 20 is prohibited by law.\u003cbr\u003e *We do not sell alcohol to anyone under the age of 20.\u003c\/h3\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47153117855931,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2520.jpg?v=1762749584"},{"product_id":"100","title":"Distilled and casked in 1980, bottled in 1993, Finlaggan single malt whisky, a strong drink for strong men, super hard 60%. #100","description":"\u003cp data-path-to-node=\"1\"\u003eThis bottle is a rare old bottle, distilled in 1980 and bottled in 1993, having been aged for 12 years. The bottler is THE VINTAGE MALT WHISKY CO. LTD.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eThe greatest appeal of Finlaggan is that it is a mysterious single Islay malt whose contents remain unknown. While many speculate that this whisky is from the Caol-Ila distillery due to its distinctive flavor, the exact Islay distillery it comes from has been purposefully kept secret. However, the signature of blender Brian Crook on the back guarantees that he has used his many years of experience to carefully select the malt that best expresses the characteristics of Islay malt.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThis whisky is bottled at an extremely high strength of 60% alcohol by volume, preserving the smoky, powerful flavor characteristic of Islay malt, close to that of a cask-fresh whisky. The label's catchphrase, \"A strong drink for strong men, a super-hard 60% alcohol,\" emphasizes its unique character. Along with the legend of Finlaggan Castle, you can enjoy the deep, smoky flavor of whisky from the early 1980s, a time when whisky quality was considered to be at its peak.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eProduct name:\u003c\/strong\u003e Finlaggan 1980, a strong drink for strong men\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Single malt whisky\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAge:\u003c\/strong\u003e 12 years (or more)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCapacity:\u003c\/strong\u003e 750ml\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAlcohol content:\u003c\/strong\u003e 60%\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eDistillation date:\u003c\/strong\u003e 1980\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDistribution period:\u003c\/strong\u003e early 1980s onwards\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRelease price at the time:\u003c\/strong\u003e Approximately 7,500 yen\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 1\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e We carefully select our products, but because this product was manufactured many years ago, it may not retain its original quality. Therefore, even if you are not satisfied with the quality, we cannot accept returns or refunds after purchase. We apologize for the inconvenience, but please be aware of this before purchasing.\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 2\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e Even if an old bottle of whisky is unopened, the volume may have gradually evaporated over the years and decreased. Our store uses the shoulder line of the bottle as a criterion and only carefully selects products that we deem suitable for sale.\n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e■Please cooperate with age verification.\u003c\/h2\u003e\n\u003cdiv class=\"sa-089-age-confirmation-body\"\u003e\n\u003ch3\u003e*Drinking alcohol under the age of 20 is prohibited by law.\u003cbr\u003e*We do not sell alcohol to anyone under the age of 20.\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47277936672955,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3010.jpg?v=1765540745"},{"product_id":"102","title":"Set of 2 hand-blown glass sake cups with a deep Jin pattern, made by Sakata Jinnai (坂田甚内, Jin), in red and gold. #102","description":"\u003cp data-path-to-node=\"2\"\u003eThis hand-blown glass sake cup was created by Sakata Jinnai (Jin), a leading Japanese ceramic artist who has pioneered a unique artistic world across a wide range of fields, including spatial design and glass craft. The most distinctive feature of this work is its highly artistic design, which combines the artist's signature \"Shinjin\" pattern with vibrant red. The base features a delicately painted, flowing pattern reminiscent of waves and clouds, crafted in gold on passionate red glass. This pattern goes beyond mere decoration and can be said to visualize the invisible energy and fundamental flow of life. The artist's signature, \"Jin,\" is proudly inscribed in gold on the base, confirming its value as a unique piece.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eThe craftsmanship of the piece requires hand-blown glass, which requires advanced craftsmanship. Of particular note is the beauty of the \"cracked glass\" applied to the cup. Created by rapidly cooling high-temperature glass and then reheating it, these delicate, mesh-like cracks refract light in complex ways, creating a jewel-like sparkle when an amber-colored drink is poured into the piece. The contrasting structure of the smoothly curved cup and the powerful, substantial base embodies Jinnai's unique aesthetic, combining the opposing elements of delicacy and strength in a single vessel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eSakata Jinnai's creative philosophy is to \"convey the intangible spirit through tangible objects.\" In this glass, too, the slight fluctuations and randomness of each crack, which are unique to hand-blown glass, give the impression of the \"pulsation of life\" that cannot be found in mass-produced products.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe period of production is thought to date from the 2000s onwards, when Jinnai first applied the \"red and gold\" technique he had developed in ceramics to glass art, establishing himself as a highly acclaimed artist both in Japan and overseas. This glass cup, with its overwhelming presence that transforms an everyday moment into a special ritual, is a truly supreme work of art that invites the user into the \"abyss of beauty\" that the artist pursues.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Sakata Jinnai (坂田甚内, 1943-present)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eThe artist's notable activities include:\u003c\/strong\u003e [ \u003cspan\u003e2009]\u003c\/span\u003e \u003cspan\u003eInvited artist at the 1st Shanghai International Ceramic Living Art Expo; [2013] Donated a large magatama plate with deep-patterned gold leaf and leaf glass, \"The Radiance of Life,\" to the Izumo Taisha Grand Shrine Heisei Grand Shrine Relocation; [2013] Donated a large black porcelain plate with deep-patterned gold leaf and leaf, \"Homage to the Sun,\" to coincide with the Ise Grand Shrine Shikinen Sengu; [\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003e2014] Donated a deep-patterned gold leaf and leaf glass objet d'art, \"Yamanei,\" to Atsuta Shrine; [2014]\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003eDonated a pair of black porcelain engraved gold leaf and leaf boxes, \"Longevity,\" to Kameoka Hachiman Shrine (Mashiko Town).\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction year:\u003c\/strong\u003e 2000s (estimated)\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Glass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height 9.5cm, diameter 5.5cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47321141018811,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3102_2844e4a5-b9d4-4797-932f-edb11ef3e1b2.jpg?v=1766902565"},{"product_id":"116","title":"Murano Glass \"Coppa Barovier\" – A 1950s Artisanal Masterpiece of the Golden Era #116","description":"\u003cp data-path-to-node=\"11\"\u003eThis exquisite wedding bowl is a 1950s reproduction of the legendary \"Coppa Barovier,\" originally created around 1470 by the Renaissance master Angelo Barovier. Produced during the golden age of Murano glass revival by the prestigious workshop Ditta Albertini \u0026amp; Spezzamonte, this piece brings 15th-century romance into the modern era.\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eThe original bowl, currently a treasure of the Museo del Vetro in Murano, was commissioned to celebrate a noble wedding in the House of Este. This mid-century tribute preserves that heritage using traditional techniques: hand-blown cobalt blue glass decorated with multiple layers of genuine gold leaf and polychrome enamel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"13\"\u003eThe true charm of this piece lies in its authentic artisanal character. Unlike modern, sterile replicas, the hand-painted figures—the medallion portraits and the allegorical \"Fountain of Youth\"—showcase a distinctive, naive grace typical of 1950s studio work. Each brushstroke carries the warmth of the artisan's hand, offering a soulful, folk-art-inspired interpretation of the Renaissance symbols for love and prosperity.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eIn excellent vintage condition, this rare set remains complete with its original red suede-style presentation box and historic documentation. It is a unique opportunity to own a piece of Murano’s mid-century history that celebrates the timeless beauty of human imperfection and hand-crafted art.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Ditta Albertini \u0026amp; Spezzamonte\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eworkshop\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAbout the manufacturer:\u003c\/strong\u003e This prestigious workshop is based on the island of Murano, Italy. During the golden age of Murano glass in the 1950s, it was highly praised for reviving the advanced enamel coloring techniques of the medieval Renaissance, which had been on the verge of disappearance.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Barovier Wedding Cup (Coppa Barovier)\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eYear of production:\u003c\/strong\u003e 1950s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated box (red suede), artwork commentary (English and Italian)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Murano crystal glass (cobalt blue), pure gold, multicolored enamel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height approx. 9cm, diameter approx. 9.5cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction technique:\u003c\/strong\u003e Cobalt glass is hand-blown, then hand-decorated one by one by skilled artisans using polychrome enamel and pure gold, and then fired.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAllegories depicted:\u003c\/strong\u003e The medallions depicting portraits of men and women, a lady on horseback, and women bathing in a fountain symbolize love, union, and prosperity in the aristocratic culture of the time.\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47335991771323,"sku":null,"price":70000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3383.jpg?v=1767779447"},{"product_id":"122","title":"Late 1980s distribution, Armor Glenfarclas 20 Year Old, 750ml, 43%, Special Grade #122","description":"\u003cp data-path-to-node=\"3\"\u003eArmor Glenfarclas 20 Year Old is a legendary brand that astounded whisky lovers in the Japanese market in the 1980s with the exceptional quality of its raw malt. As indicated by the \"Special Grade Whisky\" label on the front of the bottle and the standard specifications of 750ml \/ 43%, which were the standard at the time, this is an extremely rare vintage bottle that was in circulation before the 1989 revision of the Liquor Tax Law.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003e This masterpiece was bottled by Peter J. Russell, a prestigious independent bottler in Edinburgh, the predecessor of Ian MacLeod, which now owns Glengoyne Distillery and other distilleries. The spirit selected by the company for this release is widely known among enthusiasts as a single malt from Glenfarclas Distillery, a Speyside giant that remains family-run to this day. Aged for an astounding 20 years in carefully selected, top-quality sherry casks, this spirit is truly a supreme liquid, generously crafted from Glenfarclas's proud \"golden age stock.\"\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e At the time, imports were handled by Kyosei Co., Ltd. in Hachioji, Tokyo, and the whisky was introduced to a limited number of domestic enthusiasts. The back label states that it was a \"limited edition of 120 casks,\" indicating just how rare each drop was. The price at the time of release was strategically set compared to other brands with the same age, but its quality is so high that it would be valued several times higher in the modern whisky market, and it is now revered as \"the pinnacle of Speyside sherry from a lost era.\"\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003e Its aroma and flavor are filled with the rich fragrance and fiery passion that can only be cultivated by long-aged Glenfarclas. Rich dried fruit from the heavy sherry casks, bitter chocolate, and a noble oriental aroma similar to Mizunara oak blend together in layers, perfectly complementing the energy of the 43% alcohol content, which has reached the peak of its maturation. This historical treasure, enclosed in a heavy black cap seal, is more than just a beverage; it is the ultimate collectible piece that will thrill and inspire anyone who holds it in their hands.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e \u003cstrong\u003eProduct name:\u003c\/strong\u003e ARMOR 20 Year Old Special Grade Whisky\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eType:\u003c\/strong\u003e Single malt whisky\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eAge:\u003c\/strong\u003e 20 years (or more)\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eCapacity:\u003c\/strong\u003e 750ml\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eAlcohol content:\u003c\/strong\u003e 43%\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003e\u003cstrong\u003eDistillation period:\u003c\/strong\u003e Before the 1960s\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eCirculation period:\u003c\/strong\u003e Late 1980s onwards\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eRelease price at the time:\u003c\/strong\u003e Approximately 20,000 yen (estimated)\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan\u003e\u003cstrong\u003eNote 1\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e While we carefully select our products, this product may not retain its original quality due to the long time since its manufacture. While this does not significantly affect the flavor or drinkability of the alcohol, there are cases where sediment (a deposit of whisky components) solidifies and precipitates. Therefore, even if you are not satisfied with the quality, we cannot accept returns or refunds after purchase. We apologize for any inconvenience, but please be aware of this before purchasing.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan\u003e\u003cstrong\u003eNote 2\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e Even if an old bottle of whisky is unopened, the volume may have gradually evaporated over the years and decreased. Our store uses the shoulder line of the bottle as a criterion and only carefully selects products that we deem suitable for sale.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47349672476859,"sku":null,"price":65000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3534.jpg?v=1768294728"},{"product_id":"130","title":"Glendullan 12 Year Old, 750ml, 47%, distributed in the early 1970s #130","description":"\u003cp\u003eThis bottle is a 12-year-old single malt produced by Glendullan, a traditional distillery in the Speyside region. This extremely valuable old bottle was released in the early 1970s, a time when the distillery, known as the key malt for Old Parr, was known for producing whiskies of particularly high quality.\u003c\/p\u003e\n\u003cp\u003e The bottle has a simple, slender shape that highlights the beautiful amber color of the contents. The label is a warm yellow with a bold illustration of the distillery's symbol in the center. The biggest attraction of this bottle is the small sticker on the neck that states the alcohol content is 47%. This was an unusually high concentration for an official bottle at the time, and it is likely that this is what keeps the whisky's flavor rich and powerful.\u003c\/p\u003e\n\u003cp\u003e Bottled at a high strength of 47% ABV, Glendullan boasts the powerful body and rich flavor you expect from an old bottle. The aroma is intense, with malt notes with earthy nuances and a subdued, estery sweetness reminiscent of caramelized apples. The palate is substantial and thick, dominated by a rich sweetness reminiscent of tortoiseshell candy and rich honey. A bittersweet toastiness and a subtle spiciness spread throughout, with earthy old peat nuances slowly seeping in towards the end. This is a supreme bottle that allows you to fully enjoy the charm of a traditional old malt without pretense, and savor the rich barley flavor and high maturity of Speyside malt.\u003c\/p\u003e\n\u003cp data-end=\"553\" data-start=\"458\"\u003e As this is an old bottle, the liquid level and label may show signs of aging. \u003cspan\u003eThere is also \u003cspan style=\"color: rgb(255, 42, 0);\"\u003esediment\u003c\/span\u003e in this whisky. Please check the condition and only consider purchasing if you understand this.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e \u003cstrong\u003eProduct name:\u003c\/strong\u003e Glendullan 12 years\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eType:\u003c\/strong\u003e Single malt whisky\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eCapacity:\u003c\/strong\u003e 750ml\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eAlcohol content:\u003c\/strong\u003e 47%\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003e\u003cstrong\u003eDistillation period:\u003c\/strong\u003e Before the 1960s\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eCirculation period:\u003c\/strong\u003e 1970s onwards\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eRelease price at the time:\u003c\/strong\u003e Approximately 15,000 yen\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eImportant Notes:\u003c\/strong\u003e\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 1\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e We carefully select our products, but because this product was manufactured many years ago, it may not retain its original quality. Therefore, even if you are not satisfied with the quality, we cannot accept returns or refunds after purchase. We apologize for the inconvenience, but please be aware of this before purchasing.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 2\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e Even if an aged whisky (old bottle whisky) is unopened, the whisky may contain sediment, which is the solidification and precipitation of whisky components, or the volume may have gradually evaporated and decreased over the years. At our store, we use the shoulder line of the bottle as one of our criteria and only carefully select products that we have deemed suitable for sale. \n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e\u003cbr\u003e\u003c\/h2\u003e\n\n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e ■Please cooperate with age verification.\u003c\/h2\u003e\n\n\u003cdiv class=\"sa-089-age-confirmation-body\"\u003e\n\n\u003ch3\u003e *Drinking alcohol under the age of 20 is prohibited by law.\u003cbr\u003e *We do not sell alcohol to anyone under the age of 20.\u003c\/h3\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47349686829243,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3618.jpg?v=1768293794"},{"product_id":"134","title":"1980s Dalmore Pure Malt 12 Year Old, 1,000ml, 43% #134","description":"\u003cp data-path-to-node=\"0\"\u003eSince its founding in 1839, The Dalmore Distillery has carved out a history in the Scottish Highlands, marked by its crest of a stag with twelve antlers. This is a 1,000ml \u003cstrong\u003e(1 liter) large bottle of The Dalmore 12 Year Old Pure Malt,\u003c\/strong\u003e one of the earliest bottles to be sold in the 1980s, bearing the label \"Pure Malt.\" The bottle contains precious malts distilled and casked before the 1970s, giving it a profound character that sets it apart from modern single malts.\u003c\/p\u003e\n\u003cp data-path-to-node=\"1\"\u003e In the product lineup at the time, whiskies for the European market were typically bottled at 40% alcohol by volume, but bottles for export to Japan and the United States, including this one, were bottled at a more powerful 43% alcohol by volume. This mere 3% difference in alcohol content maximizes the potential of the whisky that has undergone long aging, allowing for a rich body and powerful flavor, making it extremely popular among old-bottle enthusiasts. While there are slight variations depending on the sales region, the retail price in Japan at the time is estimated to have been around 16,000 yen, making it truly synonymous with luxury Scotch.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003e The aroma and flavor fully benefit from \u003cb data-path-to-node=\"2\" data-index-in-node=\"16\"\u003ethe delicate sherry cask aging\u003c\/b\u003e that is the essence of The Dalmore, with a sweet and mellow taste reminiscent of ripe fruit spreading throughout the mouth. Furthermore, the elegant and refined woodiness derived from the exceptionally high-quality oak casks used for aging is perfectly balanced, leaving behind a lingering finish brimming with elegance befitting the silver deer emblem on the black label. This large-capacity bottle, which exudes a maturity far beyond the 12 years it has been aged, is a supreme collector's piece of extremely high historical value that conveys the luxurious craftsmanship of the time to the present day.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e \u003cstrong\u003eProduct name:\u003c\/strong\u003e Dalmore Pure Malt (DALMORE PURE MALT) 12 years\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eType:\u003c\/strong\u003e Single malt whisky\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eAge:\u003c\/strong\u003e 12 years (or more)\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eCapacity:\u003c\/strong\u003e 1,000ml\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eAlcohol content:\u003c\/strong\u003e 43%\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003e\u003cstrong\u003eDistillation period:\u003c\/strong\u003e Before the 1970s\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eCirculation period:\u003c\/strong\u003e mid-1980s onwards\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eRelease price at the time:\u003c\/strong\u003e Approximately 16,000 yen\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 1\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e We carefully select our products, but because this product was manufactured many years ago, it may not retain its original quality. Therefore, even if you are not satisfied with the quality, we cannot accept returns or refunds after purchase. We apologize for the inconvenience, but please be aware of this before purchasing.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 2\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e Even if an aged whisky (old bottle whisky) is unopened, the whisky may contain sediment, which is the solidification and precipitation of whisky components, or the volume may have gradually evaporated and decreased over the years. At our store, we use the shoulder line of the bottle as one of our criteria and only carefully select products that we have deemed suitable for sale. \n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e\u003cbr\u003e\u003c\/h2\u003e\n\n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e ■Please cooperate with age verification.\u003c\/h2\u003e\n\n\u003cdiv class=\"sa-089-age-confirmation-body\"\u003e\n\n\u003ch3\u003e *Drinking alcohol under the age of 20 is prohibited by law.\u003cbr\u003e *We do not sell alcohol to anyone under the age of 20.\u003c\/h3\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47367646478523,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3692.jpg?v=1768560447"},{"product_id":"136","title":"Glendullan 12 Year Old, 750ml, 47% ABV, early 1970s, #136","description":"\u003cp\u003eThis bottle is a 12-year-old single malt produced by Glendullan, a traditional distillery in the Speyside region. This extremely valuable old bottle was released in the early 1970s, a time when the distillery, known as the key malt for Old Parr, was known for producing whiskies of particularly high quality.\u003c\/p\u003e\n\u003cp\u003e The bottle has a simple, slender shape that highlights the beautiful amber color of the contents. The label is a warm yellow with a bold illustration of the distillery's symbol in the center. The biggest attraction of this bottle is the small sticker on the neck that states the alcohol content is 47%. This was an unusually high concentration for an official bottle at the time, and it is likely that this is what keeps the whisky's flavor rich and powerful.\u003c\/p\u003e\n\u003cp\u003e Bottled at a high strength of 47% ABV, Glendullan boasts the powerful body and rich flavor you expect from an old bottle. The aroma is intense, with malt notes with earthy nuances and a subdued, estery sweetness reminiscent of caramelized apples. The palate is substantial and thick, dominated by a rich sweetness reminiscent of tortoiseshell candy and rich honey. A bittersweet toastiness and a subtle spiciness spread throughout, with earthy old peat nuances slowly seeping in towards the end. This is a supreme bottle that allows you to fully enjoy the charm of a traditional old malt without pretense, and savor the rich barley flavor and high maturity of Speyside malt.\u003c\/p\u003e\n\u003cp data-end=\"553\" data-start=\"458\"\u003e As this is an old bottle, the liquid level and label may show signs of aging. \u003cspan\u003eThere is also \u003cspan style=\"color: rgb(255, 42, 0);\"\u003esediment\u003c\/span\u003e in this whisky. Please check the condition and only consider purchasing if you understand this.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e \u003cstrong\u003eProduct name:\u003c\/strong\u003e Glendullan 12 years\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eType:\u003c\/strong\u003e Single malt whisky\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eCapacity:\u003c\/strong\u003e 750ml\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eAlcohol content:\u003c\/strong\u003e 47%\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003e\u003cstrong\u003eDistillation period:\u003c\/strong\u003e Before the 1960s\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eCirculation period:\u003c\/strong\u003e 1970s onwards\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eRelease price at the time:\u003c\/strong\u003e Approximately 15,000 yen\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eImportant Notes:\u003c\/strong\u003e\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 1\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e We carefully select our products, but because this product was manufactured many years ago, it may not retain its original quality. Therefore, even if you are not satisfied with the quality, we cannot accept returns or refunds after purchase. We apologize for the inconvenience, but please be aware of this before purchasing.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 2\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e Even if an aged whisky (old bottle whisky) is unopened, the whisky may contain sediment, which is the solidification and precipitation of whisky components, or the volume may have gradually evaporated and decreased over the years. At our store, we use the shoulder line of the bottle as one of our criteria and only carefully select products that we have deemed suitable for sale. \n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e\u003cbr\u003e\u003c\/h2\u003e\n\n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e ■Please cooperate with age verification.\u003c\/h2\u003e\n\n\u003cdiv class=\"sa-089-age-confirmation-body\"\u003e\n\n\u003ch3\u003e *Drinking alcohol under the age of 20 is prohibited by law.\u003cbr\u003e *We do not sell alcohol to anyone under the age of 20.\u003c\/h3\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47380753154235,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3752.jpg?v=1768912248"},{"product_id":"137","title":"Distilled and casked in 1980, bottled in 1993, Finlaggan single malt whisky, a strong drink for strong men, 60% strength. #137","description":"\u003cp data-path-to-node=\"1\"\u003eThis bottle is a rare old bottle, distilled in 1980 and bottled in 1993, having been aged for 12 years. The bottler is THE VINTAGE MALT WHISKY CO. LTD.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003e The greatest appeal of Finlaggan is that it is a mysterious single Islay malt whose contents remain unknown. While many speculate that this whisky is from the Caol Ila distillery due to its distinctive flavor, the exact Islay distillery it comes from has been purposefully kept secret. However, the signature of blender Brian Crook on the back guarantees that he has used his many years of experience to carefully select the malt that best expresses the characteristics of Islay malt.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003e This whisky is bottled at an extremely high strength of 60% alcohol by volume, preserving the smoky, powerful flavor characteristic of Islay malt, close to that of a cask-fresh whisky. The label's catchphrase, \"A strong drink for strong men, a super-hard 60% alcohol,\" emphasizes its unique character. Along with the legend of Finlaggan Castle, you can enjoy the deep, smoky flavor of whisky from the early 1980s, a time when whisky quality was considered to be at its peak.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e \u003cstrong\u003eProduct name:\u003c\/strong\u003e Finlaggan 1980, a strong drink for strong men\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eType:\u003c\/strong\u003e Single malt whisky\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eAge:\u003c\/strong\u003e 12 years (or more)\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eCapacity:\u003c\/strong\u003e 750ml\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eAlcohol content:\u003c\/strong\u003e 60%\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003e\u003cstrong\u003eDistillation date:\u003c\/strong\u003e 1980\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eDistribution period:\u003c\/strong\u003e early 1980s onwards\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eRelease price at the time:\u003c\/strong\u003e Approximately 7,500 yen\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 1\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e We carefully select our products, but because this product was manufactured many years ago, it may not retain its original quality. Therefore, even if you are not satisfied with the quality, we cannot accept returns or refunds after purchase. We apologize for the inconvenience, but please be aware of this before purchasing.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 2\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e Even if an old bottle of whisky is unopened, the volume may have gradually evaporated over the years and decreased. Our store uses the shoulder line of the bottle as a criterion and only carefully selects products that we deem suitable for sale. \n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e\u003cbr\u003e\u003c\/h2\u003e\n\n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e ■Please cooperate with age verification.\u003c\/h2\u003e\n\n\u003cdiv class=\"sa-089-age-confirmation-body\"\u003e\n\n\u003ch3\u003e *Drinking alcohol under the age of 20 is prohibited by law.\u003cbr\u003e *We do not sell alcohol to anyone under the age of 20.\u003c\/h3\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47380753711291,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3717.jpg?v=1768912524"},{"product_id":"149","title":"Mid-1970s, White Horse Distillers Ltd. Glen Elgin 12 Year Old, 760ml, 43% #149","description":"\u003cp data-path-to-node=\"5\"\u003eThis bottle is a 12-year-old single malt from Speyside's prestigious Glen Elgin distillery, distributed in the 1970s, the golden age of Scotch whisky. Nowadays, single malts from this era play a central role in blended whisky, so they are an extremely valuable heritage that conveys the craftsmanship of the time.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003e This product was released by White Horse Distillers Ltd., the original supplier of White Horse whisky at the time. The top center of the label proudly displays Her Majesty the Queen's Royal Warrant, a mark of quality, and the iconic White Horse emblem.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003e The neck label clearly displays the \"Special Grade Whisky\" and \"Ad Valuable\" marks, certifying that it was an official import product to Japan at the time. The back label lists the name of the official distributor at the time, \"Jardine Matheson \u0026amp; Company (Japan) Limited,\" and its address in Nishi-Shinbashi, Minato Ward (Nippon Oil Main Building). The volume is 760ml, the standard size at the time, and the alcohol content is 43%.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003e Located in the heart of Speyside, the Glen Elgin distillery stubbornly adheres to traditional methods. This vintage bottle features a richer, creamier taste than the current product. The fruity aroma of pear and apple is exquisitely layered with the sweetness of vanilla from the aging casks. The palate is surprisingly mellow, with a delicate malt aroma and soft smoke that lingers pleasantly on the finish.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003e This is a superb bottle that allows you to enjoy the highest quality single malt from an era when it was overshadowed by blended whiskies. It comes with its rare original box and is in excellent condition, making it a valuable addition to any collection.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e \u003cstrong\u003eProduct name:\u003c\/strong\u003e Glen Elgin (WHITE HORSE GLEN ELGIN) 12 years\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eType:\u003c\/strong\u003e Single malt whisky\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eAge:\u003c\/strong\u003e 12 years (or more)\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eCapacity:\u003c\/strong\u003e 760ml\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eAlcohol content:\u003c\/strong\u003e 43%\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003e\u003cstrong\u003eDistillation period:\u003c\/strong\u003e Before the 1960s\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eCirculation period:\u003c\/strong\u003e mid-1970s onwards\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eRelease price at the time:\u003c\/strong\u003e Approximately 10,000 yen\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 1\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e We carefully select our products, but because this product was manufactured many years ago, it may not retain its original quality. Therefore, even if you are not satisfied with the quality, we cannot accept returns or refunds after purchase. We apologize for the inconvenience, but please be aware of this before purchasing.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 2\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e Even if an aged whisky (old bottle whisky) is unopened, the whisky may contain sediment, which is the solidification and precipitation of whisky components, or the volume may have gradually evaporated and decreased over the years. At our store, we use the shoulder line of the bottle as one of our criteria and only carefully select products that we have deemed suitable for sale. \n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e\u003cbr\u003e\u003c\/h2\u003e\n\n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e ■Please cooperate with age verification.\u003c\/h2\u003e\n\n\u003cdiv class=\"sa-089-age-confirmation-body\"\u003e\n\n\u003ch3\u003e *Drinking alcohol under the age of 20 is prohibited by law.\u003cbr\u003e *We do not sell alcohol to anyone under the age of 20.\u003c\/h3\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47397397397691,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3993.jpg?v=1769344704"},{"product_id":"150","title":"Mid-1970s, White Horse Distillers Ltd. Glen Elgin 12 Year Old, 750ml, 43% #150","description":"\u003cp data-path-to-node=\"1\"\u003eThis bottle is a 12-year-old single malt from Speyside's prestigious Glen Elgin distillery, distributed during the golden age of Scotch whisky in the 1970s and 1980s. The bottle is labeled \"Pure Highland Malt,\" and since single malts from this era now play a central role in blended whisky, they are considered an extremely valuable heritage that preserves the craftsmanship of the time.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003e This product was released by White Horse Distillers Ltd., White Horse's original supplier of raw liquor at the time. The top center of the label proudly displays Her Majesty the Queen's Royal Warrant, a mark of quality, and the iconic White Horse emblem.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003e The neck label bears the Whisky Special Grade stamp, certifying that it was an official import product in Japan at the time, and the back label bears the ad valorem tax mark. The back label also lists the name of the official distributor at the time, Jardine Matheson \u0026amp; Company (Japan) Limited, as well as the address of the Nisseki main building in Nishi-Shinbashi, Minato-ku, and the pickup address in Yamashita-cho, Naka-ku, Yokohama. The volume is 760ml, the standard at the time, and the alcohol content is 43%.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003e Located in the heart of Speyside, the Glen Elgin distillery stubbornly adheres to traditional methods. This vintage bottle features a richer, creamier taste than the current product. The fruity aroma of pear and apple is exquisitely layered with the sweetness of vanilla from the aging casks. The palate is surprisingly mellow, with a delicate malt aroma and soft smoke that lingers pleasantly on the finish.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e This is a superb bottle that allows you to enjoy the highest quality single malt from an era when it was overshadowed by blended whiskies. It comes with its rare original box and is in excellent condition, making it a valuable addition to any collection.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e \u003cstrong\u003eProduct name:\u003c\/strong\u003e Glen Elgin (WHITE HORSE GLEN ELGIN) 12 years\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eType:\u003c\/strong\u003e Single malt whisky\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eAge:\u003c\/strong\u003e 12 years (or more)\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eCapacity:\u003c\/strong\u003e 750ml\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eAlcohol content:\u003c\/strong\u003e 43%\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003e\u003cstrong\u003eDistillation period:\u003c\/strong\u003e Before the 1960s\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eCirculation period:\u003c\/strong\u003e mid-1970s onwards\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eRelease price at the time:\u003c\/strong\u003e Approximately 10,000 yen\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 1\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e We carefully select our products, but because this product was manufactured many years ago, it may not retain its original quality. Therefore, even if you are not satisfied with the quality, we cannot accept returns or refunds after purchase. We apologize for the inconvenience, but please be aware of this before purchasing.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 2\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e Even if an aged whisky (old bottle whisky) is unopened, the whisky may contain sediment, which is the solidification and precipitation of whisky components, or the volume may have gradually evaporated and decreased over the years. At our store, we use the shoulder line of the bottle as one of our criteria and only carefully select products that we have deemed suitable for sale. \n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e\u003cbr\u003e\u003c\/h2\u003e\n\n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e ■Please cooperate with age verification.\u003c\/h2\u003e\n\n\u003cdiv class=\"sa-089-age-confirmation-body\"\u003e\n\n\u003ch3\u003e *Drinking alcohol under the age of 20 is prohibited by law.\u003cbr\u003e *We do not sell alcohol to anyone under the age of 20.\u003c\/h3\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47400402649275,"sku":null,"price":49000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4055.jpg?v=1770885786"},{"product_id":"152","title":"Mid-1970s, White Horse Distillers Ltd. Glen Elgin 12 Year Old, 750ml, 43% #152","description":"\u003cp data-path-to-node=\"1\"\u003eThis bottle is a 12-year-old single malt from Speyside's prestigious Glen Elgin distillery, distributed during the golden age of Scotch whisky in the 1970s and 1980s. Nowadays, single malts from this era play a central role in blended whisky, so they are an extremely valuable heritage that conveys the craftsmanship of the time.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003e This product was released by White Horse Distillers Ltd., White Horse's original supplier of raw liquor at the time. The top center of the label proudly displays Her Majesty the Queen's Royal Warrant, a mark of quality, and the iconic White Horse emblem.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003e The neck label bears the Whisky Special Grade stamp, certifying that it was an official import product in Japan at the time, and the back label bears the ad valorem tax mark. The back label also lists the name of the official distributor at the time, Jardine Matheson \u0026amp; Co. (Japan) Limited, the address of the Nisseki main building in Nishi-Shinbashi, Minato Ward, and the address for collection in Yamashita-cho, Naka Ward, Yokohama. The volume is 760ml, the standard at the time, and the alcohol content is 43%.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003e Located in the heart of Speyside, the Glen Elgin distillery stubbornly adheres to traditional methods. This vintage bottle features a richer, creamier taste than the current product. The fruity aroma of pear and apple is exquisitely layered with the sweetness of vanilla from the aging casks. The palate is surprisingly mellow, with a delicate malt aroma and soft smoke that lingers pleasantly on the finish.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e This is a superb bottle that allows you to enjoy the highest quality single malt from an era when blended whiskies were overshadowed. It comes with its rare original box and is in excellent condition, making it a valuable addition to any collection.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e \u003cstrong\u003eProduct name:\u003c\/strong\u003e Glen Elgin (WHITE HORSE GLEN ELGIN) 12 years\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eType:\u003c\/strong\u003e Single malt whisky\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eAge:\u003c\/strong\u003e 12 years (or more)\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eCapacity:\u003c\/strong\u003e 750ml\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eAlcohol content:\u003c\/strong\u003e 43%\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003e\u003cstrong\u003eDistillation period:\u003c\/strong\u003e Before the 1960s\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eCirculation period:\u003c\/strong\u003e mid-1970s onwards\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eRelease price at the time:\u003c\/strong\u003e Approximately 10,000 yen\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 1\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e We carefully select our products, but because this product was manufactured many years ago, it may not retain its original quality. Therefore, even if you are not satisfied with the quality, we cannot accept returns or refunds after purchase. We apologize for the inconvenience, but please be aware of this before purchasing.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNote 2\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e:\u003c\/strong\u003e Even if an aged whisky (old bottle whisky) is unopened, the whisky may contain sediment, which is the solidification and precipitation of whisky components, or the volume may have gradually evaporated and decreased over the years. At our store, we use the shoulder line of the bottle as one of our criteria and only carefully select products that we have deemed suitable for sale. \n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e\u003cbr\u003e\u003c\/h2\u003e\n\n\u003ch2 class=\"sa-089-age-confirmation-heading\"\u003e ■Please cooperate with age verification.\u003c\/h2\u003e\n\n\u003cdiv class=\"sa-089-age-confirmation-body\"\u003e\n\n\u003ch3\u003e *Drinking alcohol under the age of 20 is prohibited by law.\u003cbr\u003e *We do not sell alcohol to anyone under the age of 20.\u003c\/h3\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47400404648123,"sku":null,"price":47000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4091.jpg?v=1770885504"},{"product_id":"160","title":"Hand-blown Art Glass by Iwata Hisatoshi (岩田久利), Kin-aka Kiriko (Gold Ruby Glass) Rocks Glass, 1 Piece, #160","description":"\u003cp data-path-to-node=\"4\"\u003e\u003cspan class=\"\"\u003eThis Kin-aka Kiriko created by the master of contemporary glass art,\u003c\/span\u003e\u003cspan class=\"\"\u003e Iwata Hisatoshi (1925–1994),\u003c\/span\u003e\u003cspan class=\"\"\u003e is more than just a vessel; it is a gem of an art piece that captures the memories of light and heat.\u003c\/span\u003e\u003cspan class=\"\"\u003e Together with his father,\u003c\/span\u003e\u003cspan class=\"\"\u003e \u003ca href=\"\/en\/search?q=%22%E5%B2%A9%E7%94%B0%E8%97%A4%E4%B8%83%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eIwata Toshichi\u003c\/a\u003e,\u003c\/span\u003e\u003cspan class=\"\"\u003e Hisatoshi elevated Japanese glass art from utility tools to pure art.\u003c\/span\u003e\u003cspan class=\"\"\u003e The reason why his works continue to fascinate enthusiasts around the world lies in the overwhelming depth of their colors and the sculptural power that draws out the vitality of the material.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cspan class=\"\"\u003eThe soul of this piece is the supreme coloring technique known as Kin-aka,\u003c\/span\u003e\u003cspan class=\"\"\u003e also called Gold Ruby Glass.\u003c\/span\u003e\u003cspan class=\"\"\u003e This miraculous color is born only by mixing real pure gold into the glass raw material and repeatedly reheating it in a scorching furnace at temperatures exceeding 1,\u003c\/span\u003e\u003cspan class=\"\"\u003e000 degrees Celsius.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003e\u003cspan class=\"\"\u003eThe blending ratio of pure gold is a secret of the artist and the studio,\u003c\/span\u003e\u003cspan class=\"\"\u003e so it cannot be generalized,\u003c\/span\u003e\u003cspan class=\"\"\u003e but it is typically said that the content of pure gold (gold chloride solution) is approximately 0.\u003c\/span\u003e\u003cspan class=\"\"\u003e01% to 0.\u003c\/span\u003e\u003cspan class=\"\"\u003e03% relative to the glass material.\u003c\/span\u003e\u003cspan class=\"\"\u003e For instance,\u003c\/span\u003e\u003cspan class=\"\"\u003e if a piece weighs about 300g,\u003c\/span\u003e\u003cspan class=\"\"\u003e the amount of pure gold contained is calculated to be a mere 0.\u003c\/span\u003e\u003cspan class=\"\"\u003e03g to 0.\u003c\/span\u003e\u003cspan class=\"\"\u003e1g.\u003c\/span\u003e\u003cspan class=\"\"\u003e However,\u003c\/span\u003e\u003cspan class=\"\"\u003e the reason why Kin-aka glass works are so expensive is not simply due to the use of pure gold as a raw material.\u003c\/span\u003e\u003cspan class=\"\"\u003e It lies in the background of having to overcome the strict barrier of an extremely unstable yield (success rate).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cspan class=\"\"\u003eEven among works made of the same Kin-aka glass,\u003c\/span\u003e\u003cspan class=\"\"\u003e inexpensive items tend to have a thinner red layer,\u003c\/span\u003e\u003cspan class=\"\"\u003e which results in a weak contrast with the white parts when Kiriko cuts are applied.\u003c\/span\u003e\u003cspan class=\"\"\u003e However,\u003c\/span\u003e\u003cspan class=\"\"\u003e as seen in this piece,\u003c\/span\u003e\u003cspan class=\"\"\u003e those with a thick,\u003c\/span\u003e\u003cspan class=\"\"\u003e beautiful crimson layer and sharp cut edges possess a completely different sense of visual weight.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cspan class=\"\"\u003eTo achieve this vibrant red,\u003c\/span\u003e\u003cspan class=\"\"\u003e even a slight difference in the process carries the constant risk of wasting expensive gold,\u003c\/span\u003e\u003cspan class=\"\"\u003e and the extreme tension during the production process forms the foundation of this work's value.\u003c\/span\u003e\u003cspan class=\"\"\u003e In particular,\u003c\/span\u003e\u003cspan class=\"\"\u003e the process of reheating the once-molded glass to the appropriate temperature to dramatically develop the color of the gold particles is extremely difficult,\u003c\/span\u003e\u003cspan class=\"\"\u003e even for a master with great experience.\u003c\/span\u003e\u003cspan class=\"\"\u003e Even a slight temperature change causes the color to become cloudy,\u003c\/span\u003e\u003cspan class=\"\"\u003e and failure would result in the piece becoming nothing more than extremely high-cost waste material.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cspan class=\"\"\u003eNevertheless,\u003c\/span\u003e\u003cspan class=\"\"\u003e he pursued a deep dignity and transparency akin to a ruby—a quality that can never be reached with copper-red made from cheaper copper—and dared to invest precious metal.\u003c\/span\u003e\u003cspan class=\"\"\u003e This uncompromising pride of the artist and the fact that it is a unique piece that survived the rigorous selection process determine its rarity.\u003c\/span\u003e\u003cspan class=\"\"\u003e The deep yet transparent red that seems to burn from within is the very embodiment of the color of passion that Hisatoshi pursued throughout his life.\u003c\/span\u003e\u003cspan class=\"\"\u003e The bold and precise Kiriko cuts on the surface brilliantly scrape away this Kin-aka layer,\u003c\/span\u003e\u003cspan class=\"\"\u003e creating a vivid contrast with the transparent glass beneath and causing light to reflect diffusely like a gemstone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003e\u003cspan class=\"\"\u003eThe microscopic bubbles gently trapped within the glass and the soft texture unique to hand-blown glass are by no means defects.\u003c\/span\u003e\u003cspan class=\"\"\u003e They are traces of breath—something lost in modern industrial products—where the artist gathered glass from the crucible and breathed soul into it all at once.\u003c\/span\u003e\u003cspan class=\"\"\u003e Among antique collectors,\u003c\/span\u003e\u003cspan class=\"\"\u003e these are called keshiki (scenery) and are highly valued as aesthetic points that give the work a unique depth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003e\u003cspan class=\"\"\u003eWith an exquisite size of approximately 7.\u003c\/span\u003e\u003cspan class=\"\"\u003e8 cm in diameter and 6.\u003c\/span\u003e\u003cspan class=\"\"\u003e5 cm in height,\u003c\/span\u003e\u003cspan class=\"\"\u003e it shows a perfect harmony as a rocks glass for pouring amber-colored whisky.\u003c\/span\u003e\u003cspan\u003e The liquid swaying through the Kin-aka Kiriko is the height of luxury,\u003c\/span\u003e\u003cspan\u003e transforming the time spent quietly sipping at the end of the day into a supreme ritual.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003e\u003cspan\u003eThe handwritten signature Hisatoshi (久利) on the bottom and the carefully preserved original box eloquently tell the story that this is an authentic work that has cleared Hisatoshi's strict aesthetic standards.\u003c\/span\u003e\u003cspan\u003e Now,\u003c\/span\u003e\u003cspan\u003e over 30 years after his passing,\u003c\/span\u003e\u003cspan\u003e with no new works being created,\u003c\/span\u003e\u003cspan\u003e acquiring such a well-conditioned posthumous work from his prime carries a special meaning that goes beyond mere ownership—it is the inheritance of culture.\u003c\/span\u003e\u003cspan\u003e This is a masterpiece that shines brilliantly in the history of Japanese glass craft,\u003c\/span\u003e\u003cspan\u003e embodying the madness and passion of 100 years ago that Antique Liquor 1926 continues to uphold.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cspan\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e Iwata Hisatoshi Glass Studio \u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e Iwata Hisatoshi (岩田久利) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist's Notable Activities:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e [1976] Received the Minister of Education Award at Nitten; [1982] Received the Japan Art Academy Prize.\u003c\/span\u003e\u003cspan\u003e \u003cbr\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e Late 1970s to early 1990s (estimated) \u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e Very good (no chips or cracks) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cspan\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e Original box and wrapping cloth included \u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cspan\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e Hand-blown glass \u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cspan\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e Approx.\u003c\/span\u003e\u003cspan\u003e 7.\u003c\/span\u003e\u003cspan\u003e8 cm in diameter,\u003c\/span\u003e\u003cspan\u003e 6.\u003c\/span\u003e\u003cspan\u003e5 cm in height\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cspan\u003e\u003cstrong\u003ePlease Note①:\u003c\/strong\u003e Due to the presence of fine dust particles on the surface during photography, some images may appear to show air bubbles or scratches. Upon detailed inspection, there are no notable scratches, and internal air bubbles are extremely minimal. Please purchase with confidence.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cspan\u003e\u003cstrong\u003ePlease note②:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e Even if the products we offer are brand new and unused,\u003c\/span\u003e\u003cspan\u003e they are from a very old production period and are listed as second-hand items.\u003c\/span\u003e\u003cspan\u003e Please understand and confirm that the products may have damage due to aging before considering your purchase.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"岩田久利","offers":[{"title":"Default Title","offer_id":47466345693371,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4296.jpg?v=1771849402"},{"product_id":"169","title":"Bizen Akae Sake Cup by Isezaki Mitsuru (伊勢崎満), Bizen Ware, Okayama Prefecture Important Intangible Cultural Property #169","description":"\u003cp data-path-to-node=\"29\"\u003eMitsuru Isesaki (1934–2011), the eldest son of the master craftsman Yozan Isesaki and a designated Intangible Cultural Property Holder for Okayama Prefecture, was a towering figure in the world of traditional Bizen ware. He dedicated his life to restoring the medieval \"Old Bizen\" style, serving as the spiritual backbone of the craft.\u003c\/p\u003e\n\u003cp data-path-to-node=\"30\"\u003eThis piece features \u003cb data-path-to-node=\"30\" data-index-in-node=\"20\"\u003eMitsuru’s signature alongside the \"Yozan\" seal\u003c\/b\u003e on its presentation box. Throughout his career, Mitsuru continued to use this prestigious family seal as the head of \"Yozan-gama,\" honoring the legacy of his father. It serves as a testament to his pride in his lineage and a guarantee of the authentic quality of the Isesaki family kilns.\u003c\/p\u003e\n\u003cp data-path-to-node=\"31\"\u003eNotably, this \"Bizen Aka-e\" (red enamel) work is estimated to have been created during \u003cb data-path-to-node=\"31\" data-index-in-node=\"87\"\u003eMitsuru’s mature later years, from the late 1990s into the 2000s\u003c\/b\u003e, when his artistic sensibility reached its zenith. Having mastered the stoic, unglazed aesthetic of traditional Bizen, it is significant that the master chose to embrace the modern challenge of \"color\" in his final decades. He overcame the technical difficulty of bonding enamel to iron-rich Bizen clay through firing techniques refined over half a century, achieving a magnificent contrast between the earth's weight and the vivid red.\u003c\/p\u003e\n\u003cp data-path-to-node=\"32\"\u003eWithin the traditional brownish-brown of Bizen, this work harbors a modern tension. It represents the \"final destination\" of Mitsuru Isesaki—a master who upheld a prestigious name while maintaining a forward-looking, timeless sensibility. This is a masterpiece of exceptional historical and artistic value.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eIsezaki Mitsuru (伊勢崎満, 1934-2011)\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eNotable Achievements: \u003c\/strong\u003e1961 Sanyo Shimbun Prize at the Okayama Prefectural Exhibition, 1966 First selection for the Japan Traditional Crafts Exhibition, 1972 Grand Prize at the Chunichi International Ceramic Art Exhibition, 1973 Japan Ceramic Society Award, 1984 Okayama Prefecture Cultural Encouragement Award, 1994 Sanyo Culture Award, 1998 Designated a Holder of Okayama Prefecture Important Intangible Cultural Property for Bizen Ware Production Techniques.\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003ePublic Collections:\u003c\/strong\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; Victoria and Albert Museum (UK); British Museum (UK), among others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e Circa 1990s to early 2000s\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent (no chips or cracks) \u003cbr\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated wooden box, wrapping cloth\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eCeramic\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 6 cm, diameter approx. 5.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003ePlease note: \u003c\/strong\u003eAlthough these items are in unused condition, they are vintage pieces and are listed as second-hand. Please understand that items may show characteristics of aging, and we encourage you to review all details before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47477934129339,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4540.jpg?v=1772272950"},{"product_id":"173","title":"Kitade Seiko (北出星光, Kitade Isamu) Iroe Gold Gilt Floral Motif Gold Silence Illuminating Amber Rocks Glass #173","description":"\u003cp data-path-to-node=\"14\"\u003eWe are pleased to introduce a work featuring Iroe (overglaze painting) and gold gilt floral motifs by Kitade Seiko (1928-2011), a master who inherited the orthodox traditions of Kutani ware while elevating its expression to the level of contemporary art. Kitade Seiko, whose Birth name was Kitade Isamu, was born in 1928 in Daishoji, Kaga City, Ishikawa Prefecture. Until his passing at the age of 83 in 2011, he consistently pursued a high-standard aesthetic. He was the nephew and the most prominent disciple of \u003ca href=\"\/en\/search?q=%22%E5%8C%97%E5%87%BA%E5%A1%94%E6%AC%A1%E9%83%8E%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKitade Tojiro\u003c\/a\u003e, the master who brought innovation to Kutani ware by incorporating Middle Eastern designs. While inheriting his master's passionate and exotic sensibility, Seiko added Japanese delicacy and lyricism to create his own unique, tranquil worldview.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eThe most distinctive feature of this work is the extremely precise gold gilding applied to the traditional Kutani Iroe technique. The depicted flowers are realistic yet wrapped in a dreamlike elegance, featuring the red thistle, the national flower of Scotland and symbol of the home of Scotch whisky, and the blue gentian, which embodies the Japanese heart. The vitality of the thistle, which survives the harsh nature of the northern lands, and the blue of the gentian, which harbors quiet intelligence. The fact that these two contrasting flowers are united in perfect balance through Mr. Seiko's delicate gold gilding is the emotional depth of this work. The gold lines outlining each leaf are fixed using a high-difficulty technique that requires skilled brushwork and strict temperature control. These delicate gold lines add depth to the vessel, creating an atmosphere as if the flowers are breathing depending on the lighting. Our shop proposes this prestigious yunomi not merely as a tea vessel, but as a supreme sake vessel for savoring aged spirits and whisky. Unlike transparent crystal glass, the contrast between the gold gilding and the pale colors depicted by Kitade Seiko provides visual depth when amber liquid is poured, making the liquid surface shine golden. The comfortable weight and smooth texture when held, and the characteristic softness of porcelain on the lips, promise a quiet moment that satisfies all five senses along with the aroma of aged spirits.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eKitade Seiko's achievements are demonstrated by his illustrious career, including winning the Special Selection at the Nitten Exhibition and the Hokua Prize, as well as the Fourth Class Order of the Sacred Treasure awarded by the national government in 1998. Furthermore, he established his position as a regular member of the Japan Kogei Association, and his works are housed in public art museums such as the Ishikawa Prefectural Museum of Art, the Komatsu City Museum, and the Nakamura Memorial Museum of Art, Kanazawa. This is an extremely rare work with almost no information available in overseas markets. This piece, which condenses Japan's peak craftsmanship, will be a valuable opportunity for true collectors around the world to incorporate Japanese aesthetics into their lives.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e Kitade Seiko (Birth name: Kitade Isamu, 1928-2011)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cstrong\u003eRepresentative Career History:\u003c\/strong\u003e [1967] Won Special Selection at the 10th Nitten Exhibition, [1974] Won Special Selection at the 6th Nitten Exhibition, [1993] Received the Ishikawa Prefecture Cultural Merit Award, [1998] Awarded the Fourth Class Order of the Sacred Treasure, [Later years] Served as a Nitten judge, Nitten councilor, regular member of the Japan Kogei Association, and director of the Kyoto Craft Artists Association, among other positions.\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cstrong\u003eMuseum Collections:\u003c\/strong\u003e Spencer Museum of Art (University of Kansas, USA), Minneapolis Institute of Art (USA), Mary Griggs Burke Collection (USA), Ishikawa Prefectural Museum of Art, Kyoto City Kyocera Museum of Art (Kyoto Municipal Museum of Art), Itsuo Museum of Art (Ikeda City, Osaka), Nakamura Memorial Museum of Art, Kanazawa, Komatsu City Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cstrong\u003eProduction Date:\u003c\/strong\u003e 2005–2011 (The mature peak of his final years, following his recognition as a Contemporary Master Craftsman)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks) \u003cbr\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original box (tomobako), wrapping cloth, and descriptive leaflet included.\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Diameter approx. 7.0 cm, Height approx. 9.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products provided by our shop are new and unused, they were produced a long time ago and are listed as second-hand items. Please understand and confirm that the products may have damage due to aging before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47516864053435,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4714.jpg?v=1772963885"},{"product_id":"174","title":"Matsui Koyo (松井康陽) Masterpiece: The Zenith of Neriage - Structural Beauty of Layered Construction #174","description":"\u003cp data-path-to-node=\"19\"\u003eWe are proud to introduce a masterpiece by Matsui Koyo (1962-), who has established a unique and intellectual compositional beauty in modern Neriage (marbling) techniques. This work legitimately inherits the Neriage techniques scientifically and artistically systematized by his father, Matsui Yasunari, a Living National Treasure (Holder of Important Intangible Cultural Property) for the Neriagede technique. Koyo has elevated these techniques in his own generation to a level of further precision and modern geometric patterning, creating a piece that truly deserves to be called the art of lamination.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThe Core of the Technique: Fractal Structure of Assembly and Layering The most prominent feature of this work lies in the transcendental technique known as Kumiage (assembly) or Layered Neriage, which far exceeds the general concept of marbling. Rather than simply mixing different colors of clay, this technique involves first pressing dozens of thin clay sheets—each only a few tenths of a millimeter thick—into a single pattern block. These blocks are then precisely sliced, and the resulting fragments are reconfigured with other clay based on a different color scheme to redefine a larger and more complex pattern block. This mind-bogglingly repetitive process creates micro-architectures of clay, appearing on the surface as meticulous grids and gradations that challenge the limits of the naked eye.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eTechnical Difficulty: A Struggle with the Laws of Physics The reason this Kumiage technique is considered the pinnacle of ceramic art is its extraordinarily low survival rate. In ceramics, joining clays with different properties means that even a slight difference in shrinkage rates during drying or firing will cause catastrophic cracking or delamination at the interfaces. In a laminated structure like this, thousands to tens of thousands of interfaces exist within a single vessel. To unite them in a kiln exceeding 1,200 degrees Celsius, advanced scientific knowledge is essential to match the thermal expansion coefficients of each colored clay with mathematical precision. Based on the secret clay formulas inherited from his father Yasunari—which maintain constant shrinkage regardless of color change—Koyo's meticulous calculations allow this physical miracle to take shape.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eUniqueness of Form: Static Beauty Without Distortion The dignified presence of this work is also supported by the total elimination of distortion during the forming process. If the clay were pulled up on a potter's wheel like ordinary ceramics, the internal laminated patterns would be brutally stretched by the pressure of the fingers. Therefore, Koyo employs extremely specialized and time-consuming forming methods, such as hammering the clay from the outside or lavishly carving it out, to ensure the patterns are not distorted at all. This perfect coexistence of three-dimensional structural beauty and mathematical pattern accuracy is the unique aesthetic of the Matsui family.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23\"\u003eInheritance and Innovation from Living National Treasure Matsui \u003ca href=\"\/en\/search?q=%22%E6%9D%BE%E4%BA%95%E5%BA%B7%E6%88%90%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eMatsui Kosei\u003c\/a\u003e Koyo has reconstructed the world of Neriage—often called a kaleidoscope of clay—through a compositional perspective cultivated during his studies at the School of Art and Design, University of Tsukuba. While the works of his father, Yasunari, sometimes evoke a sense of wild vitality through techniques like Hahyo (surface cracking), Koyo's works exude a more refined and tranquil order. This is the result of sublimating the supreme techniques received from his great pioneer father into an art of logic that harmonizes with modern spaces.\u003c\/p\u003e\n\u003cp data-path-to-node=\"24\"\u003eThe Ultimate Tool for Savoring Aged Spirits We recommend this piece because its overwhelming lamination resonates with the layers of time carved into whisky through the aging process. When amber liquid is poured, the fine Neriage lines on the interior refract through the liquid, creating a moment of deep contemplation visually symbolizing the accumulation of time. Beyond simply owning a craft, it is about cherishing in one's hand the product of a human obsession that defied the laws of physics to transform clay into a jewel through fire. It will be a sublime tasting experience that echoes the profound flavors of aged spirits.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e Matsui Koyo (1962-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eRepresentative Career History:\u003c\/strong\u003e [1985] Graduated from the School of Art and Design, University of Tsukuba, and studied under his father, Matsui Yasunari (Living National Treasure). [1991] Won the Encouragement Award at the 38th Japan Traditional Crafts Exhibition. [2002] Received the Japan Ceramic Society Award. [2005] Won the Encouragement Award at the 33rd Traditional Crafts New Works Exhibition. [Later years] Served as a regular member of the Japan Kogei Association and a committee member of the Ibaraki Ceramic Art Museum. Museum\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eCollections:\u003c\/strong\u003e Metropolitan Museum of Art (New York, USA), Victoria and Albert Museum (London, UK), National Museum of Modern Art, Tokyo, Ibaraki Ceramic Art Museum, Smith College Museum of Art (USA), etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eProduction Date:\u003c\/strong\u003e 2000s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks) \u003cbr\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original box (tomobako), wrapping cloth, and descriptive leaflet included.\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain (Neriage)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Diameter approx. 8.0 cm, Base Diameter approx. 4.0 cm, Height approx. 8.2 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products provided by our shop are new and unused, they were produced a long time ago and are listed as second-hand items. Please understand and confirm that the products may have damage due to aging before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47517110239419,"sku":null,"price":85000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4652.jpg?v=1772964629"},{"product_id":"181","title":"Miyanaga Tozan III (三代 宮永東山・宮永理吉), Member of Sodeisha (Avant-Garde Group in Contemporary Ceramic History), Crafted by Miyanaga Rikichi, Tozan Kiln, Kyo-yaki (Kyoto Ware), Ceramic Sculpture, Polychrome Enameled Sake Cup, Guinomi #181","description":"\u003cp data-path-to-node=\"18\"\u003eMiyanaga Rikichi (1935-), known as Miyanaga Tozan III, is an internationally acclaimed artist who, while inheriting the lineage of the prestigious Miyanaga Tozan kiln in Kyoto, has pioneered contemporary ceramic sculpture. From 1954, he studied under Shindo Tsuji and Masakazu Horiuchi, leaders of Japanese abstract sculpture, at the Department of Sculpture, Kyoto City University of Arts. During his travels to the United States in 1960, he engaged with Peter Voulkos and others, honing an avant-garde sensibility that treats clay as a pure artistic medium. After returning to Japan in 1971, he joined the influential avant-garde group Sodeisha as a member, pursuing forms as \"objets\" that transcend mere functionality. His journey, marked by receiving the Kyoto Prefecture Cultural Achievement Award in 1998 and succeeding to the title of Miyanaga Tozan III in 1999, demonstrates a sophisticated fusion of Kyoto's traditional heritage and contemporary artistic innovation.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThis work is a small guinomi (sake cup) that reflects his exceptional skill as a sculptor, featuring an organic form that maximizes the natural plasticity of clay. Rather than being formed on a potter’s wheel, the unique texture created through sculptural techniques such as hand-forming and carving fits comfortably in the palm. The vessel creates complex shadows depending on the light, giving it a commanding presence as a complete ceramic sculpture. His artistic achievements are highly regarded both in Japan and abroad, with his works permanently housed in major institutions, including The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; Kyoto City KYOCERA Museum of Art; and the Ibaraki Ceramic Art Museum.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eWe propose this piece as the ultimate vessel for enjoying aged whisky and rare old bottles. The organic sculptural beauty of the ceramic gains visual depth when filled with amber liquid, offering a sensory experience that connects with the spirituality of Japanese contemporary craft. Bearing the prestigious name of Miyanaga Tozan and imbued with the avant-garde spirit of Sodeisha, this work is an invaluable find for international art lovers and collectors, representing a rare intersection of tradition and modernity in Japanese ceramic culture.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003e\u003cb data-path-to-node=\"4\" data-index-in-node=\"0\"\u003eComment from a master potter who socialized with Miyanaga Rikichi:\u003c\/b\u003e \"Hereditary potters carry a heavy burden. Even when their work is exceptional, people are quick to suspect that tradition played a part—as if success were a given. Rikichi is the third generation of the renowned master Miyanaga Tozan. While I hear that many third-generation successors are prone to rebellion, his spatial processing transcends that of a typical potter. This is because he is also a sculptor, and his work is not born of mere defiance. However, in this world that prizes the 'distortions' of refined ceramics, his resolute attempt to expand the realm of precise porcelain—and the gentle, disciplined elegance beneath that bold action—is this, perhaps, the subtle shadow inherent to a third-generation master?\" — \u003cb data-path-to-node=\"4\" data-index-in-node=\"795\"\u003e\u003ca href=\"\/en\/search?q=%22%E5%85%AB%E6%9C%A8%E4%B8%80%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYagi Kazuo\u003c\/a\u003e\u003c\/b\u003e (1918–1979)\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eComment from a literary giant who socialized with Miyanaga Rikichi:\u003c\/b\u003e \"The art of Miyanaga Rikichi is composed of purely abstract planes and straight lines. There is no room for the intervention of ambiguous curves or accidental irregularities. This product of a completely rational spirit delights me, having had my eyes opened to beauty in my youth by Mondrian’s 'Composition.' Yet, the difference between that Dutch painter and this Kyoto potter lies in the space between Miyanaga's lines and planes. From those gaps, the various other possibilities the artist explored during the creative process emerge like a dream, inviting us into a play of creation. The artist's passion is transformed on the surface of the work into a lyrical and graceful elegance.\" — \u003cb data-path-to-node=\"5\" data-index-in-node=\"761\"\u003eNakamura Shinichiro\u003c\/b\u003e (1918–1997)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Miyanaga Tozan III (三代 宮永東山・宮永理吉, Miyanaga Rikichi, 1935-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"53\"\u003eArtist's Major Activities:\u003c\/b\u003e 1970 Japan Ceramic Society Award, 1971 Sodeisha member, 1993 Kyoto City Cultural Contributor, 1998 Kyoto Prefecture Cultural Achievement Award, 1999 Succeeded to the title Miyanaga Tozan III.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"272\"\u003eWorks in Collections:\u003c\/b\u003e The National Museum of Modern Art, Kyoto; The Japan Foundation; Kyoto City KYOCERA Museum of Art; Ibaraki Ceramic Art Museum; Enbe China Modern Art Museum (China); Victoria and Albert Museum (UK); Musée Ariana (Switzerland); Museu de la Garrotxa (Spain); Musée des Arts Décoratifs (France); Everson Museum of Art (USA); Canterbury Museum (New Zealand); Newcastle Art Gallery (Australia); Art Gallery of New South Wales (Australia); La Casa Japonesa en Argentina (Argentina), and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"452\"\u003ePeriod of Creation:\u003c\/b\u003e Circa 1999-2005 (The mature period around the time of his succession)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"542\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"585\"\u003eAccessories:\u003c\/b\u003e Original wooden box, wrapping cloth, introductory leaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"656\"\u003eMaterial:\u003c\/b\u003e Ceramic (Ceramic sculpture, Celadon glaze, etc.)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"715\"\u003eDimensions:\u003c\/b\u003e Height approx. 4 cm, Mouth diameter approx. 5.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"778\"\u003eNote:\u003c\/b\u003e Please note that all products, even those in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47518877778107,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4878_result.jpg?v=1774141055"},{"product_id":"188","title":"Hagi Ceramic Artists Association Regular Member \/ Genius of Ultra-Robust Oni-Hagi Born from Re-Firing: Kuroda Gaku (黒田岳), Hidasuki (Yohen \/ Kiln-Mutated) Sake Vessel, Hagi Ware Rock Glass for Western Spirits #188","description":"\u003cp data-path-to-node=\"15\"\u003eBorn in Nagano Prefecture in 1946 and having blossomed his unique artistry in Hagi City, Yamaguchi Prefecture—a ceramic capital boasting over 400 years of proud tradition—Kuroda Gaku is a highly talented Hagi ware artist recognized as a prestigious Regular Member of the Hagi Ceramic Artists Association. Currently based at his Nanchi Kobo studio in Yamada, Hagi City, he continues his ceramic creation with a deep reverence and philosophy toward clay and fire, stating, \"These are pieces fired during my days of wandering back and forth between the clay, the fire, and myself. The clay, which had been sleeping for hundreds of millions of years, might look a bit annoyed after facing such intense heat...\" His overwhelming solo exhibition activities and works, which effortlessly leap over the boundaries of tradition, are extremely highly acclaimed as an exceptional presence by vessel collectors and discerning buyers across the country.\u003c\/p\u003e\n\u003cp data-path-to-node=\"16\"\u003e\u0026nbsp;The greatest feature of this piece, and what has become Kuroda Gaku's signature, is the overwhelming texture of Oni-Hagi, which is meticulously controlled through his unique technique. Oni-Hagi is a traditional technique that possesses a highly rugged and dynamic texture, created by boldly mixing coarse sand into the traditional Hagi clay, such as Mishima clay, and then applying a straw ash glaze before firing. What deserves special mention is Kuroda's insatiable commitment to re-firing, a process where the vessel is fired again at a high temperature after its initial regular firing. This triggers a violent chemical reaction (yohen, or kiln mutation) inside the kiln, causing a diverse array of beautiful colors—such as gentle and soft cream, pink, and sometimes mysterious blue—to appear on the surface of the vessel like a painting. Furthermore, this thorough firing process completely overcomes the historical weakness of traditional Hagi ware, which is typically fired at lower temperatures and is somewhat fragile. He has successfully achieved both sufficient strength to withstand use as tableware and modern barware, and a layer of incredibly beautiful penetrations (crazing) in the slip at the same time.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eWe propose this vessel, which possesses both definitive authority and ultra-robust strength, as the ultimate rock glass for savoring Japanese whisky, scotch, or bourbon, allowing you to boldly float a large block of ice. Distinct from rugged unglazed yakishime ware that uses no glaze at all, the texture of the fine crazing on the firmly fired Oni-Hagi fits the palm of your hand with surprising comfort from the moment you hold it, bringing a gentle warmth and a pleasing sense of weight suitable for an executive. The noble amber color of the whisky resonates beautifully with the complex color gradations born from the kiln mutation and the powerful scorch marks visible in places, giving an overwhelming three-dimensional depth inside the glass. Furthermore, through the greatest charm of Hagi ware, known as the Seven Transformations of Hagi (Hagi no Nanabake), the sake slowly seeps into the cracks (crazing) of the vessel over years of use, allowing you to enjoy the moving experience of watching the color and texture of the vessel gradually deepen and evolve as a lifelong companion without worrying about its strength. It is truly a refined, one-of-a-kind, ultimate sake vessel that harmonizes with a contemporary lifestyle.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Kuroda Gaku (黒田岳, 1946- )\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"29\"\u003eArtist's Major Activities:\u003c\/b\u003e A Hagi ware artist born in Nagano Prefecture in 1946. Established his Nanchi Kobo studio in Hagi City, Yamaguchi Prefecture. Evolved the traditional Hagi clay blending and established the Oni-Hagi method, which extracts powerful expressions and strength far surpassing regular Hagi ware by repeatedly firing the piece after its initial firing. His high level of technique and unique artistry have been publicly recognized, leading to his designation as a prestigious Regular Member of the Hagi Ceramic Artists Association. He expands his energetic solo exhibition activities centering on department stores and galleries nationwide, establishing a solid position in the contemporary Hagi ware world.\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"755\"\u003eProduction Period:\u003c\/b\u003e 1990s to 2000s (The mature period as a Regular Member of the Hagi Ceramic Artists Association) *This piece is a masterpiece symbolizing the golden era of his artistry, where his unique Oni-Hagi technique of repeatedly firing after the initial firing was perfected, beautifully fusing the ultimate yohen kiln mutation beauty where pinks and blues intricately intersect with a dignified structural beauty that powerfully tightens a modern table setting.\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"1226\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"1269\"\u003eAccessories:\u003c\/b\u003e Tomobako (Original signed wooden box), Ukon-nuno (Wrapping cloth)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"1348\"\u003eMaterial:\u003c\/b\u003e Pottery (Hagi ware, Oni-Hagi, Yohen glazed color)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"1408\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 7 cm, Height approx. 7 cm (approximate guide)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"1489\"\u003eNote:\u003c\/b\u003e All items offered by our store, even if new and unused, are from a very old production period and are listed as used. Items may have age-related damage, so please consider purchasing after understanding and checking.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47537146396859,"sku":null,"price":70000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5087_result.jpg?v=1774141573"},{"product_id":"199","title":"Living National Treasure, Ito Sekisui V (五代 伊藤赤水), Mumyoi-yaki, Elegant \"Manyo\" Cursive Line Engraving, Yunomi \/ Ceramic Whisky Tumbler \"Bush Clover in Autumn Field\" #199","description":"\u003cp data-path-to-node=\"18\"\u003eThis is an extremely rare masterpiece of \"Manyo Renmen Senkoku\" (Cursive Line Engraving of Manyo Poetry) by Ito Sekisui V, who elevated Mumyoi-yaki—a traditional craft of Sado City, Niigata Prefecture—to the realm of fine art and was designated a Living National Treasure in 2003. Mumyoi-yaki is defined by its use of red clay rich in iron oxide, sourced from the vicinity of the Sado Gold Mine. Fired at high temperatures, it becomes as hard as stone despite being pottery and possesses a distinctive metallic resonance. Ito Sekisui is a preeminent Japanese ceramic artist whose works are permanently housed in the world's most prestigious institutions, including the Metropolitan Museum of Art and the Victoria and Albert Museum.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThis piece is a rare gem among Ito Sekisui's works, featuring \"calligraphy\" as its central motif. On the surface of the vessel, five characters—\"Aki (Autumn), No (of), No (Field), Ni (in), Hagi (Bush Clover)\"—symbolizing a scene from the Man'yoshu (Japan's oldest poetry anthology), are engraved with breathtaking precision using a needle-like tool. This is not merely a sequence of characters, but a recreation in line engraving of \"Renmen-tai\" calligraphy—the style of connecting characters in a single, flowing stroke. The graceful red lines winding around the vessel visualize the wind blowing through the autumn fields of Sado and the passage of time. This expression, carving the soul of words into red clay with a level of concentration where no correction is possible, represents the pinnacle of delicate, stoic artistry, achievable only through the uniquely fine-grained clay of Mumyoi-yaki.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThese five characters encapsulate a universal primordial landscape cherished by the Japanese for over a millennium. Setting itself apart from his more common floral or fruit motifs, the method of connecting a few symbolic characters with a continuous line—rather than engraving the entire text—conveys the artist's minimalist aesthetic and intellectual message. The original wooden box bears the inscriptions \"Mumyoi\" on the right, \"Manyo\" in the center, and \"Yunomi\" (teacup) on the left, proving that the artist himself sealed these fragments of ancient poetry within the vessel. Although originally crafted as a teacup, given the deep red texture and the tactile sensation of the engraved characters on the fingertips, we propose this as a special spirits vessel for enjoying aged koshu or whisky. Savoring the amber liquid while contemplating the Manyo scene in the palm of your hand offers a blissful moment embodying the Zen and tranquility of traditional Japanese aesthetics.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Ito Sekisui V (五代 伊藤赤水, born 1941)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"34\"\u003eRepresentative Career:\u003c\/b\u003e Elevated the \"Mumyoi-yaki\" tradition of Sado Island to an international art form, and was designated a Living National Treasure (Holder of Important Intangible Cultural Property for Mumyoi-yaki) in 2003. [1973] Recipient of the Prince Takamatsu Memorial Award at the Japan Traditional Craft Exhibition; [2005] Awarded the Medal with Purple Ribbon; [2011] Awarded the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"473\"\u003eMuseum Collections:\u003c\/b\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; The Metropolitan Museum of Art (New York); Victoria and Albert Museum (London); Smithsonian Institution; and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"694\"\u003ePeriod of Creation:\u003c\/b\u003e 2000s–2010s (The mature period following his designation as a Living National Treasure). While Sekisui V is famously known for his \"Yohen\" (kiln transformation) designs, this line-engraving series represents the absolute height of his refined technique in his later years, showcasing a resonance of natural power and silence that transcends human intent.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1069\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1112\"\u003eAccessories:\u003c\/b\u003e Original signed wooden box (Tomobako), rice straw packing\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1183\"\u003eMaterial:\u003c\/b\u003e Pottery (Mumyoi-yaki \/ Sado red clay rich in iron oxide)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1250\"\u003eDimensions:\u003c\/b\u003e Height approx. 7.1 cm, Mouth diameter approx. 6.7 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1315\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47553125384379,"sku":null,"price":80000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5435_result.jpg?v=1774142551"},{"product_id":"201","title":"Iwata Hisatoshi (岩田久利), Jobun (Striped) Glass Vessel, Rock Glass \/ Tasting Glass, Japan Art Academy Award Winning Artist #201","description":"\u003cp data-path-to-node=\"19\"\u003eIwata Hisatoshi (1925-1994) was a pioneer who elevated modern Japanese glass craft to the realm of fine art. As a recipient of the Japan Art Academy Award in 1982, he is considered one of the most distinguished glass artists of the Showa period. Building upon the traditions of Iwata Koge Glass, founded by his father \u003ca href=\"\/en\/search?q=%22%E5%B2%A9%E7%94%B0%E8%97%A4%E4%B8%83%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eIwata Toshichi\u003c\/a\u003e, he pursued a refined aesthetic that has garnered significant international acclaim. His works are held in prestigious global collections, including the Metropolitan Museum of Art in New York and the Corning Museum of Glass.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThis piece features a distinctive striped design known as \"Jobun,\" where opaque milky white glass and colorless transparent glass alternate in layers. This intricate spiral pattern is created using advanced hand-blowing techniques, where a heated mass of glass is twisted instantaneously while being blown and shaped. The minimalist design, devoid of all color and composed solely of white and transparent tones, highlights Iwata Hisatoshi's exceptional technical skill and the intrinsic beauty of glass as a medium.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eOur store proposes this uniquely shaped and stable vessel as a special sake cup for enjoying Japanese whisky or long-aged vintage sake. Its palm-sized dimensions and the substantial weight characteristic of his work provide excellent practicality as a functional vessel. When amber-colored whisky is poured into this vessel, the transparent striped sections act like lenses, brilliantly transmitting the vibrant color of the liquid to the exterior.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eThe visual mechanism where the opaque white lines and the amber color of the spirit appear alternately—thereby completing the vessel's design—is the pinnacle of calculated sculptural beauty. The amber glow transmitted through the glass changes with the angle of light, offering a luxurious experience that merges traditional Jobun patterns with contemporary whisky culture. Relying not on ornate decoration but on the maximization of light, shadow, and the colors of the liquid, this piece is a unique presence that enriches a sophisticated lifestyle.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"0\"\u003eManufacturer:\u003c\/b\u003e Iwata Hisatoshi Studio\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"37\"\u003eArtist:\u003c\/b\u003e Iwata Hisatoshi (岩田久利)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"61\"\u003eArtist's notable career highlights:\u003c\/b\u003e [1976] Received the Minister of Education Award at the Nitten Exhibition; [1982] Received the Japan Art Academy Award\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"215\"\u003eWorks held in collections at:\u003c\/b\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; Hokkaido Museum of Modern Art; The Japan Art Academy; The Metropolitan Museum of Art, New York; The Corning Museum of Glass, New York; Museum Kunstpalast, Düsseldorf; Musée des Arts Décoratifs, Paris; and others\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"541\"\u003ePeriod of creation:\u003c\/b\u003e 1980s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"579\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"622\"\u003eAccessories:\u003c\/b\u003e Dedicated box included\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"658\"\u003eMaterial:\u003c\/b\u003e Hand-blown glass\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"685\"\u003eDimensions:\u003c\/b\u003e Diameter approx. 7.0 cm, Height approx. 9.4 cm (approximate)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"758\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47578210435259,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5328_result.jpg?v=1774142251"},{"product_id":"206","title":"Saga Prefectural Intangible Cultural Property Holder, 19th Generation Ogasawara Choshun (十九代 小笠原長春) – Nabeshima Celadon Carved Pattern Cylindrical Large Ceramic Whisky Tumbler #206","description":"\u003cp data-path-to-node=\"6\"\u003eThe 19th-generation Ogasawara Choshun (Birth name Kenzo Ogasawara, 1932-), a direct descendant of the official painters and potters who supported the Nabeshima Domain's clan kiln during the Edo period, is the foremost authority on Nabeshima celadon. Born in 1932 in Okawachi-cho, Imari City, Saga Prefecture, his exceptional skills were recognized in 1998 when he was certified as a holder of Nabeshima celadon, an Important Intangible Cultural Property of Saga Prefecture. His works are collected and exhibited at prestigious institutions such as the British Museum, establishing an unshakeable reputation in the international art market as the pinnacle of porcelain symbolizing Oriental beauty. The greatest feature of Nabeshima celadon, which the Ogasawara family has preserved, lies in its luxurious use of finely crushed rare natural celadon raw stone, mined only in Okawachiyama, Imari, as its glaze.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eThis piece embodies many of the technical characteristics for which Ogasawara Choshun is most highly regarded, but behind it lies an extremely difficult production process. What first catches the eye is the deep, moist color reminiscent of jade, but celadon glazes using natural stone are surprisingly sensitive to heat control. Mastering the reduction firing process, which limits oxygen in the kiln, is a formidable task; even a slight error can cause the color to turn a dull brownish-red, losing its original luster. Furthermore, to achieve the unique depth of Nabeshima celadon, the glaze is applied extremely thickly. This highly difficult technique carries a constant risk of the glaze flowing off during firing or cracking during cooling. The way the delicate line-engraved patterns beneath quietly emerge through this thick layer of glaze is truly a \"miracle scenery\" that can only be achieved by a certified master through strict temperature control and refined sensibility.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eAlthough this piece was created as a teabowl, its form incorporates exceptional ingenuity within the framework of traditional tea utensils. While its dimensions of approximately 11 cm in height and 10 cm in diameter are standard for a deep teabowl, what is particularly noteworthy is its original silhouette, which widens in two tiers from the body to the rim. This tiered shape is not only aesthetically pleasing but also demonstrates surprising functionality. The calculated two-stage widening dramatically improves finger grip, allowing for a remarkably stable hold with one hand despite its generous size. This unique aesthetic form provides a profound sense of security in the hand when repurposed as a Ceramic Whisky Tumbler for enjoying aged spirits. Inheriting the spirit of the \"secret kilns\" that produced items exclusively for presentation to the Shogun's family, Ogasawara Choshun has established a status equivalent to a modern Living National Treasure. His works are rare cultural assets where limited natural resources and extreme skill converge, making them masterpieces worthy of adorning a luxurious evening drink.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e 19th-generation Ogasawara Choshun (十九代 小笠原長春), Kenzo Ogasawara (1932-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"67\"\u003eArtist's Major Career Highlights:\u003c\/b\u003e [1951] Began pottery production, [1982] Received Saga Prefecture Art and Culture Contribution Award, [1993] Regional Culture Contributor Award (Minister of Education Award), [1998] Certified as a holder of Nabeshima Celadon, an Important Intangible Cultural Property of Saga Prefecture, [2003] Received the Order of the Rising Sun, Silver Rays\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"445\"\u003eWorks in Collections:\u003c\/b\u003e The British Museum (London), Embassy of Japan in the UK (London), Imperial Household Agency (record of presentation), Saga Prefectural Kyushu Ceramic Museum, Saga Prefectural Art Museum, Imari City Ceramic Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"686\"\u003ePeriod of Production:\u003c\/b\u003e After 1998 (Estimated to be during his mature period, after being certified as an Important Intangible Cultural Property)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"830\"\u003eCondition:\u003c\/b\u003e Excellent (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"873\"\u003eAccessories:\u003c\/b\u003e Original wooden box (Tomobako), Pamphlet\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"927\"\u003eMaterial:\u003c\/b\u003e Porcelain (Nabeshima Celadon)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"967\"\u003eDimensions:\u003c\/b\u003e Height approx. 11.0 cm, Mouth diameter approx. 10.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"1034\"\u003eNote:\u003c\/b\u003e All products offered by our shop, even if unused, are very old productions and are listed as used items. Products may have age-related damage, so please understand and confirm this before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47695919644859,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5697_result.jpg?v=1776175847"},{"product_id":"216","title":"Prime Minister's Award Winning Artist Yonehara Shinji (米原眞司): Pair of Hand-Blown Glass Sake Cups with Foiled Wrapped Thread Pattern and Tripod Base #216","description":"\u003cp data-path-to-node=\"11\"\u003eWe present an exquisite pair of glasses by Shinji Yonehara (born 1961), a leading figure in contemporary Japanese glass art whose works are housed in the world's premier glass institution, the Corning Museum of Glass in the United States. Born in 1961, Yonehara majored in glass art at Tama Art University before honing his craft over many years at the studio of the world-renowned master \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E7%94%B0%E5%96%AC%E5%B9%B3%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujita Kyohei\u003c\/a\u003e. Yonehara is a true doyen of contemporary glass, having established a stellar reputation both domestically and internationally, notably as the recipient of the 1st Fujita Kyohei Award from the Japan Glass Art Crafts Association and a silver prize at the International Glass Exhibition, Kanazawa.\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eThe most remarkable design feature of this work is the wrapped thread fiber pattern (line drawing) that delicately veils the surface. This effect is achieved through an advanced hot-work technique, where the artist skillfully manipulates molten glass to wrap fine threads at precise, equal intervals, intentionally sealing the pattern within the vessel. The refraction of light through the glass layers causes these encased fibers to intersect in a complex dance, creating a profound visual depth. This symbolizes the architectural and precise aesthetic Yonehara has pursued for decades, resulting in a level of perfection that transcends the functional to become a sculpture of light.\u003c\/p\u003e\n\u003cp data-path-to-node=\"13\"\u003eThe most striking structural characteristic is the tripod form, reminiscent of the \"Ding,\" an ancient Chinese bronze vessel. The process of attaching three legs to a thinly and elegantly blown bowl while the glass is still incandescent requires a flawless sense of balance and masterful temperature control, allowing for no margin of error. The vessel's presence, appearing to hover slightly above the table, imparts a sense of prestige not found in ordinary glassware. It stands as an impeccably dignified vessel for enjoying aged sake or long-matured spirits, offering a sensory experience of the highest caliber.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eHoused in major museums across the globe, Yonehara’s creations are one-of-a-kind art pieces that seamlessly blend a modern sensibility suited for contemporary living with the sublime techniques of traditional hand-blown glass. The artist’s handwritten signature etched onto the bottom of each piece is a testament to his pride as an internationally acclaimed creator and a guarantee of the uncompromising technical skill invested in every work. We invite you to experience this masterpiece—imbued with quiet passion and the essence of supreme craftsmanship by an artist who holds a pivotal place in the history of Japanese glass—during your most cherished moments.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Yonehara Shinji (米原眞司, 1961–Present)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"39\"\u003eSignificant Activities and Awards:\u003c\/b\u003e [1984] Staff at Fujita Kyohei Glass Studio (until 1991), [1986] Graduated from Tama Art University, Faculty of Art and Design, Department of Three-Dimensional Design, [1991] Established Seisho Glass Craft Studio in Sapporo, [1992] Received Encouragement Prize at the '92 International Glass Exhibition, Kanazawa, [1994] Received Special Selection Award at the 26th Nitten Exhibition (for \"Sound of Wind\"), [1998] Received Silver Prize at the '98 International Glass Exhibition, Kanazawa, [1999] Received Contemporary Craft Award at the 38th Japan Contemporary Craft Art Exhibition, [2000] Received Special Selection Award at the 32nd Nitten Exhibition (for \"Ki\"), [2002] Received the 1st Fujita Kyohei Award from the Japan Glass Art Crafts Association, [2003] Received the 31st Hokkaido Culture Encouragement Award, [2005] Received Grand Prize for Contemporary Craft at the 44th Japan Contemporary Craft Art Exhibition, [2008] Received the Prime Minister's Award at the 47th Japan Contemporary Craft Art Exhibition, [2013] Received the 40th Hokkaido Culture Award.\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1139\"\u003ePublic Collections:\u003c\/b\u003e Corning Museum of Glass (USA), Museum of Fine Arts, Boston (USA), Museum Kunstpalast (Germany), Hokkaido Museum of Modern Art, Notojima Glass Art Museum, Yokohama Museum of Art, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1342\"\u003eProduction Period:\u003c\/b\u003e 2000s\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1367\"\u003eCondition:\u003c\/b\u003e Excellent (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1410\"\u003eAccessories:\u003c\/b\u003e None\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1428\"\u003eMaterial:\u003c\/b\u003e Hand-blown glass\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1455\"\u003eDimensions:\u003c\/b\u003e Rim diameter approx. 6 cm, Height approx. 10.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1517\"\u003eNote:\u003c\/b\u003e Please be aware that although our items may be unused, they are from older production periods and are listed as vintage\/used. Items may show signs of age; please review carefully before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47695921709243,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6093_result.jpg?v=1778344468"},{"product_id":"239","title":"Nakamura Teruko (中村照子), President of Hokkaido Ceramics Association, Full Member of Japan Kōgei Association - Sometsuke Flying Dragon-motif Bajouhai (High-footed Cup), Fuji Kiln #239","description":"\u003cp data-path-to-node=\"19\"\u003eNakamura Teruko, based at Fujigama in Ebetsu, Hokkaido, is a preeminent artist in the Hokkaido ceramics scene, serving as president of the Hokkaido Ceramics Association and a full member of the Japan Kōgei Association. This piece, distinct from her signature soil inlay technique, is a sometsuke (underglaze blue) Bajouhai (Horse-riding cup). It features a powerful flying dragon rendered in gosu (cobalt blue pigment) on a pristine white background reminiscent of porcelain. The elegant, thinly-potted form, meticulously crafted on a hand-turned potter's wheel, blends the delicate touch characteristic of a female artist with the solid technical skill expected of a full member of the Japan Kōgei Association, beautifully capturing the serene atmosphere of the northern land.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThe flying dragon depicted as the motif is characterized by dynamic brushstrokes that convey the artist's breath in every line. The sometsuke gradation technique, transitioning from pale to deep blue, expresses the dragon's dynamism as it tears through clouds and ascends to the heavens. Its surface is finished smoothly with a transparent glaze. This flying dragon motif is an auspicious design symbolizing ascent and protection, and combined with the elegant shape of the Bajouhai cup, historically used for enjoying sake on horseback, it exudes a dignity that seems to elevate the aspirations of those who hold it.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eA remarkable aspect of this work is the extremely clear boundary between the white background and the blue dragon, while the overall texture is moist and feels as if it adheres to the fingers. This is a testament to advanced glazing techniques and firing management, vividly expressing Ms. Nakamura's sensibility in elevating everyday vessels to the realm of art. We propose this dignified Bajouhai cup as a special vessel for savoring amber Japanese whisky or aged sake. The time spent holding the stem between your fingers and admiring the contrast between the cool white and the vibrant blue will undoubtedly be a moment of pure bliss.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eNakamura Teruko continues to receive high acclaim at major domestic and international public exhibitions, including the Japan Traditional Crafts Exhibition, and her works are considered valuable artifacts symbolizing Hokkaido's ceramic culture. A one-of-a-kind sake cup like this, distinguished by its brilliant brushwork, is extremely rare on the market, offering an unparalleled collecting opportunity for those seeking the essence of Japanese Kōgei. Please add this Flying Dragon Bajouhai cup, the culmination of Ebetsu's rich soil and Ms. Nakamura's refined aesthetic, to your special collection.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Nakamura Teruko (中村 照子, 1944–Present)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"46\"\u003eArtist's Major Activities:\u003c\/b\u003e President of the Hokkaido Ceramics Association. Full member of the Japan Kōgei Association. Creates works at Fujigama in Ebetsu, Hokkaido. Highly acclaimed domestically and internationally as a leading potter in Hokkaido, with numerous selections in the Japan Traditional Crafts Exhibition, recipient of the Doten Award (Hokkaido Fine Arts Association), and the NHK Broadcasting Station Award.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"467\"\u003eProduction Period:\u003c\/b\u003e Circa 2008–2014 (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"514\"\u003eCondition:\u003c\/b\u003e Excellent (no chips, no cracks, some signs of age)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"576\"\u003eAccessories:\u003c\/b\u003e Custom washi paper box, artist's leaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"630\"\u003eMaterial:\u003c\/b\u003e Ceramic\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"648\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 7.2 cm, Height approx. 9.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"713\"\u003eNote:\u003c\/b\u003e Even if new and unused, all items offered by our shop are very old production pieces and are listed as used. Please understand and acknowledge that items may have age-related damage before considering purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47766438478011,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6189_result.jpg?v=1778493111"},{"product_id":"240","title":"Kida Hiroyuki (木田弘之) Kutani Ware Celadon Teabowl and Ceramic Whisky Tumbler (Selected for the Nitten Exhibition, Awarded Minister of Education Prize) #240","description":"\u003cp data-path-to-node=\"14\"\u003eThis is a celadon chawan (tea bowl) by Hiroyuki Kida (1944-), a modern Kutani ware master whose works have received numerous top honors, including the Nitten Special Selection and the Minister of Education Award, and whose pieces are permanently held by Japan's Ministry of Foreign Affairs. This piece has the beautiful proportions of a matcha bowl that fits comfortably in the hand, and our shop proudly proposes it as a premium Japanese craft Ceramic Whisky Tumbler for slowly enjoying aged sake that has matured into a rich amber color over time, or carefully selected whisky with large ice cubes. Its traditional shape, with a wide mouth and moderate depth, significantly enhances the rich aroma of the poured liquor by allowing it to interact with the air, and when held, it directly conveys the smooth texture and pleasant weight characteristic of Kutani porcelain. The attempt to merge the traditional chawan, which possesses an overwhelming presence as an art object and is deeply rooted in Japanese tea ceremony culture, with the modern enjoyment of luxury spirits will surely provide a luxurious experience for entertaining overseas collectors and special guests with the highest form of Japanese hospitality.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eThe artist, Hiroyuki Kida, was born in Hachiman, Komatsu City, Ishikawa Prefecture in 1944. As the third-generation successor of Kida Seito, a renowned family of Kutani ware three-dimensional sculptors, he inherited the highly precise modeling techniques passed down through generations. Furthermore, not content with the scope of traditional crafts, he completed his studies at the Government Industrial Research Institute, Nagoya, a national research institution, acquiring scientific and modern ceramic technology. He has established a truly rare, completely handmade style in the world of Kutani ware, overseeing every step from mold making and shaping to meticulous overglaze painting himself. He has achieved brilliant results on major stages both domestically and internationally, including receiving the Nitten Special Selection, the Minister of Education Award, being selected for the Faenza International Ceramics Competition in Italy, and winning the Chunichi Grand Prize. His extraordinary modeling sense and technique have been officially recognized as national art pieces, purchased by the Ministry of Foreign Affairs, and permanently housed as part of the public collection of the Hokkaido Museum of Modern Art, among other accolades, widely proving their cultural asset value. He continues to be a leading figure who relentlessly pursues the art of pottery, and complete pieces bearing the artist's original signature on the box, which circulate in the market, possess extremely high rarity due to the lack of new supply.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eOne of the most highly regarded aspects of Hiroyuki Kida's pottery is his advanced glaze color control technology, backed by years of research. Upon careful examination of this piece, as can be seen in the accompanying images, it stands out as an exceptionally well-executed work among his celadon pieces, a masterpiece full of artistic flavor. The beautiful glaze covering the entire vessel achieves a vivid and deeply clear coloration reminiscent of the highest quality jade, possessing an incredibly high, captivating transparency. Furthermore, as can be meticulously observed in the detailed photographs, a splendid network of crackle, like finely woven ice cracks, spreads beautifully and seamlessly from the inner and outer walls of the vessel all the way to the deep interior. The thickness of this transparent glaze and the countless layers of fine cracks within it allow light to pass through, creating a three-dimensional visual effect as if a mystical natural landscape unfolds deep within the vessel when gazed upon. When sake is poured and ice floats within, the amber liquid of aged sake, the jade color, and the sparkling crackle will harmonize beautifully within the vessel, evoking the highest level of sophistication.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eThis piece is perfectly accompanied by physical evidence that confirms its authenticity and the artist's distinct style. On the base of the vessel, within the carefully finished foot, a clear square seal \"Hiroyuki\" is engraved, indicating it is an authentic work by the artist. Furthermore, the lid of the dedicated wooden box, which shows careful preservation, bears the artist's handwritten inscription \"Celadon Tea Bowl\" on the front and \"Kutani Hiroyuki\" with a square seal on the inside. In addition, a dedicated yellow wrapping cloth beautifully stamped with the artist's seal, and a detailed artist's profile booklet (shiori) are all included in excellent condition. This is a complete piece in very good condition, free from chips or cracks, and represents an asset of undeniable value as a supreme Japanese craft piece, extremely difficult to encounter overseas. Please note that the fine crackle patterns visible on the surface of the vessel are a traditional, natural characteristic unique to celadon, known as \"kannyu,\" and are not damage from later impact or wear. Please feel free to pour your drink and enjoy its beautiful appearance. We invite you to enjoy the supreme beauty cultivated by Japanese tradition in your own hands.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Kida Hiroyuki (木田弘之, 1944-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"30\"\u003eArtist's Major Activities:\u003c\/b\u003e [1944] Born in Kaga Hachiman, Komatsu City, Ishikawa Prefecture, completed studies at the Government Industrial Research Institute, Nagoya. [1966] First accepted into the 22nd Ishikawa Prefectural Contemporary Art Exhibition and first exhibited and accepted into the 9th Nitten Exhibition (work title: Town with a Forest). Since then, he has achieved brilliant results in major public exhibitions. [1974] Selected for the 32nd Faenza International Ceramics Competition in Italy, a globally renowned authority. [1977] Received the Chunichi Grand Prize, the highest award at the 5th Chunichi International Ceramics Exhibition (work later publicly acquired by Komatsu City). [1979] Received the Minister of Education Award, the highest award category at the Prefectural Exhibition Selection organized by the Agency for Cultural Affairs. [1980] Recommended as a member of the Japan New Craft Artists Federation, and his work exhibited at the 2nd Japan New Craft Exhibition in the same year (Serving Dish, Sui) was publicly acquired by the Ministry of Foreign Affairs. [1995] Received the Special Selection, one of the highest honors of the Nitten Exhibition.\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1212\"\u003eWorks in Public Collections:\u003c\/b\u003e Ministry of Foreign Affairs (public acquisition), Komatsu City, Ishikawa Prefecture (public acquisition), Hokkaido Museum of Modern Art (1973 work, ceramic three-dimensional piece \"Untitled\" permanently housed), etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1458\"\u003eProduction Period:\u003c\/b\u003e Circa 1977–1980 (Showa 52–Showa 55 \/ The pinnacle of his golden age, during which he won the Chunichi Grand Prize and the Minister of Education Award, and achieved public acquisition by the Ministry of Foreign Affairs)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1622\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks; please note the natural crackle)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1698\"\u003eAccessories:\u003c\/b\u003e Dedicated wooden box, wrapping cloth, artist's profile booklet (shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1792\"\u003eMaterial:\u003c\/b\u003e Porcelain (celadon)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1822\"\u003eDimensions:\u003c\/b\u003e Height approx. 8.0 cm, Diameter approx. 12.2 cm \u003cbr\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products offered by our shop are unused, they are very old production items and are all listed as used. Products may have age-related damage, so please consider purchasing after understanding and checking.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47766438576315,"sku":null,"price":70000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7468_result.jpg?v=1780730527"},{"product_id":"249","title":"Tokoname City Intangible Cultural Property Holder, Konishi Yohei (小西洋平), Shu-dei Neriage Genshin-sai Sake Set (Sake Bottle and Cups) #249","description":"\u003cp data-path-to-node=\"8\"\u003eWe are pleased to introduce a Shudei Neriage Genshinsai sake set by Konishi Yohei (born 1941), a modern master who stands at the pinnacle of contemporary Tokoname ware and was designated a holder of Tokoname City Intangible Cultural Property in 2013. Konishi's artistry has earned global recognition, including a silver prize at the Vallauris International Ceramics Biennale in France in 1982, and his works are held in prestigious institutions such as the Victoria and Albert Museum in England and the Philadelphia Museum of Art in the United States. This piece is a masterpiece from his mature period in the 1980s to early 1990s, where his self-taught and refined neriage technique, built upon traditional Tokoname ware methods, harmonizes with the intricate sculptural beauty achieved through a hand-turned potter's wheel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe core essence of this work lies in the neriage technique, which involves layering clays of different colors on a base of shudei (vermilion clay), the symbol of Tokoname ware, to create patterns. The flowing, geological-strata-like curves visible in the accompanying images are not drawn on the surface; rather, they emerge from the layers of clay itself, penetrating the thickness of the vessel. Konishi's neriage goes beyond mere color blending; by perfectly controlling the shrinkage rate of the clay, he creates complex geometric patterns where intricate lines, millimeters in scale, intersect. This technique produces unique, one-of-a-kind patterns, making each piece a singular artistic encounter. The fact that works using this same technique are held in the Victoria and Albert Museum eloquently speaks to the universal artistic value of this piece.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eIn terms of form, the transcendent skill of the hand-turned potter's wheel, a reason for his designation as an Intangible Cultural Property, is fully displayed. Especially noteworthy are the extremely constricted neck of the sake bottle (tokkuri) and the thinly crafted (usuzukuri) finish seen in the sake cups (sakazuki), a realm uniquely mastered by Konishi. The usuzukuri technique, where clay is stretched to its limit with only the sensation of the fingertips, imparts astonishing lightness and a pleasant feel to the mouth of the vessel, embodying the beauty of utility in craftwork. Furthermore, the coloration on the surface, called Genshinsai, imbues the characteristic subdued reddish-brown of shudei with deep shading. It possesses the inherent charm of Tokoname ware, which develops a richer luster with use and grows with its owner.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eWe propose this elegant sake set, originally crafted for Japanese sake, as a special vessel for enjoying aged whisky or brandy. When liquid touches the inside of the vessel, the subtle clay patterns created by the neriage technique deepen their contours through the liquid. The weight of time held by amber spirits resonates with the vessel's design, reminiscent of geological strata. The temperature of the liquid conveyed by the ultra-thin sake cup nestled in one's palm, and the rhythm of the clay that Konishi Yohei dedicated his life to creating, will elevate the simple act of drinking into a thoughtful tasting experience, appreciating the pinnacle of human artistry and the harmony of nature.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eKonishi Yohei (小西洋平, born 1941)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eArtist's Notable Activities:\u003c\/strong\u003e [1982] Received a silver prize at the Vallauris International Ceramics Biennale in France, [2013] Designated a holder of Tokoname City Intangible Cultural Property. Regular member of the Japan Kōgei Association.\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eWorks Held In: \u003c\/strong\u003eVictoria and Albert Museum (UK), Philadelphia Museum of Art (USA), Aichi Prefectural Ceramic Museum, INAX Live Museum, and others.\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e 1980s – Early 1990s\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips or cracks)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eTomobako (original signed wooden box), Shiori (informational brochure), Wrapping cloths (2 pieces)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eCeramics (Tokoname Ware, Neriage)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eSake Bottle (Tokkuri): Height approx. 13.5 cm, Mouth diameter approx. 6.3 cm \/ Sake Cup (Sakazuki): Height approx. 6.0 cm, Mouth diameter approx. 6.0 cm\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eEven if the items we offer are new and unused, they are from a very old production period, and all are listed as used items. The products may have damage due to age, so please consider purchasing after understanding and checking.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47823831007419,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6346_result.jpg?v=1778894737"},{"product_id":"258","title":"Hiroshima Prefecture Important Intangible Cultural Property Holder, Uchida Yasuhide (内田泰秀), Mature Later Period, 1984 Masterpiece, Lost Legendary Technique \"Hyori-Kantsu Nishiki-Neriage-de\", White Camellia Design Tall-Footed Dish #258","description":"\u003cp data-path-to-node=\"26\"\u003eUchida Yasuhide (1893-1997), a holder of Hiroshima Prefecture's Important Intangible Cultural Property and referred to as a solitary legend in the history of Showa pottery. After exhibiting at the 1970 Osaka Expo and training at the prestigious Manufacture nationale de Sèvres in France, he reached a unique realm by fusing Japanese and French aesthetics. We present his supreme masterpiece, a ceramic confectionary dish (tall-footed dish) crafted on July 14, 1984, during his mature later years, utilizing the lost and legendary technique of Hyori-Kantsu-Nishiki-Neriage-de (double-sided penetrating brocade marbled clay).\u003c\/p\u003e\n\u003cp data-path-to-node=\"27\"\u003eThis piece, created in 1984, is a special item that was carefully preserved by the Uchida family as an unmarketable work for the artist's own collection, representing the pinnacle of his mature techniques during his prime. Later, at the funeral of Mr. Uchida, who lived an astonishingly long life of over a hundred years and attained his Buddhist transition (Sen-ge), it was presented as a token of appreciation to a select few close relatives who attended. The full extent of its valuable history can be meticulously confirmed by deciphering the accompanying memorial thank-you letter from the bereaved family dated March 20, 1997, from Mr. Hitoshi Sayo, Mr. Uchida's third son. This letter provides invaluable historical evidence proving that this work is an authentic and paramount heirloom of the Uchida family. We propose this elegant, tall-footed dish, approximately 19\u0026nbsp;cm in diameter, to the world as the ultimate premium plate for beautifully serving exquisite delicacies when enjoying aged amber sake or premium Japanese whisky.\u003c\/p\u003e\n\u003cp data-path-to-node=\"28\"\u003eThe Hyori-Kantsu-Nishiki-Neriage-de technique represents the pinnacle of Uchida Yasuhide's artistic value. The beautiful patterns on the vessel might appear to be hand-painted at first glance, but they are not superficial colors applied with pigments. This is a masterful technique where various types of clay, colored by blending different metal oxides, are intricately assembled like a puzzle with meticulous calculation, creating the pattern itself as the organizational structure of the clay. Furthermore, as indicated by its most significant characteristic, \"Hyori-Kantsu\" (penetrating front and back), these patterns perfectly penetrate and appear as beautiful, distinct compositions on both the front and back surfaces of the dish, set against a cobalt blue background, without any deviation. This is irrefutable evidence that the layers of clay are perfectly superimposed even in the interior, and within this ultimate structural beauty is completely encased Mr. Uchida's lifelong ardent wish for pure peace without front or back, a desire born from his experience as a native of Hiroshima, a city affected by atomic bombing.\u003c\/p\u003e\n\u003cp data-path-to-node=\"29\"\u003eObserving the design of the dish closely, a beautiful floral pattern of white camellias, quietly blooming from winter to early spring, around March when Mr. Uchida's funeral was held, vibrantly emerges against a striking cobalt blue background. The dignified appearance of white camellias blooming in the crisp air, signaling the end of harsh winter, beautifully overlaps with the lyrical scenery of the season when Mr. Uchida passed away and was seen off by his family and close acquaintances, bringing spiritual depth and endless romance to the work.\u003c\/p\u003e\n\u003cp data-path-to-node=\"30\"\u003eThe surface of the dish is intentionally not formed into an even flatness; instead, it features rich, varied undulations characteristic of handcrafted work. As can be seen in the accompanying photographs, the surface exhibits diffuse white reflection depending on the angle of light. We have photographed and presented the piece in its unaltered state to convey the overwhelming depth of design, unique warmth, and the inherent charm as pottery that arise precisely because of this uneven thickness. Furthermore, it is particularly noteworthy that the back of the dish clearly bears Mr. Uchida's signature (engraving), deeply carved by the artist's own hand. This powerful hand-carved signature is not only irrefutable proof that this piece was created directly by Uchida Yasuhide himself, but it also exudes an overwhelming presence as an important part of the design that strengthens the overall sculptural unity and functional beauty of the vessel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"31\"\u003eDue to the nature of the Hyori-Kantsu-Nishiki-Neriage-de technique, where different colored clays with varying properties and shrinkage rates are joined and fired, it is extremely difficult to achieve a perfect firing, as small cracks or openings are prone to occur at the clay boundaries. In this particular piece, one small opening where the clay boundary is slightly separated is observed in the central part of the brown leaf pattern on the surface, but this does not completely penetrate to the back as a hole. Additionally, two small bubbles formed during the pottery creation process can be seen in the glaze on the surface. Both of these are undeniable evidence of the handcrafted process produced by Uchida Yasuhide during his peak concentration, and they in no way detract from the perfection or dignity of the work. Please enjoy this supreme masterpiece, where the essence of color technology cultivated in Sèvres, France, the quintessence of Japanese spiritual culture, and a letter narrating the history of the family are united, in a prime spot during your special everyday dining occasions.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"32\"\u003e[Content of the letter of condolences from the bereaved family below]\u003c\/h3\u003e\n\u003cp data-path-to-node=\"32\"\u003eGassho As the spring sunshine begins to shine brightly, I sincerely hope that your esteemed family is in excellent health. Thank you very much for traveling a long distance in the cold to attend the funeral of my late father, Uchida Yasuhide, and for your kind and heartfelt condolences. I deeply appreciate the profound grief and fond memories expressed by all those who had a particularly close relationship with my father during his continental period, his Misumi period, and finally in this place, and who provided such a warm funeral. I am sure he would have been deeply moved to tears. Recently, the forty-ninth-day memorial service was concluded at Gokoku-ji Temple in Shimabara, his hometown, and Honju-in Nisshu Shonin (the late Uchida Yasuhide's Buddhist title) returned to the Okutsuki (sacred tomb) overlooking the Ariake Sea. Although it was a tumultuous life of over a hundred years, I believe he earnestly lived the spirit of the founder in each moment. In his later years, he was content with his pottery life, living in accordance with Jinen-Honi (natural spontaneity\/as-it-isness) in his small mountain hermitage. I am truly grateful from the bottom of my heart to everyone for their long-standing kindness and patronage. On the occasion of the forty-ninth day after his passing, I humbly send this token of my appreciation (and kindly ask for your compassionate acceptance). Thank you very much for such a long time. March 20, 1997 Respectfully yours, Hitoshi Sayo (Third son of the deceased)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Uchida Yasuhide (内田泰秀, 1893-1997)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eArtist's notable career highlights:\u003c\/strong\u003e [1952] Held the \"Uchida Yasuhide Nishiki-Neriage Pottery Exhibition\" at Mitsukoshi Nihonbashi Main Store, [1960s] Acquired color and porcelain techniques at Manufacture nationale de Sèvres, France, [1965] Designated as a Miyoshi City Intangible Cultural Property, [1970] Exhibited works at Osaka Expo (EXPO'70), [1973] Recognized as a holder of Hiroshima Prefecture's Important Intangible Cultural Property.\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eDate of Creation:\u003c\/strong\u003e July 14, 1984 (Showa 59)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks, some surface cracking characteristic of the work)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eCustom wooden box, wrapping cloth (signed and sealed), letter \u003cstrong\u003eof condolences from the bereaved family\u003c\/strong\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eNishiki-Neriage-de (pottery, Hyori-Kantsu technique)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 4.0 cm, diameter approx. 19.0 cm (approximate)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eEven if the products offered by our store are new and unused, they are from a very old production period and are all listed as used items. Products may have age-related damage, so please consider purchasing after understanding and confirming this.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47849214181563,"sku":null,"price":80000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6799.jpg?v=1779286318"},{"product_id":"261","title":"Seto City Designated Intangible Cultural Property Holder, First Generation Mizuno Sokaku (初代 水野双鶴), Nerikomi Chawan Ceramic Whisky Tumbler #261","description":"\u003cp data-path-to-node=\"0\"\u003eThis work is a nerikomi chawan by the first generation Mizuno Sokaku \u003cspan\u003e(1912-1996)\u003c\/span\u003e, a holder of Seto City Designated Intangible Cultural Property and a master who elevated the traditional technique, which was on the verge of extinction in Seto, into contemporary art. With a height of approximately 10.5 cm and a mouth diameter of approximately 10.7 cm, its unique proportions, which are slightly deeper than a typical chawan, lead us to propose it as a premium Japanese craft Ceramic Whisky Tumbler for slowly enjoying aged sake that has transformed into a rich amber color over time, or carefully selected whisky with large ice cubes. The overwhelming presence and dignity as an artwork, combined with the attempt to integrate a vessel deeply rooted in Japanese tea ceremony culture, the chawan, into modern luxurious alcoholic enjoyment, will provide a lavish experience for international collectors and special guests seeking the ultimate in Japanese hospitality.\u003c\/p\u003e\n\u003cp data-path-to-node=\"0\"\u003eThe artist, Mizuno Sokaku I, was born in 1912 in Seto City, Aichi Prefecture, a pottery town. He studied under \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E4%BA%95%E9%81%94%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujii Tatsukichi\u003c\/a\u003e, a pioneer of modern crafts, and was educated in free artistic expression untethered by tradition. Throughout his ceramic career, he achieved remarkable success on major domestic stages, including 27 selections for the Nitten Exhibition, three top awards at the Seto Ceramics Exhibition followed by designation as a non-juried artist, two Governor's Awards at the Asahi Ceramics Exhibition, the Toto Award at the National Ceramics Exhibition, the Tokai TV Award and a meritorious service award at the Japan New Crafts Exhibition, and numerous other awards including the Kansai Art Exhibition. He also held important positions such as councilor of the Japan New Craft Artists Federation, contributing to the development of younger artists and the craft industry. In 1987, his long-standing efforts in independently researching and refining the traditional nerikomi technique were officially recognized, and he was certified as a holder of the Seto City Designated Craft Technique, Ceramic Nerikomi Technique. He passed away on January 18, 1996, at the age of 84, leaving behind a legacy of exceptional skill as the great founder of the prestigious Nerikomi Mizuno family, whose traditions are still carried on by his son Mizuno Norio, who is also a holder of intangible cultural property, and his grandson Mizuno Tomoji, who enjoys global popularity with his unique sensibility. All works currently on the market are precious posthumous pieces with no new supply, making them extremely rare as top-class Japanese art, with very little information available overseas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"0\"\u003eThe most highly regarded technique in Mizuno Sokaku's pottery is nerikomi, which involves meticulously layering multiple clays with different components and firing characteristics, resulting in beautiful continuous patterns that appear no matter where the piece is cut, much like Kintaro-ame candy. Since each of the different clays has varying drying speeds and shrinkage rates during firing, even a slight miscalculation can cause cracks or firing tears in the kiln, making it an extremely difficult technique that requires extreme blending precision and strict temperature control. A detailed examination of this piece reveals that these advanced techniques and the artist's raw sensibility are expressed with overwhelming power across the entire surface of the vessel. On the surface of the vessel, orderly striped patterns woven from different colored clays and organic flow patterns reminiscent of flowing geological strata are dynamically expressed, achieving both the cold beauty of calculation and the warmth of handwork. As a unique characteristic of the nerikomi technique, the same pattern appears completely through the outside and inside at exactly the same position. Therefore, when sake is poured and ice floats, the geometric layers spreading inside the vessel shimmer beautifully, creating a visually stunning and refined experience.\u003c\/p\u003e\n\u003cp data-path-to-node=\"0\"\u003eBased on the artist's ceramic activity and physical evidence from his lifetime, the production period of this work is clearly estimated to be during his mature period, from the late 1970s to the early 1980s, just before he was designated as an intangible cultural property, when his technique was at its peak. The strongest evidence for this is the clear, unadorned handwritten signature style on the tomobako (wooden box), which does not include the title of cultural property holder, strongly reflecting the style of his era as a powerful artist who relied solely on the quality of his work rather than authority. Furthermore, the design of the logo mark featuring a pair of yellow cranes facing each other on the accompanying artist's profile booklet (shiori) perfectly matches the period from the late 1970s to the early 1980s, when he was actively rising to prominence on the forefront of the Japanese modern craft world as a councilor of the Japan New Craft Artists Federation. Due to the varying shrinkage rates of different clays, large and deep vessels like this one were impossible to fire without distortion during his younger years. The fusion of orderly striped patterns and dynamic flow patterns seen in this work is a monumental design feature that crystallizes the pinnacle of mature technique that directly led to his highest honor, the designation as an intangible cultural property in 1987.\u003c\/p\u003e\n\u003cp data-path-to-node=\"0\"\u003eThis work is perfectly accompanied by physical evidence that proves the artist's established style. The bottom of the vessel is engraved with the Sokaku pottery seal, indicating its authenticity, and it comes with a dedicated tomobako, wrapping cloth, and a detailed artist's profile booklet (shiori), all showing that it has been carefully preserved. In particular, the design of a pair of yellow cranes on the booklet, named after his artist name, expresses the artist's delightful playfulness. The lid of the tomobako has \"Nerikomi Chawan\" written on it, and the inside of the lid bears Sokaku's handwritten inscription, along with two perfect seals (round stamps). It is a complete piece in very good condition, without any chips or cracks, and as a supreme Japanese craft piece that is extremely difficult to encounter overseas, it possesses unwavering asset value.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Mizuno Sokaku I (初代 水野双鶴, 1912-1996)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"36\"\u003eArtist's Major Activities:\u003c\/b\u003e [1912] Born in Seto City, Aichi Prefecture, he studied under Fujii Tatsukichi, a pioneer of modern crafts, and was educated in free artistic expression untethered by tradition. Throughout his ceramic career, he achieved remarkable success on major domestic stages, including 27 selections for the Nitten Exhibition, three top awards at the Seto Ceramics Exhibition followed by designation as a non-juried artist, two Governor's Awards at the Asahi Ceramics Exhibition, the Toto Award at the National Ceramics Exhibition, the Tokai TV Award and a meritorious service award at the Japan New Crafts Exhibition, and numerous other awards including the Kansai Art Exhibition. He also held important positions such as councilor of the Japan New Craft Artists Federation, contributing to the development of younger artists and the craft industry. [1987] His long-standing efforts in independently researching and refining the traditional nerikomi technique were officially recognized, and he was certified as a holder of the Seto City Designated Craft Technique, Ceramic Nerikomi Technique. [1996] He passed away on January 18, at the age of 84, leaving behind a legacy of exceptional skill as the great founder of the prestigious Nerikomi Mizuno family, whose traditions are still carried on by his son and grandson, attracting global attention.\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1403\"\u003eProduction Period:\u003c\/b\u003e Late 1970s - Early 1980s (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1459\"\u003eCondition:\u003c\/b\u003e Very Good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1502\"\u003eAccessories:\u003c\/b\u003e Dedicated tomobako, wrapping cloth, artist's profile booklet (shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1594\"\u003eMaterial:\u003c\/b\u003e Ceramic (Nerikomi, Neriage)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1623\"\u003eDimensions:\u003c\/b\u003e Height approx. 10.5 cm, Mouth diameter approx. 10.7 cm \u003cbr\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e All products offered by our shop, even if new and unused, are from very old production periods and are listed as used items. Please understand that products may have age-related damage and consider your purchase after checking them.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47855264202939,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7368_result.jpg?v=1780464479"},{"product_id":"262","title":"Seto City Designated Intangible Cultural Property Holder, First Generation Mizuno Sokaku (初代 水野双鶴), Nerikomi Chawan Ceramic Whisky Tumbler #262","description":"\u003cp data-path-to-node=\"3\"\u003eThis is a nerikomi chawan (tea bowl) by Mizuno Sokaku \u003cspan\u003e(1912-1996)\u003c\/span\u003e the First, a holder of Seto City's Designated Intangible Cultural Property and a master who elevated traditional techniques, which were on the verge of dying out in the Seto region, into modern art. With a height of approximately 8.6 cm and a diameter of approximately 12.2 cm, this vessel boasts the classic and dignified proportions of a matcha bowl. Our store proposes it as a premium Japanese craft Ceramic Whisky Tumbler for slowly enjoying aged sake, which has deepened to a rich amber color over time, or carefully selected whiskies with large spherical ice cubes. The wide mouth and moderate shallow depth of this shape significantly enhance the rich aroma of the poured alcohol by allowing it to interact with the air, while the warmth of the clay and the pleasant weight are directly conveyed to the hand. Equipped with an overwhelming presence as a work of art, this attempt to merge a traditional chawan, deeply rooted in Japanese tea ceremony culture, with modern luxurious bar time will be an extravagant experience for entertaining international collectors and special guests with the utmost Japanese hospitality.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eMizuno Sokaku the First, born in Seto City, Aichi Prefecture in 1912, studied under \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E4%BA%95%E9%81%94%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujii Tatsukichi\u003c\/a\u003e, a pioneer of modern craft, and directly received his artistic spirit as a free expressionist, unconstrained by tradition. He achieved a brilliant record, including 27 selections for the Nitten Exhibition, and swept numerous top awards at major open-call exhibitions. In 1987, his exceptional skills were recognized, and he was designated as a holder of Seto City's Intangible Cultural Property. The Mizuno family, led by Mizuno Sokaku the First, is a prestigious lineage that has continued to captivate collectors worldwide for three generations, including his son Mizuno Norio, who also became an intangible cultural property holder, and his grandson Mizuno Tomoji, who enjoys global popularity with his unique sensibilities. Mizuno Sokaku the First is the great founder and source of all this. Since his passing in 1996, all works available in the market are precious posthumous works with no new supply, making them extremely rare as top-class Japanese designer crafts for which information is almost unobtainable overseas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe most highly regarded technique in Mizuno Sokaku's pottery is the nerikomi technique, in which multiple clays with different compositions and firing colors are meticulously layered, creating beautiful, continuous patterns that appear no matter where the piece is cut, much like Kintaro-ame candy. Since each of the different clays has a different drying speed and shrinkage rate during firing, even a slight miscalculation can cause cracks or tears in the kiln. This makes it the most challenging technique, requiring extreme blending skill and strict temperature control. A detailed examination of this work reveals that these advanced techniques and the artist's raw sensibility are expressed with overwhelming power across the entire surface of the vessel. The surface of the vessel dynamically displays orderly striped patterns woven by different colored clays and intricate flowing patterns reminiscent of tree rings or the texture of beautiful silk fabrics, achieving a balance between cold, calculated beauty and the warmth of handcraft. A unique feature of the nerikomi technique is that the exact same pattern appears through both the exterior and interior surfaces. When sake is poured and ice is floated, the organic geometric layers spreading within the vessel shimmer beautifully, creating a visually sophisticated experience.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eBased on the traces of his ceramic activities and circumstantial evidence during his lifetime, the production period of this work is clearly estimated to be from the late 1970s to the early 1980s, his mature period just before he was designated an intangible cultural property, when his skill was at its peak. The strongest evidence for this lies in the style of the autographed signature on the wooden box and the square seal, which does not include the title of cultural property holder. This strongly reflects the style of his era as a master who competed on the quality of his work itself, without relying on authority. Furthermore, the design of the logo on the accompanying bookmark, depicting a pair of yellow cranes facing each other, is identical to that from the period when he was actively involved in the forefront of the Japanese modern craft world. Due to differences in shrinkage rates between clays, it is prone to cracking, and it would have been impossible for him in his youth to fire a vessel with such a wide mouth and imposing proportions without distortion. The fusion of uniform and complex flowing patterns seen in this work is precisely the monumental design feature that crystallizes the pinnacle of his mature technique, which directly led to his highest honor, the designation as an Intangible Cultural Property in 1987.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThis work is perfectly accompanied by evidence that proves the artist's unique style. A clear \"Sokaku\" potter's mark, indicating the authenticity of the artist, is engraved on the bottom of the vessel, next to the footring. It also comes with its dedicated tomobako (wooden box), wrapping cloth, and an artist's profile booklet (shiori) detailing his ceramic history, all showing that it has been carefully preserved. In particular, the design of the booklet, featuring a pair of yellow cranes facing each other, named after his artist's name, expresses the artist's endearing playfulness. The lid of the wooden box is inscribed \"練込 茶盌\" (Nerikomi Chawan) on the outside, and \"双鶴\" (Sokaku) in his own handwriting on the inside, with a perfectly stamped square seal. It is a complete piece in very good condition, with no chips or cracks, and possesses unwavering asset value as a supreme Japanese craft piece that is extremely difficult to encounter overseas.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Mizuno Sokaku I (初代 水野双鶴, 1912-1996)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"36\"\u003eArtist's Representative Activities:\u003c\/b\u003e [1912] Born in Seto City, Aichi Prefecture, he studied under Fujii Tatsukichi, a pioneer of modern craft, and received training in free artistic expression, unconstrained by tradition. Throughout his ceramic career, he was selected for the Nitten Exhibition a total of 27 times, won the top prize at the Seto Ceramics Exhibition three times, later being designated without examination, received the Governor's Award twice at the Asahi Ceramics Exhibition, the Toto Award at the National Ceramics Exhibition, and the Tokai TV Award and Achievement Award at the Japan New Craft Exhibition, as well as numerous other awards including at the Kansai Art Exhibition, accumulating a brilliant record on major domestic stages. He also served in important positions such as a councilor of the Japan New Craft Artists Federation, contributing to the development of future generations and the craft world. [1987] His achievements in independently researching and refining the traditional nerikomi technique over many years were officially recognized, and he was designated as a holder of Seto City's Designated Craft Technique (Ceramics, Nerikomi Technique). [1996] He passed away on January 18th at the age of 84, leaving behind a lineage of exceptional skill as the great founder of the prestigious Nerikomi Mizuno family, which continues to attract global attention through his son and grandson.\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1460\"\u003eWorks in Collections:\u003c\/b\u003e Aichi Prefectural Ceramic Museum, Seto City Museum of Art, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1546\"\u003eProduction Period:\u003c\/b\u003e 1970s - Early 1980s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1597\"\u003eProduct Condition:\u003c\/b\u003e Very good (no chips, no cracks, please note the natural crackle (not a defect))\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1696\"\u003eAccessories:\u003c\/b\u003e Dedicated tomobako (wooden box), artist's profile booklet (shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1785\"\u003eMaterial:\u003c\/b\u003e Ceramic (nerikomi)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1814\"\u003eDimensions:\u003c\/b\u003e Height approx. 8.6 cm, Diameter approx. 12.2 cm \u003cbr\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products offered by our store are new and unused, they are from a very old production period and are all listed as used items. The product may have damage due to age, so please understand and confirm this before considering purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47881781969083,"sku":null,"price":65000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7420_result.jpg?v=1780464896"},{"product_id":"263","title":"Aida Yusuke (会田雄亮), Gold Medalist at the International Ceramic Art Competition Faenza, Nerikomi Sake Cup, Oshino Kiln, Shot Glass, Ceramic Whisky Tumbler #263","description":"\u003cp data-path-to-node=\"21\"\u003eThis piece is a nerikomi work by the master Aida Yusuke (1931-2015), who led Japan's modern craft design movement and established an international reputation. With a diameter of approximately 6.6 cm and a height of approximately 6.2 cm, this vessel fits comfortably in the hand. We propose it as a premium large shot glass or small rocks glass for aged spirits, to enjoy the deep, rich aroma and dense flavor of vintage liquor, which has taken on a beautiful amber hue over time. The time spent savoring aged spirits from this vessel, with its overwhelming modernism as an art piece and its architectural functional beauty, will be a supremely luxurious experience for international collectors and discerning guests alike.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eThe artist, Aida Yusuke, studied urban planning at Chiba University, then apprenticed under the renowned potter \u003ca href=\"\/en\/search?q=%22%E5%AE%AE%E4%B9%8B%E5%8E%9F%E8%AC%99%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKen Miyanohara\u003c\/a\u003e. He then moved to the United States, where he served as an instructor at the School of the Museum of Fine Arts, Boston, and as chief designer for prominent ceramic companies. In 1968, he achieved a global triumph by winning the gold prize at the Concorso Internazionale della Ceramica d'Arte di Faenza in Italy. He held important positions such as Chairman of the Japan Craft Design Association and committee member of the Design Promotion Council of the Ministry of International Trade and Industry, and also served as President of Tohoku University of Art and Design. He is known not only for indoor vessels but also as a pioneer of monumental environmental ceramics integrated with urban plazas and buildings. Since his regrettable sudden death in 2015, all works available on the market are precious legacies with no new supply, making them extremely rare as top-class Japanese designer crafts, with information largely unobtainable overseas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eThe most highly regarded technique in Aida Yusuke's pottery is the nerikomi technique, which involves meticulously combining different colored clays to create geometric patterns. Since multiple clays have different shrinkage rates during firing, even a slight miscalculation can cause cracks or firing tears in the kiln, making this a highly difficult technique that requires extremely advanced blending skills and strict temperature control. It was precisely because of his background in urban planning and architecture that he achieved the pinnacle of modern craft, creating sharp designs such as stripes and mosaics through the very structure of the clay, rather than by drawing patterns on the surface.\u003cbr\u003eA detailed examination of this work reveals that these characteristics are clearly and beautifully expressed in this vessel. The surface of the vessel exhibits the intricate geometric layers characteristic of Aida Yusuke's signature nerikomi technique, where the orderly striped patterns woven from different colored clays balance a cool, calculated beauty with the warmth of handcrafted work. The form, finished into smooth curves by throwing on the wheel, shines beautifully when sake is poured and conveys an urban sophistication when held. The bottom of the vessel is engraved with a sign indicating it is an authentic piece made at his Oshino kiln. Although it is offered without a box and as the main body only, it is in very good condition with no chips or cracks. This is a special item of undeniable value, a first-class collector's piece that captivates lovers of modern art and design worldwide.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Aida Yusuke (会田雄亮, 1931-2015)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"32\"\u003eArtist's Major Activities:\u003c\/b\u003e [1956] Apprenticed under Mr. Ken Miyanohara, [1968] Won gold prize at the Concorso Internazionale della Ceramica d'Arte di Faenza in Italy, [1972] Director of the Japan Designer Craftsmen Association, [1976] Chairman of the Japan Craft Design Association, [1986] Committee member of the Design Promotion Council of the Ministry of International Trade and Industry, [1991] Director of the Japan Architectural Art and Craft Association, [1992] Professor at the Faculty of Art, Tohoku University of Art and Design, [1993] Received the Design Achievement Award, [1998] President of Tohoku University of Art and Design, [2002] Professor Emeritus at Tohoku University of Art and Design, [2006] Visiting Professor at Aichi Prefectural University of the Arts\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"810\"\u003eWorks in Collections:\u003c\/b\u003e International Museum of Ceramics in Faenza (Italy), public art walls and monuments in various locations nationwide, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"953\"\u003eProduction Period:\u003c\/b\u003e 1980s-1990s (estimated, produced during the heyday of Japanese modern craft design)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1056\"\u003eProduct Condition:\u003c\/b\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1107\"\u003eAccessories:\u003c\/b\u003e None (Piece only)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1142\"\u003eMaterial:\u003c\/b\u003e Ceramic (Nerikomi)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1171\"\u003eDimensions:\u003c\/b\u003e Height approx. 6.2 cm, Diameter approx. 6.6 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1230\"\u003eNote:\u003c\/b\u003e Although the products we offer may be unused new items, they are from a very old production period and are all listed as used items. Please understand and confirm that the product may have damage due to age before considering purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47881782001851,"sku":null,"price":65000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7117_result.jpg?v=1780155923"},{"product_id":"264","title":"Award Recipient at the Shinbi Kogei-kai Exhibition and Selected Artist for the Suntory Museum of Art Grand Prize Exhibition, Kitagawa Hiroyuki (北川宏幸), Yakishime Stamped Pattern Three-Footed Water Dropper, High-End Water\/Whisky Dropper #264","description":"\u003cp data-path-to-node=\"3\"\u003eThis piece is a yakishime water dropper featuring a stamped pattern and a three-footed design, crafted by Kitagawa Hiroyuki (1955–2017), a master craftsman who underwent four years of rigorous training as a live-in inner disciple under \u003ca href=\"\/en\/search?q=%22%E6%9C%A8%E6%9D%91%E7%9B%9B%E5%BA%B7%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKimura Moriyasu\u003c\/a\u003e, a world-renowned master of Tenmoku and iron glazes. Among traditional water droppers used to pour water into inkstones in Japanese calligraphy culture, this piece is extremely rare, featuring a unique three-footed design. We proudly propose it as a premium water dropper or whisky dropper to enhance contemporary luxury bar experiences. When savoring rare aged spirits that have transformed over time into a deep amber hue, exuding rich aromas and mellow richness, or enjoying a carefully selected whisky with ice, just a few drops of water added with this vessel will intensely unlock the true fragrance of the drink, making it an ultimate tool for connoisseurs. This vessel, which elevates traditional East Asian forms into practical art for modern lifestyles, offers a supremely luxurious experience for international collectors and discerning guests.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eKitagawa Hiroyuki, the artist, was born in Kyoto Prefecture and inherited the artisanal spirit of his grandfather, a master bamboo craftsman. He was a talented ceramic artist of Kyo-yaki and Kiyomizu-yaki, fusing traditional techniques with a contemporary sensibility. While studying at Kyoto Zokei Geijutsu Gakuin (Kyoto Institute of Design), he apprenticed under Kimura Moriyasu in 1977, learning a strict aesthetic, and continued to train under him for four years. Concurrently, in 1978, he graduated from the molding department of Kyoto Prefectural Ceramics Vocational Training School, mastering highly precise potter's wheel forming techniques. After opening his own kiln, Tobo Yasaburo, in Tsuzuki-gun, Kyoto Prefecture in 1987, he rose to prominence, starting with his selection for the Asahi Modern Craft Exhibition and the Shinsho Kogei-kai Exhibition in 1988, and again for the Asahi Modern Craft Exhibition in 1991. Furthermore, in 1992, he achieved the remarkable feat of being selected for the highly prestigious Suntory Museum of Art Grand Prize Exhibition '92: Challenging Forms, and was also successively selected for the Sapporo Art Park Craft Exhibition, the Asahi Ceramics Exhibition, and the Kyoten. Afterward, he continued to achieve brilliant results in major public exhibitions at the forefront of contemporary crafts, receiving the Encouragement Award at the Shinbi Kogei-kai Exhibition in 1995 and the Shimpō Kogyo Award at the same exhibition in 1997. Due to his sudden passing at the young age of 62 in 2017, all existing works are his posthumous creations, making it absolutely impossible for new pieces to be produced in the future, thus possessing extremely high rarity.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe essence of Kitagawa's pottery lies in his highly skilled control of iron glazes and various slip glazes inherited from his mentor, and his meticulous yakishime technique, expressed with overwhelming precision as its foundation. Generally, yakishime is a simple technique where the clay itself is fired at high temperatures without any glaze. However, the greatest excellence of his work lies in meticulously covering the surface with fine granular patterns by precisely timing the firing just before the clay dries and repeatedly making countless accurate indentations. In addition to this painstaking manual work, the natural ash glaze created by wood ash falling naturally during kiln firing combines to produce a serene and modern landscape as intended, involving an extremely difficult firing process.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eA detailed examination of the aesthetic beauty of this piece reveals that these advanced techniques and the artist's dedication are fully realized within this small spherical form. The minuscule stamped patterns, meticulously etched across the entire surface without any deviation, create delicate shadows when light hits them and convey a uniquely pleasant, adhering texture when held. Furthermore, the three feet placed at the bottom, a special and notable design in this work, carry a very high risk of causing cracks at the joint with the main body or wobbling after firing due to differences in shrinkage rates during drying and high-temperature firing. The forming technique that allows these to stand perfectly horizontally without any distortion is nothing less than proof of the high-precision craftsmanship he cultivated during his vocational school days. This three-footed style evokes an elegant dignity reminiscent of classical East Asian vessel aesthetics, and when placed on a bar counter, it slightly elevates the vessel, creating beautiful three-dimensional shadows and exuding a special presence. Additionally, the natural ash that fell during the intense flames of the climbing kiln perfectly integrates with the clay surface, partially creating subtle green and dark brown gradations from the natural glaze, thus capturing the dramatic moment where fire and earth become one within the vessel. The bottom of the vessel is engraved with the signature \"Hiro\" (宏), indicating it is an authentic work by the artist, and it comes with a dedicated tomobako (wooden box signed and sealed by the artist himself), a wrapping cloth, and a booklet showing his detailed pottery chronology, all intact. It is a complete piece in very good condition without any chips or cracks, possessing an unwavering asset value as a supreme Japanese craft piece that is extremely difficult to obtain overseas.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Kitagawa Hiroyuki (北川宏幸, 1955-2017)\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"38\"\u003eArtist's Representative Activities:\u003c\/b\u003e [1977] Graduated from Kyoto Zokei Geijutsu Gakuin, selected for the Kyoto Craft Exhibition, [1978] Graduated from Kyoto Prefectural Ceramics Vocational Training School, [1987] Opened the kiln \"Tobo Yasaburo\", [1988] Selected for the Asahi Modern Craft Exhibition and the Shinsho Kogei-kai Exhibition, [1991] Selected for the Asahi Modern Craft Exhibition, [1992] Selected for the Suntory Museum of Art Grand Prize Exhibition '92: Challenging Forms, selected for the Sapporo Art Park Craft Exhibition, the Asahi Ceramics Exhibition, and the Kyoten, [1995] Received the Encouragement Award at the Shinbi Kogei-kai Exhibition, [1996] Selected for the Nissin Men-bachi Grand Prize Exhibition, [1997] Received the Shimpō Kogyo Award at the Shinbi Kogei-kai Exhibition\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"852\"\u003eWorks in Collection:\u003c\/b\u003e Kyoto Ceramic Center (special exhibition - selected ceramic artists), etc. \u003cb data-path-to-node=\"15\" data-index-in-node=\"948\"\u003eProduction Year:\u003c\/b\u003e Circa 2010 (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"988\"\u003eProduct Condition:\u003c\/b\u003e Very Good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1039\"\u003eAccessories:\u003c\/b\u003e Dedicated tomobako (wooden box) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1093\"\u003eMaterial:\u003c\/b\u003e Pottery (Yakishime with natural ash glaze)\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1146\"\u003eDimensions:\u003c\/b\u003e Height approx. 7.5 cm, Width approx. 7.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eAlthough the products we offer may be new and unused, they are from a very old production period and are all listed as used items. Products may have damage due to age, so please consider purchasing after understanding and checking.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47881782034619,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7323_result.jpg?v=1780464121"},{"product_id":"265","title":"Kawai Kanjiro Orthodox Lineage, Untitled and Uncrowned Folk Craft Master: Kawai Toru (河井透), ceramic beer mugs, Set of Two, Rock Glass #265","description":"\u003cp data-path-to-node=\"18\"\u003eThis is a set of two faceted ceramic beer mugs by Kawai Toru (1941-present), a master craftsman who inherited the authentic artistic spirit of \u003ca href=\"\/en\/search?q=%22%E6%B2%B3%E4%BA%95%E5%AF%9B%E6%AC%A1%E9%83%8E%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKawai Kanjiro\u003c\/a\u003e, the brilliant potter who led Japan's Mingei (folk craft) movement. It is characterized by its dignified style, which brings a comfortable weight to the palm of the hand. We propose this work as premium ceramic rock cups for enjoying Japan's excellent traditional crafts in a modern luxurious lifestyle. It is of the highest value as a vessel for slowly savoring rare aged sake that has transformed into a deep amber color over many years, exuding a rich aroma and mellow depth, or carefully selected whisky with ice. The time spent enjoying the finest sake in these vessels, which possess an overwhelming dignity as works of art, will be a luxurious experience for entertaining international collectors and special guests with the highest Japanese hospitality.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe artist, Kawai Toru, was born in Kyoto City in 1941 and is a master of contemporary Mingei pottery who continues to create vigorously today. He was born into the pure lineage of Mingei, as the nephew of Kawai Kanjiro, who established his unique aesthetics from the Taisho to Showa eras, and the eldest son of \u003ca href=\"\/en\/search?q=%22%E6%B2%B3%E4%BA%95%E6%AD%A6%E4%B8%80%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKawai Takeichi\u003c\/a\u003e, who supported Kanjiro's pottery production as his right-hand man for approximately 40 years. After studying pottery in the art department of Kyoto City Hiyoshigaoka High School, he began his full-fledged pottery career in 1962 under the guidance of his father, Takeichi, and at the same time received direct instruction in technique and spirit from the late Kawai Kanjiro in his final years. As a noteworthy fact in the art market, Mr. Kawai Toru has no record of receiving any public awards or national titles from exhibitions such as the Nitten or the Japan Traditional Crafts Exhibition. This unique stance, independent of authority, is because he has completely inherited, along with his father Takeichi, the noble spirit of his great-uncle Kawai Kanjiro, who declined all public honors, including Living National Treasure and the Order of Culture, and upheld the beauty of anonymity—the beauty of nameless artisans—as a master without rank. This stance independent of authority is the ultimate proof of his genuine Mingei lineage, and his noble pedigree is highly sought after by museums and enthusiastic Mingei connoisseurs both domestically and internationally, and is included in the collections of prestigious museums such as the Asahi Group Oyamazaki Villa Museum of Art and the ZENBI -Kagizen Art Museum-. We proudly offer this rare work by a top-class Japanese artist, about whom there is almost no information overseas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eWhat makes Kawai Toru's pottery highly specialized is his thorough commitment to traditional techniques. He never uses an electric potter's wheel, instead forming his pieces using a traditional kick wheel, which allows the rhythm of the human body to be directly transmitted to the clay. This imbues the vessels with a non-mechanical warmth, subtle undulations, and a strong skeletal structure. Furthermore, they are fired rapidly by the intense flames of firewood in the Nantan kiln, a traditional climbing kiln he built in Kameoka City, Kyoto Prefecture, in 1976. He has authentically inherited the vast glaze recipes left by his great-uncle Kanjiro and possesses exceptional skill in freely controlling traditional Mingei glazes such as deep blue Gosu, vibrant red Shinsha, iron glaze, amber glaze, and ash glaze.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eA detailed examination of this work reveals that these exceptional techniques and the artist's raw sensibility are expressed with overwhelming power down to the smallest details of the two beer mugs. The true essence of this work, the faceted design, is created when the thick clay body, formed on the potter's wheel, is in an extremely delicate semi-dry state, and the artist swiftly and roughly shaves it vertically with an unwavering stroke of the knife. The sharpness of the edges of the shaved surfaces and the bold undulations that appear when the clay is removed create a dramatic contrast of sculptural shadows when illuminated, while also providing an excellent grip for the fingertips when holding the large mugs. The color contrast between the two mugs is also very dramatic; one mug is coated with a deep, lustrous black-brown iron glaze or amber glaze, almost like jet black, on which iron-rust colored kiln changes and crystalline spots, brought about by the intense flames of the climbing kiln, are powerfully baked as if they were splashes of Earth's magma. The other mug features a warm, rustic clay surface as its base, with bold iron paintings drawn with an unwavering brushstroke, and the delicate, bluish, glassy pooling of flowing ash glaze lends a fresh moisture to the rugged expression of the vessel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eFurthermore, the texture of the robust handle, condensed with the power of handcraftsmanship, also exudes a special presence. Regarding this handle portion, there is a linear pattern on one of the mugs, extending from the inside to the surface of the handle, which at first glance may appear to be a crack. However, this is a crackle pattern in the glaze called kannyu (natural glaze crazing), unique to ceramics. There are no snags or steps on the surface, and since it is formed within the glassy glaze layer, the surface texture is extremely smooth, just like other areas, and has absolutely no impact on its strength or practicality during use. This is a natural testament to the clay and glaze breathing together at the moment of rapid cooling in the climbing kiln, and as a unique landscape inherent in handcrafted works, it is a point to be cherished deeply and for a long time, including this part, while pouring the finest aged sake. The bottom of the vessel is engraved with the workshop mark indicating that it is an authentic work from the Kawai studio, and it comes complete with its dedicated tomobako (original wooden box signed by the artist), wrapping cloth, and an official brochure. It is in excellent condition without any chips or cracks, and is a valuable item as a supreme Japanese craft piece that is extremely difficult to obtain overseas.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Kawai Toru (河井透, 1941-present)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"34\"\u003eArtist's Notable Career:\u003c\/b\u003e [1962] Began his pottery career under his father, Kawai Takeichi, and received direct instruction from the late Kawai Kanjiro; [1970] Moved his studio to Higashiyama Ward, Kyoto City; [1976] Built Nantan Kiln, a traditional climbing kiln, in Kameoka City, Kyoto Prefecture.\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"333\"\u003eWorks in Collection:\u003c\/b\u003e Asahi Group Oyamazaki Villa Museum of Art, ZENBI - Kagizen Art Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"430\"\u003eProduction Period:\u003c\/b\u003e 2000s-2010s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"473\"\u003eProduct Condition:\u003c\/b\u003e Very Good (no chips, no cracks, no surface cracks, \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eplease note the characteristic crackle glaze\u003c\/span\u003e)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"564\"\u003eBox:\u003c\/b\u003e Dedicated tomobako (wooden box) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"610\"\u003eMaterial:\u003c\/b\u003e Ceramic (Iron glaze, Ash glaze, Iron painting)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"667\"\u003eDimensions:\u003c\/b\u003e Height approx. 11.8 cm, Mouth diameter approx. 8.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"733\"\u003eNote:\u003c\/b\u003e Even if the products offered by our store are new and unused, they are from a very old production period and are all listed as used items. The product may have damage due to age, so please understand and confirm this before considering purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47881782067387,"sku":null,"price":80000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7184_result.jpg?v=1780240394"},{"product_id":"267","title":"Recipient of the Prime Minister's Award, Third Generation Takegoshi, Taizan Kiln, Takegoshi Toshiaki (武腰敏昭), Kutani Ware, Pomegranate Design Guinomi Shot Glass #267","description":"\u003cp data-path-to-node=\"3\"\u003eThis is a Kutani ware guinomi (sake cup) with a pomegranate motif by Takegoshi Toshiaki III, a master craftsman who served as a member of the Japan Art Academy, the highest honor in the Japanese art world. It has a refined cylindrical shape that fits comfortably in the hand, and we propose it as a premium shot glass for enjoying excellent traditional Japanese crafts in a modern lifestyle. There is no better sake vessel for savoring aged sake, which takes on a rich amber hue and deep, mellow aroma and flavor over time. Enjoying aged sake with this vessel, which possesses overwhelming prestige as a work of art, will be a supremely luxurious experience for international collectors and discerning guests alike.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eTakegoshi Toshiaki, the artist, was born as the 3rd generation of the prestigious Taizan Kiln in Nomi City, Ishikawa Prefecture, and was a master who left a great mark on the history of modern Kutani ware. His career was brilliant, starting with his first selections for the Nitten Exhibition and the Japan Contemporary Crafts Exhibition, followed by serving as a councilor for the Nitten Exhibition. He achieved the highest honors in public exhibitions, including the Prime Minister's Award at the Nikko-kai Exhibition for his work \"Haru Kuru Rashi\" (Spring is Coming) and the Prime Minister's Award at the Nitten Exhibition for his work \"Shijima\" (Silence). Later, he devoted himself to fostering young talent as a professor at Kanazawa Gakuin University, received the Japan Art Academy Award for his work \"Lakeside - Colored Glaze Flower Vase,\" was appointed a member of the Japan Art Academy, the highest honor in the craft world, and served as a managing director of the Nitten Exhibition. We proudly present this rare work by a top-class Japanese artist, of whom there is little information available overseas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe reason why Takegoshi Toshiaki's works are highly acclaimed by museums and enthusiasts both in Japan and abroad is due to his exceptional technique and modern design sensibility. Having studied industrial design at Kanazawa College of Art and apprenticed under the renowned Professor \u003ca href=\"\/en\/search?q=%22%E5%8C%97%E5%87%BA%E5%A1%94%E6%AC%A1%E9%83%8E%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKitade Tojiro\u003c\/a\u003e, he transcended the traditional framework of Kutani ware, pursuing the tension created by the vessel's form and calculated brushstrokes. Furthermore, he was an innovator who worked tirelessly to jointly develop and commercialize lead-free glazes that are gentle to people and the environment. His technical skill, which completely controlled the deep colors and brilliance of Kutani ware using lead-free paints—which are extremely difficult to control in terms of color development—and sublimated them into a unique modern beauty, is the result of his tireless research.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eAn examination of this work reveals that these characteristics are clearly and splendidly expressed within this small guinomi. The traditional pomegranate motif, revered since ancient times as a symbol of prosperity and fertility, is depicted with the artist's refined modern composition. The pomegranate branch placed on the side of the vessel is drawn with precise, structural lines that evoke his background in industrial design, and the ripe, cracked pomegranate fruit revealing its vibrant red seeds is expressed through meticulous painting. The green, blue, and yellow gradations seen in the surrounding leaves demonstrate an extremely high level of color control technology using lead-free glazes, creating a beautiful harmony of vivid colors. Furthermore, the exquisite balance of negative space with the unpainted white base gives the entire work a modern elegance. The artist's distinctive \"Toshi\" signature can be seen at the bottom of the vessel, and along with the dedicated tomobako (wooden box signed and sealed by the artist himself), it possesses extremely high rarity value as a flawless and complete item.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Takegoshi Toshiaki III (武腰敏昭, 1940-2021)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"43\"\u003eArtist's Major Activities:\u003c\/b\u003e [1957] First selected for Nitten Exhibition, [1963] First selected for Japan Contemporary Crafts Exhibition, [1996] Nitten Exhibition Councilor, [1997] Awarded Prime Minister's Award at Nikko-kai Exhibition for \"Haru Kuru Rashi\", [2001] Awarded Prime Minister's Award at Nitten Exhibition for \"Shijima\", [2005] Professor at Kanazawa Gakuin University, [2010] Awarded Japan Art Academy Award for \"Lakeside - Colored Glaze Flower Vase\" and became a member of the Japan Art Academy, [2011] Managing Director of Nitten Exhibition\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"596\"\u003eCollection Record:\u003c\/b\u003e Japan Art Academy (Taito-ku, Tokyo - houses Japan Art Academy Award-winning work \"Lakeside - Colored Glaze Flower Vase\"), Ishikawa Prefectural Museum of Art (Kanazawa City, Ishikawa Prefecture - houses major works such as \"Colored Glaze Flower Vase\"), Nomi City Kutani Ware Museum (Nomi City, Ishikawa Prefecture - houses successive works and related materials from \"Taizan Kiln\")\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"996\"\u003eProduction Period:\u003c\/b\u003e Late 1990s - 2000s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1046\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1089\"\u003eAccessories:\u003c\/b\u003e Dedicated tomobako (wooden box signed and sealed by the artist himself), artist's profile booklet (shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1218\"\u003eMaterial:\u003c\/b\u003e Porcelain (enamelled with gold accents)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1268\"\u003eDimensions:\u003c\/b\u003e Height approx. 5.5 cm, Mouth diameter approx. 5.5 cm, Base diameter approx. 3.5 cm \u003cbr\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e All products offered by our store, even if unused, are very old and are listed as used items. Products may have damage due to age, so please understand and confirm before considering purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47881782329531,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7275_result.jpg?v=1780460447"},{"product_id":"274","title":"Suntory Museum of Art Award Exhibition Finalist, Kitagawa Hiroyuki (北川宏幸), Yakishime Stamped Pattern Bajouhai, Ceramic Tasting Cup #274","description":"\u003cp data-path-to-node=\"17\"\u003eThis piece is a yakishime stamped pattern bajouhai (stem cup) that fully exhibits the exceptional sensibility and technique of Kitagawa Hiroyuki (1955-2017), a powerful potter of Kyo-yaki and Kiyomizu-yaki who left a brilliant mark in numerous major public exhibitions, including the Suntory Museum of Art Award Exhibition, which boasts an extremely high status in the contemporary art and craft world. This piece, meticulously crafted by the artist himself, comes with a dedicated wooden box (tomobako) secured with a Sanada cord, on the lid of which \"Yakishime Dakokumon Bajouhai\" is inscribed in ink by the artist's own hand, and on the back of the lid are the signatures of Yasaburo kiln and Hiroyuki, along with a vivid vermilion seal. The dignified form of the stem cup, with a height of approximately 8.8 cm and a mouth diameter of approximately 5.7 cm, conveys a refined presence the moment it is held, exuding an overwhelming presence as the ultimate Japanese kogei (craft) sake vessel (ceramic tasting cup) for slowly enjoying cold sake, special aged sake, or high-end spirits with large ice cubes. Kitagawa, who passed away suddenly in 2017 at the young age of 62, has no new works entering the market, making all existing pieces his life's legacy. This grants his works extremely high rarity and solid asset value for collectors both domestic and international.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eThe artist, Kitagawa Hiroyuki, was born in Kyoto Prefecture in 1955 and aspired to become a potter, deeply inheriting the craftsmanship spirit of his grandfather, a master of bamboo crafts. After graduating from the ceramics department of Kyoto Design and Arts College in 1977, he apprenticed under the master \u003ca href=\"\/en\/search?q=%22%E6%9C%A8%E6%9D%91%E7%9B%9B%E5%BA%B7%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKimura Moriyasu\u003c\/a\u003e for four years, learning a strict sense of aesthetics. The following year, in 1978, he graduated from the molding department of Kyoto Prefectural Pottery Vocational Training School, where he acquired extremely precise wheel-throwing techniques. After establishing his own kiln, Tobo Yasaburo, in Tsuzuki District, Kyoto Prefecture, in 1987, he rose to prominence, beginning with his acceptance into the Asahi Modern Craft Exhibition and the Shinsho Kogeikai Exhibition in 1988. Furthermore, in 1992, he achieved the remarkable feat of being selected for the Suntory Museum of Art Award Exhibition '92 \"Forms to Challenge,\" which is extremely difficult to be selected for in the art world, and simultaneously continued to be selected for the Sapporo Art Park Craft Exhibition, the Asahi Ceramics Exhibition, and the Kyo-ten Exhibition. Thereafter, he continued to achieve brilliant results at the forefront of contemporary crafts, such as receiving the Encouragement Award at the Shinbi Kogeikai Exhibition in 1995 and the Shimpo Industrial Award at the same exhibition in 1997, and his excellent handiwork has been highly praised, including being selected for a special exhibition at the Kyoto Ceramic Art Hall.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eA professional analysis of the design and decorative beauty of this work reveals that it is a brilliant culmination of Kitagawa's profound understanding of iron glaze and mud glaze, meticulously controlled, and an accumulation of painstaking handiwork. The most distinctive feature of the vessel, and the technique for which he is most acclaimed, is the dakokumon (stamped pattern). This pattern is created by precisely stamping granular designs at an extremely delicate moment before the clay dries, bringing beautiful regularity to the upper and middle parts of the vessel. Furthermore, a warm reddish-brown mud glaze band is applied around the center of the vessel's body, on which green speckles and luxurious gold decoration are baked, creating a vibrant and modern contrast derived from Kyo-yaki within the rustic texture of the yakishime. Below this vivid band, a complex and organic carved pattern band, combining spatula marks and powerful indentations, extends, giving the tactile sensation an overwhelming depth. The base supporting the stem cup is finished with a lustrous, deep black iron glaze, smartly tightening the overall structure of the vessel. The entire interior of the vessel is beautifully coated with a unique metallic luster glaze that reflects light when sake is poured, creating an intriguing and beautiful shimmering effect. Inside the foot ring at the bottom of the vessel, a modern pottery seal, a stylized character of \"Hiro\" proving the artist's authenticity, is clearly stamped.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThe production period of this work is presumed to be from the mid-1990s to around the 2000s, during the artist's prime in the middle to late stages of his career. The accompanying official artist's profile concludes with records of awards received in 1997 and regular solo exhibitions held since 1995, clearly indicating that this work was created after these dates. From a stylistic perspective, it perfectly blends the meticulous dakokumon (stamped pattern) and the multi-layered control techniques of mud glaze, iron glaze, and gold decoration, which were fully established after the opening of his kiln in 1987 and his selection for the Suntory Museum of Art Award Exhibition in 1992. This perfectly reflects the historical context of a period when high-class, one-of-a-kind sake vessels were actively showcased in art salons and department store galleries in major cities. This is a supreme piece of art and craft, in perfect condition without a single flaw, embodying the brilliance of a master craftsman's most mature moment, who passed away at a young age.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21,0,0\"\u003e\u003cb data-path-to-node=\"21,0,0\" data-index-in-node=\"0\"\u003eArtist\u003c\/b\u003e: Kitagawa Hiroyuki (北川宏幸, 1955-2017)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21,1,0\"\u003e\u003cb data-path-to-node=\"21,1,0\" data-index-in-node=\"0\"\u003eArtist's Representative Activities\u003c\/b\u003e: [1977] Graduated from Kyoto Design and Arts College, Ceramics Department; Selected for Kyoto Craft Exhibition. [1978] Graduated from Kyoto Prefectural Ceramics Vocational Training School, Molding Department. [1987] Established \"Tobo Yasaburo\" kiln. [1988] Selected for Asahi Modern Craft Exhibition; Selected for Shinsho Kogeikai Exhibition. [1991] Selected for Asahi Modern Craft Exhibition. [1992] Selected for Suntory Museum of Art Award Exhibition '92 \"Forms to Challenge\"; Selected for Sapporo Art Park Craft Exhibition; Selected for Asahi Ceramics Exhibition; Selected for Kyo-ten Exhibition. [1995] Received Encouragement Award at Shinbi Kogeikai Exhibition. [1996] Selected for Nissin Menbachi Grand Prix Exhibition. [1997] Received Shimpo Industrial Award at Shinbi Kogeikai Exhibition.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21,2,0\"\u003e\u003cb data-path-to-node=\"21,2,0\" data-index-in-node=\"0\"\u003ePublic Collections\u003c\/b\u003e: Permanently housed in public collections including the Kyoto Ceramic Art Hall (Special Exhibition, Selected Ceramic Artist Showcase), etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21,3,0\"\u003e\u003cb data-path-to-node=\"21,3,0\" data-index-in-node=\"0\"\u003eProduction Period\u003c\/b\u003e: Mid-1990s to around 2000s (estimated. Based on the artist's profile in the accompanying brochure and the maturity of the style, which shows perfect harmony of meticulous dakokumon, mud glaze, and gold decoration, it is presumed to be a valuable masterpiece from the middle to late period, during his prime era of solo exhibitions).\u003c\/li\u003e\n\u003cli data-path-to-node=\"21,4,0\"\u003e\u003cb data-path-to-node=\"21,4,0\" data-index-in-node=\"0\"\u003eProduct Condition\u003c\/b\u003e: Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21,5,0\"\u003e\u003cb data-path-to-node=\"21,5,0\" data-index-in-node=\"0\"\u003eAccessories\u003c\/b\u003e: Dedicated tomobako (wooden box), official artist's profile (brochure) included.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21,6,0\"\u003e\u003cb data-path-to-node=\"21,6,0\" data-index-in-node=\"0\"\u003eMaterial\u003c\/b\u003e: Pottery (yakishime, mud glaze, iron glaze, gold decoration)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21,7,0\"\u003e\u003cb data-path-to-node=\"21,7,0\" data-index-in-node=\"0\"\u003eDimensions\u003c\/b\u003e: Height approx. 8.8 cm, Caliber approx. 5.7 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21,8,0\"\u003e\u003cb data-path-to-node=\"21,8,0\" data-index-in-node=\"0\"\u003eNote\u003c\/b\u003e: Even if the products we offer are new and unused, they are from a very old production period and are all listed as used items. Products may have damage due to age, so please consider purchasing after understanding and confirming this.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47931190280379,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7949_result.jpg?v=1781331719"},{"product_id":"275","title":"Kyoto City Cultural Merit Award Winner, Master of Nakagawa Joeki Workshop Tradition, Tanaka Hideaki (田中秀明) Forged Copper Chrysanthemum Motif Kensui, Hammered Craft Ice Bowl #275","description":"\u003cp data-path-to-node=\"31\"\u003eThis is a forged copper chrysanthemum-motif Kensui (slop bowl) by Tanaka Hideaki (born 1916, real name Tanaka Shigeo, full member of the Japan Art Crafts Association), a Kyoto metal artist who contributed to the production of tea utensils at the renowned workshop of Nakagawa Jōeki—one of the Senke Jisshoku (Ten Artisans to the Sen Houses of Tea)—and later trained prominent figures including Masatoyo Miyoshi (designated a Living National Treasure for Forged Metalwork) and Gorosaburo Kanaya XV. Having learned traditional techniques under his father, the metalworker \u003ca href=\"\/en\/search?q=%22%E7%94%B0%E4%B8%AD%E8%8B%B1%E8%94%B5%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTanaka Eizo\u003c\/a\u003e, Tanaka Hideaki supported the pinnacle of Kyoto's tea-ceremony metalwork behind the scenes and earned immense acclaim in the field of traditional hammered metalwork (tsuiki), including receiving the Kyoto City Cultural Merit Award in fiscal 1985. In the art of forging metal, which involves hammering and shaping metal plates with incredible precision, Tanaka possessed supreme craftsmanship, creating many works that merged traditional tea-utensil dignity with modern sculptural elegance.\u003c\/p\u003e\n\u003cp data-path-to-node=\"32\"\u003eThis piece is a forged copper masterpiece that perfectly embodies Tanaka's signature \"Mole\" (repoussé\/hammered relief) technique. By meticulously hammering a single sheet of copper, the entire vessel is raised into a three-dimensional form resembling a large, blooming chrysanthemum blossom. From the outer body to the inner basin, uniform and rich petal undulations create beautiful contrasts of light and shadow. Along the raised band of the rim, elegant auspicious cloud motifs (ruyi cloud patterns) are delicately carved in relief, and the central bottom bears a clear square stamp reading \"Hideaki.\" The innate warmth of the copper, combined with a quiet, antique bronze patina that has deepened over time and the geometric chrysanthemum repoussé, radiates a dignified beauty that conveys the essence of Kyoto metal craftsmanship.\u003c\/p\u003e\n\u003cp data-path-to-node=\"33\"\u003eWe propose this Kensui, possessing historical metalworking technique and noble sculptural beauty, as an individual ice bowl for chilling aged spirits, premium whisky, or wine, or as a tabletop craft vessel to adorn special spaces in modern lifestyles. The superior thermal conductivity of metal and the heavy presence of forged copper exude commanding prestige on the tabletop when filled with ice and cold water, elevating sophisticated evening drink moments alongside peak art. Individual forged metal vessels by Tanaka Hideaki—embodying the tradition of the Nakagawa Jōeki workshop and the mastery that trained a Living National Treasure—are extremely rare on the market. This masterpiece comes in flawless condition, complete with its original wooden box (Tomobako) bearing the handwritten inscription \"Made by Tanaka Hideaki\" and artist seal on the lid.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"34\"\u003e\u003cstrong\u003eArtist：\u003c\/strong\u003eTanaka Hideaki (田中秀明, Birth name Tanaka Shigeo, born 1916)\u003c\/li\u003e\n\u003cli data-path-to-node=\"35\"\u003e\u003cstrong\u003eArtist's Representative Activity：\u003c\/strong\u003eStudied under his father Tanaka Eizo; Engaged in tea utensil crafting at the Senke Jisshoku \"Nakagawa Jōeki\" workshop; Selected for the Kyoto Prefectural Craft Exhibition (1958); First selected for Nitten (1962); Exhibited at the 21st Japan Traditional Crafts Exhibition (1974); Awarded the Kyoto City Cultural Merit Award in FY1985 (as Tanaka Shigeo); Full Member of the Japan Art Crafts Association. Trained pupils including Masatoyo Miyoshi (Living National Treasure in Forged Metalwork) and Gorosaburo Kanaya XV.\u003c\/li\u003e\n\u003cli data-path-to-node=\"36\"\u003e\u003cstrong\u003ePeriod of Production：\u003c\/strong\u003eMid-to-Late Showa Period (1970s–1980s)\u003c\/li\u003e\n\u003cli data-path-to-node=\"37\"\u003e\u003cstrong\u003eCondition：\u003c\/strong\u003eGood (no dents, no deformation, excluding age-related character typical of antique art)\u003c\/li\u003e\n\u003cli data-path-to-node=\"38\"\u003e\u003cstrong\u003eAccessories：\u003c\/strong\u003eDedicated wooden box (Tomobako) with \"Made by Tanaka Hideaki\" calligraphic inscription and seal on the lid\u003c\/li\u003e\n\u003cli data-path-to-node=\"39\"\u003e\u003cstrong\u003eMaterial：\u003c\/strong\u003eCopper (Forged metal \/ Tsuiki, chrysanthemum repoussé mole technique, cloud motif relief)\u003c\/li\u003e\n\u003cli data-path-to-node=\"40\"\u003e\u003cstrong\u003eDimensions：\u003c\/strong\u003eHeight approx. 12.5 cm, Mouth diameter (maximum width) approx. 17.0 cm,\u0026nbsp;Weight Approx. 249 g\u003c\/li\u003e\n\u003cli data-path-to-node=\"42\"\u003e\u003cstrong\u003eCaution：\u003c\/strong\u003eAll products offered by our shop are historical items from an old production period and are listed as antique art \/ pre-owned items. Products may have subtle changes due to age, so please consider purchasing after understanding and verifying the nature of antique art.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47931190706363,"sku":null,"price":70000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_9222_result.jpg?v=1784445795"},{"product_id":"276","title":"Japan Ceramic Society Award Winner, Visiting Fellow at Harvard University, Kozuru Hajime (高鶴元), Mount St. Helens Volcanic Ash Glazed Bellows-Structure Mizusashi Water Jar, Covered Ice Bowl #276","description":"\u003cp\u003eBorn into a prestigious family of Agano ware with approximately 400 years of history, this extremely historically valuable Mizusashi (water jar) is created by Kozuru Hajime (b. 1938), a master who was active as a top leader in traditional craft circles, winning consecutive awards at the Japan Traditional Art Crafts Exhibition and receiving the Japan Ceramic Society Award. In 1980, highly acclaimed for his research achievements in Old Agano ware and his unique, refined modeling prowess, Kozuru traveled to the United States as a Visiting Fellow at Harvard University. Immediately after his arrival, on May 18, 1980, Mount St. Helens in Washington State suffered a catastrophic eruption. Focusing on the volcanic ash that dispersed widely across the eastern North American continent, Kozuru personally collected and refined this natural geological material rich in silicic acid, alumina, and various minerals, independently developing and elevating it into an unprecedented ceramic glaze: \"Mount St. Helens Volcanic Ash Glaze.\" Created in the early 1980s (c. 1980–1985), coinciding with the 1980 eruption and his tenure at Harvard University, this piece is a supreme contemporary work in which the earth's geological energy and traditional Japanese ceramic techniques fuse at a high level.\u003c\/p\u003e\n\u003cp\u003eTitled \"Mount St. Helens Volcanic Ash Glaze Mizusashi\" in the artist's own handwriting on the original wooden box (Tomobako), this work splendidly crystallizes Kozuru's architectural structural beauty and unique geological glazing. On the surface of its commanding, near-spherical form measuring approximately 18.0 cm in width and 18.0 cm in height, multiple horizontal tiers (a bellows-like step structure) are meticulously carved, creating three-dimensional shadows evocative of geological strata and crustal movements. The Mount St. Helens volcanic ash glaze covering the entire work displays a smooth transition from a heavy dark gray that absorbs light to a deep dark brownish-black where minute mineral crystals float, conveying a tranquil texture characteristic of minerals while remaining matte to the touch. From the knob of the matching lid to the precise fit with the body, there is not a single flaw, and trace marks of shell stacking (kaizumi)—evidence of high-temperature firing—remain on the foot ring, demonstrating an exquisite harmony between North American natural phenomena and advanced firing control techniques.\u003c\/p\u003e\n\u003cp\u003ePossessing a commanding form and heavy texture, our shop proposes this piece as a high-end covered ice bowl (luxury ice bucket) tailored to modern lifestyles, enhancing special moments for enjoying Western spirits. The deep matte black texture produced by Mount St. Helens volcanic ash beautifully highlights transparent ice crystals floating in rocks glasses, creating a refined contrast with amber whisky or bourbon. Its structured design with a matching lid and stable 18 cm scale offer outstanding practicality, exuding overwhelming dignity on bar counters and living room tables. Fusing the historical fact of a North American natural phenomenon with traditional Japanese craft, this is an extraordinarily rare authentic piece with few parallels in the world, serving as a supreme craft piece that elegantly graces sophisticated adult spaces.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"4\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eKozuru Hajime (高鶴元, 1938-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"5\"\u003e\u003cstrong\u003eRepresentative Career Highlights: \u003c\/strong\u003e[1968, 1969] Received the Japan Art Crafts Association Chairman's Award at the 15th and 16th Japan Traditional Art Crafts Exhibitions (won 2 consecutive years), [1975] Received the 22nd Japan Ceramic Society Award, [1980] Traveled to the U.S. as a Visiting Fellow at Harvard University, [1997] Received the 9th Fukuoka Prefecture Cultural Award\u003c\/li\u003e\n\u003cli data-path-to-node=\"6\"\u003e\u003cstrong\u003ePublic Collections: \u003c\/strong\u003eFukuoka Prefectural Museum of Art, Tagawa City Museum of Art, Peabody Museum of Archaeology and Ethnology at Harvard University, Forest Hills Park (Boston), etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"7\"\u003e\u003cstrong\u003eProduction Period: \u003c\/strong\u003ec. 1980–1985 (Eruption of Mount St. Helens and period as Visiting Fellow at Harvard University)\u003c\/li\u003e\n\u003cli data-path-to-node=\"8\"\u003e\u003cstrong\u003eItem Condition:\u003c\/strong\u003e Very Good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated original wooden box (Tomobako) included (with artist's calligraphy and red seal), cloth wrap included\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eCeramics (Mount St. Helens volcanic ash glaze)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Width approx. 18.0 cm, Height approx. 18.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eEven if the products provided by our shop are unused, they were produced a very long time ago and are all listed as pre-owned items. Please understand and confirm that the item may have age-related wear before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47931191460027,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3091_result.jpg?v=1790256060"},{"product_id":"278","title":"Japan Ceramic Society Award Winner, Visiting Fellow at Harvard University, Kozuru Hajime (高鶴元), Black Glazed Platinum Painted Bellows-Structure Pitcher with Twisted Handle, Mizusashi Water Vessel #278","description":"\u003cp data-path-to-node=\"1\"\u003eBorn as the eldest son of \u003ca href=\"\/en\/search?q=%22%E9%AB%98%E9%B6%B4%E5%A4%8F%E5%B1%B1%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKozuru Kazan\u003c\/a\u003e, a prestigious kiln master of Agano ware with approximately 400 years of history in Fukuoka Prefecture, Kozuru Hajime (b. 1938) is a master who was active at the pinnacle of Japanese traditional ceramic art, winning the Japan Art Crafts Association Chairman's Award at the Japan Traditional Art Crafts Exhibition for two consecutive years and receiving the 22nd Japan Ceramic Society Award. This highly original pitcher (mizutsugi \/ water vessel) is a work by him. In 1980, recognized for his research achievements in Old Agano ware and his exceptional modeling prowess, Kozuru Hajime was invited to the United States as a Visiting Fellow at Harvard University, where he built a kiln in the suburbs of Boston. After moving to the U.S., he transcended the boundaries of traditional tea ceramics, developing international contemporary art that fused Western aesthetic forms, geometric shapes, and metallic glazes such as platinum and gold luster. The Roman alphabet mark \"HK\" incised into the bottom of the piece symbolizing his style, the inscription \"Black Glazed Platinum Painted Pitcher\" on the original wooden box (Tomobako), along with the expression of the twisted handle and platinum luster, clearly tell that this is an authentic work created around 1985 to 1995 (mid-1980s to early 1990s), coinciding with the period of international exhibitions following his move to Harvard University in 1980.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eThis work possesses a powerful and commanding presence with dimensions of approximately 18.5 cm in height, 20.0 cm in overall width including the handle, and 16.0 cm in body diameter. The body features the bellows structure (stepped horizontal ridges)—an architectural geometric modeling technique in which Kozuru Hajime excels—creating vivid sculptural light and shadow. The handle extending from the spout adopts a twisted (spiral) structure formed by tightly twisting two clay strands together, splendidly combining Western traditional pouring vessel designs with dynamic clay expression of Japanese ceramics. Over the matte black glaze covering the entire vessel, platinum painting (platinum luster) emitting a dull, heavy silver luster is applied, radiating an overwhelming presence through the chic, deep gradient created by the black and silver tones. Furthermore, the bottom features an octagonal carved base, clearly retaining the incised \"HK\" mark alongside shell-stacking marks (three spur marks) from high-temperature firing, bearing testimony to the artist's technical mastery and authenticity.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003ePossessing heavy form and metallic beauty reminiscent of antique silver, our shop proposes this pitcher (mizutsugi) tailored to modern lifestyles as a supreme Japanese Kogei sake vessel (water dispenser \/ decanter) for enjoying rich aged spirits, whisky, or shochu. The deep texture woven by the black glaze and platinum luster further enhances the beauty of amber-colored aged spirits and matured liquors, bringing the sophistication of dignified modern art to high-end bar counters and dining tables. With works collected in public museums such as the Peabody Museum at Harvard University and the Fukuoka Prefectural Museum of Art, this rare masterpiece by Kozuru Hajime represents a high-level realization where traditional craft and modern art intersect, serving as a luxurious craft piece that graces special spaces.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003e\u003cstrong\u003e\u0026lt;Artist's Message\u0026gt; \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eBorn out of ceramics, Not merely because of the circumstance of my birth, Just as a white flower blooms naturally from a white flower seed, And a red flower from a red flower seed, Before I realized it, I was sitting in the very heart of ceramic art. And now, I reflect. I want to create something true, To take the beautiful spirit and form created by our ancestors, Make it my own, and live in the present era... Wishing for nothing more than this, I sit amidst the clay again today.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\" style=\"text-align: right;\"\u003eKozuru Hajime\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eKozuru Hajime (高鶴元, 1938-)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRepresentative Career Highlights:\u003c\/strong\u003e [1968, 1969] Received the Japan Art Crafts Association Chairman's Award at the 15th and 16th Japan Traditional Art Crafts Exhibitions (won 2 consecutive years), [1975] Received the 22nd Japan Ceramic Society Award, [1980] Traveled to the U.S. as a Visiting Fellow at Harvard University, [1997] Received the 9th Fukuoka Prefecture Cultural Award\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePublic Collections: \u003c\/strong\u003eFukuoka Prefectural Museum of Art, Tagawa City Museum of Art, Peabody Museum of Archaeology and Ethnology at Harvard University, Forest Hills Park (Boston), etc.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e c. 1985–1995 (Period as Visiting Fellow at Harvard University to international expansion period)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eItem Condition:\u003c\/strong\u003e Very Good (No chips, no cracks)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated original wooden box (Tomobako) included (with artist's calligraphy and red seal), original leaflet included (\"Moto-gama\")\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramics (Black glaze, platinum painted)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eWidth (including handle) approx. 20.0 cm, Depth (body diameter) approx. 16.0 cm, Height approx. 18.5 cm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products provided by our shop are unused, they were produced a very long time ago and are all listed as pre-owned items. Please understand and confirm that the item may have age-related wear before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974191890619,"sku":null,"price":75000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3230_result.jpg?v=1790256615"},{"product_id":"280","title":"Seto City Designated Intangible Cultural Property Holder, First Generation Mizuno Sokaku (初代 水野双鶴), Nerikomi Chawan Ceramic Whisky Tumbler #280","description":"\u003cp data-path-to-node=\"3\"\u003eThis is a nerikomi chawan (tea bowl) by Mizuno Sokaku \u003cspan\u003e(1912-1996)\u003c\/span\u003e the First, a holder of Seto City's Designated Intangible Cultural Property and a master who elevated traditional techniques, which were on the verge of dying out in the Seto region, into modern art. With a height of approximately 8.6 cm and a diameter of approximately 12.2 cm, this vessel boasts the classic and dignified proportions of a matcha bowl. Our store proposes it as a premium Japanese craft Ceramic Whisky Tumbler for slowly enjoying aged sake, which has deepened to a rich amber color over time, or carefully selected whiskies with large spherical ice cubes. The wide mouth and moderate shallow depth of this shape significantly enhance the rich aroma of the poured alcohol by allowing it to interact with the air, while the warmth of the clay and the pleasant weight are directly conveyed to the hand. Equipped with an overwhelming presence as a work of art, this attempt to merge a traditional chawan, deeply rooted in Japanese tea ceremony culture, with modern luxurious bar time will be an extravagant experience for entertaining international collectors and special guests with the utmost Japanese hospitality.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eMizuno Sokaku the First, born in Seto City, Aichi Prefecture in 1912, studied under \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E4%BA%95%E9%81%94%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujii Tatsukichi\u003c\/a\u003e, a pioneer of modern craft, and directly received his artistic spirit as a free expressionist, unconstrained by tradition. He achieved a brilliant record, including 27 selections for the Nitten Exhibition, and swept numerous top awards at major open-call exhibitions. In 1987, his exceptional skills were recognized, and he was designated as a holder of Seto City's Intangible Cultural Property. The Mizuno family, led by Mizuno Sokaku the First, is a prestigious lineage that has continued to captivate collectors worldwide for three generations, including his son Mizuno Norio, who also became an intangible cultural property holder, and his grandson Mizuno Tomoji, who enjoys global popularity with his unique sensibilities. Mizuno Sokaku the First is the great founder and source of all this. Since his passing in 1996, all works available in the market are precious posthumous works with no new supply, making them extremely rare as top-class Japanese designer crafts for which information is almost unobtainable overseas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe most highly regarded technique in Mizuno Sokaku's pottery is the nerikomi technique, in which multiple clays with different compositions and firing colors are meticulously layered, creating beautiful, continuous patterns that appear no matter where the piece is cut, much like Kintaro-ame candy. Since each of the different clays has a different drying speed and shrinkage rate during firing, even a slight miscalculation can cause cracks or tears in the kiln. This makes it the most challenging technique, requiring extreme blending skill and strict temperature control. A detailed examination of this work reveals that these advanced techniques and the artist's raw sensibility are expressed with overwhelming power across the entire surface of the vessel. The surface of the vessel dynamically displays orderly striped patterns woven by different colored clays and intricate flowing patterns reminiscent of tree rings or the texture of beautiful silk fabrics, achieving a balance between cold, calculated beauty and the warmth of handcraft. A unique feature of the nerikomi technique is that the exact same pattern appears through both the exterior and interior surfaces. When sake is poured and ice is floated, the organic geometric layers spreading within the vessel shimmer beautifully, creating a visually sophisticated experience.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eBased on the traces of his ceramic activities and circumstantial evidence during his lifetime, the production period of this work is clearly estimated to be from the late 1970s to the early 1980s, his mature period just before he was designated an intangible cultural property, when his skill was at its peak. The strongest evidence for this lies in the style of the autographed signature on the wooden box and the square seal, which does not include the title of cultural property holder. This strongly reflects the style of his era as a master who competed on the quality of his work itself, without relying on authority. Furthermore, the design of the logo on the accompanying bookmark, depicting a pair of yellow cranes facing each other, is identical to that from the period when he was actively involved in the forefront of the Japanese modern craft world. Due to differences in shrinkage rates between clays, it is prone to cracking, and it would have been impossible for him in his youth to fire a vessel with such a wide mouth and imposing proportions without distortion. The fusion of uniform and complex flowing patterns seen in this work is precisely the monumental design feature that crystallizes the pinnacle of his mature technique, which directly led to his highest honor, the designation as an Intangible Cultural Property in 1987.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThis work is perfectly accompanied by evidence that proves the artist's unique style. A clear \"Sokaku\" potter's mark, indicating the authenticity of the artist, is engraved on the bottom of the vessel, next to the footring. It also comes with its dedicated tomobako (wooden box), wrapping cloth, and an artist's profile booklet (shiori) detailing his ceramic history, all showing that it has been carefully preserved. In particular, the design of the booklet, featuring a pair of yellow cranes facing each other, named after his artist's name, expresses the artist's endearing playfulness. The lid of the wooden box is inscribed \"練込 茶盌\" (Nerikomi Chawan) on the outside, and \"双鶴\" (Sokaku) in his own handwriting on the inside, with a perfectly stamped square seal. It is a complete piece in very good condition, with no chips or cracks, and possesses unwavering asset value as a supreme Japanese craft piece that is extremely difficult to encounter overseas.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Mizuno Sokaku I (初代 水野双鶴, 1912-1996)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"36\"\u003eArtist's Representative Activities:\u003c\/b\u003e [1912] Born in Seto City, Aichi Prefecture, he studied under Fujii Tatsukichi, a pioneer of modern craft, and received training in free artistic expression, unconstrained by tradition. Throughout his ceramic career, he was selected for the Nitten Exhibition a total of 27 times, won the top prize at the Seto Ceramics Exhibition three times, later being designated without examination, received the Governor's Award twice at the Asahi Ceramics Exhibition, the Toto Award at the National Ceramics Exhibition, and the Tokai TV Award and Achievement Award at the Japan New Craft Exhibition, as well as numerous other awards including at the Kansai Art Exhibition, accumulating a brilliant record on major domestic stages. He also served in important positions such as a councilor of the Japan New Craft Artists Federation, contributing to the development of future generations and the craft world. [1987] His achievements in independently researching and refining the traditional nerikomi technique over many years were officially recognized, and he was designated as a holder of Seto City's Designated Craft Technique (Ceramics, Nerikomi Technique). [1996] He passed away on January 18th at the age of 84, leaving behind a lineage of exceptional skill as the great founder of the prestigious Nerikomi Mizuno family, which continues to attract global attention through his son and grandson.\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1460\"\u003eWorks in Collections:\u003c\/b\u003e Aichi Prefectural Ceramic Museum, Seto City Museum of Art, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1546\"\u003eProduction Period:\u003c\/b\u003e 1970s - Early 1980s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1597\"\u003eProduct Condition:\u003c\/b\u003e Very good (no chips, no cracks, please note the natural crackle (not a defect))\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1696\"\u003eAccessories:\u003c\/b\u003e Dedicated tomobako (wooden box), Ukon cloth, artist's profile booklet (shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1785\"\u003eMaterial:\u003c\/b\u003e Ceramic (nerikomi)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1814\"\u003eDimensions:\u003c\/b\u003e Height approx. 8.6 cm, Diameter approx. 12.2 cm \u003cbr\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products offered by our store are new and unused, they are from a very old production period and are all listed as used items. The product may have damage due to age, so please understand and confirm this before considering purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974191988923,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_8822_result.jpg?v=1783738626"},{"product_id":"283","title":"Kyoto Prefectural Traditional Craft Techniques Holder, Hayashi Makuu (林沐雨) - A Phantom Kiyomizu-yaki Masterpiece Fusing Vivid Cobalt Enamel and Fine Gold Leaf: Gold-Accented Enamel \"Oosuzume \/ Red-flanked Bluetail\" Yunomi Tea Bowl \/ Rock Glass #283","description":"\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"markdown markdown-main-panel enable-luminous-fast-follows enable-updated-hr-color stronger\" id=\"model-response-message-contentr_126626194aeeb34d\" aria-busy=\"false\" aria-live=\"polite\" dir=\"ltr\"\u003e\n\u003cp data-path-to-node=\"27\"\u003eThis is an exceptionally elegant Iroe-Kinsai (overglaze enamel painting with gold accents) Yunomi tea bowl, representing the absolute pinnacle of classic Kyoto elegance, meticulously crafted by the grand master of Kiyomizu ware, Makuu Hayashi (1901–1991, real name: Yoshikazu Hayashi). The artist is widely recognized among elite collectors as an extremely rare individual whose works are seldom found within the Japanese secondary market or domestic digital archives. This extreme rarity is due to his unwavering lifelong commitment to working completely independently without ever aligning himself with major Japanese art establishments such as the Nitten Exhibition, combined with his extensive mid-century production of bespoke pieces direct-exported to overseas trading houses, notably in Hawaii, both before and after World War II.\u003c\/p\u003e\n\u003cp data-path-to-node=\"28\"\u003eOur gallery proudly presents this rare, historically significant masterpiece by a legendary artisan, not merely as an everyday utilitarian vessel, but as a supreme expression of Japanese Kōgei. It is specifically curated to serve as a premium sake cup for savoring rare vintage and aged sakes that have developed a profound complexity and rich character over decades of cellaring. The comfortable, organic proportion that nestles perfectly within the palm of your hand and its deliberate depth are beautifully designed to gently capture and concentrate the volatile, opulent aromas of mature spirits, creating a deeply luxurious sensory experience that delights both the eye and the palate.\u003c\/p\u003e\n\u003cp data-path-to-node=\"29\"\u003eMakuu Hayashi's most historically celebrated achievements lie in his exquisite mastery of overglaze enameling, which directly inherits the grand classical traditions of the legendary historical potters Ogata Kenzan and Nonomura Ninsei, along with his revolutionary color expressions utilizing traditional Japanese mineral pigments and Kochi glazes set against a low-temperature red-flame translucent glaze that he independently developed in 1928. This specific vessel beautifully demonstrates these exceptional techniques, adorned with the bird motif that the master favored above all else. The \"Oosuzume\" (modeled after the Red-flanked bluetail) depicted on the front facing of the cup utilizes a pristine, piercingly vivid cobalt Japanese mineral pigment, with incredibly precise brushwork that beautifully captures the dynamic vitality of life. Furthermore, sophisticated gold leaf detailing is layered over deep black enamels around the bird's face and across the primary feathers, retaining the imperial elegance of traditional Kiyomizu ware while simultaneously elevating the composition into a sharp, modern graphic design reminiscent of mid-century Western fine art.\u003c\/p\u003e\n\u003cp data-path-to-node=\"30\"\u003eAnother exceptional highlight of this piece extends beyond the surface painting to showcase the sublime, organic fusion of clay and kiln fire throughout the entire vessel body. Observing the reverse and side profiles of the cup, one can discern delicate pink speckles, historically known as \"higaawari\" (accidental kiln fire transformations), gently blushing through the fine crackled cream-white glaze base. Although the piece is technically crafted from fine porcelain, this breathing organic phenomenon beautifully evokes the material warmth and aesthetic depth unique to traditional Kyoto pottery, entirely distinguishing the object from cold, sterile commercial wares. On the underside of the foot rim, Makuu's authentic signature, inheriting the artistic lineage of his historical studio \"Isshian,\" is boldly and sharply incised with a master's spatula. The exterior lid of the accompanying dedicated wooden box (Tomobako), which has safely protected the artwork for decades, bears the artist's personal, fluid calligraphy titled \"Oosuzume Yunomi\" along with his signature and official vermilion seal (rakkan)—an absolute certification of provenance that fully guarantees its reliability, authenticity, and profound historical collection value. We invite you to experience the absolute zenith of traditional Japanese craftsmanship, a rarity virtually nonexistent in international markets, alongside your finest spirits.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"31\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eHayashi Makuu (林沐雨, 1901–1991, Birth name: Yoshikazu Hayashi)\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eArtist's Notable Activities:\u003c\/strong\u003e [1916] Studied the core fundamentals of ceramic arts under his biological father, the master potter \u003ca href=\"\/en\/search?q=%22%E6%9E%97%E7%A5%A5%E5%B1%B1%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eShozan Hayashi\u003c\/a\u003e; [1921] Entered \"Gojodo,\" the highly exclusive purveyor to the Imperial Household Ministry, where he thoroughly acquired advanced imperial porcelain manufacturing techniques; [1932] Studied under \u003ca href=\"\/en\/search?q=%22%E6%B8%85%E6%B0%B4%E5%85%AD%E5%85%B5%E8%A1%9B%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKiyomizu Rokubei\u003c\/a\u003e V, the undisputed titan of modern Kyoto ceramic arts (until 1936); [1948] Formally certified as a \"Holder of Traditional Craft Techniques\" by the Kyoto Prefectural Government for his outstanding contributions to cultural preservation\u003c\/li\u003e\n\u003cli data-path-to-node=\"33\"\u003e\u003cstrong\u003eMuseum Collections:\u003c\/strong\u003e Ibaraki Ceramic Art Museum, and other prominent public fine art institutions\u003c\/li\u003e\n\u003cli data-path-to-node=\"34\"\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e Circa 1950s–1970s (Mid-Showa era)\u003c\/li\u003e\n\u003cli data-path-to-node=\"35\"\u003e\u003cstrong\u003eProduct Condition: \u003c\/strong\u003eVery Good (pristine archival condition with no chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"36\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated Tomobako (Original wooden box signed and sealed by the artist)\u003c\/li\u003e\n\u003cli data-path-to-node=\"37\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain (Porcelain body featuring colored clay slip and fine gold leaf decoration)\u003c\/li\u003e\n\u003cli data-path-to-node=\"38\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 8.9 cm, Mouth diameter approx. 8.1 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"39\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003ePlease be advised that all historical works curated by our gallery, even if unused, originate from a historic production era and are strictly categorized as antique\/pre-owned fine art. Vintage objects may display subtle age-related nuances; we kindly invite you to consider your purchase with a full understanding of the unique character of antique Japanese ceramics.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c!----\u003e\u003c\/div\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974192251067,"sku":null,"price":66000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_9062_result.jpg?v=1784251734"},{"product_id":"293","title":"Masterpiece Kutani Ware Guinomi Sake Cup \"Red Plum Blossoms\" by Master Shiohara Bunji (塩原文二), Realm-Transcending Artist Mastering Both Oil Painting and Ceramics, Final Years' Legacy #293","description":"\u003cp data-path-to-node=\"20\"\u003eThis is a Kutani ware Guinomi (sake cup) created by Bunji Shiohara, an extraordinary realm-transcending artist who was elected a member of both the Western Painting and Ceramics divisions of Itsui-kai, pursuing peak aesthetic expression in both oil painting and Kutani ceramics. Mr. Bunji Shiohara (1907–1978) was born in Komatsu City, Ishikawa Prefecture, and studied overglaze decoration on porcelain and stoneware at the workshop of first-generation \u003ca href=\"\/en\/search?q=%22%E5%BE%B3%E7%94%B0%E5%85%AB%E5%8D%81%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTokuda Yasokichi\u003c\/a\u003e (Kaisei), a giant of Kutani ware. From 1950 onward, he accomplished the extraordinary feat of simultaneous selection in both Western painting and ceramics divisions at the Nitten and Itsui-kai exhibitions. Building upon the prestigious traditional Kutani overglaze techniques stemming from the first-generation Yasokichi, he fused them with the skilled brushwork and refined color sensibility of an oil painter, establishing a uniquely evaluated stance in modern Japanese craft history.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eThis work features a refined red plum blossom design painted on a gently textured vessel surface beautifully covered with fine crackles (kannyu). The crowning highlight of the piece lies in its depiction of red plum blossoms: while utilizing traditional Kutani Japanese mineral pigments, it renders them with three-dimensional depth and gradation reminiscent of oil paint layered on canvas. Shading and depth are imparted to the vivid vermilion-red petals, while white, yellow, and striking blue and purple are delicately applied to the stamens and calyxes, expressing the vibrant vitality of the petals through the painter's keen eye and solid draftsmanship. Beside the foot ring, the artist’s own seal \"Bunji\" is carved, creating a contrast between the robust clay texture and the delicate overglaze enamel that enhances the dignity of the piece.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eWe propose this historically valuable work as a supreme Japanese Kogei sake vessel for savoring aged sake or premium whisky matured through the years, gracefully adapting it to a refined modern lifestyle. The substantial form that rests comfortably in the hand and the colors of the red plum blossoms reflecting beautifully against the amber liquid elevate a daily evening drink into a special hour of engaging with peak art. Because Bunji Shiohara created at an exceptionally high level in both Western painting and ceramics, the absolute number of his ceramic works is extremely scarce. It is remarkably rare for a piece to appear on the market complete with its original wooden box (Tomobako)—bearing the calligraphic title \"Red Plum Blossoms,\" the artist's ink signature, and seal—along with the explanatory leaflet from that era. This is a one-of-a-kind craft piece embodying the lifelong passion of a master who endlessly pursued beauty.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23,0,0\"\u003e\u003cstrong\u003e* Bunji Shiohara (1907–1978)\u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"23,0,0\"\u003e:\u0026nbsp;Born in 1907 and passing away in 1978, Bunji Shiohara was a rare artist who was elected to membership by top-tier art associations in both completely distinct fields of expression—Western oil painting and ceramics—fully blooming his talent in both simultaneously. He was an unrepeatable realm-transcending artist embodying the \"two-sword style\" in the art world, whose footprint was forged by two passionate \"paths.\"\u003c\/p\u003e\n\u003cp data-path-to-node=\"23,1,0\"\u003e\u003cstrong\u003e* The Path of Painting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"23,1,0\"\u003e:\u0026nbsp;Awareness of Oil Painting and Rise in Itsui-kai The beginning of Shiohara's art was the path of oil painting, which he resumed \"as if remembering what had been forgotten\" after once stepping away. Encouraged by those around him, he submitted an oil painting to the Itsui-kai Exhibition in the autumn of 1950 and gained his first selection, followed by consecutive selections in Nitten starting in 1951. Since then, he maintained uninterrupted annual selections in both exhibitions, deeply savoring his self-awareness toward painting under the enthusiastic guidance of seniors and mentors in Itsui-kai. Recognized for his solid expression and firm painterly spirit, he was elected an Itsui-kai member in 1957. Taking the change in Nitten sponsorship in 1958 as an occasion for reflection, he subsequently ceased submitting to Nitten, pouring his full energy solely into the stage of the Itsui-kai Exhibition to pursue his unique beauty of oil painting.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23,2,0\"\u003e\u003cstrong\u003e* The Path of Ceramics\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"23,2,0\"\u003e:\u0026nbsp;Encounter with Tokuda Yasokichi (Kaisei) and Full-Fledged Pursuit What awakened Shiohara's other outstanding talent was a fortunate interaction with the renowned ceramic artist Tokuda Yasokichi during the time he called himself \"Kaisei,\" casually enjoying painting overglaze enamels at his studio out of easy friendship. In August 1950, receiving a sudden proposal from Kaisei, \"Shall we try submitting your work to Nitten?\", he unexpectedly felt inclined and crafted \"Vase with Butterfly Design,\" making a brilliant first selection at Nitten. Taking this as a turning point, he crafted Nitten submission pieces at the studio for three years, making a sensational debut as a ceramic artist with three consecutive years of Nitten selections. In the autumn of 1953, after consulting with Kaisei and aspiring to undertake full-fledged research in ceramics, Shiohara immersed himself in thorough production research starting from forming (clay body making). Whenever a piece was completed, he eagerly submitted it to exhibitions such as the Ceramic Art Exhibition sponsored by Osaka Asahi, gaining recognition for his overwhelming skill and color sense. In the autumn of 1960, he accomplished the extraordinary feat of being elected an \"Itsui-kai Ceramics Division Member\" in addition to his Western Painting Division membership. Furthermore, in 1975, he joined the Ceramics Division of the Sozo Bijutsu Exhibition and was elected a member, establishing his position at the pinnacle of the ceramic world in both name and reality. The \"Path of Painting\" facing the canvas, and the \"Path of Ceramics\" challenging clay and fire. The works of Bunji Shiohara, a genius who spent his life mastering two specialized fields without compromise, are miraculous crystals harboring a unique aesthetic transcending genres and a firm passion.\u003c\/p\u003e\n\u003cp data-path-to-node=\"24\"\u003e\u003cstrong\u003e* Information from the Work's Leaflet:\u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"24\"\u003eThe Path of Painting Resumed painting as if remembering what had been forgotten, and encouraged by someone, submitted an oil painting to the Itsui-kai Exhibition in autumn 1950 and gained first selection. From 1951, submitted and was selected for Nitten, continuing annual submissions and selections for both exhibitions thereafter. Savoring self-awareness toward painting under the guidance of Itsui-kai seniors and mentors, elected an Itsui-kai member in 1957. In 1958, taking the change in Nitten sponsorship as an occasion for reflection, ceased Nitten submissions and submitted exclusively to Itsui-kai Exhibitions up to the present.\u003c\/p\u003e\n\u003cp data-path-to-node=\"25\"\u003eThe Path of Ceramics When Mr. Tokuda Yasokichi called himself Kaisei, enjoyed painting overglaze enamels at his studio out of easy friendship. In August 1950, Mr. Kaisei suddenly said, \"Shall we try submitting your work to Nitten?\" Unexpectedly inclined, crafted a vase with butterfly design and gained first selection upon submission. Created Nitten pieces at his studio for three years thereafter with three consecutive selections. In autumn 1953, after consulting with him, aspired to full-fledged research in ceramics, starting production research from the clay body itself. Submitted completed works to Ceramic Art Exhibitions sponsored by Osaka Asahi, and in autumn 1960 was elected member of Itsui-kai Ceramics Division in addition to Western Painting. In 1975 joined Sozo Bijutsu Exhibition Ceramics Division and was elected member up to the present.\u003c\/p\u003e\n\u003cp data-path-to-node=\"25\" style=\"text-align: right;\"\u003eBunji Shiohara\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Shiohara Bunji (塩原文二, 1907–1978)\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eArtist's Representative Activity:\u003c\/strong\u003e [1950] First selected for the Itsui-kai Exhibition (Oil Painting) and Nitten (Ceramics, \"Vase with Butterfly Design\"), [1951–1952] Simultaneously selected in both Western Painting and Ceramics divisions at Nitten, [1957] Elected member of Itsui-kai (Western Painting Division), [1960] Awarded the Itsui-kai Prize at the 22nd Itsui-kai Exhibition and elected member of the Itsui-kai Ceramics Division, [1975] Elected member of the Sozo Bijutsu Exhibition Ceramics Division\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eWorks in Collection: \u003c\/strong\u003eIshikawa Prefectural Museum of Art, Komatsu City Nishikigama Exhibition Hall, Komatsu City Museum, Wayo Women's University Cultural Materials Museum\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cstrong\u003ePeriod of Production: \u003c\/strong\u003e1976–1978 (Leaflet history recorded up to 1976, Final Period of Life)\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks, excluding age-related character typical of antique art)\u003c\/li\u003e\n\u003cli data-path-to-node=\"31\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated wooden box (Tomobako) with \"Guinomi Red Plum Blossoms\" inscribed on the lid and \"Bunji Shiohara\" in ink with a seal on the lower left; explanatory leaflet (Shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eStoneware (Kutani ware, overglaze enamels, crackle glaze)\u003c\/li\u003e\n\u003cli data-path-to-node=\"33\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 5.5 cm, Mouth diameter approx. 5.5 cm, Base diameter approx. 3.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"34\"\u003e\u003cstrong\u003eCaution:\u003c\/strong\u003e All products offered by our shop are historical items from an old production period and are listed as antique art \/ pre-owned items. Products may have subtle changes due to age, so please consider purchasing after understanding and verifying the nature of antique art.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974194217147,"sku":null,"price":75000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_9438_result.jpg?v=1784547479"}],"url":"https:\/\/antiqueliquor1926.com\/en\/collections\/50000-100000-yen.oembed?page=5","provider":"Antique Liquor","version":"1.0","type":"link"}