{"title":"Celadon \u0026 White Porcelain Sake Cups \u0026 Vessels","description":"\u003cp\u003eCeladon the colour of sky after rain, and white porcelain of quiet dignity: porcelain cups and vessels that perfect glaze and body, led by Living National Treasure Inoue Manji and Nabeshima celadon.\u003c\/p\u003e","products":[{"product_id":"42","title":"Living National Treasure Inoue Manji (井上萬二)'s White Porcelain Carved Teacup #42","description":"\u003cp\u003eInoue Manji (1929-2025) was born in Arita, Saga Prefecture in 1929, and is a representative ceramic artist of Arita ware. While Arita ware is typically characterized by colorful painting, he has always focused on white porcelain, pursuing its pure beauty.\u003c\/p\u003e\n\u003cp\u003e After studying under the master potter's wheel master, \u003ca href=\"\/en\/search?q=%22%E5%A5%A5%E5%B7%9D%E5%BF%A0%E5%8F%B3%E8%A1%9B%E9%96%80%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eOkugawa Chuemon\u003c\/a\u003e, he honed his skills at the Saga Prefectural Ceramics Testing Laboratory before going independent in 1971. His outstanding potter's wheel skills and the soft, refined beauty of his forms are highly acclaimed both in Japan and overseas. He has also worked tirelessly overseas, teaching at universities in the United States and engaging in cultural exchange activities, spreading the essence of Japanese traditional crafts to the world.\u003c\/p\u003e\n\u003cp\u003e This white porcelain piece exudes tranquil beauty, and we suspect it likely dates from Inoue Manji's later years, when his technique had reached its peak. Flowing lines of bamboo branches and leaves are delicately carved into the surface, gently lifting off the pure white porcelain. This openwork-like technique creates a tasteful shadow that changes appearance with the light. The included lid ensures that the aroma is not lost, making this a truly exceptional piece that maximizes the aroma of whisky. Enjoy this exceptional piece of Japanese sophistication and the finest craftsmanship with a special glass of whisky.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Inoue Manji (井上萬二, 1929-2025)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\n\n \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eThe artist's notable achievements include:\u003c\/strong\u003e [1979] Minister of Labor Award, [1987] Minister of Education Award at the Japan Traditional Crafts Exhibition, [1995] Certified as a Living National Treasure and Important Intangible Cultural Property \"White Porcelain\", [1997] Received the Medal with Purple Ribbon, [2003] Received the Order of the Rising Sun, Gold Rays with Neck Ribbon\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction year:\u003c\/strong\u003e 2000s (estimated)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated wooden box\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramic (white porcelain)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height 11cm, diameter 7.5cm\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47059029786811,"sku":null,"price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1019.jpg?v=1759322343"},{"product_id":"162","title":"Matsumoto Isami (松本為佐視), Celadon Stem Cup (Bajohai): A Masterpiece of Modern Kyoto Porcelain #162","description":"\u003cp data-path-to-node=\"7\"\u003eMatsumoto Isami (1931–2012) was an artist of the highest pedigree in contemporary Japanese ceramics, having studied under the legendary \u003ca href=\"\/en\/search?q=%22%E6%A5%A0%E9%83%A8%E5%BD%8C%E5%BC%8C%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYaichi Kusube\u003c\/a\u003e and \u003ca href=\"\/en\/search?q=%22%E5%AE%AE%E4%B8%8B%E5%96%84%E5%AF%BF%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eZenju Miyashita\u003c\/a\u003e, both recipients of the Order of Culture. The spirit of ceramics as a pure art form that transcends mere utility—a philosophy inherited from his masters—is consistently reflected in his work through elegant aesthetic forms and the delicate layering of color. The emerald green hue achieved by Matsumoto in this piece is the result of a precise physical phenomenon. It requires controlling the iron oxide content in the glaze within an incredibly minute range of 0.1 to 0.3 percent while maintaining a perfectly constant reducing atmosphere in the kiln at high temperatures around 1,300 degrees Celsius. This technique represents a modern chemical redefinition of the celestial sky-blue (Ten-seisho) achieved by the Ru kilns of China's Song Dynasty. By intentionally inducing Rayleigh scattering—a phenomenon where light reflects off microscopic air bubbles and undissolved particles within the glaze layer—he creates a profound depth and transparency that industrial colorants cannot replicate.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eIn terms of form, the stem of this Bajohai (stem cup) is an exercise in extreme craftsmanship. Due to the high shrinkage rate characteristic of porcelain clay, such a design is prone to warping or collapsing under its own weight during firing, resulting in an exceptionally low yield. Furthermore, the line-engraving (Senkoku) technique inherited from his master requires an extraordinary level of sensitivity. The artist must maneuver a needle with sub-millimeter precision during the brief window when the clay is semi-dry—an irreversible process where a single mistake is fatal to the piece. The fact that the deep celadon glaze is applied so evenly to such thin, exquisite porcelain while perfectly controlling the crackle pattern (Kanyu) serves as a testament to his absolute mastery of firing schedules, honed through his long tenure as a judge for the Nitten (Japan Fine Arts Exhibition).\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eOwing to this overwhelming technical prowess and artistic dignity, Matsumoto twice won the Special Selection (Tokusen) award at the Nitten, Japan's most prestigious art exhibition, and later assumed key roles as a judge and councilor, leading the Japanese art world. His reputation extends internationally, with his work held in the permanent collection of the Spencer Museum of Art at the University of Kansas. The museum holds his work in high academic regard, utilizing it as a living educational resource for students and researchers to study the modern reinterpretation of Ru-ware celadon and the evolution of Kyoto porcelain.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eStanding approximately six centimeters tall, this diminutive stem cup embodies a celebratory prayer that transcends its function as a drinking vessel. Built upon the conviction that a vessel is a sanctuary where the liquid and the user's heart meet, the modern expressionism inherited from his masters has been captured within this small space as a dynamic moment of life blossoming amidst silence. This blue, which marries classical Chinese beauty with 20th-century Kyoto sophistication, resonates deeply with the aesthetic sensibilities of those who appreciate high-end crystal like Baccarat or Lalique. It is a masterpiece that deserves the highest praise from global collectors for its timeless elegance.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Matsumoto Isami (松本為佐視, 1931–2012)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eNotable Career Highlights:\u003c\/strong\u003e [1967] Won the Special Selection Award at the 10th Nitten Exhibition; [1974] Won the Special Selection Award at the 6th Nitten Exhibition; [Later years] Served as a Nitten Judge, Nitten Councilor, and Director of the Kyoto Craft Artists Association.\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003ePublic Collections:\u003c\/strong\u003e Spencer Museum of Art (University of Kansas, USA), Minneapolis Institute of Art (USA), Mary and Jackson Burke Foundation (USA), Kyoto City KYOCERA Museum of Art, Itsuo Art Museum, among others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eEstimated Production Period:\u003c\/strong\u003e 1990s\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent (No chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original signed wooden box (Tomobako), wrapping cloth\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain, Celadon Glaze\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Diameter approx. 6 cm, Height approx. 6 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eNotice:\u003c\/strong\u003e While this item is in unused condition, it is a vintage piece produced many years ago and is therefore listed as second-hand. Please be aware that vintage items may show minor signs of age. We invite you to examine the provided images carefully before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47473095966907,"sku":null,"price":28000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4494.jpg?v=1772271576"},{"product_id":"172","title":"Matsumoto Isami (松本為佐視): A Pair of Emerald Celadon Sake Cups — Redefining Ru Ware and the Zenith of Emerald Green through Rayleigh Scattering #172","description":"\u003cp data-path-to-node=\"16\"\u003eMatsumoto Isami (1931–2012) was a master potter of the highest pedigree in contemporary Japanese ceramics. Having studied under the legendary \u003ca href=\"\/en\/search?q=%22%E6%A5%A0%E9%83%A8%E5%BD%8C%E5%BC%8C%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKusube Yaichi\u003c\/a\u003e (recipient of the Order of Culture) and \u003ca href=\"\/en\/search?q=%22%E5%AE%AE%E4%B8%8B%E5%96%84%E5%AF%BF%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eZenju Miyashita\u003c\/a\u003e, he dedicated his life to the \"spirit of ceramics as pure art that transcends practical use.\" This set of two sake cups is a quintessential work from his mature period, representing a harmonious fusion of dignified form and meticulously calculated layers of color.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eThe most extraordinary feature of this work is the captivatingly deep emerald green hue. This mystical color is the result of a physical phenomenon achieved only by precisely controlling the iron oxide content in the glaze within a minute range of 0.1% to 0.3%, while maintaining a perfectly constant reducing atmosphere in the kiln at high temperatures around 1,300°C. This technique redefines the \"heavenly blue\" (Tianqing) of China’s legendary Song Dynasty Ru Ware through a modern chemical approach, intentionally inducing \"Rayleigh scattering.\" Light reflects off microscopic bubbles and undissolved particles within the glaze layer, creating a deep, internally luminous transparency that industrial pigments can never replicate.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eIn terms of form, the elegant presence of the cups overcomes the high shrinkage rates inherent to porcelain clay. The \"line engraving technique\" inherited from his masters requires a sublime level of sensitivity, with the needle moving with sub-millimeter precision within the fleeting window when the clay is semi-dry—an irreversible process that allows for no error. The ability to evenly fix a deep celadon glaze on such thin, refined porcelain while perfectly controlling the crackle (kanyu) is a testament to Matsumoto's mastery of firing schedules, honed through his long tenure as a judge for the Nitten (Japan Fine Arts Exhibition).\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eDue to his overwhelming technical prowess and artistic integrity, Matsumoto was twice awarded the \"Tokusen\" (Special Selection) at the Nitten, the most prestigious art exhibition in Japan, and later served in influential roles as a judge and council member. His reputation extends internationally, with works held in world-class institutions such as the Spencer Museum of Art (University of Kansas, USA), the Minneapolis Institute of Art (USA), and the Mary and Jackson Burke Foundation (New York). Notably, the Spencer Museum utilizes his work as \"living teaching material\" for the study of modern reinterpretations of Ru Ware and the evolution of porcelain in Kyoto, underscoring his profound academic value.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eCrafted with the belief that \"a vessel is a sanctuary where the poured liquid and the user’s heart meet,\" these cups embody a celebratory prayer that transcends their function as drinking vessels. Blending classical Chinese aesthetics with the sophisticated modern expressionism of 20th-century Kyoto, this specific shade of \"Blue\" will provide exceptional satisfaction even to discerning collectors of high-end crystal glass such as Baccarat or Lalique. The moment amber whisky or clear sake is poured, the emerald green born from Rayleigh scattering resonates with the liquid, bringing a quiet dynamism to your table. This is a supreme masterpiece that encapsulates a timeless aesthetic.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Matsumoto Isami (松本為佐視, 1931–2012)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eNotable Career Achievements:\u003c\/strong\u003e Awarded the 10th Nitten Tokusen (1967) and the 6th Nitten Tokusen (1974). Served as Nitten Judge, Nitten Council Member, and Director of the Kyoto Craft Artists Association.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003ePublic Collections:\u003c\/strong\u003e Spencer Museum of Art (University of Kansas, USA), Minneapolis Institute of Art (USA), Mary and Jackson Burke Foundation (USA), Kyoto City KYOCERA Museum of Art, Itsuo Art Museum (Osaka, Japan), and more.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e Circa 1990s (Estimated)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent (no chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original signed wooden box (Tomobako) and wrapping cloth (Tomonuno) included.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain, Celadon Glaze\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Diameter approx. 5.6 cm, Height approx. 5.6 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003ePlease Note:\u003c\/strong\u003e Even if items are in unused condition, they are vintage archival pieces and are listed as second-hand. Please understand that products may show characteristics of aging, and we encourage you to review all details before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47482920566971,"sku":null,"price":38000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4464.jpg?v=1772271581"},{"product_id":"206","title":"Saga Prefectural Intangible Cultural Property Holder, 19th Generation Ogasawara Choshun (十九代 小笠原長春) – Nabeshima Celadon Carved Pattern Cylindrical Large Ceramic Whisky Tumbler #206","description":"\u003cp data-path-to-node=\"6\"\u003eThe 19th-generation Ogasawara Choshun (Birth name Kenzo Ogasawara, 1932-), a direct descendant of the official painters and potters who supported the Nabeshima Domain's clan kiln during the Edo period, is the foremost authority on Nabeshima celadon. Born in 1932 in Okawachi-cho, Imari City, Saga Prefecture, his exceptional skills were recognized in 1998 when he was certified as a holder of Nabeshima celadon, an Important Intangible Cultural Property of Saga Prefecture. His works are collected and exhibited at prestigious institutions such as the British Museum, establishing an unshakeable reputation in the international art market as the pinnacle of porcelain symbolizing Oriental beauty. The greatest feature of Nabeshima celadon, which the Ogasawara family has preserved, lies in its luxurious use of finely crushed rare natural celadon raw stone, mined only in Okawachiyama, Imari, as its glaze.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eThis piece embodies many of the technical characteristics for which Ogasawara Choshun is most highly regarded, but behind it lies an extremely difficult production process. What first catches the eye is the deep, moist color reminiscent of jade, but celadon glazes using natural stone are surprisingly sensitive to heat control. Mastering the reduction firing process, which limits oxygen in the kiln, is a formidable task; even a slight error can cause the color to turn a dull brownish-red, losing its original luster. Furthermore, to achieve the unique depth of Nabeshima celadon, the glaze is applied extremely thickly. This highly difficult technique carries a constant risk of the glaze flowing off during firing or cracking during cooling. The way the delicate line-engraved patterns beneath quietly emerge through this thick layer of glaze is truly a \"miracle scenery\" that can only be achieved by a certified master through strict temperature control and refined sensibility.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eAlthough this piece was created as a teabowl, its form incorporates exceptional ingenuity within the framework of traditional tea utensils. While its dimensions of approximately 11 cm in height and 10 cm in diameter are standard for a deep teabowl, what is particularly noteworthy is its original silhouette, which widens in two tiers from the body to the rim. This tiered shape is not only aesthetically pleasing but also demonstrates surprising functionality. The calculated two-stage widening dramatically improves finger grip, allowing for a remarkably stable hold with one hand despite its generous size. This unique aesthetic form provides a profound sense of security in the hand when repurposed as a Ceramic Whisky Tumbler for enjoying aged spirits. Inheriting the spirit of the \"secret kilns\" that produced items exclusively for presentation to the Shogun's family, Ogasawara Choshun has established a status equivalent to a modern Living National Treasure. His works are rare cultural assets where limited natural resources and extreme skill converge, making them masterpieces worthy of adorning a luxurious evening drink.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e 19th-generation Ogasawara Choshun (十九代 小笠原長春), Kenzo Ogasawara (1932-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"67\"\u003eArtist's Major Career Highlights:\u003c\/b\u003e [1951] Began pottery production, [1982] Received Saga Prefecture Art and Culture Contribution Award, [1993] Regional Culture Contributor Award (Minister of Education Award), [1998] Certified as a holder of Nabeshima Celadon, an Important Intangible Cultural Property of Saga Prefecture, [2003] Received the Order of the Rising Sun, Silver Rays\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"445\"\u003eWorks in Collections:\u003c\/b\u003e The British Museum (London), Embassy of Japan in the UK (London), Imperial Household Agency (record of presentation), Saga Prefectural Kyushu Ceramic Museum, Saga Prefectural Art Museum, Imari City Ceramic Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"686\"\u003ePeriod of Production:\u003c\/b\u003e After 1998 (Estimated to be during his mature period, after being certified as an Important Intangible Cultural Property)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"830\"\u003eCondition:\u003c\/b\u003e Excellent (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"873\"\u003eAccessories:\u003c\/b\u003e Original wooden box (Tomobako), Pamphlet\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"927\"\u003eMaterial:\u003c\/b\u003e Porcelain (Nabeshima Celadon)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"967\"\u003eDimensions:\u003c\/b\u003e Height approx. 11.0 cm, Mouth diameter approx. 10.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"1034\"\u003eNote:\u003c\/b\u003e All products offered by our shop, even if unused, are very old productions and are listed as used items. Products may have age-related damage, so please understand and confirm this before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47695919644859,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5697_result.jpg?v=1776175847"},{"product_id":"211","title":"Matsumoto Isami (松本為佐視): A Masterpiece of Modern Kyoto Porcelain – Redefining Ru Ware Sky-Blue Jade Celadon Shot Glass #211","description":"\u003cp data-path-to-node=\"6\"\u003eThis is an exquisitely refined Jade Celadon guinomi (sake cup) by Matsumoto Isami (1931–2012), a doyen of the Kyoto ceramic art world and a master who led contemporary Japanese porcelain art. Matsumoto studied under \u003ca href=\"\/en\/search?q=%22%E6%A5%A0%E9%83%A8%E5%BD%8C%E5%BC%8C%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYaichi Kusube\u003c\/a\u003e, a recipient of the Order of Culture who elevated post-war Japanese ceramics to the status of pure fine art for appreciation. The spirit of ceramics as pure art beyond utility, inherited from his mentor, consistently flows through his works as a dignified aesthetic form and a superposition of delicate colors.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eThe unique celadon color achieved by Matsumoto in this work—a Jade Celadon with the depth of an emerald—is the result of a physical phenomenon obtained only by controlling the iron oxide content in the glaze within an extremely fine range of 0.1 to 0.3 percent, and maintaining a perfectly constant reducing atmosphere in the kiln at high temperatures around 1300 degrees Celsius. This technique redefines the sky-blue color achieved by the Ru ware of China's Song Dynasty through a modern chemical approach. By intentionally inducing Rayleigh scattering—which occurs when light reflects off microscopic bubbles and undissolved particles within the glaze layer—it creates a deep transparency impossible with industrial dyes. The incised line (senkoku) technique applied to the entire surface requires a high degree of sensibility to precisely move a needle with sub-millimeter accuracy within the short time the clay body is in a semi-dry state, completed through an irreversible process where not a single mistake is allowed.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eIn terms of form, it features dimensions that combine stability and elegance, with a mouth diameter of approximately 7.2 cm and a height of approximately 4.2 cm. The ability to evenly fix a deep celadon glaze onto such a thin and refined porcelain while controlling the crazing demonstrates a complete mastery of the firing schedule, based on many years of experience as a Nitten judge. Due to his overwhelming technical skill and dignity, Matsumoto received two Tokusen (Special Selection) awards at the Nitten, Japan's most prestigious art exhibition. His reputation extended overseas, with his works being housed in global museums such as the Spencer Museum of Art at the University of Kansas, the Minneapolis Institute of Art, and the Burke Collection in the United States.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eAlthough originally created as a guinomi for enjoying Japanese sake, our gallery proposes this piece as a shot glass for savoring rare aged sake or Western spirits that have matured for decades. The wide mouth design optimizes the surface area where the liquid comes into contact with air, directly delivering the complex aromas produced by Blooming with water to the nasal cavity. Despite its palm-sized dimensions, it is a highly acclaimed academic masterpiece that combines the infinite depth of emerald green with the tension of precise incised lines.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Matsumoto Isami (松本為佐視, 1931–2012)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"36\"\u003eArtist's Major Career Highlights:\u003c\/b\u003e Received the 10th Nitten Tokusen (Special Selection) Award, the 6th Nitten Tokusen Award, served as a Nitten Juror, Nitten Councilor, and Director of the Kyoto Craft Arts Writers Association, among others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"276\"\u003eWorks in Collections:\u003c\/b\u003e Spencer Museum of Art (University of Kansas, USA), Minneapolis Institute of Art (USA), Mary and Jackson Burke Foundation (USA), Kyoto City KYOCERA Museum of Art (Kyoto City Museum of Art), Itsuo Art Museum (Ikeda City, Osaka Prefecture), etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"541\"\u003ePeriod of Creation:\u003c\/b\u003e 2000s (Presumed to be from his mature late period)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"612\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"655\"\u003eAccessories:\u003c\/b\u003e Original wooden box (signed and sealed by Matsumoto Isami), \u003cspan\u003e\u0026nbsp;wrapping cloth, and descriptive leaflet included.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"736\"\u003eMaterial:\u003c\/b\u003e Porcelain\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"756\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 7.2 cm, height approx. 4.2 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"821\"\u003eNote:\u003c\/b\u003e All products offered by our gallery, even if unused, are from older production periods and are listed as used items. The product may have age-related wear, so please understand and confirm this before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47695919874235,"sku":null,"price":33000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5902_result.jpg?v=1776176898"},{"product_id":"240","title":"Kida Hiroyuki (木田弘之) Kutani Ware Celadon Teabowl and Ceramic Whisky Tumbler (Selected for the Nitten Exhibition, Awarded Minister of Education Prize) #240","description":"\u003cp data-path-to-node=\"14\"\u003eThis is a celadon chawan (tea bowl) by Hiroyuki Kida (1944-), a modern Kutani ware master whose works have received numerous top honors, including the Nitten Special Selection and the Minister of Education Award, and whose pieces are permanently held by Japan's Ministry of Foreign Affairs. This piece has the beautiful proportions of a matcha bowl that fits comfortably in the hand, and our shop proudly proposes it as a premium Japanese craft Ceramic Whisky Tumbler for slowly enjoying aged sake that has matured into a rich amber color over time, or carefully selected whisky with large ice cubes. Its traditional shape, with a wide mouth and moderate depth, significantly enhances the rich aroma of the poured liquor by allowing it to interact with the air, and when held, it directly conveys the smooth texture and pleasant weight characteristic of Kutani porcelain. The attempt to merge the traditional chawan, which possesses an overwhelming presence as an art object and is deeply rooted in Japanese tea ceremony culture, with the modern enjoyment of luxury spirits will surely provide a luxurious experience for entertaining overseas collectors and special guests with the highest form of Japanese hospitality.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eThe artist, Hiroyuki Kida, was born in Hachiman, Komatsu City, Ishikawa Prefecture in 1944. As the third-generation successor of Kida Seito, a renowned family of Kutani ware three-dimensional sculptors, he inherited the highly precise modeling techniques passed down through generations. Furthermore, not content with the scope of traditional crafts, he completed his studies at the Government Industrial Research Institute, Nagoya, a national research institution, acquiring scientific and modern ceramic technology. He has established a truly rare, completely handmade style in the world of Kutani ware, overseeing every step from mold making and shaping to meticulous overglaze painting himself. He has achieved brilliant results on major stages both domestically and internationally, including receiving the Nitten Special Selection, the Minister of Education Award, being selected for the Faenza International Ceramics Competition in Italy, and winning the Chunichi Grand Prize. His extraordinary modeling sense and technique have been officially recognized as national art pieces, purchased by the Ministry of Foreign Affairs, and permanently housed as part of the public collection of the Hokkaido Museum of Modern Art, among other accolades, widely proving their cultural asset value. He continues to be a leading figure who relentlessly pursues the art of pottery, and complete pieces bearing the artist's original signature on the box, which circulate in the market, possess extremely high rarity due to the lack of new supply.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eOne of the most highly regarded aspects of Hiroyuki Kida's pottery is his advanced glaze color control technology, backed by years of research. Upon careful examination of this piece, as can be seen in the accompanying images, it stands out as an exceptionally well-executed work among his celadon pieces, a masterpiece full of artistic flavor. The beautiful glaze covering the entire vessel achieves a vivid and deeply clear coloration reminiscent of the highest quality jade, possessing an incredibly high, captivating transparency. Furthermore, as can be meticulously observed in the detailed photographs, a splendid network of crackle, like finely woven ice cracks, spreads beautifully and seamlessly from the inner and outer walls of the vessel all the way to the deep interior. The thickness of this transparent glaze and the countless layers of fine cracks within it allow light to pass through, creating a three-dimensional visual effect as if a mystical natural landscape unfolds deep within the vessel when gazed upon. When sake is poured and ice floats within, the amber liquid of aged sake, the jade color, and the sparkling crackle will harmonize beautifully within the vessel, evoking the highest level of sophistication.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eThis piece is perfectly accompanied by physical evidence that confirms its authenticity and the artist's distinct style. On the base of the vessel, within the carefully finished foot, a clear square seal \"Hiroyuki\" is engraved, indicating it is an authentic work by the artist. Furthermore, the lid of the dedicated wooden box, which shows careful preservation, bears the artist's handwritten inscription \"Celadon Tea Bowl\" on the front and \"Kutani Hiroyuki\" with a square seal on the inside. In addition, a dedicated yellow wrapping cloth beautifully stamped with the artist's seal, and a detailed artist's profile booklet (shiori) are all included in excellent condition. This is a complete piece in very good condition, free from chips or cracks, and represents an asset of undeniable value as a supreme Japanese craft piece, extremely difficult to encounter overseas. Please note that the fine crackle patterns visible on the surface of the vessel are a traditional, natural characteristic unique to celadon, known as \"kannyu,\" and are not damage from later impact or wear. Please feel free to pour your drink and enjoy its beautiful appearance. We invite you to enjoy the supreme beauty cultivated by Japanese tradition in your own hands.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Kida Hiroyuki (木田弘之, 1944-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"30\"\u003eArtist's Major Activities:\u003c\/b\u003e [1944] Born in Kaga Hachiman, Komatsu City, Ishikawa Prefecture, completed studies at the Government Industrial Research Institute, Nagoya. [1966] First accepted into the 22nd Ishikawa Prefectural Contemporary Art Exhibition and first exhibited and accepted into the 9th Nitten Exhibition (work title: Town with a Forest). Since then, he has achieved brilliant results in major public exhibitions. [1974] Selected for the 32nd Faenza International Ceramics Competition in Italy, a globally renowned authority. [1977] Received the Chunichi Grand Prize, the highest award at the 5th Chunichi International Ceramics Exhibition (work later publicly acquired by Komatsu City). [1979] Received the Minister of Education Award, the highest award category at the Prefectural Exhibition Selection organized by the Agency for Cultural Affairs. [1980] Recommended as a member of the Japan New Craft Artists Federation, and his work exhibited at the 2nd Japan New Craft Exhibition in the same year (Serving Dish, Sui) was publicly acquired by the Ministry of Foreign Affairs. [1995] Received the Special Selection, one of the highest honors of the Nitten Exhibition.\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1212\"\u003eWorks in Public Collections:\u003c\/b\u003e Ministry of Foreign Affairs (public acquisition), Komatsu City, Ishikawa Prefecture (public acquisition), Hokkaido Museum of Modern Art (1973 work, ceramic three-dimensional piece \"Untitled\" permanently housed), etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1458\"\u003eProduction Period:\u003c\/b\u003e Circa 1977–1980 (Showa 52–Showa 55 \/ The pinnacle of his golden age, during which he won the Chunichi Grand Prize and the Minister of Education Award, and achieved public acquisition by the Ministry of Foreign Affairs)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1622\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks; please note the natural crackle)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1698\"\u003eAccessories:\u003c\/b\u003e Dedicated wooden box, wrapping cloth, artist's profile booklet (shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1792\"\u003eMaterial:\u003c\/b\u003e Porcelain (celadon)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1822\"\u003eDimensions:\u003c\/b\u003e Height approx. 8.0 cm, Diameter approx. 12.2 cm \u003cbr\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products offered by our shop are unused, they are very old production items and are all listed as used. Products may have age-related damage, so please consider purchasing after understanding and checking.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47766438576315,"sku":null,"price":70000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7468_result.jpg?v=1780730527"},{"product_id":"313","title":"MITI Minister's Award Winner, Arita Ware Seihakuji Pale Celadon Hexagonal Stemmed Cup with Tomobako and Leaflet by Tanaka Hajime (田中一・田中一晃) of Ichii Kiln, Sculptural Faceted Sake Vessel Symbolizing Modern Craft Design #313","description":"\u003cp data-path-to-node=\"29\"\u003eThis is an Arita ware Seihakuji (pale blue celadon) hexagonal stemmed cup crafted by Tanaka Hajime (1933–2002, who later changed his art name to Ikkō Tanaka) of Ichii Kiln in Ureshino, Saga Prefecture. He served as a full member of the Japan Art Crafts Association and an associate of Nitten, winning the grand Minister of International Trade and Industry Award at the Kyushu Yamaguchi Ceramics Exhibition. After refining his porcelain techniques at a factory in Arita, Tanaka established Ichii Kiln in Ureshino in 1965. While inheriting traditional Hizen porcelain techniques, he highly integrated modern craft design sensibilities, earning repeated selections in the Good Design Exhibition and Japan New Craft Exhibition in 1968. Takeshi Nagatake, a leading art critic and authority in Kyushu ceramics, praised his outstanding sense of form and dedicated passion for pottery. Notably, this piece is an authentic creation from the period under the name \"Tanaka Hajime,\" when his creative passion reached its peak prior to changing his name to \"Ikkō Tanaka\" in 1981.\u003c\/p\u003e\n\u003cp data-path-to-node=\"30\"\u003eThis piece is a hexagonal stemmed cup that brilliantly sublimates the technique of \"Seihakuji Faceting and Carved Patterns\" (Seihakuji Mentori Chō-monyō), explicitly documented as the artist's hallmark in the accompanying leaflet. From the tightened stem section up to the widely opening hexagonal cup body, wave-like faceting and geometric carved patterns are applied under precise calculation. By applying a transparent pale blue celadon glaze containing delicate blue hues, the glaze pools beautifully along the sharp edges and carved recesses executed by carving tools, creating a striking contrast between crisp structural lines and soft light gradations. On the underside of the high foot ring, a handwritten mark in cobalt blue pigment (gosu) is present, embodying a tension of handcrafted mastery and dignified elegance distinct from mass-produced wares.\u003c\/p\u003e\n\u003cp data-path-to-node=\"31\"\u003eWe propose this stemmed cup, combining high artistic acclaim with modern design aesthetics, as a refined Japanese Kogei sake vessel for savoring aged spirits, premium whisky, or chilled sake, gracefully adapting it to a sophisticated contemporary lifestyle. The slender, elegant high-stem structure fits comfortably in the hand, and the amber or clear tones of spirits poured into the cup reflect beautifully against the serene blue of the Seihakuji glaze, elevating special evening drinks into a more luxurious moment. Created during the \"Tanaka Hajime\" era (1968–1976) before he later assumed the name \"Ikkō Tanaka\" and solidified his reputation at the Living National Treasure level, this piece remains in exceptionally rare condition, complete with its original wooden box (Tomobako)—bearing handwritten calligraphy and red seals for Arita Ware and Seihakuji Hexagonal Stemmed Cup on the lid—as well as the explanatory studio leaflet dated 1976.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eArtist：\u003c\/strong\u003eTanaka Hajime (田中一・田中一晃, later changed name to Ikkō Tanaka, 1933–2002)\u003c\/li\u003e\n\u003cli data-path-to-node=\"33\"\u003e\u003cstrong\u003eArtist's Representative Activity：\u003c\/strong\u003e[1965] Established Ichii Kiln in Ureshino, Saga Prefecture, [1968] Selected for the Good Design Exhibition and Japan New Craft Exhibition, [Before 1976] Awarded the Minister of International Trade and Industry Award (Grand Prize) at the Kyushu Yamaguchi Ceramics Exhibition, Awarded the Modern Crafts Exhibition Commemorative Award, 11 selections at Nitten (eventually 17 total selections; Nitten Associate), Received the Member Award at the Japan New Craft Exhibition, Full Member of the Japan Art Crafts Association\u003c\/li\u003e\n\u003cli data-path-to-node=\"34\"\u003e\u003cstrong\u003eWorks in Collection \/ Evaluation：\u003c\/strong\u003eEvaluated by art critic Takeshi Nagatake; Full Member of the Japan Art Crafts Association; Member of Nitten; Director of the Saga Prefecture Ceramic Artists Association\u003c\/li\u003e\n\u003cli data-path-to-node=\"35\"\u003e\u003cstrong\u003ePeriod of Production：\u003c\/strong\u003e1968–1976 (Showa 43–Showa 51, Period under the name \"Tanaka Hajime\")\u003c\/li\u003e\n\u003cli data-path-to-node=\"36\"\u003e\u003cstrong\u003eCondition：\u003c\/strong\u003eVery good (no chips, no cracks, excluding age-related character typical of antique art)\u003c\/li\u003e\n\u003cli data-path-to-node=\"37\"\u003e\u003cstrong\u003eAccessories：\u003c\/strong\u003eDedicated wooden box (Tomobako) with \"Arita Ware\" red seal, \"Seihakuji Hexagonal Stemmed Cup\" and \"Ichii Kiln\" calligraphic inscription with seal on the lid; explanatory leaflet (Shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"38\"\u003e\u003cstrong\u003eMaterial：\u003c\/strong\u003ePorcelain (Seihakuji \/ Pale blue celadon glaze, carved patterns, faceted mentori)\u003c\/li\u003e\n\u003cli data-path-to-node=\"39\"\u003e\u003cstrong\u003eDimensions：\u003c\/strong\u003eHeight approx. 7.5 cm, Mouth diameter (width) approx. 6.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"40\"\u003e\u003cstrong\u003eCaution：\u003c\/strong\u003eAll products offered by our shop are historical items from an old production period and are listed as antique art \/ pre-owned items. Products may have subtle changes due to age, so please consider purchasing after understanding and verifying the nature of antique art.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48093148315835,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_9345_result.jpg?v=1784546349"},{"product_id":"384","title":"Living National Treasure, Holder of Important Intangible Cultural Property for \"White Porcelain\", Arita Inoue Manji Kiln, Inoue Manji (井上萬二), White Porcelain Water Dropper, Whisky Dropper #384","description":"\u003cp data-path-to-node=\"1\"\u003eInoue Manji (1929–2025) was a ceramic artist from Arita Town, Saga Prefecture, who was designated a Holder of Important Intangible Cultural Property for \"White Porcelain\" (Living National Treasure) in 1995. In Arita ware, where ornate decoration with underglaze cobalt (sometsuke) and overglaze enamels (iro-e) is mainstream, he dedicated his life to pursuing the sculptural beauty of white porcelain formed on the potter's wheel, guided by his conviction that \"the true merit of ceramics lies in their form.\" After training at the Kakiemon Kiln, he studied under \u003ca href=\"\/en\/search?q=%22%E5%A5%A5%E5%B7%9D%E5%BF%A0%E5%8F%B3%E8%A1%9B%E9%96%80%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eChuemon Okugawa\u003c\/a\u003e, renowned as a master of the potter's wheel, around 1952, learning the techniques of white porcelain and wheel throwing. From 1958, as a technical official at the Saga Prefectural Arita Ceramic Research Center, he conducted in-depth research on porcelain forming and glazes, and in 1971, he established the Inoue Manji Kiln.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eIn 1979, he was commended by the Minister of Labour as an Outstanding Skilled Artisan (Contemporary Master Craftsman). At the 34th Japan Traditional Art Crafts Exhibition in 1987, he won the Minister of Education Award for \"Seihakuji Carved Pattern Bowl,\" and in the same year, the award-winning work was purchased by the Agency for Cultural Affairs. In 1990, he was designated a Saga Prefecture Important Intangible Cultural Property, and in 1995, he was designated a Holder of the National Important Intangible Cultural Property for \"White Porcelain.\" He received the Medal with Purple Ribbon in 1997, the Order of the Rising Sun, Gold Rays with Neck Ribbon in 2003, and became an Honorary Citizen of Arita Town in 2005. His works are held in the collections of Tokyo National Museum, The National Museum of Modern Art, Tokyo (National Crafts Museum), Aichi Prefectural Museum of Art, The Kyushu Ceramic Museum, Saga Prefecture, and Higashihiroshima City Museum of Art, among others. In addition, in 1969, by order of the Governor of Saga Prefecture, he went to Pennsylvania State University in the United States as a visiting professor, and later taught pottery at New Mexico State University, dedicating great effort to fostering future generations both in Japan and overseas. He passed away on July 14, 2025, at the age of 96.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe greatest defining characteristic of his white porcelain lies in expressing beauty solely through the form pulled up on the potter's wheel, without applying any surface painting. He stated, \"Precisely because white porcelain lacks color, its form must be crafted beautifully,\" adopting \"Meito Muzatsu\" (a fine ceramic has no extraneous thoughts) as his guiding motto. In white porcelain, which cannot rely on decorative ornamentation, the slightest distortion or unevenness in thickness immediately reveals itself as a defect. For this reason, he was renowned for his uncompromising, rigorous approach to making, refusing to tolerate even a millimeter of distortion. His representative works include round white porcelain jars, white porcelain swirling-pattern jars, and crane-neck vases. In addition, he created carved-pattern works where motifs were carved into the white porcelain surface and touched with green glaze, as well as bluish-white porcelain (seihakuji) works where glaze pooled in carved recesses to take on a soft blue hue.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eThis work is a plain white porcelain water dropper that uses no carving or colored glaze whatsoever. The plump, rounded body swells in an unbroken, continuous curve from shoulder to base. The slender, short mouth rises seamlessly from the top of the body without any steps. A cylindrical spout is attached to one side of the shoulder, creating a contrast within this small vessel between the volume of the body and the delicacy of the mouth and spout. The glaze is applied lustrously and evenly, and reflected light flows smoothly along the curved planes of the body. This clearly attests to its dignified forming with minimal surface distortion. The foot ring is trimmed low and neatly, and a mark written in gosu (underglaze cobalt blue) is inscribed inside the foot ring. The rounded, taut body shares the same sculpted form as his representative round jars. The very essence of his white porcelain—establishing a piece through pure form alone while discarding decoration—is vividly expressed within this small vessel. The top of the tomobako lid is inscribed \"White Porcelain Water Dropper,\" and the underside of the lid bears the signature \"Inoue Manji Saku\" along with a red seal stamp.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eThe accompanying shiori lists his ceramic career up to Heisei 3 (1991), and his title remains at \"Designated Saga Prefecture Important Intangible Cultural Property.\" There is no mention of his 1995 Living National Treasure designation. From this, this work is considered to have been produced between 1991 and around 1995. It is a work from the period when his consummate wheel-throwing technique had reached full maturity, just prior to his designation as a Holder of the National Important Intangible Cultural Property.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eA water dropper (suiteki) was originally a calligraphic tool used to drip water onto an inkstone. Our shop proposes it as a water dropper for adding minute drops of water to vintage whisky and spirits. It is widely known that adding a few drops of water to whisky transforms its aroma and flavor profile, and the structure of a water dropper, which allows water to be adjusted drop by drop, is exceptionally well suited for this purpose. To use it, water is poured through the opening at the top of the body, and the vessel is tilted while covering that opening with a fingertip. By gently lifting and pressing the finger to regulate airflow, the amount of water falling from the spout can be precisely controlled.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eWith his passing in 2025, no new works will ever be created. This is an exceptional piece that allows you to keep close at hand the sculpted beauty of white porcelain pursued across a lifetime by a Living National Treasure, savoring it in daily life as a vessel for perfecting each drop of vintage spirits.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"8,0,0\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eInoue Manji (井上 萬二, 1929–2025)\u003c\/li\u003e\n\u003cli data-path-to-node=\"8,1,0\"\u003e\u003cstrong\u003eMajor Career Highlights: \u003c\/strong\u003e[1929] Born in Arita Town, Saga Prefecture; [1945] Began apprenticeship at Kakiemon Kiln; [c. 1952] Studied under Chuemon Okugawa to learn white porcelain and wheel techniques; [1958] Became a technical official at Saga Prefectural Arita Ceramic Research Center; [1968] Selected for the first time for the 15th Japan Traditional Art Crafts Exhibition; [1969] Taught ceramic art at Pennsylvania State University (visited the US 4 times by 1976); [1971] Established Inoue Manji Kiln; [1977] Received the Minister of International Trade and Industry Award at the National Traditional Craft Exhibition; [1979] Commended by the Minister of Labour as an Outstanding Skilled Artisan (Contemporary Master Craftsman); [1983] Began ceramic art instruction at New Mexico State University (visited the US 20 times thereafter); [1987] Received the Minister of Education Award at the 34th Japan Traditional Art Crafts Exhibition (Seihakuji Carved Pattern Bowl); [1995] Designated a Holder of Important Intangible Cultural Property for \"White Porcelain\" (Living National Treasure); [1997] Awarded the Medal with Purple Ribbon; [2002] Received the Nishi-Nippon Cultural Award; [2003] Awarded the Order of the Rising Sun, Gold Rays with Neck Ribbon; [2005] Became an Honorary Citizen of Arita Town; [2025] Passed away on July 14 (aged 96)\u003c\/li\u003e\n\u003cli data-path-to-node=\"8,2,0\"\u003e\u003cstrong\u003eMuseum Collections: \u003c\/strong\u003eTokyo National Museum, The National Museum of Modern Art, Tokyo (National Crafts Museum), Aichi Prefectural Museum of Art, The Kyushu Ceramic Museum, Saga Prefecture, Higashihiroshima City Museum of Art, and others\u003c\/li\u003e\n\u003cli data-path-to-node=\"8,3,0\"\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e c. 1991 to c. 1995 (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"8,4,0\"\u003e\u003cstrong\u003eItem Condition:\u003c\/strong\u003e No noticeable chips or cracks. There are several minute spots on the glaze surface and foot ring (refer to images)\u003c\/li\u003e\n\u003cli data-path-to-node=\"8,5,0\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated tomobako (original wooden box: lid top inscribed \"White Porcelain Water Dropper,\" lid underside inscribed with \"Inoue Manji Saku\" signature and red seal stamp), shiori (leaflet)\u003c\/li\u003e\n\u003cli data-path-to-node=\"8,6,0\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePorcelain (Arita ware, white porcelain)\u003c\/li\u003e\n\u003cli data-path-to-node=\"8,7,0\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 8.0 cm, Width (including spout) approx. 8.0 cm, Body diameter approx. 6.8 cm, Mouth diameter approx. 1.0 cm, Foot ring diameter approx. 3.7 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"8,8,0\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eAll items offered by our shop, even if new and unused, were produced a very long time ago, and all are therefore listed as pre-owned. Items may show age-related wear or damage. Please understand and confirm this before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48287449612475,"sku":null,"price":68000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5106_result_f52e9bd2-b7de-4983-bb26-89b3cf45f098.jpg?v=1791977180"},{"product_id":"387","title":"Metropolitan Museum of Art Collection Artist, Japan Ceramic Art Exhibition Grand Prix Winner: Nagae Shigekazu (長江重和) - \"Form of Tsuchinoto-Ne\" Celadon Glazed Porcelain Covered Sake Vessel, Japanese Shot Glass, Made in 2007 #387","description":"\u003cp data-path-to-node=\"17\"\u003eThis porcelain vessel with lid, titled \"Form of Tsuchinoto-Ne\" (Boshi no Katachi), is crafted by Nagae Shigekazu, a top runner in modern Japanese ceramic art whose works are housed in major museums worldwide, including The Metropolitan Museum of Art and the Victoria and Albert Museum. Born in 1953 in Seto City, Aichi Prefecture, he sublimated industrial slip-casting techniques into artistic porcelain sculptures, sweeping major domestic and international ceramic awards such as the Japan Ceramic Art Exhibition Grand Prix, the International Ceramics Competition Mino Grand Prix, and the Grand Prix at the Nyon International Porcelain Triennial in Switzerland. Featuring a striking contrast between silky white porcelain polished to a matte finish and translucent pale-blue celadon glaze lining the interior, this work was originally created as an incensory (kogo), a refined tea ceremony vessel. However, removing the lid transforms it into a sake vessel with a beautiful profile, presenting a special lifestyle proposition to global connoisseurs as a covered Japanese shot glass that quietly seals in aromas to luxuriously savor matured whisky or rare aged sake.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eExamining the fine details of this piece reveals Nagae Shigekazu's signature mastery—the precise control of heat and gravity—alongside an exceptionally refined sculpting beauty displayed without reserve. Created with inspiration drawn from Tsuchinoto-Ne (Rat), the zodiac sign for 2008, the top of the lid features an organic, charmingly rounded three-dimensional sculpture evocative of a rat standing on a quiet water surface, with a delicate tail line extending smoothly backward acting as a refined accent. The entire body of the vessel also assumes a soft roundness in harmony with the charming form of the rat, while the exterior white porcelain surface, finished with meticulous hand-sanding, exhibits a graceful matte texture that softly absorbs light. Meanwhile, the interior of the vessel and the concave areas of the lid are filled with rich, nuanced pale-blue celadon glaze reminiscent of a clear blue sky, casting a captivating deep blue gradation at the bottom. On the underside, the artist's handwritten signature \"戊子\" (Tsuchinoto-Ne) is inscribed in blue, achieving a high-level harmony between sculptural perfection and functional utility.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eRegarding the period of production, it can be objectively specified as created in 2007 based on its nature as a zodiac artwork themed after \"Tsuchinoto-Ne\" (Year of the Rat 2008, corresponding in the 60-year sexagenary cycle) alongside the artist's production cycle of crafting zodiac pieces in the preceding year. Eschewing mass production, Mr. Nagae's small-scale works—individually brought forth through advanced mold-forming, multi-stage hand polishing, and deformation control during firing—possess extraordinary scarcity value in the international art market. The vessel body itself shows no damage such as chips or cracks, maintaining excellent condition in both the texture of the white porcelain and the coloration of the celadon glaze. It comes complete with a dedicated original box (Tomobako) bearing the artist's handwritten calligraphy and red seal, a wrapping cloth (fukusa), and an instructional leaflet (shiori) detailing the creative background.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eNagae Shigekazu (長江重和, b. 1953)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist's Key Activities:\u003c\/strong\u003e [1979\/1986] Grand Prix at Chunichi International Ceramic Art Exhibition; [1992] Grand Prix at Asahi Ceramic Art Exhibition; [1997] Grand Prix and Prince Katsura Prize at the 14th Japan Ceramic Art Exhibition; [1998] Grand Prix at the 5th International Ceramics Competition Mino, Grand Prix (Prix Poisson d'Or) at the 5th Nyon International Porcelain Triennial in Switzerland; [2004] Received Aichi Prefectural Arts and Culture Encouragement Award\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eWorks Housed In:\u003c\/strong\u003e The Metropolitan Museum of Art, Victoria and Albert Museum, Los Angeles County Museum of Art (LACMA), National Museum of Sèvres, Ariana Museum, National Gallery of Australia, Shigaraki Ceramic Cultural Park, Aichi Prefectural Ceramic Museum, Museum of Modern Ceramic Art Gifu, among many others\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003ePeriod of Production: \u003c\/strong\u003eMade in 2007\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated original box (Tomobako), wrapping cloth, and instructional leaflet (Shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePorcelain (pale-blue celadon glaze, matte white porcelain)\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 6.0 cm, Width approx. 6.8 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eCaution: \u003c\/strong\u003eAll products offered by our shop are listed as pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48288143769787,"sku":null,"price":38000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2838_result.jpg?v=1789268237"},{"product_id":"388","title":"Metropolitan Museum of Art Collection Artist, Japan Ceramic Art Exhibition Grand Prix Winner: Nagae Shigekazu (長江重和) - \"Form of Tsuchinoto-Ushi\" Celadon Glazed Porcelain Covered Sake Vessel, Japanese Shot Glass, Made in 2008 #388","description":"\u003cp data-path-to-node=\"17\"\u003e\u003cspan\u003eThis porcelain vessel with lid,\u003c\/span\u003e\u003cspan\u003e titled \"Form of Tsuchinoto-Ushi\" (Kichu no Katachi),\u003c\/span\u003e\u003cspan\u003e is crafted by Nagae Shigekazu,\u003c\/span\u003e\u003cspan\u003e a top runner in modern Japanese ceramic art whose works are housed in major museums worldwide,\u003c\/span\u003e\u003cspan\u003e including The Metropolitan Museum of Art and the Victoria and Albert Museum.\u003c\/span\u003e\u003cspan\u003e Born in 1953 in Seto City,\u003c\/span\u003e\u003cspan\u003e Aichi Prefecture,\u003c\/span\u003e\u003cspan\u003e he sublimated industrial slip-casting techniques into artistic porcelain sculptures,\u003c\/span\u003e\u003cspan\u003e sweeping major domestic and international ceramic awards such as the Japan Ceramic Art Exhibition Grand Prix,\u003c\/span\u003e\u003cspan\u003e the International Ceramics Competition Mino Grand Prix,\u003c\/span\u003e\u003cspan\u003e and the Grand Prix at the Nyon International Porcelain Triennial in Switzerland.\u003c\/span\u003e\u003cspan\u003e Featuring a striking contrast between silky white porcelain polished to a matte finish and translucent pale-blue celadon glaze lining the interior,\u003c\/span\u003e\u003cspan\u003e this work was originally created as an incensory (kogo),\u003c\/span\u003e\u003cspan\u003e a refined tea ceremony vessel.\u003c\/span\u003e\u003cspan\u003e However,\u003c\/span\u003e\u003cspan\u003e removing the lid transforms it into a sake vessel with a beautiful profile,\u003c\/span\u003e\u003cspan\u003e presenting a special lifestyle proposition to global connoisseurs as a covered Japanese shot glass that quietly seals in aromas to luxuriously savor matured whisky or rare aged sake.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003e\u003cspan\u003eExamining the fine details of this piece reveals Nagae Shigekazu's signature mastery—the precise control of heat and gravity—alongside an exceptionally refined sculpting beauty displayed without reserve.\u003c\/span\u003e\u003cspan\u003e Created with inspiration drawn from the concept of Tsuchinoto-Ushi (Ox),\u003c\/span\u003e\u003cspan\u003e the zodiac sign for 2009,\u003c\/span\u003e\u003cspan\u003e the top of the lid features a powerful,\u003c\/span\u003e\u003cspan\u003e organic,\u003c\/span\u003e\u003cspan\u003e and fluid horn-like sculptural motif evocative of a bull's two horns.\u003c\/span\u003e\u003cspan\u003e The triangular body and exterior white porcelain surface,\u003c\/span\u003e\u003cspan\u003e finished with meticulous hand-sanding,\u003c\/span\u003e\u003cspan\u003e exhibit a graceful matte texture that softly absorbs light.\u003c\/span\u003e\u003cspan\u003e Meanwhile,\u003c\/span\u003e\u003cspan\u003e the interior of the vessel and the concave areas of the lid are filled with rich,\u003c\/span\u003e\u003cspan\u003e nuanced pale-blue celadon glaze reminiscent of a clear blue sky,\u003c\/span\u003e\u003cspan\u003e casting a captivating deep blue gradation at the bottom.\u003c\/span\u003e\u003cspan\u003e In the center of the underside,\u003c\/span\u003e\u003cspan\u003e the artist's handwritten signature \"己丑\" (Tsuchinoto-Ushi) is inscribed in blue,\u003c\/span\u003e\u003cspan\u003e achieving a high-level harmony between sculptural perfection and functional utility.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003e\u003cspan\u003eRegarding the period of production,\u003c\/span\u003e\u003cspan class=\"\"\u003e it can be objectively specified as created in 2008 based on its nature as a zodiac artwork themed after \"Tsuchinoto-Ushi\" (Year of the Ox 2009) alongside the production cycle aimed at New Year exhibition debuts.\u003c\/span\u003e\u003cspan class=\"\"\u003e Eschewing mass production,\u003c\/span\u003e\u003cspan\u003e Mr.\u003c\/span\u003e\u003cspan\u003e Nagae's small-scale works—individually brought forth through advanced mold-forming,\u003c\/span\u003e\u003cspan\u003e multi-stage hand polishing,\u003c\/span\u003e\u003cspan\u003e and deformation control during firing—possess extraordinary scarcity value in the international art market.\u003c\/span\u003e\u003cspan\u003e The vessel body itself shows no damage such as chips or cracks,\u003c\/span\u003e\u003cspan\u003e maintaining excellent condition in both the texture of the white porcelain and the coloration of the celadon glaze.\u003c\/span\u003e\u003cspan\u003e It comes complete with a dedicated original box (Tomobako) bearing the artist's handwritten calligraphy and red seal,\u003c\/span\u003e\u003cspan\u003e a wrapping cloth (fukusa),\u003c\/span\u003e\u003cspan\u003e and an instructional leaflet (shiori).\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eNagae Shigekazu (長江重和, b.\u003c\/span\u003e\u003cspan\u003e 1953)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist's Key Activities:\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003e[1979\/1986] Grand Prix at Chunichi International Ceramic Art Exhibition; [1992] Grand Prix at Asahi Ceramic Art Exhibition; [1997] Grand Prix and Prince Katsura Prize at the 14th Japan Ceramic Art Exhibition; [1998] Grand Prix at the 5th International Ceramics Competition Mino,\u003c\/span\u003e\u003cspan\u003e Grand Prix (Prix Poisson d'Or) at the 5th Nyon International Porcelain Triennial in Switzerland; [2004] Received Aichi Prefectural Arts and Culture Encouragement Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eWorks Housed In:\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eThe Metropolitan Museum of Art,\u003c\/span\u003e\u003cspan\u003e Victoria and Albert Museum,\u003c\/span\u003e\u003cspan\u003e Los Angeles County Museum of Art (LACMA),\u003c\/span\u003e\u003cspan\u003e National Museum of Sèvres,\u003c\/span\u003e\u003cspan\u003e Ariana Museum,\u003c\/span\u003e\u003cspan\u003e National Gallery of Australia,\u003c\/span\u003e\u003cspan\u003e Shigaraki Ceramic Cultural Park,\u003c\/span\u003e\u003cspan class=\"animating\"\u003e Aichi Prefectural Ceramic Museum,\u003c\/span\u003e\u003cspan\u003e Museum of Modern Ceramic Art Gifu,\u003c\/span\u003e\u003cspan\u003e among many others\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eMade in 2008\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eVery good (no chips,\u003c\/span\u003e\u003cspan\u003e no cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eDedicated original box (Tomobako),\u003c\/span\u003e\u003cspan\u003e wrapping cloth,\u003c\/span\u003e\u003cspan\u003e and instructional leaflet (Shiori) included\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003ePorcelain (pale-blue celadon glaze,\u003c\/span\u003e\u003cspan\u003e matte white porcelain)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eHeight approx.\u003c\/span\u003e\u003cspan\u003e 8.\u003c\/span\u003e\u003cspan\u003e3 cm,\u003c\/span\u003e\u003cspan\u003e Width approx.\u003c\/span\u003e\u003cspan\u003e 8.\u003c\/span\u003e\u003cspan\u003e0 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eCaution:\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eAll products offered by our shop are listed as pre-owned items due to their historical production period,\u003c\/span\u003e\u003cspan\u003e even if unused.\u003c\/span\u003e\u003cspan\u003e Products may have age-related damage,\u003c\/span\u003e\u003cspan\u003e so please consider purchasing after understanding and verifying these condition details.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48296538177723,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2793_result.jpg?v=1789268562"},{"product_id":"389","title":"Metropolitan Museum of Art Collection Artist, Japan Ceramic Art Exhibition Grand Prix Winner: Nagae Shigekazu (長江重和) - \"Form of Kanoe-Tora\" Celadon Glazed Porcelain Covered Sake Vessel, Japanese Shot Glass, Made in 2009 #389","description":"\u003cp data-path-to-node=\"17\"\u003eThis porcelain vessel with lid, titled \"Form of Kanoe-Tora\" (Kanoe-Tora no Katachi), is crafted by Nagae Shigekazu, a top runner in modern Japanese ceramic art whose works are housed in major museums worldwide, including The Metropolitan Museum of Art and the Victoria and Albert Museum. Born in 1953 in Seto City, Aichi Prefecture, he sublimated industrial slip-casting techniques into artistic porcelain sculptures, sweeping major domestic and international ceramic awards such as the Japan Ceramic Art Exhibition Grand Prix, the International Ceramics Competition Mino Grand Prix, and the Grand Prix at the Nyon International Porcelain Triennial in Switzerland. Featuring a striking contrast between silky white porcelain polished to a matte finish and translucent pale-blue celadon glaze lining the interior, this work was originally created as an incensory (kogo), a refined tea ceremony vessel. However, removing the lid transforms it into a sake vessel with a beautiful profile, presenting a special lifestyle proposition to global connoisseurs as a covered Japanese shot glass that quietly seals in aromas to luxuriously savor matured whisky or rare aged sake.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eExamining the fine details of this piece reveals Nagae Shigekazu's signature mastery—the precise control of heat and gravity—alongside an exceptionally refined sculpting beauty displayed without reserve. Created with inspiration drawn from Kanoe-Tora (Tiger), the zodiac sign for 2010, the top of the lid features an organic, beautifully arced three-dimensional sculptural form evocative of a tiger's tail and the powerful curvature of its body. The lid's surface displays soft undulations reminiscent of a tiger's back and stripes, while the exterior white porcelain surface, finished with meticulous hand-sanding, exhibits a graceful matte texture that softly absorbs light. Meanwhile, the interior of the vessel and the concave areas of the lid are filled with rich, nuanced pale-blue celadon glaze reminiscent of a clear blue sky, casting a captivating deep blue gradation at the bottom. In the center of the underside, the artist's handwritten signature \"庚寅\" (Kanoe-Tora) is inscribed in blue, achieving a high-level harmony between sculptural perfection and functional utility.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eRegarding the period of production, it can be objectively specified as created in 2009 based on its nature as a zodiac artwork themed after \"Kanoe-Tora\" (Year of the Tiger 2010) alongside the artist's production cycle of crafting zodiac pieces in the preceding year. Eschewing mass production, Mr. Nagae's small-scale works—individually brought forth through advanced mold-forming, multi-stage hand polishing, and deformation control during firing—possess extraordinary scarcity value in the international art market. The vessel body itself shows no damage such as chips or cracks, maintaining excellent condition in both the texture of the white porcelain and the coloration of the celadon glaze. It comes complete with a dedicated original box (Tomobako) bearing the artist's handwritten calligraphy and red seal, a wrapping cloth (fukusa), and an instructional leaflet (shiori) detailing the creative background.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eNagae Shigekazu (長江重和, b. 1953)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist's Key Activities:\u003c\/strong\u003e [1979\/1986] Grand Prix at Chunichi International Ceramic Art Exhibition; [1992] Grand Prix at Asahi Ceramic Art Exhibition; [1997] Grand Prix and Prince Katsura Prize at the 14th Japan Ceramic Art Exhibition; [1998] Grand Prix at the 5th International Ceramics Competition Mino, Grand Prix (Prix Poisson d'Or) at the 5th Nyon International Porcelain Triennial in Switzerland; [2004] Received Aichi Prefectural Arts and Culture Encouragement Award\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eWorks Housed In: \u003c\/strong\u003eThe Metropolitan Museum of Art, Victoria and Albert Museum, Los Angeles County Museum of Art (LACMA), National Museum of Sèvres, Ariana Museum, National Gallery of Australia, Shigaraki Ceramic Cultural Park, Aichi Prefectural Ceramic Museum, Museum of Modern Ceramic Art Gifu, among many others\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e Made in 2009\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated original box (Tomobako), wrapping cloth, and instructional leaflet (Shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain (pale-blue celadon glaze, matte white porcelain)\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 8.0 cm, Width approx. 8.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eCaution: \u003c\/strong\u003eAll products offered by our shop are listed as pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48296549744827,"sku":null,"price":41000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2879_result.jpg?v=1789268448"},{"product_id":"432","title":"Metropolitan Museum of Art Collection Artist, Japan Ceramic Art Exhibition Grand Prix Winner: Nagae Shigekazu (長江重和) - \"Form of Otsumi\" Celadon Glazed Porcelain Covered Sake Vessel, Japanese Shot Glass, Made in 2014 #432","description":"\u003cp data-path-to-node=\"17\"\u003eThis porcelain vessel with lid, titled \"Form of Otsumi\" (Otomi no Katachi), is crafted by Nagae Shigekazu, a top runner in modern Japanese ceramic art whose works are housed in major museums worldwide, including The Metropolitan Museum of Art and the Victoria and Albert Museum. Born in 1953 in Seto City, Aichi Prefecture, he sublimated industrial slip-casting techniques into artistic porcelain sculptures, sweeping major domestic and international ceramic awards such as the Japan Ceramic Art Exhibition Grand Prix, the International Ceramics Competition Mino Grand Prix, and the Grand Prix at the Nyon International Porcelain Triennial in Switzerland. Featuring a striking contrast between silky white porcelain polished to a matte finish and translucent pale-blue celadon glaze lining the interior, this work was originally created as an incensory (kogo), a refined tea ceremony vessel. However, removing the lid transforms it into a sake vessel with a beautiful profile, presenting a special lifestyle proposition to global connoisseurs as a covered Japanese shot glass that quietly seals in aromas to luxuriously savor matured whisky or rare aged sake.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eExamining the fine details of this piece reveals Nagae Shigekazu's signature mastery—the precise control of heat and gravity—alongside an exceptionally refined sculpting beauty displayed without reserve. Created with inspiration drawn from the horns and face of the Ram (Hitsuji), the zodiac sign for 2015, the top of the lid features a powerful, organic, and fluid horn-like sculptural motif. The exterior white porcelain surface, finished with meticulous hand-sanding, exhibits a graceful matte texture that softly absorbs light. Meanwhile, the interior of the vessel and the concave areas of the lid are filled with rich, nuanced pale-blue celadon glaze reminiscent of a clear blue sky, casting a captivating deep blue gradation at the bottom. The artist's handwritten signature in blue is inscribed on the underside of the base, achieving a high-level harmony between sculptural perfection and functional utility.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eRegarding the period of production, it can be objectively specified as created in 2014 in preparation for the 2015 zodiac year (Otsumi \/ Year of the Ram), based on clear statements in the artist's handwritten accompanying leaflet such as \"I created 'Form of Otsumi' as the artwork for next year's zodiac\" and \"The start of next year will be a special exhibition at the Aichi Prefectural Ceramic Museum.\" Eschewing mass production, Mr. Nagae's small-scale works—individually brought forth through advanced mold-forming, multi-stage hand polishing, and deformation control during firing—possess extraordinary scarcity value in the international art market. The vessel body itself shows no damage such as chips or cracks, maintaining excellent condition in both the texture of the white porcelain and the coloration of the celadon glaze. It comes complete with a dedicated original box (Tomobako) bearing the artist's handwritten calligraphy and red seal, a wrapping cloth (fukusa), and an instructional leaflet (shiori) detailing the creative background.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eNagae Shigekazu (長江重和, b. 1953)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist's Key Activities:\u003c\/strong\u003e [1979\/1986] Grand Prix at Chunichi International Ceramic Art Exhibition; [1992] Grand Prix at Asahi Ceramic Art Exhibition; [1997] Grand Prix and Prince Katsura Prize at the 14th Japan Ceramic Art Exhibition; [1998] Grand Prix at the 5th International Ceramics Competition Mino, Grand Prix (Prix Poisson d'Or) at the 5th Nyon International Porcelain Triennial in Switzerland; [2004] Received Aichi Prefectural Arts and Culture Encouragement Award\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eWorks Housed In:\u003c\/strong\u003e The Metropolitan Museum of Art, Victoria and Albert Museum, Los Angeles County Museum of Art (LACMA), National Museum of Sèvres, Ariana Museum, National Gallery of Australia, Shigaraki Ceramic Cultural Park, Aichi Prefectural Ceramic Museum, Museum of Modern Ceramic Art Gifu, among many others\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003ePeriod of Production: \u003c\/strong\u003eMade in 2014\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated original box (Tomobako), wrapping cloth, and instructional leaflet (Shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain (pale-blue celadon glaze, matte white porcelain)\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 7.6 cm, Width approx. 7.4 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eCaution: \u003c\/strong\u003eAll products offered by our shop are listed as pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48332227477691,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2750_result.jpg?v=1789268087"},{"product_id":"436","title":"Japan Traditional Art Crafts Exhibition Selected Artist, Japan Art Crafts Association Associate Member, Nakamura Hidekazu (中村秀和), Celadon Tenmoku Bowl with Multi-Layered Ice-Crackle Craquelure, Japanese-Style Rocks Glass #436","description":"\u003cp data-path-to-node=\"1\"\u003eThis \"Celadon Tenmoku Bowl\" (Seiji Tenmoku Wan) is created by Nakamura Hidekazu (b. 1968), a ceramic artist active on the front lines of contemporary Japanese craft, based in Tsuruoka City, Yamagata Prefecture, as an associate member of the Japan Art Crafts Association and a member of the Japan Ceramic Art Association. After completing his studies at the Ibaraki Ceramic Technology Center in 1994, Nakamura Hidekazu studied under the ceramic artist \u003ca href=\"\/en\/search?q=%22%E8%8D%92%E7%94%B0%E8%80%95%E6%B2%BB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKoji Arata\u003c\/a\u003e and established his independent kiln in 1998. He has been selected for Japan's premier public exhibitions, including the Japan Traditional Art Crafts Exhibition, the Eastern Japan Traditional Art Crafts Exhibition, the Tobiten Exhibition, and the Contemporary Tea Ceramics Exhibition. In 2021, a solo exhibition titled \"Fascinated by Celadon\" was held at the Honma Museum of Art in Sakata City, earning high acclaim for his sophisticated celadon technique. The dedicated wooden box (Tomobako) accompanying the work features the artist's own calligraphy reading \"Seiji Tenmoku Wan\" with a red seal, and together with the \"Hidekazu\" (秀和) stamp on the foot ring and the perfection of the multi-layered ice-crackle craquelure, it is identified as a precious authentic work created during his mature period around 2015 to 2022, when he mastered the fusion of red-clay celadon and Tenmoku forms.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eBased on the classic Tenmoku shape (Tenmoku-nari) from the Song Dynasty of China, which has been prized in the Japanese tea ceremony since ancient times, this work represents a magnificent sublimation of Nakamura Hidekazu's signature technique: \"Celadon using red clay (terracotta clay).\" While general celadon is made sharply using white porcelain clay, this work deliberately employs terracotta clay (red clay) for the body, instilling the soft warmth unique to earthenware into the dignified beauty of celadon. Beneath the celadon glaze that covers the entire inner and outer surfaces, thick, multi-layered craquelure (ice-crackle patterns) is densely carved. When catching light, it creates geometric light refractions deep within the translucent jade green hue. Combining materials with different thermal expansion rates, such as terracotta clay and celadon glaze, to elicit delicate, three-dimensional craquelure as intended without peeling or cracking requires extremely sophisticated glaze formulation and precise kiln firing and cooling control. The foot ring retains the unglazed terracotta clay body (rotai), showcasing a marvelous harmony between the refined Tenmoku silhouette and the rustic clay texture.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eMeasuring approximately 11.3 cm in diameter and 6.8 cm in height, an exquisite scale that fits comfortably in the palm of one's hand, our shop proposes this Tenmoku bowl tailored to modern lifestyles as a supreme Japanese Kogei sake vessel (rocks glass \/ large sake cup) for enjoying rich aged spirits, matured sake, or whisky. When filled with amber-colored aged sake or transparent ice, the deep celadon green and the multi-layered craquelure reflecting light create a mystical expression within the glass, elegantly enhancing the drinking experience. Fusing the dignity of a traditional Tenmoku tea bowl with the refined aesthetics of modern craft, this is a supreme craft piece that satisfies the five senses in special spaces.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"4\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Nakamura Hidekazu (中村秀和, 1968-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"5\"\u003e\u003cstrong\u003eRepresentative Career Highlights: \u003c\/strong\u003e[1994] Completed studies at Ibaraki Ceramic Technology Center, studied under ceramic artist Koji Arata, [1998] Established independent kiln in Tsuruoka City, Yamagata Prefecture, [2021] Held solo exhibition \"Fascinated by Celadon\" at Honma Museum of Art; Selected for Japan Traditional Art Crafts Exhibition, Eastern Japan Traditional Art Crafts Exhibition, Tobiten Exhibition, Contemporary Tea Ceramics Exhibition; Associate Member of Japan Art Crafts Association, Member of Japan Ceramic Art Association\u003c\/li\u003e\n\u003cli data-path-to-node=\"6\"\u003e\u003cstrong\u003ePublic Collections \/ Solo Exhibitions:\u003c\/strong\u003e Honma Museum of Art (special exhibitions \/ solo exhibitions), Matsuya Ginza, Tobu Ikebukuro, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"7\"\u003e\u003cstrong\u003eProduction Period: \u003c\/strong\u003ec. 2015–2022 (Mature period of Celadon Tenmoku forms)\u003c\/li\u003e\n\u003cli data-path-to-node=\"8\"\u003e\u003cstrong\u003eItem Condition: \u003c\/strong\u003eVery Good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated original wooden box (Tomobako) included (with artist's calligraphy and red seal), Sanada-himo cord included\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eCeramics (terracotta clay body, celadon glaze, multi-layered ice-crackle craquelure)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eDiameter approx. 11.3 cm, Height approx. 6.8 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products provided by our shop are unused, they were produced a very long time ago and are all listed as pre-owned items. Please understand and confirm that the item may have age-related wear before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48359789134011,"sku":null,"price":41000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3329_result.jpg?v=1790256966"},{"product_id":"465","title":"First Ceramic Biennale Grand Prix Winner, Kato Juitsu (加藤寿逸), Celadon Sake Cup, Three-Legged Vessel, Japanese-Style Shot Glass, Designated Seto City Permanent Preservation Work, Nitten Associate Member, Aged Sake Vessel #465","description":"\u003cp data-path-to-node=\"1\"\u003eThis celadon (seiji) three-legged sake cup (guinomi) is created by Kato Juitsu (b. 1946), a ceramic artist who has achieved exceptionally high public acclaim in the Seto ceramic world, including winning the Grand Prix at the 1st Ceramic Biennale—with his winning work \"Ennetsu\" (Fierce Heat) designated for purchase and permanent preservation by Seto City—winning the Minister of Education Award at the Chunichi International Ceramic Arts Exhibition, donating his work \"Yuibi\" (Exquisite Beauty) to the Nagoya City Guest House, and being active as an Associate Member of Nitten. Having completed specialized ceramic education and firing theory at Aichi Prefectural Seto Ceramic High School and Tokai Gakuen, Mr. Kato established Dosen Kiln in Kawakita-cho as his base, developing his own unique style that sophisticatedly fused the traditional techniques of Old Seto with modern three-dimensional sculpture. On the lid of the accompanying dedicated paulownia wooden box (tomobako), the handwritten calligraphy reads \"Celadon Sake Cup\" (Seiji Guinomi), accompanied by the signature seal \"Juitsu\" and square seal stamps reading \"Dosen Kiln\" and \"Juitsu.\" Applying the dynamic, sculptural formal expression seen in his Grand Prix-winning work to the compact form of a sake vessel, it is identified as an authentic piece produced between the late 1980s and early 1990s (late Showa to early Heisei era), a period when his techniques of facet-carving and carving out three legs reached full maturity.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eAnalyzing the design details of this piece confirms that the contrast between stillness and motion, a hallmark of Mr. Kato's sculptural aesthetic, is masterfully expressed. From the upper portion of the body into the interior bowl, a clear, pale blue-green celadon glaze is applied, with a delicate web-like network of craze marks (kannyu) carved across the entire surface. Where the glaze pools at the lower body, its increased thickness produces a deep turquoise green coloration reminiscent of fine jade, bestowing beautiful transparency and light refraction upon the bottom of the interior bowl as well. On the other hand, from the base to the legs, no celadon glaze is applied, exposing the iron-bearing, unglazed high-fired red clay (vermilion clay tone). The sides of the body are sharply faceted into a polygonal form, and the lower section is forcefully carved out into three legs, creating a vivid contrast between the serene, glassy celadon above and the rustic, dynamic red clay sculpture below. It is a masterpiece condensing advanced forming techniques that realize asymmetric distortion and plane-shaving as beauty, alongside precise control over the melting and color development of the celadon glaze.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eWith substantial yet comfortable dimensions measuring approx. 6.0 cm in height, approx. 6.1 cm in width, and approx. 5.8 cm in depth that rest comfortably in the hand, our shop proposes this work as a dignified \"Japanese-style shot glass (Japanese liquor vessel)\" for enjoying aged spirits, vintage whisky, matured sake, or premium liquors neat straight, tailored to modern refined lifestyles and drinking culture. The stable form supported by three legs and the visual effect of amber-toned aged liquor filled in the bowl shining beautifully through the celadon glaze's craze marks create a special atmosphere for evening drinks. A masterpiece in which the highest technology and sculptural power of Seto contemporary ceramics coalesce, this piece allows one to relish the true essence of traditional Japanese craft through both visual appreciation and practical use.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"4\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eKato Juitsu (加藤寿逸, b. 1946)\u003c\/li\u003e\n\u003cli data-path-to-node=\"5\"\u003e\u003cstrong\u003eArtist's Representative Career Highlights:\u003c\/strong\u003e Graduated from Aichi Prefectural Seto Ceramic High School and Tokai Gakuen. Won the Grand Prix at the 1st Ceramic Biennale (work \"Ennetsu\" purchased and designated for permanent preservation by Seto City), won the Minister of Education Award at the Chunichi International Ceramic Arts Exhibition, donated work to Nagoya City Guest House (\"Yuibi\"), Nitten Associate Member, member of Japan New Craft Artists Association, member of Seto Ceramic Artists Association.\u003c\/li\u003e\n\u003cli data-path-to-node=\"6\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e Late 1980s–early 1990s (late Showa to early Heisei era)\u003c\/li\u003e\n\u003cli data-path-to-node=\"7\"\u003e\u003cstrong\u003eItem Condition:\u003c\/strong\u003e Very Good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"8\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated paulownia wooden box (Tomobako with handwritten calligraphy \"Celadon Sake Cup\", signature seal, and seal stamps), yellow wrapping cloth (with seal stamp)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramic \/ Pottery (Red clay body, celadon glaze)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 6.0 cm, Width approx. 6.1 cm, Depth approx. 5.8 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eThe items provided by our shop were produced a very long time ago and are all listed as pre-owned items. Please understand and confirm the age-related changes before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":67598484177083,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4118_result.jpg?v=1791082336"},{"product_id":"467","title":"Imperial Household Artist, Makuzu Kiln, Miyagawa Kozan I (初代 宮川香山), Posthumous Work, Unkaku Celadon Sake Cup with Small Floral Design, Makuzu Kiln Mark, Box Inscribed by Miyagawa Kozan II, Japanese-Style Shot Glass #467","description":"\u003cp dir=\"ltr\"\u003eThis is an Unkaku celadon sake cup believed to be a posthumous work by Miyagawa Kozan I, the potter who founded Makuzu ware in Yokohama during the Meiji and Taisho eras. The mark of the Makuzu kiln is impressed inside the foot ring. The accompanying box bears an inscription by Miyagawa Kozan II, successor to the first generation, reading “Kozan isaku” (a posthumous work of Kozan). Measuring approximately 3.0 cm in height and 6.1 cm in rim diameter, this petite cup is offered as a Japanese-style shot glass for savoring vintage spirits one sip at a time.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMiyagawa Kozan I was born in 1842 into a family of potters in Makuzugahara, Kyoto, and succeeded as head of the family in 1860. He moved to Yokohama in 1870 and founded the Makuzu kiln in Ota Village, Yokohama, the following year. Through takaukibori, a high-relief technique in which realistic sculptural decoration is built up on the surface of the vessel, he won wide acclaim at expositions in Japan and abroad, beginning with the 1876 Philadelphia Centennial Exposition. His work came to be known overseas as “Makuzu Ware.”\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eFrom around the mid-Meiji 10s (the early 1880s), he devoted himself to the study of glazes and underglaze decoration. Adopting techniques modeled on classical Chinese ceramics, he gradually shifted the main focus of his production from pottery to porcelain. He was awarded gold medals at the 1889 Exposition Universelle in Paris and the 1893 World’s Columbian Exposition in Chicago, and in 1896 he was appointed an Imperial Household Artist (Teishitsu Gigei-in), only the second ceramic artist to receive this honor. He continued to produce celadon until his final years, and a celadon vase he made in 1912 is in the collection of the Tokyo National Museum, donated by Kozan I himself.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eUnkaku, meaning “clouds and cranes,” is the name used in Japanese tea culture for inlaid celadon from the late Goryeo to the early Joseon period. It is characterized by motifs such as clouds and cranes rendered in white and black on a celadon ground. Among the Korean tea bowls (Korai chawan) handed down in Japan, it has long been treasured as one of the few types dating back to the Goryeo period.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe exterior of the cup is divided into upper and lower registers by stepped carving. The upper register is decorated at regular intervals with small flowers, each with a yellow center encircled by fine white petals, paired with leaves ranging from deep indigo to black. Around the lower register runs a white swirling line pattern evoking clouds, among which appear white motifs resembling birds with outstretched wings. Read together with the title “Unkaku seiji” (Unkaku celadon) on the box, these motifs may be understood as clouds and cranes. The arrangement of white and black motifs beneath the celadon glaze faithfully conveys the character of the unkaku style. At the center of the interior well, a white circular line encloses a white motif resembling a written character. Fine crackle characteristic of celadon glaze appears both inside and out. The base of the foot ring is unglazed, revealing the reddish-brown clay body, while the recess within the foot ring is covered in a lustrous brown glaze. At its center is an oval kiln mark with the two characters “Makuzu” impressed in relief.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe attribution of this piece to Miyagawa Kozan I rests on the following two points.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe first is the accompanying shikibako, a box bearing an inscription by a later hand attesting to the work. The outside of the lid is titled “Shuhai” (sake cup), and the inside of the lid bears the title “Unkaku seiji” and “Hai” (cup), the words “Kozan isaku” (a posthumous work of Kozan), and the signature “Nidai Makuzu Kozan” (Makuzu Kozan II) with a red seal. Miyagawa Kozan II (given name Hannosuke, 1859–1940) was born the son of Miyagawa Chohei and was adopted by his uncle, Kozan I. He worked in the family enterprise under Kozan I for many years and, before succeeding to the name, also produced work under the name “Miyagawa Hanzan.” After Kozan I died in 1916, he succeeded to the name Kozan in 1917. That this successor, who worked at Kozan I’s kiln and witnessed his work firsthand, explicitly identified the piece as a posthumous work of his predecessor rather than as his own is the most direct evidence of its authorship. It is known that at the Makuzu kiln, works made by Kozan I were released after his death as posthumous works by the second and third generations, and the inscription on this box is entirely consistent with that practice.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe second is the kiln mark on the piece itself. The “Makuzu” mark inside the foot ring confirms, from the object itself, that this is a product of the Makuzu kiln. Moreover, celadon belongs to the body of work Kozan I pursued from the later phase of his career, after he turned to glaze research, until his final years, so the piece is consistent with his production in terms of style as well.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAt the same time, certain points stop short of a definitive attribution. First, the mark on the piece identifies the kiln, not the individual artist. Public museum records confirm that the oval “Makuzu” mark was also used on works from the time of \u003c\/span\u003e\u003cspan\u003eMiyagawa Kozan II, \u003c\/span\u003e\u003cspan\u003eand no published \u003c\/span\u003e\u003cspan\u003esource sets out \u003c\/span\u003e\u003cspan\u003ecriteria for \u003c\/span\u003e\u003cspan\u003edistinguishing the \u003c\/span\u003e\u003cspan\u003efirst-generation mark \u003c\/span\u003e\u003cspan\u003efrom that of the \u003c\/span\u003e\u003cspan\u003esecond. Second, \u003c\/span\u003e\u003cspan\u003eceladon and \u003c\/span\u003e\u003cspan\u003einterpretations of \u003c\/span\u003e\u003cspan\u003eclassical ceramics \u003c\/span\u003e\u003cspan\u003ewere also specialties \u003c\/span\u003e\u003cspan\u003eof Miyagawa Kozan II. \u003c\/span\u003e\u003cspan\u003eFrom the Taisho era \u003c\/span\u003e\u003cspan\u003eonward, he developed \u003c\/span\u003e\u003cspan\u003ea style grounded in \u003c\/span\u003e\u003cspan\u003ethe traditions of \u003c\/span\u003e\u003cspan\u003eEast Asian ceramics, \u003c\/span\u003e\u003cspan\u003eincluding Chinese \u003c\/span\u003e\u003cspan\u003ewares and the work of \u003c\/span\u003e\u003cspan\u003eNinsei and Kenzan, \u003c\/span\u003e\u003cspan\u003eand he also left \u003c\/span\u003e\u003cspan\u003eworks in the manner \u003c\/span\u003e\u003cspan\u003eof Goryeo celadon. \u003c\/span\u003e\u003cspan\u003eStyle alone therefore \u003c\/span\u003e\u003cspan\u003ecannot distinguish \u003c\/span\u003e\u003cspan\u003ethe first generation \u003c\/span\u003e\u003cspan\u003efrom the second. \u003c\/span\u003e\u003cspan\u003eFurthermore, the \u003c\/span\u003e\u003cspan\u003eMakuzu kiln operated \u003c\/span\u003e\u003cspan\u003eas a workshop in \u003c\/span\u003e\u003cspan\u003ewhich skilled \u003c\/span\u003e\u003cspan\u003eartisans carried out \u003c\/span\u003e\u003cspan\u003eeach stage of \u003c\/span\u003e\u003cspan\u003eproduction, including \u003c\/span\u003e\u003cspan\u003ethrowing, sculpting, \u003c\/span\u003e\u003cspan\u003eand painting, so the \u003c\/span\u003e\u003cspan\u003eextent of Kozan I’s \u003c\/span\u003e\u003cspan\u003epersonal involvement \u003c\/span\u003e\u003cspan\u003ein this piece cannot \u003c\/span\u003e\u003cspan\u003ebe determined from \u003c\/span\u003e\u003cspan\u003ethe object. \u003c\/span\u003e\u003cspan\u003eDefinitive \u003c\/span\u003e\u003cspan\u003econfirmation would \u003c\/span\u003e\u003cspan\u003erequire further \u003c\/span\u003e\u003cspan\u003estudy, such as \u003c\/span\u003e\u003cspan\u003edetailed comparison \u003c\/span\u003e\u003cspan\u003ewith marks on works \u003c\/span\u003e\u003cspan\u003esecurely attributed \u003c\/span\u003e\u003cspan\u003eto Kozan I. Having \u003c\/span\u003e\u003cspan\u003eweighed these points, \u003c\/span\u003e\u003cspan\u003ewe attribute this \u003c\/span\u003e\u003cspan\u003epiece to Miyagawa \u003c\/span\u003e\u003cspan\u003eKozan I on the \u003c\/span\u003e\u003cspan\u003estrength of two \u003c\/span\u003e\u003cspan\u003esupporting elements: \u003c\/span\u003e\u003cspan\u003ethe “posthumous work” \u003c\/span\u003e\u003cspan\u003einscription on the \u003c\/span\u003e\u003cspan\u003ebox by the successor \u003c\/span\u003e\u003cspan\u003ehimself, and the \u003c\/span\u003e\u003cspan\u003eMakuzu kiln mark.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe differences between the first and second generations are evident in both style and official recognition. After achieving international renown for takaukibori, Kozan I substantially transformed his style, turning to underglaze decoration, crystalline glazes, and glazes modeled on Qing dynasty porcelain. Following numerous awards at international expositions and his appointment as an Imperial Household Artist, two of his works, “Large Vase with Plum Tree Design in Rust-Brown on Yellow Glaze” and “Footed Bowl with Applied Crabs in Brown Glaze,” have been designated Important Cultural Properties of Japan (both in the collection of the Tokyo National Museum). Kozan II carried forward the style of the first generation while creating refined works rooted in tea ceremony wares and the traditions of East Asian ceramics. He exhibited at the 12th Imperial Art Exhibition (Teiten) in 1931 and took part in founding the Totokai ceramic society with \u003ca href=\"\/en\/search?q=%22%E6%9D%BF%E8%B0%B7%E6%B3%A2%E5%B1%B1%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eItaya Hazan\u003c\/a\u003e and others in 1927.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eBased on the attribution to Kozan I, this piece is considered to date from between the mid-Meiji 10s, when Miyagawa Kozan I shifted his focus to glaze research, and May 1916, when he died. Several celadon works by Kozan I in public collections are dated between 1912 and 1916. As the shikibako bears the signature of Miyagawa Kozan II, the inscription was written after his succession to the name in 1917.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eMiyagawa Kozan I (初代 宮川香山、1842–1916) *Attribution based on the box inscribed by Miyagawa Kozan II\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eBiographical Highlights:\u003c\/strong\u003e [1842] Born into a family of potters in Makuzugahara, Kyoto; [1860] Succeeds as head of the family; [1870] Moves to Yokohama; [1871] Founds the Makuzu kiln in Ota Village, Yokohama; [1876] Exhibits at the Philadelphia Centennial Exposition; [1889] Gold medal, Exposition Universelle, Paris; [1893] Gold medal, World’s Columbian Exposition, Chicago; [1896] Appointed Imperial Household Artist; [1904] Grand Prize, Louisiana Purchase Exposition, St. Louis; [1910] Grand Prix of Honour, Japan-British Exhibition, London; [1916] Dies\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003ePublic Collections: \u003c\/strong\u003eTokyo National Museum (including two Important Cultural Properties), National Crafts Museum, Yokohama Museum of Art, Ishikawa Prefectural Museum of Art, The Nelson-Atkins Museum of Art (USA)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003ePeriod: \u003c\/strong\u003eMeiji–Taisho period, c. early 1880s to May 1916, during the lifetime of Miyagawa Kozan I (attributed)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eExcellent (no chips, no cracks)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eAccompanied by: \u003c\/strong\u003eShikibako (box inscribed by Miyagawa Kozan II)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eCeramic with celadon glaze, decorated in white and black; oval Makuzu kiln mark impressed in relief inside the foot ring\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eH. approx. 3.0 cm, rim diameter approx. 6.1 cm\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eNotice: \u003c\/strong\u003eAll items we offer, even those that are new and unused, were produced a very long time ago and are therefore listed as pre-owned. Items may show signs of age; please understand this and examine the listing carefully before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":67615310282939,"sku":null,"price":120000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5179_result_dd29f401-8882-41a8-a6c5-9debf3cc6cc6.jpg?v=1792210094"}],"url":"https:\/\/antiqueliquor1926.com\/en\/collections\/celadon-white-porcelain.oembed","provider":"Antique Liquor","version":"1.0","type":"link"}