{"title":"Green Sake Cups and Vessels (Oribe, Green Glaze)","description":"\u003cp\u003eOribe, green glaze, kingfisher celadon and green glass: deep greens that quietly flatter an amber pour.\u003c\/p\u003e","products":[{"product_id":"172","title":"Matsumoto Isami (松本為佐視): A Pair of Emerald Celadon Sake Cups — Redefining Ru Ware and the Zenith of Emerald Green through Rayleigh Scattering #172","description":"\u003cp data-path-to-node=\"16\"\u003eMatsumoto Isami (1931–2012) was a master potter of the highest pedigree in contemporary Japanese ceramics. Having studied under the legendary \u003ca href=\"\/en\/search?q=%22%E6%A5%A0%E9%83%A8%E5%BD%8C%E5%BC%8C%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKusube Yaichi\u003c\/a\u003e (recipient of the Order of Culture) and \u003ca href=\"\/en\/search?q=%22%E5%AE%AE%E4%B8%8B%E5%96%84%E5%AF%BF%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eZenju Miyashita\u003c\/a\u003e, he dedicated his life to the \"spirit of ceramics as pure art that transcends practical use.\" This set of two sake cups is a quintessential work from his mature period, representing a harmonious fusion of dignified form and meticulously calculated layers of color.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eThe most extraordinary feature of this work is the captivatingly deep emerald green hue. This mystical color is the result of a physical phenomenon achieved only by precisely controlling the iron oxide content in the glaze within a minute range of 0.1% to 0.3%, while maintaining a perfectly constant reducing atmosphere in the kiln at high temperatures around 1,300°C. This technique redefines the \"heavenly blue\" (Tianqing) of China’s legendary Song Dynasty Ru Ware through a modern chemical approach, intentionally inducing \"Rayleigh scattering.\" Light reflects off microscopic bubbles and undissolved particles within the glaze layer, creating a deep, internally luminous transparency that industrial pigments can never replicate.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eIn terms of form, the elegant presence of the cups overcomes the high shrinkage rates inherent to porcelain clay. The \"line engraving technique\" inherited from his masters requires a sublime level of sensitivity, with the needle moving with sub-millimeter precision within the fleeting window when the clay is semi-dry—an irreversible process that allows for no error. The ability to evenly fix a deep celadon glaze on such thin, refined porcelain while perfectly controlling the crackle (kanyu) is a testament to Matsumoto's mastery of firing schedules, honed through his long tenure as a judge for the Nitten (Japan Fine Arts Exhibition).\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eDue to his overwhelming technical prowess and artistic integrity, Matsumoto was twice awarded the \"Tokusen\" (Special Selection) at the Nitten, the most prestigious art exhibition in Japan, and later served in influential roles as a judge and council member. His reputation extends internationally, with works held in world-class institutions such as the Spencer Museum of Art (University of Kansas, USA), the Minneapolis Institute of Art (USA), and the Mary and Jackson Burke Foundation (New York). Notably, the Spencer Museum utilizes his work as \"living teaching material\" for the study of modern reinterpretations of Ru Ware and the evolution of porcelain in Kyoto, underscoring his profound academic value.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eCrafted with the belief that \"a vessel is a sanctuary where the poured liquid and the user’s heart meet,\" these cups embody a celebratory prayer that transcends their function as drinking vessels. Blending classical Chinese aesthetics with the sophisticated modern expressionism of 20th-century Kyoto, this specific shade of \"Blue\" will provide exceptional satisfaction even to discerning collectors of high-end crystal glass such as Baccarat or Lalique. The moment amber whisky or clear sake is poured, the emerald green born from Rayleigh scattering resonates with the liquid, bringing a quiet dynamism to your table. This is a supreme masterpiece that encapsulates a timeless aesthetic.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Matsumoto Isami (松本為佐視, 1931–2012)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eNotable Career Achievements:\u003c\/strong\u003e Awarded the 10th Nitten Tokusen (1967) and the 6th Nitten Tokusen (1974). Served as Nitten Judge, Nitten Council Member, and Director of the Kyoto Craft Artists Association.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003ePublic Collections:\u003c\/strong\u003e Spencer Museum of Art (University of Kansas, USA), Minneapolis Institute of Art (USA), Mary and Jackson Burke Foundation (USA), Kyoto City KYOCERA Museum of Art, Itsuo Art Museum (Osaka, Japan), and more.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e Circa 1990s (Estimated)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent (no chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original signed wooden box (Tomobako) and wrapping cloth (Tomonuno) included.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain, Celadon Glaze\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Diameter approx. 5.6 cm, Height approx. 5.6 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003ePlease Note:\u003c\/strong\u003e Even if items are in unused condition, they are vintage archival pieces and are listed as second-hand. Please understand that products may show characteristics of aging, and we encourage you to review all details before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47482920566971,"sku":null,"price":38000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4464.jpg?v=1772271581"},{"product_id":"209","title":"Fukuoka Prefectural Intangible Cultural Property Holder, Takakura Kunimitsu (高倉国光), 1986 Work, Koishiwara Ware, Secret Rokushō (Verdigris) Glaze, Tobi-Tetsu-Bori (Flying Iron Carving) Pattern, Suiteki Water Dropper, Whisky Dropper #209","description":"\u003cp data-path-to-node=\"6\"\u003eThis is an extremely rare artistic water dropper by Kunimitsu Takakura (1930-2021), a legendary potter based in Toho Village, Asakura-gun, Fukuoka Prefecture (Koishiwara), who connected the Koishiwara ware tradition to the present day. Born into the Takakura family, which has preserved the Koishiwara ware tradition for generations, he inherited the techniques of the community that have existed since the Edo period, yet elevated those techniques to the realm of fine art. His outstanding achievements are supported by the highest recognition for a regional potter: the Contemporary Master Craftsman award in 1996, the Order of the Sacred Treasure, Silver Rays in 2005, and certification as a holder of Fukuoka Prefecture's Intangible Cultural Property in 2014. His works are housed in the Fukuoka Prefectural Museum of Art and the Kyushu National Museum, making him an indispensable master in the history of Koishiwara ware.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eThis piece transcends ordinary Koishiwara ware for daily use, possessing the dignity of a fine artwork. As proof of this, the inscription on the ceramic base is not the kiln name Takakura, but Kunimitsu—a signature the artist reserved for unique works imbued with his artistic pride, bearing his own name. Furthermore, from the description on the wooden box, it is clear that this piece was specially created on May 26, 1986, through a deep connection with Nara Kobaien, Japan's oldest and most prestigious ink manufacturer, founded in 1577. This vessel, custom-made as a water dropper to accompany the finest ink for Kobaien—a sacred place for calligraphy tools—is more than just a craft item; it is a historical record of a significant cultural exchange.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThe design features the tobikanna (chattering) technique, a hallmark of Takakura's artistry, applied with perfect rhythm. This continuous pattern, carved with a mainspring steel spatula, exhibits the unerring precision of a master alongside the warmth generated by handwork, giving the entire vessel a pleasant sense of dynamism. The deep, transparent verdigris glaze covering the whole piece, applied thickly, emits a jewel-like luster. Although originally conceived as a tool for dispensing water drop by drop for calligraphy, our store redefines this item as a water dropper for enjoying Western spirits or rare aged spirits that have matured for decades.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eHigh-purity alcohol and aged spirits that have been bottled for decades undergo a moment of Blooming when a very small amount of water is added, changing the surface tension and dramatically revealing complex layers of trapped aroma and flavor. To control this extremely delicate change, the shape of this water dropper, which can precisely control water drop by drop, is ideal. Its use is surprisingly intuitive and elegant. By lightly pressing the small air hole on the top of the body with a fingertip, and then slightly lifting or closing that finger, the flow of air into the interior can be controlled with millimeter precision. This allows for a precisely intended single drop to be gently guided into the amber liquid. With his passing in 2021, new works with such a special background will never be created again, making this an extremely rare legacy, equivalent to owning a fragment of history.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Takakura Kunimitsu (高倉国光, 1930-2021)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"39\"\u003eArtist's Major Career Highlights:\u003c\/b\u003e [1996] Awarded as a Contemporary Master Craftsman (Outstanding Skilled Worker) by the Minister of Labor, [2005] Received the Order of the Sacred Treasure, Silver Rays, [2014] Certified as a holder of Fukuoka Prefecture's Intangible Cultural Property\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"323\"\u003eWorks in Collections:\u003c\/b\u003e Fukuoka Prefectural Museum of Art, Kyushu National Museum (Exhibition record), Toho Village Koishiwara Traditional Industrial Hall, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"482\"\u003eProduction Date:\u003c\/b\u003e 1986 (Showa 61 \/ Specially produced for Nara Kobaien)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"553\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"596\"\u003eAccessories:\u003c\/b\u003e Original wooden box (with Kunimitsu Takakura's signature and seal, and Nara Kobaien inscription), Leaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"715\"\u003eMaterial:\u003c\/b\u003e Pottery (Koishiwara ware)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"751\"\u003eDimensions:\u003c\/b\u003e Height approx. 4.5cm, Maximum diameter approx. 4.5cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"816\"\u003eNote:\u003c\/b\u003e All products offered by our store, even if unused, are from a very old production period and are listed as used items. The product may have age-related damage, so please understand and confirm this before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47695919808699,"sku":null,"price":38000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5813_result.jpg?v=1778063108"},{"product_id":"211","title":"Matsumoto Isami (松本為佐視): A Masterpiece of Modern Kyoto Porcelain – Redefining Ru Ware Sky-Blue Jade Celadon Shot Glass #211","description":"\u003cp data-path-to-node=\"6\"\u003eThis is an exquisitely refined Jade Celadon guinomi (sake cup) by Matsumoto Isami (1931–2012), a doyen of the Kyoto ceramic art world and a master who led contemporary Japanese porcelain art. Matsumoto studied under \u003ca href=\"\/en\/search?q=%22%E6%A5%A0%E9%83%A8%E5%BD%8C%E5%BC%8C%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYaichi Kusube\u003c\/a\u003e, a recipient of the Order of Culture who elevated post-war Japanese ceramics to the status of pure fine art for appreciation. The spirit of ceramics as pure art beyond utility, inherited from his mentor, consistently flows through his works as a dignified aesthetic form and a superposition of delicate colors.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eThe unique celadon color achieved by Matsumoto in this work—a Jade Celadon with the depth of an emerald—is the result of a physical phenomenon obtained only by controlling the iron oxide content in the glaze within an extremely fine range of 0.1 to 0.3 percent, and maintaining a perfectly constant reducing atmosphere in the kiln at high temperatures around 1300 degrees Celsius. This technique redefines the sky-blue color achieved by the Ru ware of China's Song Dynasty through a modern chemical approach. By intentionally inducing Rayleigh scattering—which occurs when light reflects off microscopic bubbles and undissolved particles within the glaze layer—it creates a deep transparency impossible with industrial dyes. The incised line (senkoku) technique applied to the entire surface requires a high degree of sensibility to precisely move a needle with sub-millimeter accuracy within the short time the clay body is in a semi-dry state, completed through an irreversible process where not a single mistake is allowed.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eIn terms of form, it features dimensions that combine stability and elegance, with a mouth diameter of approximately 7.2 cm and a height of approximately 4.2 cm. The ability to evenly fix a deep celadon glaze onto such a thin and refined porcelain while controlling the crazing demonstrates a complete mastery of the firing schedule, based on many years of experience as a Nitten judge. Due to his overwhelming technical skill and dignity, Matsumoto received two Tokusen (Special Selection) awards at the Nitten, Japan's most prestigious art exhibition. His reputation extended overseas, with his works being housed in global museums such as the Spencer Museum of Art at the University of Kansas, the Minneapolis Institute of Art, and the Burke Collection in the United States.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eAlthough originally created as a guinomi for enjoying Japanese sake, our gallery proposes this piece as a shot glass for savoring rare aged sake or Western spirits that have matured for decades. The wide mouth design optimizes the surface area where the liquid comes into contact with air, directly delivering the complex aromas produced by Blooming with water to the nasal cavity. Despite its palm-sized dimensions, it is a highly acclaimed academic masterpiece that combines the infinite depth of emerald green with the tension of precise incised lines.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Matsumoto Isami (松本為佐視, 1931–2012)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"36\"\u003eArtist's Major Career Highlights:\u003c\/b\u003e Received the 10th Nitten Tokusen (Special Selection) Award, the 6th Nitten Tokusen Award, served as a Nitten Juror, Nitten Councilor, and Director of the Kyoto Craft Arts Writers Association, among others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"276\"\u003eWorks in Collections:\u003c\/b\u003e Spencer Museum of Art (University of Kansas, USA), Minneapolis Institute of Art (USA), Mary and Jackson Burke Foundation (USA), Kyoto City KYOCERA Museum of Art (Kyoto City Museum of Art), Itsuo Art Museum (Ikeda City, Osaka Prefecture), etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"541\"\u003ePeriod of Creation:\u003c\/b\u003e 2000s (Presumed to be from his mature late period)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"612\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"655\"\u003eAccessories:\u003c\/b\u003e Original wooden box (signed and sealed by Matsumoto Isami), \u003cspan\u003e\u0026nbsp;wrapping cloth, and descriptive leaflet included.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"736\"\u003eMaterial:\u003c\/b\u003e Porcelain\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"756\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 7.2 cm, height approx. 4.2 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"821\"\u003eNote:\u003c\/b\u003e All products offered by our gallery, even if unused, are from older production periods and are listed as used items. The product may have age-related wear, so please understand and confirm this before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47695919874235,"sku":null,"price":33000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5902_result.jpg?v=1776176898"},{"product_id":"250","title":"Pitcher \/ Water Jug with Grape Design in Iron Painting and Green Coloring by Takeda Toshio (武田敏男), Pupil of Living National Treasure Tamura Koichi, Artist Represented in the Collection of The National Museum of Modern Art, Kyoto #250","description":"\u003cp dir=\"ltr\"\u003eWe are pleased to present a pitcher (water jug) by Takeda Toshio (b. 1932), a ceramic artist born in 1932 (Showa 7) in Takaoka, Toyama Prefecture. After studying ceramics at Kanazawa College of Art, Takeda honed his craft in Kyoto and Kanazawa, and also studied under \u003ca href=\"\/en\/search?q=%22%E7%94%B0%E6%9D%91%E8%80%95%E4%B8%80%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTamura Koichi\u003c\/a\u003e, who would later be designated a Living National Treasure. Since 1964 he has continued to make ceramics at the kiln he built in Mashiko, Tochigi Prefecture. His work has been accepted many times into the Nitten (Japan Fine Arts Exhibition), the Japan Ceramic Art Exhibition and the Japan Traditional Kogei Exhibition. His entry to the Japan Ceramic Art Exhibition was selected for a touring exhibition in Canada and the United States and then entered the collection of The National Museum of Modern Art, Kyoto. He is a full member of the Japan Kogei Association and has also served on the selection and judging committee of the Japan Kogei Association New Works Exhibition. This piece has the robust, warm presence of a pottery vessel. We propose it as a water jug for pouring a chaser alongside koshu (aged sake) or water for adding to drinks, and also as a serving vessel that graces the table at any gathering over drinks.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAccording to Takeda’s record of his ceramic career, he graduated from Kanazawa College of Art in 1955 (Showa 30) and continued his research in the college’s research course. In 1956 (Showa 31) he moved to Kyoto, where he studied under \u003ca href=\"\/en\/search?q=%22%E7%B1%B3%E6%B2%A2%E8%98%87%E5%B3%AF%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYonezawa Soho\u003c\/a\u003e, and his work was accepted into the Nitten. In 1957 (Showa 32) he returned to Kanazawa and worked at his alma mater as assistant to the Kutani ware artist \u003ca href=\"\/en\/search?q=%22%E5%8C%97%E5%87%BA%E5%A1%94%E6%AC%A1%E9%83%8E%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKitade Tojiro\u003c\/a\u003e, then a professor at Kanazawa College of Art. In 1960 (Showa 35) he sought out Tamura Koichi in Sano, Tochigi Prefecture, and became his pupil. Through Tamura’s introduction he joined the Tsukamoto Pottery in Mashiko, where he devoted himself to ceramic research. In 1963 (Showa 38) he entered the Nagoya Industrial Research Institute to master glaze and firing techniques, studying under Kato Etsuzo and Morita Shiro. The following year, 1964 (Showa 39), he built his own kiln in Mashiko and became independent. In 1966 (Showa 41) he formed the Shodokai with like-minded colleagues living in Mashiko. In 1969 (Showa 44) his work was accepted into the Japan Traditional Kogei Exhibition. In 1971 (Showa 46) his work was accepted into the Japan Ceramic Art Exhibition, organized by The Mainichi Newspapers. This entry was selected for a touring exhibition in Canada and the United States and was later purchased by The National Museum of Modern Art, Kyoto. In 1974 (Showa 49) he became a full member of the Japan Kogei Association, and between 1983 and 1986 he served on the selection and judging committee of the Japan Kogei Association New Works Exhibition. From 1973 (Showa 48) to 1990 (Heisei 2) he held solo exhibitions at Nihombashi Takashimaya in Tokyo, ten in all, and he also held a series of solo exhibitions at Yokohama Takashimaya. Furthermore, in 1990 his “Bowl with Grape Design in Iron and Copper Decoration” was accepted into the 37th Japan Traditional Kogei Exhibition.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe work that can be confirmed as a representative piece attesting to Takeda’s standing is this “Bowl with Grape Design in Iron and Copper Decoration.” Tetsu-dosai (iron and copper decoration) is a mode of expression that combines the colors developed by two metals, iron and copper, to adorn the surface of a vessel. Takeda’s teacher, Tamura Koichi, was recognized for, among other things, using copper coloring alongside iron painting (tetsu-e) to vary his palette. In 1986 Tamura was designated a Holder of Important Intangible Cultural Property (Living National Treasure). Takeda’s tetsu-dosai belongs to this lineage. This piece takes the grape as its subject, with green coloring layered over an iron-painted design to compose the pictorial field. In both subject and composition, it displays a style in common with his representative work accepted into the Japan Traditional Kogei Exhibition.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIn the grape design that takes center stage in this work, the vines and fruit are drawn in free-flowing, powerful iron-painted brushwork. The green leaves layered over them create a vivid contrast against the white ground. Because the grapevine bears its fruit in abundant clusters, the grape has long been cherished as an auspicious motif symbolizing bountiful harvests and the flourishing of future generations. The lower body, the handle and the inner rim are glazed separately with an iron glaze that fires to tones ranging from deep chocolate brown to black. This clear contrast with the painted areas on the white ground lends the whole work a sense of visual stability. The handle and spout are joined to a wheel-thrown body, making the piece substantial yet comfortable to hold, and it is also practical to use as a pouring vessel.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eUnlike mass-produced ware, this is a one-of-a-kind piece that has passed through the artist’s own hands. Very little information on Takeda Toshio’s work circulates outside Japan, and opportunities to encounter examples such as pitchers are especially limited. The piece comes with its tomobako (the original box inscribed by the artist) and a shiori, a leaflet recording the artist’s ceramic career.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eTakeda Toshio (武田 敏男、b. 1932)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eSelected Career Highlights:\u003c\/strong\u003e [1955] Graduated from Kanazawa College of Art, pursued research in the college’s research course; [1956] Studied under Yonezawa Soho in Kyoto, accepted into the Nitten; [1957] Worked at his alma mater as assistant to Kitade Tojiro; [1960] Studied under Tamura Koichi in Sano, Tochigi Prefecture, conducted ceramic research at the Tsukamoto Pottery in Mashiko; [1963] Researched glazes and firing at the Nagoya Industrial Research Institute; [1964] Built his own kiln in Mashiko, Tochigi Prefecture, and became independent; [1966] Formed the Shodokai; [1969] Accepted into the Japan Traditional Kogei Exhibition; [1971] Accepted into the Japan Ceramic Art Exhibition, entry selected for the touring exhibition in Canada and the United States and added to the collection of The National Museum of Modern Art, Kyoto; [1973] First solo exhibition at Nihombashi Takashimaya (continuing through the tenth in 1990); [1974] Became a full member of the Japan Kogei Association; [1983] Served on the selection and judging committee of the Japan Kogei Association New Works Exhibition (also in 1984 and 1986); [1990] Accepted into the 37th Japan Traditional Kogei Exhibition (Bowl with Grape Design in Iron and Copper Decoration)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003ePublic Collections: \u003c\/strong\u003eThe National Museum of Modern Art, Kyoto\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eDate: \u003c\/strong\u003e1990s (estimated; the career history in the leaflet runs to the 37th Japan Traditional Art Crafts Exhibition in 1990)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent (no chips, no cracks)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eIncluded: \u003c\/strong\u003eTomobako (box inscribed by the artist), shiori (leaflet recording the artist’s ceramic career)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Pottery\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 20 cm, width approx. 22 cm\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003ePlease Note: \u003c\/strong\u003eAll items we offer, even those that are new and unused, were produced a very long time ago and are therefore listed as pre-owned. Items may have age-related damage; please understand and check this before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47823832580283,"sku":null,"price":65000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6734_result.jpg?v=1779248775"},{"product_id":"283","title":"Kyoto Prefectural Traditional Craft Techniques Holder, Hayashi Makuu (林沐雨) - A Phantom Kiyomizu-yaki Masterpiece Fusing Vivid Cobalt Enamel and Fine Gold Leaf: Gold-Accented Enamel \"Oosuzume \/ Red-flanked Bluetail\" Yunomi Tea Bowl \/ Rock Glass #283","description":"\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"markdown markdown-main-panel enable-luminous-fast-follows enable-updated-hr-color stronger\" id=\"model-response-message-contentr_126626194aeeb34d\" aria-busy=\"false\" aria-live=\"polite\" dir=\"ltr\"\u003e\n\u003cp data-path-to-node=\"27\"\u003eThis is an exceptionally elegant Iroe-Kinsai (overglaze enamel painting with gold accents) Yunomi tea bowl, representing the absolute pinnacle of classic Kyoto elegance, meticulously crafted by the grand master of Kiyomizu ware, Makuu Hayashi (1901–1991, real name: Yoshikazu Hayashi). The artist is widely recognized among elite collectors as an extremely rare individual whose works are seldom found within the Japanese secondary market or domestic digital archives. This extreme rarity is due to his unwavering lifelong commitment to working completely independently without ever aligning himself with major Japanese art establishments such as the Nitten Exhibition, combined with his extensive mid-century production of bespoke pieces direct-exported to overseas trading houses, notably in Hawaii, both before and after World War II.\u003c\/p\u003e\n\u003cp data-path-to-node=\"28\"\u003eOur gallery proudly presents this rare, historically significant masterpiece by a legendary artisan, not merely as an everyday utilitarian vessel, but as a supreme expression of Japanese Kōgei. It is specifically curated to serve as a premium sake cup for savoring rare vintage and aged sakes that have developed a profound complexity and rich character over decades of cellaring. The comfortable, organic proportion that nestles perfectly within the palm of your hand and its deliberate depth are beautifully designed to gently capture and concentrate the volatile, opulent aromas of mature spirits, creating a deeply luxurious sensory experience that delights both the eye and the palate.\u003c\/p\u003e\n\u003cp data-path-to-node=\"29\"\u003eMakuu Hayashi's most historically celebrated achievements lie in his exquisite mastery of overglaze enameling, which directly inherits the grand classical traditions of the legendary historical potters Ogata Kenzan and Nonomura Ninsei, along with his revolutionary color expressions utilizing traditional Japanese mineral pigments and Kochi glazes set against a low-temperature red-flame translucent glaze that he independently developed in 1928. This specific vessel beautifully demonstrates these exceptional techniques, adorned with the bird motif that the master favored above all else. The \"Oosuzume\" (modeled after the Red-flanked bluetail) depicted on the front facing of the cup utilizes a pristine, piercingly vivid cobalt Japanese mineral pigment, with incredibly precise brushwork that beautifully captures the dynamic vitality of life. Furthermore, sophisticated gold leaf detailing is layered over deep black enamels around the bird's face and across the primary feathers, retaining the imperial elegance of traditional Kiyomizu ware while simultaneously elevating the composition into a sharp, modern graphic design reminiscent of mid-century Western fine art.\u003c\/p\u003e\n\u003cp data-path-to-node=\"30\"\u003eAnother exceptional highlight of this piece extends beyond the surface painting to showcase the sublime, organic fusion of clay and kiln fire throughout the entire vessel body. Observing the reverse and side profiles of the cup, one can discern delicate pink speckles, historically known as \"higaawari\" (accidental kiln fire transformations), gently blushing through the fine crackled cream-white glaze base. Although the piece is technically crafted from fine porcelain, this breathing organic phenomenon beautifully evokes the material warmth and aesthetic depth unique to traditional Kyoto pottery, entirely distinguishing the object from cold, sterile commercial wares. On the underside of the foot rim, Makuu's authentic signature, inheriting the artistic lineage of his historical studio \"Isshian,\" is boldly and sharply incised with a master's spatula. The exterior lid of the accompanying dedicated wooden box (Tomobako), which has safely protected the artwork for decades, bears the artist's personal, fluid calligraphy titled \"Oosuzume Yunomi\" along with his signature and official vermilion seal (rakkan)—an absolute certification of provenance that fully guarantees its reliability, authenticity, and profound historical collection value. We invite you to experience the absolute zenith of traditional Japanese craftsmanship, a rarity virtually nonexistent in international markets, alongside your finest spirits.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"31\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eHayashi Makuu (林沐雨, 1901–1991, Birth name: Yoshikazu Hayashi)\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eArtist's Notable Activities:\u003c\/strong\u003e [1916] Studied the core fundamentals of ceramic arts under his biological father, the master potter \u003ca href=\"\/en\/search?q=%22%E6%9E%97%E7%A5%A5%E5%B1%B1%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eShozan Hayashi\u003c\/a\u003e; [1921] Entered \"Gojodo,\" the highly exclusive purveyor to the Imperial Household Ministry, where he thoroughly acquired advanced imperial porcelain manufacturing techniques; [1932] Studied under \u003ca href=\"\/en\/search?q=%22%E6%B8%85%E6%B0%B4%E5%85%AD%E5%85%B5%E8%A1%9B%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKiyomizu Rokubei\u003c\/a\u003e V, the undisputed titan of modern Kyoto ceramic arts (until 1936); [1948] Formally certified as a \"Holder of Traditional Craft Techniques\" by the Kyoto Prefectural Government for his outstanding contributions to cultural preservation\u003c\/li\u003e\n\u003cli data-path-to-node=\"33\"\u003e\u003cstrong\u003eMuseum Collections:\u003c\/strong\u003e Ibaraki Ceramic Art Museum, and other prominent public fine art institutions\u003c\/li\u003e\n\u003cli data-path-to-node=\"34\"\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e Circa 1950s–1970s (Mid-Showa era)\u003c\/li\u003e\n\u003cli data-path-to-node=\"35\"\u003e\u003cstrong\u003eProduct Condition: \u003c\/strong\u003eVery Good (pristine archival condition with no chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"36\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated Tomobako (Original wooden box signed and sealed by the artist)\u003c\/li\u003e\n\u003cli data-path-to-node=\"37\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain (Porcelain body featuring colored clay slip and fine gold leaf decoration)\u003c\/li\u003e\n\u003cli data-path-to-node=\"38\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 8.9 cm, Mouth diameter approx. 8.1 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"39\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003ePlease be advised that all historical works curated by our gallery, even if unused, originate from a historic production era and are strictly categorized as antique\/pre-owned fine art. Vintage objects may display subtle age-related nuances; we kindly invite you to consider your purchase with a full understanding of the unique character of antique Japanese ceramics.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c!----\u003e\u003c\/div\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974192251067,"sku":null,"price":66000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_9062_result.jpg?v=1784251734"},{"product_id":"286","title":"Recipient of the Medal with Yellow Ribbon by the Emperor of Japan, Kuroki Kuniaki (黒木国昭), Aya Kiriko Green \u0026 Amber Overlay Cased Glass Ba-jou-hai Stemmed Tasting Glass #286","description":"\u003cp data-path-to-node=\"23\"\u003eThis exceptionally elegant Ba-jou-hai (traditional horseback stemmed cup) is crafted by Mr. Kuroki Kuniaki (born 1945), a paramount master of contemporary Japanese glass art who, based in Miyazaki Prefecture, sublimates Japan's fading traditional aesthetics into the cutting-edge medium of glass, earning the highest acclaim both domestically and internationally. Born in Kobayashi City, Miyazaki Prefecture in 1945, Mr. Kuroki Kuniaki continues to be a living legend in the Japanese glass art world, presiding over his own atelier and maintaining a profound global influence as a leading figure even today in 2026. Since entering the glass manufacturing industry on the factory floor in 1963, he has remained entirely unbound by the rigid apprenticeship systems of traditional schools, mastering every facet of the craft—from the high-temperature hot forming of molten raw glass to intricate cold cutting—entirely through self-study and rigorous practical experience. After establishing Glass Art Kuroki in his ancestral hometown of Ayacho, Miyazaki Prefecture, and becoming independent in 1984, he achieved a singular artistic universe that seamlessly fuses Western glass techniques with classical Japanese sensibilities. In 1989, he was honored with the \"Contemporary Master Craftsman\" national award for outstanding skills, becoming the youngest recipient in the glass art history at the time. Furthermore, in 2006, he was bestowed with the prestigious Medal with Yellow Ribbon by the Japanese government, reaching the absolute pinnacle of domestic honor as both a master craftsman and a fine artist.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23\"\u003eThis masterpiece flawlessly embodies the spirit of \"Aya Kiriko,\" a proprietary cut glass technique developed by Mr. Kuroki through exhaustive research and modern reinterpretation of the legendary Satsuma Kiriko craft, which had once vanished from the historical stage. While at first glance it may evoke the aura of avant-garde Western studio glass, its profound essence lies in Mr. Kuroki's uncompromising cultural identity: reincarnating the pristine natural grandeur of Ayacho, Miyazaki Prefecture—celebrated for hosting one of the world's largest evergreen broadleaf forests and crystal-clear mountain springs—directly into the soul of the vessel. The heavy, hand-blown cased glass features a rich amber foundation layered with a deep green glass overlay, over which flawless geometric cuts are meticulously applied without a fraction of error. By deeply carving away this thick, colored glass layer at a sophisticated angle, a spectacular refraction of light is achieved, creating \"bokashi\"—the breathtaking, subtle color gradation that shifts fantastically from vivid green to warm amber. This intricate layering of colors conjures a painterly landscape, capturing the mystical light filtering through Ayacho's ancient woods and the shimmering face of its pure streams. The silhouette of the vessel proudly adopts the noble form of the historic Ba-jou-hai, where the substantial weightiness inherent to hand-formed pieces and the organic, slightly unique contours exude an overwhelming sculptural presence that completely distances it from mass-produced wares. The artist's signature is proudly engraved on the base of the piece, certifying its true authenticity, and a carefully preserved, dedicated Tomobako (the original wooden box signed and sealed by the artist) is included as a vital historical document proving its impeccable provenance.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23\"\u003eWe propose this exceptional vessel, imbued with undisputed art-historical authority and world-class superlative craftsmanship, as the ultimate Japanese KOGEI masterpiece for savoring refined sake and spirits within the palm of your hand, perfectly tailored to a sophisticated contemporary lifestyle. Standing at approximately 8.5 cm in height with a mouth diameter ranging from a minimum of 8.0 cm to a maximum of 8.5 cm, its precise proportions fit beautifully in the hand while concentration and encompassing rich aromas. It performs at its absolute zenith when used to sample aged sake (Koshu) or mature spirits that have developed deep complexity and noble bouquets over many decades. The structure, featuring the tall stem characteristic of the traditional horseback cup, flawlessly prevents the natural body heat of the hand from transferring to the delicate liquid inside, making it functionally and scientifically rational for tasting matured spirits where strict temperature control is paramount. The surreal green and amber landscape extending across the front and sides resonates marvelously with the natural amber hue of poured aged sake, elevating an everyday evening drink into a luxurious moment of contemplating top-tier three-dimensional art. Original creations and museum-tier masterpieces executed entirely by Mr. Kuroki Kuniaki himself are actively acquired by passionate collectors and public institutions worldwide, leaving the civilian market with extremely scarce opportunities to encounter them, thereby endowing this piece with immense rarity and archival value. This Ba-jou-hai stemmed cup, a miraculous crystallization that has successfully evolved the fierce, powerful spirit of Japanese tradition into contemporary fine art, harmonizes flawlessly with sophisticated modern interiors, whether Eastern or Western, bringing undeniable dignity and an incomparable presence to any setting.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Kuroki Kuniaki (黒木国昭, 1945-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eArtist's Notable Career History: \u003c\/strong\u003e[1963] Joined Yamaya Glass Industrial Co., Ltd. in Miyazaki Prefecture, commencing his rigorous foundation as a glass craftsman; [1974] Relocated to a prominent glass manufacturing company in Tokyo to absorb advanced modern techniques and scientific knowledge; [1984] Founded \"Glass Art Kuroki\" in his hometown of Ayacho, Miyazaki Prefecture, establishing his independence; [1989] Received the national award for outstanding skills \"Contemporary Master Craftsman\" as the youngest recipient in the glass discipline at the time; [1991] Certified as an official Miyazaki Prefecture Traditional Craftsman; [2006] Bestowed with the \"Medal with Yellow Ribbon\" (Huangshubaozhang) by the Japanese government\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eWorks Collected and Presented:\u003c\/strong\u003e National Crafts Museum, Miyazaki Prefectural Art Museum, Miyakonojo City Museum of Art, Ebeltoft Glass Museum (Denmark), China National Museum of Art (Beijing), Japanese Embassies and Consulates-General worldwide (Diplomatic Missions), Imperial Household Presentations (officially presented to Their Majesties the Emperor and Empress, His Imperial Highness Crown Prince Naruhito, Their Imperial Highnesses Prince and Princess Akishino, etc.), The Vatican City, and numerous prestigious presentations and donations to overseas Royal Families\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eProduction Period: \u003c\/strong\u003eCirca 2010 (Estimated, the peak mature period following his national decoration of the Medal with Yellow Ribbon)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated Tomobako (original wooden box signed and sealed by the artist), Shiori included (original brochure detailing the artist's profile and lineage)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eGlass (Aya Kiriko, cased overlay glass)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 8.5 cm, Mouth diameter approx. 8.0 cm (min) - 8.5 cm (max) (Single piece)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003ePlease note that while the items we offer may be in pristine, unused condition, they originate from a historic production period and are strictly listed as antique\/used fine art pieces. Vintage items may exhibit subtle age-related characteristics; we kindly ask that you review all details and purchase upon full understanding.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974193889467,"sku":null,"price":100000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_8472_result.jpg?v=1783239174"},{"product_id":"287","title":"Restorer of the Legendary Meiji-Era Nishiura Ware: 5th-Generation Hiramasa Kiln Master Takagi Noritoshi (高木典利), Oribe Iron-Painted Wave and Bird Motif Sake Vessel #287","description":"\u003cp\u003eThis Oribe work is crafted by Takagi Noritoshi (born 1949), 5th-generation master of the Hiramasa Kiln in Mino, renowned for reviving the \"Yukasai\" (underglaze color) technique of the legendary Nishiura ware—a fine art ceramic produced in Tajimi during the Meiji period that won international acclaim before being lost to time. Inheriting a distinguished kiln lineage spanning five generations in Ichinokura-cho, Tajimi City, Gifu Prefecture, Takagi Noritoshi deeply pursued traditional Mino techniques and raw clay characteristics such as Shino, Oribe, and Ki-Seto while achieving the extraordinary feat of preserving heritage and restoring historical methods, earning high acclaim as a unique figure in the Mino ceramic art world.\u003c\/p\u003e\n\u003cp\u003eThis work represents a piece of E-Oribe (Narumi-Oribe) bearing the artist's handwritten inscription \"Oribe\" on its dedicated Tomobako. Featuring an elegant stemmed goblet form that opens outward like a morning glory from a dignified base, the entire body is finished in a warm white glaze laced with fine crackles. Expressed through energetic iron-brushwork, graceful wave motifs and soaring birds are painted with abstract graphic sensibility, while vibrant green copper glaze—the hallmark of Oribe ware—flows dynamically from the rim down the side. The interior of the stemmed base is also meticulously glazed with fine crackles and stamped with the artist's signature, resulting in a masterpiece that harmonizes traditional Oribe aesthetics with refined geometric form.\u003c\/p\u003e\n\u003cp\u003eOriginally possessing the dignified sculptural beauty of a futaoki (lid rest) used in tea ceremonies, we propose this vessel as a supreme Japanese Kogei sake vessel (stemmed goblet) for savoring aged sake, premium whisky, or Japanese sake in modern lifestyles. The moist, tactile feel of the raw clay when held, combined with the landscape created by the translucent green glaze and iron brushwork, elevates the act of pouring drinks into an extraordinary artistic experience. Identified as an authentic work created between 1985 and 1995—a period when his creative output as the 5th-generation master of Hiramasa Kiln matured and he actively pursued traditional Mino Oribe works—it arrives in pristine condition, complete with a dedicated Tomobako inscribed in ink and sealed by the artist.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eArtist：\u003c\/strong\u003eTakagi Noritoshi (高木典利, 5th-Generation Hiramasa Kiln, born 1949)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eArtist's Key Activities：\u003c\/strong\u003eInherited the 5th generation of \"Hiramasa Kiln\" in Ichinokura-cho, Tajimi City, Gifu Prefecture; created traditional Mino ceramics (Shino, Oribe, Ki-Seto); researched and revived the \"Yukasai\" (underglaze color) technique of the lost Meiji-era Nishiura ware over many years; held his first solo exhibition in Tajimi City in 2024\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePeriod of Production：\u003c\/strong\u003e1985–1995\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCondition：\u003c\/strong\u003eVery good (no chips, no cracks, excluding age-related character typical of antique art)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAccessories：\u003c\/strong\u003eDedicated Tomobako (with \"Oribe\" on the lid and \"Nori\" inscribed in ink with red seal on the lower left)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaterial：\u003c\/strong\u003eStoneware (Mino ware, E-Oribe, iron-painted wave and bird motif, flowing green glaze, crackle glaze, stemmed goblet form)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDimensions：\u003c\/strong\u003eHeight approx. 5.5 cm, Mouth diameter approx. 6.0 cm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCaution：\u003c\/strong\u003eAll products offered by our shop are historical items from an old production period and are listed as antique art \/ pre-owned items. Products may have subtle changes due to age, so please consider purchasing after understanding and verifying the nature of antique art.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974193922235,"sku":null,"price":19000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_9735_result.jpg?v=1784864061"},{"product_id":"295","title":"Grand Prix Winner at the Belgium World's Fair, Sodeisha Member, Kumakura Junkichi (熊倉順吉), Green Glazed Yohen Vessel, Side Dish #295","description":"\u003cp data-path-to-node=\"33\"\u003eThis ceramic vessel is a masterwork by Kumakura Junkichi (1920-1985), a legendary figure who left an indelible mark on the avant-garde ceramic art world of modern Japan. Born in Kyoto in 1920 and passing away in 1985, Kumakura Junkichi was a magnificent pioneer who led the post-war history of Japanese ceramics. After thoroughly studying modernism design and architectural structural expression at the Kyoto City First Industrial School of Architecture and the Kyoto Higher College of Arts and Crafts (currently the Kyoto Institute of Technology) Department of Pattern Design and Drawing, he pursued his artistic career in ceramics. He apprenticed under \u003ca href=\"\/en\/search?q=%22%E7%A6%8F%E7%94%B0%E5%8A%9B%E4%B8%89%E9%83%8E%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFukuda Rikisaburo\u003c\/a\u003e at the Shosai Toen atelier in Kyoto, and further had his creative spirit rigorously instilled by \u003ca href=\"\/en\/search?q=%22%E5%AF%8C%E6%9C%AC%E6%86%B2%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTomimoto Kenkichi\u003c\/a\u003e, a giant of modern ceramics and a Living National Treasure. His style, which fused the strict modernist philosophy of \"never create patterns from existing patterns\" inherited from Tomimoto Kenkichi with his own industrial design and architectural background, shone with a unique brilliance in the ceramic world of his era. In 1957, he joined the legendary avant-garde ceramic artist group \"Sodeisha,\" formed by \u003ca href=\"\/en\/search?q=%22%E5%85%AB%E6%9C%A8%E4%B8%80%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYagi Kazuo\u003c\/a\u003e and \u003ca href=\"\/en\/search?q=%22%E9%88%B4%E6%9C%A8%E6%B2%BB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eSuzuki Osamu\u003c\/a\u003e, and as a central member, reigned at the pinnacle of the Japanese ceramic art world. His artistry achieved high international acclaim, winning the prestigious Grand Prix at the 1958 Brussels World's Fair in Belgium and a silver prize at the 1962 International Ceramics Exhibition in Prague, Czechoslovakia. His works are publicly housed in leading national institutions, including the National Museum of Modern Art, Tokyo, and the National Museum of Modern Art, Kyoto.\u003c\/p\u003e\n\u003cp data-path-to-node=\"34\"\u003eThis piece is a true masterpiece that clearly demonstrates Kumakura Junkichi’s most highly regarded philosophy: the modernization of traditional glazes. The surface of the vessel presents a beautiful and magnificent landscape, as if the rich, volatile variations of the deep sea have been encapsulated within its glaze. This deeply vibrant green glazed kiln transformation (yohen), while utilizing traditional mineral glazes, has been elevated into a contemporary abstract expression through the graphic design sensibility the artist cultivated in his youth. The fluid undulations of the glaze and the meticulously controlled color gradations create a three-dimensional depth, painting an abstract expressionist drama upon the serene clay body. While other core members of Sodeisha moved towards pure sculptural objects that completely denied the utility of the vessel form, Kumakura Junkichi pursued his unique artistic conviction of how far avant-garde expression could be extended while strictly maintaining the practical utility and elegant form of the vessel. His spatial and architectural intelligence is fully expressed in the fusion of this piece's structured form and overwhelming tactile texture. Due to his relatively short active period of ceramic creation and the fact that many of his major works are held in public museums, the number of authentic pieces circulating in the private market is extremely limited, making this item highly rare as a global collector's piece.\u003c\/p\u003e\n\u003cp data-path-to-node=\"35\"\u003eWith its exquisite size of 18.5 cm in diameter, we propose this bowl as a Japanese KOGEI masterpiece perfectly tailored for enjoying matured vintage sake (Koshu) within a sophisticated contemporary lifestyle. It is particularly ideal as a dish for serving simmered foods or as an appetizer plate when savoring aged sake that has acquired a deep richness and noble aroma over many years. The overwhelming seascape of the glaze, where tradition and the avant-garde intersect, elegantly enhances the dishes served, creating a luxurious experience that satisfies all five senses alongside the rich flavor of matured vintage sake. This vessel, embodying the spirit of a master who relentlessly pursued beauty without compromise, is a supreme modern piece that brings undeniable dignity and a unique presence to the everyday dining table.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"36\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Kumakura Junkichi (熊倉順吉, 1920-1985)\u003c\/li\u003e\n\u003cli data-path-to-node=\"37\"\u003e\u003cstrong\u003eArtist's Notable Activities: \u003c\/strong\u003e[1955] Received the 1st Japan Ceramic Society Award, [1957] Joined the avant-garde ceramic artist group \"Sodeisha\" as a central member, [1958] Awarded the Grand Prix at the Brussels World's Fair in Belgium, [1962] Received a silver award at the International Ceramics Exhibition in Prague, Czechoslovakia\u003c\/li\u003e\n\u003cli data-path-to-node=\"38\"\u003e\u003cstrong\u003eWorks Housed In:\u003c\/strong\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; The Shigaraki Ceramic Cultural Park; The Museum of Modern Ceramic Art, Gifu, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"39\"\u003e\u003cstrong\u003eProduction Period: \u003c\/strong\u003e1970s - 1980s (Maturity period as a prominent Sodeisha member)\u003c\/li\u003e\n\u003cli data-path-to-node=\"40\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"41\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original Tomobako (wooden box signed by the artist), wrapping cloth, artist's profile brochure included\u003c\/li\u003e\n\u003cli data-path-to-node=\"42\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePottery (green glaze with kiln transformation \/ yohen)\u003c\/li\u003e\n\u003cli data-path-to-node=\"43\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 6.2 cm, Diameter approx. 18.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"44\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003ePlease note that all products offered by our store, even if unused, originate from a historic production period and are listed as antique fine art items. Vintage products may exhibit subtle age-related characteristics; please consider purchasing upon full understanding and confirmation.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974194315451,"sku":null,"price":130000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_8558_result.jpg?v=1783258162"},{"product_id":"317","title":"Ishikawa Intangible Cultural Property, Nitten Special Award Winner Matsumoto Saichi (松本佐一): Gold \u0026 Green Glazed Black-Painted Flat Sake Cup, Guinomi, Japanese Shot Glass #317","description":"\u003cp data-path-to-node=\"15\"\u003eCrafted by Matsumoto Saichi (1930–2021), a holder of Ishikawa Prefectural Designated Intangible Cultural Property for Kutani Ware and Nitten Special Award winner who was born in Kanazawa City, Ishikawa Prefecture, in 1930 and passed away at the age of 91 in 2021, this is a hand-painted flat sake cup adorned with gold and green glazes. Inheriting the legacy of the prestigious Matsuya Kiln and graduating from the Department of Ceramics at Kanazawa College of Art as well as the National Ceramic Experimental Station, Matsumoto Saichi broke free from the traditional \"five-color\" (Gosai) framework of Kutani ware, fusing gold and silver luster with graphic symbolic motifs to establish high acclaim as a leading figure in modern Kutani ceramics. Entrusted with creating the official sake cup gift for the Prime Minister during the normalization of Sino-Japanese diplomatic relations and furnishings for the Akasaka Palace (State Guest House), as well as winning the prestigious Nitten Special Award twice, he was a master who carried national honors. Featuring a shallow, gently flared flat-cup form measuring approximately 3 cm in height and 8 cm in diameter, this piece possesses high practical utility and aesthetic value, not only as a traditional cup for enjoying chilled sake, but also as a vintage shot glass (Japanese sake cup) for quietly savoring amber aged sake or single malt whisky straight.\u003c\/p\u003e\n\u003cp data-path-to-node=\"16\"\u003eObserving the details of this piece reveals a sophisticated fusion of Matsumoto Saichi's signature gold luster and translucent glazes, alongside his emblematic graphic design. Within the interior well (mikomi), a translucent, vibrant emerald-green glaze is layered over a brilliant gold leaf base, creating an enchanting visual effect where metallic radiance surges from the bottom of the vessel when struck by light. Rendered over this in black overglaze enamels are galloping four-legged animals, geometric fencing, and abstract motifs reminiscent of trees and birds, executed in fluid, expressive brushwork that constructs a modern aesthetic evoking ancient murals and primitive art. Meanwhile, the exterior walls are coated in a rich, vivid deep-blue glaze, and the unglazed white porcelain within the foot ring clearly displays his hand-painted signature reading \"Saichi\" in red overglaze, certifying it as an authentic creation.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eRegarding the period of production, taking clues from his peak artistic era between his first Nitten Special Award in 1977 (\"Ginsai Kiku\") and his second Nitten Special Award in 1988 (\"Kinsai Henko\"), when his style reached full maturity and he was at the height of his creative power as a leader of modern Kutani ware, it is identified as an authentic creation made between the late 1970s and the 1980s (Showa 50s to Showa 60s). The vessel itself has no cracks or chips, maintaining extremely good condition in its gold and green glaze coloration as well as the adherence of the black brushwork. It arrives in complete condition, accompanied by its dedicated Tomobako (wooden box) inscribed with the work's title on the lid and signed with a seal on the underside of the lid by the artist, alongside a wrapping cloth and a biographical brochure.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eMatsumoto Saichi (松本佐一, 1930–2021)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cstrong\u003eArtist's Key Activities: \u003c\/strong\u003e[1950] Graduated from the Department of Ceramics at Kanazawa College of Art; [1952] First selected for Nitten (exhibited work purchased by the Tokyo Metropolitan Government); [1972] Commissioned to create the official Prime Minister gift sake cup for the normalization of Sino-Japanese relations; [1974] Commissioned to create furnishings for Akasaka Palace; [1977, 1988] Won the Nitten Special Award; [1999] Designated as a holder of Ishikawa Prefectural Intangible Cultural Property for Kutani Ware\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cstrong\u003eMain Public Collections:\u003c\/strong\u003e Tokyo Metropolitan Government, Kanazawa City, local governments, art museums, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e Circa late 1970s–1980s (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None (item only)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain (gold \u0026amp; green glaze, black overglaze decoration, painted signature)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 3.0 cm, Mouth diameter approx. 8.0 cm\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cstrong\u003eCaution: \u003c\/strong\u003eAll products offered by our shop are pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48093149266107,"sku":null,"price":15000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1101_result_d8e3eb91-f08e-4300-a73c-3c83a1d73d95.jpg?v=1787108502"},{"product_id":"336","title":"Nitten Judge, Vice President of Japan Contemporary Arts and Crafts Association, Master of Seto Ware Kato Sho (加藤釥): Oribe Daisai Guinomi Pair, Japanese Shot Glasses #336","description":"\u003cp data-path-to-node=\"9\"\u003eBorn in Seto City, Aichi Prefecture in 1927 and passed away in 2001, this refined pair of Oribe daisai guinomi (sake cups) is created by Kato Sho, a master representing the Seto ceramic realm. After graduating from Aichi Prefectural Seto Ceramic High School in 1944, Kato Sho fused Seto's advanced traditional techniques with scientific glaze theory, establishing a new sculptural beauty of modern craft that transcended the framework of traditional tea ceramics. Starting with Special Selection awards at Nitten in 1962 and 1964, his works were purchased by The National Museum of Modern Art, Tokyo in 1968 and by the Ministry of Foreign Affairs in 1970, leaving remarkable achievements; he also led post-war Japanese ceramics by holding key positions such as Nitten judge and Vice President of the Japan Contemporary Arts and Crafts Association. His works are officially housed in public collections such as the Aichi Prefectural Ceramic Museum, Seto City Art Museum, and Setogura Museum. Our shop presents this creation, in which Seto's long tradition and modern sculptural consciousness crystalize, to the global market not only as traditional sake cups, but also as vintage shot glasses (a pair of Japanese shot glasses) for enjoying the rich depth of amber aged sake or matured whisky.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThis work clearly manifests a design in which the daisai (clay slip coloring) technique—Kato Sho's specialty which earned high acclaim—and vibrant glaze expressions draw a splendid contrast. On the surface of the small, comfortably hand-held pair measuring approximately 5.2 cm in height and 6.0 cm in mouth diameter, a pale yellow-ochre clay slip base with a matte, rustic texture is applied, where vertical bands of deep, vivid indigo and cobalt blue glaze flow down, constructing a dignified, modern geometric pattern. The beauty of coloration based on calculated scientific glaze theory merges with the pleasant tactile quality of the clay body, and the artist's own incised signature \"Sho\" is firmly carved on the unglazed clay base inside the foot ring.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eRegarding the period of production, it is identified as an authentic work created between 1974 and circa 1980, when he served as a Nitten judge and his artistic style reached completion. The vessels themselves have no cracks or chips, maintaining extremely good condition in both glaze coloration and texture. It arrives in complete condition as a pair, accompanied by its dedicated Tomobako (wooden box) inscribed in ink on the lid \"Sakazuki\" with a red seal stamped by the artist, as well as a biography leaflet.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eKato Sho (加藤釥, 1927–2001)\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eArtist's Key Activities: \u003c\/strong\u003e1957 Selected for the 13th Nitten Exhibition for the first time; 1962 Received Special Selection at the 5th Nitten Exhibition; 1964 Received Special Selection at the 7th Nitten Exhibition and Minister of International Trade and Industry Award; 1968 Nitten entry purchased by The National Museum of Modern Art, Tokyo; 1969 \u0026amp; 1974 Appointed Nitten Judge; 1970 Nitten entry \"Soyo\" purchased by the Ministry of Foreign Affairs\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eWorks Housed In: \u003c\/strong\u003eThe National Museum of Modern Art, Tokyo; Ministry of Foreign Affairs; Aichi Prefectural Ceramic Museum; Seto City Art Museum; Setogura Museum, etc.\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003ePeriod of Production: \u003c\/strong\u003eCirca 1974–1980\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated Tomobako, biography leaflet included\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eCeramic (Oribe daisai clay-slip glaze, incised seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 5.2 cm, Mouth diameter approx. 6.0 cm (Pair)\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eCaution: \u003c\/strong\u003eAll products offered by our shop are pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48145415930043,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0779_result.jpg?v=1786434921"},{"product_id":"338","title":"Artist Housed in The National Museum of Modern Art, Tokyo; Sodeisha Member: Kumakura Junkichi (熊倉順吉), Oribe Glaze Bowl, Grand Prix Winner at Brussels World’s Fair Master #338","description":"\u003cp data-path-to-node=\"17\"\u003eThis is a masterpiece Oribe glaze bowl by Kumakura Junkichi (1920–1985), a legendary master who left an indelible mark on modern Japanese avant-garde ceramics. Born in Kyoto in 1920 (Taisho 9) and passing away in 1985 (Showa 60), Kumakura was a pioneer who led postwar Japanese ceramic history. After thoroughly studying modern design and architectural structural expression at the Architectural Department of Kyoto Municipal First Technical School and the Design Department of Kyoto Higher School of Arts and Crafts (now Kyoto Institute of Technology), he embarked on the path of ceramics. He studied under \u003ca href=\"\/en\/search?q=%22%E7%A6%8F%E7%94%B0%E5%8A%9B%E4%B8%89%E9%83%8E%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFukuda Rikisaburo\u003c\/a\u003e at Shosai Toen in Kyoto, and was further imbued with a creative spirit under \u003ca href=\"\/en\/search?q=%22%E5%AF%8C%E6%9C%AC%E6%86%B2%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTomimoto Kenkichi\u003c\/a\u003e, a giant of modern ceramics and Living National Treasure. His style, which fused the strict modernist ethos inherited from Tomimoto—\"do not create patterns from existing patterns\"—with his own design and architectural background, stood out remarkably in the ceramic world of the time. In 1957, he joined Sodeisha, the legendary avant-garde ceramic group formed by \u003ca href=\"\/en\/search?q=%22%E5%85%AB%E6%9C%A8%E4%B8%80%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYagi Kazuo\u003c\/a\u003e, \u003ca href=\"\/en\/search?q=%22%E9%88%B4%E6%9C%A8%E6%B2%BB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eSuzuki Osamu\u003c\/a\u003e, and others, becoming a core member and reigning at the pinnacle of Japanese ceramics. His artistry earned high international acclaim, including winning the Grand Prix at the 1958 Brussels World's Fair in Belgium and the Silver Prize at the 1962 Prague International Ceramic Exhibition in Czechoslovakia. His works are officially housed in public institutions such as The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; The Shigaraki Ceramic Cultural Park; and The Museum of Modern Ceramic Art, Gifu. Because his period of production was short and most of his major works reside in public museum collections, genuine pieces circulating in the private market are extremely limited, making this an extraordinarily rare worldwide collector's item.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eThis work represents a supreme fusion of Kumakura’s most highly acclaimed achievements: the \"modernization of traditional glazes\" and his \"architectural and graphic design approach.\" Inside the bowl, which boasts an impressive presence measuring approximately 23.0 cm in width and 7.0 cm in height, fine, powerful incised lines radiate outwards from the center, while the rim features an elegantly wavy, rinka (scalloped) form resembling frills. Dynamic Oribe glaze flows along these incised lines, pooling in the deep center to create rich green tonal gradations and a crystalline, glass-like texture overflowing with transparency. Observing the outer body near the foot ring, while retaining the white, raw clay texture of the body, a delicate line of hiiro (fire marks \/ scorching) emerges along the boundary, over which the wavy, dripping Oribe glaze displays a dynamic sculptural beauty. While other members of Sodeisha moved toward pure objet d'art by completely denying vessel functionality, Kumakura pursued his unique artistic philosophy of extending avant-garde expression as far as possible while maintaining functional utility and morphological beauty as a vessel. The artist's own seal \"Jun\" (顺) is clearly stamped beside the foot ring, fully demonstrating his sculptural and architectural intelligence. We present this piece tailored to modern lifestyles as a Japanese Kogei creation to enjoy traditional Japanese aesthetics. It is particularly ideal as a large serving bowl or side-dish plate to elegantly present seasonal simmered dishes or gourmet appetizers when savoring aged sake that has acquired deep richness and aroma over time, creating a luxurious experience that satisfies the five senses alongside the rich flavor of koshu.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eRegarding the period of production, it is identified as an authentic work created between 1975 and 1985 (his late, peak period), when the architectural design concepts developed in his youth and his interpretation of traditional Oribe glaze reached maturity after fully establishing his international reputation as a Sodeisha member. The vessel itself has no chips or cracks, remaining in very good condition. It arrives as a complete set, accompanied by its dedicated Tomobako (wooden box) inscribed in ink on the lid \"Oribe-yu Hachi\" with a red seal, a wrapping cloth, and a biography leaflet.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist：\u003c\/strong\u003e Kumakura Junkichi (熊倉順吉, 1920–1985)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist's Key Activities：\u003c\/strong\u003e [1955] Received the 1st Japan Ceramic Society Award; [1957] Joined the avant-garde ceramic group \"Sodeisha\" and became a core member; [1958] Won the Grand Prix at the Brussels World’s Fair in Belgium; [1962] Won the Silver Prize at the Prague International Ceramic Exhibition in Czechoslovakia\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eWorks Housed In：\u003c\/strong\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; The Shigaraki Ceramic Cultural Park; The Museum of Modern Ceramic Art, Gifu, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003ePeriod of Production：\u003c\/strong\u003e 1975–1985\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eCondition：\u003c\/strong\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eAccessories：\u003c\/strong\u003e Dedicated Tomobako, leaflet included\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eMaterial：\u003c\/strong\u003e Ceramic (Oribe glaze, green glaze, incised lines, rinka scalloped form, artist's seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eDimensions：\u003c\/strong\u003e Height approx. 7.0 cm, Width approx. 23.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eCaution：\u003c\/strong\u003e All products offered by our shop are pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48145420124347,"sku":null,"price":61000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0251_result.jpg?v=1785639300"},{"product_id":"341","title":"Grand Prix Winner at the Belgium World's Fair, Sodeisha Member, Kumakura Junkichi (熊倉順吉), Green Glazed Yohen Vessel, Side Dish #295","description":"\u003cp data-path-to-node=\"33\"\u003eThis ceramic vessel is a masterwork by Kumakura Junkichi (1920-1985), a legendary figure who left an indelible mark on the avant-garde ceramic art world of modern Japan. Born in Kyoto in 1920 and passing away in 1985, Kumakura Junkichi was a magnificent pioneer who led the post-war history of Japanese ceramics. After thoroughly studying modernism design and architectural structural expression at the Kyoto City First Industrial School of Architecture and the Kyoto Higher College of Arts and Crafts (currently the Kyoto Institute of Technology) Department of Pattern Design and Drawing, he pursued his artistic career in ceramics. He apprenticed under \u003ca href=\"\/en\/search?q=%22%E7%A6%8F%E7%94%B0%E5%8A%9B%E4%B8%89%E9%83%8E%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFukuda Rikisaburo\u003c\/a\u003e at the Shosai Toen atelier in Kyoto, and further had his creative spirit rigorously instilled by \u003ca href=\"\/en\/search?q=%22%E5%AF%8C%E6%9C%AC%E6%86%B2%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTomimoto Kenkichi\u003c\/a\u003e, a giant of modern ceramics and a Living National Treasure. His style, which fused the strict modernist philosophy of \"never create patterns from existing patterns\" inherited from Tomimoto Kenkichi with his own industrial design and architectural background, shone with a unique brilliance in the ceramic world of his era. In 1957, he joined the legendary avant-garde ceramic artist group \"Sodeisha,\" formed by \u003ca href=\"\/en\/search?q=%22%E5%85%AB%E6%9C%A8%E4%B8%80%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYagi Kazuo\u003c\/a\u003e and \u003ca href=\"\/en\/search?q=%22%E9%88%B4%E6%9C%A8%E6%B2%BB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eSuzuki Osamu\u003c\/a\u003e, and as a central member, reigned at the pinnacle of the Japanese ceramic art world. His artistry achieved high international acclaim, winning the prestigious Grand Prix at the 1958 Brussels World's Fair in Belgium and a silver prize at the 1962 International Ceramics Exhibition in Prague, Czechoslovakia. His works are publicly housed in leading national institutions, including the National Museum of Modern Art, Tokyo, and the National Museum of Modern Art, Kyoto.\u003c\/p\u003e\n\u003cp data-path-to-node=\"34\"\u003eThis piece is a true masterpiece that clearly demonstrates Kumakura Junkichi’s most highly regarded philosophy: the modernization of traditional glazes. The surface of the vessel presents a beautiful and magnificent landscape, as if the rich, volatile variations of the deep sea have been encapsulated within its glaze. This deeply vibrant green glazed kiln transformation (yohen), while utilizing traditional mineral glazes, has been elevated into a contemporary abstract expression through the graphic design sensibility the artist cultivated in his youth. The fluid undulations of the glaze and the meticulously controlled color gradations create a three-dimensional depth, painting an abstract expressionist drama upon the serene clay body. While other core members of Sodeisha moved towards pure sculptural objects that completely denied the utility of the vessel form, Kumakura Junkichi pursued his unique artistic conviction of how far avant-garde expression could be extended while strictly maintaining the practical utility and elegant form of the vessel. His spatial and architectural intelligence is fully expressed in the fusion of this piece's structured form and overwhelming tactile texture. Due to his relatively short active period of ceramic creation and the fact that many of his major works are held in public museums, the number of authentic pieces circulating in the private market is extremely limited, making this item highly rare as a global collector's piece.\u003c\/p\u003e\n\u003cp data-path-to-node=\"35\"\u003eWith its exquisite size of 18.5 cm in diameter, we propose this bowl as a Japanese KOGEI masterpiece perfectly tailored for enjoying matured vintage sake (Koshu) within a sophisticated contemporary lifestyle. It is particularly ideal as a dish for serving simmered foods or as an appetizer plate when savoring aged sake that has acquired a deep richness and noble aroma over many years. The overwhelming seascape of the glaze, where tradition and the avant-garde intersect, elegantly enhances the dishes served, creating a luxurious experience that satisfies all five senses alongside the rich flavor of matured vintage sake. This vessel, embodying the spirit of a master who relentlessly pursued beauty without compromise, is a supreme modern piece that brings undeniable dignity and a unique presence to the everyday dining table.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"36\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Kumakura Junkichi (熊倉順吉, 1920-1985)\u003c\/li\u003e\n\u003cli data-path-to-node=\"37\"\u003e\u003cstrong\u003eArtist's Notable Activities: \u003c\/strong\u003e[1955] Received the 1st Japan Ceramic Society Award, [1957] Joined the avant-garde ceramic artist group \"Sodeisha\" as a central member, [1958] Awarded the Grand Prix at the Brussels World's Fair in Belgium, [1962] Received a silver award at the International Ceramics Exhibition in Prague, Czechoslovakia\u003c\/li\u003e\n\u003cli data-path-to-node=\"38\"\u003e\u003cstrong\u003eWorks Housed In:\u003c\/strong\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; The Shigaraki Ceramic Cultural Park; The Museum of Modern Ceramic Art, Gifu, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"39\"\u003e\u003cstrong\u003eProduction Period: \u003c\/strong\u003e1970s - 1980s (Maturity period as a prominent Sodeisha member)\u003c\/li\u003e\n\u003cli data-path-to-node=\"40\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"41\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original Tomobako (wooden box signed by the artist), wrapping cloth, artist's profile brochure included\u003c\/li\u003e\n\u003cli data-path-to-node=\"42\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePottery (green glaze with kiln transformation \/ yohen)\u003c\/li\u003e\n\u003cli data-path-to-node=\"43\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 6.2 cm, Diameter approx. 18.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"44\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003ePlease note that all products offered by our store, even if unused, originate from a historic production period and are listed as antique fine art items. Vintage products may exhibit subtle age-related characteristics; please consider purchasing upon full understanding and confirmation.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48145420681403,"sku":null,"price":65000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0220_result.jpg?v=1785639061"},{"product_id":"349","title":"Nitten Judge, Vice President of Japan Contemporary Arts and Crafts Association, Master of Seto Ware Kato Sho (加藤釥): Oribe Daisai Cylindrical Tea Bowl, Japanese Rocks Glass #349","description":"\u003cp data-path-to-node=\"16\"\u003eBorn in Seto City, Aichi Prefecture in 1927 and passed away in 2001, this refined cylindrical tea bowl is created by Kato Sho, a master representing the Seto ceramic realm. After graduating from the prestigious Aichi Prefectural Seto Ceramic High School in 1944, Kato Sho fused Seto's advanced traditional techniques with scientific glaze theory, establishing a new sculptural beauty of modern craft that transcended the framework of traditional tea ceramics. Starting with Special Selection awards at Nitten in 1962 and 1964, his works were purchased by The National Museum of Modern Art, Tokyo and the Ministry of Foreign Affairs; he also led post-war Japanese ceramics by holding key positions such as Nitten judge and Vice President of the Japan Contemporary Arts and Crafts Association. His works are housed in institutions such as the Aichi Prefectural Ceramic Museum, Seto City Art Museum, and Setogura Museum. Our shop presents this creation, in which Seto's long tradition and modern sculptural consciousness crystalize, to the global market not only as a tea utensil for enjoying traditional tea ceremonies, but also as a vintage rocks glass (a Japanese free cup) for quietly savoring aged sake or matured whisky enveloped in rich depth and amber radiance over time with large ice cubes.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eThis work features a design in which the daisai (clay slip coloring) technique—Kato Sho's specialty which earned high acclaim—and the application of traditional Oribe glaze and ash glaze draw a splendid contrast. On the surface of the dignified cylindrical form measuring approximately 8.0 cm in height and 7.5 cm in mouth diameter, smooth horizontal ridges (wheel rings) left during wheel-throwing are carved, bringing a comfortable tactile sensation when held in the hand. The upper half of the vessel displays a delicate gradation from yellow-ochre to dark brown that evokes the rustic warmth of clay, while layer upon layer of pale emerald green and milky blue glazes are applied toward the lower half, constructing a landscape of poured glazes dripping toward the base. The powerful droplet sculpting where the glaze stays in wave-like formations, as well as the artist's own incised seal \"Sho\" carved on the black clay base inside the foot ring, demonstrate an achievement where calculated scientific glaze theory meets the vitality of clay.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eRegarding the period of production, taking clues from the accompanying biography leaflet which records his achievements up to serving as a judge at the 6th Nitten Exhibition in Showa 49 (1974), as well as the absence of any records of official positions from the Showa 50s onward, it is identified as an authentic work created between 1974 and circa 1980, when he served as a Nitten judge and his artistic style reached completion. The vessel itself has no cracks or chips, maintaining extremely good condition in both glaze coloration and texture. It arrives in complete condition, accompanied by its dedicated Tomobako (wooden box) inscribed in ink on the lid \"Tsutsu-chawan\" (Cylindrical Tea Bowl) with a red seal stamped by the artist, as well as a biography leaflet detailing his career.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eArtist：\u003c\/strong\u003eKato Sho (加藤釥, 1927–2001)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist's Key Activities：\u003c\/strong\u003e1957 Selected for the 13th Nitten Exhibition for the first time, 1962 Received Special Selection at the 5th Nitten Exhibition, 1964 Received Special Selection at the 7th Nitten Exhibition and Minister of International Trade and Industry Award, 1968 Nitten entry purchased by The National Museum of Modern Art, Tokyo, 1969 \u0026amp; 1974 Appointed Nitten Judge, 1970 Nitten entry \"Soyo\" purchased by the Ministry of Foreign Affairs Works Housed In：The National Museum of Modern Art, Tokyo; Ministry of Foreign Affairs; Aichi Prefectural Ceramic Museum; Seto City Art Museum; Setogura Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eWorks Housed In：\u003c\/strong\u003eAichi Prefectural Ceramic Museum, Seto City Art Museum, Setogura Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003ePeriod of Production：\u003c\/strong\u003eCirca 1974–1980\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003eCondition：\u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eAccessories：\u003c\/strong\u003eDedicated Tomobako, biography leaflet included\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eMaterial：\u003c\/strong\u003eCeramic (Oribe daisai clay-slip glaze, incised seal) Dimensions：Height approx. 8.0 cm, Mouth diameter approx. 7.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eCaution：\u003c\/strong\u003eAll products offered by our shop are pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48199388397755,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0619_result.jpg?v=1786204660"},{"product_id":"450","title":"Brussels World's Fair Grand Prix Winning Artist, Sodeisha Member Kumakura Junkichi (熊倉順吉), Oribe Glazed Cylindrical Ashtray, Cigar Ashtray #450","description":"\u003cp data-path-to-node=\"1\"\u003eThis Oribe glazed ashtray is a piece by Kumakura Junkichi (1920-1985), a master who left a legendary mark on the avant-garde ceramic art world of modern Japan. Born in Kyoto in 1920 (Taisho 9) and passing away in 1985 (Showa 60), Kumakura was a pioneer who led post-war Japanese ceramic history. After thoroughly studying modernist design and architectural structural expression at the Architectural Department of Kyoto Municipal First Industrial School and the Design Department of Kyoto Higher School of Arts and Crafts (currently Kyoto Institute of Technology), he pursued the path of ceramics. He studied under \u003ca href=\"\/en\/search?q=%22%E7%A6%8F%E7%94%B0%E5%8A%9B%E4%B8%89%E9%83%8E%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFukuda Rikisaburo\u003c\/a\u003e at Shosai Toen in Kyoto, and was further instilled with the creative spirit under \u003ca href=\"\/en\/search?q=%22%E5%AF%8C%E6%9C%AC%E6%86%B2%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTomimoto Kenkichi\u003c\/a\u003e, a master of modern ceramics and a Living National Treasure. Inheriting the strict modernist philosophy from Tomimoto Kenkichi of \"not creating patterns from existing patterns,\" combined with his own background in design and architecture, his style stood out uniquely in the ceramic art world at that time. In 1957, he joined \"Sodeisha,\" the legendary avant-garde ceramic group formed by \u003ca href=\"\/en\/search?q=%22%E5%85%AB%E6%9C%A8%E4%B8%80%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYagi Kazuo\u003c\/a\u003e, \u003ca href=\"\/en\/search?q=%22%E9%88%B4%E6%9C%A8%E6%B2%BB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eSuzuki Osamu\u003c\/a\u003e, and others, becoming a member (Dojin) and reigning at the pinnacle of Japanese ceramics as a central figure. His artistry gained high international acclaim, winning the Grand Prix at the 1958 Brussels World's Fair in Belgium and the Silver Prize at the 1962 Prague International Ceramics Exhibition in Czechoslovakia, with his works publicly collected in institutions such as The National Museum of Modern Art, Tokyo and The National Museum of Modern Art, Kyoto.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eTitled \"Oribe Glazed Ashtray\" (Oribe-yu Haizara) on the original wooden box (Tomobako), this work is a masterpiece where Kumakura's architectural modeling thought and the modern elevation of traditional glazes crystalize splendidly. Measuring approximately 14 cm in height and 11 cm in diameter, its powerful cylindrical form highlights its structural backbone as an upright entity unique to Kumakura with his architectural background. The Oribe glaze covering the entire vessel draws a delicate gradient from a dense deep green brimming with fluid luster to yellow-green where the glaze pools, and deep dark green that seems to absorb light. Particularly breathtaking is the decoration on the top surface, where deep, geometric relief (sculptural relief) is meticulously carved radially toward the central elliptical opening. The flow of Oribe glaze into this three-dimensional groove structure creates a powerful contrast of light and shadow, high-dimensionally fusing graphic design intelligence with sculptural beauty. The bottom of the piece is left as unglazed raw clay (Rotai), where a square stamp reading \"Jun\" (順) is confirmed, indicating an authentic work by Kumakura Junkichi. While other members of Sodeisha moved toward pure objets that completely rejected the vessel form, Kumakura maintained the beauty of utility and form as a vessel while pushing the boundaries of avant-garde expression under his own artistic philosophy. Because his career as a potter was relatively short and many of his major works are housed in public museums, the number of authentic pieces circulating in the private market is extremely limited, making this an exquisite item of very high rarity as a world-class collector's piece.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003ePossessing a commanding cylindrical form and refined coloration, our shop proposes this piece as a cigar ashtray to adorn high-end spaces for enjoying aged spirits and whisky, tailored to modern lifestyles. The deep radial grooves carved on the top surface provide an ideal structure for resting cigars, while the central opening allows ash and butts to be neatly collected within the deep interior, perfectly balancing practicality with aesthetic beauty. The heavy, deep green Oribe glaze and three-dimensional sculptural form exude overwhelming dignity alongside glasses of aged amber spirits or smoky whisky. Imbued with the spirit of a master who pursued beauty without a single compromise, this vessel is a supreme craft piece that brings a defining presence and the refinement of modern art to daily moments of luxury.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"4\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eKumakura Junkichi (熊倉順吉, 1920-1985)\u003c\/li\u003e\n\u003cli data-path-to-node=\"5\"\u003e\u003cstrong\u003eRepresentative Career Highlights: \u003c\/strong\u003e[1955] Received the 1st Japan Ceramic Society Award, [1957] Joined the avant-garde ceramic group \"Sodeisha\" and became a member, [1958] Won the Grand Prix at the Brussels World's Fair in Belgium, [1962] Won the Silver Prize at the Prague International Ceramics Exhibition in Czechoslovakia\u003c\/li\u003e\n\u003cli data-path-to-node=\"6\"\u003e\u003cstrong\u003ePublic Collections: \u003c\/strong\u003eThe National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; The Museum of Modern Ceramic Art, Shigaraki (Shigaraki Ceramic Cultural Park); Museum of Modern Ceramic Art, Gifu; etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"7\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e Late 1960s-1970s (Mature period as a Sodeisha member)\u003c\/li\u003e\n\u003cli data-path-to-node=\"8\"\u003e\u003cstrong\u003eItem Condition: \u003c\/strong\u003eVery Good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated original wooden box (Tomobako) included (with artist's calligraphy and red seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eCeramics (Oribe glaze)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Diameter approx. 11.0 cm, Height approx. 14.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eEven if the products provided by our shop are unused, they were produced a very long time ago and are all listed as pre-owned items. Please understand and confirm that the item may have age-related wear before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48359790313659,"sku":null,"price":41000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3135_result.jpg?v=1790256259"},{"product_id":"451","title":"Grand Prix Winner at the Belgium World's Fair, Sodeisha Member, Kumakura Junkichi (熊倉順吉), Green Glazed Yohen Vessel, Side Dish #451","description":"\u003cp data-path-to-node=\"1\"\u003eThis bowl is a piece by Kumakura Junkichi (1920-1985), a master who left a legendary mark on the avant-garde ceramic art world of modern Japan. Born in Kyoto in 1920 (Taisho 9) and passing away in 1985 (Showa 60), Kumakura was a pioneer who led post-war Japanese ceramic history. After thoroughly studying modernist design and architectural structural expression at the Architectural Department of Kyoto Municipal First Industrial School and the Design Department of Kyoto Higher School of Arts and Crafts (currently Kyoto Institute of Technology), he pursued the path of ceramics. He studied under \u003ca href=\"\/en\/search?q=%22%E7%A6%8F%E7%94%B0%E5%8A%9B%E4%B8%89%E9%83%8E%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFukuda Rikisaburo\u003c\/a\u003e at Shosai Toen in Kyoto, and was further instilled with the creative spirit under \u003ca href=\"\/en\/search?q=%22%E5%AF%8C%E6%9C%AC%E6%86%B2%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTomimoto Kenkichi\u003c\/a\u003e, a master of modern ceramics and a Living National Treasure. Inheriting the strict modernist philosophy from Tomimoto Kenkichi of \"not creating patterns from existing patterns,\" combined with his own background in design and architecture, his style stood out uniquely in the ceramic art world at that time. In 1957, he joined \"Sodeisha,\" the legendary avant-garde ceramic group formed by \u003ca href=\"\/en\/search?q=%22%E5%85%AB%E6%9C%A8%E4%B8%80%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYagi Kazuo\u003c\/a\u003e, \u003ca href=\"\/en\/search?q=%22%E9%88%B4%E6%9C%A8%E6%B2%BB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eSuzuki Osamu\u003c\/a\u003e, and others, becoming a member (Dojin) and reigning at the pinnacle of Japanese ceramics as a central figure. His artistry gained high international acclaim, winning the Grand Prix at the 1958 Brussels World's Fair in Belgium and the Silver Prize at the 1962 Prague International Ceramics Exhibition in Czechoslovakia, with his works publicly collected in institutions such as The National Museum of Modern Art, Tokyo and The National Museum of Modern Art, Kyoto.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eAlthough titled \"Green Glazed Bowl\" (Ryokuyu Hachi) on the original wooden box (Tomobako), this work is a masterpiece where Kumakura's unique sense of modernism and Yohen (kiln transformation) technique crystalize splendidly. Across the surface of the vessel spreads a breathtakingly beautiful and grand landscape, where layers of Yohen interweave from eye-dazzling vivid turquoise blue to deep cobalt blue, with olive green and golden-brown hues floating around the rim and center. In the midst of radial waves of delicate, reticulated crystalline glaze, at the central interior bottom (Mikomi), an irregular three-dimensional relief (an island-like motif) adorned in golden-brown and green is constructed, reminiscent of an ancient solitary island or a lagoon floating upon a blue ocean. Furthermore, the sculpturally deformed rim line that waves freely in organic curves demonstrates the structural backbone unique to Kumakura Junkichi, high-dimensionally fusing graphic design sensibility with architectural modeling thought. While other members of Sodeisha moved toward pure objets that completely rejected the vessel form, Kumakura maintained the beauty of utility and form as a vessel while pushing the boundaries of avant-garde expression under his own artistic philosophy. Because his career as a potter was relatively short and many of his major works are housed in public museums, the number of authentic pieces circulating in the private market is extremely limited, making this an exquisite item of very high rarity as a world-class collector's piece.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003ePossessing an exquisite size with a diameter of approximately 18.5 cm, our shop proposes this bowl as a Japanese Kogei piece to enjoy traditional Japanese aesthetics tailored to modern lifestyles. It is particularly ideal as a small dish for simmered dishes, appetizers, or a deep bowl when savoring aged sake or chilled sake that has acquired deep richness and aroma over time. The mysterious solitary island motif floating in the center of the interior bottom and the overwhelming ocean colors surrounding it elegantly complement served dishes, creating a luxurious time that satisfies all five senses alongside the rich flavor of sake. Imbued with the spirit of a master who pursued beauty without a single compromise, this vessel is a supreme modern piece that brings refined dignity and a unique presence to daily dining tables.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"36\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Kumakura Junkichi (熊倉順吉, 1920-1985)\u003c\/li\u003e\n\u003cli data-path-to-node=\"37\"\u003e\u003cstrong\u003eArtist's Notable Activities: \u003c\/strong\u003e[1955] Received the 1st Japan Ceramic Society Award, [1957] Joined the avant-garde ceramic artist group \"Sodeisha\" as a central member, [1958] Awarded the Grand Prix at the Brussels World's Fair in Belgium, [1962] Received a silver award at the International Ceramics Exhibition in Prague, Czechoslovakia\u003c\/li\u003e\n\u003cli data-path-to-node=\"38\"\u003e\u003cstrong\u003eWorks Housed In:\u003c\/strong\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; The Shigaraki Ceramic Cultural Park; The Museum of Modern Ceramic Art, Gifu, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"39\"\u003e\u003cstrong\u003eProduction Period: \u003c\/strong\u003e1970s - 1980s (Maturity period as a prominent Sodeisha member)\u003c\/li\u003e\n\u003cli data-path-to-node=\"40\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"41\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original Tomobako (wooden box signed by the artist), wrapping cloth, artist's profile brochure included\u003c\/li\u003e\n\u003cli data-path-to-node=\"42\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePottery (green glaze with kiln transformation \/ yohen)\u003c\/li\u003e\n\u003cli data-path-to-node=\"43\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 6.2 cm, Diameter approx. 18.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"44\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003ePlease note that all products offered by our store, even if unused, originate from a historic production period and are listed as antique fine art items. Vintage products may exhibit subtle age-related characteristics; please consider purchasing upon full understanding and confirmation.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48371985154235,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3181_result.jpg?v=1790256383"},{"product_id":"455","title":"Mino Renowned Kilns Collaboration: Shino, Akae, and Oribe Three-Kiln Sake Cup Set by Gyokuzan Kiln (玉山窯), Kobei Kiln (幸兵衛窯), and Sentaro Kiln (仙太郎窯), Japanese-Style Shot Glasses, Aged Sake Vessels #455","description":"\u003cp data-path-to-node=\"1\"\u003eThis rare set of three sake cups brings together the craftsmanship and history of Gyokuzan Kiln, Kobei Kiln, and Sentaro Kiln, the three prominent kilns representing Mino ware in Ichinokura-cho, Tajimi City, Gifu Prefecture. Inheriting the aesthetic sensibilities of Mino Momoyama pottery, these three renowned kilns have crafted a three-piece set of sake vessels, demonstrating without reservation their signature traditional techniques: Shino, Akae (overglaze red enamels), and Oribe. The lid of the accompanying dedicated paulownia wooden box (tomobako) is inscribed in ink with \"Sake Cups of Three Kilns\" (Sangama-hai) alongside the kiln names and red seal stamps of Gyokuzan, Kobei, and Sentaro, testifying to its firm pedigree as a collaborative work of the three kilns. From the accompanying pamphlets, the career histories of each kiln's master artisans, and the character of the box inscription, this work is identified as having been produced between the late 1980s and the early 1990s (late Showa to early Heisei era), when the techniques and styles of the three kilns had reached full maturity. It is a piece in exceptionally fine condition, complete with its dedicated three-compartment paulownia box, wrapping cloths, and explanatory pamphlets.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eExamining the design of each cup in detail reveals that the diverse charms of Mino ware and the aesthetics of each kiln's master artisans are condensed into their respective microcosms. The first piece, a Shino sake cup by Gyokuzan Kiln (mouth diameter approx. 6.0 cm, height approx. 5.0 cm), was crafted under the supervision of \u003ca href=\"\/en\/search?q=%22%E7%8E%89%E7%BD%AE%E4%BF%9D%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYasuo Tamaoki\u003c\/a\u003e, a Holder of Important Intangible Cultural Property of Gifu Prefecture. Covered in a thick, rich feldspar glaze (Shino glaze), it displays deep, warm gradations of scarlet fire marks (hiiro) and scorched hues born from kiln transformation, along with subtle pinholes resembling citrus peel (yuzuhada) that give it a profound character. The reverse side of the foot is impressed with the stamp \"Gyoku\" (玉), proof of Gyokuzan Kiln. The second piece, an Akae Phoenix Pattern sake cup by Kobei Kiln (mouth diameter approx. 5.6 cm, height approx. 4.5 cm), was produced under the guidance of \u003ca href=\"\/en\/search?q=%22%E5%8A%A0%E8%97%A4%E5%8D%93%E7%94%B7%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKato Takuo\u003c\/a\u003e VI (a Living National Treasure), Kato Kobei VII, and \u003ca href=\"\/en\/search?q=%22%E5%8A%A0%E8%97%A4%E7%9B%B4%E5%BD%A6%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKato Naohiko\u003c\/a\u003e. On a refined white clay body, dynamic phoenixes and peony arabesques are vividly depicted in fine vermilion-red lines and green and blue overglaze enamels, while the character \"Sakigake\" (魁, meaning pioneer) is powerfully rendered in vermilion red at the center of the interior bowl. The interior of the foot ring bears Kobei Kiln's unique impressed mark. The third piece, an Oribe Grass-Pattern Shoe-Shaped (Kutsugata) sake cup by Sentaro Kiln (mouth diameter approx. 5.0–5.3 cm, height approx. 4.5–4.7 cm), was guided and crafted by \u003ca href=\"\/en\/search?q=%22%E5%AE%89%E8%97%A4%E6%97%A5%E5%87%BA%E6%AD%A6%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eAndo Hidetake\u003c\/a\u003e, a Holder of Intangible Cultural Property of Tajimi City, and Ando Takumi. A vivid green copper glaze forms a striking contrast with iron-underglaze grass motifs (bamboo leaves) painted on white ground, while its Momoyama-style shoe-shaped form, hand-compressed after wheel throwing, creates a dynamic distortion that fits comfortably in the hand. The reverse side of the foot bears the impressed mark of Sentaro Kiln.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eOur shop proposes these three elegant sake cups, each possessing a distinct texture and sculpted beauty, as a dignified \"Japanese-style shot glass set (Japanese liquor vessel set)\" tailored to modern drinking culture and refined lifestyles, allowing one to compare aged spirits, vintage whisky, matured sake, or liquors straight neat side by side. It offers the opportunity to enjoy the three major techniques of Mino ware simultaneously—the warm clay feel of Shino, the vivid elegance of Akae, and the innovative sculpted beauty of Oribe—enhancing the colors of poured amber-toned aged spirits or clear liquors. An extraordinary set that allows one to savor the true essence of traditional Japanese craft through both visual appreciation and practical use.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003e\u003cstrong\u003e《Kobei Kiln Pamphlet》 \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eKobei Kiln was founded in 1804 (Cultural Era Year 1) by Kato Kobei I in Ichinokura, Mino, and soon became an official purveyor kiln supplying blue-and-white (sometsuke) tableware to the Honmaru and Nishinomaru of Edo Castle. Thereafter, continuing to develop as one of Mino's premier workshops through the second to fourth generations, the kiln achieved a firm reputation under the previous Fifth Generation Kato Kobei (1893–1982), who created numerous masterpieces employing a wide variety of techniques including Chinese ceramics such as celadon, kinrande, sometsuke, akae, and tenmoku, as well as Kenzan and Joseon dynasty styles. The current master, Kato Takuo VI, based on years of research, creates works that integrate tradition and originality, such as lusterware, blue glazes, tricolor (sancai), and Persian overglaze enamels based on restored Persian ceramics and Shosoin tricolor techniques. For these achievements, he has been designated a Living National Treasure. His eldest son, Kato Kobei VII, is active with his own distinctive artistic style. Additionally, with over 40 skilled artisans, the kiln produces dignified Japanese tableware under the guidance of Kato Takuo and Kato Kobei VII.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cstrong\u003e《Gyokuzan Kiln Yasuo \/ Supervised by Yasuo Tamaoki Pamphlet》 \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eDeeply drawn to the unique beauty of Shino and Oribe, the aesthetic legacy and famed ceramics of the Momoyama period born from our ancestral homeland, we refine the secret traditions handed down through generations, striving day and night in our research to breathe new life into them.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"6\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eGyokuzan Kiln (玉山窯, Supervised by Yasuo Tamaoki), Kobei Kiln (幸兵衛窯, Guided by Kato Takuo VI, Kato Kobei VII, Kato Naohiko), Sentaro Kiln (仙太郎窯, Guided and Crafted by Ando Hidetake, Ando Takumi) - Mino Three Kilns Collaboration\u003c\/li\u003e\n\u003cli data-path-to-node=\"7\"\u003e\u003cstrong\u003eMaster Artisans \u0026amp; Potters of Each Kiln: \u003c\/strong\u003eGyokuzan \u003cbr\u003e\u003cstrong\u003eKiln:\u003c\/strong\u003e Supervised by Yasuo Tamaoki (Holder of Important Intangible Cultural Property of Gifu Prefecture); Kobei \u003cbr\u003e\u003cstrong\u003eKiln:\u003c\/strong\u003e Guided by Kato Takuo VI (Living National Treasure), Kato Kobei VII, Kato Naohiko; Sentaro \u003cbr\u003e\u003cstrong\u003eKiln:\u003c\/strong\u003e Guided and Crafted by Ando Hidetake (Holder of Intangible Cultural Property of Tajimi City), Ando Takumi\u003c\/li\u003e\n\u003cli data-path-to-node=\"8\"\u003e\u003cstrong\u003eProduction Period: \u003c\/strong\u003eLate 1980s–early 1990s (Late Showa to early Heisei era)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eItem Condition: \u003c\/strong\u003eVery Good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated three-compartment paulownia box (Tomobako with calligraphy \"Sangama-hai\" and seals of three kilns), wrapping cloths, explanatory pamphlets included\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eCeramic \/ Porcelain (Shino glaze, Akae overglaze enamel, Oribe glaze)\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Shino Sake Cup (Gyokuzan Kiln): Mouth diameter approx. 6.0 cm, Height approx. 5.0 cm; Akae Phoenix Pattern Sake Cup (Kobei Kiln): Mouth diameter approx. 5.6 cm, Height approx. 4.5 cm; Oribe Grass-Pattern Shoe-Shaped Sake Cup (Sentaro Kiln): Mouth diameter approx. 5.0–5.3 cm, Height approx. 4.5–4.7 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eThe items provided by our shop were produced a very long time ago and are all listed as pre-owned items. Please understand and confirm the age-related changes before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48396667650235,"sku":null,"price":65000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3809_result.jpg?v=1790767478"},{"product_id":"459","title":"Special Award Winner of Nitten, Kitade Fujio (北出不二雄), Porcelain Decorative Plate with Pampas Grass and Bamboo Design in Green Glaze, Japanese-Style Culinary Dish, Confectionery Plate, Seisen-gama Kiln (Named by Tomimoto Kenkichi) #459","description":"\u003cp data-path-to-node=\"1\" id=\"p-rc_637cfcb9b06a848b-389\"\u003e\u003cspan data-path-to-node=\"1,0\"\u003eThis is a green-glazed porcelain flat plate (decorative plate \/ confectionery plate) created by Kitade Fujio (1919–2014), a master who led the modern Kutani ceramic art world as a Nitten Councillor and Professor\/Professor Emeritus at Kanazawa College of Art, succeeding his father, \u003ca href=\"\/en\/search?q=%22%E5%8C%97%E5%87%BA%E5%A1%94%E6%AC%A1%E9%83%8E%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKitade Tojiro\u003c\/a\u003e III (three-time Nitten Special Award winner and Professor at Kanazawa College of Art), at a famous kiln in Kaga City, Ishikawa Prefecture, named \"Seisen-gama\" by Living National Treasure \u003ca href=\"\/en\/search?q=%22%E5%AF%8C%E6%9C%AC%E6%86%B2%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTomimoto Kenkichi\u003c\/a\u003e when he stayed there for over a year to research Kutani overglaze enamelling\u003c\/span\u003e\u003cspan data-path-to-node=\"1,1\"\u003e\u003cspan\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003csup class=\"superscript\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-path-to-node=\"1,2\"\u003e. Under the tradition of Seisen-gama, founded in the mountain gorge of Enuma District, Kaga, by the first generation Yomon in the first year of the Meiji era (recorded in Dr. Yokokawa's \"Japanese Folk Kilns\") and inherited through the second generation Kamekichi, Mr. Kitade mastered advanced ceramic techniques from Ishikawa Prefectural Technical School to the Kyoto National Ceramic Experimental Station and, after military service, Kanazawa College of Arts and Crafts (now Kanazawa College of Art)\u003c\/span\u003e\u003cspan data-path-to-node=\"1,3\"\u003e\u003cspan\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003csup class=\"superscript\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-path-to-node=\"1,4\"\u003e. While preserving the \"fresh scent\" inherent in Ko-Kutani (Old Kutani), he developed modern and experimental overglaze enamelled porcelain that rejected external unoriginal trends\u003c\/span\u003e\u003cspan data-path-to-node=\"1,5\"\u003e\u003cspan\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003csup class=\"superscript\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-path-to-node=\"1,6\"\u003e. This work by Mr. Kitade, whose works are housed in institutions such as The National Museum of Modern Art, Tokyo, the Ishikawa Prefectural Museum of Art, and the Kaga City Museum of Art, features the handwritten inscription \"Decorative Plate with Pampas Grass and Bamboo Design in Green Glaze\" on the outer lid and the artist's seal on the inner lid of the accompanying dedicated paulownia box (tomobako)\u003c\/span\u003e\u003cspan data-path-to-node=\"1,7\"\u003e\u003cspan\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003csup class=\"superscript\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-path-to-node=\"1,8\"\u003e. It can be identified as an authentic work produced between the 1960s and early 1970s (Showa 40s), a period corresponding to his active tenure as a professor at Kanazawa College of Art and the maturity of his technique\u003c\/span\u003e\u003cspan data-path-to-node=\"1,9\"\u003e\u003cspan\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003csup class=\"superscript\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-path-to-node=\"1,10\"\u003e.\u003c\/span\u003e \u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\" id=\"p-rc_637cfcb9b06a848b-390\"\u003e\u003cspan data-path-to-node=\"2,0\"\u003eThe greatest highlight of this work lies in the beauty of its \"Ryokusai\" (green glaze), woven by vivid emerald green (turquoise blue) and deep black enamels, alongside its exceptionally refined modern compositional beauty\u003c\/span\u003e\u003cspan data-path-to-node=\"2,1\"\u003e\u003cspan\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003csup class=\"superscript\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-path-to-node=\"2,2\"\u003e. Across the surface of the plate, the motifs of pampas grass (susuki) and bamboo—traditional Japanese seasonal elements—are abstractly reconstructed and depicted using sharp straight lines and geometric planar compositions\u003c\/span\u003e\u003cspan data-path-to-node=\"2,3\"\u003e\u003cspan\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003csup class=\"superscript\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-path-to-node=\"2,4\"\u003e. The contrast between the transparent, beautiful green glaze gradation and the black underlayer and line drawings embodies a unique worldview distinctive to Mr. Kitade, who inherited Tomimoto Kenkichi's aesthetic principle of \"never creating patterns from existing patterns\"\u003c\/span\u003e\u003cspan data-path-to-node=\"2,5\"\u003e\u003cspan\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003csup class=\"superscript\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-path-to-node=\"2,6\"\u003e. Furthermore, delicate red and green lines circle around the rim of the vessel, while on the reverse side beside the foot ring, a concentric ring in deep cobalt blue glaze is drawn, and a circular mark \"Fuji\" (不二) is stamped in green glaze inside the foot ring\u003c\/span\u003e\u003cspan data-path-to-node=\"2,7\"\u003e\u003cspan\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003csup class=\"superscript\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-path-to-node=\"2,8\"\u003e. Note that the mark on part of the plate's rim that appears to be a scratch is a traditional kiln flaw (kama-kizu) generated during firing in the climbing kiln, and is not damage or defect caused after the work's completion.\u003c\/span\u003e \u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\" id=\"p-rc_637cfcb9b06a848b-391\"\u003e\u003cspan data-path-to-node=\"3,0\"\u003eMeasuring approx. 3.5 cm in height and approx. 17.5 cm in diameter—a convenient and versatile size—our shop proposes this work, tailored to modern refined lifestyles and fine spirits culture, as a dignified \"Japanese craft culinary dish\" to complement Japanese and Western small dishes, fruits, cheeses, and prosciutto enjoyed alongside whisky, aged sake, or matured Japanese liquor. The modern coloration emitted by the green glaze and the depth of the abstract design beautifully highlight the colors of served dishes and fruits, elegantly enhancing special dining or evening drinking occasions\u003c\/span\u003e\u003cspan data-path-to-node=\"3,1\"\u003e\u003cspan\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003csup class=\"superscript\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-path-to-node=\"3,2\"\u003e. A masterpiece in which the tradition of the historic Seisen-gama Kiln and the highest peak of modern Kutani sculptural beauty coalesce, this work allows one to relish the true essence of Japanese craft beauty through both visual appreciation and practical use\u003c\/span\u003e\u003cspan data-path-to-node=\"3,3\"\u003e\u003cspan\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003csup class=\"superscript\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-path-to-node=\"3,4\"\u003e.\u003c\/span\u003e \u003c!----\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"4\" id=\"p-rc_637cfcb9b06a848b-392\"\u003e\u003cspan data-path-to-node=\"4,0\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eKitade Fujio (北出不二雄, 1919–2014)\u003c\/span\u003e\u003cspan data-path-to-node=\"4,1\"\u003e\u003cspan\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003csup class=\"superscript\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/span\u003e\u003c\/span\u003e \u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"5\" id=\"p-rc_637cfcb9b06a848b-393\"\u003e\u003cspan data-path-to-node=\"5,0\"\u003e\u003cstrong\u003eArtist's Representative Career Highlights:\u003c\/strong\u003e Completed Kyoto National Ceramic Experimental Station; graduated from Kanazawa College of Arts and Crafts (now Kanazawa College of Art)\u003c\/span\u003e\u003cspan data-path-to-node=\"5,1\"\u003e\u003cspan\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003csup class=\"superscript\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-path-to-node=\"5,2\"\u003e. Winner of Nitten Special Award, Nitten Councillor and Trustee; recipient of Minister of Education Award at Japan Contemporary Arts and Crafts Exhibition; Professor and Professor Emeritus at Kanazawa College of Art; Cultural Property Committee Member for Kaga City\u003c\/span\u003e\u003cspan data-path-to-node=\"5,3\"\u003e\u003cspan\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003csup class=\"superscript\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-path-to-node=\"5,4\"\u003e.\u003c\/span\u003e \u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"6\"\u003e\u003cstrong\u003eMuseum Collections: \u003c\/strong\u003eThe National Museum of Modern Art, Tokyo; Ishikawa Prefectural Museum of Art; Kaga City Museum of Art; Kanazawa City Nakamura Memorial Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"7\" id=\"p-rc_637cfcb9b06a848b-394\"\u003e\u003cspan data-path-to-node=\"7,0\"\u003e\u003cstrong\u003eProduction Period: \u003c\/strong\u003e1960s–early 1970s (Showa 40s)\u003c\/span\u003e\u003cspan data-path-to-node=\"7,1\"\u003e\u003cspan\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003csup class=\"superscript\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/span\u003e\u003c\/span\u003e \u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"8\"\u003e\u003cstrong\u003eItem Condition: \u003c\/strong\u003eVery Good (No chips, no cracks. Traditional kiln flaw present on the rim from firing)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\" id=\"p-rc_637cfcb9b06a848b-395\"\u003e\u003cspan data-path-to-node=\"9,0\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated paulownia wooden box (Tomobako with handwritten calligraphy \"Decorative Plate with Pampas Grass and Bamboo Design in Green Glaze\" on the lid, signature seal and seal stamp \"Fujio\" on the inside of the lid), explanatory pamphlet included (authored by Yasuji Saga, President of the Ishikawa Art and Culture Association)\u003c\/span\u003e\u003cspan data-path-to-node=\"9,1\"\u003e\u003cspan\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003csup class=\"superscript\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/span\u003e\u003c\/span\u003e \u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\" id=\"p-rc_637cfcb9b06a848b-396\"\u003e\u003cspan data-path-to-node=\"10,0\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain (Green glaze, black enamel, overglaze enamelled)\u003c\/span\u003e\u003cspan data-path-to-node=\"10,1\"\u003e\u003cspan\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003csup class=\"superscript\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/span\u003e\u003c\/span\u003e \u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 3.5 cm, Diameter approx. 17.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eThe items provided by our shop were produced a very long time ago even if unused, and are all listed as pre-owned items. Please understand and confirm that the item may have age-related changes or kiln flaws from firing before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48396667912379,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3908_result.jpg?v=1791081395"},{"product_id":"477","title":"Houston (USA) | Member of the Kokugakai | Mashiko Potter and Pupil of Shimaoka Tatsuzo | Matsuzaki Ken (松崎健) | Plate with Swirl Pattern in Green and Blue Glazes | Dish for Snacks #477","description":"\u003cp dir=\"ltr\"\u003eThis is a plate by the Mashiko potter Matsuzaki Ken (born 1950), decorated with a swirling pattern in green and blue glazes. It comes without a tomobako or other accessories, and an incised mark cut with a spatula appears on the underside of the base. Our shop proposes this plate as a dish for snacks to accompany aged spirits and whisky.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMatsuzaki was born in Tokyo in 1950, the third son of the Nihonga painter \u003ca href=\"\/en\/search?q=%22%E6%9D%BE%E5%B4%8E%E8%84%A9%E5%B7%B1%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eMatsuzaki Shuki\u003c\/a\u003e. He majored in ceramics in the Department of Art at Tamagawa University and, after graduating in 1972, studied in Mashiko under \u003ca href=\"\/en\/search?q=%22%E5%B3%B6%E5%B2%A1%E9%81%94%E4%B8%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eShimaoka Tatsuzo\u003c\/a\u003e, holder of the Important Intangible Cultural Property for \"Mingei Pottery (Jomon Zogan Inlay).\" In 1977, he built his own kiln in the town of Mashiko and became independent, and he continues to work there to this day. Within the Kokugakai art association, he received the Nojima Prize in 1980 and the Associate Member's Excellence Prize in 1984, and became a full member in 1986.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe Mashiko Museum of Ceramic Art describes Matsuzaki as an artist who produces many tea ceramics, including Oribe, Shino, and Ki-Seto, and who values the expressions that arise through yohen (kiln transformation). The museum also notes that his works, born of his advanced wood-firing techniques, are highly regarded both in Japan and abroad, and describes him as one of the best-known Japanese potters in the United Kingdom and the United States. The museum held a solo exhibition of his work from October 2025 to January 2026. His works are held in collections including the Los Angeles County Museum of Art and the Museum of Fine Arts, Houston, in the United States, and Leicester Museums \u0026amp; Galleries in the United Kingdom.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIn this piece, fine lines rise in multiple spiraling rings from the center of the well outward. Where the lines stand up, the glaze thins and the clay shows through as slender golden-toned streaks, while green and deep blue glazes pool between the lines, the two colors parting as if flowing along the spiral. Fine crazing runs across the entire glazed surface. A band of green glaze encircles the rim, where throwing marks from the wheel remain as steps. The underside has a broad, flat, unglazed base, and along the edge of the glazing, glassy pools of glaze and a thin scarlet line can be seen. As the types of glaze and the type of kiln used for firing cannot be determined with certainty from external appearance, we refrain from stating them.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAs to condition, there is one small chip-like depression on the underside, at the boundary between the edge of the glaze and the unglazed base. No cracks or fractures extend from this spot, and it does not affect the function of the plate. It sits in a position that cannot be seen from the front, and even when the plate is turned over, it is small enough to go unnoticed unless looked for carefully. The fine lines visible in the well are glaze crazing, not cracks in the body.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe period of production cannot be determined, as the piece has no tomobako, biographical leaflet, or other accessories, and bears no date. It was made in or after 1977, the year the artist built his kiln in Mashiko.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Matsuzaki Ken (松崎健, born 1950)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eSelected Career Highlights: \u003c\/strong\u003e[1950] Born in Tokyo, the third son of the Nihonga painter Matsuzaki Shuki; [1972] Graduated in ceramics from the Department of Art, Tamagawa University, and began studying under Shimaoka Tatsuzo; [1977] Built his kiln in the town of Mashiko; [1978] Solo exhibition at the Keio Department Store Shinjuku (held annually thereafter); [1980] Nojima Prize, Kokugakai; [1984] Associate Member's Excellence Prize, Kokugakai; [1986] Became a full member of the Kokugakai; [2025] Solo exhibition at the Mashiko Museum of Ceramic Art (through 2026)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMuseum Collections: \u003c\/strong\u003eLos Angeles County Museum of Art (USA), Museum of Fine Arts, Houston (USA), Leicester Museums \u0026amp; Galleries (UK), and others\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e 1977 or later (based on the year the artist built his kiln; exact date unknown)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eGood (one small chip-like depression at the edge of the glaze on the underside; no cracks or fractures, no effect on function)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eStoneware\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eDiameter approx. 19.3 cm, Height approx. 3.0 cm\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eNotice: \u003c\/strong\u003eAll items offered by our shop, even those that are new and unused, were produced a very long time ago and are therefore listed as pre-owned. Items may show age-related wear or damage. Please understand this and review the details carefully before deciding to purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":67651884384443,"sku":null,"price":22000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4762_result.jpg?v=1791639774"},{"product_id":"484","title":"Aomori Prefecture Art and Culture Award Recipient, Tsugaru Vidro, Hokuyo Glass, Okawa Kaoru (大川薫): Frosted Blue-Green Glass Stem Cup (Bajohai) with Gold-Tone Foil and White Glass Dots #484","description":"\u003cp dir=\"ltr\"\u003eThis piece is a stemmed glass cup by Okawa Kaoru (1940–2008), who worked at Hokuyo Glass, a glassworks in Aomori Prefecture, while also presenting his own works as an independent artist. The underside of the stem bears the incised signature “K. OKAWA.” The body, made of blue-green glass with a frosted matte finish, is decorated with gold-tone foil combined with dots of white glass. Measuring approximately 5.5 cm in height and 7.3 cm in rim diameter, it sits comfortably in the hand and is well suited for use as a Japanese-style shot glass for savoring aged spirits a little at a time.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAccording to his reported biography, Mr. Okawa was born in Niigata Prefecture in 1940, studied craft design at Musashino Art University, and joined Hokuyo Glass in Aomori City in 1964. Hokuyo Glass began in 1949 as a maker of glass fishing floats. Building on the free-blowing (chūbuki) technique developed through float making, the company created Tsugaru Vidro in 1977, a line of handmade glass expressing the four seasons and natural landscapes of Aomori. Tsugaru Vidro was also the first product to be designated a traditional craft of Aomori Prefecture. From 1980 onward, Mr. Okawa presented his work in solo exhibitions and glass exhibitions in various parts of Japan. According to the official records of Aomori Prefecture, he received the 11th Aomori Prefecture Art and Culture Award in the crafts category for fiscal year Showa 60 (1985). He is further reported to have won the Grand Prize in Section 1 of the Tohoku Glass Art Exhibition, sponsored by Asahi Glass, in 1990, and the Asahi Glass Prize at the 1st Japan Glass Art Exhibition in 1991. In 2006 he served as an adviser to the company, and he passed away in 2008.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMr. Okawa’s style is distinguished by the way he incorporated glassmaking techniques from abroad on a foundation of glassblowing. In particular, his tea ceremony utensils, in which he adapted millefiori, the mosaic glass technique handed down on the Venetian island of Murano, in his own distinctive way, are introduced as representative of his work. He also produced many works on the theme of the natural scenery of the Tsugaru region. This piece does not employ millefiori mosaic decoration. It is an example in which the surface is composed of gold-tone foil and white glass dots, and it demonstrates the breadth of his decorative expression.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe vessel takes the form of a bajohai, or stem cup, with a rounded, fairly deep cup supported on a short, thick, solid stem. The rim is finished thick and rounded, curving slightly inward. The stem is of frosted clear glass, widening gently toward its base and giving the cup a solid, steady presence. The exterior of the cup has a matte finish with subdued luster, and within the blue-green ground, streaks of pale green flow diagonally, so that the depth of color shifts with the viewing angle. The gold-tone foil spreads like a haze of fine particles near the rim, while from the lower body to the top of the stem it becomes larger fragments broken into a fine network of cracks, gathering densely around the stem. Over this, white glass dots of various sizes rise from the surface. The dots are irregular in shape, some round, some oval, some joined in twos and threes, and they are scattered most thickly over the lower half of the body. On some of the dots, flakes of gold-tone foil remain on the surface, and these details where white and gold overlap are a further highlight. Unlike the exterior, the interior has a glossy surface, through which the shimmer of the foil and the white dots can be seen. When light falls on the cup, the foil glitters with a greenish gold, and a scene resembling a swirl spiraling toward the center of the bottom appears. The underside of the stem is finished flat, and the signature is incised there.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe piece bears no date. It is a work bearing the artist’s personal signature, made between 1980, when he began presenting his work in solo and glass exhibitions, and his death in 2008. Documentation on Mr. Okawa is limited even within Japan, and his work has received almost no attention overseas. This stem cup, combining gold-tone foil and white glass dots on frosted blue-green glass, is a piece of documentary value for understanding his work.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Okawa Kaoru (大川 薫, 1940–2008)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eSelected Career Highlights:\u003c\/strong\u003e [1964] Joined Hokuyo Glass, [1980 onward] Exhibited in solo exhibitions and glass exhibitions in various parts of Japan, [1985] 11th Aomori Prefecture Art and Culture Award (Crafts, fiscal year Showa 60), [1990] Grand Prize, Section 1, Tohoku Glass Art Exhibition (sponsored by Asahi Glass), [1991] Asahi Glass Prize, 1st Japan Glass Art Exhibition (sponsored by Asahi Glass), [2006] Adviser to Hokuyo Glass\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e Between 1980 and 2008 (estimated)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eGood (no chips, no cracks)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eIncluded: \u003c\/strong\u003eNone\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eGlass (metal foil decoration)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 5.5 cm, rim diameter approx. 7.3 cm\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eRemarks: \u003c\/strong\u003eIncised signature “K. OKAWA” on the underside of the stem\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003ePlease Note:\u003c\/strong\u003e All items offered by our shop, even if new and unused, were produced long ago and are therefore listed as pre-owned. Items may show age-related wear or damage; please review and understand this before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":67651889234107,"sku":null,"price":28000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5310_result_d226054e-165b-4264-9de7-8859a745117a.jpg?v=1792252053"}],"url":"https:\/\/antiqueliquor1926.com\/en\/collections\/color-green.oembed","provider":"Antique Liquor","version":"1.0","type":"link"}