{"title":"Ceramic Glass","description":"\u003cp\u003eWe offer beautiful Japanese ceramic glasses for enjoying Japanese whiskey.\u003c\/p\u003e","products":[{"product_id":"1","title":"Gold-dyed brocade pattern ceramic glass by Rinkurou Kiln #1 ","description":"\u003cp\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThis is a beautiful ceramic glass with rich and vivid coloring. The inside of the glass has a beautiful pattern reminiscent of the sixteen-petaled double-petaled chrysanthemum, which represents the Emperor and the Imperial Family of Japan, and the pale green of the celadon porcelain and the gold coloring create a wonderful harmony. Why not try enjoying Japanese whiskey in a Japanese glass?\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduced by: Rinkurou Kiln\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction period: 1970s - 1990s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Good (no chips, no cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Pottery (pottery)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: Height approx. 12cm, diameter approx. 7cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAbout Rinkurogama: Located in Hasami-cho, Nagasaki Prefecture, Rinkurogama is a Hasami ware pottery manufacturer founded in 1968 by Ishimaru Togei Co., Ltd. This manufacturer has inherited the traditions of Hasami ware, which has more than 400 years of history, while pursuing its own unique style and high-quality pottery. Rinkurogama's works are a modern revival of the \"Ko-Imari style\" from the Edo period, and are characterized by gorgeous and luxurious designs using techniques such as blue and white porcelain, akae, and somenishiki.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eNote: Even if the products we offer are new and unused, they are all listed as second-hand products because they were produced very long ago. Please note that the products may have damage due to aging, so please understand and check before considering purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"林九郎窯","offers":[{"title":"Default Title","offer_id":46614668411067,"sku":"","price":20000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/S__74350596_0.jpg?v=1746521986"},{"product_id":"2","title":"Yoshie Sakurai's Ash Glazed Horseback Riding Cup, Ceramic Glass #2","description":"\u003cp\u003eYoshie Sakurai is thought to be an artist who creates ceramic works using ash glaze. Ash glaze is a glaze made from wood ash and grass ash, and is characterized by its natural texture and warm color. Sakurai's works are attractive because of their designs that incorporate modern sensibilities while being based on traditional techniques. How about using them as glasses for Japanese whiskey?\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduced by: Yoshie Sakurai Studio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction period: 1990s-2000s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips, no cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Wooden box\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Pottery (pottery)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: Height approx. 7.8cm, diameter approx. 7.7cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCharacteristics of the ash-glazed horse-riding cup: The horse-riding cup is a cup with a long base that is said to have been designed for drinking sake while on horseback. Its unique shape is still popular as a sake cup today. The use of ash glaze creates a calm color of pale gray or bluish gray, and the cup is smooth to the touch, and the more it is used, the more flavor it acquires.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eNote: Even if the products we offer are new and unused, they are all listed as second-hand products because they were produced very long ago. Please note that the products may have damage due to aging, so please understand and check before considering purchasing.\u003c\/span\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"櫻井良枝工房","offers":[{"title":"Default Title","offer_id":46615740317883,"sku":"1","price":15000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0089.jpg?v=1746522454"},{"product_id":"3","title":"Arita ware Seiran kiln gold color ceramic glass set of 2 #3","description":"\u003cp\u003eSeirangama is a potter located in Arita-cho, Saga Prefecture, and produces works incorporating modern designs while inheriting the traditional techniques of Arita ware. Therefore, Seirangama's works are generally classified as Arita ware. How about using them as glasses for Japanese whiskey?\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduced by: Arita ware Seiran kiln studio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction year: 2000s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips, no cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: Height approx. 13cm, diameter approx. 6.5cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Pottery (pottery)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eNote: Even if the products we offer are new and unused, they are all listed as second-hand products because they were produced very long ago. Please note that the products may have damage due to aging, so please understand and check before considering purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"青藍窯工房","offers":[{"title":"Default Title","offer_id":46615745331387,"sku":"","price":10000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0061.jpg?v=1746522822"},{"product_id":"8","title":"Gold-dyed brocade pattern ceramic glass by Rinkurou Kiln #8 ","description":"\u003cp\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThis is a beautiful ceramic glass with rich and vivid coloring. The inside of the glass has a beautiful pattern reminiscent of the sixteen-petaled double-petaled chrysanthemum, which represents the Emperor and the Imperial Family of Japan, and the pale green of the celadon porcelain and the gold coloring create a wonderful harmony. Why not try enjoying Japanese whiskey in a Japanese glass?\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduced by: Rinkurou Kiln\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction period: 1970s - 1990s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips, no cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated wooden box\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Pottery (pottery)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: Height approx. 12cm, diameter approx. 7cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAbout Rinkurogama: Located in Hasami-cho, Nagasaki Prefecture, Rinkurogama is a Hasami ware pottery manufacturer founded in 1968 by Ishimaru Togei Co., Ltd. This manufacturer has inherited the traditions of Hasami ware, which has more than 400 years of history, while pursuing its own unique style and high-quality pottery. Rinkurogama's works are a modern revival of the \"Ko-Imari style\" from the Edo period, and are characterized by gorgeous and luxurious designs using techniques such as blue and white porcelain, akae, and somenishiki.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eNote: Even if the products we offer are new and unused, they are all listed as second-hand products because they were produced very long ago. Please note that the products may have damage due to aging, so please understand and check before considering purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"林九郎窯","offers":[{"title":"Default Title","offer_id":46617092587707,"sku":"","price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0162.jpg?v=1746520937"},{"product_id":"9","title":"Gold-dyed brocade pattern ceramic glass by Rinkurou Kiln #9 ","description":"\u003cp\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThis is a beautiful ceramic glass with rich and vivid coloring. The inside of the glass has a beautiful pattern reminiscent of the sixteen-petaled double-petaled chrysanthemum, which represents the Emperor and the Imperial Family of Japan, and the pale green of the celadon porcelain and the gold coloring create a wonderful harmony. Why not try enjoying Japanese whiskey in a Japanese glass?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e*Due to the reflection of the glass surface, it may appear as if there are scratches, but there are no noticeable scratches. Please look at all the photos together.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduced by: Rinkurou Kiln\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction period: 1970s - 1990s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Good (no chips, no cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Pottery (pottery)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: Height approx. 12cm, diameter approx. 7cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAbout Rinkurogama: Located in Hasami-cho, Nagasaki Prefecture, Rinkurogama is a Hasami ware pottery manufacturer founded in 1968 by Ishimaru Togei Co., Ltd. This manufacturer has inherited the traditions of Hasami ware, which has more than 400 years of history, while pursuing its own unique style and high-quality pottery. Rinkurogama's works are a modern revival of the \"Ko-Imari style\" from the Edo period, and are characterized by gorgeous and luxurious designs using techniques such as blue and white porcelain, akae, and somenishiki.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eNote: Even if the products we offer are new and unused, they are all listed as second-hand products because they were produced very long ago. Please note that the products may have damage due to aging, so please understand and check before considering purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"林九郎窯","offers":[{"title":"Default Title","offer_id":46617279824059,"sku":"","price":20000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0205.jpg?v=1746540322"},{"product_id":"13","title":"Sakimi's Sake Cup with Rain Design by Yoshitaka Kato, Ceramic Shot Glass #13","description":"\u003cp data-path-to-node=\"4\"\u003eThis one-of-a-kind piece represents the culmination of the work of ceramic artist Yoshitaka Kato (1921-1990), a descendant of the prestigious Kobei Kiln, a Mino ware maker, during his final years. It features a \"rainfall pattern\" (rainy rain design) in which a beautiful blue glaze drips from the rim to the base, creating a beautiful harmony between the rich glaze and the tasteful crazing (fine cracks). The delicate yet powerful design, showcasing the master's skill, is impressive, and its comfortable size makes it suitable for practical use as a shot glass or sake cup.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eThe title of the work, \"Sakimi\" (Happiness and Snake), is a combination of the word for happiness and the zodiac sign for the year of production, 1989. 1989 marked the turning point when the era changed from Showa to Heisei, and it is thought that Yoshitaka, who was 68 years old at the time, had this specially commissioned sake vessel made to celebrate his final zodiac year, or to pray for a new era.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eIt comes in an inscribed paulownia wood box (with the artist's signature and seal) and yellow cloth (with the same cloth), and is in very good condition. Together with his brother, Yoshitaka Kato, a Living National Treasure, Yoshitaka Kato supported the golden age of the Kobei Kiln and was renowned as a leading figure in the Mino pottery world. This masterpiece, with its rich sensibility and unerring technique, is of great historical value.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduced by: Yoshitaka Kato (1921-1990)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eYear of production: 1989 (Heisei 1\/Showa 64, Year of the Snake)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated wooden box\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Ceramic (Mino ware)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height approx. 4.5cm, diameter approx. 4.8cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":46621236428987,"sku":"","price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0303.jpg?v=1747660492"},{"product_id":"16","title":"Special Selection of Three Popular Authors Part 1: Miyanaga Rikichi、Mutsuo Yanagihara、Morino Taimei #16","description":"\u003cp\u003eThis masterpiece was released as a special selection of \"Sansai\" by three contemporary ceramic artists representing Japan. From the left, they are works by \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMiyanaga Rikichi\u003c\/span\u003e, Yanagihara Mutsuo, and \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMorino Taimei\u003c\/span\u003e. Of these three, the work by Morino Yasuaki, \u003cspan class=\"_fadeIn_m1hgl_8\"\u003ea Person of\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eCultural\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eMerit\u003c\/span\u003e , is a rare blown glass, making it a very rare and valuable piece. When drinking precious Japanese whiskey, why not enjoy it in a glass from his hometown?\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduced by: Miyanaga Rikichi、Mutsuo Yanagihara、Morino Taimei\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction period: 1980s - 1990s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips, no cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Special box included\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Ceramic, hand-blown\u003c\/span\u003e glass\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: Height approx. 6.5cm, diameter approx. 5.5cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eNote: Even if the products we offer are new and unused, they are all listed as second-hand products because they were produced very long ago. Please note that the products may have damage due to aging, so please understand and check before considering purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAbout the artist:\u003c\/span\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e* Miyanaga Rikichi (born 1935)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e He began studying sculpture at Kyoto City University of Arts in 1954 under Shindo Tsuji and Masakazu Horiuchi, before dropping out in 1960 to travel to the United States. He had connections with Peter Vocus and others, and after returning to Japan he exhibited at exhibitions such as \"Trends in Contemporary Art\" and attracted attention as a sculptor, becoming a member of the Sodeisha Society in 1971. His \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eorganic\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eforms\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003ethat\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003emake use\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eof\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003ethe texture\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eof\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003ethe earth\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eare\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003echaracteristic of\u003c\/span\u003e his work \u003cspan class=\"_fadeIn_m1hgl_8\"\u003e, and\u003c\/span\u003e he \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eis\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eregarded\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eas\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003ea\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003epioneer\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eof\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003econtemporary\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eceramic\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003esculpture\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003e.\u003c\/span\u003e In 1998 \u003cstrong\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003ehe was awarded the Kyoto Prefecture Order of Cultural Merit , and in 1999 he took on the name Miyaei Tozan III.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e* Mutsuo Yanagihara\u003c\/span\u003e (born 1934)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003eA ceramist from Kochi Prefecture, he studied at Kyoto City University of Arts and studied under Tomimoto Kenkichi. Known for his gorgeous style using gold and silver luster glazes, he pursued artistic beauty with an international sensibility after living in the United States. Professor Emeritus at Osaka University of Arts. One of the leading figures \u003cstrong\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003ein contemporary ceramics .\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003e* Taimei Morino (born 1934)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003eA ceramic artist born in Kyoto. After graduating from Kyoto City University of Arts, he produced many works that combined tradition and modernity. Since the 1980s, he has participated in exhibitions both in Japan and abroad and received high praise for his avant-garde forms and glaze expressions. \u003cstrong\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eHe has been awarded\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003ethe Cultural\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eMerit\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eAward\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e and is a member of the Japan Art Academy. He is one of the leading figures in contemporary Japanese ceramics.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":46647482515643,"sku":"","price":80000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0348.jpg?v=1767408313"},{"product_id":"43","title":"Living National Treasure Nakada Kazuo's Kutani Ware Silver-Glazed Shochu Drinking Glass #43","description":"\u003cp data-path-to-node=\"3\"\u003eKazuo Nakada has been designated as a Living National Treasure (Preserver of Important Intangible Cultural Property) for his ceramic technique known as Yukasai (underglaze coloring), marking the first time this honor has been bestowed upon Kutani ware decoration technology. This designation serves as public proof that the unique world of Yuri-ginsai (underglaze silver foil), which he has refined over many years, represents one of the highest peaks of Japanese traditional beauty.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eThe reason Kazuo Nakada, who has established a new milestone in the history of Kutani ware, is held in such high esteem lies in the almost obsessive precision condensed into this work. The essence of Yuri-ginsai lies in the nearly impossible technical harmony of sealing the brilliance of silver deep beneath a lapis lazuli glaze. While ordinary silver decoration typically oxidizes and turns black when exposed to air, Nakada arranges paper-thin pieces of silver foil one by one like a puzzle based on meticulous calculations. He perfectly controls the risk of the silver foil melting away due to the intense heat during firing, maintaining an eternal sparkle within the glaze. This process is a divine skill that only he can achieve. This specific expression of silver shining with dignity beneath the glaze was the decisive reason for his selection as the first Living National Treasure in the field of Yukasai.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eThis work was created around 2009, a period when Nakada had completely mastered his technique and was receiving intense attention from museums worldwide; it is a representative piece that embodies his true essence. The silver foil hidden beneath the lapis lazuli glaze changes its expression like a kaleidoscope depending on the angle of the light, sometimes shimmering sharply like a gemstone and at other times swaying softly like morning mist. The geometric patterns reminiscent of lotus petals covering the entire vessel are his signature design. The contrast of blue and silver reflecting on the inside when sake is poured can be described as a supreme view that only the owner can enjoy.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eFurthermore, this work is exceptionally outstanding in terms of its form. The footed style exudes the dignity of a fine art craft, yet it maintains excellent center-of-gravity balance when actually held, fusing practicality and aesthetics at a high level. As a testament to its global value, his works are part of the permanent collections of institutions such as the Smithsonian's Arthur M. Sackler Gallery in the United States. Following his designation as a Living National Treasure in 2025, there is no doubt that the rarity of such fulfilling works from his mature period will increase further in the art market. Holding the crystal of light of a master who has carved his name in history while enjoying a supreme drink is nothing less than a luxurious cultural privilege that transcends a mere evening glass.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduced by: Kazuo Nakada\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThe artist's notable achievements include: [ \u003cspan class=\"line\"\u003e\u003cspan class=\"year\"\u003e1990]\u003c\/span\u003e \u003cspan class=\"title\"\u003eMinister of Education Award at the Japan Traditional Crafts Exhibition; [\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"line\"\u003e\u003cspan class=\"year\"\u003e1993]\u003c\/span\u003e \u003cspan class=\"title\"\u003eUnderglaze Silver Vase selected for permanent collection at the Smithsonian Institution's Mackler Gallery in Washington; [\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan class=\"line\"\u003e2001] Grand Prize at the Traditional Kutani Ware Crafts Exhibition; [ \u003cspan class=\"year\"\u003e2011]\u003c\/span\u003e \u003cspan class=\"title\"\u003eMedal with Purple Ribbon; [ \u003cspan class=\"year\"\u003e2019]\u003c\/span\u003e Order of the Rising Sun, Gold Rays with Rosette; [2025] Designated Living National Treasure for his underglaze enamel technique.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction date: circa 2009\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated wooden box, wrapping cloth, artist biography\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Ceramic (Kutani ware, pottery)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height approx. 10.8cm, diameter approx. 8.1cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCharacteristics of Nakata Kazuo's works: His greatest feature is the \"underglaze silver color\" technique, which involves applying a pattern with silver foil under the glaze. This technique allows the shine of the silver to show through the glaze, and the soft, pale colors and shading of light create a delicate expression with depth. Many of his works feature plants and geometric patterns applied with silver color, and are characterized by a cool, modern style.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47058962448571,"sku":null,"price":180000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1088.jpg?v=1767408459"},{"product_id":"42","title":"Living National Treasure Inoue Manji's White Porcelain Carved Teacup #42","description":"\u003cp\u003eManji Inoue (1929-2025) was born in Arita, Saga Prefecture in 1929, and is a representative ceramic artist of Arita ware. While Arita ware is typically characterized by colorful painting, he has always focused on white porcelain, pursuing its pure beauty.\u003c\/p\u003e\n\u003cp\u003e After studying under the master potter's wheel master, Okugawa Chuemon, he honed his skills at the Saga Prefectural Ceramics Testing Laboratory before going independent in 1971. His outstanding potter's wheel skills and the soft, refined beauty of his forms are highly acclaimed both in Japan and overseas. He has also worked tirelessly overseas, teaching at universities in the United States and engaging in cultural exchange activities, spreading the essence of Japanese traditional crafts to the world.\u003c\/p\u003e\n\u003cp\u003e This white porcelain piece exudes tranquil beauty, and we suspect it likely dates from Inoue Manji's later years, when his technique had reached its peak. Flowing lines of bamboo branches and leaves are delicately carved into the surface, gently lifting off the pure white porcelain. This openwork-like technique creates a tasteful shadow that changes appearance with the light. The included lid ensures that the aroma is not lost, making this a truly exceptional piece that maximizes the aroma of whiskey. Enjoy this exceptional piece of Japanese sophistication and the finest craftsmanship with a special glass of whiskey.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eArtist: Inoue Manji (1929-2025)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\n\n \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThe artist's notable achievements include: [1979] Minister of Labor Award, [1987] Minister of Education Award at the Japan Traditional Crafts Exhibition, [1995] Certified as a Living National Treasure and Important Intangible Cultural Property \"White Porcelain\", [1997] Received the Medal with Purple Ribbon, [2003] Received the Order of the Rising Sun, Gold Rays with Neck Ribbon\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction year: 2000s (estimated)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated wooden box\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Ceramic (white porcelain)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height 11cm, diameter 7.5cm\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47059029786811,"sku":null,"price":30000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1019.jpg?v=1759322343"},{"product_id":"75","title":"\"Beer Cup\" Ceramic Glass #75","description":"\u003cp\u003eThis piece is a ceramic beer cup with a pale blue-green glaze reminiscent of beautiful celadon. Its goblet-like shape, with a plump body that exudes the warmth of a handmade item and a stable base, combines traditional Japanese sake cups with the elegance of modern Western tableware.\u003c\/p\u003e\n\u003cp\u003e The glaze's surface is covered with a complex pattern of fine speckles and shading, likely the result of kiln changes, creating a deep, jade-like hue. The glaze flows around the rim and the base of the foot, revealing the color of the clay, allowing you to enjoy the rich scenery of handcrafted work. The inside is a deep green, which enhances the depth and beauty of the drink poured into it.\u003c\/p\u003e\n\u003cp\u003e The box is inscribed with the words \"Beer Cup,\" and it was created as a vessel for enjoying cold beer, sake, or wine. Its modern form and serene colors make it an excellent object to admire, and it will enrich your time, from everyday evening drinks to special occasions.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProducer: unknown\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction year: 1980s (estimated)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated wooden box\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Ceramic (pottery)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\n\n \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height approx. 13cm, diameter approx. 7cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47127299129531,"sku":null,"price":11000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2141.jpg?v=1761633517"},{"product_id":"76","title":"Arita Ware Nanzan Kiln Pair of Bajo Sake Cups, Combining Ceramic and Glass, #76","description":"\u003cp\u003eThis glass set is a fusion of ceramics and glass, created by Nanzan Kiln, an Arita ware manufacturer that inherits the tradition of Japanese porcelain. It is a special set of sake cups that combine traditional Japanese beauty with modern elegance.\u003c\/p\u003e\n\u003cp\u003eThe glass's base and short stem are made of vibrant blue and red ceramic, the colors deeply burned into the fine-grained white porcelain skin that is characteristic of Arita ware. This vibrant base is dotted with gold leaf in a dynamic splash pattern using the gold leaf technique, giving it a luxurious shine. The base's bottom is subtly decorated with an auspicious gold motif, along with the Nanzan Kiln inscription. The bowl is made of highly transparent crystal glass, intricately joined to the ceramic base. This combination of different materials combines aesthetic beauty with stability.\u003c\/p\u003e\n\u003cp\u003eThis horse-riding sake cup follows the traditional shape that was used when drinking sake from horseback, and feels stable when held in the hand. The vivid contrast of red and blue brings a touch of elegance to the dining table. When sake is poured into the glass, the gold base reflects intricately through the clear shine of the glass, creating a blissful moment.\u003c\/p\u003e\n\u003cp\u003eThis piece is the culmination of Nanzan Kiln's pursuit of the beauty of craftsmanship that goes beyond the boundaries of traditional porcelain and suits modern lifestyles, making it an excellent piece to be collected or used as a celebratory gift.\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduced by: Nanzan Kiln\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction year: 1990s (estimated)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated wooden box\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Ceramic (Kutani ware, pottery)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height approx. 10cm, diameter approx. 5cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCharacteristics of Nakata Kazuo's works: His greatest feature is the \"underglaze silver color\" technique, which involves applying a pattern with silver foil under the glaze. This technique allows the shine of the silver to show through the glaze, and the soft, pale colors and shading of light create a delicate expression with depth. Many of his works feature plants and geometric patterns applied with silver color, and are characterized by a cool, modern style.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47127300309179,"sku":null,"price":13000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2159.jpg?v=1761634489"},{"product_id":"82","title":"Set of 2 Black Ceramic Sake Cups and Glasses by Sakata Jinnai (甚\/Jin) #82","description":"\u003cp\u003eThe entire surface of the glass is deeply engraved with an original, swirling pattern that resembles fingerprints, tree rings, or ripples on the surface of water. This pattern gives the glass a sense of dynamism and yet a calm rhythm, making it uniquely pleasant to the touch. The matte texture of the black pottery, which retains the strong texture of the earth, accentuates the swirling pattern and creates powerful shadows.\u003c\/p\u003e\n\u003cp\u003eThe design is unique, with the base (legs) being firm and plump towards the top. This gives it a surprisingly stable balance in the hand, despite its heavy appearance. The base is engraved with the artist's signature \"甚(Jin)\" within a flower-like design, proving the piece's provenance.\u003c\/p\u003e\n\u003cp\u003eThe quiet, deep texture of black pottery makes it ideal as a sake cup for tasting not only sake, but also whiskey and shochu. When you pour a drink, the black interior brings out the color and shine of the sake. In contrast to the gorgeous gold decoration seen in Sakata Jinnai's other works, this black pottery cup pursues the powerful beauty of the material itself, and is recommended as a collection that will add elegance to your evening drinking time.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eArtist: Sakata Jinnai (1943-present)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThe artist's notable activities include: [ \u003cspan\u003e2009]\u003c\/span\u003e \u003cspan\u003eInvited artist at the 1st Shanghai International Ceramic Living Art Expo; [2013] Donated a large magatama plate with deep-patterned gold leaf and leaf glass, \"The Radiance of Life,\" to the Izumo Taisha Grand Shrine Heisei Grand Shrine Relocation; [2013] Donated a large black porcelain plate with deep-patterned gold leaf and leaf, \"Homage to the Sun,\" to coincide with the Ise Grand Shrine Shikinen Sengu; [\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003e2014] Donated a deep-patterned gold leaf and leaf glass objet d'art, \"Yamanei,\" to Atsuta Shrine; [2014]\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003eDonated a pair of black porcelain engraved gold leaf and leaf boxes, \"Longevity,\" to Kameoka Hachiman Shrine (Mashiko Town).\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction period: 1980s-1990s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Black pottery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height approx. 6.0cm, diameter approx. 6.3cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47134725701819,"sku":null,"price":12000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2418.jpg?v=1762244223"},{"product_id":"101","title":"Nanban Torai Rock Glass by RinKurou #101 ","description":"\u003cp data-path-to-node=\"2\"\u003eThis rocks glass is part of the gorgeous \"Nanban Torai\" series, produced by RinKurou Kiln, based in Hasami Town, Nagasaki Prefecture. RinKurou\u0026nbsp;Kiln is known for its unique \"Old Imari Style,\" which incorporates modern sensibilities while carrying on the traditions of Arita ware and Hasami ware, and this piece is also dotted with their outstanding design.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe glass is octagonal and fits comfortably in the hand. Its sides feature vibrantly painted images of black ships and Westerners against a lavish gold background. The motif of the design is the historic \"Arrival of the Black Ships,\" the 1853 arrival of four ships, including two steamships, at Uraga Port under the command of U.S. Commodore Matthew Perry. This event marked the end of Japan's long period of isolation and marked the beginning of a dramatic intermingling and vibrant exchange between Japanese and Western cultures. The design of the admiral's costume and sailing ships speaks to the amazement and curiosity felt by Japanese people at the time toward Western culture. Its beautiful blend of traditional Japanese designs, such as the blue ocean wave pattern, and the exotic atmosphere of Nanban culture creates a unique worldview characteristic of the RinKurou\u0026nbsp;Kiln.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eOf particular note is the contrast between the pale \"Seigaiha\" (waves) pattern on the inside and bottom of the glass and the rich coloring on the outside. Looking into it from the inside, you can enjoy the translucent texture of the celadon, and its beauty is accentuated with each drink poured into it. This piece is thought to have been produced between the late 1980s and early 2000s, when RinKurou\u0026nbsp;Kiln actively developed this style of Nanban series, which became highly popular as a gift item and high-end sake vessel. This glass, which combines traditional Japanese beauty with the romance of the Age of Discovery that led to the Meiji Restoration, will add a special touch to your everyday life, whether for aesthetic or practical use.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduced by: RinKurou\u0026nbsp;Kiln\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction period: 1990s-2000s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Ceramic (pottery)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height approx. 9cm, diameter approx. 8cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAbout RinKurou Kiln: Located in Hasami Town, Nagasaki Prefecture, RinKurou Kiln is a Hasami ware pottery manufacturer founded in 1968 by Ishimaru Ceramics Co., Ltd. The manufacturer continues to carry on the traditions of Hasami ware, which has a history of over 400 years, while pursuing its own unique style and high-quality pottery. RinKurou\u0026nbsp;Kiln's works are a modern revival of the \"Ko-Imari style\" of the Edo period, characterized by gorgeous and luxurious designs using techniques such as blue and white porcelain, red porcelain, and somenishiki porcelain.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"林九郎窯","offers":[{"title":"Default Title","offer_id":47278523973819,"sku":null,"price":18000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3082.jpg?v=1766901900"},{"product_id":"154","title":"Kutani ware grape crest horse cup made by KAMIDE CHOEMON kiln (KAMIDE CHOEMON, 4th generation Kentaro Kamide) #154","description":"\u003cp data-path-to-node=\"3\"\u003eThis elegant \"Grape Design Horseback Riding Cup\" was created by Kamide Kentaro, the fourth generation master of the prestigious Kutani ware kiln, \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eKamide Choemon\u003c\/span\u003e . Kentaro studied applied chemistry at the Faculty of Engineering at Toyama University, and is believed to be a work from his prime, around the late 1970s or 1980s, when his scientific approach to glazes and color development bore fruit.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003e The core of the design is the deep, vivid indigo \"Choemon Blue\" that is synonymous with the kiln, and a fresh grape pattern in the traditional five colors of Kutani on a thick surface. The grapes, which symbolize fertility and prosperity, are painted with meticulous brushwork, beautifully embellishing the elegant and dignified shape of the horse-riding cup.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e Although this work is made of pottery, the sound that resonates when the glasses touch each other is by no means dull. The delicate, refreshing tone resonates beautifully, like the ringing of a metal bell, allowing all five senses to experience the high purity of the material and the exquisite craftsmanship. The \"refreshing, bell-like sound\" is also evidence of the high density of the clay and the extremely high level of skill with which it was fired.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003e The details of this piece are exemplified by the skilled craftsmanship behind the illustrious achievements, such as receiving the Ministry of International Trade and Industry Director-General's Award in 1984 and producing a gift for the Imperial Family (the Crown Prince and Princess at the time) in 1985. In addition to its artistic value, this masterpiece is also extremely valuable as a historical document that conveys the authenticity of Kutani ware to the present day.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduced by: KAMIDE CHOEMON (4th generation Kentaro Kamide)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAbout Kamide Choemon Kiln: Founded in 1879, Kamide Choemon Kiln is a prestigious Kutani ware manufacturer representing Ishikawa Prefecture. Committed to consistent handcrafting, it is known for its elegant style, featuring vibrant \"Choemon Blue\" blue and white porcelain and five colors. The refined beauty of its ware, backed by a history of presentation to the Imperial Household and scientific evidence, is highly regarded both at home and abroad.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThe artist's notable achievements include: [1957] Received the Ishikawa Prefectural Governor's Award at the New Tableware Exhibition, [1969] Donated a \"vase\" at the request of Meiji Shrine, [1983] Received an Honorable Mention Award at the Kutani Ware Traditional Crafts Exhibition, [1984] Received the Ministry of International Trade and Industry Director-General's Award at the National Traditional Crafts Exhibition, [1985] Created tableware for the Crown Prince and Princess (now the Emperor and Empress Emerita) when they visited the prefecture.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction period: 1970s to early 1980s\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated wooden box, instruction manual (bookmark), wrapping cloth\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Kutani ware (ceramics)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\n\n \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height approx. 9cm, diameter approx. 6cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47400412807355,"sku":null,"price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4028.jpg?v=1770885309"},{"product_id":"156","title":"Hiroshima Prefectural Important Intangible Cultural Property, Yasuhide Uchida, Late Mature Period, 1980 Masterpiece of Pottery, Lost and Visionary Technique \"Hyori Kantsu Nishiki Neriage\" Ceramic Rock Glass #156","description":"\u003cdiv dir=\"ltr\" aria-busy=\"false\" aria-live=\"polite\" id=\"model-response-message-contentr_460f7b4b0b04bce1\" class=\"markdown markdown-main-panel stronger enable-updated-hr-color\"\u003e\n\u003cp data-path-to-node=\"6\"\u003eYasuhide Uchida is a ceramic artist hailed as a solitary legend in the history of Showa era ceramics. Following immense acclaim at the 1970 Osaka Expo and his subsequent research at the Manufacture nationale de Sèvres, the prestigious national porcelain manufactory of France, he reached a unique artistic pinnacle that harmoniously fused Japanese and French aesthetics. This piece is a miraculous masterpiece created by Uchida during his final years at age 87, a work of such dedication that it took five full months to bring just a single cup to completion.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eAt first glance, the intricate patterns might appear to be beautiful designs painted with a brush. However, the true marvel of this work lies in the fact that these colors and motifs are not created using any pigments or surface painting at all. Instead, they are the result of the lost, phantom technique known as Hyori Kantsu Nishiki Neriagede (Surface-to-Reverse Penetration Brocade Marbling). Clays colored with various metal oxides are assembled like a complex puzzle based on precise calculations, forming the pattern itself as the very structure of the clay body.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThe fantastical flowers appearing at the center of the work, set against a blue mosaic background reminiscent of pond ripples, evoke Claude Monet's Water Lilies. In works like this, which utilize different colored clays, the risk of cracking at the joints is extremely high due to varying shrinkage rates during firing, and any flaws cannot be hidden with glaze. Uchida utilized the advanced techniques he honed at Sèvres to overcome these grueling conditions, achieving vivid, clear colors without turbidity and a robust, flawless finish.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe most defining characteristic is the surface-to-reverse penetration. When peering into the glass, one will be breathless to find that the complex patterns on the exterior extend perfectly through to the interior and even the base without the slightest deviation. This is evidence of the flawless layering of the clay strata and represents a supreme structural beauty imbued with a wish for peace without a back side (sincerity without duplicity) by Uchida, who was a native of the atomic-bombed city of Hiroshima.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eWhen amber whiskey is poured into the glass, the intricate patterns shimmer like a kaleidoscope within the liquid, revealing a new, breathtaking landscape. This is the world of Nishiki (Brocade) where five months of passion and technique are encapsulated. To savor fine spirits in this ultimate rock glass is a luxurious cultural privilege that transcends a mere evening drink.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003eArtist: Uchida Yasuhide (1893–1997)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eNotable Career Highlights: [1952] Solo exhibition at Mitsukoshi Nihonbashi Main Store; [1960s] Studied color and porcelain techniques at the Manufacture nationale de Sèvres in France; [1965] Designated as an Intangible Cultural Property of Miyoshi City; [1970] Exhibited at the Osaka Expo (EXPO'70); [1973] Recognized as a Holder of an Important Intangible Cultural Property of Hiroshima Prefecture.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eDate of Production: April 1980 (Showa 55). Inscribed on the back of the box: Produced over five months, April 1980.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eCondition: Excellent (no chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eAccessories: Original wooden box, wrapping cloth (with signature and seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eMaterial: Nishiki Neriage-de (Ceramic, Through-and-Through technique)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eDimensions: Height approx. 6.5 cm, Diameter approx. 7.4 cm (approximate)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eNote: Although the products we offer may be unused, they were produced many years ago and are listed as vintage\/pre-owned items. Please be aware that products may show signs of aging. We appreciate your understanding and careful review before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47416312070331,"sku":null,"price":155000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4124.jpg?v=1770887564"},{"product_id":"157","title":"Katsumi Eguchi: Masterpiece of His Prime - Washi-Dye Floral Motif, Supreme Whiskey Rock Glass Set of Two #157","description":"\u003cp\u003eEguchi Katsumi (1936–), a master craftsman who revived the Koyamaji Kiln in 1968, is the authentic successor of the Nanbu Kokaratsu tradition in Takeo, Saga Prefecture, which dates back to the late Momoyama period. Celebrating his 88th birthday (Beiju) in 2024, he remains a living legend of Hizen ceramics. This pair of vessels fuses the solemnity of traditional Oribe Karatsu with his original decorative aesthetic, creating a supreme work coveted by discerning craft collectors. The heart of this work is the Washizome (washi-dyeing) technique, which involves adhering thin washi paper to the bisque-fired surface to allow pigments to permeate. This creates a dreamlike gradation—as if the colors are seeping through the gaps in the fibers—that is impossible to achieve through direct brushwork. Eguchi has meticulously calculated the mineral components of the clay and the absorption rates of the pigments; while the indigo and brown floral petals possess the transparency of watercolors, the colors are permanently fused deep into the ceramic body through high-temperature firing.\u003c\/p\u003e\n\u003cp\u003eThe voluminous form, standing 8.5 cm high and 8.4 cm in diameter, represents the pinnacle of Eguchi's aesthetic, which reached its maturity around the late 1980s to early 1990s. This was the era when he won the Prime Minister's Award and his works were acquired by the Victoria and Albert Museum in the UK. The delicate crazing (kannyu) covering the surface is a natural decoration born from the differing shrinkage rates of clay and glaze. When amber whiskey is poured, these intricate patterns come into sharp focus through the liquid. The friction of the ice and the warmth of the hands cause the ceramic to exhibit subtle changes in expression, as if the vessel itself were breathing. This pair encapsulates the artisan's skill that earned him the honor of having his techniques officially recorded by the government and presenting his works to the Crown Prince and Prince Takamatsu.\u003c\/p\u003e\n\u003cp\u003eThe powerful carving of the base demonstrates the structural stability required to support his superb techniques, such as Washizome Kurinuki (hollow-carving), sublimating the rustic charm of Oribe Karatsu once beloved by tea masters into the ultimate modern drinking vessel. To experience the passion of Eguchi Katsumi—who redefined a fading tradition and won national acclaim—alongside a golden aged spirit is a cultural privilege reserved for those who recognize true value.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eArtist: Eguchi Katsumi (1936–)\u003c\/li\u003e\n\u003cli\u003eRepresentative Career Highlights: [1961: West Japan Crafts Exhibition, Asahi Shimbun Prize (Special Award)], [1962: National Prefectural Selection Exhibition, Minister of Education Award], [1972: 19th Japan Traditional Crafts Exhibition, Grand Prize (Asahi Shimbun Prize)], [1979: 5th Japan Ceramic Art Exhibition, Excellent Work Award], [1981: 26th Japan Traditional Crafts Exhibition, Encouragement Award], [1983: West Japan Ceramic Art Exhibition, Grand Prize (Prime Minister's Award)], [1985: Japan Ceramic Society Award] \u0026nbsp;\u003c\/li\u003e\n\u003cli\u003eProduction Period: Circa 1989 to early 1990s\u003c\/li\u003e\n\u003cli\u003eCondition: Excellent (No chips, no cracks)\u003c\/li\u003e\n\u003cli\u003eAccessories: Original wooden box, artist's profile (insert) Material: Ceramic (Pottery)\u003c\/li\u003e\n\u003cli\u003eDimensions: Height approx. 8.5 cm, Diameter approx. 8.4 cm\u003c\/li\u003e\n\u003cli\u003eNote: Of this two-piece set,\u003cstrong\u003e \u003c\/strong\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003ethe cup on the left (with the brown floral pattern) features a deep \"Kannyu\" (crazing) extending from the rim to the body, where a slight catch can be felt with a fingertip. While this does not currently affect the structural integrity or functional use\u003c\/span\u003e, we have explicitly noted it here as a reflection of the proprietor's commitment to transparency regarding the unique characteristics of vintage ceramics. In consideration of this, we are offering this masterpiece from the artist’s peak period at a special discounted price.\u003c\/li\u003e\n\u003cli\u003eNote: Although the products we offer may be unused, they were produced many years ago and are listed as vintage\/pre-owned items. Please be aware that products may show signs of aging. We appreciate your understanding and careful review before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47446953361595,"sku":null,"price":30000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4149.jpg?v=1770884565"},{"product_id":"158","title":"Hiroshima Prefectural Important Intangible Cultural Property, Yasuhide Uchida, Late Mature Period, 1977 Masterpiece, Lost and Visionary Technique \"Hyori Kantsu Nishiki Neriage\" Ceramic Rock Glasses (2-Piece Set) #158","description":"\u003cdiv dir=\"ltr\" aria-busy=\"false\" aria-live=\"polite\" id=\"model-response-message-contentr_460f7b4b0b04bce1\" class=\"markdown markdown-main-panel stronger enable-updated-hr-color\"\u003e\n\u003cp data-path-to-node=\"7\"\u003eYasuhide Uchida is a ceramic artist hailed as a solitary legend in the history of Showa era ceramics. Following immense acclaim at the 1970 Osaka Expo and his subsequent research at the prestigious Manufacture nationale de Sèvres in France, he reached a unique artistic pinnacle that harmoniously fused Japanese and French aesthetics. This specific work, Hyori Kantsu Nishiki Neriage (Surface-to-Reverse Penetration Brocade Marbling), was created in July 1977 (Showa 52), a time when Uchida's technique had reached its full maturity and was approaching its absolute peak. On the reverse side of the accompanying original wooden box (tomobako), there is an ink inscription that reads July 24, Showa 52, Intangible Cultural Property, making this a pair of historical significance where years of dedicated study are kneaded into every single grain of clay.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eAt first glance, the intricate patterns might appear to be beautiful designs painted with a brush. However, the true marvel of this work lies in the fact that these colors and motifs are not created using any pigments or surface painting at all. They are the result of the lost, phantom technique known as Hyori Kantsu Nishiki Neriage. Clays colored with various metal oxides are assembled like a complex puzzle based on precise calculations, forming the pattern itself as the very structure of the clay body. Because different colored clays shrink at different rates during firing, the risk of cracking at the joints is extremely high, and any flaws cannot be hidden with glaze. While most works with such multi-colored and complex patterns would crack during firing, Uchida utilized the exceptional skills he honed at Sèvres to achieve vivid, clear colors without turbidity and a robust, flawless finish.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eUnique discolorations caused during firing can be seen on the surface, but in Uchida's work, these are by no means defects. They are the traces of a battle in which different clays fiercely pulled against one another under grueling heat, eventually merging and sublimating into a single entity. This expression, which looks as if the flickering of the flames themselves has been captured, is the scenery (keshiki) unique to fine kōgei (craft) and absent in industrial products; it is the steadfast proof that this work is a one-of-a-kind piece that survived the harsh kiln fire. Furthermore, the most defining characteristic, surface-to-reverse penetration, means that the complex patterns on the exterior extend perfectly through to the interior and even the base without the slightest deviation. This is evidence of the flawless layering of the clay strata and represents a supreme structural beauty imbued with a wish for peace without a back side (sincerity without duplicity) by Uchida, who was a native of the atomic-bombed city of Hiroshima.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eWe propose this historical Japanese masterpiece not merely as a teacup, but as a supreme whisky rock glass worthy of its esteemed status. When held in the hand, one can feel the profound weight of the kneaded clay and the intricate textures of the patterns beneath the fingertips. The moment amber whisky is poured in, the geometric motifs that penetrate through to the interior shimmer like a kaleidoscope within the liquid, revealing a new, breathtaking landscape at the bottom of the glass. This time spent where fine spirits meld with passion that has not faded after nearly fifty years will be a luxurious cultural privilege that transcends a mere evening drink.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003eArtist: Uchida Yasuhide (1893–1997)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eNotable Career Highlights: [1952] Solo exhibition at Mitsukoshi Nihonbashi Main Store; [1960s] Studied color and porcelain techniques at the Manufacture nationale de Sèvres in France; [1965] Designated as an Intangible Cultural Property of Miyoshi City; [1970] Exhibited at the Osaka Expo (EXPO'70); [1973] Recognized as a Holder of an Important Intangible Cultural Property of Hiroshima Prefecture.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eDate of Production: July 1977 (Showa 52). *Note: The back of the original wooden box (tomobako) bears an ink inscription that reads: July 24, Showa 52, Intangible Cultural Property.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eCondition: Excellent (no chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eAccessories: Original wooden box, wrapping cloth (with signature and seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eMaterial: Nishiki Neriage-de (Ceramic, Through-and-Through technique)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eDimensions: [Large] Height: Approx. 7.5cm, Diameter: Approx. 7.4cm \/ [Small] Height: Approx. 7cm, Diameter: Approx. 6cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eNote: Although the products we offer may be unused, they were produced many years ago and are listed as vintage\/pre-owned items. Please be aware that products may show signs of aging. We appreciate your understanding and careful review before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47454026793147,"sku":null,"price":145000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4188.jpg?v=1771241582"},{"product_id":"162","title":"Isami Matsumoto, Celadon Stem Cup (Bajohai): A Masterpiece of Modern Kyoto Porcelain #162","description":"\u003cp data-path-to-node=\"7\"\u003eIsami Matsumoto (1931–2012) was an artist of the highest pedigree in contemporary Japanese ceramics, having studied under the legendary Yaichi Kusube and Zenju Miyashita, both recipients of the Order of Culture. The spirit of ceramics as a pure art form that transcends mere utility—a philosophy inherited from his masters—is consistently reflected in his work through elegant aesthetic forms and the delicate layering of color. The emerald green hue achieved by Matsumoto in this piece is the result of a precise physical phenomenon. It requires controlling the iron oxide content in the glaze within an incredibly minute range of 0.1 to 0.3 percent while maintaining a perfectly constant reducing atmosphere in the kiln at high temperatures around 1,300 degrees Celsius. This technique represents a modern chemical redefinition of the celestial sky-blue (Ten-seisho) achieved by the Ru kilns of China's Song Dynasty. By intentionally inducing Rayleigh scattering—a phenomenon where light reflects off microscopic air bubbles and undissolved particles within the glaze layer—he creates a profound depth and transparency that industrial colorants cannot replicate.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eIn terms of form, the stem of this Bajohai (stem cup) is an exercise in extreme craftsmanship. Due to the high shrinkage rate characteristic of porcelain clay, such a design is prone to warping or collapsing under its own weight during firing, resulting in an exceptionally low yield. Furthermore, the line-engraving (Senkoku) technique inherited from his master requires an extraordinary level of sensitivity. The artist must maneuver a needle with sub-millimeter precision during the brief window when the clay is semi-dry—an irreversible process where a single mistake is fatal to the piece. The fact that the deep celadon glaze is applied so evenly to such thin, exquisite porcelain while perfectly controlling the crackle pattern (Kanyu) serves as a testament to his absolute mastery of firing schedules, honed through his long tenure as a judge for the Nitten (Japan Fine Arts Exhibition).\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eOwing to this overwhelming technical prowess and artistic dignity, Matsumoto twice won the Special Selection (Tokusen) award at the Nitten, Japan's most prestigious art exhibition, and later assumed key roles as a judge and councilor, leading the Japanese art world. His reputation extends internationally, with his work held in the permanent collection of the Spencer Museum of Art at the University of Kansas. The museum holds his work in high academic regard, utilizing it as a living educational resource for students and researchers to study the modern reinterpretation of Ru-ware celadon and the evolution of Kyoto porcelain.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eStanding approximately six centimeters tall, this diminutive stem cup embodies a celebratory prayer that transcends its function as a drinking vessel. Built upon the conviction that a vessel is a sanctuary where the liquid and the user's heart meet, the modern expressionism inherited from his masters has been captured within this small space as a dynamic moment of life blossoming amidst silence. This blue, which marries classical Chinese beauty with 20th-century Kyoto sophistication, resonates deeply with the aesthetic sensibilities of those who appreciate high-end crystal like Baccarat or Lalique. It is a masterpiece that deserves the highest praise from global collectors for its timeless elegance.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"11\"\u003eArtist: Isami Matsumoto (1931–2012)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003eNotable Career Highlights: [1967] Won the Special Selection Award at the 10th Nitten Exhibition; [1974] Won the Special Selection Award at the 6th Nitten Exhibition; [Later years] Served as a Nitten Judge, Nitten Councilor, and Director of the Kyoto Craft Artists Association.\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003ePublic Collections: Spencer Museum of Art (University of Kansas, USA), Minneapolis Institute of Art (USA), Mary and Jackson Burke Foundation (USA), Kyoto City KYOCERA Museum of Art, Itsuo Art Museum, among others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003eEstimated Production Period: 1990s\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003eCondition: Excellent (No chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003eAccessories: Original signed wooden box (Tomobako), wrapping cloth\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003eMaterial: Porcelain, Celadon Glaze\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003eDimensions: Diameter approx. 6 cm, Height approx. 6 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003eNotice: While this item is in unused condition, it is a vintage piece produced many years ago and is therefore listed as second-hand. Please be aware that vintage items may show minor signs of age. We invite you to examine the provided images carefully before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47473095966907,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4494.jpg?v=1772271576"},{"product_id":"167","title":"Katsumi Eguchi, Washi-zome Floral Design, Living Legend of Hizen Pottery, Supreme Beer Glass Set of 2 #167","description":"\u003cdiv class=\"source-inline-chip-container ng-star-inserted\"\u003e\n\u003cp data-path-to-node=\"12\"\u003eKatsumi Eguchi (born 1936) is a master craftsman who in 1968 revived the Koyamaji Kiln, the orthodox lineage of Southern Old Karatsu that has continued in Takeo, Saga Prefecture since the late Momoyama period. Celebrating his 88th birthday (Beiju) in 2024, Eguchi remains a legendary figure in the world of Hizen pottery.\u003cspan style=\"font-size: 0.875rem;\"\u003eThis pair of beer glasses represents a pinnacle of craft aesthetics, blending the traditional texture of Karatsu with his original \"Washi-zome\" (Japanese paper dyeing) technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eThe core of this work, the Washi-zome technique, involves adhering thin Washi paper to the bisque-fired ceramic surface and infusing pigments through it. The ethereal gradients that seep through the gaps in the fibers, a result impossible to achieve with a direct brushstroke, give the viewer a sense of watercolor-like transparency. Eguchi meticulously calculates the clay components and pigment absorption rates, ensuring the floral patterns are fused deep into the ceramic through firing, imbuing them with eternal life.\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eThe comfortable weight felt the moment you hold the glass and the powerful carving toward the base evoke the sophisticated style of his peak period—the same era when his work was honored with the Prime Minister's Award and acquired by the Victoria and Albert Museum (V\u0026amp;A) in London. When golden beer is poured, the delicate \"kannu\" (crazing) on the surface emerges as a vivid \"scenery\" in contrast with the liquid. The natural pores of the ceramic maintain a creamy head, and the thickness of the walls prevents heat from being transferred from the hand, ensuring the ideal temperature is maintained until the very last drop.\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eHaving been honored with the privilege of presenting his work to the Crown Prince and Prince Takamatsu, and involved in the national preservation of technical records, Eguchi has poured his supreme craftsmanship into this pair. These are not merely drinking vessels but artistic treasures with significant documentary value. To experience the passion of a master who redefined a lost tradition while enjoying a chilled drink is a cultural privilege reserved for those who understand true value.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"13\"\u003eArtist: Katsumi Eguchi (1936–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003eNotable Achievements: [1961: West Japan Crafts Exhibition, Asahi Shimbun Prize (Grand Prize)], [1962: National Prefectural Selection Exhibition, Minister of Education Award], [1972: 19th Japan Traditional Crafts Exhibition, Best Work Award (Asahi Shimbun Prize)], [1979: 5th Japan Ceramic Art Exhibition, Excellent Work Award], [1981: 26th Japan Traditional Crafts Exhibition, Encouragement Award], [1983: West Japan Ceramic Art Exhibition, Grand Prize (Prime Minister's Award)], [1985: Japan Ceramic Association Award]\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003eProduction Period: Circa 1989 – Early 1990s\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003eCondition: Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003eAccessories: Dedicated wooden box, artist's brochure (Shiori)\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003eMaterial: Ceramic\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003eDimensions: Height approx. 8.5 cm, Diameter approx. 6.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003eNote: Even if the products we offer are brand new and unused, they were produced a long time ago and are listed as second-hand items. Please understand that items may show age-related wear or damage, so please check the condition carefully before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47474483790011,"sku":null,"price":27000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4507.jpg?v=1772276594"},{"product_id":"168","title":"Hiroshima Prefectural Important Intangible Cultural Property, Yasuhide Uchida, Late Mature Period Masterpiece, Lost and Visionary Technique \"Hyori Kantsu Nishiki Neriage\" Ceramic Shot Glass #168","description":"\u003cp data-path-to-node=\"15\"\u003eYasuhide Uchida (1893–1997) is revered as a \"solitary legend\" in the history of Showa-era ceramics. After receiving international acclaim at the 1970 Osaka Expo and refining his craft at the prestigious Manufacture nationale de Sèvres in France, he reached a unique aesthetic realm where Japanese and French sensibilities converged. This exquisite shot glass is a masterpiece from his mature later years. It is crafted using his signature technique, \"Hyorikantsuunishikineriage\" (Through-and-Through Brocade Neriage), a legendary method that has effectively been lost to time.\u003c\/p\u003e\n\u003cp data-path-to-node=\"16\"\u003eAt first glance, the intricate geometric patterns may appear to be delicate brushwork, but they contain no pigments or painted designs whatsoever. This technique involves coloring raw clay with various metal oxides and assembling them like a complex 3D puzzle based on precise calculations, making the pattern itself the very structure of the vessel. Because different colored clays have varying shrinkage rates during firing, the risk of cracking at the joints is extremely high, and no glaze is used to hide imperfections. The vivid, unclouded colors and durable finish are the results of Uchida's mastery of color science at Sèvres and his absolute obsession with controlling every grain of clay.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eTrue to its name, \"Hyorikantsuu\" (Front-to-Back Penetration), the intricate exterior patterns pass through to the interior and base with absolute precision, creating a structure that is literally the same inside and out. This serves as undeniable proof of the perfect layering of the clay. For Uchida, a native of Hiroshima, this \"through-and-through\" beauty was a sublime physical manifestation of his prayer for a world of \"peace without front or back\" (transparency and harmony). The base is engraved with the character \"Tai\" (Yasu), his authentic signature, and one can feel the distinct, woven layers of clay—a hallmark of his work—with their fingertips.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eWe present this historically significant masterpiece as the ultimate shot glass for savoring the finest whiskies or spirits. Measuring 4.2 cm in height and 4.9 cm in diameter, its delicate size fits perfectly in the hand, ideal for appreciating the layered aromas of fine liquor in small sips. The moment amber liquid is poured, the kaleidoscopic patterns shimmering through to the interior create an ever-changing landscape at the bottom of the glass. While this item does not include accessories, the overwhelming presence of the work and the passion that remains undimmed after nearly fifty years offer the profound joy of ownership, transforming an evening drink into a transcendent cultural ritual.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"19\"\u003eArtist: Yasuhide Uchida (1893–1997)\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003eNotable Achievements: Studied color and porcelain techniques at the Manufacture nationale de Sèvres in the 1960s. Exhibited at the 1970 Osaka Expo (EXPO'70). Designated a Holder of the Hiroshima Prefecture Important Intangible Cultural Property for \"Nishikineriage\" in 1973.\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003ePublic Collections: Treasured by craft collectors worldwide as a \"legendary artist,\" with works held in major collections across Hiroshima and beyond.\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003eProduction Period: Late mature period (Late 1970s to 1980s)\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003eCondition: Excellent (no chips or cracks, signed \"\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e泰\u003c\/span\u003e\")\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003eAccessories: None (Item only)\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003eMaterial: Nishikineriage (Ceramic, through-and-through inlay technique)\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003eDimensions: Height approx. 4.2 cm, diameter approx. 4.9 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003ePlease note: Although these items are in unused condition, they are vintage archival pieces and are listed as second-hand. Please understand that items may show characteristics of aging, and we encourage you to review all details before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47476271382715,"sku":null,"price":40000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4387.jpg?v=1772273284"},{"product_id":"169","title":"Bizen Akae Sake Cup by Mitsuru Isezaki, Bizen Ware, Okayama Prefecture Important Intangible Cultural Property #169","description":"\u003cp data-path-to-node=\"29\"\u003eMitsuru Isesaki (1934–2011), the eldest son of the master craftsman Yozan Isesaki and a designated Intangible Cultural Property Holder for Okayama Prefecture, was a towering figure in the world of traditional Bizen ware. He dedicated his life to restoring the medieval \"Old Bizen\" style, serving as the spiritual backbone of the craft.\u003c\/p\u003e\n\u003cp data-path-to-node=\"30\"\u003eThis piece features \u003cb data-path-to-node=\"30\" data-index-in-node=\"20\"\u003eMitsuru’s signature alongside the \"Yozan\" seal\u003c\/b\u003e on its presentation box. Throughout his career, Mitsuru continued to use this prestigious family seal as the head of \"Yozan-gama,\" honoring the legacy of his father. It serves as a testament to his pride in his lineage and a guarantee of the authentic quality of the Isesaki family kilns.\u003c\/p\u003e\n\u003cp data-path-to-node=\"31\"\u003eNotably, this \"Bizen Aka-e\" (red enamel) work is estimated to have been created during \u003cb data-path-to-node=\"31\" data-index-in-node=\"87\"\u003eMitsuru’s mature later years, from the late 1990s into the 2000s\u003c\/b\u003e, when his artistic sensibility reached its zenith. Having mastered the stoic, unglazed aesthetic of traditional Bizen, it is significant that the master chose to embrace the modern challenge of \"color\" in his final decades. He overcame the technical difficulty of bonding enamel to iron-rich Bizen clay through firing techniques refined over half a century, achieving a magnificent contrast between the earth's weight and the vivid red.\u003c\/p\u003e\n\u003cp data-path-to-node=\"32\"\u003eWithin the traditional brownish-brown of Bizen, this work harbors a modern tension. It represents the \"final destination\" of Mitsuru Isesaki—a master who upheld a prestigious name while maintaining a forward-looking, timeless sensibility. This is a masterpiece of exceptional historical and artistic value.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"19\"\u003eArtist: Mitsuru Isezaki (1934-2011)\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003eNotable Achievements: 1961 Sanyo Shimbun Prize at the Okayama Prefectural Exhibition, 1966 First selection for the Japan Traditional Crafts Exhibition, 1972 Grand Prize at the Chunichi International Ceramic Art Exhibition, 1973 Japan Ceramic Society Award, 1984 Okayama Prefecture Cultural Encouragement Award, 1994 Sanyo Culture Award, 1998 Designated a Holder of Okayama Prefecture Important Intangible Cultural Property for Bizen Ware Production Techniques.\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003ePublic Collections: The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; Victoria and Albert Museum (UK); British Museum (UK), among others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003eProduction Period: Circa 1990s to early 2000s\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003eCondition: Excellent (no chips or cracks) Accessories: Dedicated wooden box, wrapping cloth\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003eMaterial: Ceramic Dimensions: Height approx. 6 cm, diameter approx. 5.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003ePlease note: Although these items are in unused condition, they are vintage pieces and are listed as second-hand. Please understand that items may show characteristics of aging, and we encourage you to review all details before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47477934129339,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4540.jpg?v=1772272950"},{"product_id":"170","title":"Living National Treasure Tatsuzo Shimaoka's Masterpiece: Jomon Inlaid Salt Glaze Couple's Teacup and Rocks Glass Set (2 Pieces) #170","description":"\u003cp data-path-to-node=\"8\"\u003eTatsuzo Shimaoka (1919-2007), a designated Living National Treasure, was born in the heart of old Tokyo as the eldest son of a master Kumihimo (traditional braided cord) artist. After completing his specialized education at the Department of Ceramics at the Tokyo Institute of Technology, he became a disciple of Shoji Hamada, the giant of the Mingei (Folk Crafts) movement, in 1946. For over 20 years in Mashiko, he refined his craft. Hamada described Shimaoka as possessing profound inner confidence yet remaining consciously modest in his public presentations, highly praising his unwavering dedication to his personal aesthetic and technical focus.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe primary reason for Shimaoka's global acclaim is his original Jomon Inlay technique. This process involves rolling braided cords into semi-dry clay to impress rope patterns, then meticulously inlaying the depressions with contrasting colored slips before scraping away the excess to reveal the design. Remarkably, the cords used to create these patterns were silk heritage pieces belonging to his father, a renowned Kumihimo master. The exceptionally fine texture of these silk cords imbues the vessels with a refined rhythm and elegance that stands in stark contrast to the ruggedness of ancient Jomon pottery. Although inlaying is an ancient technique, flawlessly controlling the shrinkage of the clay and preventing the delicate patterns from blurring during the carving process requires extraordinary mastery. The impeccable beauty of the patterns in Shimaoka’s work is a testament to his immense concentration and precise engineering.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThis set of inlaid cups is a masterpiece that lavishly incorporates both Jomon Inlay and the salt glaze (or soda glaze) technique that Shimaoka perfected in his final years. Salt glazing is an exceptional method where rock salt or soda ash is introduced directly into the kiln when temperatures peak at 1250 to 1300 degrees Celsius. The volatilized sodium reacts chemically with the silica in the clay, creating a signature orange-peel texture with a subtle, glassy luster. This process severely erodes the kiln itself, requiring a dedicated structure and the intuitive mastery of an expert to control the volatile color development.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eThe defining brilliance of this work lies in its band-like composition, which allows two difficult techniques to coexist harmoniously in a single vessel. The upper section evokes the ancient stillness of Jomon Inlay, while the lower section showcases a vibrant, modern emerald green born from the soda glaze reaction. While Shimaoka’s work is often characterized by the soft, hazy textures his mentor Hamada likened to tsumugi or kasuri textiles, this high-contrast design reflects the sophisticated, modern aesthetic Shimaoka reached through his extensive international exhibitions.\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eWhile originally crafted as Yunomi (teacups), we propose a new way to experience this masterpiece: as the ultimate stage for savoring rare, discontinued vintage whiskies that have captured decades of time. Aged whisky is often described as drinkable perfume, and the slightly tapered rim of these cups is perfectly designed to concentrate the rising aromatic particles, directing them straight to the senses. Picking up the vessel and drawing it near creates a luxurious sanctuary for appreciating the rich bouquet of the spirit.\u003c\/p\u003e\n\u003cp data-path-to-node=\"13\"\u003eThe intricate texture of the Jomon Inlay at your fingertips and the smooth, salt-glazed surface against your lips provide a tactile pleasure that elevates the profound depth of aged spirits. This is the meeting of two arts: the art of earth perfected by Tatsuzo Shimaoka and the art of amber honed by the passage of time. When these two timelines converge, you are not merely drinking; you are engaging in a silent dialogue with the memories of a bygone era. Watching the colors born from the caprice of the flames while savoring a supreme vintage spirit is the ultimate luxury, reserved for those who truly appreciate the authentic.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"3\"\u003e*Comments from Shoji Hamada, Shimaoka's mentor\u003cbr\u003e\u003c\/h3\u003e\n\u003cp data-path-to-node=\"3\"\u003eShimaoka, typical of someone raised in downtown Tokyo, possesses strong inner confidence but consciously remains modest in presenting his work. Having graduated from the Ceramics Department of Tokyo Institute of Technology more than twenty years ago, and having become accustomed to the Mashiko clay, he has the skill to master most techniques, yet he deliberately focuses his work, restraining it to his preferences.\u003cbr\u003eShimaoka has adopted a unique inlay pattern, drawing inspiration from Jomon pottery techniques. The main braided cords used in this work are relics from his father, who was a master kumihimo craftsman. The cleverness with which he entrusts the pattern to the cord to establish his own style is truly characteristic of Shimaoka. His work is generally subdued; if it were a kimono, one might say the thread is tsumugi silk and the pattern is kasuri.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cstrong\u003eShoji Hamada (1894-1978)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"14\"\u003eArtist: Tatsuzo Shimaoka (1919-2007)\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003eNotable Achievements: 1962 Japan Folk Crafts Museum Award, 1980 Tochigi Prefecture Cultural Merit Award, 1994 Japan Ceramic Association Gold Prize, 1996 Designated as a Holder of Important Intangible Cultural Property Jomon Inlay (Living National Treasure), 1999 Received the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003ePublic Collections: Victoria and Albert Museum (London), British Museum (London), Metropolitan Museum of Art (New York), Brooklyn Museum (New York), Museum of Fine Arts, Boston, National Museum of Modern Art, Tokyo, The Japan Folk Crafts Museum (the spiritual home of Shoji Hamada and Soetsu Yanagi), Mashiko Museum of Ceramic Art, Tochigi Prefectural Museum of Fine Arts, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003eProduction Period: Circa 1980s to 1990s (estimated)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003eCondition: Excellent (no chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003eAccessories: Dedicated wooden box, artist's pamphlet\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003eMaterial: Ceramic\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003eDimensions: (Large) Height approx. 8.8 cm, diameter approx. 8.4 cm. (Small) Height approx. 7.8 cm, diameter approx. 7.5 cm.\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003ePlease note: Even if the items are in unused condition, they are vintage pieces and are listed as second-hand. Please understand that items may show characteristics of aging, and we encourage you to review all details before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47478150234299,"sku":null,"price":250000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4410.jpg?v=1772272087"},{"product_id":"172","title":"Isami Matsumoto: A Pair of Emerald Celadon Sake Cups — Redefining Ru Ware and the Zenith of Emerald Green through Rayleigh Scattering #172","description":"\u003cp data-path-to-node=\"16\"\u003eIsami Matsumoto (1931–2012) was a master potter of the highest pedigree in contemporary Japanese ceramics. Having studied under the legendary Kusube Yaichi (recipient of the Order of Culture) and Zenju Miyashita, he dedicated his life to the \"spirit of ceramics as pure art that transcends practical use.\" This set of two sake cups is a quintessential work from his mature period, representing a harmonious fusion of dignified form and meticulously calculated layers of color.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eThe most extraordinary feature of this work is the captivatingly deep emerald green hue. This mystical color is the result of a physical phenomenon achieved only by precisely controlling the iron oxide content in the glaze within a minute range of 0.1% to 0.3%, while maintaining a perfectly constant reducing atmosphere in the kiln at high temperatures around 1,300°C. This technique redefines the \"heavenly blue\" (Tianqing) of China’s legendary Song Dynasty Ru Ware through a modern chemical approach, intentionally inducing \"Rayleigh scattering.\" Light reflects off microscopic bubbles and undissolved particles within the glaze layer, creating a deep, internally luminous transparency that industrial pigments can never replicate.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eIn terms of form, the elegant presence of the cups overcomes the high shrinkage rates inherent to porcelain clay. The \"line engraving technique\" inherited from his masters requires a sublime level of sensitivity, with the needle moving with sub-millimeter precision within the fleeting window when the clay is semi-dry—an irreversible process that allows for no error. The ability to evenly fix a deep celadon glaze on such thin, refined porcelain while perfectly controlling the crackle (kanyu) is a testament to Matsumoto's mastery of firing schedules, honed through his long tenure as a judge for the Nitten (Japan Fine Arts Exhibition).\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eDue to his overwhelming technical prowess and artistic integrity, Matsumoto was twice awarded the \"Tokusen\" (Special Selection) at the Nitten, the most prestigious art exhibition in Japan, and later served in influential roles as a judge and council member. His reputation extends internationally, with works held in world-class institutions such as the Spencer Museum of Art (University of Kansas, USA), the Minneapolis Institute of Art (USA), and the Mary and Jackson Burke Foundation (New York). Notably, the Spencer Museum utilizes his work as \"living teaching material\" for the study of modern reinterpretations of Ru Ware and the evolution of porcelain in Kyoto, underscoring his profound academic value.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eCrafted with the belief that \"a vessel is a sanctuary where the poured liquid and the user’s heart meet,\" these cups embody a celebratory prayer that transcends their function as drinking vessels. Blending classical Chinese aesthetics with the sophisticated modern expressionism of 20th-century Kyoto, this specific shade of \"Blue\" will provide exceptional satisfaction even to discerning collectors of high-end crystal glass such as Baccarat or Lalique. The moment amber whiskey or clear sake is poured, the emerald green born from Rayleigh scattering resonates with the liquid, bringing a quiet dynamism to your table. This is a supreme masterpiece that encapsulates a timeless aesthetic.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003eArtist: Isami Matsumoto (1931–2012)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003eNotable Career Achievements: Awarded the 10th Nitten Tokusen (1967) and the 6th Nitten Tokusen (1974). Served as Nitten Judge, Nitten Council Member, and Director of the Kyoto Craft Artists Association.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003ePublic Collections: Spencer Museum of Art (University of Kansas, USA), Minneapolis Institute of Art (USA), Mary and Jackson Burke Foundation (USA), Kyoto City KYOCERA Museum of Art, Itsuo Art Museum (Osaka, Japan), and more.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003eProduction Period: Circa 1990s (Estimated)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003eCondition: Excellent (no chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003eAccessories: Original signed wooden box (Tomobako) and wrapping cloth (Tomonuno) included.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003eMaterial: Porcelain, Celadon Glaze\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003eDimensions: Diameter approx. 5.6 cm, Height approx. 5.6 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003ePlease Note: Even if items are in unused condition, they are vintage archival pieces and are listed as second-hand. Please understand that products may show characteristics of aging, and we encourage you to review all details before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47482920566971,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4464.jpg?v=1772271581"},{"product_id":"173","title":"Kitade Seiko (Kitade Isamu) Iroe Gold Gilt Floral Motif Gold Silence Illuminating Amber Rocks Glass #173","description":"\u003cp data-path-to-node=\"14\"\u003eWe are pleased to introduce a work featuring Iroe (overglaze painting) and gold gilt floral motifs by Kitade Seiko (1928-2011), a master who inherited the orthodox traditions of Kutani ware while elevating its expression to the level of contemporary art. Kitade Seiko, whose real name was Kitade Isamu, was born in 1928 in Daishoji, Kaga City, Ishikawa Prefecture. Until his passing at the age of 83 in 2011, he consistently pursued a high-standard aesthetic. He was the nephew and the most prominent disciple of Kitade Tojiro, the master who brought innovation to Kutani ware by incorporating Middle Eastern designs. While inheriting his master's passionate and exotic sensibility, Seiko added Japanese delicacy and lyricism to create his own unique, tranquil worldview.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eThe most distinctive feature of this work is the extremely precise gold gilding applied to the traditional Kutani Iroe technique. The depicted flowers are realistic yet wrapped in a dreamlike elegance, featuring the red thistle, the national flower of Scotland and symbol of the home of Scotch whisky, and the blue gentian, which embodies the Japanese heart. The vitality of the thistle, which survives the harsh nature of the northern lands, and the blue of the gentian, which harbors quiet intelligence. The fact that these two contrasting flowers are united in perfect balance through Mr. Seiko's delicate gold gilding is the emotional depth of this work. The gold lines outlining each leaf are fixed using a high-difficulty technique that requires skilled brushwork and strict temperature control. These delicate gold lines add depth to the vessel, creating an atmosphere as if the flowers are breathing depending on the lighting. Our shop proposes this prestigious yunomi not merely as a tea vessel, but as a supreme sake vessel for savoring aged spirits and whisky. Unlike transparent crystal glass, the contrast between the gold gilding and the pale colors depicted by Kitade Seiko provides visual depth when amber liquid is poured, making the liquid surface shine golden. The comfortable weight and smooth texture when held, and the characteristic softness of porcelain on the lips, promise a quiet moment that satisfies all five senses along with the aroma of aged spirits.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eKitade Seiko's achievements are demonstrated by his illustrious career, including winning the Special Selection at the Nitten Exhibition and the Hokua Prize, as well as the Fourth Class Order of the Sacred Treasure awarded by the national government in 1998. Furthermore, he established his position as a regular member of the Japan Kogei Association, and his works are housed in public art museums such as the Ishikawa Prefectural Museum of Art, the Komatsu City Museum, and the Nakamura Memorial Museum of Art, Kanazawa. This is an extremely rare work with almost no information available in overseas markets. This piece, which condenses Japan's peak craftsmanship, will be a valuable opportunity for true collectors around the world to incorporate Japanese aesthetics into their lives.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"15\"\u003eAuthor: Kitade Seiko (Real name: Kitade Isamu, 1928-2011)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003eRepresentative Career History: [1967] Won Special Selection at the 10th Nitten Exhibition, [1974] Won Special Selection at the 6th Nitten Exhibition, [1993] Received the Ishikawa Prefecture Cultural Merit Award, [1998] Awarded the Fourth Class Order of the Sacred Treasure, [Later years] Served as a Nitten judge, Nitten councilor, regular member of the Japan Kogei Association, and director of the Kyoto Craft Artists Association, among other positions.\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003eMuseum Collections: Spencer Museum of Art (University of Kansas, USA), Minneapolis Institute of Art (USA), Mary Griggs Burke Collection (USA), Ishikawa Prefectural Museum of Art, Kyoto City Kyocera Museum of Art (Kyoto Municipal Museum of Art), Itsuo Museum of Art (Ikeda City, Osaka), Nakamura Memorial Museum of Art, Kanazawa, Komatsu City Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003eProduction Date: 2005–2011 (The mature peak of his final years, following his recognition as a Contemporary Master Craftsman)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003eCondition: Very good (no chips, no cracks) Accessories: Original box (tomobako), wrapping cloth, and descriptive leaflet included.\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003eMaterial: Porcelain\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003eDimensions: Diameter approx. 7.0 cm, Height approx. 9.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003eNote: Even if the products provided by our shop are new and unused, they were produced a long time ago and are listed as second-hand items. Please understand and confirm that the products may have damage due to aging before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47516864053435,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4689.jpg?v=1773455852"},{"product_id":"174","title":"Matsui Koyo Masterpiece: The Zenith of Neriage - Structural Beauty of Layered Construction #174","description":"\u003cp data-path-to-node=\"19\"\u003eWe are proud to introduce a masterpiece by Matsui Koyo (1962-), who has established a unique and intellectual compositional beauty in modern Neriage (marbling) techniques. This work legitimately inherits the Neriage techniques scientifically and artistically systematized by his father, Matsui Yasunari, a Living National Treasure (Holder of Important Intangible Cultural Property) for Neri-jōzu. Koyo has elevated these techniques in his own generation to a level of further precision and modern geometric patterning, creating a piece that truly deserves to be called the art of lamination.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThe Core of the Technique: Fractal Structure of Assembly and Layering The most prominent feature of this work lies in the transcendental technique known as Kumiage (assembly) or Layered Neriage, which far exceeds the general concept of marbling. Rather than simply mixing different colors of clay, this technique involves first pressing dozens of thin clay sheets—each only a few tenths of a millimeter thick—into a single pattern block. These blocks are then precisely sliced, and the resulting fragments are reconfigured with other clay based on a different color scheme to redefine a larger and more complex pattern block. This mind-bogglingly repetitive process creates micro-architectures of clay, appearing on the surface as meticulous grids and gradations that challenge the limits of the naked eye.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eTechnical Difficulty: A Struggle with the Laws of Physics The reason this Kumiage technique is considered the pinnacle of ceramic art is its extraordinarily low survival rate. In ceramics, joining clays with different properties means that even a slight difference in shrinkage rates during drying or firing will cause catastrophic cracking or delamination at the interfaces. In a laminated structure like this, thousands to tens of thousands of interfaces exist within a single vessel. To unite them in a kiln exceeding 1,200 degrees Celsius, advanced scientific knowledge is essential to match the thermal expansion coefficients of each colored clay with mathematical precision. Based on the secret clay formulas inherited from his father Yasunari—which maintain constant shrinkage regardless of color change—Koyo's meticulous calculations allow this physical miracle to take shape.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eUniqueness of Form: Static Beauty Without Distortion The dignified presence of this work is also supported by the total elimination of distortion during the forming process. If the clay were pulled up on a potter's wheel like ordinary ceramics, the internal laminated patterns would be brutally stretched by the pressure of the fingers. Therefore, Koyo employs extremely specialized and time-consuming forming methods, such as hammering the clay from the outside or lavishly carving it out, to ensure the patterns are not distorted at all. This perfect coexistence of three-dimensional structural beauty and mathematical pattern accuracy is the unique aesthetic of the Matsui family.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23\"\u003eInheritance and Innovation from Living National Treasure Matsui Yasunari Matsui Koyo has reconstructed the world of Neriage—often called a kaleidoscope of clay—through a compositional perspective cultivated during his studies at the School of Art and Design, University of Tsukuba. While the works of his father, Yasunari, sometimes evoke a sense of wild vitality through techniques like Hahyo (surface cracking), Koyo's works exude a more refined and tranquil order. This is the result of sublimating the supreme techniques received from his great pioneer father into an art of logic that harmonizes with modern spaces.\u003c\/p\u003e\n\u003cp data-path-to-node=\"24\"\u003eThe Ultimate Tool for Savoring Aged Spirits We recommend this piece because its overwhelming lamination resonates with the layers of time carved into whiskey through the aging process. When amber liquid is poured, the fine Neriage lines on the interior refract through the liquid, creating a moment of deep contemplation visually symbolizing the accumulation of time. Beyond simply owning a craft, it is about cherishing in one's hand the product of a human obsession that defied the laws of physics to transform clay into a jewel through fire. It will be a sublime tasting experience that echoes the profound flavors of aged spirits.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"25\"\u003eAuthor: Matsui Koyo (1962-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003eRepresentative Career History: [1985] Graduated from the School of Art and Design, University of Tsukuba, and studied under his father, Matsui Yasunari (Living National Treasure). [1991] Won the Encouragement Award at the 38th Japan Traditional Crafts Exhibition. [2002] Received the Japan Ceramic Society Award. [2005] Won the Encouragement Award at the 33rd Traditional Crafts New Works Exhibition. [Later years] Served as a regular member of the Japan Kogei Association and a committee member of the Ibaraki Ceramic Art Museum. Museum\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003eCollections: Metropolitan Museum of Art (New York, USA), Victoria and Albert Museum (London, UK), National Museum of Modern Art, Tokyo, Ibaraki Ceramic Art Museum, Smith College Museum of Art (USA), etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003eProduction Date: 2000s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003eCondition: Very good (no chips, no cracks) Accessories: Original box (tomobako), wrapping cloth, and descriptive leaflet included.\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003eMaterial: Porcelain (Neriage)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003eDimensions: Diameter approx. 8.0 cm, Base Diameter approx. 4.0 cm, Height approx. 8.2 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003eNote: Even if the products provided by our shop are new and unused, they were produced a long time ago and are listed as second-hand items. Please understand and confirm that the products may have damage due to aging before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47517110239419,"sku":null,"price":135000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4652.jpg?v=1772964629"},{"product_id":"177","title":"The 13th generation Yokoishi Gagyu's work, a revival of Genkawa ware and the ultimate brushstrokes that capture the \"wind\" of the pottery. Ceramic sake cup #177","description":"\u003cp data-path-to-node=\"3\"\u003eThe legendary Utsutsugawa ware, produced in Nagasaki during the mid-Edo period for only about 50 years, suddenly vanished. The solitary potter who revived this \"phantom pottery\" and elevated it to the realm of art was Yokoishi Gagyu XIII (1927-2016). This work is a masterpiece that vividly reflects the aesthetics of Yokoishi Gagyu's heyday, when he reigned as the leading figure in Utsutsugawa ware in both name and reality, and was designated a Nagasaki Prefecture Intangible Cultural Property holder in 1975.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003e When discussing Jusandai's work, it is essential to mention his delicate shaping ability, surpassing even porcelain, by molding iron-rich red clay to the thinnest possible thickness. Despite being ceramic, the thinness of the clay produces a clear, metallic sound when struck with the fingers, and this is the reason why Genkawa ware was once praised as \"exquisite in the East, Genkawa in the West.\" Applied to this unique surface are the elegant \"hakeme\" (brush marks) that have become synonymous with Jusandai. Created by running a brush laden with white engobe clay over the base without a moment's hesitation, the patterns sometimes resemble raging waves and sometimes gently flowing clouds, visualizing the invisible flow of \"wind\" within the vessel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e The design of the Japanese pampas grass depicted in this work is one of Jusandai's specialties, a motif that continues to fascinate enthusiasts around the world. The ears of Japanese pampas grass, blown by the wind and swaying in one direction like ocean waves, are not simply a realistic botanical illustration. They are a \"record of dynamic movement\" created through extreme concentration, with no redo possible, by \"raking\" the grass with a sharp bamboo spatula or similar tool in the mere seconds before the decorative clay dries completely. The scene woven by the brushstrokes and Japanese pampas grass in the background evokes the autumn wilderness, a quintessential Japanese landscape, while also possessing a meticulously calculated, abstract beauty.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003e For whiskey lovers, this piece is sure to be the perfect conversational partner. The deep reddish-brown base, unique to Genkawa ware, brings out the amber color of aged single malt in a truly vibrant way, while the extremely thin rim guides the liquid's delicate aroma directly into the mouth. With the artist's passing in 2016, the supply of his personal creations, which embodied his keen sensibility and superb craftsmanship, has completely ceased. With a glorious history that includes numerous presentations to Emperor Showa and His Majesty the Emperor Emeritus, this vessel embodies the \"beauty of obsession\" that one artist dedicated his life to reviving, it is more than just a sake vessel; it will become a special piece that reflects the pride of its owner.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e Artist: Yokoishi Gagyu 13th (1927-2016)\u003c\/li\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e The artist's notable achievements include: reviving the extinct \"Genkawa-yaki\" style. [1975] Certified as a holder of Nagasaki Prefecture's designated intangible cultural property \"Genkawa-yaki\" (sole certification); [1982] Received the Japan Crafts Association Encouragement Award at the 29th Japan Traditional Crafts Exhibition; [1993] Received the Order of the Sacred Treasure, Fifth Class. He presented his wares to Emperor Showa and the former Emperor (then Crown Prince) on numerous occasions, solidifying the status of Genkawa-yaki.\u003c\/li\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e Collections: Nagasaki Prefectural Art Museum, Sasebo City Museum Shimase Art Center, etc.\u003c\/li\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e Production period: 1980s to 1990s (late Showa period to early Heisei period) *This design (dynamic brushstrokes of pampas grass blown by the wind) is a typical feature of his \"golden period\" from around the time he received an award at the Crafts Exhibition in 1982 to the time he received an award in 1993, when his technique and artistry were at their most mature and he was highly acclaimed both at home and abroad.\u003c\/li\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e Condition: Very good (no chips or cracks)\u003c\/li\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e Accessories: None\u003c\/li\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e Material: Ceramic (Genkawa-yaki, brushed bamboo-patterned)\u003c\/li\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e Dimensions: Diameter approx. 5.5 cm, height approx. 7.5 cm\u003c\/li\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e Please note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47518500356283,"sku":null,"price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4760.jpg?v=1772960777"},{"product_id":"178","title":"Katsumi Eguchi Masterpiece from His Peak Period: Washi-zome Floral Design, Supreme Whiskey Rock Glasses Set of 2 #178","description":"\u003cdiv class=\"source-inline-chip-container ng-star-inserted\"\u003e\n\u003cp data-path-to-node=\"9\"\u003eKatsumi Eguchi is a renowned master who revived the Koyamaji Kiln in 1968, upholding the orthodox lineage of Southern Ko-Karatsu that has continued in Takeo, Saga Prefecture, since the late Momoyama period. As a living legend in the Hizen pottery world, his reputation is widely established. Celebrated his 88th birthday (Beiju) in 2024, this pair of glasses was crafted between the late 1980s and early 1990s, the absolute prime of his artistic career. These works are highly coveted by craft connoisseurs for the way they fuse the formal dignity of traditional Oribe Karatsu with his unique decorative aesthetic. The core of this work lies in the Washi-zome (Japanese paper dyeing) technique, where thin Washi paper is adhered to the bisque-fired surface to allow pigments to permeate through. This process creates a dreamlike gradation—a subtle seeping of color through the fibers—that is impossible to achieve with direct brushwork. Mr. Eguchi has meticulously calculated the interaction between clay composition and pigment absorption; the indigo and brown petals in these pieces possess a watercolor-like transparency, yet the colors are fired deep into the ceramic body. A particular highlight of this work's sculptural beauty is the lush, rounded body line that seems to cling to the palm of the hand. This unique silhouette is ideally designed for rare single malts or aged spirits, allowing the user to slowly swirl the glass to open up the complex aromas. Even with large ice cubes, the glass provides ample space for an elegant swirl, allowing one to enjoy the musical resonance of whiskey and ice. This vessel is truly elevated to a supreme rock glass. The contrast between the substantial texture of the clay and the light floral patterns of the Washi-zome deepens significantly when filled with amber liquid, exuding the grandeur of the finest vessel for a modern lifestyle.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003eArtist: Katsumi Eguchi (Born 1936)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eRepresentative Career: 1961 West Japan Crafts Exhibition Asahi Shimbun Award (Special Prize), 1962 National Prefectural Exhibition Selection Minister of Education Award, 1972 19th Japan Traditional Art Crafts Exhibition Asahi Shimbun Award, 1979 5th Japan Ceramic Art Exhibition Excellence Award, 1981 26th Japan Traditional Art Crafts Exhibition Japan Art Crafts Association Encouragement Award, 1983 West Japan Ceramic Art Exhibition Prime Minister's Award, 1985 Japan Ceramic Society Award.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eMuseum Collections: Saga Prefectural Museum, Saga Prefectural Kyushu Ceramic Cultural Museum, The Japan Foundation, etc.\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eProduction Period: 1989 to early 1990s (Masterpiece from the artist's prime) Condition: Very Good (no chips, no cracks)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eAccessories: Original wooden box, introductory leaflet (Shiori)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eMaterial: Ceramic (Koyamaji Kiln \/ Oribe Karatsu)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eDimensions: [Large] Height approx. 8.7cm, Mouth diameter approx. 8cm, [Small] Height approx. 7.5cm, Mouth diameter approx. 7.7cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eNote: Even if the items we provide are new and unused, they are from a very old production period and are listed as used. Please understand and confirm that the items may have age-related wear before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47518503469243,"sku":null,"price":30000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4904_result.jpg?v=1774140723"},{"product_id":"179","title":"Rikisaburo Fukuda, Iron-Glaze Polychrome Bamboo Design Tea Bowl, The Supreme Whiskey Rock Glass #179","description":"\u003cp data-path-to-node=\"19\"\u003eRikisaburo Fukuda (1912-1993) was a legendary guardian who, for over half a century alongside the great Living National Treasure Shoji Hamada, protected the sacred \"fire\" and \"earth\" of Mashiko pottery. This work, \"Tea Bowl with Iron-Glaze Polychrome Bamboo Design,\" transcends the scope of a mere apprentice's work; it is a masterpiece that represents the culmination of Fukuda's late-career artistry, fully embodying the essence of the Hamada Folk Craft (Mingei) movement. Apprenticing with Shoji Hamada in 1925 at the age of 13, Fukuda served his entire life as the chief workshop manager (Banto), the most trusted pillar of Hamada’s studio. His style, distinct from his teacher’s flamboyant artistry, distills a \"sincerity to the earth\" and \"beauty in utility\" that can only be achieved by a craftsman dedicated to the front lines of production.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThe highlight of this piece is the bold yet delicate technique of \"Tetsu-e Kasai\" (iron-glaze with added polychrome) applied to the surface. Painted without hesitation over traditional Mashiko persimmon (Kaki) and rice husk (Nukajiro) glazes, the bamboo leaf design captures a fleeting moment of vitality swaying in the wind. These brushstrokes possess the robust power of a man who touched clay and conversed with fire daily for decades. The profound dark brown of the iron-glaze and the depth of the added colors create a magnificent contrast with the rustic texture of the Mashiko earth, bringing a spiritual depth to the entire vessel. Connoisseurs will be particularly impressed by the substantial \"heft\" and the mastery of the firing. As the manager of the studio’s climbing kiln, Fukuda understood the nature of fire perfectly, allowing him to achieve a degree of glaze melt that feels like a powerful, uncalculated force of nature. The moment you hold it, you feel the substantial weight and warmth of the earth. This texture, combined with the subtle flare of the rim and the depth of the bowl, elevates its functional perfection to the highest degree.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eThere is a deliberate reason we propose this masterpiece as the \"Supreme Whiskey Rock Glass.\" Originally, a tea bowl is a \"vessel for fragrance\" designed to maximize the aromatic experience. Its wide interior and calculated diameter allow the complex aromas of aged spirits—especially whiskey—to open up more luxuriantly than in a standard glass, delivering the scent directly to the palate. The deep tones of the persimmon glaze and the powerful iron-glaze design resonate with bold single malts, such as a long-aged Macallan from sherry casks or a peaty Lagavulin. The heavy Mashiko earthenware gently embraces the musical sound of amber liquid swirling against ice.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003ePouring a fine Western spirit into a treasure of Japanese Kōgei creates a \"fusion of Eastern and Western cultures\" that defines the essence of modern luxury. Because Fukuda dedicated most of his life to assisting his master, works bearing his own signature—especially tea bowls of this caliber—are exceedingly rare. When the scent of the earth blends with the matured aroma of whiskey, a unique time flows where Showa-era craftsmanship and contemporary sensibility intersect. Feeling the history of the Mingei movement at your fingertips while enjoying amber-colored moments—this piece promises an intellectual and elegant lifestyle.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Rikisaburo Fukuda (1912-1993)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"38\"\u003eKey Activities:\u003c\/b\u003e The very first apprentice of Living National Treasure Shoji Hamada. From the age of 13, he served as the chief manager (Banto) of the Hamada Workshop, overseeing all aspects of production and firing for his entire career. He embodied the spirit of Hamada Folk Craft on the front lines and was revered as the \"Craftsman among Craftsmen.\"\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"391\"\u003eAwards:\u003c\/b\u003e [1972] Honored as Tochigi Prefecture Cultural Contributor, [1984] Recipient of the Shimotsuke Prefectural Citizen's Award, etc. Recognized for his vast contributions to regional culture and his dedication to teaching younger generations.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"637\"\u003eMuseum Collections:\u003c\/b\u003e Mashiko Museum of Ceramic Art, Japan Folk Crafts Museum (Tokyo), Tochigi Prefectural Museum of Fine Arts, Shoji Hamada Memorial Mashiko Sankokan Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"815\"\u003eProduction Period:\u003c\/b\u003e 1980s (Estimated). Believed to be a masterpiece from his later years, when he transitioned from being the workshop foreman to holding solo exhibitions and perfecting his unique iron-glaze style.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1029\"\u003eCondition:\u003c\/b\u003e Very Good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1072\"\u003eAccessories:\u003c\/b\u003e Comes with original signed wooden box (Tomobako)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1134\"\u003eMaterial:\u003c\/b\u003e Ceramic (Iron-glaze polychrome \/ Mashiko Ware)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1191\"\u003eDimensions:\u003c\/b\u003e Height approx. 7.8 cm, Diameter approx. 11 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1249\"\u003eNote:\u003c\/b\u003e Please note that all products, even those in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47518571430075,"sku":null,"price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4938_result.jpg?v=1774140824"},{"product_id":"180","title":"Tamekichi Mitsui III, Polychrome Flower and Bird Design, Western Liquor Tasting Vessel, Kutani Ware Polychrome Bajohai #180","description":"\u003cp data-path-to-node=\"18\"\u003eTamekichi Mitsui III (real name: Eiichi Mitsui, born 1935) is the third-generation head of the Tamekichi kiln, a prestigious Kutani ware pottery based in Nomi City, Ishikawa Prefecture, and is one of the artists who symbolize modern Kutani ware. After graduating from Kanazawa College of Art in 1959, he studied under Professor Tojiro Kitade and Isokichi Asakura, a Person of Cultural Merit, and inherited the title Tamekichi III in 1961. His most distinctive feature is that, despite having a hearing disability, he transformed it into a refined sense of color and meticulous brushwork. His artistry is lauded as \"the dynamism of color residing in silence,\" and starting with a presentation to U.S. Ambassador Edwin O. Reischauer in 1962, he was commissioned by successive Prime Ministers (Ohira, Suzuki, and Nakasone) to create gifts for state guests during visits to China, establishing an unshakeable position as a leading figure in \"craft diplomacy\" representing Japan.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThis work is an Iroe Bajohai (polychrome horseback cup) that encapsulates the transparency of \"Kutani Gosai\" (Kutani five colors), which is Tamekichi III's forte, and his most favored traditional \"Kacho-zu\" (flower-and-bird painting). Bajohai were noble vessels once made for samurai to drink sake on horseback, and their high stems possess a functionality similar to modern wine glasses and tasting glasses. What makes this piece particularly rare is the density of the painting applied to its limited curved surface. On the outside, flowers and birds depicting the changing seasons are painted, and on the inside, geometric patterns that create a kaleidoscope-like reflection when amber liquid is poured are depicted with the unique thickness (mori) of hand-painting. This visual depth transcends verbal communication and is the crystallization of pure artistic expression that he created through his dialogue with earth, fire, and color.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eHis works are housed and acclaimed by major public institutions both domestically and internationally. In Japan, they are held in specialized institutions such as the Ishikawa Prefectural Museum of Art and the Nomi City Kutani Ware Museum, and he has numerous achievements in presenting works to members of the Imperial Family (Prince Mikasa's house, Prince Hitachi's house). Particularly noteworthy is his overwhelming international acclaim; in 2002, he held a solo exhibition at the Smithsonian Institution (Arthur M. Sackler Gallery) in the United States, achieving the remarkable feat of having his works permanently acquired. Furthermore, he served as a visiting professor at Gallaudet University in Washington D.C., the world's only comprehensive university for the deaf, demonstrating that his activities extend beyond the realm of art and hold international significance as a bridge between cultures. Our store proposes this masterpiece as the ultimate vessel for simultaneously enjoying the delicate aromas of vintage whiskey and the visual beauty offered by the pinnacle of Japanese craftsmanship.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Tamekichi Mitsui III (Mitsui Tamekichi, 1935–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"55\"\u003eMajor career highlights of the artist:\u003c\/b\u003e 1961 Succeeded as Tamekichi III. 1987 Received Prime Minister's Award. 1994 Solo exhibition at Switzer Gallery, New York. 1997 Appointed Visiting Professor at Gallaudet University. 2002 Solo exhibition at Smithsonian Institution, works permanently acquired. 2005 Received Edward Gallaudet Award.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"390\"\u003eWorks housed in:\u003c\/b\u003e Smithsonian Institution (Washington D.C., USA), Gallaudet University (USA), Ishikawa Prefectural Museum of Art, Nomi City Kutani Ware Museum, and many others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"566\"\u003ePeriod of Creation:\u003c\/b\u003e 1990s to 2000s (around the time of the Smithsonian Institution solo exhibition, a mature period when both technique and acclaim reached their peak)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"734\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"777\"\u003eAccessories:\u003c\/b\u003e Original wooden box (with artist's handwritten signature and seal), wrapping cloth\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"873\"\u003eMaterial:\u003c\/b\u003e Ceramic (Kutani ware, Iro-e)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"912\"\u003eDimensions:\u003c\/b\u003e Height approx. 5.5 cm, Rim diameter approx. 5.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"975\"\u003eNote:\u003c\/b\u003e Even if the products provided by our store are new and unused, they are from a very old production period, and all are listed as pre-owned. Products may have age-related damage, so please consider your purchase with understanding and confirmation.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47518801690811,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4960_result.jpg?v=1774140933"},{"product_id":"181","title":"Miyanaga Tozan III, Miyanaga Rikichi, Tozan Kiln, Kyo-yaki Ceramic Sculpture, Polychrome Sake Cup #181","description":"\u003cp data-path-to-node=\"18\"\u003eMiyanaga Rikichi (1935-), known as Miyanaga Tozan III, is an internationally acclaimed artist who, while inheriting the lineage of the prestigious Miyanaga Tozan kiln in Kyoto, has pioneered contemporary ceramic sculpture. From 1954, he studied under Shindo Tsuji and Masakazu Horiuchi, leaders of Japanese abstract sculpture, at the Department of Sculpture, Kyoto City University of Arts. During his travels to the United States in 1960, he engaged with Peter Voulkos and others, honing an avant-garde sensibility that treats clay as a pure artistic medium. After returning to Japan in 1971, he joined the influential avant-garde group Sodeisha as a member, pursuing forms as \"objets\" that transcend mere functionality. His journey, marked by receiving the Kyoto Prefecture Cultural Achievement Award in 1998 and succeeding to the title of Miyanaga Tozan III in 1999, demonstrates a sophisticated fusion of Kyoto's traditional heritage and contemporary artistic innovation.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThis work is a small guinomi (sake cup) that reflects his exceptional skill as a sculptor, featuring an organic form that maximizes the natural plasticity of clay. Rather than being formed on a potter’s wheel, the unique texture created through sculptural techniques such as hand-forming and carving fits comfortably in the palm. The vessel creates complex shadows depending on the light, giving it a commanding presence as a complete ceramic sculpture. His artistic achievements are highly regarded both in Japan and abroad, with his works permanently housed in major institutions, including The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; Kyoto City KYOCERA Museum of Art; and the Ibaraki Ceramic Art Museum.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eWe propose this piece as the ultimate vessel for enjoying aged whiskey and rare old bottles. The organic sculptural beauty of the ceramic gains visual depth when filled with amber liquid, offering a sensory experience that connects with the spirituality of Japanese contemporary craft. Bearing the prestigious name of Miyanaga Tozan and imbued with the avant-garde spirit of Sodeisha, this work is an invaluable find for international art lovers and collectors, representing a rare intersection of tradition and modernity in Japanese ceramic culture.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003e\u003cb data-path-to-node=\"4\" data-index-in-node=\"0\"\u003eComment from a master potter who socialized with Rikichi Miyanaga:\u003c\/b\u003e \"Hereditary potters carry a heavy burden. Even when their work is exceptional, people are quick to suspect that tradition played a part—as if success were a given. Rikichi is the third generation of the renowned master Miyanaga Tozan. While I hear that many third-generation successors are prone to rebellion, his spatial processing transcends that of a typical potter. This is because he is also a sculptor, and his work is not born of mere defiance. However, in this world that prizes the 'distortions' of refined ceramics, his resolute attempt to expand the realm of precise porcelain—and the gentle, disciplined elegance beneath that bold action—is this, perhaps, the subtle shadow inherent to a third-generation master?\" — \u003cb data-path-to-node=\"4\" data-index-in-node=\"795\"\u003eKazuo Yagi\u003c\/b\u003e (1918–1979)\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eComment from a literary giant who socialized with Rikichi Miyanaga:\u003c\/b\u003e \"The art of Rikichi Miyanaga is composed of purely abstract planes and straight lines. There is no room for the intervention of ambiguous curves or accidental irregularities. This product of a completely rational spirit delights me, having had my eyes opened to beauty in my youth by Mondrian’s 'Composition.' Yet, the difference between that Dutch painter and this Kyoto potter lies in the space between Miyanaga's lines and planes. From those gaps, the various other possibilities the artist explored during the creative process emerge like a dream, inviting us into a play of creation. The artist's passion is transformed on the surface of the work into a lyrical and graceful elegance.\" — \u003cb data-path-to-node=\"5\" data-index-in-node=\"761\"\u003eShinichiro Nakamura\u003c\/b\u003e (1918–1997)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Miyanaga Tozan III (Miyanaga Rikichi, 1935-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"53\"\u003eArtist's Major Activities:\u003c\/b\u003e 1970 Japan Ceramic Society Award, 1971 Sodeisha member, 1993 Kyoto City Cultural Contributor, 1998 Kyoto Prefecture Cultural Achievement Award, 1999 Succeeded to the title Miyanaga Tozan III.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"272\"\u003eWorks in Collections:\u003c\/b\u003e The National Museum of Modern Art, Kyoto; The Japan Foundation; Kyoto City KYOCERA Museum of Art; Ibaraki Ceramic Art Museum; Enbe China Modern Art Museum (China); Victoria and Albert Museum (UK); Musée Ariana (Switzerland); Museu de la Garrotxa (Spain); Musée des Arts Décoratifs (France); Everson Museum of Art (USA); Canterbury Museum (New Zealand); Newcastle Art Gallery (Australia); Art Gallery of New South Wales (Australia); La Casa Japonesa en Argentina (Argentina), and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"452\"\u003ePeriod of Creation:\u003c\/b\u003e Circa 1999-2005 (The mature period around the time of his succession)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"542\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"585\"\u003eAccessories:\u003c\/b\u003e Original wooden box, wrapping cloth, introductory leaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"656\"\u003eMaterial:\u003c\/b\u003e Ceramic (Ceramic sculpture, Celadon glaze, etc.)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"715\"\u003eDimensions:\u003c\/b\u003e Height approx. 4 cm, Mouth diameter approx. 5.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"778\"\u003eNote:\u003c\/b\u003e Please note that all products, even those in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47518877778107,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4878_result.jpg?v=1774141055"},{"product_id":"182","title":"Utsutsugawa-yaki, Thirteenth Generation Yokoishi Gagyu, White Heron Motif Rock Glass #182","description":"\u003cp data-path-to-node=\"18\"\u003eThirteenth Generation Yokoishi Gagyu (real name: Hiromi Yokoishi, 1925–2016) was the holder of the Nagasaki Prefectural Designated Intangible Cultural Property for Utsutsugawa-yaki. He was the great restorer who revived Utsutsugawa-yaki—a legendary pottery that flourished for only about 50 years during the mid-Edo period before disappearing. Although Utsutsugawa-yaki was once praised as the \"Treasure of the West,\" its techniques were lost for approximately 200 years. The Yokoishi family conducted exhaustive research over several generations, and it was the 13th generation who elevated its artistry to its absolute pinnacle. For his outstanding achievements, he was awarded the Medal with Purple Ribbon and the Order of the Rising Sun, Gold Rays with Rosette. His works are housed in the Kyushu Ceramic Museum and the Nagasaki Prefectural Art Museum, and have been frequently selected as gifts for imperial and royal families both in Japan and abroad.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe White Heron motif (Shirasagi-mon) depicted in this work is the most significant design and is considered synonymous with the 13th generation Gagyu. The most defining characteristic of Utsutsugawa-yaki is the \"Hakeme\" (brush mark) technique, where dark brown earthenware clay rich in iron is fired as thinly as porcelain, and then white slip is applied with a brush. He was particularly renowned for the delicate \"Mizore-hakeme\" (sleet brush marks), which evokes the image of sleet falling from the sky. He was able to depict the graceful form of a white heron solely through the dynamic force of his brushwork. Because iron-rich clay and slip have different shrinkage rates, fixing such precise patterns on a thinly-made vessel while preventing peeling or cracking requires an exceptionally high level of mastery.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eWe propose this historic \"Tsutsuhai\" (cylindrical cup) as a special vessel for enjoying old whiskey or vintage sake. The deep, iron-colored tone of the base and the contrast of the dynamic white heron are further accentuated when amber liquid is poured in. The thinness of the rim conveys the delicate flavors of the spirit directly to the palate, and the sight of the white heron shimmering through the liquid offers a luxurious experience of savoring traditional Japanese beauty in the palm of your hand. Crafted by the master who passed away in 2016, this is a rare piece representing the golden age of the revived Utsutsugawa-yaki.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Thirteenth Generation Yokoishi Gagyu (1925–2016)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"57\"\u003eRepresentative Career:\u003c\/b\u003e 1975 Certified as a holder of Nagasaki Prefectural Designated Intangible Cultural Property, 1982 Awarded the Japan Ceramic Society Award, 1987 Awarded the Medal with Purple Ribbon, 1995 Awarded the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"327\"\u003eMuseum Collections:\u003c\/b\u003e Kyushu Ceramic Museum, Nagasaki Prefectural Art Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"408\"\u003ePeriod of Creation:\u003c\/b\u003e 1990s–2000s (The peak mature period of the artist)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"479\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"522\"\u003eAccessories:\u003c\/b\u003e None\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"540\"\u003eMaterial:\u003c\/b\u003e Pottery (Utsutsugawa-yaki \/ Hakeme)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"586\"\u003eDimensions:\u003c\/b\u003e Height approx. 7 cm, Mouth diameter approx. 5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"647\"\u003eNote:\u003c\/b\u003e Please note that all products, even those in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47537143578811,"sku":null,"price":30000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4989_result.jpg?v=1774141106"},{"product_id":"183","title":"Utsutsugawa-yaki, Thirteenth Generation Yokoishi Gagyu, Toran Hakeme Rock Glass #183","description":"\u003cp data-path-to-node=\"18\"\u003eThirteenth Generation Yokoishi Gagyu (real name: Hiromi Yokoishi, 1925–2016) was the holder of the Nagasaki Prefectural Designated Intangible Cultural Property for Utsutsugawa-yaki. He was the restorer and grandmaster who revived Utsutsugawa-yaki—a legendary pottery that flourished for only about 50 years during the mid-Edo period before disappearing. Although Utsutsugawa-yaki was once praised as the \"Treasure of the West,\" its techniques were lost for approximately 200 years. The Yokoishi family conducted exhaustive research over several generations, and it was the 13th generation who elevated its artistry to its absolute pinnacle. For his outstanding achievements, he was awarded the Medal with Purple Ribbon and the Order of the Rising Sun, Gold Rays with Rosette. His works are housed in the Kyushu Ceramic Museum and the Nagasaki Prefectural Art Museum, and have been frequently selected as gifts for imperial and royal families both in Japan and abroad.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe Toran-hakeme (turbulent brushwork) applied to this piece is an extremely dynamic technique that evokes raging waves and swirling currents. This technique, which lies at the heart of Utsutsugawa-yaki, is achieved by firing dark brown clay rich in iron as thinly as porcelain, and then vigorously layering white slip over it. In particular, this Toran-hakeme creates a powerful rhythm and visual depth on the surface of the vessel, with overlapping brushstrokes drawn in a single, continuous motion. Since iron-rich clay and slip have different shrinkage rates during firing, firmly adhering such a bold pattern to a thinly-made vessel without peeling requires advanced kiln control and masterful handiwork, honed by the artist through decades of dedication.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eWe propose this historic cylindrical cup as a special vessel for enjoying old whiskey or rare spirits. The contrast between the deep, iron-colored tone of the body and the intense ripples drawn by the pure white brushwork adds visual depth when amber liquid is poured, allowing a sense of powerful energy to coexist within a tranquil moment. The thinness of the rim delivers the delicate flavor of the spirit directly, and the turbulent design depicted within the vessel, shimmering through the liquid, offers a luxurious experience of savoring traditional Japanese aesthetics in the palm of your hand. Crafted by the master who passed away in 2016, this is a masterpiece representing the golden age of the revived and evolved Utsutsugawa-yaki.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Thirteenth Generation Yokoishi Gagyu (1925–2016)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"57\"\u003eRepresentative Career:\u003c\/b\u003e 1975 Certified as a holder of Nagasaki Prefectural Designated Intangible Cultural Property, 1982 Awarded the Japan Ceramic Society Award, 1987 Awarded the Medal with Purple Ribbon, 1995 Awarded the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"327\"\u003eMuseum Collections:\u003c\/b\u003e Kyushu Ceramic Museum, Nagasaki Prefectural Art Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"408\"\u003ePeriod of Creation:\u003c\/b\u003e 1990s–2000s (The peak mature period of the artist)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"479\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"522\"\u003eAccessories:\u003c\/b\u003e None\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"540\"\u003eMaterial:\u003c\/b\u003e Pottery (Utsutsugawa-yaki \/ Hakeme)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"586\"\u003eDimensions:\u003c\/b\u003e Height approx. 7 cm, Mouth diameter approx. 5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"647\"\u003eNote:\u003c\/b\u003e Please note that all products, even those in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47537143644347,"sku":null,"price":28000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5005_result.jpg?v=1774141160"},{"product_id":"184","title":"Utsutsugawa-yaki, Thirteenth Generation Yokoishi Gagyu, Mizore Hakeme Rock Glass #184","description":"\u003cp data-path-to-node=\"18\"\u003eThirteenth Generation Yokoishi Gagyu (real name: Hiromi Yokoishi, 1925–2016) was the holder of the Nagasaki Prefectural Designated Intangible Cultural Property for Utsutsugawa-yaki. He was the restorer and grandmaster who revived Utsutsugawa-yaki—a legendary pottery that flourished for only about 50 years during the mid-Edo period before disappearing. Although Utsutsugawa-yaki was once praised as the \"Treasure of the West,\" its techniques were lost for approximately 200 years. The Yokoishi family conducted exhaustive research over several generations, and it was the 13th generation who elevated its artistry to its absolute pinnacle. For his outstanding achievements, he was awarded the Medal with Purple Ribbon and the Order of the Rising Sun, Gold Rays with Rosette. His works are housed in the Kyushu Ceramic Museum and the Nagasaki Prefectural Art Museum, and have been frequently selected as gifts for imperial and royal families both in Japan and abroad.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe \"Mizore-hakeme\" (sleet brushwork) applied to this piece is the most delicate technique and is considered synonymous with the 13th generation Gagyu. The essence of Utsutsugawa-yaki lies in firing thin, porcelain-like vessels from reddish-brown clay rich in iron, and then applying white slip with a brush. This piece, in particular, expresses extremely fine brush movements reminiscent of sleet falling from the sky. Since the iron-rich clay and the slip have different shrinkage rates during firing, fixing the patterns without peeling on a vessel formed to extreme thinness requires a high level of kiln control and masterful handiwork that the artist achieved through decades of dedication.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eWe propose this historic cylindrical cup as a special vessel for enjoying old whiskey or rare spirits. The serene contrast created by the deep, iron-colored body and the pure white brushwork adds visual depth when amber liquid is poured in, offering a sensory experience that connects with traditional Japanese beauty through all five senses. The thinness of the rim conveys the delicate flavor of the spirit directly to the palate, and the sleet-like design depicted within the vessel, shimmering through the liquid, truly provides a luxurious experience of savoring traditional Japanese aesthetics in the palm of your hand. Crafted by the master who passed away in 2016, this is a rare and exquisite piece representing the golden age of the revived and evolved Utsutsugawa-yaki.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Thirteenth Generation Yokoishi Gagyu (1925–2016)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"57\"\u003eArtist's notable career highlights:\u003c\/b\u003e 1975 Certified as a holder of Nagasaki Prefectural Designated Intangible Cultural Property, 1982 Awarded the Japan Ceramic Society Prize, 1987 Awarded the Medal with Purple Ribbon, 1995 Awarded the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"340\"\u003eWorks housed at:\u003c\/b\u003e Kyushu Ceramic Museum, Nagasaki Prefectural Art Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"418\"\u003eProduction period:\u003c\/b\u003e 1990s–2000s (The peak mature period of the artist)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"488\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"531\"\u003eAccessories:\u003c\/b\u003e None\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"549\"\u003eMaterial:\u003c\/b\u003e Pottery (Utsutsugawa-yaki \/ Hakeme)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"595\"\u003eDimensions:\u003c\/b\u003e Height approx. 7 cm, Mouth diameter approx. 5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"656\"\u003eNote:\u003c\/b\u003e Please note that all products, even those in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47537143939259,"sku":null,"price":29000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5034_result.jpg?v=1774141180"},{"product_id":"185","title":"Utsutsugawa-yaki, Thirteenth Generation Yokoishi Gagyu, Lotus Hakeuchi Rock Glass #185","description":"\u003cp data-path-to-node=\"18\"\u003eThirteenth Generation Yokoishi Gagyu (real name: Hiromi Yokoishi, 1925–2016) was the holder of the Nagasaki Prefectural Designated Intangible Cultural Property for Utsutsugawa-yaki. He was the restorer and grandmaster who revived Utsutsugawa-yaki—a legendary pottery that flourished for only about 50 years during the mid-Edo period before disappearing. Although Utsutsugawa-yaki was once praised as the \"Treasure of the West,\" its techniques were lost for approximately 200 years. The Yokoishi family conducted exhaustive research over several generations, and it was the 13th generation who elevated its artistry to its absolute pinnacle. For his outstanding achievements, he was awarded the Medal with Purple Ribbon and the Order of the Rising Sun, Gold Rays with Rosette. His works are housed in the Kyushu Ceramic Museum and the Nagasaki Prefectural Art Museum, and have been frequently selected as gifts for imperial and royal families both in Japan and abroad.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe lotus motif on this work is one of Gagyu XIII's most favored designs and is depicted using the Hakeme (brush-mark) technique, which lies at the core of Utsutsugawa-yaki. Utsutsugawa-yaki is characterized by firing dark brown clay with a high iron content as thinly as porcelain. By applying white slip with a brush using the Hakeuchi (brush-striking) technique—where the slip is tapped onto the surface—the artist expresses the life force of lotus leaves and flowers swaying in the wind. Since iron-rich clay and slip have different shrinkage rates during firing, advanced techniques backed by decades of experience are essential to firmly adhere the patterns to extremely thin vessels without peeling.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eOur store proposes this historic cylindrical cup as a special vessel for enjoying old whiskey or rare spirits. The contrast between the deep, iron-colored base and the pure white brush marks of the lotus, when filled with amber liquid, enhances visual depth and provides a serene experience. The thinness of the rim conveys the delicate flavor of the spirit directly to the palate, and the shimmering lotus design inside the vessel as it interacts with the liquid offers a luxurious experience of savoring traditional Japanese aesthetics in the palm of your hand. Crafted by the master who passed away in 2016, this is a masterpiece representing the golden age of the revived and evolved Utsutsugawa-yaki.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Thirteenth Generation Yokoishi Gagyu (1925–2016)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"57\"\u003eArtist's representative activities:\u003c\/b\u003e 1975 Certified as a holder of Nagasaki Prefectural Designated Intangible Cultural Property, 1982 Awarded the Japan Ceramic Society Award, 1987 Awarded the Medal with Purple Ribbon, 1995 Awarded the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"340\"\u003eMuseum Collections:\u003c\/b\u003e Kyushu Ceramic Museum, Nagasaki Prefectural Art Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"421\"\u003eProduction period:\u003c\/b\u003e 1990s–2000s (The peak mature period of the artist)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"491\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"534\"\u003eAccessories:\u003c\/b\u003e None\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"552\"\u003eMaterial:\u003c\/b\u003e Pottery (Utsutsugawa-yaki \/ Hakeme)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"598\"\u003eDimensions:\u003c\/b\u003e Height approx. 7 cm, Mouth diameter approx. 5 cm \u003cb data-path-to-node=\"21\" data-index-in-node=\"659\"\u003eNote:\u003c\/b\u003e Please note that all products, even those in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47537145610427,"sku":null,"price":28000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5021_result.jpg?v=1774141238"},{"product_id":"186","title":"Living National Treasure, Ito Sekisui V, Sado Mumyoi-yaki Kiln-Transformation (Yo-hen) Guinomi #186","description":"\u003cp data-path-to-node=\"18\"\u003eIto Sekisui V (born 1941) is a master of Japanese ceramics who was designated as a Living National Treasure in 2003 as the holder of the Important Intangible Cultural Property \"Mumyoi-yaki,\" making him the first from Sado Island to receive this honor. While inheriting the traditions of the prestigious Sekisui Kiln, which dates back to the late Edo period, he established a unique \"Yo-hen\" (kiln transformation) technique, solidifying the international artistic standing of Mumyoi-yaki. His exceptional techniques are permanently housed in major museums worldwide, including the Metropolitan Museum of Art in New York and the Victoria and Albert Museum in London, officially recognized as cultural heritage for humanity to preserve.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe Mumyoi-yaki utilized in this work is crafted from red clay rich in iron oxide, sourced from the vicinity of the Sado Gold Mine. This clay consists of extremely fine particles and exhibits an exceptionally high shrinkage rate of approximately 30% during firing, making it highly susceptible to cracking and warping. Consequently, achieving a finished piece requires the master craftsman's incredibly precise calculations and masterful skill. Although the design is \"Yakishime\" (unglazed stoneware), by controlling the kiln's flames to the absolute limit, the artist has transformed parts of the red clay into a deep jet black, showcasing the pinnacle of Yo-hen artistry. These traces of flame, which transcend human intention, are often described as reflections of Sado's rugged natural landscapes or the spray of waves crashing against the cliffs, embodying a quiet strength that shuns ostentation.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eOur shop redefines this unique vessel, crafted by a Living National Treasure, as the ultimate vessel for savoring aged sake or Japanese whiskey that has acquired complex aromas over decades of maturation. The hard, fine texture unique to Mumyoi-yaki, coupled with the dramatic contrast of red and black, visually enhances the amber hues of fine spirits. It possesses a functional beauty that elevates a quiet moment of reflection into something more spiritual. The dialogue between earth and fire that emerges after stripping away all ornamentation embodies the Japanese aesthetic of wabi-sabi, imparting a sense of serene dignity to the holder.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eAuthor:\u003c\/b\u003e Ito Sekisui V (born 1941)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"34\"\u003eArtist's Notable Activities:\u003c\/b\u003e Elevated the \"Mumyoi-yaki\" tradition of Sado Island to the realm of fine art, and was designated a Living National Treasure (Holder of Important Intangible Cultural Property for Mumyoi-yaki) in 2003. [1973] Recipient of the Prince Takamatsu Memorial Award at the Japan Traditional Craft Exhibition; [2005] Awarded the Medal with Purple Ribbon; [2011] Awarded the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"475\"\u003eMuseum Collections:\u003c\/b\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; The Metropolitan Museum of Art; Victoria and Albert Museum; Smithsonian Institution; and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"676\"\u003ePeriod of Creation:\u003c\/b\u003e 2000s–2010s (The mature period after designation as a Living National Treasure). The \"Yo-hen\" (kiln transformation) in this work is Sekisui V's signature design, transforming red clay into jet black solely through flame control to express Sado’s rugged coastline. This represents the peak of his expression—a style where natural power and tranquility resonate beyond human intent, refined around the time of his 2003 designation.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1126\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1169\"\u003eAccessories:\u003c\/b\u003e Original wooden box (Tomobako), introductory leaflet \u003cb data-path-to-node=\"21\" data-index-in-node=\"1235\"\u003eMaterial:\u003c\/b\u003e Pottery (Mumyoi-yaki \/ Yo-hen)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1276\"\u003eDimensions:\u003c\/b\u003e Height approx. 8.0 cm, Mouth diameter approx. 6.2 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1341\"\u003eNote:\u003c\/b\u003e Please note that all products, even those in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47537145938107,"sku":null,"price":30000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5047_result.jpg?v=1774141337"},{"product_id":"187","title":"Living National Treasure, Kazuo Nakata - Kutani Ware Yūri Kinsai Vessel - As-is #187","description":"\u003cp data-path-to-node=\"19\"\u003eProduct Title: 2024 Living National Treasure Kazuo Nakata, Kutani Ware Yūri Kinsai Spirits Vessel Kazuo Nakata was designated as a Living National Treasure (Holder of Important Intangible Cultural Property) in 2024 for his mastery of the \"Yūri Kinsai\" (gold leaf underglaze) technique—the first time a Kutani ware decorative technique has received this prestigious honor. This historic achievement is the nation's official recognition that the \"Kinsai\" (gold decoration) expression, which Mr. Nakata has refined for over half a century, represents the absolute pinnacle of Japanese craft aesthetics. Having studied under the Living National Treasure Tokuda Yasokichi III, from whom he learned the ultimate in color gradation, Mr. Nakata brought a new dimension of beauty to Kutani ware by sealing the eternal brilliance of \"gold\" within his works.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThe reason Mr. Nakata is considered unique in the long history of Kutani ware lies in the overwhelming difficulty and tranquil beauty of the \"Yūri Kinsai\" technique featured in this work. Yūri Kinsai involves applying minute fragments of gold leaf to the vessel's surface and then firing it with a layer of transparent glaze on top. Because the gold leaf is extremely thin, it constantly faces the risk of melting away under the intense heat of the kiln or being swept away by the movement of the glaze. Mr. Nakata meticulously places thousands of sand-like gold leaf fragments one by one with tweezers, ensuring absolute precision, and uses unique temperature control to seal their brilliance eternally beneath the glaze. This \"elegant depth of light that seems to well up from within\" is a divine technique that distinguishes itself from ordinary kinsai, where gold is simply fired onto the surface, and is a feat attainable only by a Living National Treasure.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eThis work strongly reflects the mature style of Mr. Nakata's career as he solidified his path toward becoming a Living National Treasure, featuring the geometric gold motifs that have become his signature. Beneath the deep lapis lazuli and pale purple glazes, the neatly arranged gold leaf reflects light, at times shimmering like the passage of time, and at others like light dancing on a quiet water surface. Though originally created as a \"teacup (Yunomi),\" its high decorative quality and substantial weight make it an unparalleled \"spirits vessel\" for enjoying old-bottle whiskies or rare single malts that have aged for decades. When amber liquid is poured in, the refraction further amplifies the brilliance of the gold leaf, creating a fantastical scene in the palm of your hand that only the owner can experience.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eAs evidence of their global value, Mr. Nakata's works are permanently housed in institutions such as the Arthur M. Sackler Gallery of the Smithsonian Institution in Washington, D.C., and the National Museum of Modern Art, Tokyo. Following his 2024 designation as a Living National Treasure, his works have solidified their status as \"Japanese Cultural Heritage.\" There is no doubt that the rarity of such unique pieces, which perfectly balance technique and artistry, will continue to grow in the art market. To savor the finest drink alongside this \"crystallization of light\" by a master who has truly reached the peak of Japan's artistic world is a supreme cultural privilege, transcending the ordinary.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Kazuo Nakata (born 1949)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"33\"\u003eArtist's Representative Activities:\u003c\/b\u003e [1990] Minister of Education Award at the Japan Traditional Craft Exhibition; [1993] Yūri Ginsai Jar permanently acquired by the Smithsonian's Sackler Gallery; [2011] Awarded the Medal with Purple Ribbon; [2019] Awarded the Order of the Rising Sun, Gold Rays with Rosette; [2024] Designated as a Holder of Important Intangible Cultural Property \"Yūri Kinsai\" (Living National Treasure).\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"456\"\u003ePeriod of Creation:\u003c\/b\u003e 2000s–2010s (The mature period when his technique was perfected)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"541\"\u003eCondition:\u003c\/b\u003e As-is \/ Imperfect\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e (one chip on the rim; please refer to product images)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"624\"\u003eAccessories:\u003c\/b\u003e Original wooden box (with the artist's handwritten signature and seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"708\"\u003eMaterial:\u003c\/b\u003e Ceramic (Kutani Ware \/ Yūri Kinsai)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"754\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 8.8 cm, Height approx. 7.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"819\"\u003eCharacteristics of Kazuo Nakata's Works:\u003c\/b\u003e The most defining feature is the \"Yūri Sai\" technique, which encloses gold or silver leaf beneath a transparent glaze. Because the gold leaf is never directly exposed to the air, it does not tarnish. The soft, deep luster transmitted through the glaze creates a modern and elegant ambiance.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1151\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47537146200251,"sku":null,"price":10000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5060_result.jpg?v=1774141491"},{"product_id":"188","title":"Gaku Kuroda, Hidasuki Bizen Ware Spirits Vessel \/ Rock Glass #188","description":"\u003cp data-path-to-node=\"18\"\u003eGaku Kuroda (born 1953) was born in Ibe, Bizen City, Okayama Prefecture—one of Japan's most ancient ceramic centers—and is a highly skilled artist carrying on the lineage as the fourth-generation head of the prestigious Toko Kiln. He studied under Rakuzan Fujiwara III, a leading figure in Bizen history renowned for his Shio-Bizen and Shiro-Bizen techniques. Through five years of rigorous apprenticeship, Kuroda mastered the sculpting and firing techniques required to draw out the ultimate potential of the clay. Since becoming independent in 1983, his work has been frequently selected for the Japan Traditional Art Crafts Exhibition, and he has received the Issuikai Award at the Issuikai Ceramics Exhibition. He is recognized as a Full Member of the Japan Art Crafts Association, a mark of technical authority in the Japanese ceramic world. His works are held in public collections, including the Okayama Prefectural Museum of Art and the Bizen Ceramic Art Museum, underscoring their official artistic value.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe Hidasuki (scarlet cord markings) technique featured in this work is a traditional Bizen method that involves wrapping rice straw around an unglazed vessel before firing. Inside the kiln at temperatures exceeding 1,200 degrees Celsius, a chemical reaction between the straw’s components and the iron in the clay turns the wrapped areas into a vibrant scarlet, creating patterns that capture the raw traces of the fire. Of particular note in this piece is the clear, transparent scarlet hue, free of cloudiness, and its vivid contrast against the warm, whitish body of the clay. Bold yet delicate scarlet lines, as if imbued with the energy of the flames, run across the serene surface like a painting, lending a rich sense of drama to the vessel. Achieving this specific coloration requires precise control over the clay selection, the quality of the straw, and the kiln's oxygen levels; it is a result of a rare moment when calculated technique meets natural serendipity. The refined, minimalist form reflects a dignity inherited from his master, Rakuzan Fujiwara, fused with Kuroda’s own modern sculptural sensibility.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eWhile originally crafted as a Yunomi (teacup), we propose this vessel as a rock glass or spirits glass for enjoying Japanese or Scotch whiskey. Bizen stoneware, with its microscopic pores, is known to influence the liquid within, softening the harshness of alcohol and mellowing its aroma. Created with the reliable skill of a Japan Art Crafts Association member, this vessel is characterized by the warmth of the natural clay and a satisfying weight in the hand. It beautifully enhances the visual experience, from the contrast between the scarlet markings and floating ice to the expansion of aromas when tasted neat. The amber hue of the whiskey, combined with the scarlet of the Hidasuki, creates a visual depth that is truly exceptional. This beauty of the raw clay, unreliant on glazes, gives the piece a unique presence as a sophisticated vessel for a modern lifestyle.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Gaku Kuroda (born 1953)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"32\"\u003eRepresentative Career:\u003c\/b\u003e Fourth-generation head of the prestigious Toko Kiln. Apprenticed under Bizen master Rakuzan Fujiwara III for five years before becoming independent. [1991] Received the Issuikai Award at the Issuikai Ceramics Exhibition. Frequently selected for the Japan Traditional Art Crafts Exhibition and designated a Full Member of the Japan Art Crafts Association. Recipient of the Sanyo Shimbun Award at the Okayama Prefectural Art Exhibition and recognized as an Invited Artist. He has elevated traditional \"Yakishime\" and \"Hidasuki\" techniques into modern sculptural art, establishing himself as a leading figure in contemporary Bizen.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"684\"\u003eMuseum Collections:\u003c\/b\u003e Okayama Prefectural Museum of Art, Bizen Ceramic Art Museum, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"777\"\u003ePeriod of Creation:\u003c\/b\u003e 1990s–2000s (His peak period as a Full Member of the Japan Art Crafts Association). The \"Hidasuki\" seen in this work represents the pinnacle of his refined technique, where the brilliant scarlet cord markings harmonize perfectly with the elegant form inherited from his master.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1075\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1118\"\u003eAccessories:\u003c\/b\u003e Original signed wooden box (Tomobako)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1169\"\u003eMaterial:\u003c\/b\u003e Pottery (Bizen Ware \/ Hidasuki)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1211\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 7 cm, Height approx. 7 cm (approximate)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1286\"\u003eNote:\u003c\/b\u003e Please note that all products, even those in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47537146396859,"sku":null,"price":30000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5087_result.jpg?v=1774141573"},{"product_id":"189","title":"Living National Treasure, Ito Sekisui V, Sado Mumyoi-yaki, Yohen Guinomi Sake Cups (Set of 2) #189","description":"\u003cp data-path-to-node=\"11\"\u003eIto Sekisui V (born 1941) is a master of contemporary ceramics who was designated a Living National Treasure in 2003 as a holder of the Important Intangible Cultural Property \"Mumyoi-yaki,\" the first person from Sado Island to receive this honor. While inheriting the traditions of the Sekisui kiln, which dates back to the late Edo period, he did not merely follow tradition but elevated Mumyoi-yaki to a global art form by pursuing the chemical reactions of clay and fire to their utmost limit. His reputation extends beyond Japan, as evidenced by the fact that prestigious public museums around the world, such as the Metropolitan Museum of Art in New York and the Victoria and Albert Museum in London, have his works in their permanent collections, testifying to the universal nature of his artistry.\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eParticularly noteworthy in this work is the culmination of \"Yohen\" (kiln transformation), which was central to his designation as a Living National Treasure. The raw material for Mumyoi-yaki is a red clay rich in iron oxide, produced near the Sado gold mine. This clay has extremely fine particles, leading to an astonishing shrinkage of approximately 30 percent during firing. This exceptionally high shrinkage rate can easily cause cracks and distortions with slight temperature changes or unevenness in the clay, making the meticulous calculations and intuition gained from years of experience by a master craftsman indispensable for producing a perfect piece. This work is a \"Yakishime\" (unglazed, high-fired ware) that, despite having no glaze, uses reduction firing to severely restrict oxygen during firing, causing the iron in the clay to react and transform parts of the red clay into a deep jet black. These traces of fire, beyond human intention, are said to mimic Sado's rugged coastline and the spray of waves crashing against cliffs, or the time etched into the rock by the winds sweeping across the island, encapsulating the harshness and tranquility of nature within a single vessel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"13\"\u003eStripped of ostentatious decoration and composed solely through the dialogue between earth and fire, the design of this work strongly reflects the Japanese aesthetic of \"wabi-sabi.\" The dramatic contrast between red and black, at first glance, gives a sharp impression, but the hard yet fine texture unique to Mumyoi-yaki, felt the moment it is held, exudes a serene power. The greatness of a Living National Treasure's work lies in its \"quiet dignity\"—the ability to change the atmosphere of a space simply by existing, without excessive assertion. We propose this rare pair as the ultimate sake vessel to enhance the delicate amber hues of aged sake or whiskey, matured over decades. This vessel, the culmination of a master craftsman's lifelong quest, will surely become a special presence for sake lovers, transcending mere utility to provide spiritual fulfillment.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Ito Sekisui V (born 1941)\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"34\"\u003eArtist's notable career highlights:\u003c\/b\u003e Elevated \"Mumyoi-yaki,\" a traditional craft from Sado Island, to the realm of art. Designated a holder of the Important Intangible Cultural Property \"Mumyoi-yaki\" (Living National Treasure) in 2003. [1973] Awarded the Prince Takamatsu Memorial Prize at the Japan Traditional Crafts Exhibition; [2005] Awarded the Medal with Purple Ribbon; [2011] Awarded the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"477\"\u003eWorks held in:\u003c\/b\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; The Metropolitan Museum of Art; Victoria and Albert Museum; Smithsonian Institution; and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"673\"\u003ePeriod of creation:\u003c\/b\u003e 2000s to 2010s (the mature period after being designated a Living National Treasure). The \"Yohen\" (kiln transformation) in this work, where red clay is transformed into jet black solely through fire control to express Sado's rugged coastline, is a signature design of Sekisui V. This style represents the peak of his expression, showcasing a natural power and tranquility resonating beyond human intention, further refined around the time of his 2003 designation.\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"1157\"\u003eCondition:\u003c\/b\u003e Good (No chips, no cracks), some minor surface marks\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"1221\"\u003eAccessories:\u003c\/b\u003e Original wooden box (Tomobako), wrapping cloth\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"1281\"\u003eMaterial:\u003c\/b\u003e Pottery (Mumyoi-yaki \/ Yohen)\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"1321\"\u003eDimensions:\u003c\/b\u003e Height approx. 7.2 cm - 8.0 cm, Mouth diameter approx. 6.0 cm - 6.8 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"1404\"\u003eNote:\u003c\/b\u003e Please note that all products, even those in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47538821136571,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5129_result.jpg?v=1774160539"},{"product_id":"192","title":"Hogaku Yamamoto, Masterpiece, Kutani Ware Aka-e Saibyō \/ Gilded Red Painting, Ascending Dragon Motif Guinomi Sake Cup, Imperial Family Gift Artist #192","description":"\u003cp data-path-to-node=\"18\"\u003eThis \"Aka-e Saibyō\" (Ultra-fine Red Painting) guinomi is a pinnacle of artistic achievement by Hogaku Yamamoto (born 1960), a master of contemporary Kutani ware based in Kaga City, Ishikawa Prefecture. Yamamoto is the foremost living successor of the Aka-e Saibyō technique, distinguished by his 1985 commission to create and present an Aka-e Saibyō tea bowl to His Imperial Highness the Crown Prince (now Emperor Emeritus).\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe reason this piece is designated as a \"Masterpiece\" lies in its \"microscopic detailing\" that transcends normal human vision. The primary technique, Aka-e Saibyō, is a superhuman craft involving the depiction of ultra-fine lines—less than 0.1 mm in thickness—drawn at perfectly equal intervals using red iron oxide (Bengara) pigment. The \"Ascending Dragon\" motif featured here is, along with the phoenix and tiger, Yamamoto’s most celebrated and technically demanding subject. From the internal texture of every individual dragon scale to the minute patterns filling every millimeter of the background, the entire surface is a dense concentration of visual information, embodying the essence of Aka-e Saibyō where no empty space is permitted.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThe red-painted ascending dragon on the exterior radiates a power that pierces the heavens, while the magnificent gilded dragon on the interior lends the entire vessel an overwhelming sense of nobility. Because Aka-e Saibyō can only be performed during the limited hours of peak daily concentration, and completing a single work of this density requires immense time, its availability in the market is extremely restricted. As a supreme vessel designed to brilliantly enhance the amber hues of aged sake or fine whiskey, this piece represents the ultimate modern attainment of Kutani red painting.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Hogaku Yamamoto (born 1960)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"36\"\u003eRepresentative Career:\u003c\/b\u003e Upholding the \"Aka-e Saibyō\" technique—which reached its peak in the Meiji period before seeing a drastic decline in successors—at the highest contemporary level. [1985] Specially commissioned to create and present the \"Aka-e Saibyō Chrysanthemum, Paulownia, and Phoenix Sencha Bowl\" to His Imperial Highness the Crown Prince (now Emperor Emeritus); [1992] Received the Honorable Mention at the 54th Issuikai Ceramics Exhibition; [1996] Officially certified as a Kutani Ware Traditional Craftsman by the Minister of International Trade and Industry. His exquisitely precise technique is lauded as the zenith of contemporary Kutani red painting.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"704\"\u003eMuseum Collections:\u003c\/b\u003e Ishikawa Prefectural Museum of Art, Ishikawa Kutani-yaki Art Museum, Kutani-yaki Kiln Site Exhibition Hall, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"844\"\u003ePeriod of Creation:\u003c\/b\u003e 2000s–2010s (His mature period following his certification as a Traditional Craftsman). This \"Ascending Dragon\" motif represents the peak of Yamamoto’s artistry, where the meticulous Aka-e Saibyō lines—drawn at under 0.1 mm—achieve perfect harmony with the magnificent gold leaf detailing. \u003cb data-path-to-node=\"21\" data-index-in-node=\"1154\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1197\"\u003eAccessories:\u003c\/b\u003e Original signed wooden box (Tomobako), wrapping cloth, introductory leaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1286\"\u003eMaterial:\u003c\/b\u003e Pottery (Kutani Ware \/ Aka-e Saibyō \/ Gilded Painting)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1351\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 6.4 cm, Height approx. 3.4 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1416\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47542629433531,"sku":null,"price":65000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5247_result.jpg?v=1774166205"},{"product_id":"193","title":"Hogaku Yamamoto, Masterpiece, Kutani Ware Aka-e Saibyo \/ Gilded Red Painting, Phoenix Motif Guinomi Sake Cup, Imperial Family Gift Artist #193","description":"\u003cp data-path-to-node=\"20\"\u003eThis \"Aka-e Saibyo\" (Ultra-fine Red Painting) guinomi is a pinnacle of Kutani ware artistry by Hogaku Yamamoto (born 1960), a master of contemporary Kutani ware based in Kaga City, Ishikawa Prefecture. Yamamoto is the foremost living successor of the Aka-e Saibyo technique, distinguished by his 1985 commission to create and present the \"Aka-e Saibyo Chrysanthemum, Paulownia, and Phoenix Sencha Bowl\" to His Imperial Highness the Crown Prince (now Emperor Emeritus).\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eThis work is a top-tier masterpiece featuring the \"Phoenix,\" Yamamoto’s signature and most prestigious motif, meticulously rendered through Aka-e Saibyo, a technique that far transcends the realm of standard red painting. Aka-e Saibyo is a superhuman craft involving the depiction of ultra-fine lines—less than 0.1 mm in thickness—drawn at perfectly equal intervals using red iron oxide (Bengara) pigment. From every individual feather of the phoenix to the microscopic geometric patterns filling the background, the entire surface of the vessel is a dense mass of visual information. This density, which permits no blank space, is the crystallization of a master craftsman's dedication over more than a month of concentrated effort.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eFurthermore, the interior of the vessel features a majestic phoenix in heavy gold, serving as a magnificent counterpart to the delicate red painting on the exterior. This perfect harmony of \"Red\" and \"Gold\" is a signature style from Yamamoto’s mature period, where his skill and artistry reached their peak. It exudes an elegance worthy of being called the ultimate achievement of red painting in contemporary Kutani. As a supreme vessel designed to brilliantly enhance the amber hues of aged sake or fine whiskey, this is a masterpiece with a unique and powerful presence.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Hogaku Yamamoto (born 1960)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"36\"\u003eRepresentative Career:\u003c\/b\u003e Upholding the \"Aka-e Saibyo\" technique—which reached its peak in the Meiji period before seeing a drastic decline in successors—at the highest contemporary level. [1985] Specially commissioned to create and present the \"Aka-e Saibyo Chrysanthemum, Paulownia, and Phoenix Sencha Bowl\" to His Imperial Highness the Crown Prince (now Emperor Emeritus); [1992] Received the Honorable Mention at the 54th Issuikai Ceramics Exhibition; [1996] Officially certified as a Kutani Ware Traditional Craftsman by the Minister of International Trade and Industry. His exquisitely precise technique is lauded as the zenith of contemporary Kutani red painting.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"704\"\u003eMuseum Collections:\u003c\/b\u003e Ishikawa Prefectural Museum of Art, Ishikawa Kutani-yaki Art Museum, Kutani-yaki Kiln Site Exhibition Hall, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"844\"\u003ePeriod of Creation:\u003c\/b\u003e Late 1990s–early 2000s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"899\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"942\"\u003eAccessories:\u003c\/b\u003e Original signed wooden box (Tomobako), introductory leaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1015\"\u003eMaterial:\u003c\/b\u003e Pottery (Kutani Ware \/ Aka-e Saibyo \/ Gilded Painting)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1080\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 5.0 cm, Height approx. 5.8 cm \u003cb data-path-to-node=\"23\" data-index-in-node=\"1145\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47543484154043,"sku":null,"price":80000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5249_result.jpg?v=1774142081"},{"product_id":"194","title":"Nagasaki Prefecture Designated Intangible Cultural Property, 13th Generation Yokoishi Gagyu, Utsutsugawa-yaki, Pampas Grass Motif, Pure Water Carafe Set #194","description":"\u003cp data-path-to-node=\"15\"\u003eThirteenth Generation Yokoishi Gagyu (real name: Hiromi Yokoishi, 1925–2016) was the holder of the Nagasaki Prefectural Designated Intangible Cultural Property for Utsutsugawa-yaki. He was the restorer and grandmaster who revived Utsutsugawa-yaki—a legendary pottery that flourished for only about 50 years during the mid-Edo period before disappearing. Although Utsutsugawa-yaki was once praised as the \"Treasure of the West,\" its techniques were lost for approximately 200 years. The Yokoishi family conducted exhaustive research over several generations, and it was the 13th generation who elevated its artistry to its absolute pinnacle. For his outstanding achievements, he was awarded the Medal with Purple Ribbon and the Order of the Rising Sun, Gold Rays with Rosette. His works are housed in the Kyushu Ceramic Museum and the Nagasaki Prefectural Art Museum, and have been frequently selected as gifts for imperial and royal families both in Japan and abroad. The Susuki (Japanese pampas grass) motif featured in this work is one of the most beautiful designs for showcasing the \"Hakeme\" (brushwork) technique, which lies at the heart of Utsutsugawa-yaki. Utsutsugawa-yaki is characterized by firing iron-rich brown pottery clay as thinly as porcelain. By quickly sweeping white slip across this thin surface, the artist expresses the delicate texture of pampas grass ears swaying in the night breeze. The divine skill unique to Gagyu Kiln lies in its ability to adhere clays with different shrinkage rates to an extremely thin form without peeling, while breathing life into the motif with a single, instantaneous stroke.\u003c\/p\u003e\n\u003cp data-path-to-node=\"16\"\u003eThe Pure Water Carafe: Connecting Tranquility and Aroma Our shop redefines this traditional Tokkuri (sake bottle) and cup set as a \"Pure Water Carafe \u0026amp; Chaser Cup\" for enjoying rare single malt and vintage whiskies. The word \"Pure\" carries two meanings here. First, it refers to a vessel that holds the \"pure drop\" essential for dramatically releasing—or blooming—the complex layers of aroma in whiskey. Second, it signifies the visual and tactile experience where the thin, refreshing texture unique to Utsutsugawa-yaki makes the water used to reset the palate feel even purer. Just as the pampas grass depicted on the vessel sways in the wind, the whiskey in the glass also blossoms, its aroma vividly shimmering with the addition of a single drop of water. The contrast between the amber color of the whiskey, the dark brown base of Utsutsugawa-yaki, and the white brushwork creates an ultimate harmony on a quiet bar counter at night. Once vanished into the annals of history and revived across time, this \"phantom pottery\" is a fitting legacy. For whiskey that awakens after decades of slumber, the heritage of Utsutsugawa-yaki is a most worthy companion. This is a unique collection where traditional functional beauty and modern luxury intersect.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"17\"\u003e\u003cb data-path-to-node=\"17\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Thirteenth Generation Yokoishi Gagyu (1925–2016)\u003c\/li\u003e\n\u003cli data-path-to-node=\"17\"\u003e\u003cb data-path-to-node=\"17\" data-index-in-node=\"57\"\u003eArtist's representative career:\u003c\/b\u003e 1975 Certified as a holder of Nagasaki Prefectural Designated Intangible Cultural Property, 1982 Awarded the Japan Ceramic Society Award, 1987 Awarded the Medal with Purple Ribbon, 1995 Awarded the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"17\"\u003e\u003cb data-path-to-node=\"17\" data-index-in-node=\"336\"\u003eMuseum Collections:\u003c\/b\u003e Kyushu Ceramic Museum, Nagasaki Prefectural Art Museum, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"17\"\u003e\u003cb data-path-to-node=\"17\" data-index-in-node=\"424\"\u003ePeriod of production:\u003c\/b\u003e 1990s–2000s (The peak mature period of the artist)\u003c\/li\u003e\n\u003cli data-path-to-node=\"17\"\u003e\u003cb data-path-to-node=\"17\" data-index-in-node=\"497\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"17\"\u003e\u003cb data-path-to-node=\"17\" data-index-in-node=\"540\"\u003eAccessories:\u003c\/b\u003e Original signed wooden box (Tomobako)\u003c\/li\u003e\n\u003cli data-path-to-node=\"17\"\u003e\u003cb data-path-to-node=\"17\" data-index-in-node=\"591\"\u003eMaterial:\u003c\/b\u003e Ceramic (Utsutsugawa-yaki \/ Hakeme)\u003c\/li\u003e\n\u003cli data-path-to-node=\"17\"\u003e\u003cb data-path-to-node=\"17\" data-index-in-node=\"637\"\u003eDimensions:\u003c\/b\u003e [Carafe] Height approx. 10.5 cm, Diameter approx. 7 cm; [Cup] Height approx. 5.0 cm, Mouth diameter approx. 3.7 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"17\"\u003e\u003cb data-path-to-node=\"17\" data-index-in-node=\"764\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47544810504379,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5278_result.jpg?v=1774142146"},{"product_id":"197","title":"Yohei Konishi, Tokoname Ware Neriage, Horseback Cup (Stem Cup) \"Shouchu no Tama\" Sake Vessel #197","description":"\u003cp data-path-to-node=\"20\"\u003eThis \"Bashohai\" (Horseback Cup) is a 1980s masterpiece by Yohei Konishi (born 1941), a master craftsman who elevated the traditional techniques of Tokoname ware to the level of contemporary art. This particular piece has a prestigious provenance, having been selected around May 1985 at Seikado in Ginza, Tokyo—then one of Japan's premier hubs for high-end art and crafts. This was shortly after Konishi established his international reputation by winning the Silver Medal at the Vallauris International Ceramics Biennial in France in 1982. As a designated Intangible Cultural Property holder of Tokoname City, his works are held in prestigious public collections worldwide, including the Victoria and Albert Museum in London and the Philadelphia Museum of Art. This piece offers a rare opportunity to experience his exceptional artistry within the palm of your hand.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eIn Yohei Konishi’s creative work, the most highly acclaimed elements are his \"Neriage\" technique—layering differently colored clays to create intricate internal patterns—and his \"Usu-zukuri\" (thin-walled) wheel-throwing, which pushes the very limits of the medium. The Neriage in this work consists of multiple layers of Tokoname’s characteristic vermilion (Shudei), white, and black clays. Unlike surface painting, this creates a profound visual depth that seems to emanate from within the vessel itself. This technique requires joining multiple clays with different properties and shrinkage rates, entailing an extremely high risk of cracking or warping during drying and firing. Achieving this level of difficulty requires not only the clay selection skills rooted in Tokoname tradition but also the masterful intuition of an artist who understands the nature of fire.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eA detailed observation of the design reveals that the unique form of the horseback cup, flaring gracefully from its high stem, accentuates the complex textures created by the Neriage. The dynamic patterns on the surface, reminiscent of geological strata or cosmic undulations, represent a unique expression where calculated intent meets the natural transformation of the kiln. It encapsulates the creative energy of the 1980s, the peak of Konishi's career. Despite its delicate dimensions (approx. 6.3 cm in height, 5.3 cm in diameter), the contrast between the characteristic lightness of Tokoname ware and its visual density eloquently speaks to the true value that continues to captivate collectors worldwide.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Yohei Konishi (born 1941)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"34\"\u003eRepresentative Career:\u003c\/b\u003e [1982] Awarded the Silver Medal at the Vallauris International Ceramics Biennial in France; [2013] Designated as a holder of the Tokoname City Intangible Cultural Property for \"Tokoname Ware (Hand-thrown pottery).\" Currently a Full Member of the Japan Art Crafts Association, he continues to lead contemporary Tokoname ware, utilizing his self-taught and evolved \"Neriage\" and \"Usu-zukuri\" techniques.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"459\"\u003eMuseum Collections:\u003c\/b\u003e Victoria and Albert Museum (London, UK), Philadelphia Museum of Art (USA), Aichi Prefectural Ceramic Museum, Tokoname Ceramic Art Museum, INAX Live Museum, and others. Notably, the Victoria and Albert Museum in London houses his Neriage works, solidifying his international artistic status.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"770\"\u003ePeriod of Creation:\u003c\/b\u003e Early 1980s (Based on the inscription on the box)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"840\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks; features a vintage patina)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"910\"\u003eAccessories:\u003c\/b\u003e Original signed paper box (with inscription from Ginza Seikado, May 1985)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1020\"\u003eMaterial:\u003c\/b\u003e Pottery (Tokoname Ware \/ Neriage)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1064\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 5.3 cm, Height approx. 6.3 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1129\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47549040591035,"sku":null,"price":65000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5377_result.jpg?v=1774162373"},{"product_id":"198","title":"Mitsui Tamekichi III, Kutani Ware Polychrome Landscape (Sansui), Guinomi Sake Cup, Commemorative Work for Prime Minister Nakasone’s Friendly Visit to China #198","description":"\u003cp data-path-to-node=\"21\"\u003eThis piece is a special Kutani-yaki sake cup created to commemorate Sino-Japanese friendship and the ceremonial toast during Prime Minister Yasuhiro Nakasone’s official visit to China in 1984 (Showa 59). Mitsui Tamekichi III (real name: Eiichi Mitsui, born 1935), a standard-bearer of the prestigious Mitsui Tamekichi lineage, was officially commissioned to create sake cups for Prime Minister Nakasone’s visit, following his previous commissions for Prime Minister Ohira in 1979 and Prime Minister Suzuki in 1982. This piece is a distinguished item crafted to grace a historic diplomatic stage. Tamekichi III inherited the techniques of the first Tamekichi, who was a disciple of the legendary Tokuda Yasokichi I. He is highly acclaimed for expressing the traditional Kutani Gosai (five Kutani colors: red, yellow, green, purple, and dark blue)—used since the Ko-Kutani era—with modern sophistication.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eWhile the design may appear simple at first glance, this piece is a culmination of advanced craftsmanship that sets it apart from mass-produced items. The technique of applying traditional Japanese overglaze enamels (wa-enogu) in thick layers creates a three-dimensional effect and a jewel-like translucency within the pigments themselves. This chromatic beauty, which transmits and intricately refracts light, can never be replicated by transfer prints or uniform products using Western-style paints. Furthermore, the brushwork depicting the landscapes exhibits calculated variation in speed and pressure; each stroke creates an atmospheric depth within the small vessel, as if mist were rising. Combined with the elegant arrangement of unpainted negative space, it exudes a dignity unattainable in mass production.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23\"\u003eThe landscape-and-figure motif (Sansui-jinbutsu-mon) on the exterior represents the essence of Tamekichi’s artistry, depicting a tranquil worldview through meticulous polychrome techniques. This motif is a universal theme in East Asian culture symbolizing the harmony between nature and humanity, making it the ideal design for a diplomatic gift signifying the deep cultural ties between Japan and China. The vibrant coloration of the Kutani Gosai, sharpened by delicate brushwork, demonstrates the high-level fusion of ancient \"beauty in utility\" and modern artistry that the artist reached through decades of research.\u003c\/p\u003e\n\u003cp data-path-to-node=\"24\"\u003eStanding approximately 5.3 cm in height with a diameter of 5.6 cm, the cup is designed with a refined scale that fits comfortably in the palm, intended to lend maximum grace to the fleeting moment of a toast in a diplomatic setting. It is extremely rare for such works, which hold significant historical value and are tied to Japanese political history and traditional crafts, to circulate overseas. This piece transcends its role as a sake vessel, serving as a cultural artifact of the relations between Japan and China in the late 20th century. Bearing the artist’s signature \"Tamekichi\" on the bottom, it represents a perfected form of modern Kutani-yaki, produced as a commemorative gift for a prime ministerial overseas visit where strict quality and formality were paramount.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cb data-path-to-node=\"25\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Mitsui Tamekichi III (born 1935)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cb data-path-to-node=\"25\" data-index-in-node=\"41\"\u003eRepresentative Career:\u003c\/b\u003e 1961: Succeeded to the title of Mitsui Tamekichi III. 1987: Received the Prime Minister's Award. 1994: Solo exhibition at Switzer Gallery, New York. 1997: Appointed Visiting Professor at Gallaudet University. 2002: Solo exhibition and permanent collection at the Smithsonian Institution. 2005: Received the Edward Gallaudet Award. Works in Public Collections: Smithsonian Institution (Washington D.C., USA), Gallaudet University (USA), Ishikawa Prefectural Museum of Art, Nomi City Kutani-yaki Museum, and many others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cb data-path-to-node=\"25\" data-index-in-node=\"583\"\u003ePeriod of Creation:\u003c\/b\u003e Circa 1984 (The original wooden box states it was prepared for Prime Minister Nakasone’s visit to China in March 1984).\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cb data-path-to-node=\"25\" data-index-in-node=\"723\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cb data-path-to-node=\"25\" data-index-in-node=\"766\"\u003eAccessories:\u003c\/b\u003e Original signed wooden box (Tomobako), with the artist's signature and seal.\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cb data-path-to-node=\"25\" data-index-in-node=\"856\"\u003eMaterial:\u003c\/b\u003e Ceramic (Kutani Ware \/ Polychrome)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cb data-path-to-node=\"25\" data-index-in-node=\"901\"\u003eDimensions:\u003c\/b\u003e Height approx. 5.3 cm, Mouth diameter approx. 5.6 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cb data-path-to-node=\"25\" data-index-in-node=\"966\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47549043998907,"sku":null,"price":30000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5419_result.jpg?v=1774166278"},{"product_id":"199","title":"Living National Treasure, Ito Sekisui V, Mumyoi-yaki, Elegant \"Manyo\" Cursive Line Engraving, Yunomi \/ Rock Glass \"Bush Clover in Autumn Field\" #199","description":"\u003cp data-path-to-node=\"18\"\u003eThis is an extremely rare masterpiece of \"Manyo Renmen Senkoku\" (Cursive Line Engraving of Manyo Poetry) by Ito Sekisui V, who elevated Mumyoi-yaki—a traditional craft of Sado City, Niigata Prefecture—to the realm of fine art and was designated a Living National Treasure in 2003. Mumyoi-yaki is defined by its use of red clay rich in iron oxide, sourced from the vicinity of the Sado Gold Mine. Fired at high temperatures, it becomes as hard as stone despite being pottery and possesses a distinctive metallic resonance. Ito Sekisui is a preeminent Japanese ceramic artist whose works are permanently housed in the world's most prestigious institutions, including the Metropolitan Museum of Art and the Victoria and Albert Museum.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThis piece is a rare gem among Ito Sekisui's works, featuring \"calligraphy\" as its central motif. On the surface of the vessel, five characters—\"Aki (Autumn), No (of), No (Field), Ni (in), Hagi (Bush Clover)\"—symbolizing a scene from the Man'yoshu (Japan's oldest poetry anthology), are engraved with breathtaking precision using a needle-like tool. This is not merely a sequence of characters, but a recreation in line engraving of \"Renmen-tai\" calligraphy—the style of connecting characters in a single, flowing stroke. The graceful red lines winding around the vessel visualize the wind blowing through the autumn fields of Sado and the passage of time. This expression, carving the soul of words into red clay with a level of concentration where no correction is possible, represents the pinnacle of delicate, stoic artistry, achievable only through the uniquely fine-grained clay of Mumyoi-yaki.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThese five characters encapsulate a universal primordial landscape cherished by the Japanese for over a millennium. Setting itself apart from his more common floral or fruit motifs, the method of connecting a few symbolic characters with a continuous line—rather than engraving the entire text—conveys the artist's minimalist aesthetic and intellectual message. The original wooden box bears the inscriptions \"Mumyoi\" on the right, \"Manyo\" in the center, and \"Yunomi\" (teacup) on the left, proving that the artist himself sealed these fragments of ancient poetry within the vessel. Although originally crafted as a teacup, given the deep red texture and the tactile sensation of the engraved characters on the fingertips, we propose this as a special spirits vessel for enjoying aged koshu or whiskey. Savoring the amber liquid while contemplating the Manyo scene in the palm of your hand offers a blissful moment embodying the Zen and tranquility of traditional Japanese aesthetics.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Ito Sekisui V (born 1941)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"34\"\u003eRepresentative Career:\u003c\/b\u003e Elevated the \"Mumyoi-yaki\" tradition of Sado Island to an international art form, and was designated a Living National Treasure (Holder of Important Intangible Cultural Property for Mumyoi-yaki) in 2003. [1973] Recipient of the Prince Takamatsu Memorial Award at the Japan Traditional Craft Exhibition; [2005] Awarded the Medal with Purple Ribbon; [2011] Awarded the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"473\"\u003eMuseum Collections:\u003c\/b\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; The Metropolitan Museum of Art (New York); Victoria and Albert Museum (London); Smithsonian Institution; and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"694\"\u003ePeriod of Creation:\u003c\/b\u003e 2000s–2010s (The mature period following his designation as a Living National Treasure). While Sekisui V is famously known for his \"Yohen\" (kiln transformation) designs, this line-engraving series represents the absolute height of his refined technique in his later years, showcasing a resonance of natural power and silence that transcends human intent.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1069\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1112\"\u003eAccessories:\u003c\/b\u003e Original signed wooden box (Tomobako), rice straw packing\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1183\"\u003eMaterial:\u003c\/b\u003e Pottery (Mumyoi-yaki \/ Sado red clay rich in iron oxide)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1250\"\u003eDimensions:\u003c\/b\u003e Height approx. 7.1 cm, Mouth diameter approx. 6.7 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1315\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47553125384379,"sku":null,"price":90000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5435_result.jpg?v=1774142551"},{"product_id":"202","title":"Hogaku Yamamoto, Masterpiece, Kutani Ware Aka-e Saibyo \/ Gilded Red Painting, Phoenix Motif Guinomi Sake Cup, Imperial Family Gift Artist #202","description":"\u003cp data-path-to-node=\"20\"\u003eThis \"Aka-e Saibyo\" (Ultra-fine Red Painting) guinomi is a pinnacle of Kutani ware artistry by Hogaku Yamamoto (born 1960), a master of contemporary Kutani ware based in Kaga City, Ishikawa Prefecture. Yamamoto is the foremost living successor of the Aka-e Saibyo technique, distinguished by his 1985 commission to create and present the \"Aka-e Saibyo Chrysanthemum, Paulownia, and Phoenix Sencha Bowl\" to His Imperial Highness the Crown Prince (now Emperor Emeritus).\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eThis work is a top-tier masterpiece featuring the \"Phoenix,\" Yamamoto’s signature and most prestigious motif, meticulously rendered through Aka-e Saibyo, a technique that far transcends the realm of standard red painting. Aka-e Saibyo is a superhuman craft involving the depiction of ultra-fine lines—less than 0.1 mm in thickness—drawn at perfectly equal intervals using red iron oxide (Bengara) pigment. From every individual feather of the phoenix to the microscopic geometric patterns filling the background, the entire surface of the vessel is a dense mass of visual information. This density, which permits no blank space, is the crystallization of a master craftsman's dedication over more than a month of concentrated effort.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eFurthermore, the interior of the vessel features a majestic phoenix in heavy gold, serving as a magnificent counterpart to the delicate red painting on the exterior. This perfect harmony of \"Red\" and \"Gold\" is a signature style from Yamamoto’s mature period, where his skill and artistry reached their peak. It exudes an elegance worthy of being called the ultimate achievement of red painting in contemporary Kutani. As a supreme vessel designed to brilliantly enhance the amber hues of aged sake or fine whiskey, this is a masterpiece with a unique and powerful presence.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Hogaku Yamamoto (born 1960)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"36\"\u003eRepresentative Career:\u003c\/b\u003e Upholding the \"Aka-e Saibyo\" technique—which reached its peak in the Meiji period before seeing a drastic decline in successors—at the highest contemporary level. [1985] Specially commissioned to create and present the \"Aka-e Saibyo Chrysanthemum, Paulownia, and Phoenix Sencha Bowl\" to His Imperial Highness the Crown Prince (now Emperor Emeritus); [1992] Received the Honorable Mention at the 54th Issuikai Ceramics Exhibition; [1996] Officially certified as a Kutani Ware Traditional Craftsman by the Minister of International Trade and Industry. His exquisitely precise technique is lauded as the zenith of contemporary Kutani red painting.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"704\"\u003eMuseum Collections:\u003c\/b\u003e Ishikawa Prefectural Museum of Art, Ishikawa Kutani-yaki Art Museum, Kutani-yaki Kiln Site Exhibition Hall, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"844\"\u003ePeriod of Creation:\u003c\/b\u003e Late 1990s–early 2000s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"899\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"942\"\u003eAccessories:\u003c\/b\u003e Original signed wooden box (Tomobako), introductory leaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1015\"\u003eMaterial:\u003c\/b\u003e Pottery (Kutani Ware \/ Aka-e Saibyo \/ Gilded Painting)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1080\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 5.0 cm, Height approx. 5.8 cm \u003cb data-path-to-node=\"23\" data-index-in-node=\"1145\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47580656140475,"sku":null,"price":80000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5626_result.jpg?v=1774857662"},{"product_id":"203","title":"Tani Shukei, Kin-sai Aka-e Saibyo, Cloud Dragon Motif Sake Cups, Pair, Early Showa Period, Essence of the Takeuchi Ginshu School, Freehand Ultra-fine Dragon Pattern, A Masterpiece of Japanese Kogei #203","description":"\u003cp data-path-to-node=\"8\"\u003eTani Shukei (1888–1959, real name: Masaki), born in Daishoji, Kaga City, Ishikawa Prefecture, was a master craftsman who inherited the orthodox lineage of Kutani Aka-e Saibyo (ultra-fine red painting). He apprenticed under the Meiji-era master Takeuchi Ginshu and his third son, Hirosawa Roshu. Shukei’s most remarkable talent lay in his superhuman brushwork—he could fill an entire vessel with microscopic patterns using a single ultra-fine brush without any underdrawing (shitagaki). It is said he could freely replicate identical, intricate designs of dragons and phoenixes. This pair of sake cups features his signature Cloud Dragon motif. The depiction of dragon scales and auspicious clouds, spiraling around the small vessels, clearly displays his fluid, unhesitating brushstrokes and elegant color palette enriched with gold enamel (Kin-sai).\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eWhen compared to the works of Yamamoto Hogaku, the contemporary pinnacle of Aka-e Saibyo, the nature of precision in Shukei’s work reflects the vast difference in the technological environments of their respective eras. Modern works by Yamamoto are achieved through the use of high-powered magnifying glasses, microscopes, uniform synthetic fiber brushes, and highly refined pigments, resulting in microscopic precision and perfect symmetry that transcends human vision. In contrast, Shukei worked a century ago without any magnifying aids. He relied solely on his natural eyesight and concentration, using brushes hand-carved from animal hair and naturally derived pigments.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThis environmental difference imbues Shukei’s lines with a rhythmic vitality and \"breath\" that differs from modern uniformity. While the absolute thickness of the lines may yield to what modern tools can achieve, the momentum of drawing everything in one go without a guide and the intensity of expressing such density with limited tools symbolize the peak of physical skill attained by craftsmen of that era. If Yamamoto Hogaku represents the ultimate in modern precision beauty, Tani Shukei’s work is a concentrated historical legacy of the pure artisan spirit from an age where one faced the clay using only their five senses. When whisky is poured, the red-painted dragon shimmering through the golden liquid conveys a raw passion from a hundred years ago—a beauty distinct from the perfected precision of today.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Tani Shukei (1888–1959, real name: Tani Masaki)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"56\"\u003eRepresentative Career:\u003c\/b\u003e Born in 1888 in Daishoji, Ishikawa Prefecture. Apprenticed under Takeuchi Ginshu, the master who revived Meiji Kutani Aka-e Saibyo, and Hirosawa Roshu, mastering the authentic techniques of ultra-fine red painting. Operating a ceramic painting business in Yamashiro, he became renowned for his exceptional brushwork, capable of drawing intricate dragon and phoenix motifs directly onto the clay without any underdrawing. Throughout the turbulent transition from the Meiji to the Showa era, he remained a solitary master who preserved the superhuman craft of Aka-e Saibyo.\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"651\"\u003eMuseum Collections:\u003c\/b\u003e Public museums in Kaga City, Kutani Ware Archives, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"734\"\u003ePeriod of Creation:\u003c\/b\u003e Circa 1926 (Showa 1) – 1945 (Showa 20) (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"805\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"848\"\u003eAccessories:\u003c\/b\u003e Dedicated wooden box\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"882\"\u003eMaterial:\u003c\/b\u003e Ceramic (Kutani Ware \/ Aka-e Saibyo \/ Kin-sai)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"939\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 5.5 cm, Height approx. 3.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"1004\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47580656369851,"sku":null,"price":180000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5595_result.jpg?v=1774857548"},{"product_id":"205","title":"Gifu Prefecture Important Intangible Cultural Property Holder, Hidetake Ando, Sentaro Kiln, Shimino Shino, Iron-Painted, Cylindrical Sake Cup \/ Rock Glass #205","description":"\u003cp data-path-to-node=\"13\"\u003eHidetake Ando (1938-2024), a master of Mino ware, dedicated his life to pottery as the fifth-generation head of the Sentaro Kiln, a prestigious lineage in Ichinokura-cho, Tajimi City, Gifu Prefecture, dating back to the Edo period. Born in 1938, Ando passed away in February 2024, but his legacy is supported by achievements such as his certification as a holder of Gifu Prefecture's Important Intangible Cultural Property for \"Kiseto\" ware, and the acquisition of his works by the National Crafts Museum and the Museum of Modern Ceramic Art, Gifu. Ando was most highly regarded for his technique of reviving the styles of Mino ceramics from the Momoyama period, particularly his unparalleled ability to reproduce the \"aburaage-hada\" (deep-fried tofu-like texture) in Kiseto ware. This Shino ware piece clearly reflects the rigorous fire control and profound insight into clay that Ando cultivated through his mastership of Kiseto.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eShino ware is known as the first white-glazed pottery in Japan to use feldspar glaze, characterized by iron-painted designs beneath a snow-white glaze. This piece showcases Ando's traditional characteristics at an exceptionally high level. The surface of the work exhibits the fine bubble marks unique to Shino, known as \"yuzuhada\" (citron skin), and the thick application of feldspar glaze gives it a substantial yet warm texture. Particularly noteworthy is the orange-red discoloration called \"hi-iro\" (fire color) seen around the rim and iron-painted areas. This phenomenon occurs when the iron content in the clay reacts with the glaze due to changes in oxygen levels and temperature in the kiln during firing. Ando's reliable technique established this as a natural landscape, without appearing contrived.\u003c\/p\u003e\n\u003cp data-path-to-node=\"15\"\u003eThe iron painting on this work is expressed with a simple yet powerful brushwork reminiscent of ancient Shino ware from the Momoyama period, embodying the spirit of antique pottery that Ando aimed to achieve. Although the cylindrical form was originally made as a Shino teacup, its appropriate thickness, diameter, and the insulating properties unique to ceramics make it ideal as a rock glass for enjoying aged spirits. The deep amber color of aged whisky shines against the white Shino glaze, and the sound of ice melting resonates against the thick ceramic walls, offering a multisensory experience that merges traditional Japanese aesthetics with Western aged spirits. With Ando's passing meaning no new works will ever be created, this piece continues to hold value as the legacy of a master craftsman who supported the golden age of Mino ware. Recognized by Japan's national museums, this vessel, a crystallization of refined aesthetic sense and skill, is not merely a tool but a fitting stage for savoring aged spirits as a consumable cultural artifact.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Hidetake Ando (1938-2024)\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"34\"\u003eArtist's Major Career Highlights:\u003c\/b\u003e [1974] First selected for the 21st Japan Traditional Crafts Exhibition, [1995] Received the Japan Kogei Association Encouragement Award at the Japan Traditional Crafts Exhibition, [1998] Certified as a holder of Gifu Prefecture Important Intangible Cultural Property \"Kiseto,\" [2003] Received the Japan Ceramic Society Award, [2013] Awarded for Regional Cultural Contribution (Minister of Education, Culture, Sports, Science and Technology Award)\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"515\"\u003eWorks in Collections:\u003c\/b\u003e National Crafts Museum (formerly Crafts Gallery of the National Museum of Modern Art, Tokyo), Museum of Modern Ceramic Art, Gifu, Aichi Prefectural Ceramic Museum, Tajimi City Mino Ware Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"736\"\u003eProduction Period:\u003c\/b\u003e 1998-2010s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"778\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"821\"\u003eAccessories:\u003c\/b\u003e Original wooden box (Tomobako), Pamphlet\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"875\"\u003eMaterial:\u003c\/b\u003e Ceramic (Mino ware, Shino ware)\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"917\"\u003eDimensions:\u003c\/b\u003e Height approx. 9.0cm, Mouth diameter approx. 7.0cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"980\"\u003eNote:\u003c\/b\u003e All items we offer, even if new and unused, are very old productions and are listed as used. Please understand that items may have age-related damage and consider this before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47695919612091,"sku":null,"price":40000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5664_result.jpg?v=1776175575"},{"product_id":"206","title":"Saga Prefectural Intangible Cultural Property Holder, 19th Generation Choshun Ogasawara – Nabeshima Celadon Carved Pattern Cylindrical Large Rock Glass #206","description":"\u003cp data-path-to-node=\"6\"\u003eThe 19th-generation Ogasawara Choshun (real name Kenzo Ogasawara, 1932-), a direct descendant of the official painters and potters who supported the Nabeshima Domain's clan kiln during the Edo period, is the foremost authority on Nabeshima celadon. Born in 1932 in Okawachi-cho, Imari City, Saga Prefecture, his exceptional skills were recognized in 1998 when he was certified as a holder of Nabeshima celadon, an Important Intangible Cultural Property of Saga Prefecture. His works are collected and exhibited at prestigious institutions such as the British Museum, establishing an unshakeable reputation in the international art market as the pinnacle of porcelain symbolizing Oriental beauty. The greatest feature of Nabeshima celadon, which the Ogasawara family has preserved, lies in its luxurious use of finely crushed rare natural celadon raw stone, mined only in Okawachiyama, Imari, as its glaze.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eThis piece embodies many of the technical characteristics for which Ogasawara Choshun is most highly regarded, but behind it lies an extremely difficult production process. What first catches the eye is the deep, moist color reminiscent of jade, but celadon glazes using natural stone are surprisingly sensitive to heat control. Mastering the reduction firing process, which limits oxygen in the kiln, is a formidable task; even a slight error can cause the color to turn a dull brownish-red, losing its original luster. Furthermore, to achieve the unique depth of Nabeshima celadon, the glaze is applied extremely thickly. This highly difficult technique carries a constant risk of the glaze flowing off during firing or cracking during cooling. The way the delicate line-engraved patterns beneath quietly emerge through this thick layer of glaze is truly a \"miracle scenery\" that can only be achieved by a certified master through strict temperature control and refined sensibility.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eAlthough this piece was created as a teabowl, its form incorporates exceptional ingenuity within the framework of traditional tea utensils. While its dimensions of approximately 11 cm in height and 10 cm in diameter are standard for a deep teabowl, what is particularly noteworthy is its original silhouette, which widens in two tiers from the body to the rim. This tiered shape is not only aesthetically pleasing but also demonstrates surprising functionality. The calculated two-stage widening dramatically improves finger grip, allowing for a remarkably stable hold with one hand despite its generous size. This unique aesthetic form provides a profound sense of security in the hand when repurposed as a rock glass for enjoying aged spirits. Inheriting the spirit of the \"secret kilns\" that produced items exclusively for presentation to the Shogun's family, Ogasawara Choshun has established a status equivalent to a modern Living National Treasure. His works are rare cultural assets where limited natural resources and extreme skill converge, making them masterpieces worthy of adorning a luxurious evening drink.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e 19th-generation Ogasawara Choshun, Kenzo Ogasawara (1932-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"67\"\u003eArtist's Major Career Highlights:\u003c\/b\u003e [1951] Began pottery production, [1982] Received Saga Prefecture Art and Culture Contribution Award, [1993] Regional Culture Contributor Award (Minister of Education Award), [1998] Certified as a holder of Nabeshima Celadon, an Important Intangible Cultural Property of Saga Prefecture, [2003] Received the Order of the Rising Sun, Silver Rays\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"445\"\u003eWorks in Collections:\u003c\/b\u003e The British Museum (London), Embassy of Japan in the UK (London), Imperial Household Agency (record of presentation), Saga Prefectural Kyushu Ceramic Museum, Saga Prefectural Art Museum, Imari City Ceramic Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"686\"\u003ePeriod of Production:\u003c\/b\u003e After 1998 (Estimated to be during his mature period, after being certified as an Important Intangible Cultural Property)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"830\"\u003eCondition:\u003c\/b\u003e Excellent (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"873\"\u003eAccessories:\u003c\/b\u003e Original wooden box (Tomobako), Pamphlet\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"927\"\u003eMaterial:\u003c\/b\u003e Porcelain (Nabeshima Celadon)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"967\"\u003eDimensions:\u003c\/b\u003e Height approx. 11.0 cm, Mouth diameter approx. 10.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"1034\"\u003eNote:\u003c\/b\u003e All products offered by our shop, even if unused, are very old productions and are listed as used items. Products may have age-related damage, so please understand and confirm this before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47695919644859,"sku":null,"price":100000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5697_result.jpg?v=1776175847"},{"product_id":"211","title":"Isami Matsumoto: A Masterpiece of Modern Kyoto Porcelain – Redefining Ru Ware Sky-Blue Jade Celadon Shot Glass #211","description":"\u003cp data-path-to-node=\"6\"\u003eThis is an exquisitely refined Jade Celadon guinomi (sake cup) by Isami Matsumoto (1931–2012), a doyen of the Kyoto ceramic art world and a master who led contemporary Japanese porcelain art. Matsumoto studied under Yaichi Kusube, a recipient of the Order of Culture who elevated post-war Japanese ceramics to the status of pure fine art for appreciation. The spirit of ceramics as pure art beyond utility, inherited from his mentor, consistently flows through his works as a dignified aesthetic form and a superposition of delicate colors.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eThe unique celadon color achieved by Matsumoto in this work—a Jade Celadon with the depth of an emerald—is the result of a physical phenomenon obtained only by controlling the iron oxide content in the glaze within an extremely fine range of 0.1 to 0.3 percent, and maintaining a perfectly constant reducing atmosphere in the kiln at high temperatures around 1300 degrees Celsius. This technique redefines the sky-blue color achieved by the Ru ware of China's Song Dynasty through a modern chemical approach. By intentionally inducing Rayleigh scattering—which occurs when light reflects off microscopic bubbles and undissolved particles within the glaze layer—it creates a deep transparency impossible with industrial dyes. The incised line (senkoku) technique applied to the entire surface requires a high degree of sensibility to precisely move a needle with sub-millimeter accuracy within the short time the clay body is in a semi-dry state, completed through an irreversible process where not a single mistake is allowed.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eIn terms of form, it features dimensions that combine stability and elegance, with a mouth diameter of approximately 7.2 cm and a height of approximately 4.2 cm. The ability to evenly fix a deep celadon glaze onto such a thin and refined porcelain while controlling the crazing demonstrates a complete mastery of the firing schedule, based on many years of experience as a Nitten judge. Due to his overwhelming technical skill and dignity, Matsumoto received two Tokusen (Special Selection) awards at the Nitten, Japan's most prestigious art exhibition. His reputation extended overseas, with his works being housed in global museums such as the Spencer Museum of Art at the University of Kansas, the Minneapolis Institute of Art, and the Burke Collection in the United States.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eAlthough originally created as a guinomi for enjoying Japanese sake, our gallery proposes this piece as a shot glass for savoring rare aged sake or Western spirits that have matured for decades. The wide mouth design optimizes the surface area where the liquid comes into contact with air, directly delivering the complex aromas produced by Blooming with water to the nasal cavity. Despite its palm-sized dimensions, it is a highly acclaimed academic masterpiece that combines the infinite depth of emerald green with the tension of precise incised lines.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Isami Matsumoto (1931–2012)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"36\"\u003eArtist's Major Career Highlights:\u003c\/b\u003e Received the 10th Nitten Tokusen (Special Selection) Award, the 6th Nitten Tokusen Award, served as a Nitten Juror, Nitten Councilor, and Director of the Kyoto Craft Arts Writers Association, among others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"276\"\u003eWorks in Collections:\u003c\/b\u003e Spencer Museum of Art (University of Kansas, USA), Minneapolis Institute of Art (USA), Mary and Jackson Burke Foundation (USA), Kyoto City KYOCERA Museum of Art (Kyoto City Museum of Art), Itsuo Art Museum (Ikeda City, Osaka Prefecture), etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"541\"\u003ePeriod of Creation:\u003c\/b\u003e 2000s (Presumed to be from his mature late period)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"612\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"655\"\u003eAccessories:\u003c\/b\u003e Original wooden box (signed and sealed by Isami Matsumoto), \u003cspan\u003e\u0026nbsp;wrapping cloth, and descriptive leaflet included.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"736\"\u003eMaterial:\u003c\/b\u003e Porcelain\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"756\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 7.2 cm, height approx. 4.2 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"821\"\u003eNote:\u003c\/b\u003e All products offered by our gallery, even if unused, are from older production periods and are listed as used items. The product may have age-related wear, so please understand and confirm this before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47695919874235,"sku":null,"price":35000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5902_result.jpg?v=1776176898"},{"product_id":"214","title":"Okayama Prefecture Important Intangible Cultural Property Holder, Tadashi Yoshimoto, Hidasuki Bizen Ware Beer Cup (Bakushunon), Authentic Heritage Work of Master Kei Fujiwara #214","description":"\u003cp data-path-to-node=\"8\"\u003eWe are pleased to introduce a work by Tadashi Yoshimoto (1943-), a leading figure in contemporary Bizen ware, who apprenticed under Living National Treasure Kei Fujiwara for 19 years and inherited his spirit and techniques in their purest form. Mr. Yoshimoto was recognized as a holder of Okayama Prefecture's designated Important Intangible Cultural Property in 2007 and was also selected as an honorary citizen of Bizen City in 2025, making him a truly representative artist of the Bizen ware world in both name and reality. His works are housed in major museums worldwide, including the Sèvres National Ceramic Museum in France, establishing his artistry on an international standard. This piece is a condensation of Mr. Yoshimoto's exceptional skills, featuring the bold forms inherited from his mentor, alongside the refined order achieved through his signature tatara (slab-building) and hand-shaping techniques.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe most striking feature of this work is the vivid hidasuki pattern that adorns its surface. Hidasuki is a traditional Bizen ware decorative technique where rice straw is wrapped around the vessel before firing; the interaction between the flames and the clay causes vibrant scarlet streaks to emerge on the surface. As seen in the accompanying images, dynamic red lines, as if meticulously planned, run across the rustic brown surface of the natural clay, revealing a beauty that seems to imprison the memory of fire within the static vessel. Furthermore, the tactile quality of the hand-formed texture, reminiscent of the tatara technique that led to Mr. Yoshimoto receiving the Okayama Prefectural Cultural Encouragement Award, provides a feeling that adheres to the palm and a pleasant sense of weight. This is a direct manifestation of the artist's thoughts in his fingertips, something mass-produced items can never replicate.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eOur shop suggests this vessel, originally crafted for enjoying beer, as a special sake cup for savoring amber-colored aged sake or matured Japanese whiskey. Bizen ware, fired for extended periods at temperatures exceeding 1200 degrees Celsius without glaze, contains minute pores. These pores are said to interact with the components in liquids, mellowing their flavor. When whiskey is poured, the scarlet of the hidasuki resonates with the golden hue of the liquid, and the rough texture of the clay visually and tactilely softens the alcohol's bite, offering an ultimate tasting experience that allows for a deeper and more contemplative enjoyment of the aged aroma born from the accumulation of time.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eWhile the works of holders of Okayama Prefecture's Important Intangible Cultural Property are firmly established as art objects in Japan due to their rarity and technical foundation, information regarding the background of such artists and precise explanations of their techniques is often scarce in overseas markets. Therefore, a piece of exceptionally high quality like this one is highly prized. This work, imbued with the soul of Tadashi Yoshimoto, who trained for 19 years under the great Living National Treasure Kei Fujiwara, preserving tradition while continuously pursuing refinement that blends with modern spaces, will transcend the realm of mere tools and become a bridge connecting the joy of ownership with history.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Tadashi Yoshimoto (1943-)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eArtist's Major Activities: \u003c\/strong\u003e[From 1964] Apprenticed under Living National Treasure Kei Fujiwara (19 years) [1975] Became independent, [1986] Received Okayama Prefectural Cultural Encouragement Award, [1988] Received Kaneshige Toyo Award, [2007] Recognized as a holder of Okayama Prefecture's Designated Important Intangible Cultural Property \"Bizen Ware Production Techniques,\" [2025] Selected as an Honorary Citizen of Bizen City. Regular member of the Japan Kōgei Association.\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eWorks Housed At: \u003c\/strong\u003eSèvres National Ceramic Museum (France), Bizen City Museum of Bizen Ware, Okayama Prefectural Museum of Art, etc.\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003ePeriod of Production: 2010s (estimated)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eTomobako (original signed wooden box), Ukon-nuno (wrapping cloth), Shiori (informational brochure)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePottery (Bizen ware, hidasuki)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 13.2 cm, Mouth diameter approx. 9.6 cm, Body diameter approx. 12.6 cm, Base diameter approx. 6.1 cm\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eAll products offered by our shop, even if new and unused, are from a very old production period and are listed as used items. The product may have age-related damage, so please understand and confirm before considering purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47695921643707,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6460_result.jpg?v=1778895665"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/collections\/S__74350596_0.jpg?v=1746689049","url":"https:\/\/antiqueliquor1926.com\/en\/collections\/ceramic-glass.oembed?page=4","provider":"Antique Liquor","version":"1.0","type":"link"}