{"title":"Pieces from the 2000s","description":"\u003cp\u003eThe 2000s, as master techniques passed to a new generation: sake cups, vessels and studio glass from this decade.\u003c\/p\u003e","products":[{"product_id":"2","title":"Sakurai Yoshie (櫻井良枝)'s Ash Glazed Horseback Riding Cup, Ceramic Glass #2","description":"\u003cp\u003eSakurai Yoshie is thought to be an artist who creates ceramic works using ash glaze. Ash glaze is a glaze made from wood ash and grass ash, and is characterized by its natural texture and warm color. Sakurai's works are attractive because of their designs that incorporate modern sensibilities while being based on traditional techniques. How about using them as glasses for Japanese whisky?\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Sakurai Yoshie Studio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction period:\u003c\/strong\u003e 1990s-2000s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Wooden box\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Pottery (pottery)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 7.8cm, diameter approx. 7.7cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCharacteristics of the ash-glazed horse-riding cup: The horse-riding cup is a cup with a long base that is said to have been designed for drinking sake while on horseback. Its unique shape is still popular as a sake cup today. The use of ash glaze creates a calm color of pale gray or bluish gray, and the cup is smooth to the touch, and the more it is used, the more flavor it acquires.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products we offer are new and unused, they are all listed as second-hand products because they were produced very long ago. Please note that the products may have damage due to aging, so please understand and check before considering purchasing.\u003c\/span\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"櫻井良枝工房","offers":[{"title":"Default Title","offer_id":46615740317883,"sku":"1","price":6000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0089.jpg?v=1746522454"},{"product_id":"3","title":"Arita ware Seiran Kiln (青藍窯) gold color ceramic glass set of 2 #3","description":"\u003cp\u003eSeirangama is a potter located in Arita-cho, Saga Prefecture, and produces works incorporating modern designs while inheriting the traditional techniques of Arita ware. Therefore, Seirangama's works are generally classified as Arita ware. How about using them as glasses for Japanese whisky?\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Arita ware Seiran kiln studio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction year:\u003c\/strong\u003e 2000s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 13cm, diameter approx. 6.5cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Pottery (pottery)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products we offer are new and unused, they are all listed as second-hand products because they were produced very long ago. Please note that the products may have damage due to aging, so please understand and check before considering purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"青藍窯工房","offers":[{"title":"Default Title","offer_id":46615745331387,"sku":"","price":10000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0061.jpg?v=1746522822"},{"product_id":"19","title":"Kagami Crystal (カガミクリスタル) Edo Kiriko Goblet, Extra Large Tasting Glass #19","description":"\u003cp\u003eKagami Crystal was founded in 1934 and has been providing high-quality products as Japan's first factory specializing in crystal glass. This glass \u003cspan\u003eis an extra-large (19.5cm) goblet cut with the Edo Kiriko technique that Kagami Crystal still uses today. This extra-large glass is extremely rare for Kagami Crystal, which generally only produces stemmed glasses that are less than 10cm in height. We believe that the glass was created by a particularly skilled craftsman at Kagami Crystal, from the production to the cutting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis item is being offered as second-hand, but is in very good condition and appears to be unused, as the logo sticker is still attached. In addition, the logo's \"KAGAMI CRYSTAL MADE IN JAPAN\" inscription and design suggest that it was produced between the mid-1980s and the 2000s.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Kagami Crystal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction year:\u003c\/strong\u003e 1990s-2000s (estimated)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Crystal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 19.5cm, width approx. 11.5cm, diameter approx. 8cm ( \u003cspan style=\"color: #ff2a00;\"\u003esize note\u003c\/span\u003e )\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products we offer are new and unused, they are all listed as second-hand products because they were produced very long ago. Please note that the products may have damage due to aging, so please understand and check before considering purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"カガミクリスタル","offers":[{"title":"Default Title","offer_id":46681490456763,"sku":"","price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_8128_result.jpg?v=1781792764"},{"product_id":"22","title":"Kumakura Ryuichi (熊倉隆一)'s Hanashyo-ryu Craft Glass Edo Kiriko Wine Glass #22","description":"\u003cp\u003eKumakura Ryuichi is the second generation owner of Kumakura Glass Crafts, a long-established glass workshop in Kameido, Tokyo, and is highly regarded as an artist who combines the tradition and innovation of Edo Kiriko. In 1990, he founded Edo Kiriko Shop Hanashyo, attracting attention for his self-developed \u003cstrong\u003e\"Hanashyo-ryu\"\u003c\/strong\u003e designs. His works are characterized by delicate cuts, unique patterns, and \u003cstrong\u003ea \"hand-polished\"\u003c\/strong\u003e finish without acid polishing, and his works were selected as gifts for the leaders of the 2008 Toyako Summit.\u003c\/p\u003e\n\u003cp\u003e Their representative series \u003cstrong\u003e, \"Hanashoryu Sake Ware,\"\u003c\/strong\u003e is based on traditional patterns but is designed to fit in with modern aesthetics, and includes wine glasses and sake cups. In particular, wine glasses made with purple or lapis lazuli \"overlay glass\" stand out beautifully as the patterns emerge in the reflection of light, making them extremely popular with collectors both in Japan and abroad.\u003c\/p\u003e\n\u003cp\u003e The glass introduced this time is a masterpiece with intricate patterns unique to the Hanashyo style carved into purple-covered glass, and comes with a special paulownia wood box. It is a work that combines high artistic quality with the formality of a gift. It can be said to be a piece that embodies Kumakura's skilled techniques and aesthetic sense.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Kumakura Glass Crafts\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e Kumakura Ryuichi\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eArtist's representative activities:\u003c\/strong\u003e [1982] Grand Prize winner at the 1st Japan Glass Exhibition\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\n\n \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eYear of production:\u003c\/strong\u003e Estimated to be the 2000s\u003c\/span\u003e\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Good (no chips, no cracks, small scratches)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated wooden box\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Glass\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height 17.5cm, diameter 7.5cm\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eNote 1:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand products. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":46718755471547,"sku":"","price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_8996_result.jpg?v=1784009526"},{"product_id":"24","title":"Kagami Crystal (カガミクリスタル) Edo Kiriko Kaiseki Sake Cup and Tasting Glass Set (2-Piece Set) #24","description":"\u003cp\u003eFounded in 1934, Kagami Crystal has been providing high-quality products as Japan's first specialized crystal glass factory. The product we are introducing today is a pair of kaiseki sake cups made by Kagami Crystal, which inherits the techniques of Edo Kiriko, a traditional Japanese craft. The deep crimson and vibrant lapis lazuli crystal glass emit a delicate brilliance that embodies the Japanese aesthetic sense.\u003c\/p\u003e\n\u003cp\u003e The greatest feature of this kaiseki sake cup is the intricate Edo Kiriko pattern that covers the entire glass. Traditional patterns such as light-reflecting \"star cut glass\" and a mesh-like \"nanako\" pattern have been carefully carved into the bowl by artisans. These cuts create complex and beautiful shadows on the surface of the glass, revealing different expressions depending on the angle from which it is viewed.\u003c\/p\u003e\n\u003cp\u003e When you pick it up, the unevenness of the cuts feels comfortable on your fingers, and you can feel the clear brilliance and weight that only crystal glass can offer. In contrast to the gorgeous cuts on the bowl, the stem of the glass has a simple yet beautiful curve, maintaining stability. The crimson and lapis lazuli glasses each evoke traditional Japanese colors, and when placed side by side, their beauty is further enhanced. When you pour sake into the glass, the light reflects off the cuts, creating a sparkling effect that is reminiscent of a kaleidoscope.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Kagami Crystal\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eYear of production:\u003c\/strong\u003e 2000s (estimated)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated wooden box\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Crystal\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height approx. 7.5cm, diameter approx. 6.6cm\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\n\n \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eNote 1:\u003c\/strong\u003e Even if the products we offer are new and unused, they are old and are listed as second-hand products. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"カガミクリスタル","offers":[{"title":"Default Title","offer_id":46766037532859,"sku":null,"price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0688.jpg?v=1757856953"},{"product_id":"31","title":"DAUM Crystal Chinon Model White Wine Glass Set of 2, #31","description":"\u003cp\u003eDAUM Crystal is a luxury crystal brand founded in Nancy, France in 1878. During the Art Nouveau period, DAUM was known as a master of glass art on a par with Émile Gallé, and was highly praised at the Paris World's Fair. Today, the brand continues to uphold traditional savoir-faire (craftsmanship) and produces highly artistic decorative items and tableware. Its delicate cuts and exceptional clarity make it a global favorite, and it is highly valued in the collector's market.\u003c\/p\u003e\n\u003cp\u003e This product is a wine glass from the \"Chinon\" series by DAUM of France. While its official name is \"Chinon,\" it has been shortened to \"Shino\" for ease of reading in Japan and in some catalogs. As a result, it is sometimes written as \"Shino\" in markets and auctions, and both \"Chinon\" and \"Shino\" are still used as trade names today. In other words, the official name is \"Chinon,\" and \"Shino\" is an abbreviation or misspelling.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eManufacturer:\u003c\/strong\u003e DAUM Crystal, France\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eModel name:\u003c\/strong\u003e Chinon (distributed in Japan as \"Shino\")\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eStart of production:\u003c\/strong\u003e 1996\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction year:\u003c\/strong\u003e Late 1990s to early 2000s (estimated)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e dedicated box, booklet\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Crystal\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height 13.8cm, diameter 6.7cm\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eNote 1:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand products. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"DAUM Crystal","offers":[{"title":"Default Title","offer_id":46888115011771,"sku":null,"price":26000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0672.jpg?v=1755685541"},{"product_id":"33","title":"DAUM Crystal Chinon Model White Wine Glass Set of 2, #33","description":"\u003cp\u003eDAUM Crystal is a luxury crystal brand founded in Nancy, France in 1878. During the Art Nouveau period, DAUM was known as a master of glass art on a par with Émile Gallé, and was highly praised at the Paris World's Fair. Today, the brand continues to uphold traditional savoir-faire (craftsmanship) and produces highly artistic decorative items and tableware. Its delicate cuts and exceptional clarity make it a global favorite, and it is highly valued in the collector's market.\u003c\/p\u003e\n\u003cp\u003e This product is a wine glass from the \"Chinon\" series by DAUM of France. While its official name is \"Chinon,\" it has been shortened to \"Shino\" for ease of reading in Japan and in some catalogs. As a result, it is sometimes written as \"Shino\" in markets and auctions, and both \"Chinon\" and \"Shino\" are still used as trade names today. In other words, the official name is \"Chinon,\" and \"Shino\" is an abbreviation or misspelling.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eManufacturer:\u003c\/strong\u003e DAUM Crystal, France\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eModel name:\u003c\/strong\u003e Chinon (distributed in Japan as \"Shino\")\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eStart of production:\u003c\/strong\u003e 1996\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction year:\u003c\/strong\u003e Late 1990s to early 2000s (estimated)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e dedicated box, booklet\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Crystal\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height 13.8cm, diameter 6.7cm\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eNote 1:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand products. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"DAUM Crystal","offers":[{"title":"Default Title","offer_id":46909662855355,"sku":null,"price":25500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0770.jpg?v=1757854408"},{"product_id":"43","title":"Living National Treasure Nakada Kazuo (中田一於)'s Kutani Ware Silver-Glazed Shochu Drinking Glass #43","description":"\u003cp data-path-to-node=\"3\"\u003eNakada Kazuo has been designated as a Living National Treasure (Preserver of Important Intangible Cultural Property) for his ceramic technique known as Yukasai (underglaze coloring), the first designation ever made for this technique. This designation serves as public proof that the unique world of Yuri-ginsai (underglaze silver foil), which he has refined over many years, represents one of the highest peaks of Japanese traditional beauty.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eThe reason Nakada Kazuo, who has established a new milestone in the history of Kutani ware, is held in such high esteem lies in the almost obsessive precision condensed into this work. The essence of Yuri-ginsai lies in the nearly impossible technical harmony of sealing the brilliance of silver deep beneath a lapis lazuli glaze. While ordinary silver decoration typically oxidizes and turns black when exposed to air, Nakada arranges paper-thin pieces of silver foil one by one like a puzzle based on meticulous calculations. He perfectly controls the risk of the silver foil melting away due to the intense heat during firing, maintaining an eternal sparkle within the glaze. This process is a divine skill that only he can achieve. This specific expression of silver shining with dignity beneath the glaze was the decisive reason for his selection as the first Living National Treasure in the field of Yukasai.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eThis work was created around 2009, a period when Nakada had completely mastered his technique and was receiving intense attention from museums worldwide; it is a representative piece that embodies his true essence. The silver foil hidden beneath the lapis lazuli glaze changes its expression like a kaleidoscope depending on the angle of the light, sometimes shimmering sharply like a gemstone and at other times swaying softly like morning mist. The geometric patterns reminiscent of lotus petals covering the entire vessel are his signature design. The contrast of blue and silver reflecting on the inside when sake is poured can be described as a supreme view that only the owner can enjoy.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eFurthermore, this work is exceptionally outstanding in terms of its form. The footed style exudes the dignity of a fine art craft, yet it maintains excellent center-of-gravity balance when actually held, fusing practicality and aesthetics at a high level. As a testament to its global value, his works are part of the permanent collections of institutions such as the Smithsonian's Arthur M. Sackler Gallery in the United States. Following his designation as a Living National Treasure in 2025, there is no doubt that the rarity of such fulfilling works from his mature period will increase further in the art market. Holding the crystal of light of a master who has carved his name in history while enjoying a supreme drink is nothing less than a luxurious cultural privilege that transcends a mere evening glass.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Nakada Kazuo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eThe artist's notable achievements include:\u003c\/strong\u003e [ \u003cspan class=\"line\"\u003e\u003cspan class=\"year\"\u003e1990]\u003c\/span\u003e \u003cspan class=\"title\"\u003eMinister of Education Award at the Japan Traditional Crafts Exhibition; [\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"line\"\u003e\u003cspan class=\"year\"\u003e1993]\u003c\/span\u003e \u003cspan class=\"title\"\u003eUnderglaze Silver Vase selected for permanent collection at the Smithsonian Institution's Mackler Gallery in Washington; [\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan class=\"line\"\u003e2001] Grand Prize at the Traditional Kutani Ware Crafts Exhibition; [ \u003cspan class=\"year\"\u003e2011]\u003c\/span\u003e \u003cspan class=\"title\"\u003eMedal with Purple Ribbon; [ \u003cspan class=\"year\"\u003e2019]\u003c\/span\u003e Order of the Rising Sun, Gold Rays with Rosette; [2025] Designated Living National Treasure for his underglaze enamel technique.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction date:\u003c\/strong\u003e circa 2009\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated wooden box, wrapping cloth, artist biography\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramic (Kutani ware, pottery)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height approx. 10.8cm, diameter approx. 8.1cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCharacteristics of Nakada Kazuo's works:\u003c\/strong\u003e His greatest feature is the \"underglaze silver color\" technique, which involves applying a pattern with silver foil under the glaze. This technique allows the shine of the silver to show through the glaze, and the soft, pale colors and shading of light create a delicate expression with depth. Many of his works feature plants and geometric patterns applied with silver color, and are characterized by a cool, modern style.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47058962448571,"sku":null,"price":180000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1090_result.jpg?v=1784445616"},{"product_id":"41","title":"Hand-blown glass by Sakata Jinnai（坂田甚内, Jin）, featuring red and gold accents, gold leaf, and gold accents. Deep Jinmon glass #41","description":"\u003cp\u003eThis is a \"Red and Gold Hand-Blown Glass Sake Cup\" by Sakata Jinnai（Jin）. Gold leaf is scattered across the clear glass, creating a fantastical reflection of the light between the red base and the gold leaf. The elegant design is both elegant and stable, combining aesthetic value with practicality. Sakata Jinnai was born in Tokyo in 1943, studied under \u003ca href=\"\/en\/search?q=%22%E5%8A%A0%E5%AE%88%E7%94%B0%E7%AB%A0%E4%BA%8C%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKamoda Shoji\u003c\/a\u003e in 1964, and established his kiln in Kami-Oba, Mashiko Town, in 1966. Since then, he has been known as an artist who has incorporated glass and gold leaf into his works. This piece is thought to date from the 1990s and 2000s, when he was actively pursuing the fusion of ceramic and glass and increasingly experimenting with gold leaf and decorative elements. This exceptional sake cup (glass) is a rare piece among Sakata Jinnai's works, and is a masterpiece that will add a touch of elegance to any evening drink or dinner table, making it an ideal gift or collectible piece.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Sakata Jinnai (坂田甚内, 1943-present)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eThe artist's notable activities include:\u003c\/strong\u003e [ \u003cspan\u003e2009]\u003c\/span\u003e \u003cspan\u003eInvited artist at the 1st Shanghai International Ceramic Living Art Expo; [2013] Donated a large magatama plate with deep-patterned gold leaf and leaf glass, \"The Radiance of Life,\" to the Izumo Taisha Grand Shrine Heisei Grand Shrine Relocation; [2013] Donated a large black porcelain plate with deep-patterned gold leaf and leaf, \"Homage to the Sun,\" to coincide with the Ise Grand Shrine Shikinen Sengu; [\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003e2014] Donated a deep-patterned gold leaf and leaf glass objet d'art, \"Yamanei,\" to Atsuta Shrine; [2014]\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003eDonated a pair of black porcelain engraved gold leaf and leaf boxes, \"Longevity,\" to Kameoka Hachiman Shrine (Mashiko Town).\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction period:\u003c\/strong\u003e 1990s-2000s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Glass, gold leaf\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height 9.5cm, diameter 5.5cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47058981585083,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0997.jpg?v=1767788776"},{"product_id":"42","title":"Living National Treasure Inoue Manji (井上萬二)'s White Porcelain Carved Teacup #42","description":"\u003cp\u003eInoue Manji (1929-2025) was born in Arita, Saga Prefecture in 1929, and is a representative ceramic artist of Arita ware. While Arita ware is typically characterized by colorful painting, he has always focused on white porcelain, pursuing its pure beauty.\u003c\/p\u003e\n\u003cp\u003e After studying under the master potter's wheel master, \u003ca href=\"\/en\/search?q=%22%E5%A5%A5%E5%B7%9D%E5%BF%A0%E5%8F%B3%E8%A1%9B%E9%96%80%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eOkugawa Chuemon\u003c\/a\u003e, he honed his skills at the Saga Prefectural Ceramics Testing Laboratory before going independent in 1971. His outstanding potter's wheel skills and the soft, refined beauty of his forms are highly acclaimed both in Japan and overseas. He has also worked tirelessly overseas, teaching at universities in the United States and engaging in cultural exchange activities, spreading the essence of Japanese traditional crafts to the world.\u003c\/p\u003e\n\u003cp\u003e This white porcelain piece exudes tranquil beauty, and we suspect it likely dates from Inoue Manji's later years, when his technique had reached its peak. Flowing lines of bamboo branches and leaves are delicately carved into the surface, gently lifting off the pure white porcelain. This openwork-like technique creates a tasteful shadow that changes appearance with the light. The included lid ensures that the aroma is not lost, making this a truly exceptional piece that maximizes the aroma of whisky. Enjoy this exceptional piece of Japanese sophistication and the finest craftsmanship with a special glass of whisky.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Inoue Manji (井上萬二, 1929-2025)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\n\n \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eThe artist's notable achievements include:\u003c\/strong\u003e [1979] Minister of Labor Award, [1987] Minister of Education Award at the Japan Traditional Crafts Exhibition, [1995] Certified as a Living National Treasure and Important Intangible Cultural Property \"White Porcelain\", [1997] Received the Medal with Purple Ribbon, [2003] Received the Order of the Rising Sun, Gold Rays with Neck Ribbon\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction year:\u003c\/strong\u003e 2000s (estimated)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated wooden box\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramic (white porcelain)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height 11cm, diameter 7.5cm\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47059029786811,"sku":null,"price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1019.jpg?v=1759322343"},{"product_id":"66","title":"Hand-blown glass by Sakata Jinnai (坂田甚内, Jin), featuring platinum and gold leaf accents. Deep Jin Crest Glass #66.","description":"\u003cp\u003eThis hand-blown glass by Sakata Jinnai features a deep pattern and platinum accents. This piece embodies the artist's unique worldview, transcending the boundaries between glass craft and ceramics. The glass itself is crafted using the \"crackle technique,\" which creates intricate cracks on the surface of the glass, causing the light to reflect irregularly, giving the entire piece a dreamlike texture.\u003c\/p\u003e\n\u003cp\u003eThe glass's design is characterized by a unique shape called \"Fukajinmon,\" which has a curved center. The most eye-catching feature is the gold decorative band that wraps around the narrow part of the glass. Gold leaf is lavishly scattered within the clear glass, giving off a dynamic and gorgeous glow that is almost as if a flame is entangled. This spiraling gold decoration elevates the glass beyond a simple sake cup, giving it a high value as a work of art.\u003c\/p\u003e\n\u003cp\u003eSakata Jinnai was born in Tokyo in 1943, studied under \u003ca href=\"\/en\/search?q=%22%E5%8A%A0%E5%AE%88%E7%94%B0%E7%AB%A0%E4%BA%8C%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKamoda Shoji\u003c\/a\u003e in 1964, and built his kiln in Mashiko Town in 1966. He is known as an artist who pursues the fusion of ceramics and glass. The gold leaf and decorative experiments seen in this piece are thought to date from the 1990s and 2000s, when the artist was actively developing his techniques. This exquisite piece will add a touch of elegance to your evening drinks and dinner table, and is also ideal for collections and as a gift.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Sakata Jinnai (坂田甚内, 1943-present)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eThe artist's notable activities include:\u003c\/strong\u003e [ \u003cspan\u003e2009]\u003c\/span\u003e \u003cspan\u003eInvited artist at the 1st Shanghai International Ceramic Living Art Expo; [2013] Donated a large magatama plate with deep-patterned gold leaf and leaf glass, \"The Radiance of Life,\" to the Izumo Taisha Grand Shrine Heisei Grand Shrine Relocation; [2013] Donated a large black porcelain plate with deep-patterned gold leaf and leaf, \"Homage to the Sun,\" to coincide with the Ise Grand Shrine Shikinen Sengu; [\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003e2014] Donated a deep-patterned gold leaf and leaf glass objet d'art, \"Yamanei,\" to Atsuta Shrine; [2014]\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003eDonated a pair of black porcelain engraved gold leaf and leaf boxes, \"Longevity,\" to Kameoka Hachiman Shrine (Mashiko Town).\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction period:\u003c\/strong\u003e 1990s-2000s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Glass, gold leaf\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height approx. 12cm, diameter approx. 4.2cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47099314241723,"sku":null,"price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1541.jpg?v=1760806654"},{"product_id":"80","title":"Hand-blown glass by Sakata Jinnai (坂田甚内, Jin), featuring platinum, gold leaf, and gold accents. Set of 3 glasses with a deep Jin crest. #80","description":"\u003cp\u003eThis is a set of three hand-blown glassware by Sakata Jinnai, featuring a deep-patterned design and platinum-lacquered design. These works embody the artist's unique worldview and exceptional skill, transcending the boundaries between glass and ceramic art.\u003c\/p\u003e\n\u003cp\u003eThe glass itself is crafted using a crackle technique, which creates minute cracks on the surface of the glass. When light hits the glass, the finely broken surface, like ice, reflects irregularly, giving the entire piece a fantastical glow and a cool texture.\u003c\/p\u003e\n\u003cp\u003eThe glass's unique design is reminiscent of the Fukajin crest, with the body consisting of two rounded bulges, one above the other, and a single curve in the middle. The inside of the glass's base is decorated with a delicate arabesque pattern in gold, along with the artist's signature, the character \"Jin.\" Gold accents can also be seen on the inside of the glass. This gold decoration elevates the glass beyond a simple sake cup, giving it a high level of value as a work of art.\u003c\/p\u003e\n\u003cp\u003eSakata Jinnai was born in Tokyo in 1943, studied under \u003ca href=\"\/en\/search?q=%22%E5%8A%A0%E5%AE%88%E7%94%B0%E7%AB%A0%E4%BA%8C%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKamoda Shoji\u003c\/a\u003e in 1964, and built his kiln in Mashiko Town in 1966. He is known as an artist who pursues the fusion of ceramics and glass. The decorative experiments in crackle and gold leaf seen in this piece are thought to date from the 1990s to 2000s, when the artist was actively developing his techniques. This exquisite piece will add a touch of elegance to your evening drinks or dinner table, and is also ideal for collections or as a gift.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Sakata Jinnai (坂田甚内, 1943-present)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eThe artist's notable activities include:\u003c\/strong\u003e [ \u003cspan\u003e2009]\u003c\/span\u003e \u003cspan\u003eInvited artist at the 1st Shanghai International Ceramic Living Art Expo; [2013] Donated a large magatama plate with deep-patterned gold leaf and leaf glass, \"The Radiance of Life,\" to the Izumo Taisha Grand Shrine Heisei Grand Shrine Relocation; [2013] Donated a large black porcelain plate with deep-patterned gold leaf and leaf, \"Homage to the Sun,\" to coincide with the Ise Grand Shrine Shikinen Sengu; [\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003e2014] Donated a deep-patterned gold leaf and leaf glass objet d'art, \"Yamanei,\" to Atsuta Shrine; [2014]\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003eDonated a pair of black porcelain engraved gold leaf and leaf boxes, \"Longevity,\" to Kameoka Hachiman Shrine (Mashiko Town).\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction period:\u003c\/strong\u003e 1980s-1990s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Glass, gold leaf\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height approx. 12cm, diameter approx. 4.2cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47134716559547,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2367.jpg?v=1762239411"},{"product_id":"81","title":"Set of 2 hand-blown glass cups with a deep jinmon pattern, featuring platinum and gold leaf accents, by Sakata Jinnai (坂田甚内, Jin). #81","description":"\u003cp\u003eThis is a set of two hand-blown glass pieces by Sakata Jinnai, featuring a deep-patterned design and platinum-lacquered design. These pieces embody the artist's unique worldview and exceptional skill, transcending the boundaries between glass and ceramic art.\u003c\/p\u003e\n\u003cp\u003eThe glass itself is crafted using a crackle technique, which creates minute cracks on the surface of the glass. When light hits the glass, the finely broken surface, like ice, reflects irregularly, giving the entire piece a fantastical glow and a cool texture.\u003c\/p\u003e\n\u003cp\u003eThe glass's unique design is reminiscent of the Fukajin crest, with the body consisting of two rounded bulges, one above the other, and a single curve in the middle. The inside of the glass's base is decorated with a delicate arabesque pattern in gold, along with the artist's signature, the character \"Jin.\" Gold accents can also be seen on the inside of the glass. This gold decoration elevates the glass beyond a simple sake cup, giving it a high level of value as a work of art.\u003c\/p\u003e\n\u003cp\u003eSakata Jinnai was born in Tokyo in 1943, studied under \u003ca href=\"\/en\/search?q=%22%E5%8A%A0%E5%AE%88%E7%94%B0%E7%AB%A0%E4%BA%8C%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKamoda Shoji\u003c\/a\u003e in 1964, and built his kiln in Mashiko Town in 1966. He is known as an artist who pursues the fusion of ceramics and glass. The decorative experiments in crackle and gold leaf seen in this piece are thought to date from the 1980s to 1990s, when the artist was actively developing his techniques. This exquisite piece will add a touch of elegance to your evening drinks or dinner table, and is also ideal for collections or as a gift.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Sakata Jinnai (坂田甚内, 1943-present)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eThe artist's notable activities include:\u003c\/strong\u003e [ \u003cspan\u003e2009]\u003c\/span\u003e \u003cspan\u003eInvited artist at the 1st Shanghai International Ceramic Living Art Expo; [2013] Donated a large magatama plate with deep-patterned gold leaf and leaf glass, \"The Radiance of Life,\" to the Izumo Taisha Grand Shrine Heisei Grand Shrine Relocation; [2013] Donated a large black porcelain plate with deep-patterned gold leaf and leaf, \"Homage to the Sun,\" to coincide with the Ise Grand Shrine Shikinen Sengu; [\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003e2014] Donated a deep-patterned gold leaf and leaf glass objet d'art, \"Yamanei,\" to Atsuta Shrine; [2014]\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003eDonated a pair of black porcelain engraved gold leaf and leaf boxes, \"Longevity,\" to Kameoka Hachiman Shrine (Mashiko Town).\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction period:\u003c\/strong\u003e 1990s-2000s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Glass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height approx. 12cm, diameter approx. 7cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47134720360635,"sku":null,"price":40000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2391.jpg?v=1762239804"},{"product_id":"87","title":"Living National Treasure Kitamura Shinichi (北村眞一)'s masterpiece: The Silver Arbor, Lost-wax casting (Rōgata) silver and blown glass sake cup #87","description":"\u003cp data-path-to-node=\"6\"\u003eThis sake vessel, titled Wax-mold Cast Silver and Blown Glass Sakazuki, is a masterpiece that distills the exceptional techniques of Kitamura Shinichi, a Living National Treasure. It is an extremely rare piece that demonstrates the depth of the artist's exploration, beautifully fusing the disparate materials and techniques of metalwork and glass craftsmanship.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eBorn in 1952, Kitamura Shinichi is a metal artist who was certified in 2019 as a Preserver of the Important Intangible Cultural Property of Wax-mold Casting. This vessel is an exquisite creation utilizing those traditional techniques. Because silver, which is a metal, and glass have vastly different melting points and thermal expansion coefficients, the task of completely integrating the two requires extremely advanced skill to overcome the risk of bursting or cracking from thermal shock. This work features an ingenious structure that overcomes this challenge by blowing glass into a silver framework shaped like a tree. The silver ornamentation is characterized by an organic texture with numerous perforations and a form resembling a powerful, undulating tree trunk, creating a fantastical beauty.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThis piece is presumed to be an ambitious work from around the year 2000 (Heisei 12), a period of maturity in Kitamura's creative career during which he pursued the ultimate in technical fusion and decorativeness. The silver portion features a delicate design reminiscent of extending branches and leaves, evoking both the vitality of nature and a sense of tranquil beauty. When a drink is poured, light reflects through the intricate gaps in the silver, emitting a quiet radiance unlike any other. The expression of this light changes over time and projects various shadows depending on the viewing angle. The ability to appreciate the sophisticated craftsmanship of a Living National Treasure through an everyday vessel is one of this work's greatest charms. Fusions of glass with such complex silver motifs are rare even within Kitamura's body of work, making this a precious collector's item worthy of high acclaim for both its artistic and technical merit.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Kitamura Shinichi (北村眞一, 1952-present)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eArtist's major activities:\u003c\/strong\u003e [2019] Certified as a holder of the Important Intangible Cultural Property \"Lost-wax casting (Rōgata)\" (Living National Treasure)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction date:\u003c\/strong\u003e circa 2000\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated box included\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Silver, glass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height 7.5cm, diameter 5.5cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 42, 0);\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\" class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eSpecial note:\u003c\/strong\u003e As this is a silver product, discoloration due to oxidation of silver may occur.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47170608365755,"sku":null,"price":550000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2601.jpg?v=1763175269"},{"product_id":"101","title":"Nanban Torai Ceramic Whisky Tumbler by Rinkuro (林九郎) #101 ","description":"\u003cp data-path-to-node=\"2\"\u003eThis rocks glass is part of the gorgeous \"Nanban Torai\" series, produced by RinKurou Kiln, based in Hasami Town, Nagasaki Prefecture. RinKurou\u0026nbsp;Kiln is known for its unique \"Old Imari Style,\" which incorporates modern sensibilities while carrying on the traditions of Arita ware and Hasami ware, and this piece is also dotted with their outstanding design.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe glass is octagonal and fits comfortably in the hand. Its sides feature vibrantly painted images of black ships and Westerners against a lavish gold background. The motif of the design is the historic \"Arrival of the Black Ships,\" the 1853 arrival of four ships, including two steamships, at Uraga Port under the command of U.S. Commodore Matthew Perry. This event marked the end of Japan's long period of isolation and marked the beginning of a dramatic intermingling and vibrant exchange between Japanese and Western cultures. The design of the admiral's costume and sailing ships speaks to the amazement and curiosity felt by Japanese people at the time toward Western culture. Its beautiful blend of traditional Japanese designs, such as the blue ocean wave pattern, and the exotic atmosphere of Nanban culture creates a unique worldview characteristic of the RinKurou\u0026nbsp;Kiln.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eOf particular note is the contrast between the pale \"Seigaiha\" (waves) pattern on the inside and bottom of the glass and the rich coloring on the outside. Looking into it from the inside, you can enjoy the translucent texture of the celadon, and its beauty is accentuated with each drink poured into it. This piece is thought to have been produced between the late 1980s and early 2000s, when RinKurou\u0026nbsp;Kiln actively developed this style of Nanban series, which became highly popular as a gift item and high-end sake vessel. This glass, which combines traditional Japanese beauty with the romance of the Age of Discovery that led to the Meiji Restoration, will add a special touch to your everyday life, whether for aesthetic or practical use.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e RinKurou\u0026nbsp;Kiln\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction period:\u003c\/strong\u003e 1990s-2000s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramic (pottery)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height approx. 9cm, diameter approx. 8cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAbout RinKurou Kiln:\u003c\/strong\u003e Located in Hasami Town, Nagasaki Prefecture, RinKurou Kiln is a Hasami ware pottery manufacturer founded in 1968 by Ishimaru Ceramics Co., Ltd. The manufacturer continues to carry on the traditions of Hasami ware, which has a history of over 400 years, while pursuing its own unique style and high-quality pottery. RinKurou\u0026nbsp;Kiln's works are a modern revival of the \"Ko-Imari style\" of the Edo period, characterized by gorgeous and luxurious designs using techniques such as blue and white porcelain, red porcelain, and somenishiki porcelain.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"林九郎窯","offers":[{"title":"Default Title","offer_id":47278523973819,"sku":null,"price":16000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3082.jpg?v=1766901900"},{"product_id":"102","title":"Set of 2 hand-blown glass sake cups with a deep Jin pattern, made by Sakata Jinnai (坂田甚内, Jin), in red and gold. #102","description":"\u003cp data-path-to-node=\"2\"\u003eThis hand-blown glass sake cup was created by Sakata Jinnai (Jin), a leading Japanese ceramic artist who has pioneered a unique artistic world across a wide range of fields, including spatial design and glass craft. The most distinctive feature of this work is its highly artistic design, which combines the artist's signature \"Shinjin\" pattern with vibrant red. The base features a delicately painted, flowing pattern reminiscent of waves and clouds, crafted in gold on passionate red glass. This pattern goes beyond mere decoration and can be said to visualize the invisible energy and fundamental flow of life. The artist's signature, \"Jin,\" is proudly inscribed in gold on the base, confirming its value as a unique piece.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eThe craftsmanship of the piece requires hand-blown glass, which requires advanced craftsmanship. Of particular note is the beauty of the \"cracked glass\" applied to the cup. Created by rapidly cooling high-temperature glass and then reheating it, these delicate, mesh-like cracks refract light in complex ways, creating a jewel-like sparkle when an amber-colored drink is poured into the piece. The contrasting structure of the smoothly curved cup and the powerful, substantial base embodies Jinnai's unique aesthetic, combining the opposing elements of delicacy and strength in a single vessel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eSakata Jinnai's creative philosophy is to \"convey the intangible spirit through tangible objects.\" In this glass, too, the slight fluctuations and randomness of each crack, which are unique to hand-blown glass, give the impression of the \"pulsation of life\" that cannot be found in mass-produced products.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe period of production is thought to date from the 2000s onwards, when Jinnai first applied the \"red and gold\" technique he had developed in ceramics to glass art, establishing himself as a highly acclaimed artist both in Japan and overseas. This glass cup, with its overwhelming presence that transforms an everyday moment into a special ritual, is a truly supreme work of art that invites the user into the \"abyss of beauty\" that the artist pursues.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Sakata Jinnai (坂田甚内, 1943-present)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eThe artist's notable activities include:\u003c\/strong\u003e [ \u003cspan\u003e2009]\u003c\/span\u003e \u003cspan\u003eInvited artist at the 1st Shanghai International Ceramic Living Art Expo; [2013] Donated a large magatama plate with deep-patterned gold leaf and leaf glass, \"The Radiance of Life,\" to the Izumo Taisha Grand Shrine Heisei Grand Shrine Relocation; [2013] Donated a large black porcelain plate with deep-patterned gold leaf and leaf, \"Homage to the Sun,\" to coincide with the Ise Grand Shrine Shikinen Sengu; [\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003e2014] Donated a deep-patterned gold leaf and leaf glass objet d'art, \"Yamanei,\" to Atsuta Shrine; [2014]\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003eDonated a pair of black porcelain engraved gold leaf and leaf boxes, \"Longevity,\" to Kameoka Hachiman Shrine (Mashiko Town).\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction year:\u003c\/strong\u003e 2000s (estimated)\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Glass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height 9.5cm, diameter 5.5cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47321141018811,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3102_2844e4a5-b9d4-4797-932f-edb11ef3e1b2.jpg?v=1766902565"},{"product_id":"103","title":"Hand-blown glass by Sakata Jinnai (坂田甚内, Jin), red and gold glaze, Deep Jin Crest Glass #103","description":"\u003cp data-path-to-node=\"2\"\u003eThis hand-blown glass sake cup was created by Sakata Jinnai (Jin), a leading Japanese ceramic artist who has pioneered a unique artistic world across a wide range of fields, including spatial design and glass craft. The most distinctive feature of this work is its highly artistic design, which combines the artist's signature \"Shinjin\" pattern with vibrant red. The base features a delicately painted, flowing pattern reminiscent of waves and clouds, crafted in gold on passionate red glass. This pattern goes beyond mere decoration and can be said to visualize the invisible energy and fundamental flow of life. The artist's signature, \"Jin,\" is proudly inscribed in gold on the base, confirming its value as a unique piece.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eThe craftsmanship of the piece requires hand-blown glass, which requires advanced craftsmanship. Of particular note is the beauty of the \"cracked glass\" applied to the cup. Created by rapidly cooling high-temperature glass and then reheating it, these delicate, mesh-like cracks refract light in complex ways, creating a jewel-like sparkle when an amber-colored drink is poured into the piece. The contrasting structure of the smoothly curved cup and the powerful, substantial base embodies Jinnai's unique aesthetic, combining the opposing elements of delicacy and strength in a single vessel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eSakata Jinnai's creative philosophy is to \"convey the intangible spirit through tangible objects.\" In this glass, too, the slight fluctuations and randomness of each crack, which are unique to hand-blown glass, give the impression of the \"pulsation of life\" that cannot be found in mass-produced products.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe period of production is thought to date from the 2000s onwards, when Jinnai first applied the \"red and gold\" technique he had developed in ceramics to glass art, establishing himself as a highly acclaimed artist both in Japan and overseas. This glass cup, with its overwhelming presence that transforms an everyday moment into a special ritual, is a truly supreme work of art that invites the user into the \"abyss of beauty\" that the artist pursues.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Sakata Jinnai (坂田甚内, 1943-present)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eThe artist's notable activities include:\u003c\/strong\u003e [ \u003cspan\u003e2009]\u003c\/span\u003e \u003cspan\u003eInvited artist at the 1st Shanghai International Ceramic Living Art Expo; [2013] Donated a large magatama plate with deep-patterned gold leaf and leaf glass, \"The Radiance of Life,\" to the Izumo Taisha Grand Shrine Heisei Grand Shrine Relocation; [2013] Donated a large black porcelain plate with deep-patterned gold leaf and leaf, \"Homage to the Sun,\" to coincide with the Ise Grand Shrine Shikinen Sengu; [\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003e2014] Donated a deep-patterned gold leaf and leaf glass objet d'art, \"Yamanei,\" to Atsuta Shrine; [2014]\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003eDonated a pair of black porcelain engraved gold leaf and leaf boxes, \"Longevity,\" to Kameoka Hachiman Shrine (Mashiko Town).\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction period:\u003c\/strong\u003e 1990s-2000s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Glass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height 9.5cm, diameter 5.5cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47321142362299,"sku":null,"price":35000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3134.jpg?v=1766903066"},{"product_id":"161","title":"Fujita Jun (藤田潤)'s Hand-Blown Glass Large Sake Cup: A Rare Piece by a Nationally Renowned Artist #161","description":"\u003cp data-path-to-node=\"7\"\u003eFujita Jun (b. 1951) is a leading figure in contemporary Japanese glass art, having embarked on his creative journey in 1979 after graduating from the Department of Philosophy, Faculty of Letters at Gakushuin University. Since the 1980s, Fujita has garnered extensive acclaim, receiving numerous prestigious honors including the Chiba Prefectural Exhibition Prize, the Bridgestone Museum of Art Prize at the 1996 Japan Glass Exhibition, and the Gold Medal—the highest honor—at the 2001 International Exhibition of Glass Kanazawa. His illustrious career is reflected in the inclusion of his works in the permanent collections of major domestic institutions such as the National Museum of Modern Art, Tokyo, and the Yokohama Museum of Art, as well as renowned international venues including the Ebeltoft Glass Museum in Denmark, the mudac (Museum of Contemporary Design and Applied Arts) in Lausanne, Switzerland, and the São Paulo Museum of Art in Brazil.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThis hand-blown glass sake cup, measuring approximately 8.7 cm in diameter and 6 cm in height, was produced during Fujita’s highly productive period between 1995 and 1996. Its generous proportions represent a perfect harmony between functional utility and aesthetic splendor. Utilizing his signature hand-blowing technique, Fujita masterfully draws out the soft texture and fluid contours inherent to glass. A band of noble, radiant gold leaf is applied across the center, while the vibrant blue accent at the base provides a stunning contrast to the clear glass, evoking a sense of cool serenity and profound dignity.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe technical brilliance of this piece lies in the artist's exceptional heat management, which allows glass and gold leaf—materials with vastly different thermal expansion coefficients—to be fused at the molecular level in a molten state exceeding 1,200°C. In hand-blown glass, any sudden temperature drop during the shaping process can cause the gold leaf to peel or induce internal structural tension; therefore, precise temperature programming in the annealing furnace is paramount. The flawless adhesion and brilliance of the gold leaf in this work testify to the perfection of this execution. Artistically, the ponte process used to join the colored base with the clear upper body achieves a sophisticated balance between deliberate intent and natural spontaneity, minimizing distortion while preserving the organic fluctuations of hand-blown glass. The gold leaf is not merely a surface adornment; it is strategically positioned to create multiple internal reflections as light penetrates the glass, bounces off the gold, and passes back through the vessel. This calculated interplay enables the coexistence of a heavy metallic luster and airy transparency.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003ePresented in its original signed wooden box (tomobako) featuring the artist's signature and seal, and accompanied by a chronicle of his career, this piece is a complete and pristine example of Fujita’s artistry. His aesthetic has gained significant global recognition, including being featured in the scholarly journals of the Corning Museum of Glass in the United States. The acquisition of his work by the Japan Foundation and major museums worldwide is a tribute not only to its visual beauty but to its status as a symbol of the structural and technical perfection achieved by Japanese glass art at the close of the 20th century.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Fujita Jun (藤田潤, b. 1951)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNotable Achievements:\u003c\/strong\u003e [1988] Chiba Prefectural Exhibition Prize, [1996] Bridgestone Museum of Art Prize at the '96 Japan Glass Exhibition, [1999] Silver Award at the Japanese Contemporary Glass Exhibition in Notojima, [2001] Gold Award at the International Glass Exhibition Kanazawa\u0026nbsp;\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePublic Collections:\u003c\/strong\u003e The National Museum of Modern Art, Tokyo\u003cspan style=\"font-size: 0.875rem;\"\u003e (MOMAT), \u003c\/span\u003eThe Japan Foundation, Yokohama Museum of Art, Glasmuseet Ebeltoft\u003cspan style=\"font-size: 0.875rem;\"\u003e (Denmark), \u003c\/span\u003emudac - Museum of Contemporary Design and Applied Arts\u003cspan style=\"font-size: 0.875rem;\"\u003e (Lausanne, Switzerland) \/, \u003c\/span\u003eSão Paulo Museum of Art\u003cspan style=\"font-size: 0.875rem;\"\u003e (MASP \/ Brazil),\u0026nbsp;\u003c\/span\u003eand others.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDate of Production:\u003c\/strong\u003e 1995–2000\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent (No chips or cracks)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original signed wooden box, artist's chronicle (shiori)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Hand-blown glass, gold leaf\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Diameter 8.7 cm, Height 6.0 cm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNotice:\u003c\/strong\u003e While this item is in unused condition, it is a vintage piece produced many years ago and is therefore listed as second-hand. Please be aware that vintage items may show minor signs of age. We invite you to examine the provided images carefully before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47469729153211,"sku":null,"price":27000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4271.jpg?v=1771760914"},{"product_id":"169","title":"Bizen Akae Sake Cup by Isezaki Mitsuru (伊勢崎満), Bizen Ware, Okayama Prefecture Important Intangible Cultural Property #169","description":"\u003cp data-path-to-node=\"29\"\u003eMitsuru Isesaki (1934–2011), the eldest son of the master craftsman Yozan Isesaki and a designated Intangible Cultural Property Holder for Okayama Prefecture, was a towering figure in the world of traditional Bizen ware. He dedicated his life to restoring the medieval \"Old Bizen\" style, serving as the spiritual backbone of the craft.\u003c\/p\u003e\n\u003cp data-path-to-node=\"30\"\u003eThis piece features \u003cb data-path-to-node=\"30\" data-index-in-node=\"20\"\u003eMitsuru’s signature alongside the \"Yozan\" seal\u003c\/b\u003e on its presentation box. Throughout his career, Mitsuru continued to use this prestigious family seal as the head of \"Yozan-gama,\" honoring the legacy of his father. It serves as a testament to his pride in his lineage and a guarantee of the authentic quality of the Isesaki family kilns.\u003c\/p\u003e\n\u003cp data-path-to-node=\"31\"\u003eNotably, this \"Bizen Aka-e\" (red enamel) work is estimated to have been created during \u003cb data-path-to-node=\"31\" data-index-in-node=\"87\"\u003eMitsuru’s mature later years, from the late 1990s into the 2000s\u003c\/b\u003e, when his artistic sensibility reached its zenith. Having mastered the stoic, unglazed aesthetic of traditional Bizen, it is significant that the master chose to embrace the modern challenge of \"color\" in his final decades. He overcame the technical difficulty of bonding enamel to iron-rich Bizen clay through firing techniques refined over half a century, achieving a magnificent contrast between the earth's weight and the vivid red.\u003c\/p\u003e\n\u003cp data-path-to-node=\"32\"\u003eWithin the traditional brownish-brown of Bizen, this work harbors a modern tension. It represents the \"final destination\" of Mitsuru Isesaki—a master who upheld a prestigious name while maintaining a forward-looking, timeless sensibility. This is a masterpiece of exceptional historical and artistic value.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eIsezaki Mitsuru (伊勢崎満, 1934-2011)\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eNotable Achievements: \u003c\/strong\u003e1961 Sanyo Shimbun Prize at the Okayama Prefectural Exhibition, 1966 First selection for the Japan Traditional Crafts Exhibition, 1972 Grand Prize at the Chunichi International Ceramic Art Exhibition, 1973 Japan Ceramic Society Award, 1984 Okayama Prefecture Cultural Encouragement Award, 1994 Sanyo Culture Award, 1998 Designated a Holder of Okayama Prefecture Important Intangible Cultural Property for Bizen Ware Production Techniques.\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003ePublic Collections:\u003c\/strong\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; Victoria and Albert Museum (UK); British Museum (UK), among others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e Circa 1990s to early 2000s\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent (no chips or cracks) \u003cbr\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated wooden box, wrapping cloth\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eCeramic\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 6 cm, diameter approx. 5.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003ePlease note: \u003c\/strong\u003eAlthough these items are in unused condition, they are vintage pieces and are listed as second-hand. Please understand that items may show characteristics of aging, and we encourage you to review all details before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47477934129339,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4540.jpg?v=1772272950"},{"product_id":"174","title":"Matsui Koyo (松井康陽) Masterpiece: The Zenith of Neriage - Structural Beauty of Layered Construction #174","description":"\u003cp data-path-to-node=\"19\"\u003eWe are proud to introduce a masterpiece by Matsui Koyo (1962-), who has established a unique and intellectual compositional beauty in modern Neriage (marbling) techniques. This work legitimately inherits the Neriage techniques scientifically and artistically systematized by his father, Matsui Yasunari, a Living National Treasure (Holder of Important Intangible Cultural Property) for the Neriagede technique. Koyo has elevated these techniques in his own generation to a level of further precision and modern geometric patterning, creating a piece that truly deserves to be called the art of lamination.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThe Core of the Technique: Fractal Structure of Assembly and Layering The most prominent feature of this work lies in the transcendental technique known as Kumiage (assembly) or Layered Neriage, which far exceeds the general concept of marbling. Rather than simply mixing different colors of clay, this technique involves first pressing dozens of thin clay sheets—each only a few tenths of a millimeter thick—into a single pattern block. These blocks are then precisely sliced, and the resulting fragments are reconfigured with other clay based on a different color scheme to redefine a larger and more complex pattern block. This mind-bogglingly repetitive process creates micro-architectures of clay, appearing on the surface as meticulous grids and gradations that challenge the limits of the naked eye.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eTechnical Difficulty: A Struggle with the Laws of Physics The reason this Kumiage technique is considered the pinnacle of ceramic art is its extraordinarily low survival rate. In ceramics, joining clays with different properties means that even a slight difference in shrinkage rates during drying or firing will cause catastrophic cracking or delamination at the interfaces. In a laminated structure like this, thousands to tens of thousands of interfaces exist within a single vessel. To unite them in a kiln exceeding 1,200 degrees Celsius, advanced scientific knowledge is essential to match the thermal expansion coefficients of each colored clay with mathematical precision. Based on the secret clay formulas inherited from his father Yasunari—which maintain constant shrinkage regardless of color change—Koyo's meticulous calculations allow this physical miracle to take shape.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eUniqueness of Form: Static Beauty Without Distortion The dignified presence of this work is also supported by the total elimination of distortion during the forming process. If the clay were pulled up on a potter's wheel like ordinary ceramics, the internal laminated patterns would be brutally stretched by the pressure of the fingers. Therefore, Koyo employs extremely specialized and time-consuming forming methods, such as hammering the clay from the outside or lavishly carving it out, to ensure the patterns are not distorted at all. This perfect coexistence of three-dimensional structural beauty and mathematical pattern accuracy is the unique aesthetic of the Matsui family.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23\"\u003eInheritance and Innovation from Living National Treasure Matsui \u003ca href=\"\/en\/search?q=%22%E6%9D%BE%E4%BA%95%E5%BA%B7%E6%88%90%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eMatsui Kosei\u003c\/a\u003e Koyo has reconstructed the world of Neriage—often called a kaleidoscope of clay—through a compositional perspective cultivated during his studies at the School of Art and Design, University of Tsukuba. While the works of his father, Yasunari, sometimes evoke a sense of wild vitality through techniques like Hahyo (surface cracking), Koyo's works exude a more refined and tranquil order. This is the result of sublimating the supreme techniques received from his great pioneer father into an art of logic that harmonizes with modern spaces.\u003c\/p\u003e\n\u003cp data-path-to-node=\"24\"\u003eThe Ultimate Tool for Savoring Aged Spirits We recommend this piece because its overwhelming lamination resonates with the layers of time carved into whisky through the aging process. When amber liquid is poured, the fine Neriage lines on the interior refract through the liquid, creating a moment of deep contemplation visually symbolizing the accumulation of time. Beyond simply owning a craft, it is about cherishing in one's hand the product of a human obsession that defied the laws of physics to transform clay into a jewel through fire. It will be a sublime tasting experience that echoes the profound flavors of aged spirits.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e Matsui Koyo (1962-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eRepresentative Career History:\u003c\/strong\u003e [1985] Graduated from the School of Art and Design, University of Tsukuba, and studied under his father, Matsui Yasunari (Living National Treasure). [1991] Won the Encouragement Award at the 38th Japan Traditional Crafts Exhibition. [2002] Received the Japan Ceramic Society Award. [2005] Won the Encouragement Award at the 33rd Traditional Crafts New Works Exhibition. [Later years] Served as a regular member of the Japan Kogei Association and a committee member of the Ibaraki Ceramic Art Museum. Museum\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eCollections:\u003c\/strong\u003e Metropolitan Museum of Art (New York, USA), Victoria and Albert Museum (London, UK), National Museum of Modern Art, Tokyo, Ibaraki Ceramic Art Museum, Smith College Museum of Art (USA), etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eProduction Date:\u003c\/strong\u003e 2000s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks) \u003cbr\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original box (tomobako), wrapping cloth, and descriptive leaflet included.\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain (Neriage)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Diameter approx. 8.0 cm, Base Diameter approx. 4.0 cm, Height approx. 8.2 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products provided by our shop are new and unused, they were produced a long time ago and are listed as second-hand items. Please understand and confirm that the products may have damage due to aging before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47517110239419,"sku":null,"price":85000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4652.jpg?v=1772964629"},{"product_id":"180","title":"Mitsui Tamekichi III (三代 三ッ井為吉), Polychrome Flower and Bird Design, Western Liquor Tasting Vessel, Kutani Ware Polychrome Bajohai #180","description":"\u003cp data-path-to-node=\"18\"\u003eMitsui Tamekichi III (Birth name: Mitsui Eiichi, born 1935) is the third-generation head of the Tamekichi kiln, a prestigious Kutani ware pottery based in Nomi City, Ishikawa Prefecture, and is one of the artists who symbolize modern Kutani ware. After graduating from Kanazawa College of Art in 1959, he studied under Professor \u003ca href=\"\/en\/search?q=%22%E5%8C%97%E5%87%BA%E5%A1%94%E6%AC%A1%E9%83%8E%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKitade Tojiro\u003c\/a\u003e and \u003ca href=\"\/en\/search?q=%22%E6%B5%85%E8%94%B5%E4%BA%94%E5%8D%81%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eIsokichi Asakura\u003c\/a\u003e, a Person of Cultural Merit, and inherited the title Tamekichi III in 1961. His most distinctive feature is that, despite having a hearing disability, he transformed it into a refined sense of color and meticulous brushwork. His artistry is lauded as \"the dynamism of color residing in silence,\" and starting with a presentation to U.S. Ambassador Edwin O. Reischauer in 1962, he was commissioned by successive Prime Ministers (Ohira, Suzuki, and Nakasone) to create gifts for state guests during visits to China, establishing an unshakeable position as a leading figure in \"craft diplomacy\" representing Japan.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThis work is an Iroe Bajohai (polychrome horseback cup) that encapsulates the transparency of \"Kutani Gosai\" (Kutani five colors), which is Tamekichi III's forte, and his most favored traditional \"Kacho-zu\" (flower-and-bird painting). Bajohai were noble vessels once made for samurai to drink sake on horseback, and their high stems possess a functionality similar to modern wine glasses and tasting glasses. What makes this piece particularly rare is the density of the painting applied to its limited curved surface. On the outside, flowers and birds depicting the changing seasons are painted, and on the inside, geometric patterns that create a kaleidoscope-like reflection when amber liquid is poured are depicted with the unique thickness (mori) of hand-painting. This visual depth transcends verbal communication and is the crystallization of pure artistic expression that he created through his dialogue with earth, fire, and color.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eHis works are housed and acclaimed by major public institutions both domestically and internationally. In Japan, they are held in specialized institutions such as the Ishikawa Prefectural Museum of Art and the Nomi City Kutani Ware Museum, and he has numerous achievements in presenting works to members of the Imperial Family (Prince Mikasa's house, Prince Hitachi's house). Particularly noteworthy is his overwhelming international acclaim; in 2002, he held a solo exhibition at the Smithsonian Institution (Arthur M. Sackler Gallery) in the United States, achieving the remarkable feat of having his works permanently acquired. Furthermore, he served as a visiting professor at Gallaudet University in Washington D.C., the world's only comprehensive university for the deaf, demonstrating that his activities extend beyond the realm of art and hold international significance as a bridge between cultures. Our store proposes this masterpiece as the ultimate vessel for simultaneously enjoying the delicate aromas of vintage whisky and the visual beauty offered by the pinnacle of Japanese craftsmanship.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Mitsui Tamekichi III (三代 三ッ井為吉, Mitsui Tamekichi, 1935–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"55\"\u003eMajor career highlights of the artist:\u003c\/b\u003e 1961 Succeeded as Tamekichi III. 1987 Received Prime Minister's Award. 1994 Solo exhibition at Switzer Gallery, New York. 1997 Appointed Visiting Professor at Gallaudet University. 2002 Solo exhibition at Smithsonian Institution, works permanently acquired. 2005 Received Edward Gallaudet Award.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"390\"\u003eWorks housed in:\u003c\/b\u003e Smithsonian Institution (Washington D.C., USA), Gallaudet University (USA), Ishikawa Prefectural Museum of Art, Nomi City Kutani Ware Museum, and many others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"566\"\u003ePeriod of Creation:\u003c\/b\u003e 1990s to 2000s (around the time of the Smithsonian Institution solo exhibition, a mature period when both technique and acclaim reached their peak)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"734\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"777\"\u003eAccessories:\u003c\/b\u003e Original wooden box (with artist's handwritten signature and seal), wrapping cloth\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"873\"\u003eMaterial:\u003c\/b\u003e Ceramic (Kutani ware, Iro-e)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"912\"\u003eDimensions:\u003c\/b\u003e Height approx. 5.5 cm, Rim diameter approx. 5.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"975\"\u003eNote:\u003c\/b\u003e Even if the products provided by our store are new and unused, they are from a very old production period, and all are listed as pre-owned. Products may have age-related damage, so please consider your purchase with understanding and confirmation.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47518801690811,"sku":null,"price":41000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4960_result.jpg?v=1774140933"},{"product_id":"181","title":"Miyanaga Tozan III (三代 宮永東山・宮永理吉), Member of Sodeisha (Avant-Garde Group in Contemporary Ceramic History), Crafted by Miyanaga Rikichi, Tozan Kiln, Kyo-yaki (Kyoto Ware), Ceramic Sculpture, Polychrome Enameled Sake Cup, Guinomi #181","description":"\u003cp data-path-to-node=\"18\"\u003eMiyanaga Rikichi (1935-), known as Miyanaga Tozan III, is an internationally acclaimed artist who, while inheriting the lineage of the prestigious Miyanaga Tozan kiln in Kyoto, has pioneered contemporary ceramic sculpture. From 1954, he studied under Shindo Tsuji and Masakazu Horiuchi, leaders of Japanese abstract sculpture, at the Department of Sculpture, Kyoto City University of Arts. During his travels to the United States in 1960, he engaged with Peter Voulkos and others, honing an avant-garde sensibility that treats clay as a pure artistic medium. After returning to Japan in 1971, he joined the influential avant-garde group Sodeisha as a member, pursuing forms as \"objets\" that transcend mere functionality. His journey, marked by receiving the Kyoto Prefecture Cultural Achievement Award in 1998 and succeeding to the title of Miyanaga Tozan III in 1999, demonstrates a sophisticated fusion of Kyoto's traditional heritage and contemporary artistic innovation.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThis work is a small guinomi (sake cup) that reflects his exceptional skill as a sculptor, featuring an organic form that maximizes the natural plasticity of clay. Rather than being formed on a potter’s wheel, the unique texture created through sculptural techniques such as hand-forming and carving fits comfortably in the palm. The vessel creates complex shadows depending on the light, giving it a commanding presence as a complete ceramic sculpture. His artistic achievements are highly regarded both in Japan and abroad, with his works permanently housed in major institutions, including The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; Kyoto City KYOCERA Museum of Art; and the Ibaraki Ceramic Art Museum.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eWe propose this piece as the ultimate vessel for enjoying aged whisky and rare old bottles. The organic sculptural beauty of the ceramic gains visual depth when filled with amber liquid, offering a sensory experience that connects with the spirituality of Japanese contemporary craft. Bearing the prestigious name of Miyanaga Tozan and imbued with the avant-garde spirit of Sodeisha, this work is an invaluable find for international art lovers and collectors, representing a rare intersection of tradition and modernity in Japanese ceramic culture.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003e\u003cb data-path-to-node=\"4\" data-index-in-node=\"0\"\u003eComment from a master potter who socialized with Miyanaga Rikichi:\u003c\/b\u003e \"Hereditary potters carry a heavy burden. Even when their work is exceptional, people are quick to suspect that tradition played a part—as if success were a given. Rikichi is the third generation of the renowned master Miyanaga Tozan. While I hear that many third-generation successors are prone to rebellion, his spatial processing transcends that of a typical potter. This is because he is also a sculptor, and his work is not born of mere defiance. However, in this world that prizes the 'distortions' of refined ceramics, his resolute attempt to expand the realm of precise porcelain—and the gentle, disciplined elegance beneath that bold action—is this, perhaps, the subtle shadow inherent to a third-generation master?\" — \u003cb data-path-to-node=\"4\" data-index-in-node=\"795\"\u003e\u003ca href=\"\/en\/search?q=%22%E5%85%AB%E6%9C%A8%E4%B8%80%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYagi Kazuo\u003c\/a\u003e\u003c\/b\u003e (1918–1979)\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eComment from a literary giant who socialized with Miyanaga Rikichi:\u003c\/b\u003e \"The art of Miyanaga Rikichi is composed of purely abstract planes and straight lines. There is no room for the intervention of ambiguous curves or accidental irregularities. This product of a completely rational spirit delights me, having had my eyes opened to beauty in my youth by Mondrian’s 'Composition.' Yet, the difference between that Dutch painter and this Kyoto potter lies in the space between Miyanaga's lines and planes. From those gaps, the various other possibilities the artist explored during the creative process emerge like a dream, inviting us into a play of creation. The artist's passion is transformed on the surface of the work into a lyrical and graceful elegance.\" — \u003cb data-path-to-node=\"5\" data-index-in-node=\"761\"\u003eNakamura Shinichiro\u003c\/b\u003e (1918–1997)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Miyanaga Tozan III (三代 宮永東山・宮永理吉, Miyanaga Rikichi, 1935-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"53\"\u003eArtist's Major Activities:\u003c\/b\u003e 1970 Japan Ceramic Society Award, 1971 Sodeisha member, 1993 Kyoto City Cultural Contributor, 1998 Kyoto Prefecture Cultural Achievement Award, 1999 Succeeded to the title Miyanaga Tozan III.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"272\"\u003eWorks in Collections:\u003c\/b\u003e The National Museum of Modern Art, Kyoto; The Japan Foundation; Kyoto City KYOCERA Museum of Art; Ibaraki Ceramic Art Museum; Enbe China Modern Art Museum (China); Victoria and Albert Museum (UK); Musée Ariana (Switzerland); Museu de la Garrotxa (Spain); Musée des Arts Décoratifs (France); Everson Museum of Art (USA); Canterbury Museum (New Zealand); Newcastle Art Gallery (Australia); Art Gallery of New South Wales (Australia); La Casa Japonesa en Argentina (Argentina), and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"452\"\u003ePeriod of Creation:\u003c\/b\u003e Circa 1999-2005 (The mature period around the time of his succession)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"542\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"585\"\u003eAccessories:\u003c\/b\u003e Original wooden box, wrapping cloth, introductory leaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"656\"\u003eMaterial:\u003c\/b\u003e Ceramic (Ceramic sculpture, Celadon glaze, etc.)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"715\"\u003eDimensions:\u003c\/b\u003e Height approx. 4 cm, Mouth diameter approx. 5.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"778\"\u003eNote:\u003c\/b\u003e Please note that all products, even those in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47518877778107,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4878_result.jpg?v=1774141055"},{"product_id":"182","title":"Utsutsugawa-yaki, Thirteenth Generation Yokoishi Gagyu (十三代 横石臥牛), White Heron Motif Ceramic Whisky Tumbler #182","description":"\u003cp data-path-to-node=\"18\"\u003eThirteenth Generation Yokoishi Gagyu (Birth name: Hiromi Yokoishi, 1925–2016) was the holder of the Nagasaki Prefectural Designated Intangible Cultural Property for Utsutsugawa-yaki. He was the great restorer who revived Utsutsugawa-yaki—a legendary pottery that flourished for only about 50 years during the mid-Edo period before disappearing. Although Utsutsugawa-yaki was once praised as the \"Treasure of the West,\" its techniques were lost for approximately 200 years. The Yokoishi family conducted exhaustive research over several generations, and it was the 13th generation who elevated its artistry to its absolute pinnacle. For his outstanding achievements, he was awarded the Medal with Purple Ribbon and the Order of the Rising Sun, Gold Rays with Rosette. His works are housed in the Kyushu Ceramic Museum and the Nagasaki Prefectural Art Museum, and have been frequently selected as gifts for imperial and royal families both in Japan and abroad.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe White Heron motif (Shirasagi-mon) depicted in this work is the most significant design and is considered synonymous with the 13th generation Gagyu. The most defining characteristic of Utsutsugawa-yaki is the \"Hakeme\" (brush mark) technique, where dark brown earthenware clay rich in iron is fired as thinly as porcelain, and then white slip is applied with a brush. He was particularly renowned for the delicate \"Mizore-hakeme\" (sleet brush marks), which evokes the image of sleet falling from the sky. He was able to depict the graceful form of a white heron solely through the dynamic force of his brushwork. Because iron-rich clay and slip have different shrinkage rates, fixing such precise patterns on a thinly-made vessel while preventing peeling or cracking requires an exceptionally high level of mastery.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eWe propose this historic \"Tsutsuhai\" (cylindrical cup) as a special vessel for enjoying old whisky or vintage sake. The deep, iron-colored tone of the base and the contrast of the dynamic white heron are further accentuated when amber liquid is poured in. The thinness of the rim conveys the delicate flavors of the spirit directly to the palate, and the sight of the white heron shimmering through the liquid offers a luxurious experience of savoring traditional Japanese beauty in the palm of your hand. Crafted by the master who passed away in 2016, this is a rare piece representing the golden age of the revived Utsutsugawa-yaki.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Thirteenth Generation Yokoishi Gagyu (十三代 横石臥牛, 1925–2016)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"57\"\u003eRepresentative Career:\u003c\/b\u003e 1975 Certified as a holder of Nagasaki Prefectural Designated Intangible Cultural Property, 1982 Awarded the Japan Ceramic Society Award, 1987 Awarded the Medal with Purple Ribbon, 1995 Awarded the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"327\"\u003eMuseum Collections:\u003c\/b\u003e Kyushu Ceramic Museum, Nagasaki Prefectural Art Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"408\"\u003ePeriod of Creation:\u003c\/b\u003e 1990s–2000s (The peak mature period of the artist)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"479\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"522\"\u003eAccessories:\u003c\/b\u003e None\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"540\"\u003eMaterial:\u003c\/b\u003e Pottery (Utsutsugawa-yaki \/ Hakeme)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"586\"\u003eDimensions:\u003c\/b\u003e Height approx. 7 cm, Mouth diameter approx. 5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"647\"\u003eNote:\u003c\/b\u003e Please note that all products, even those in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47537143578811,"sku":null,"price":16000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4989_result.jpg?v=1774141106"},{"product_id":"183","title":"Utsutsugawa-yaki, Thirteenth Generation Yokoishi Gagyu (十三代 横石臥牛), Toran Hakeme Ceramic Whisky Tumbler #183","description":"\u003cp data-path-to-node=\"18\"\u003eThirteenth Generation Yokoishi Gagyu (Birth name: Hiromi Yokoishi, 1925–2016) was the holder of the Nagasaki Prefectural Designated Intangible Cultural Property for Utsutsugawa-yaki. He was the restorer and grandmaster who revived Utsutsugawa-yaki—a legendary pottery that flourished for only about 50 years during the mid-Edo period before disappearing. Although Utsutsugawa-yaki was once praised as the \"Treasure of the West,\" its techniques were lost for approximately 200 years. The Yokoishi family conducted exhaustive research over several generations, and it was the 13th generation who elevated its artistry to its absolute pinnacle. For his outstanding achievements, he was awarded the Medal with Purple Ribbon and the Order of the Rising Sun, Gold Rays with Rosette. His works are housed in the Kyushu Ceramic Museum and the Nagasaki Prefectural Art Museum, and have been frequently selected as gifts for imperial and royal families both in Japan and abroad.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe Toran-hakeme (turbulent brushwork) applied to this piece is an extremely dynamic technique that evokes raging waves and swirling currents. This technique, which lies at the heart of Utsutsugawa-yaki, is achieved by firing dark brown clay rich in iron as thinly as porcelain, and then vigorously layering white slip over it. In particular, this Toran-hakeme creates a powerful rhythm and visual depth on the surface of the vessel, with overlapping brushstrokes drawn in a single, continuous motion. Since iron-rich clay and slip have different shrinkage rates during firing, firmly adhering such a bold pattern to a thinly-made vessel without peeling requires advanced kiln control and masterful handiwork, honed by the artist through decades of dedication.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eWe propose this historic cylindrical cup as a special vessel for enjoying old whisky or rare spirits. The contrast between the deep, iron-colored tone of the body and the intense ripples drawn by the pure white brushwork adds visual depth when amber liquid is poured, allowing a sense of powerful energy to coexist within a tranquil moment. The thinness of the rim delivers the delicate flavor of the spirit directly, and the turbulent design depicted within the vessel, shimmering through the liquid, offers a luxurious experience of savoring traditional Japanese aesthetics in the palm of your hand. Crafted by the master who passed away in 2016, this is a masterpiece representing the golden age of the revived and evolved Utsutsugawa-yaki.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Thirteenth Generation Yokoishi Gagyu (十三代 横石臥牛, 1925–2016)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"57\"\u003eRepresentative Career:\u003c\/b\u003e 1975 Certified as a holder of Nagasaki Prefectural Designated Intangible Cultural Property, 1982 Awarded the Japan Ceramic Society Award, 1987 Awarded the Medal with Purple Ribbon, 1995 Awarded the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"327\"\u003eMuseum Collections:\u003c\/b\u003e Kyushu Ceramic Museum, Nagasaki Prefectural Art Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"408\"\u003ePeriod of Creation:\u003c\/b\u003e 1990s–2000s (The peak mature period of the artist)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"479\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"522\"\u003eAccessories:\u003c\/b\u003e None\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"540\"\u003eMaterial:\u003c\/b\u003e Pottery (Utsutsugawa-yaki \/ Hakeme)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"586\"\u003eDimensions:\u003c\/b\u003e Height approx. 7 cm, Mouth diameter approx. 5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"647\"\u003eNote:\u003c\/b\u003e Please note that all products, even those in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47537143644347,"sku":null,"price":15000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5005_result.jpg?v=1774141160"},{"product_id":"184","title":"Utsutsugawa-yaki, Thirteenth Generation Yokoishi Gagyu (十三代 横石臥牛), Mizore Hakeme Ceramic Whisky Tumbler #184","description":"\u003cp data-path-to-node=\"18\"\u003eThirteenth Generation Yokoishi Gagyu (Birth name: Hiromi Yokoishi, 1925–2016) was the holder of the Nagasaki Prefectural Designated Intangible Cultural Property for Utsutsugawa-yaki. He was the restorer and grandmaster who revived Utsutsugawa-yaki—a legendary pottery that flourished for only about 50 years during the mid-Edo period before disappearing. Although Utsutsugawa-yaki was once praised as the \"Treasure of the West,\" its techniques were lost for approximately 200 years. The Yokoishi family conducted exhaustive research over several generations, and it was the 13th generation who elevated its artistry to its absolute pinnacle. For his outstanding achievements, he was awarded the Medal with Purple Ribbon and the Order of the Rising Sun, Gold Rays with Rosette. His works are housed in the Kyushu Ceramic Museum and the Nagasaki Prefectural Art Museum, and have been frequently selected as gifts for imperial and royal families both in Japan and abroad.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe \"Mizore-hakeme\" (sleet brushwork) applied to this piece is the most delicate technique and is considered synonymous with the 13th generation Gagyu. The essence of Utsutsugawa-yaki lies in firing thin, porcelain-like vessels from reddish-brown clay rich in iron, and then applying white slip with a brush. This piece, in particular, expresses extremely fine brush movements reminiscent of sleet falling from the sky. Since the iron-rich clay and the slip have different shrinkage rates during firing, fixing the patterns without peeling on a vessel formed to extreme thinness requires a high level of kiln control and masterful handiwork that the artist achieved through decades of dedication.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eWe propose this historic cylindrical cup as a special vessel for enjoying old whisky or rare spirits. The serene contrast created by the deep, iron-colored body and the pure white brushwork adds visual depth when amber liquid is poured in, offering a sensory experience that connects with traditional Japanese beauty through all five senses. The thinness of the rim conveys the delicate flavor of the spirit directly to the palate, and the sleet-like design depicted within the vessel, shimmering through the liquid, truly provides a luxurious experience of savoring traditional Japanese aesthetics in the palm of your hand. Crafted by the master who passed away in 2016, this is a rare and exquisite piece representing the golden age of the revived and evolved Utsutsugawa-yaki.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Thirteenth Generation Yokoishi Gagyu (十三代 横石臥牛, 1925–2016)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"57\"\u003eArtist's notable career highlights:\u003c\/b\u003e 1975 Certified as a holder of Nagasaki Prefectural Designated Intangible Cultural Property, 1982 Awarded the Japan Ceramic Society Prize, 1987 Awarded the Medal with Purple Ribbon, 1995 Awarded the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"340\"\u003eWorks housed at:\u003c\/b\u003e Kyushu Ceramic Museum, Nagasaki Prefectural Art Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"418\"\u003eProduction period:\u003c\/b\u003e 1990s–2000s (The peak mature period of the artist)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"488\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"531\"\u003eAccessories:\u003c\/b\u003e None\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"549\"\u003eMaterial:\u003c\/b\u003e Pottery (Utsutsugawa-yaki \/ Hakeme)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"595\"\u003eDimensions:\u003c\/b\u003e Height approx. 7 cm, Mouth diameter approx. 5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"656\"\u003eNote:\u003c\/b\u003e Please note that all products, even those in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47537143939259,"sku":null,"price":16000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5034_result.jpg?v=1774141180"},{"product_id":"185","title":"Utsutsugawa-yaki, Thirteenth Generation Yokoishi Gagyu (十三代 横石臥牛), Lotus Hakeuchi Ceramic Whisky Tumbler #185","description":"\u003cp data-path-to-node=\"18\"\u003eThirteenth Generation Yokoishi Gagyu (Birth name: Hiromi Yokoishi, 1925–2016) was the holder of the Nagasaki Prefectural Designated Intangible Cultural Property for Utsutsugawa-yaki. He was the restorer and grandmaster who revived Utsutsugawa-yaki—a legendary pottery that flourished for only about 50 years during the mid-Edo period before disappearing. Although Utsutsugawa-yaki was once praised as the \"Treasure of the West,\" its techniques were lost for approximately 200 years. The Yokoishi family conducted exhaustive research over several generations, and it was the 13th generation who elevated its artistry to its absolute pinnacle. For his outstanding achievements, he was awarded the Medal with Purple Ribbon and the Order of the Rising Sun, Gold Rays with Rosette. His works are housed in the Kyushu Ceramic Museum and the Nagasaki Prefectural Art Museum, and have been frequently selected as gifts for imperial and royal families both in Japan and abroad.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe lotus motif on this work is one of Gagyu XIII's most favored designs and is depicted using the Hakeme (brush-mark) technique, which lies at the core of Utsutsugawa-yaki. Utsutsugawa-yaki is characterized by firing dark brown clay with a high iron content as thinly as porcelain. By applying white slip with a brush using the Hakeuchi (brush-striking) technique—where the slip is tapped onto the surface—the artist expresses the life force of lotus leaves and flowers swaying in the wind. Since iron-rich clay and slip have different shrinkage rates during firing, advanced techniques backed by decades of experience are essential to firmly adhere the patterns to extremely thin vessels without peeling.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eOur store proposes this historic cylindrical cup as a special vessel for enjoying old whisky or rare spirits. The contrast between the deep, iron-colored base and the pure white brush marks of the lotus, when filled with amber liquid, enhances visual depth and provides a serene experience. The thinness of the rim conveys the delicate flavor of the spirit directly to the palate, and the shimmering lotus design inside the vessel as it interacts with the liquid offers a luxurious experience of savoring traditional Japanese aesthetics in the palm of your hand. Crafted by the master who passed away in 2016, this is a masterpiece representing the golden age of the revived and evolved Utsutsugawa-yaki.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Thirteenth Generation Yokoishi Gagyu (十三代 横石臥牛, 1925–2016)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"57\"\u003eArtist's representative activities:\u003c\/b\u003e 1975 Certified as a holder of Nagasaki Prefectural Designated Intangible Cultural Property, 1982 Awarded the Japan Ceramic Society Award, 1987 Awarded the Medal with Purple Ribbon, 1995 Awarded the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"340\"\u003eMuseum Collections:\u003c\/b\u003e Kyushu Ceramic Museum, Nagasaki Prefectural Art Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"421\"\u003eProduction period:\u003c\/b\u003e 1990s–2000s (The peak mature period of the artist)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"491\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"534\"\u003eAccessories:\u003c\/b\u003e None\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"552\"\u003eMaterial:\u003c\/b\u003e Pottery (Utsutsugawa-yaki \/ Hakeme)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"598\"\u003eDimensions:\u003c\/b\u003e Height approx. 7 cm, Mouth diameter approx. 5 cm \u003cb data-path-to-node=\"21\" data-index-in-node=\"659\"\u003eNote:\u003c\/b\u003e Please note that all products, even those in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47537145610427,"sku":null,"price":15000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5021_result.jpg?v=1774141238"},{"product_id":"188","title":"Hagi Ceramic Artists Association Regular Member \/ Genius of Ultra-Robust Oni-Hagi Born from Re-Firing: Kuroda Gaku (黒田岳), Hidasuki (Yohen \/ Kiln-Mutated) Sake Vessel, Hagi Ware Rock Glass for Western Spirits #188","description":"\u003cp data-path-to-node=\"15\"\u003eBorn in Nagano Prefecture in 1946 and having blossomed his unique artistry in Hagi City, Yamaguchi Prefecture—a ceramic capital boasting over 400 years of proud tradition—Kuroda Gaku is a highly talented Hagi ware artist recognized as a prestigious Regular Member of the Hagi Ceramic Artists Association. Currently based at his Nanchi Kobo studio in Yamada, Hagi City, he continues his ceramic creation with a deep reverence and philosophy toward clay and fire, stating, \"These are pieces fired during my days of wandering back and forth between the clay, the fire, and myself. The clay, which had been sleeping for hundreds of millions of years, might look a bit annoyed after facing such intense heat...\" His overwhelming solo exhibition activities and works, which effortlessly leap over the boundaries of tradition, are extremely highly acclaimed as an exceptional presence by vessel collectors and discerning buyers across the country.\u003c\/p\u003e\n\u003cp data-path-to-node=\"16\"\u003e\u0026nbsp;The greatest feature of this piece, and what has become Kuroda Gaku's signature, is the overwhelming texture of Oni-Hagi, which is meticulously controlled through his unique technique. Oni-Hagi is a traditional technique that possesses a highly rugged and dynamic texture, created by boldly mixing coarse sand into the traditional Hagi clay, such as Mishima clay, and then applying a straw ash glaze before firing. What deserves special mention is Kuroda's insatiable commitment to re-firing, a process where the vessel is fired again at a high temperature after its initial regular firing. This triggers a violent chemical reaction (yohen, or kiln mutation) inside the kiln, causing a diverse array of beautiful colors—such as gentle and soft cream, pink, and sometimes mysterious blue—to appear on the surface of the vessel like a painting. Furthermore, this thorough firing process completely overcomes the historical weakness of traditional Hagi ware, which is typically fired at lower temperatures and is somewhat fragile. He has successfully achieved both sufficient strength to withstand use as tableware and modern barware, and a layer of incredibly beautiful penetrations (crazing) in the slip at the same time.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eWe propose this vessel, which possesses both definitive authority and ultra-robust strength, as the ultimate rock glass for savoring Japanese whisky, scotch, or bourbon, allowing you to boldly float a large block of ice. Distinct from rugged unglazed yakishime ware that uses no glaze at all, the texture of the fine crazing on the firmly fired Oni-Hagi fits the palm of your hand with surprising comfort from the moment you hold it, bringing a gentle warmth and a pleasing sense of weight suitable for an executive. The noble amber color of the whisky resonates beautifully with the complex color gradations born from the kiln mutation and the powerful scorch marks visible in places, giving an overwhelming three-dimensional depth inside the glass. Furthermore, through the greatest charm of Hagi ware, known as the Seven Transformations of Hagi (Hagi no Nanabake), the sake slowly seeps into the cracks (crazing) of the vessel over years of use, allowing you to enjoy the moving experience of watching the color and texture of the vessel gradually deepen and evolve as a lifelong companion without worrying about its strength. It is truly a refined, one-of-a-kind, ultimate sake vessel that harmonizes with a contemporary lifestyle.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Kuroda Gaku (黒田岳, 1946- )\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"29\"\u003eArtist's Major Activities:\u003c\/b\u003e A Hagi ware artist born in Nagano Prefecture in 1946. Established his Nanchi Kobo studio in Hagi City, Yamaguchi Prefecture. Evolved the traditional Hagi clay blending and established the Oni-Hagi method, which extracts powerful expressions and strength far surpassing regular Hagi ware by repeatedly firing the piece after its initial firing. His high level of technique and unique artistry have been publicly recognized, leading to his designation as a prestigious Regular Member of the Hagi Ceramic Artists Association. He expands his energetic solo exhibition activities centering on department stores and galleries nationwide, establishing a solid position in the contemporary Hagi ware world.\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"755\"\u003eProduction Period:\u003c\/b\u003e 1990s to 2000s (The mature period as a Regular Member of the Hagi Ceramic Artists Association) *This piece is a masterpiece symbolizing the golden era of his artistry, where his unique Oni-Hagi technique of repeatedly firing after the initial firing was perfected, beautifully fusing the ultimate yohen kiln mutation beauty where pinks and blues intricately intersect with a dignified structural beauty that powerfully tightens a modern table setting.\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"1226\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"1269\"\u003eAccessories:\u003c\/b\u003e Tomobako (Original signed wooden box), Ukon-nuno (Wrapping cloth)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"1348\"\u003eMaterial:\u003c\/b\u003e Pottery (Hagi ware, Oni-Hagi, Yohen glazed color)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"1408\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 7 cm, Height approx. 7 cm (approximate guide)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"1489\"\u003eNote:\u003c\/b\u003e All items offered by our store, even if new and unused, are from a very old production period and are listed as used. Items may have age-related damage, so please consider purchasing after understanding and checking.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47537146396859,"sku":null,"price":70000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5087_result.jpg?v=1774141573"},{"product_id":"190","title":"Takemura Toyonori (武村豊徳), Ofuke Engraved Design, Mino Ware Suiteki \/ Whisky Dropper #190","description":"\u003cp data-path-to-node=\"6\"\u003eTakemura Toyonori is a potter born in Nagasaki Prefecture in 1957 (Showa 32) who aspired to the path of ceramics from a young age. He traveled from Nagasaki to the land of Bizen and started his career with exceptional precocity, completing his training at the Bizen Pottery Center in 1974 at the young age of 17. Subsequently, he studied under Master \u003ca href=\"\/en\/search?q=%22%E5%8A%A0%E8%97%A4%E6%98%A5%E9%BC%8E%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKato Shuntei\u003c\/a\u003e, a renowned potter of Seto and Mino ware, where he deeply cultivated traditional glazing techniques. In 1979 (Showa 54), he established the Hotoku Kiln in Wake District, Okayama Prefecture, and became independent. While training in the traditional world of Bizen ware, characterized by unglazed, high-fired stoneware, Mr. Takemura did not remain confined within those limits. He has continued to challenge himself as an artist by creating expressions that fuse the glazing techniques inherited from his mentor with his own unique sensibility.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eThe Ofuke glaze (Ofuke-yu) used in this work is a transparent ash glaze technique originating from ceramics fired at the Ofuke-maru within Nagoya Castle during the Edo period. Mr. Takemura applied intricate carved patterns to the surface of the vessel and allowed the glaze to pool thickly in those areas, creating a beautiful gradation of deep bluish-green. The depth of the glaze pools, which gather in the sculptural irregularities, can be described as an art of controlling light that could only be achieved by an artist like him, who knows the struggle between Bizen clay and fire intimately and has learned the essence of glazes under Master Kato Shuntei. This work is a masterpiece that demonstrates a unique realm, fusing the powerful sense of modeling cultivated in Bizen by an artist from Nagasaki with refined traditional beauty.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eAt our shop, we redefine this suiteki (water dropper), originally created as a calligraphy tool to drop water one drop at a time, as a water dropper for perfectly opening the flavors of rare old liquors and single malt whiskies. Its usage is extremely elegant and rational. By covering the air hole at the top of the body with a fingertip and slightly loosening the pressing force, the flow of air into the interior can be adjusted on a millimeter scale, allowing for the free control of water addition with single-drop precision. The intuitive operational feel through the fingertip, which can never be experienced with digital instruments, leads to a deeper time of dialogue with the whisky.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe author, Takemura Toyonori, is an artist who continues to pursue his own aesthetics. Growing up in the natural environment of Nagasaki, honing his skills in the harsh environment of Bizen from his teens, and studying glazes under a master craftsman, his journey is engraved in each of his works as a definite will. The production period dates back to his mature stage from the 1990s to the 2000s, when his techniques were most refined. The work comes with the original wooden box (tomobako) and a bookmark (shiori) containing the artist's personal biography. The condition of the work is excellent, making it a one-of-a-kind collection that connects traditional functional beauty with a modern lifestyle.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eAuthor:\u003c\/b\u003e Takemura Toyonori (1957-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"34\"\u003eRepresentative Activities:\u003c\/b\u003e Born in Nagasaki Prefecture. Completed training at the Bizen Pottery Center at age 17, then studied under Master Kato Shuntei, a master of Seto and Mino ware. In 1979, established the Hotoku Kiln in Wake District, Okayama Prefecture, and became independent. Established a unique style fusing the modeling sense of Bizen ware with traditional glazing techniques. Designated as a Regular Member of the Japan Art Crafts Association in 1984. Received numerous awards and selections in exhibitions such as the Japan Traditional Art Crafts Exhibition and the Tokai Traditional Crafts Exhibition. He has established a unique style combining the traditional Ofuke technique with intricate carved patterns and is highly regarded both in Japan and abroad as an artist who conveys the prestige of modern Mino ceramics.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"869\"\u003ePublic Collections:\u003c\/b\u003e Okayama Prefectural Museum of Art, Bizen City Museum of Ceramics, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"960\"\u003eProduction Date:\u003c\/b\u003e 1990s–2000s\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"989\"\u003eCondition:\u003c\/b\u003e Excellent (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"1032\"\u003eAccessories:\u003c\/b\u003e Tomobako (original wooden box with artist's signature and seal), Shiori (artist biography)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"1136\"\u003eMaterial:\u003c\/b\u003e Ceramics (Mino-ware style, Ofuke glaze, carved pattern)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"1202\"\u003eDimensions:\u003c\/b\u003e Width approx. 6.5 cm, Height approx. 5.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"1258\"\u003eNote:\u003c\/b\u003e Even if items are unused, they are listed as used due to their vintage nature from an old production period. Please understand and confirm potential age-related wear before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47538821333179,"sku":null,"price":31000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5159_result.jpg?v=1774141782"},{"product_id":"193","title":"Yamamoto Hogaku (山本芳岳), Masterpiece, Kutani Ware Aka-e Saibyo \/ Gilded Red Painting, Phoenix Motif Guinomi Sake Cup, Imperial Family Gift Artist #193","description":"\u003cp data-path-to-node=\"20\"\u003eThis \"Aka-e Saibyo\" (Ultra-fine Red Painting) guinomi is a pinnacle of Kutani ware artistry by Yamamoto Hogaku (born 1960), a master of contemporary Kutani ware based in Kaga City, Ishikawa Prefecture. Yamamoto is the foremost living successor of the Aka-e Saibyo technique, distinguished by his 1985 commission to create and present the \"Aka-e Saibyo Chrysanthemum, Paulownia, and Phoenix Sencha Bowl\" to His Imperial Highness the Crown Prince (now Emperor Emeritus).\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eThis work is a top-tier masterpiece featuring the \"Phoenix,\" Yamamoto’s signature and most prestigious motif, meticulously rendered through Aka-e Saibyo, a technique that far transcends the realm of standard red painting. Aka-e Saibyo is a superhuman craft involving the depiction of ultra-fine lines—less than 0.1 mm in thickness—drawn at perfectly equal intervals using red iron oxide (Bengara) pigment. From every individual feather of the phoenix to the microscopic geometric patterns filling the background, the entire surface of the vessel is a dense mass of visual information. This density, which permits no blank space, is the crystallization of a master craftsman's dedication over more than a month of concentrated effort.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eFurthermore, the interior of the vessel features a majestic phoenix in heavy gold, serving as a magnificent counterpart to the delicate red painting on the exterior. This perfect harmony of \"Red\" and \"Gold\" is a signature style from Yamamoto’s mature period, where his skill and artistry reached their peak. It exudes an elegance worthy of being called the ultimate achievement of red painting in contemporary Kutani. As a supreme vessel designed to brilliantly enhance the amber hues of aged sake or fine whisky, this is a masterpiece with a unique and powerful presence.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Yamamoto Hogaku (山本芳岳, born 1960)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"36\"\u003eRepresentative Career:\u003c\/b\u003e Upholding the \"Aka-e Saibyo\" technique—which reached its peak in the Meiji period before seeing a drastic decline in successors—at the highest contemporary level. [1985] Specially commissioned to create and present the \"Aka-e Saibyo Chrysanthemum, Paulownia, and Phoenix Sencha Bowl\" to His Imperial Highness the Crown Prince (now Emperor Emeritus); [1992] Received the Honorable Mention at the 54th Issuikai Ceramics Exhibition; [1996] Officially certified as a Kutani Ware Traditional Craftsman by the Minister of International Trade and Industry. His exquisitely precise technique is lauded as the zenith of contemporary Kutani red painting.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"704\"\u003eMuseum Collections:\u003c\/b\u003e Ishikawa Prefectural Museum of Art, Ishikawa Kutani-yaki Art Museum, Kutani-yaki Kiln Site Exhibition Hall, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"844\"\u003ePeriod of Creation:\u003c\/b\u003e Late 1990s–early 2000s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"899\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"942\"\u003eAccessories:\u003c\/b\u003e Original signed wooden box (Tomobako), introductory leaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1015\"\u003eMaterial:\u003c\/b\u003e Pottery (Kutani Ware \/ Aka-e Saibyo \/ Gilded Painting)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1080\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 5.0 cm, Height approx. 5.8 cm \u003cb data-path-to-node=\"23\" data-index-in-node=\"1145\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47543484154043,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5249_result.jpg?v=1774142081"},{"product_id":"194","title":"Nagasaki Prefecture Designated Intangible Cultural Property, 13th Generation Yokoishi Gagyu (十三代 横石臥牛), Utsutsugawa-yaki, Pampas Grass Motif, Pure Water Carafe Set #194","description":"\u003cp data-path-to-node=\"15\"\u003eThirteenth Generation Yokoishi Gagyu (Birth name: Hiromi Yokoishi, 1925–2016) was the holder of the Nagasaki Prefectural Designated Intangible Cultural Property for Utsutsugawa-yaki. He was the restorer and grandmaster who revived Utsutsugawa-yaki—a legendary pottery that flourished for only about 50 years during the mid-Edo period before disappearing. Although Utsutsugawa-yaki was once praised as the \"Treasure of the West,\" its techniques were lost for approximately 200 years. The Yokoishi family conducted exhaustive research over several generations, and it was the 13th generation who elevated its artistry to its absolute pinnacle. For his outstanding achievements, he was awarded the Medal with Purple Ribbon and the Order of the Rising Sun, Gold Rays with Rosette. His works are housed in the Kyushu Ceramic Museum and the Nagasaki Prefectural Art Museum, and have been frequently selected as gifts for imperial and royal families both in Japan and abroad. The Susuki (Japanese pampas grass) motif featured in this work is one of the most beautiful designs for showcasing the \"Hakeme\" (brushwork) technique, which lies at the heart of Utsutsugawa-yaki. Utsutsugawa-yaki is characterized by firing iron-rich brown pottery clay as thinly as porcelain. By quickly sweeping white slip across this thin surface, the artist expresses the delicate texture of pampas grass ears swaying in the night breeze. The divine skill unique to Gagyu Kiln lies in its ability to adhere clays with different shrinkage rates to an extremely thin form without peeling, while breathing life into the motif with a single, instantaneous stroke.\u003c\/p\u003e\n\u003cp data-path-to-node=\"16\"\u003eThe Pure Water Carafe: Connecting Tranquility and Aroma Our shop redefines this traditional Tokkuri (sake bottle) and cup set as a \"Pure Water Carafe \u0026amp; Chaser Cup\" for enjoying rare single malt and vintage whiskies. The word \"Pure\" carries two meanings here. First, it refers to a vessel that holds the \"pure drop\" essential for dramatically releasing—or blooming—the complex layers of aroma in whisky. Second, it signifies the visual and tactile experience where the thin, refreshing texture unique to Utsutsugawa-yaki makes the water used to reset the palate feel even purer. Just as the pampas grass depicted on the vessel sways in the wind, the whisky in the glass also blossoms, its aroma vividly shimmering with the addition of a single drop of water. The contrast between the amber color of the whisky, the dark brown base of Utsutsugawa-yaki, and the white brushwork creates an ultimate harmony on a quiet bar counter at night. Once vanished into the annals of history and revived across time, this \"phantom pottery\" is a fitting legacy. For whisky that awakens after decades of slumber, the heritage of Utsutsugawa-yaki is a most worthy companion. This is a unique collection where traditional functional beauty and modern luxury intersect.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"17\"\u003e\u003cb data-path-to-node=\"17\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Thirteenth Generation Yokoishi Gagyu (十三代 横石臥牛, 1925–2016)\u003c\/li\u003e\n\u003cli data-path-to-node=\"17\"\u003e\u003cb data-path-to-node=\"17\" data-index-in-node=\"57\"\u003eArtist's representative career:\u003c\/b\u003e 1975 Certified as a holder of Nagasaki Prefectural Designated Intangible Cultural Property, 1982 Awarded the Japan Ceramic Society Award, 1987 Awarded the Medal with Purple Ribbon, 1995 Awarded the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"17\"\u003e\u003cb data-path-to-node=\"17\" data-index-in-node=\"336\"\u003eMuseum Collections:\u003c\/b\u003e Kyushu Ceramic Museum, Nagasaki Prefectural Art Museum, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"17\"\u003e\u003cb data-path-to-node=\"17\" data-index-in-node=\"424\"\u003ePeriod of production:\u003c\/b\u003e 1990s–2000s (The peak mature period of the artist)\u003c\/li\u003e\n\u003cli data-path-to-node=\"17\"\u003e\u003cb data-path-to-node=\"17\" data-index-in-node=\"497\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"17\"\u003e\u003cb data-path-to-node=\"17\" data-index-in-node=\"540\"\u003eAccessories:\u003c\/b\u003e Original signed wooden box (Tomobako)\u003c\/li\u003e\n\u003cli data-path-to-node=\"17\"\u003e\u003cb data-path-to-node=\"17\" data-index-in-node=\"591\"\u003eMaterial:\u003c\/b\u003e Ceramic (Utsutsugawa-yaki \/ Hakeme)\u003c\/li\u003e\n\u003cli data-path-to-node=\"17\"\u003e\u003cb data-path-to-node=\"17\" data-index-in-node=\"637\"\u003eDimensions:\u003c\/b\u003e [Carafe] Height approx. 10.5 cm, Diameter approx. 7 cm; [Cup] Height approx. 5.0 cm, Mouth diameter approx. 3.7 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"17\"\u003e\u003cb data-path-to-node=\"17\" data-index-in-node=\"764\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47544810504379,"sku":null,"price":30000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5278_result.jpg?v=1774142146"},{"product_id":"202","title":"Yamamoto Hogaku (山本芳岳), Masterpiece, Kutani Ware Aka-e Saibyo \/ Gilded Red Painting, Phoenix Motif Guinomi Sake Cup, Imperial Family Gift Artist #202","description":"\u003cp data-path-to-node=\"20\"\u003eThis \"Aka-e Saibyo\" (Ultra-fine Red Painting) guinomi is a pinnacle of Kutani ware artistry by Yamamoto Hogaku (born 1960), a master of contemporary Kutani ware based in Kaga City, Ishikawa Prefecture. Yamamoto is the foremost living successor of the Aka-e Saibyo technique, distinguished by his 1985 commission to create and present the \"Aka-e Saibyo Chrysanthemum, Paulownia, and Phoenix Sencha Bowl\" to His Imperial Highness the Crown Prince (now Emperor Emeritus).\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eThis work is a top-tier masterpiece featuring the \"Phoenix,\" Yamamoto’s signature and most prestigious motif, meticulously rendered through Aka-e Saibyo, a technique that far transcends the realm of standard red painting. Aka-e Saibyo is a superhuman craft involving the depiction of ultra-fine lines—less than 0.1 mm in thickness—drawn at perfectly equal intervals using red iron oxide (Bengara) pigment. From every individual feather of the phoenix to the microscopic geometric patterns filling the background, the entire surface of the vessel is a dense mass of visual information. This density, which permits no blank space, is the crystallization of a master craftsman's dedication over more than a month of concentrated effort.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eFurthermore, the interior of the vessel features a majestic phoenix in heavy gold, serving as a magnificent counterpart to the delicate red painting on the exterior. This perfect harmony of \"Red\" and \"Gold\" is a signature style from Yamamoto’s mature period, where his skill and artistry reached their peak. It exudes an elegance worthy of being called the ultimate achievement of red painting in contemporary Kutani. As a supreme vessel designed to brilliantly enhance the amber hues of aged sake or fine whisky, this is a masterpiece with a unique and powerful presence.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Yamamoto Hogaku (山本芳岳, born 1960)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"36\"\u003eRepresentative Career:\u003c\/b\u003e Upholding the \"Aka-e Saibyo\" technique—which reached its peak in the Meiji period before seeing a drastic decline in successors—at the highest contemporary level. [1985] Specially commissioned to create and present the \"Aka-e Saibyo Chrysanthemum, Paulownia, and Phoenix Sencha Bowl\" to His Imperial Highness the Crown Prince (now Emperor Emeritus); [1992] Received the Honorable Mention at the 54th Issuikai Ceramics Exhibition; [1996] Officially certified as a Kutani Ware Traditional Craftsman by the Minister of International Trade and Industry. His exquisitely precise technique is lauded as the zenith of contemporary Kutani red painting.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"704\"\u003eMuseum Collections:\u003c\/b\u003e Ishikawa Prefectural Museum of Art, Ishikawa Kutani-yaki Art Museum, Kutani-yaki Kiln Site Exhibition Hall, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"844\"\u003ePeriod of Creation:\u003c\/b\u003e Late 1990s–early 2000s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"899\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"942\"\u003eAccessories:\u003c\/b\u003e Original signed wooden box (Tomobako), introductory leaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1015\"\u003eMaterial:\u003c\/b\u003e Pottery (Kutani Ware \/ Aka-e Saibyo \/ Gilded Painting)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1080\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 5.0 cm, Height approx. 5.8 cm \u003cb data-path-to-node=\"23\" data-index-in-node=\"1145\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47580656140475,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5626_result.jpg?v=1774857662"},{"product_id":"210","title":"Banko Ware Traditional Craftsman, Mori Iroku IV (四代 森伊呂久): Purple Clay Diamond-Cut Geometric Multi-Faceted Water Dropper \/ Whisky Dropper #210","description":"\u003cp data-path-to-node=\"6\"\u003eThis is an exquisitely delicate artistic water dropper created by the Mori Iroku family, masters who elevated the form of the kyusu (teapot) to the level of fine art in the history of Banko ware, a traditional craft of Yokkaichi City, Mie Prefecture. For generations, the Mori Iroku family has been renowned as the foremost authorities in producing teapots using shidei (purple clay), the true essence of Banko ware. In particular, the \"diamond-cut\" (geometric faceting) technique, devised by Iroku II and passed down to Iroku III (1936–2014) and the current Iroku IV (1963–), is considered one of the pinnacle techniques in Banko ware history. Mori Iroku III was certified as a Traditional Craftsman in 1980, and Iroku IV received the same certification in 2000, forming a father-and-son lineage of Traditional Craftsmen whose extraordinary skills are highly acclaimed by the nation.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eThe most distinctive feature of this piece is the diamond-cut applied to the entire surface. This is an incredibly precise technique where the surface of an extremely thin purple clay vessel, formed on a potter's wheel, is meticulously shaved by hand—one geometric facet at a time—using a special spatula at the exact moment before the clay completely dries. Banko ware teapots require their walls to be thrown as thin as possible to mellow the flavor of the tea. To apply such precise faceting without piercing through a \"paper-thin\" ceramic wall requires superhuman concentration and a tactile sense of the fingertips honed over decades of experience. Reflecting light from multiple angles, its appearance—radiant like crystal glass despite being ceramic—and its sharp edges truly deserve to be called the ultimate precision craft achieved by a master's fingertips.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eOriginally conceived as a water dropper for calligraphy to dispense water one drop at a time, our gallery redefines this tool as a water dropper for enjoying Western spirits or rare aged sake that has matured for decades. High-purity alcohol and aged spirits that have been bottled for several decades undergo a moment of \"Blooming\" when a minute amount of water is added, changing the surface tension and dramatically revealing complex layers of trapped aroma and flavor. To control this extremely delicate change, the form of this water dropper, capable of precise drop-by-drop delivery, is ideal. Its usage is surprisingly intuitive and elegant. By lightly covering the small air hole on the top with a fingertip and subtly adjusting the pressure, you can control the airflow into the interior with millimeter precision, guiding the intended \"single drop\" into the amber liquid.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe works of Mori Iroku, which are permanently preserved in the Yokkaichi City Museum, have recently gained fervent support as \"the god of teapots\" in high-end tea markets across Asia, particularly in China and Taiwan. As each piece is a unique creation, their rarity increases year by year. Diamond-cut water droppers like this one are especially rare, with even fewer production opportunities than his teapots. The iron content in Banko purple clay also has the practical benefit of mellowing water quality, making this the ultimate tool for savoring rare aged spirits that are considered global treasures.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Mori Iroku IV (四代 森伊呂久, 1963–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"30\"\u003eArtist's Major Career Highlights:\u003c\/b\u003e [1986] Received the Mayor's Award at the Banko Ware Kyusu Exhibition, [1987] Selected for the Japan New Craft Exhibition, [2000] Certified as a Traditional Craftsman by the Minister of Economy, Trade and Industry\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"277\"\u003eWorks in Collections:\u003c\/b\u003e Yokkaichi City Museum, Banko Ceramic Arts Promotion Association, etc. (Family lineage achievements)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"399\"\u003ePeriod of Production:\u003c\/b\u003e 2000s onward (Estimated to be from his mature period after certification as a Traditional Craftsman)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"522\"\u003eCondition:\u003c\/b\u003e Excellent (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"565\"\u003eAccessories:\u003c\/b\u003e Original wooden box (signed and sealed by Iroku), \u003cspan\u003ewrapping cloth, \u003c\/span\u003eLeaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"636\"\u003eMaterial:\u003c\/b\u003e Ceramic (Banko ware purple clay)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"679\"\u003eDimensions:\u003c\/b\u003e Height approx. 5cm, Depth approx. 4.7cm, Width approx. 6cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"750\"\u003eNote:\u003c\/b\u003e All products offered by our gallery, even if unused, are from older production periods and are listed as used items. Items may have age-related wear, so please understand and confirm this before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47695919841467,"sku":null,"price":38000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5860_result.jpg?v=1776176677"},{"product_id":"211","title":"Matsumoto Isami (松本為佐視): A Masterpiece of Modern Kyoto Porcelain – Redefining Ru Ware Sky-Blue Jade Celadon Shot Glass #211","description":"\u003cp data-path-to-node=\"6\"\u003eThis is an exquisitely refined Jade Celadon guinomi (sake cup) by Matsumoto Isami (1931–2012), a doyen of the Kyoto ceramic art world and a master who led contemporary Japanese porcelain art. Matsumoto studied under \u003ca href=\"\/en\/search?q=%22%E6%A5%A0%E9%83%A8%E5%BD%8C%E5%BC%8C%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYaichi Kusube\u003c\/a\u003e, a recipient of the Order of Culture who elevated post-war Japanese ceramics to the status of pure fine art for appreciation. The spirit of ceramics as pure art beyond utility, inherited from his mentor, consistently flows through his works as a dignified aesthetic form and a superposition of delicate colors.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eThe unique celadon color achieved by Matsumoto in this work—a Jade Celadon with the depth of an emerald—is the result of a physical phenomenon obtained only by controlling the iron oxide content in the glaze within an extremely fine range of 0.1 to 0.3 percent, and maintaining a perfectly constant reducing atmosphere in the kiln at high temperatures around 1300 degrees Celsius. This technique redefines the sky-blue color achieved by the Ru ware of China's Song Dynasty through a modern chemical approach. By intentionally inducing Rayleigh scattering—which occurs when light reflects off microscopic bubbles and undissolved particles within the glaze layer—it creates a deep transparency impossible with industrial dyes. The incised line (senkoku) technique applied to the entire surface requires a high degree of sensibility to precisely move a needle with sub-millimeter accuracy within the short time the clay body is in a semi-dry state, completed through an irreversible process where not a single mistake is allowed.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eIn terms of form, it features dimensions that combine stability and elegance, with a mouth diameter of approximately 7.2 cm and a height of approximately 4.2 cm. The ability to evenly fix a deep celadon glaze onto such a thin and refined porcelain while controlling the crazing demonstrates a complete mastery of the firing schedule, based on many years of experience as a Nitten judge. Due to his overwhelming technical skill and dignity, Matsumoto received two Tokusen (Special Selection) awards at the Nitten, Japan's most prestigious art exhibition. His reputation extended overseas, with his works being housed in global museums such as the Spencer Museum of Art at the University of Kansas, the Minneapolis Institute of Art, and the Burke Collection in the United States.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eAlthough originally created as a guinomi for enjoying Japanese sake, our gallery proposes this piece as a shot glass for savoring rare aged sake or Western spirits that have matured for decades. The wide mouth design optimizes the surface area where the liquid comes into contact with air, directly delivering the complex aromas produced by Blooming with water to the nasal cavity. Despite its palm-sized dimensions, it is a highly acclaimed academic masterpiece that combines the infinite depth of emerald green with the tension of precise incised lines.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Matsumoto Isami (松本為佐視, 1931–2012)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"36\"\u003eArtist's Major Career Highlights:\u003c\/b\u003e Received the 10th Nitten Tokusen (Special Selection) Award, the 6th Nitten Tokusen Award, served as a Nitten Juror, Nitten Councilor, and Director of the Kyoto Craft Arts Writers Association, among others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"276\"\u003eWorks in Collections:\u003c\/b\u003e Spencer Museum of Art (University of Kansas, USA), Minneapolis Institute of Art (USA), Mary and Jackson Burke Foundation (USA), Kyoto City KYOCERA Museum of Art (Kyoto City Museum of Art), Itsuo Art Museum (Ikeda City, Osaka Prefecture), etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"541\"\u003ePeriod of Creation:\u003c\/b\u003e 2000s (Presumed to be from his mature late period)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"612\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"655\"\u003eAccessories:\u003c\/b\u003e Original wooden box (signed and sealed by Matsumoto Isami), \u003cspan\u003e\u0026nbsp;wrapping cloth, and descriptive leaflet included.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"736\"\u003eMaterial:\u003c\/b\u003e Porcelain\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"756\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 7.2 cm, height approx. 4.2 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"821\"\u003eNote:\u003c\/b\u003e All products offered by our gallery, even if unused, are from older production periods and are listed as used items. The product may have age-related wear, so please understand and confirm this before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47695919874235,"sku":null,"price":33000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5902_result.jpg?v=1776176898"},{"product_id":"216","title":"Prime Minister's Award Winning Artist Yonehara Shinji (米原眞司): Pair of Hand-Blown Glass Sake Cups with Foiled Wrapped Thread Pattern and Tripod Base #216","description":"\u003cp data-path-to-node=\"11\"\u003eWe present an exquisite pair of glasses by Shinji Yonehara (born 1961), a leading figure in contemporary Japanese glass art whose works are housed in the world's premier glass institution, the Corning Museum of Glass in the United States. Born in 1961, Yonehara majored in glass art at Tama Art University before honing his craft over many years at the studio of the world-renowned master \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E7%94%B0%E5%96%AC%E5%B9%B3%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujita Kyohei\u003c\/a\u003e. Yonehara is a true doyen of contemporary glass, having established a stellar reputation both domestically and internationally, notably as the recipient of the 1st Fujita Kyohei Award from the Japan Glass Art Crafts Association and a silver prize at the International Glass Exhibition, Kanazawa.\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eThe most remarkable design feature of this work is the wrapped thread fiber pattern (line drawing) that delicately veils the surface. This effect is achieved through an advanced hot-work technique, where the artist skillfully manipulates molten glass to wrap fine threads at precise, equal intervals, intentionally sealing the pattern within the vessel. The refraction of light through the glass layers causes these encased fibers to intersect in a complex dance, creating a profound visual depth. This symbolizes the architectural and precise aesthetic Yonehara has pursued for decades, resulting in a level of perfection that transcends the functional to become a sculpture of light.\u003c\/p\u003e\n\u003cp data-path-to-node=\"13\"\u003eThe most striking structural characteristic is the tripod form, reminiscent of the \"Ding,\" an ancient Chinese bronze vessel. The process of attaching three legs to a thinly and elegantly blown bowl while the glass is still incandescent requires a flawless sense of balance and masterful temperature control, allowing for no margin of error. The vessel's presence, appearing to hover slightly above the table, imparts a sense of prestige not found in ordinary glassware. It stands as an impeccably dignified vessel for enjoying aged sake or long-matured spirits, offering a sensory experience of the highest caliber.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eHoused in major museums across the globe, Yonehara’s creations are one-of-a-kind art pieces that seamlessly blend a modern sensibility suited for contemporary living with the sublime techniques of traditional hand-blown glass. The artist’s handwritten signature etched onto the bottom of each piece is a testament to his pride as an internationally acclaimed creator and a guarantee of the uncompromising technical skill invested in every work. We invite you to experience this masterpiece—imbued with quiet passion and the essence of supreme craftsmanship by an artist who holds a pivotal place in the history of Japanese glass—during your most cherished moments.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Yonehara Shinji (米原眞司, 1961–Present)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"39\"\u003eSignificant Activities and Awards:\u003c\/b\u003e [1984] Staff at Fujita Kyohei Glass Studio (until 1991), [1986] Graduated from Tama Art University, Faculty of Art and Design, Department of Three-Dimensional Design, [1991] Established Seisho Glass Craft Studio in Sapporo, [1992] Received Encouragement Prize at the '92 International Glass Exhibition, Kanazawa, [1994] Received Special Selection Award at the 26th Nitten Exhibition (for \"Sound of Wind\"), [1998] Received Silver Prize at the '98 International Glass Exhibition, Kanazawa, [1999] Received Contemporary Craft Award at the 38th Japan Contemporary Craft Art Exhibition, [2000] Received Special Selection Award at the 32nd Nitten Exhibition (for \"Ki\"), [2002] Received the 1st Fujita Kyohei Award from the Japan Glass Art Crafts Association, [2003] Received the 31st Hokkaido Culture Encouragement Award, [2005] Received Grand Prize for Contemporary Craft at the 44th Japan Contemporary Craft Art Exhibition, [2008] Received the Prime Minister's Award at the 47th Japan Contemporary Craft Art Exhibition, [2013] Received the 40th Hokkaido Culture Award.\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1139\"\u003ePublic Collections:\u003c\/b\u003e Corning Museum of Glass (USA), Museum of Fine Arts, Boston (USA), Museum Kunstpalast (Germany), Hokkaido Museum of Modern Art, Notojima Glass Art Museum, Yokohama Museum of Art, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1342\"\u003eProduction Period:\u003c\/b\u003e 2000s\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1367\"\u003eCondition:\u003c\/b\u003e Excellent (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1410\"\u003eAccessories:\u003c\/b\u003e None\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1428\"\u003eMaterial:\u003c\/b\u003e Hand-blown glass\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1455\"\u003eDimensions:\u003c\/b\u003e Rim diameter approx. 6 cm, Height approx. 10.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1517\"\u003eNote:\u003c\/b\u003e Please be aware that although our items may be unused, they are from older production periods and are listed as vintage\/used. Items may show signs of age; please review carefully before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47695921709243,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6093_result.jpg?v=1778344468"},{"product_id":"245","title":"Sakata Jinnai (坂田甚内, Jin), Disciple of Kamoda Shoji: Hakuha-hari Shinjinmon Red Gold-painted Hand-blown Glass Swinging Sake Cup #245","description":"\u003cp data-path-to-node=\"7\"\u003eThis is an extremely rare hand-blown glass sake cup by the master Sakata Jinnai (born 1943), who studied under \u003ca href=\"\/en\/search?q=%22%E5%8A%A0%E5%AE%88%E7%94%B0%E7%AB%A0%E4%BA%8C%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKamoda Shoji\u003c\/a\u003e, the legendary ceramist who elevated Mashiko ware to the realm of art, and pioneered a unique fusion of pottery and glass. This piece exemplifies the pinnacle of Sakata's intense exploration of the fusion of pottery and glass and decorative expression from the 1990s to the 2000s, condensing his representative sculptural philosophy.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThe most significant design feature of this work is the sophisticated fusion of the Shinjinmon (Deeply Subtle Pattern), which is the artist's identity, and the Hakuha-hari technique, which encapsulates gold leaf within the glass. Shinjinmon originally refers to deep and mystical patterns created in pottery by rope patterns or imprints. In this work, however, it is redefined as a multi-layered and profound visual effect through the intricate crazing intentionally applied to the transparent glass layer, the meticulously placed gold leaf in the cracks, and the emerald-like green luminescence that changes with the viewing angle. This green luminescence is a result of advanced coloring techniques that utilize specific metal oxides and light interference, giving it a jewel-like depth that transcends simple coloring.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eA notable sculptural aspect is the swing structure, achieved by making the bottom thick and round, allowing it to sway like a roly-poly toy without ever toppling over. This minimalist form, devoid of a stem or base, combines a substantial weight when held with a playful elegance as it sways gently on a table. This design, which imparts a fluctuation and stability reminiscent of pottery to the hard material of glass, requires perfect control of the center of gravity and precise thickness adjustment unique to hand-blowing, demonstrating the artist's exceptional molding technique.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eSakata Jinnai's works, as evidenced by their dedication to Japan's highest sacred sites such as Ise Grand Shrine, Izumo Grand Shrine, and Atsuta Jingu, are highly regarded as art pieces imbued with divinity and spirituality that transcend mere craft. The decorative exuberance born from the clash between his earthy sensibility as a ceramist and the transparent beauty of glass is a unique aesthetic not found in dedicated glass artists. This supreme piece, bearing the authentic handwritten signatures Jin and Jinnai, elevates evening drinks to a dignified ritual and offers the joy of owning a significant fragment of Japan's modern craft history.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Sakata Jinnai (坂田甚内, 1943–Present)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"37\"\u003eArtist's Major Activities:\u003c\/b\u003e [2009] Invited artist at the 1st Shanghai International Ceramic Art Exhibition; [2013] Donated Shinjinmon Hakuha-hari Magatama Large Plate \"Brilliance of Life\" for the Great Heisei Relocation of Izumo Grand Shrine; [2013] Donated Black Pottery Shinjinmon Foil-Pressed Large Plate \"Homage to the Sun\" for the Shikinen Sengu of Ise Grand Shrine; [2014] Donated Shinjinmon Foil-Glass Object \"Waannei\" to Atsuta Jingu; [2014] Donated a pair of Black Pottery Engraved Shinjinmon Foil-Pressed Ceramic Boxes \"Longevity\" to Kameoka Hachimangu (Mashiko Town).\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"615\"\u003eProduction Period:\u003c\/b\u003e 1990s–2000s\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"646\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"689\"\u003eAccessories:\u003c\/b\u003e None\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"707\"\u003eMaterial:\u003c\/b\u003e Glass, Gold leaf\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"734\"\u003eDimensions:\u003c\/b\u003e Height approx. 6.5 cm, Rim diameter approx. 6.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"797\"\u003eNote:\u003c\/b\u003e All products offered by our store, even if unused, are from very old production periods and are listed as used items. Products may have age-related damage, so please understand and confirm before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47783617757371,"sku":null,"price":35000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6049_result.jpg?v=1778339405"},{"product_id":"266","title":"Hida Takayama Traditional Craft, Shibukusa Ryuzo VI (六代 渋草柳造), Koitozaka Irabo Glaze Ba-jou-hai Footed Cup \/ Shot Glass #266","description":"\u003cp data-path-to-node=\"26\"\u003eThis is a Koitozaka Irabo-glazed footed cup (Ba-jou-hai), directly crafted by Shibukusa Ryuzo VI (Birth name: Soshiro Toda), a master craftsman who carries on the legitimate lineage of Shibukusa ware, a traditional craft that has been continuously passed down in Hida Takayama, Gifu Prefecture, from the late Edo period to the present day. Its small size fits comfortably in the hand, and we propose it as a premium shot glass for enjoying Japan's excellent traditional crafts in a modern lifestyle. This piece holds the highest value as a vessel for savoring aged sake that has developed a rich amber color over time, possessing a profound, mellow aroma and a dense flavor, or for enjoying carefully selected whisky. Spending time enjoying exquisite sake in this vessel, which possesses overwhelming elegance as a work of art, offers a supremely luxurious experience for entertaining international collectors and discerning guests.\u003c\/p\u003e\n\u003cp data-path-to-node=\"27\"\u003eThe accompanying wooden box (tomobako) bears the elegant brushstrokes of \"Koitozaka\" on the right side, and Ryuzo's signature and seal on the left. The side of the box features Shibukusa Kobo's original green label, and the cloth wrapping the piece is stamped with the clear mark of Hida Shibukusa. These clearly prove that this work is an authentic piece created by Shibukusa Ryuzo VI.\u003c\/p\u003e\n\u003cp data-path-to-node=\"28\"\u003eIn the history of Shibukusa ware, the fact that this piece is named Koitozaka and fired with this unique technique is extremely profound and dramatic. While Shibukusa ware began production in 1841 (Tenpo 12), its prehistory includes the year 1837 (Tenpo 7), when wealthy merchants from Takayama invited the renowned potter Toda Ryuzo from Seto. He established a kiln in Koitozaka, west of Takayama City, and began pottery production (the second period of Koito ware). Toda Ryuzo initially attempted to produce porcelain from local clay in Koitozaka, but due to the environment and technical difficulties of the time, he was forced to cease operations after only about five years. However, Ryuzo was later recalled by the Hida magistrate, successfully discovered high-quality pottery stone in the local mountains, and finally succeeded in producing porcelain. This marked the beginning of what is now Shibukusa ware.\u003c\/p\u003e\n\u003cp data-path-to-node=\"29\"\u003eGenerally, Shibukusa ware is widely known for its porcelain pieces with splendid paintings on smooth white porcelain surfaces. However, the design and technique of this work hold a special meaning that sets them apart. For this vessel, instead of porcelain, a pottery base utilizing the texture of coarse clay is intentionally used, over which a yellowish-brown glaze with a slightly rough texture is applied. This is the very technique of Irabo glaze, the traditional basic glaze of Koito ware. Furthermore, the bold blackish-brown iron runs (tetsunagashi) applied over the glaze bake the powerful dynamism of the moment of chemical reaction with the flames in the kiln into the vessel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"30\"\u003eIn other words, the fact that Shibukusa Ryuzo VI intentionally named this footed cup \"Koitozaka\" and created it using the Irabo glaze technique, synonymous with Koito ware, tells us that this work expresses the utmost homage (historical respect) to the Koitozaka era—the origin of the founder Toda Ryuzo's challenging and difficult endeavors in pottery before successfully producing porcelain. This is an extremely rare and story-rich masterpiece that completely reproduces and fuses the beauty of the roots of Koito ware, another master craft of Hida Takayama, within the vessel, while utilizing the reliable technical skills of Shibukusa ware. This piece, which has been carefully preserved as a flawless complete item with its original box and original wrapping cloth, is a special sake vessel of museum-grade value, allowing international collectors to feel the profound depth of Japanese craft history.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"31\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eShibukusa Ryuzo VI (六代 渋草柳造, Birth Name: Soshiro Toda)\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eArtist's Notable Career History: \u003c\/strong\u003e[1946] Born in Takayama City, Gifu Prefecture; [1981] Succeeded as Shibukusa Ryuzo VI, establishing a unique and innovative style by incorporating refined Nihonga (Japanese painting) expressions into ceramic art, transcending traditional Shibukusa ware forms\u003c\/li\u003e\n\u003cli data-path-to-node=\"33\"\u003e\u003cstrong\u003eWorks Housed In: \u003c\/strong\u003eHida Takayama Museum of Art, public institutions related to Takayama City, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"34\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e 1980s - 2000s (Maturity period after succeeding to Shibukusa Ryuzo VI)\u003c\/li\u003e\n\u003cli data-path-to-node=\"35\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eGood (no chips, no cracks, some stains on box)\u003c\/li\u003e\n\u003cli data-path-to-node=\"36\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated wooden box (tomobako), original wrapping cloth included\u003c\/li\u003e\n\u003cli data-path-to-node=\"37\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Pottery (Irabo glaze, iron run)\u003c\/li\u003e\n\u003cli data-path-to-node=\"38\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 6.8 cm, Mouth diameter approx. 4.4 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"39\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Please note that all products offered by our store, even if brand new and unused, originate from a historic production period and are listed as pre-owned fine art items. Vintage products may exhibit subtle age-related characteristics; please consider purchasing upon full understanding and confirmation.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47881782165691,"sku":null,"price":11000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7665_result.jpg?v=1780832396"},{"product_id":"267","title":"Recipient of the Prime Minister's Award, Third Generation Takegoshi, Taizan Kiln, Takegoshi Toshiaki (武腰敏昭), Kutani Ware, Pomegranate Design Guinomi Shot Glass #267","description":"\u003cp data-path-to-node=\"3\"\u003eThis is a Kutani ware guinomi (sake cup) with a pomegranate motif by Takegoshi Toshiaki III, a master craftsman who served as a member of the Japan Art Academy, the highest honor in the Japanese art world. It has a refined cylindrical shape that fits comfortably in the hand, and we propose it as a premium shot glass for enjoying excellent traditional Japanese crafts in a modern lifestyle. There is no better sake vessel for savoring aged sake, which takes on a rich amber hue and deep, mellow aroma and flavor over time. Enjoying aged sake with this vessel, which possesses overwhelming prestige as a work of art, will be a supremely luxurious experience for international collectors and discerning guests alike.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eTakegoshi Toshiaki, the artist, was born as the 3rd generation of the prestigious Taizan Kiln in Nomi City, Ishikawa Prefecture, and was a master who left a great mark on the history of modern Kutani ware. His career was brilliant, starting with his first selections for the Nitten Exhibition and the Japan Contemporary Crafts Exhibition, followed by serving as a councilor for the Nitten Exhibition. He achieved the highest honors in public exhibitions, including the Prime Minister's Award at the Nikko-kai Exhibition for his work \"Haru Kuru Rashi\" (Spring is Coming) and the Prime Minister's Award at the Nitten Exhibition for his work \"Shijima\" (Silence). Later, he devoted himself to fostering young talent as a professor at Kanazawa Gakuin University, received the Japan Art Academy Award for his work \"Lakeside - Colored Glaze Flower Vase,\" was appointed a member of the Japan Art Academy, the highest honor in the craft world, and served as a managing director of the Nitten Exhibition. We proudly present this rare work by a top-class Japanese artist, of whom there is little information available overseas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe reason why Takegoshi Toshiaki's works are highly acclaimed by museums and enthusiasts both in Japan and abroad is due to his exceptional technique and modern design sensibility. Having studied industrial design at Kanazawa College of Art and apprenticed under the renowned Professor \u003ca href=\"\/en\/search?q=%22%E5%8C%97%E5%87%BA%E5%A1%94%E6%AC%A1%E9%83%8E%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKitade Tojiro\u003c\/a\u003e, he transcended the traditional framework of Kutani ware, pursuing the tension created by the vessel's form and calculated brushstrokes. Furthermore, he was an innovator who worked tirelessly to jointly develop and commercialize lead-free glazes that are gentle to people and the environment. His technical skill, which completely controlled the deep colors and brilliance of Kutani ware using lead-free paints—which are extremely difficult to control in terms of color development—and sublimated them into a unique modern beauty, is the result of his tireless research.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eAn examination of this work reveals that these characteristics are clearly and splendidly expressed within this small guinomi. The traditional pomegranate motif, revered since ancient times as a symbol of prosperity and fertility, is depicted with the artist's refined modern composition. The pomegranate branch placed on the side of the vessel is drawn with precise, structural lines that evoke his background in industrial design, and the ripe, cracked pomegranate fruit revealing its vibrant red seeds is expressed through meticulous painting. The green, blue, and yellow gradations seen in the surrounding leaves demonstrate an extremely high level of color control technology using lead-free glazes, creating a beautiful harmony of vivid colors. Furthermore, the exquisite balance of negative space with the unpainted white base gives the entire work a modern elegance. The artist's distinctive \"Toshi\" signature can be seen at the bottom of the vessel, and along with the dedicated tomobako (wooden box signed and sealed by the artist himself), it possesses extremely high rarity value as a flawless and complete item.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Takegoshi Toshiaki III (武腰敏昭, 1940-2021)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"43\"\u003eArtist's Major Activities:\u003c\/b\u003e [1957] First selected for Nitten Exhibition, [1963] First selected for Japan Contemporary Crafts Exhibition, [1996] Nitten Exhibition Councilor, [1997] Awarded Prime Minister's Award at Nikko-kai Exhibition for \"Haru Kuru Rashi\", [2001] Awarded Prime Minister's Award at Nitten Exhibition for \"Shijima\", [2005] Professor at Kanazawa Gakuin University, [2010] Awarded Japan Art Academy Award for \"Lakeside - Colored Glaze Flower Vase\" and became a member of the Japan Art Academy, [2011] Managing Director of Nitten Exhibition\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"596\"\u003eCollection Record:\u003c\/b\u003e Japan Art Academy (Taito-ku, Tokyo - houses Japan Art Academy Award-winning work \"Lakeside - Colored Glaze Flower Vase\"), Ishikawa Prefectural Museum of Art (Kanazawa City, Ishikawa Prefecture - houses major works such as \"Colored Glaze Flower Vase\"), Nomi City Kutani Ware Museum (Nomi City, Ishikawa Prefecture - houses successive works and related materials from \"Taizan Kiln\")\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"996\"\u003eProduction Period:\u003c\/b\u003e Late 1990s - 2000s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1046\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1089\"\u003eAccessories:\u003c\/b\u003e Dedicated tomobako (wooden box signed and sealed by the artist himself), artist's profile booklet (shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1218\"\u003eMaterial:\u003c\/b\u003e Porcelain (enamelled with gold accents)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1268\"\u003eDimensions:\u003c\/b\u003e Height approx. 5.5 cm, Mouth diameter approx. 5.5 cm, Base diameter approx. 3.5 cm \u003cbr\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e All products offered by our store, even if unused, are very old and are listed as used items. Products may have damage due to age, so please understand and confirm before considering purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47881782329531,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7275_result.jpg?v=1780460447"},{"product_id":"268","title":"MITI Minister's Award Winner at the Banko Ceramic Competition \/ Produced Large Jars for Naritasan Osaka Betsuin Temple - Hisamura Toshihide (久村俊英), Nagashima-yaki Kiln Toshihide, Gold-painted Nunome Three-legged Ceramic Whisky Tumbler #268","description":"\u003cp data-path-to-node=\"23\"\u003eThis is an exquisitely designed three-legged sake cup by Toshihide Hisamura (1956-), a highly skilled ceramist who has won the highest awards, such as the Minister of International Trade and Industry Award and the semi-grand prize, in traditional Japanese ceramics competitions. He is also known for having provided large jars and basins to adorn important spaces in the Kisshokaku building of Naritasan Osaka Betsuin Temple. The accompanying wooden box (tomobako) bears the artist's elegant handwritten inscription \"Nagashima-yaki Kiln Toshihide.\" The cup features a unique multifaceted form that fits perfectly in the hand, and an overwhelming presence where modern design is fused with functional beauty. We proudly present this rare craft piece as a premium Japanese Ceramic Whisky Tumbler, perfect for slowly enjoying rare aged sake that has matured into a deep amber color over many years, or a special single malt whisky with large ice cubes. This is a very rare masterpiece of Nagashima-yaki from Kuwana, Mie Prefecture, rarely seen in overseas markets, and a supreme vessel that brings the spirited sculptural beauty of Japanese contemporary crafts (Japanese KOGEI) to luxurious spaces.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23\"\u003eToshihide Hisamura, the artist, was born in Shizuoka Prefecture in 1956 and graduated from the prestigious Kanazawa College of Art, giving him a very unique and intellectual background in the traditional ceramics world. After graduating from university, he worked in product design, involved in the design of industrial products, and further built a career as an international creator by traveling to the United States and Europe to study cutting-edge overseas designs. Later, in Nagashima-cho, Kuwana City, Mie Prefecture, Toshihide and Atsuko Hisamura opened the Nagashima-yaki Tajin Kiln. While based on traditional Banko-yaki techniques, they developed simple and gentle works that reflect his meticulous sculptural calculations as a product designer and his thoughts on the changing seasons of Suigo Nagashima, surrounded by the Kiso Three Rivers. His exceptional technical skill and modern sensibility have been widely and publicly recognized, including selections for the Asahi Ceramic Exhibition and consecutive awards in the Banko Ceramic Comprehensive Competition, where he received the highest award, the Minister of International Trade and Industry Award, as well as the semi-grand prize and three other awards. After receiving the highest award, he completely stopped submitting to public exhibitions, which are influenced by trends in the art market, and has since immersed himself in ideal creations with his wife, making him known as a phantom artist whose works are extremely scarce in the market. In 1996, his outstanding craftsmanship was recognized, and he was nominated to create large jars and basins for important spaces, the Gatsurin-no-ma and reception room Kaori, for the construction of Kisshokaku at Naritasan Osaka Betsuin Temple, thus establishing a solid position in the Japanese architectural craft world as well.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23\"\u003eA professional analysis of the sculptural beauty of this work reveals that Hisamura's unique spatial composition ability, highly praised as a former product designer, and the advanced traditional techniques of Banko-yaki are perfectly harmonized in this small vessel. The beautiful seams that clearly run from the side to the inner bottom of the vessel are clear evidence that instead of typical wheel-throwing, a forming technique was used where clay sheets (tatara) were rolled and their ends boldly overlapped and joined. By intentionally leaving these joints as sharp, un-smoothed lines, a three-dimensional edge and modern shadow are created on the front, reminiscent of folded origami or fabric, or even modern architecture. Furthermore, the unique three legs supporting the bottom of the vessel, and the entire unglazed base, clearly show that coarse fabric was pressed very strongly with the artist's specific intention, and the \"nunome (fabric texture) technique\" is perfectly executed, clearly engraving the deep and sharp texture of the weave down to every detail. The powerful pleat-like undulations extending radially from the three legs towards the center, and even the central annular detail, show that the fabric texture is preserved three-dimensionally without being crushed, indicating that this is not an accidental byproduct of the work but a meticulously calculated and advanced decorative expression. The dramatic contrast in texture created between the rustic iron-containing stoneware body characteristic of Banko-yaki and the smooth glazed layer on top is simply magnificent. In terms of decoration, a base of deep olive-green feldspar glaze is adorned with fluid black iron-painting curves drawn directly, and gold accents are luxuriously placed between the glaze, emitting an elegant metallic sparkle. A sharp red painting and gold horizontal band encircles the lower part of the vessel, embodying the modern design philosophy that tightens the overall organic form in a sophisticated way. The artist's handwritten signature, seal, and mark on the lid of the tomobako, along with a red seal certifying its authenticity, are perfectly intact, making this an art craft piece of unwavering asset value in superb condition without any flaws.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"24,0,0\"\u003e\u003cb data-path-to-node=\"24,0,0\" data-index-in-node=\"0\"\u003eArtist\u003c\/b\u003e: Hisamura Toshihide (久村俊英, 1956-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24,1,0\"\u003e\u003cb data-path-to-node=\"24,1,0\" data-index-in-node=\"0\"\u003eArtist's Major Career History\u003c\/b\u003e: [1956] Born in Shimizu Ward, Shizuoka City, Shizuoka Prefecture, [c. 1979] Engaged in product design after graduating from Kanazawa College of Art, studied overseas design in the U.S. and Europe, [1980s] Established Nagashima-yaki Tajin Kiln in Nagashima-cho, Kuwana City, Mie Prefecture, selected for the Asahi Ceramic Exhibition, consecutively awarded the highest prize \"Minister of International Trade and Industry Award,\" \"Semi-Grand Prize,\" and \"3 Awards\" in the Banko Ceramic Comprehensive Competition (subsequently ceased submitting to public exhibitions to concentrate on unique creations), [1996] Commissioned to create large jars and basins for the Gatsurin-no-ma and reception room Kaori, important spaces for the construction of Naritasan Osaka Betsuin Temple Kisshokaku.\u003c\/li\u003e\n\u003cli data-path-to-node=\"24,2,0\"\u003e\u003cb data-path-to-node=\"24,2,0\" data-index-in-node=\"0\"\u003eWorks in Collection\u003c\/b\u003e: Naritasan Osaka Betsuin Temple (permanent installation in public spaces of Kisshokaku)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24,3,0\"\u003e\u003cb data-path-to-node=\"24,3,0\" data-index-in-node=\"0\"\u003eProduction Period\u003c\/b\u003e: 1990s-2000s (estimated, works from the mature period before and after completing the major project for Naritasan, following the award of the Minister of International Trade and Industry Award)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24,4,0\"\u003e\u003cb data-path-to-node=\"24,4,0\" data-index-in-node=\"0\"\u003eProduct Condition\u003c\/b\u003e: Excellent (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24,5,0\"\u003e\u003cb data-path-to-node=\"24,5,0\" data-index-in-node=\"0\"\u003eAccessories\u003c\/b\u003e: Dedicated tomobako (wooden box) (lid inscribed \"Nagashima-yaki Kiln Toshihide\"), with wrapping cloth\u003c\/li\u003e\n\u003cli data-path-to-node=\"24,6,0\"\u003e\u003cb data-path-to-node=\"24,6,0\" data-index-in-node=\"0\"\u003eMaterial\u003c\/b\u003e: Ceramic (Oribe-style feldspar glaze, red overglaze painting with gold accents)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24,7,0\"\u003e\u003cb data-path-to-node=\"24,7,0\" data-index-in-node=\"0\"\u003eDimensions\u003c\/b\u003e: Height approx. 7.8 cm, mouth diameter approx. 6.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"24,8,0\"\u003e\u003cb data-path-to-node=\"24,8,0\" data-index-in-node=\"0\"\u003eNote\u003c\/b\u003e: Even if the products offered by our store are unused, they are from a very old production period and are all listed as used items. The product may have age-related damage, so please consider purchasing after understanding and checking.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47881783410875,"sku":null,"price":10000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7786_result.jpg?v=1781228883"},{"product_id":"274","title":"Suntory Museum of Art Award Exhibition Finalist, Kitagawa Hiroyuki (北川宏幸), Yakishime Stamped Pattern Bajouhai, Ceramic Tasting Cup #274","description":"\u003cp data-path-to-node=\"17\"\u003eThis piece is a yakishime stamped pattern bajouhai (stem cup) that fully exhibits the exceptional sensibility and technique of Kitagawa Hiroyuki (1955-2017), a powerful potter of Kyo-yaki and Kiyomizu-yaki who left a brilliant mark in numerous major public exhibitions, including the Suntory Museum of Art Award Exhibition, which boasts an extremely high status in the contemporary art and craft world. This piece, meticulously crafted by the artist himself, comes with a dedicated wooden box (tomobako) secured with a Sanada cord, on the lid of which \"Yakishime Dakokumon Bajouhai\" is inscribed in ink by the artist's own hand, and on the back of the lid are the signatures of Yasaburo kiln and Hiroyuki, along with a vivid vermilion seal. The dignified form of the stem cup, with a height of approximately 8.8 cm and a mouth diameter of approximately 5.7 cm, conveys a refined presence the moment it is held, exuding an overwhelming presence as the ultimate Japanese kogei (craft) sake vessel (ceramic tasting cup) for slowly enjoying cold sake, special aged sake, or high-end spirits with large ice cubes. Kitagawa, who passed away suddenly in 2017 at the young age of 62, has no new works entering the market, making all existing pieces his life's legacy. This grants his works extremely high rarity and solid asset value for collectors both domestic and international.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eThe artist, Kitagawa Hiroyuki, was born in Kyoto Prefecture in 1955 and aspired to become a potter, deeply inheriting the craftsmanship spirit of his grandfather, a master of bamboo crafts. After graduating from the ceramics department of Kyoto Design and Arts College in 1977, he apprenticed under the master \u003ca href=\"\/en\/search?q=%22%E6%9C%A8%E6%9D%91%E7%9B%9B%E5%BA%B7%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKimura Moriyasu\u003c\/a\u003e for four years, learning a strict sense of aesthetics. The following year, in 1978, he graduated from the molding department of Kyoto Prefectural Pottery Vocational Training School, where he acquired extremely precise wheel-throwing techniques. After establishing his own kiln, Tobo Yasaburo, in Tsuzuki District, Kyoto Prefecture, in 1987, he rose to prominence, beginning with his acceptance into the Asahi Modern Craft Exhibition and the Shinsho Kogeikai Exhibition in 1988. Furthermore, in 1992, he achieved the remarkable feat of being selected for the Suntory Museum of Art Award Exhibition '92 \"Forms to Challenge,\" which is extremely difficult to be selected for in the art world, and simultaneously continued to be selected for the Sapporo Art Park Craft Exhibition, the Asahi Ceramics Exhibition, and the Kyo-ten Exhibition. Thereafter, he continued to achieve brilliant results at the forefront of contemporary crafts, such as receiving the Encouragement Award at the Shinbi Kogeikai Exhibition in 1995 and the Shimpo Industrial Award at the same exhibition in 1997, and his excellent handiwork has been highly praised, including being selected for a special exhibition at the Kyoto Ceramic Art Hall.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eA professional analysis of the design and decorative beauty of this work reveals that it is a brilliant culmination of Kitagawa's profound understanding of iron glaze and mud glaze, meticulously controlled, and an accumulation of painstaking handiwork. The most distinctive feature of the vessel, and the technique for which he is most acclaimed, is the dakokumon (stamped pattern). This pattern is created by precisely stamping granular designs at an extremely delicate moment before the clay dries, bringing beautiful regularity to the upper and middle parts of the vessel. Furthermore, a warm reddish-brown mud glaze band is applied around the center of the vessel's body, on which green speckles and luxurious gold decoration are baked, creating a vibrant and modern contrast derived from Kyo-yaki within the rustic texture of the yakishime. Below this vivid band, a complex and organic carved pattern band, combining spatula marks and powerful indentations, extends, giving the tactile sensation an overwhelming depth. The base supporting the stem cup is finished with a lustrous, deep black iron glaze, smartly tightening the overall structure of the vessel. The entire interior of the vessel is beautifully coated with a unique metallic luster glaze that reflects light when sake is poured, creating an intriguing and beautiful shimmering effect. Inside the foot ring at the bottom of the vessel, a modern pottery seal, a stylized character of \"Hiro\" proving the artist's authenticity, is clearly stamped.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThe production period of this work is presumed to be from the mid-1990s to around the 2000s, during the artist's prime in the middle to late stages of his career. The accompanying official artist's profile concludes with records of awards received in 1997 and regular solo exhibitions held since 1995, clearly indicating that this work was created after these dates. From a stylistic perspective, it perfectly blends the meticulous dakokumon (stamped pattern) and the multi-layered control techniques of mud glaze, iron glaze, and gold decoration, which were fully established after the opening of his kiln in 1987 and his selection for the Suntory Museum of Art Award Exhibition in 1992. This perfectly reflects the historical context of a period when high-class, one-of-a-kind sake vessels were actively showcased in art salons and department store galleries in major cities. This is a supreme piece of art and craft, in perfect condition without a single flaw, embodying the brilliance of a master craftsman's most mature moment, who passed away at a young age.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21,0,0\"\u003e\u003cb data-path-to-node=\"21,0,0\" data-index-in-node=\"0\"\u003eArtist\u003c\/b\u003e: Kitagawa Hiroyuki (北川宏幸, 1955-2017)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21,1,0\"\u003e\u003cb data-path-to-node=\"21,1,0\" data-index-in-node=\"0\"\u003eArtist's Representative Activities\u003c\/b\u003e: [1977] Graduated from Kyoto Design and Arts College, Ceramics Department; Selected for Kyoto Craft Exhibition. [1978] Graduated from Kyoto Prefectural Ceramics Vocational Training School, Molding Department. [1987] Established \"Tobo Yasaburo\" kiln. [1988] Selected for Asahi Modern Craft Exhibition; Selected for Shinsho Kogeikai Exhibition. [1991] Selected for Asahi Modern Craft Exhibition. [1992] Selected for Suntory Museum of Art Award Exhibition '92 \"Forms to Challenge\"; Selected for Sapporo Art Park Craft Exhibition; Selected for Asahi Ceramics Exhibition; Selected for Kyo-ten Exhibition. [1995] Received Encouragement Award at Shinbi Kogeikai Exhibition. [1996] Selected for Nissin Menbachi Grand Prix Exhibition. [1997] Received Shimpo Industrial Award at Shinbi Kogeikai Exhibition.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21,2,0\"\u003e\u003cb data-path-to-node=\"21,2,0\" data-index-in-node=\"0\"\u003ePublic Collections\u003c\/b\u003e: Permanently housed in public collections including the Kyoto Ceramic Art Hall (Special Exhibition, Selected Ceramic Artist Showcase), etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21,3,0\"\u003e\u003cb data-path-to-node=\"21,3,0\" data-index-in-node=\"0\"\u003eProduction Period\u003c\/b\u003e: Mid-1990s to around 2000s (estimated. Based on the artist's profile in the accompanying brochure and the maturity of the style, which shows perfect harmony of meticulous dakokumon, mud glaze, and gold decoration, it is presumed to be a valuable masterpiece from the middle to late period, during his prime era of solo exhibitions).\u003c\/li\u003e\n\u003cli data-path-to-node=\"21,4,0\"\u003e\u003cb data-path-to-node=\"21,4,0\" data-index-in-node=\"0\"\u003eProduct Condition\u003c\/b\u003e: Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21,5,0\"\u003e\u003cb data-path-to-node=\"21,5,0\" data-index-in-node=\"0\"\u003eAccessories\u003c\/b\u003e: Dedicated tomobako (wooden box), official artist's profile (brochure) included.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21,6,0\"\u003e\u003cb data-path-to-node=\"21,6,0\" data-index-in-node=\"0\"\u003eMaterial\u003c\/b\u003e: Pottery (yakishime, mud glaze, iron glaze, gold decoration)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21,7,0\"\u003e\u003cb data-path-to-node=\"21,7,0\" data-index-in-node=\"0\"\u003eDimensions\u003c\/b\u003e: Height approx. 8.8 cm, Caliber approx. 5.7 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21,8,0\"\u003e\u003cb data-path-to-node=\"21,8,0\" data-index-in-node=\"0\"\u003eNote\u003c\/b\u003e: Even if the products we offer are new and unused, they are from a very old production period and are all listed as used items. Products may have damage due to age, so please consider purchasing after understanding and confirming this.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47931190280379,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7949_result.jpg?v=1781331719"},{"product_id":"285","title":"Living National Treasure Kitamura Shinichi (北村眞一) Cast Metal Yuragi Swaying Small Bowl (Small Plate) Metalwork Craft Item to Enjoy as a Snack Dish #285","description":"\u003cp data-path-to-node=\"21\"\u003eThis is a cast metal art piece by Kitamura Shinichi, a metal artist designated as a Living National Treasure (Holder of Important Intangible Cultural Property). His work is highly acclaimed for its solid metalwork techniques, inherited from his father and master, metal artist \u003ca href=\"\/en\/search?q=%22%E5%8C%97%E6%9D%91%E4%B8%80%E6%9C%97%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKitamura Ichiro\u003c\/a\u003e, and for its profound yet precise expressions achieved through the chukin (metal casting) technique. The greatest characteristic of the chukin technique, which involves pouring molten metal into a mold to form a shape, lies in its ability to express soft, rich curved surfaces and subtle textural nuances despite being made of metal. Kitamura Shinichi has mastered traditional chukin techniques, pursuing a refined sculptural beauty that harmonizes with contemporary living spaces, and his works are widely praised for their high artistic quality and reliable metalworking skill.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eThis piece is a small chukin bowl (small plate) featuring a design reminiscent of ancient Chinese coins. The Oriental aesthetic, created by the interplay of the square central form and the rounded outer shape, exquisitely harmonizes with the weighty texture of the metal. The greatest excellence in the design of this piece lies in its gently curved (spherical) bottom surface, which comes into contact with the tabletop. When placed on a table, it sways gently and pleasingly, yet thanks to the precisely calculated center of gravity unique to chukin, it incorporates a magnificent playfulness that ensures it remains stable and centered. The moist surface texture, which conveys none of the coldness of metal, along with the pleasant weight unique to metal when held in the hand, represents the culmination of uncompromising chukin techniques and refined sculptural sensibility.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23\"\u003eWe propose this vessel, combining historical art value with sophisticated playfulness, as an appetizer dish (for serving nuts, dried fruits, small sweets, etc.) to accompany premium spirits such as whisky or aged sake, gracefully adapting it to a refined modern lifestyle. The gentle swaying movement of the vessel placed beside a glass adds elegance and fosters conversation in the drinking space, elevating a relaxed evening drink to a more luxurious experience. Fusing the advanced techniques of a Living National Treasure with a sophisticated taste that enriches daily life, this piece is a rare craft art piece that brings rich dignity to the everyday table.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eKitamura Shinichi (北村眞一, born 1952–present)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eArtist's Representative Activity: \u003c\/strong\u003e[2019] Certified as a Holder of Important Intangible Cultural Property (\"Lost-Wax Casting\" \/ Living National Treasure)\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003ePeriod of Production: \u003c\/strong\u003e1980s–2000s\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated box and explanatory leaflet (Shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eCupronickel (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eWidth approx. 14 cm, Depth approx. 9.4 cm, Weight approx. 158 g\u003c\/li\u003e\n\u003cli data-path-to-node=\"31\"\u003e\u003cstrong\u003eSpecial Notes:\u003c\/strong\u003e As this is a silver product, discoloration due to silver oxidation can be observed.\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eCaution:\u003c\/strong\u003e Even if the products we offer are new and unused, they are from a very old production period and are all listed as used items. The product may have damage due to age, so please consider purchasing after understanding and confirming its condition.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974193856699,"sku":null,"price":26000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_9279_result.jpg?v=1784509104"},{"product_id":"330","title":"Shigaraki Ware White Feldspar Crackle Flowing Glaze Beer Mug, Beer Cup, Cylindrical Free Cup, Sake Vessel #330","description":"\u003cp data-path-to-node=\"15\"\u003eHighlighting the traditional techniques and rustic clay character of Shigaraki in Koka City, Shiga Prefecture—counted as one of Japan's Six Ancient Kilns—this is an anonymous set of three cylindrical free cups of Shigaraki ware. Formed into an exquisitely palm-fitting, elongated size with a mouth diameter of approximately 6.4 cm–6.5 cm and a height of approximately 9.7–9.9 cm, the subtle hand-crafted distortions and warpage impart unique shadows and warmth to the vessel bodies. Our shop presents this set to the global market not only for daily tea use, but also as superb Japanese beer cups (beer mugs\/tumblers) whose near-un-glazed-like glaze surface and minute texture generate fine, creamy foam, as well as versatile Japanese craft free cups (sake vessels) for quietly savoring the rich aroma and flavor of amber aged sake, matured whisky, or authentic shochu over large ice cubes.\u003c\/p\u003e\n\u003cp data-path-to-node=\"16\"\u003eObserving the details of this work clearly reveals a powerful expression woven by the coarse clay texture rich in silica sand and feldspar granules characteristic of Shigaraki ware, alongside a generous application of milky-white feldspar glaze (white glaze). The feldspar glaze enveloping the entire vessel forms a dynamic scenery of \"flowing glaze\" dripping during high-temperature firing, with fine crackles (kannyu) densely running across the entire glaze surface. Furthermore, brown iron spots and black dots exuded onto the surface due to iron in the clay during high-temperature vitrification, along with the minute texture of stone bursts (ishi-haze) where melted feldspar granules are exposed, spread richly from the exterior down to the inner bottom, constructing a natural landscape beyond intentional design. Near the base down to the foot ring (tatami-tsuki), irregular carving (frill-like wave carving) is applied, while the unglazed clay on the back of the foot ring reveals the rustic clay texture and melted feldspar marks unique to Shigaraki. Each of the three cups exhibits subtly different dripping patterns of feldspar glaze and appearance of iron spots, elevating its aesthetic value as a unique handcrafted item. The pottery walls with moderate thickness offer excellent heat and cold retention, allowing one to enjoy both the quality foam retention when pouring beer and the comfortable thermal sensation felt in the hand.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eRegarding the production period, although unknown, there is a possibility that these pieces were created from the mid-1980s to the early 2000s. This was an era in Japanese contemporary ceramic art when the shaping of beer cups, free cups, and tumblers for enjoying beer, shochu, and aged sake became immensely popular, establishing a style that elevated traditional wood-firing techniques and flowing feldspar glazes into modern lifestyle ceramics. The dynamic carving techniques near the foot ring, along with the crackle and flowing glaze expressions, also strongly reflect the characteristics of contemporary Shigaraki crafts from this period. Although there are no markings indicating the artist or accessories such as a dedicated wooden box (Tomobako), the vessels themselves have no cracks or chips, maintaining extremely good condition in both glaze coloration and texture.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eUnknown (Contemporary Shigaraki ceramic artist\/kiln)\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003ePeriod of Production: \u003c\/strong\u003eCirca 1985–2005 (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eNone (3 cups only)\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePottery (Shigaraki ware, hand-carved, feldspar glaze, crackle glaze, flowing glaze)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Mouth diameter approx. 64–65 mm, Height approx. 97–99 mm (slight individual variations among the 3 cups)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eCaution: \u003c\/strong\u003eAll products offered by our shop are pre-owned items due to their historical production period. Products may have minor age-related changes in texture, so please consider purchasing after understanding and verifying these details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48115731300539,"sku":null,"price":10000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1455_result.jpg?v=1787478598"},{"product_id":"333","title":"Direct Disciple of Gyokuryuzan Yoshida Shuen: Nagahisa Shosai (永久勝斎), Hagi Ware Warikodai Shiro-Hagi Kakisai Tea Bowl \"Shuku Koki Ga\", Three-Chamber Noborigama Kiln Toshoan, Western Liquor Vessel, Rocks Glass #333","description":"\u003cp data-path-to-node=\"16\"\u003eThis elegant Hagi ware tea bowl is crafted by Nagahisa Shosai (born 1937, kiln name: Toshoan), a traditional craftsman born in Minami-Furohagi, Hagi City, Yamaguchi Prefecture in 1937, who underwent years of rigorous training as a direct apprentice under master \u003ca href=\"\/en\/search?q=%22%E5%90%89%E7%94%B0%E8%90%A9%E8%8B%91%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYoshida Shuen\u003c\/a\u003e of the prestigious Gyokuryuzan Hagi pottery house. After building his independent kiln in Tamae, Hagi City in 1972, he constructed an authentic three-chamber noborigama (climbing kiln) named \"Toshoan\" in Oya-Kosako, Hagi City in 1986, pursuing passionate ceramic creation unique to wood-fired kilns. His body of work, combining the dignified tea aesthetic directly passed down from master Yoshida Shuen with the flame drama of his own climbing kiln, is highly praised by traditional tea utensil connoisseurs. We offer this supreme craft piece, condensing Japanese traditional beauty and handcrafted warmth, to the global market not only as tea ceremony pottery for enjoying matcha, but also as a vintage premium sake vessel (Japanese rocks glass) designed for slowly savoring aged amber sake or premium Japanese whisky over large ice cubes.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eExamining the details of this work confirms that Nagahisa’s proud traditional techniques and the charm of noborigama kiln firing are clearly manifested across the vessel. The form boasts a plump, rounded, inviting shape that fits comfortably in hand, directly conveying the warmth and soft texture inherent in Daido clay—the unique raw material of Hagi ware—when held. Regarding glazing, a milky-white Shiro-Hagi glaze made primarily from rice-straw ash is generously applied, with a dense and refined network of kannyu (crackle marks) spreading across the entire surface. Beneath the glaze, subtle gradations of kakisai (persimmon-tinted) reddish-orange fire marks (hiiro) and deep soot-like scorched tones born from oxidation-reduction reactions during firing show through, creating a magnificent contrast with the soft milky-white Shiro-Hagi glaze. From the dynamic scenery of white glaze dripping and pooling near the rim down to the powerful sculptural beauty of the warikodai (split foot ring) and the stamped \"Satsu\" (勝) seal beside the foot, master craftsmanship is condensed throughout. Within the interior base (mikomi), the Shiro-Hagi crackle and reddish fire marks spread out, allowing you to enjoy a profound Japanese landscape when floating spirits or ice.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eOn the lid of the accompanying dedicated wooden box, the characters \"Shuku Koki\" (Celebrating 70th Birthday) are written in dignified gold powder (kindei). \"Koki\" (also written Koki \/ 古稀) refers to the 70th birthday celebration in traditional East Asian counting age (kazoe-doshi), derived from the Tang Dynasty poet Du Fu's line: \"From ancient times, reaching seventy years of age has been rare.\" Born in 1937, Nagahisa Shosai reached his milestone 70th year in 2006, clearly substantiating that this work is a celebratory commemorative piece specially crafted for this memorable occasion. Based on these clear historical facts and box inscriptions, the period of production for this work is identified as circa 2005 to 2007 (around 2006). The vessel itself has no chips or cracks and remains in beautiful condition, arriving as a highly precious masterpiece accompanied by its dedicated Tomobako featuring the artist's own handwritten inscription.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eArtist：\u003c\/strong\u003eNagahisa Shosai (永久勝斎, born 1937, kiln name: Toshoan)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist's Key Activities：\u003c\/strong\u003e[1937] Born in Minami-Furohagi, Hagi City, Yamaguchi Prefecture; [1965] Entered the apprenticeship under Gyokuryuzan Yoshida Shuen as a direct student; [1972] Built his kiln in Tamae, Hagi City and established independence; [1986] Constructed the three-chamber noborigama climbing kiln \"Toshoan\" in Oya-Kosako, Hagi City\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003ePeriod of Production：\u003c\/strong\u003eCirca 2005–2007 (around 2006, 70th birthday commemorative work)\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eCondition：\u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003eAccessories：\u003c\/strong\u003eDedicated Tomobako (with gold powder \"Shuku Koki\" inscription on lid)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eMaterial：\u003c\/strong\u003eStoneware (Hagi ware, Shiro-Hagi white glaze, Biwa glaze, kannyu crackle glaze, Daido clay, warikodai split foot ring, stamped seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eDimensions：\u003c\/strong\u003eHeight approx. 9.0 cm, Mouth diameter approx. 12.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eCaution：\u003c\/strong\u003eAll products offered by our shop are pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48115731628219,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0306_result.jpg?v=1785639824"},{"product_id":"342","title":"Metropolitan Museum of Art Collection Artist, Japan Ceramic Society Award Winner Matsui Koyo (松井康陽): Mukunoki Ash Glaze Neriage Teacups (Pair), Japanese Rocks Glass #342","description":"\u003cp data-path-to-node=\"17\"\u003eStudying under his father \u003ca href=\"\/en\/search?q=%22%E6%9D%BE%E4%BA%95%E5%BA%B7%E6%88%90%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eMatsui Kosei\u003c\/a\u003e—a holder of Important Intangible Cultural Property (\"Neriage\" Marbled Ware \/ Living National Treasure)—Matsui Koyo (born 1962) elevated marbled ceramics into a new artistic realm through modern compositional perspectives and precise physical calculations cultivated at the School of Art and Design, University of Tsukuba. After graduating in 1985, he mastered the Matsui family’s secret clay formulation and sophisticated assembly techniques under his father's tutelage, establishing a solid position in modern Japanese ceramics by receiving the Encouragement Award at the 38th Japan Traditional Art Crafts Exhibition in 1991 and the Japan Ceramic Society Award in 2002. His works are officially housed in public institutions such as The Metropolitan Museum of Art (USA), the Victoria and Albert Museum (UK), and The National Museum of Modern Art, Tokyo. Our shop presents this supreme handcrafted masterpiece—a crystallization of human passion and scientific insight—to the global market not only as traditional tea vessels for enjoying sencha, but also as vintage rocks glasses (a Japanese pair of free cups) designed for quietly savoring amber-colored aged sake or premium Japanese whisky over large ice cubes.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eExamining the details of this work reveals that the fusion beauty of Matsui Koyo's proud, advanced \"layered neriage\" (marbling) and \"mukunoki ash glaze\" (using natural plant ash) is clearly manifested across the vessel. Clay sheets of different colors—blue, light blue, dark green, black, and refreshing white—are stacked layer upon layer in millimeter precision, reorganized, and assembled to create abstract yet structured patterns that seem to encapsulate flowing atmosphere, blue drift ice, or the dynamic layers of the Earth. Unlike surface painting, the neriage technique builds the clay itself three-dimensionally, so the patterns continuously penetrate from the interior base (mikomi) through to the bottom foot ring. Matching the differing shrinkage rates of each color with mathematical precision to prevent cracking or peeling during high-temperature firing is truly a physical miracle. Applied over this, the mukunoki ash glaze softly envelops the vivid marbled layers, conferring deep dimensionality and a serene matte texture alongside the refraction of light.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eRegarding the period of production, it is identified as an authentic work created in the 2000s (circa 2000–2010), a mature era when his unique expressive style combining geometric layered neriage composition and mukunoki ash glaze reached fulfillment following his 1991 Japan Traditional Art Crafts Exhibition Encouragement Award and 2002 Japan Ceramic Society Award. The vessel itself has no chips or cracks, maintaining an exceptionally beautiful condition. It arrives as an item in complete condition, accompanied by its dedicated Tomobako (wooden box) inscribed in ink on the lid \"Mukunoki-yu Neriage Yunomi Ittsui\" with a seal stamped, an artist-stamped Tomonuno (wrapping cloth), and a biography leaflet.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist： \u003c\/strong\u003eMatsui Koyo (松井康陽, 1962–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist's Key Activities： \u003c\/strong\u003e[1985] Graduated from the School of Art and Design, University of Tsukuba, and studied under his father Matsui Kosei (Living National Treasure); [1991] Received the Encouragement Award at the 38th Japan Traditional Art Crafts Exhibition; [2002] Received the Japan Ceramic Society Award; [2005] Received the Encouragement Award at the 33rd Traditional Art Crafts New Works Exhibition\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eWorks Housed In：\u003c\/strong\u003e The Metropolitan Museum of Art, Victoria and Albert Museum, The National Museum of Modern Art, Tokyo, Ibaraki Ceramic Art Museum, Smith College Museum of Art, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003ePeriod of Production：\u003c\/strong\u003e 2000s (circa 2000–2010)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eCondition： \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eAccessories：\u003c\/strong\u003e Dedicated Tomobako, Tomonuno included\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eMaterial： \u003c\/strong\u003eCeramic (Neriage marbled clay, mukunoki ash glaze, stamped seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eDimensions：\u003c\/strong\u003e Height approx. 8.2 cm, Mouth diameter approx. 8.0 cm (Pair)\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eCaution： \u003c\/strong\u003eAll products offered by our shop are pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48145421271227,"sku":null,"price":150000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0445_result.jpg?v=1786022223"},{"product_id":"346","title":"Chikuzen Tea Ceramics, Takatori Ware, Takatori Hassen XIII (十三代 高取八仙): Traditional Craftsman, Order of the Sacred Treasure Recipient, Draped Flowing Glaze Pair of Yunomi Tea Cups, Pair Sake Cups, Japanese Rocks Glasses #346","description":"\u003cp data-path-to-node=\"17\"\u003eCrafted by Takatori Hassen XIII (b. 1934; real name: Sosen Takatori), the direct thirteenth-generation head kiln of Chikuzen tea ceramics Takatori ware—which originated in 1600 (Keicho 5) when Haksan (Japanese name: Jusei Hachitachibana), a potter who arrived from Korea during the Bunroku-Keicho Era (1592–1597), submitted to Kuroda Nagamasa, the lord of Chikuzen Province awarded for his distinguished service in the Battle of Sekigahara, and established a kiln in Joken, Eimanji at the western foot of Mount Takatori—this is a set of hand-carved, flowing-glaze Yunomi tea cups (pair of two). Moving its kiln from Eimanji to Uchinoko, Kamiyamada Tojindani, and Shiratagiyama in Kofukuro, Iizuka, Takatori ware established the aesthetic of Enshu Takatori, praised as \"Kirei-sabi,\" under the guidance of tea master Kobori Enshu during the Shiratagiyama period. Subsequently, the tradition split into the Tsuzumi Takatori family, which served as official domain potters in charge of glaze formulation (Yugata), and the Sarayama Takatori family in Kobaru Nakano, which handled delicate shaping and hand-carving (Saikugata). The Sarayama Takatori family transmitted the techniques and legacy of Yasunojo Takatori (Shigenori)—the last official domain potter of the Kuroda Domain—orally and directly down to Takatori Hassen XIII through Hassen XII (Sashichi) and his mother Hassen Komaki. Certified as a Traditional Craftsman by the Ministry of International Trade and Industry in 1979, commended as an Outstanding Technical Performer of Fukuoka Prefecture (Governor's Award) and recipient of the International Art and Culture Award in 1989, winner of the Grand Prix at the Paris Arts Festival in 1996, and decorated with the Order of the Sacred Treasure, Single Ray in 2005, he is a master at the pinnacle of modern Takatori ware whose creations are housed in public collections, including the Fukuoka Prefectural Museum of Art. Our shop presents this piece to the global market not only for use as traditional Yunomi tea cups, but also as small, palm-fitting free cups for quiet enjoyment as luxury Japanese rocks glasses (pair of sake cups) to savor the rich aroma and deep flavor of aged sake, matured whisky, or authentic shochu over large ice cubes.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eObserving the details of this piece reveals a brilliant realization of the extreme thin-walled hand-carving technique that is the hallmark of Sarayama Takatori, combined with advanced section-draping and flowing-glaze techniques utilizing inherited homemade glazes. While Takatori ware selectively employs secret glazes such as Namikuro glaze, Takatori yellow glaze, white glaze, Shunkei glaze, Takamiya glaze, Doke glaze, Shinko (true black) glaze, Ryokushō (verdigris) glaze, and Furashi glaze, this work constructs a striking contrast between the dense Shinko glaze (amber-black glaze) applied to the upper rim and the bold, diagonal pouring of Takatori yellow glaze and straw-ash flowing glazes over the entire body. Fired at high temperatures, the yellow glaze undulates like embossed painting, giving rise to three-dimensional, bubbly, abstract textures reminiscent of sea-cucumber speckles and \"snake-eye\" (Janome) motifs around the entire vessel, demonstrating an extraordinarily high-difficulty kiln change (Furashi effect) woven by fire and wind. Through the neatly carved, unglazed foot ring (Tatami-tsuki), the rustic clay texture of high-quality Takatori porcelain body is visible, and even the inner bottom of the foot ring is decorated with droplet-like spotted glaze, demonstrating the thoroughness of Sarayama Takatori's artisan traditions down to the smallest detail. Each of the two cups, large and small, displays subtly different scenery in its glaze flow, elevating its aesthetic value as a unique, one-of-a-kind handcrafted work to the utmost degree.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eRegarding the period of production, taking the kiln address stated in the accompanying brochure—written as \"Sarayama, Koishiwara Village, Asakura District, Fukuoka Prefecture\" prior to the municipal merger in March 2005—alongside his peak period of mature technique and style following his commendation as an Outstanding Technical Performer of Fukuoka Prefecture in 1989 and the Paris Arts Festival Grand Prix in 1996 as decisive evidence, it is identified as an authentic creation made between the 1990s and the early 2000s (early Heisei to early Heisei 10s era). The vessels themselves have no cracks or chips, maintaining extremely good condition in both glaze coloration and texture. The set arrives in complete condition, accompanied by its dedicated Tomobako (wooden box) hand-inscribed on the lid with \"Yunomi\" in ink and signed \"Takatori Hassen XIII saku\" with a seal stamped on the back of the lid, alongside a brochure detailing the history and family tree of Takatori ware.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eTakatori Hassen XIII (十三代 高取八仙, b. 1934; real name: Sosen Takatori, 13th-generation head kiln of Sarayama Takatori family)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eArtist's Key Activities: \u003c\/strong\u003e[1953] Succeeded to the name Takatori Hassen XIII; [1959] Recommended as a member of the Fukuoka Art Association; [1975] Won the Governor's Award at the Fukuoka Art Association Exhibition; [1979] Certified as a Traditional Craftsman by the Ministry of International Trade and Industry; [1989] Commended as an Outstanding Technical Performer of Fukuoka Prefecture and received the International Art and Culture Award; [1996] Won the Grand Prix at the Paris Arts Festival Exhibition; [2005] Awarded the Order of the Sacred Treasure, Single Ray\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWorks Housed In:\u003c\/strong\u003e Fukuoka Prefectural Museum of Art, Public Traditional Crafts Archives, Domestic and International Connoisseur Collections, etc.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e Circa 1990s–early 2000s (Estimated)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated Tomobako, brochure (recording origins and family tree) included\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePottery (Takatori ware, hand-carved, true black glaze, Takatori yellow glaze, flowing glaze, Furashi\/kiln-change effect)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Large: Height approx. 7.5 cm, Mouth diameter 7.0 cm \/ Small: Height approx. 7.0 cm, Mouth diameter 5.5 cm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCaution: \u003c\/strong\u003eAll products offered by our shop are pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48199388299451,"sku":null,"price":27000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1123_result.jpg?v=1787474488"},{"product_id":"377","title":"Kyoto Kiyomizu Ware, Master Artisan of Kyoto, Traditional Craftsman Tsuchiyama Shosen (土山松泉): Heian Shosen Polychrome Dragon and Phoenix Sake Cup, Guinomi, Japanese Shot Glass #377","description":"\u003cp data-path-to-node=\"17\"\u003eCrafted by Tsuchiyama Shosen (b. 1933; real name: Tsuchiyama Tadao; art name: Heian Shosen), a master artisan of Kyoto and Kiyomizu ware who was selected as a Traditional Craftsman and an Outstanding Technical Performer in Traditional Industries of Kyoto Prefecture (Master Artisan of Kyoto) after studying under \u003ca href=\"\/en\/search?q=%22%E8%A5%BF%E6%9D%91%E4%B9%85%E5%AE%9D%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKyuho Nishimura\u003c\/a\u003e II and winning numerous awards, this is a polychrome dragon and phoenix motif sake cup (guinomi). Familiar with the potter's wheel since the age of 14 and hailed as a \"born potter's wheel master,\" Tsuchiyama Shosen established exceptionally high acclaim through his thin, elegant throwing techniques and refined Kyoto-style painting that elevated the traditions of ancient Chinese ceramics, such as Swatow red-enameled ware (Gosu Akae) and Wanli red-enameled ware (Wanli Akae), into a modern context. In 2004, he received the Order of the Sacred Treasure, Single Ray, leaving an indelible mark as a leading figure in the Kyoto ceramics world. Our shop presents this work to the global market not only as a traditional sake cup or guinomi, but also as a vintage shot glass (Japanese sake cup) for quietly savoring aged amber sake or matured whisky straight.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eObserving the details of this piece reveals the height of Tsuchiyama Shosen's signature precision wheel work and the supreme auspicious motif of the \"Dragon and Phoenix (Ryuhou Teisho)\" derived from classical Chinese ceramics. On the exterior of the porcelain body, thrown to extreme thinness and uniformity through hand-carving, a polychrome \"dragon\" gracefully dancing through clouds and a \"phoenix\" brilliantly spreading its wings are painted as a pair, constructing a grand worldview symbolizing the harmony of Yin and Yang and prosperity. Based on cobalt underglaze blue (Sometsuke), vivid red, green, and yellow overglaze enamels are skillfully arranged, minutely capturing the dynamic flight of the dragon and the expansive beauty of the phoenix's tail feathers around the entire circumference. Furthermore, on the inner rim, a fine hanging-bead (Yoraku) pattern is rendered using traditional Kyoto ware blue-and-white (Seika\/Sometsuke) techniques, while the rim and bottom of the foot ring are decorated with brown glaze (Kuchibeni) that tightens the overall design. Combined with the regularity of the continuous mountain-shaped (wave-crest) pattern painted beside the foot ring, the piece achieves perfect harmony between a comfortable weight in the hand and dignified color beauty.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eRegarding the period of production, taking clues from his peak era of maturity in technique and style—when he was certified as a Traditional Craftsman in 1992 and received the Kyoto Prefectural Governor's Award as a \"Master Artisan of Kyoto\" in 1998—it is identified as an authentic creation made between the 1990s and the early 2000s (early Heisei to Heisei 10s era). The vessel itself has no cracks or chips, maintaining extremely good condition in both overglaze enamel coloration and glaze quality. It arrives in complete condition, accompanied by its dedicated Tomobako (wooden box) hand-inscribed on the lid with \"Iro-e Ryu no Zu Guinomi\" in ink and signed with a seal stamped on the back of the lid by the artist.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eTsuchiyama Shosen (土山松泉, b. 1933; real name: Tsuchiyama Tadao; art name: Heian Shosen)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist's Key Activities:\u003c\/strong\u003e [1955] Studied under Kyuho Nishimura II; [1964] Became independent and was given the name \"Shosen\" by the chief priest of Daitoku-ji Koto-in; [1976–1978] Won the Excellence Award for three consecutive years at the Kyoto Traditional Craftsmanship Competition; [1992] Certified as a Traditional Craftsman; [1998] Commended as an Outstanding Technical Performer in Traditional Industries of Kyoto Prefecture (Master Artisan of Kyoto); [2004] Awarded the Order of the Sacred Treasure, Single Ray\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eWorks Housed In: \u003c\/strong\u003eKyoto Traditional Crafts Archive, Public Traditional Crafts Collections, Private Connoisseur Collections, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003ePeriod of Production: \u003c\/strong\u003eCirca 1990s–early 2000s (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated Tomobako included\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain (Kyoto\/Kiyomizu ware, polychrome enamels, underglaze blue, hand-carved)\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 5.3 cm, Mouth diameter approx. 5.9 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eCaution: \u003c\/strong\u003eAll products offered by our shop are pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48265439084731,"sku":null,"price":23000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1233_result.jpg?v=1787322836"},{"product_id":"387","title":"Metropolitan Museum of Art Collection Artist, Japan Ceramic Art Exhibition Grand Prix Winner: Nagae Shigekazu (長江重和) - \"Form of Tsuchinoto-Ne\" Celadon Glazed Porcelain Covered Sake Vessel, Japanese Shot Glass, Made in 2007 #387","description":"\u003cp data-path-to-node=\"17\"\u003eThis porcelain vessel with lid, titled \"Form of Tsuchinoto-Ne\" (Boshi no Katachi), is crafted by Nagae Shigekazu, a top runner in modern Japanese ceramic art whose works are housed in major museums worldwide, including The Metropolitan Museum of Art and the Victoria and Albert Museum. Born in 1953 in Seto City, Aichi Prefecture, he sublimated industrial slip-casting techniques into artistic porcelain sculptures, sweeping major domestic and international ceramic awards such as the Japan Ceramic Art Exhibition Grand Prix, the International Ceramics Competition Mino Grand Prix, and the Grand Prix at the Nyon International Porcelain Triennial in Switzerland. Featuring a striking contrast between silky white porcelain polished to a matte finish and translucent pale-blue celadon glaze lining the interior, this work was originally created as an incensory (kogo), a refined tea ceremony vessel. However, removing the lid transforms it into a sake vessel with a beautiful profile, presenting a special lifestyle proposition to global connoisseurs as a covered Japanese shot glass that quietly seals in aromas to luxuriously savor matured whisky or rare aged sake.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eExamining the fine details of this piece reveals Nagae Shigekazu's signature mastery—the precise control of heat and gravity—alongside an exceptionally refined sculpting beauty displayed without reserve. Created with inspiration drawn from Tsuchinoto-Ne (Rat), the zodiac sign for 2008, the top of the lid features an organic, charmingly rounded three-dimensional sculpture evocative of a rat standing on a quiet water surface, with a delicate tail line extending smoothly backward acting as a refined accent. The entire body of the vessel also assumes a soft roundness in harmony with the charming form of the rat, while the exterior white porcelain surface, finished with meticulous hand-sanding, exhibits a graceful matte texture that softly absorbs light. Meanwhile, the interior of the vessel and the concave areas of the lid are filled with rich, nuanced pale-blue celadon glaze reminiscent of a clear blue sky, casting a captivating deep blue gradation at the bottom. On the underside, the artist's handwritten signature \"戊子\" (Tsuchinoto-Ne) is inscribed in blue, achieving a high-level harmony between sculptural perfection and functional utility.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eRegarding the period of production, it can be objectively specified as created in 2007 based on its nature as a zodiac artwork themed after \"Tsuchinoto-Ne\" (Year of the Rat 2008, corresponding in the 60-year sexagenary cycle) alongside the artist's production cycle of crafting zodiac pieces in the preceding year. Eschewing mass production, Mr. Nagae's small-scale works—individually brought forth through advanced mold-forming, multi-stage hand polishing, and deformation control during firing—possess extraordinary scarcity value in the international art market. The vessel body itself shows no damage such as chips or cracks, maintaining excellent condition in both the texture of the white porcelain and the coloration of the celadon glaze. It comes complete with a dedicated original box (Tomobako) bearing the artist's handwritten calligraphy and red seal, a wrapping cloth (fukusa), and an instructional leaflet (shiori) detailing the creative background.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eNagae Shigekazu (長江重和, b. 1953)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist's Key Activities:\u003c\/strong\u003e [1979\/1986] Grand Prix at Chunichi International Ceramic Art Exhibition; [1992] Grand Prix at Asahi Ceramic Art Exhibition; [1997] Grand Prix and Prince Katsura Prize at the 14th Japan Ceramic Art Exhibition; [1998] Grand Prix at the 5th International Ceramics Competition Mino, Grand Prix (Prix Poisson d'Or) at the 5th Nyon International Porcelain Triennial in Switzerland; [2004] Received Aichi Prefectural Arts and Culture Encouragement Award\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eWorks Housed In:\u003c\/strong\u003e The Metropolitan Museum of Art, Victoria and Albert Museum, Los Angeles County Museum of Art (LACMA), National Museum of Sèvres, Ariana Museum, National Gallery of Australia, Shigaraki Ceramic Cultural Park, Aichi Prefectural Ceramic Museum, Museum of Modern Ceramic Art Gifu, among many others\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003ePeriod of Production: \u003c\/strong\u003eMade in 2007\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated original box (Tomobako), wrapping cloth, and instructional leaflet (Shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePorcelain (pale-blue celadon glaze, matte white porcelain)\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 6.0 cm, Width approx. 6.8 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eCaution: \u003c\/strong\u003eAll products offered by our shop are listed as pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48288143769787,"sku":null,"price":38000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2838_result.jpg?v=1789268237"},{"product_id":"388","title":"Metropolitan Museum of Art Collection Artist, Japan Ceramic Art Exhibition Grand Prix Winner: Nagae Shigekazu (長江重和) - \"Form of Tsuchinoto-Ushi\" Celadon Glazed Porcelain Covered Sake Vessel, Japanese Shot Glass, Made in 2008 #388","description":"\u003cp data-path-to-node=\"17\"\u003e\u003cspan\u003eThis porcelain vessel with lid,\u003c\/span\u003e\u003cspan\u003e titled \"Form of Tsuchinoto-Ushi\" (Kichu no Katachi),\u003c\/span\u003e\u003cspan\u003e is crafted by Nagae Shigekazu,\u003c\/span\u003e\u003cspan\u003e a top runner in modern Japanese ceramic art whose works are housed in major museums worldwide,\u003c\/span\u003e\u003cspan\u003e including The Metropolitan Museum of Art and the Victoria and Albert Museum.\u003c\/span\u003e\u003cspan\u003e Born in 1953 in Seto City,\u003c\/span\u003e\u003cspan\u003e Aichi Prefecture,\u003c\/span\u003e\u003cspan\u003e he sublimated industrial slip-casting techniques into artistic porcelain sculptures,\u003c\/span\u003e\u003cspan\u003e sweeping major domestic and international ceramic awards such as the Japan Ceramic Art Exhibition Grand Prix,\u003c\/span\u003e\u003cspan\u003e the International Ceramics Competition Mino Grand Prix,\u003c\/span\u003e\u003cspan\u003e and the Grand Prix at the Nyon International Porcelain Triennial in Switzerland.\u003c\/span\u003e\u003cspan\u003e Featuring a striking contrast between silky white porcelain polished to a matte finish and translucent pale-blue celadon glaze lining the interior,\u003c\/span\u003e\u003cspan\u003e this work was originally created as an incensory (kogo),\u003c\/span\u003e\u003cspan\u003e a refined tea ceremony vessel.\u003c\/span\u003e\u003cspan\u003e However,\u003c\/span\u003e\u003cspan\u003e removing the lid transforms it into a sake vessel with a beautiful profile,\u003c\/span\u003e\u003cspan\u003e presenting a special lifestyle proposition to global connoisseurs as a covered Japanese shot glass that quietly seals in aromas to luxuriously savor matured whisky or rare aged sake.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003e\u003cspan\u003eExamining the fine details of this piece reveals Nagae Shigekazu's signature mastery—the precise control of heat and gravity—alongside an exceptionally refined sculpting beauty displayed without reserve.\u003c\/span\u003e\u003cspan\u003e Created with inspiration drawn from the concept of Tsuchinoto-Ushi (Ox),\u003c\/span\u003e\u003cspan\u003e the zodiac sign for 2009,\u003c\/span\u003e\u003cspan\u003e the top of the lid features a powerful,\u003c\/span\u003e\u003cspan\u003e organic,\u003c\/span\u003e\u003cspan\u003e and fluid horn-like sculptural motif evocative of a bull's two horns.\u003c\/span\u003e\u003cspan\u003e The triangular body and exterior white porcelain surface,\u003c\/span\u003e\u003cspan\u003e finished with meticulous hand-sanding,\u003c\/span\u003e\u003cspan\u003e exhibit a graceful matte texture that softly absorbs light.\u003c\/span\u003e\u003cspan\u003e Meanwhile,\u003c\/span\u003e\u003cspan\u003e the interior of the vessel and the concave areas of the lid are filled with rich,\u003c\/span\u003e\u003cspan\u003e nuanced pale-blue celadon glaze reminiscent of a clear blue sky,\u003c\/span\u003e\u003cspan\u003e casting a captivating deep blue gradation at the bottom.\u003c\/span\u003e\u003cspan\u003e In the center of the underside,\u003c\/span\u003e\u003cspan\u003e the artist's handwritten signature \"己丑\" (Tsuchinoto-Ushi) is inscribed in blue,\u003c\/span\u003e\u003cspan\u003e achieving a high-level harmony between sculptural perfection and functional utility.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003e\u003cspan\u003eRegarding the period of production,\u003c\/span\u003e\u003cspan class=\"\"\u003e it can be objectively specified as created in 2008 based on its nature as a zodiac artwork themed after \"Tsuchinoto-Ushi\" (Year of the Ox 2009) alongside the production cycle aimed at New Year exhibition debuts.\u003c\/span\u003e\u003cspan class=\"\"\u003e Eschewing mass production,\u003c\/span\u003e\u003cspan\u003e Mr.\u003c\/span\u003e\u003cspan\u003e Nagae's small-scale works—individually brought forth through advanced mold-forming,\u003c\/span\u003e\u003cspan\u003e multi-stage hand polishing,\u003c\/span\u003e\u003cspan\u003e and deformation control during firing—possess extraordinary scarcity value in the international art market.\u003c\/span\u003e\u003cspan\u003e The vessel body itself shows no damage such as chips or cracks,\u003c\/span\u003e\u003cspan\u003e maintaining excellent condition in both the texture of the white porcelain and the coloration of the celadon glaze.\u003c\/span\u003e\u003cspan\u003e It comes complete with a dedicated original box (Tomobako) bearing the artist's handwritten calligraphy and red seal,\u003c\/span\u003e\u003cspan\u003e a wrapping cloth (fukusa),\u003c\/span\u003e\u003cspan\u003e and an instructional leaflet (shiori).\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eNagae Shigekazu (長江重和, b.\u003c\/span\u003e\u003cspan\u003e 1953)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist's Key Activities:\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003e[1979\/1986] Grand Prix at Chunichi International Ceramic Art Exhibition; [1992] Grand Prix at Asahi Ceramic Art Exhibition; [1997] Grand Prix and Prince Katsura Prize at the 14th Japan Ceramic Art Exhibition; [1998] Grand Prix at the 5th International Ceramics Competition Mino,\u003c\/span\u003e\u003cspan\u003e Grand Prix (Prix Poisson d'Or) at the 5th Nyon International Porcelain Triennial in Switzerland; [2004] Received Aichi Prefectural Arts and Culture Encouragement Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eWorks Housed In:\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eThe Metropolitan Museum of Art,\u003c\/span\u003e\u003cspan\u003e Victoria and Albert Museum,\u003c\/span\u003e\u003cspan\u003e Los Angeles County Museum of Art (LACMA),\u003c\/span\u003e\u003cspan\u003e National Museum of Sèvres,\u003c\/span\u003e\u003cspan\u003e Ariana Museum,\u003c\/span\u003e\u003cspan\u003e National Gallery of Australia,\u003c\/span\u003e\u003cspan\u003e Shigaraki Ceramic Cultural Park,\u003c\/span\u003e\u003cspan class=\"animating\"\u003e Aichi Prefectural Ceramic Museum,\u003c\/span\u003e\u003cspan\u003e Museum of Modern Ceramic Art Gifu,\u003c\/span\u003e\u003cspan\u003e among many others\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eMade in 2008\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eVery good (no chips,\u003c\/span\u003e\u003cspan\u003e no cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eDedicated original box (Tomobako),\u003c\/span\u003e\u003cspan\u003e wrapping cloth,\u003c\/span\u003e\u003cspan\u003e and instructional leaflet (Shiori) included\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003ePorcelain (pale-blue celadon glaze,\u003c\/span\u003e\u003cspan\u003e matte white porcelain)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eHeight approx.\u003c\/span\u003e\u003cspan\u003e 8.\u003c\/span\u003e\u003cspan\u003e3 cm,\u003c\/span\u003e\u003cspan\u003e Width approx.\u003c\/span\u003e\u003cspan\u003e 8.\u003c\/span\u003e\u003cspan\u003e0 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eCaution:\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eAll products offered by our shop are listed as pre-owned items due to their historical production period,\u003c\/span\u003e\u003cspan\u003e even if unused.\u003c\/span\u003e\u003cspan\u003e Products may have age-related damage,\u003c\/span\u003e\u003cspan\u003e so please consider purchasing after understanding and verifying these condition details.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48296538177723,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2793_result.jpg?v=1789268562"},{"product_id":"389","title":"Metropolitan Museum of Art Collection Artist, Japan Ceramic Art Exhibition Grand Prix Winner: Nagae Shigekazu (長江重和) - \"Form of Kanoe-Tora\" Celadon Glazed Porcelain Covered Sake Vessel, Japanese Shot Glass, Made in 2009 #389","description":"\u003cp data-path-to-node=\"17\"\u003eThis porcelain vessel with lid, titled \"Form of Kanoe-Tora\" (Kanoe-Tora no Katachi), is crafted by Nagae Shigekazu, a top runner in modern Japanese ceramic art whose works are housed in major museums worldwide, including The Metropolitan Museum of Art and the Victoria and Albert Museum. Born in 1953 in Seto City, Aichi Prefecture, he sublimated industrial slip-casting techniques into artistic porcelain sculptures, sweeping major domestic and international ceramic awards such as the Japan Ceramic Art Exhibition Grand Prix, the International Ceramics Competition Mino Grand Prix, and the Grand Prix at the Nyon International Porcelain Triennial in Switzerland. Featuring a striking contrast between silky white porcelain polished to a matte finish and translucent pale-blue celadon glaze lining the interior, this work was originally created as an incensory (kogo), a refined tea ceremony vessel. However, removing the lid transforms it into a sake vessel with a beautiful profile, presenting a special lifestyle proposition to global connoisseurs as a covered Japanese shot glass that quietly seals in aromas to luxuriously savor matured whisky or rare aged sake.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eExamining the fine details of this piece reveals Nagae Shigekazu's signature mastery—the precise control of heat and gravity—alongside an exceptionally refined sculpting beauty displayed without reserve. Created with inspiration drawn from Kanoe-Tora (Tiger), the zodiac sign for 2010, the top of the lid features an organic, beautifully arced three-dimensional sculptural form evocative of a tiger's tail and the powerful curvature of its body. The lid's surface displays soft undulations reminiscent of a tiger's back and stripes, while the exterior white porcelain surface, finished with meticulous hand-sanding, exhibits a graceful matte texture that softly absorbs light. Meanwhile, the interior of the vessel and the concave areas of the lid are filled with rich, nuanced pale-blue celadon glaze reminiscent of a clear blue sky, casting a captivating deep blue gradation at the bottom. In the center of the underside, the artist's handwritten signature \"庚寅\" (Kanoe-Tora) is inscribed in blue, achieving a high-level harmony between sculptural perfection and functional utility.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eRegarding the period of production, it can be objectively specified as created in 2009 based on its nature as a zodiac artwork themed after \"Kanoe-Tora\" (Year of the Tiger 2010) alongside the artist's production cycle of crafting zodiac pieces in the preceding year. Eschewing mass production, Mr. Nagae's small-scale works—individually brought forth through advanced mold-forming, multi-stage hand polishing, and deformation control during firing—possess extraordinary scarcity value in the international art market. The vessel body itself shows no damage such as chips or cracks, maintaining excellent condition in both the texture of the white porcelain and the coloration of the celadon glaze. It comes complete with a dedicated original box (Tomobako) bearing the artist's handwritten calligraphy and red seal, a wrapping cloth (fukusa), and an instructional leaflet (shiori) detailing the creative background.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eNagae Shigekazu (長江重和, b. 1953)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist's Key Activities:\u003c\/strong\u003e [1979\/1986] Grand Prix at Chunichi International Ceramic Art Exhibition; [1992] Grand Prix at Asahi Ceramic Art Exhibition; [1997] Grand Prix and Prince Katsura Prize at the 14th Japan Ceramic Art Exhibition; [1998] Grand Prix at the 5th International Ceramics Competition Mino, Grand Prix (Prix Poisson d'Or) at the 5th Nyon International Porcelain Triennial in Switzerland; [2004] Received Aichi Prefectural Arts and Culture Encouragement Award\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eWorks Housed In: \u003c\/strong\u003eThe Metropolitan Museum of Art, Victoria and Albert Museum, Los Angeles County Museum of Art (LACMA), National Museum of Sèvres, Ariana Museum, National Gallery of Australia, Shigaraki Ceramic Cultural Park, Aichi Prefectural Ceramic Museum, Museum of Modern Ceramic Art Gifu, among many others\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e Made in 2009\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated original box (Tomobako), wrapping cloth, and instructional leaflet (Shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain (pale-blue celadon glaze, matte white porcelain)\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 8.0 cm, Width approx. 8.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eCaution: \u003c\/strong\u003eAll products offered by our shop are listed as pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48296549744827,"sku":null,"price":41000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2879_result.jpg?v=1789268448"},{"product_id":"392","title":"Imari Nagisa Kiln Takagi Kazuyasu (高木和安): Jomon Carved Pattern Yohen Chawan, Matcha Bowl, Sake Vessel, Primitivism Art, Japanese Rocks Glass #392","description":"\u003cp data-path-to-node=\"16\"\u003eLocated at the mid-slope of Mount Koshidake in Imari City, Saga Prefecture, Nagisa Kiln is led by ceramic artist Takagi Kazuyasu (1944–), who is renowned as a leading pioneer who theorized saggar firing (saya-bachi firing) and elevated the ancient Jomon aesthetic into contemporary ceramic art. Since establishing Nagisa Kiln in 1970, after receiving awards at the Gendai Kogei Exhibition and winning the Saga Governor's Award at the Japan Shin-Kogei Exhibition in 1989, Mr. Takagi Kazuyasu stepped away from public competitions in 1992 to focus exclusively on creating one-of-a-kind works at his own kiln. In 2005, he authored the technical treatise \"First-Time Electric Kiln Firing: Saggar Firing Japanese Ceramics\", establishing a firm reputation in firing techniques that control the natural phenomena of clay and flame through advanced technology. Although originally crafted as a dignified Matcha bowl, our shop presents this piece to the global market not only as a tea vessel for enjoying a bowl of tea, but also as a luxury Japanese rocks glass (sake vessel) for quietly savoring amber aged sake, matured whisky, or authentic shochu over large ice cubes, utilizing its generous bowl form and profound interior bottom (mikomi).\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eCarefully inspecting the details of this piece reveals a magnificent realization of the intricate carved patterns reminiscent of ancient Jomon motifs—Takagi Kazuyasu's signature design—and the dramatic yohen (kiln transmutation) characteristic of saggar firing and anagama kiln firing, where wood, charcoal, and organic materials are reduction-fired inside sealed containers. Upon the heavy exterior ceramic body shifting from dark brown to iron-rust hues, sun-like, geometric lattice, and wave patterns are deeply hand-carved, with the unglazed reduction-fired texture and three-dimensional sculptural design exuding a commanding presence. On the other hand, turning one's gaze to the interior (mikomi), an extraordinarily rich glaze tone emerges where yellow, brown, and green glazes flow and layer in complex harmony, imparting a mystical depth to poured sake or tea. Beside the foot ring, artist's stamp marks \"Nagisa\" and \"Kazuyasu\" are clearly impressed in two rows by his own hand, certifying its intentional craftsmanship and authenticity alongside the raw texture of the base.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eRegarding the period of production, it is estimated to have been created between circa 1995 and 2005, a peak period after building a full-scale anagama kiln at Nagisa Kiln in 1991, during which his expression of saggar firing and Jomon carving reached maturity, culminating in his 2005 publication. Created after becoming independent from public competition, this is a one-of-a-kind masterpiece that defies mass production, possessing exceptionally high rarity value. The vessel body itself has no damage such as cracks or chips, maintaining extremely excellent condition in both the coloration of the carved patterns and the glaze tone of the interior. It arrives in complete condition accompanied by its dedicated paulownia Tomobako, inscribed on the lid in an original calligraphic script with \"Chawan\" and on the back of the lid with \"Nagisa Kiln\" and \"Kazuyasu\" in ink, stamped with his seal.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eTakagi Kazuyasu (高木和安, 1944–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist's Key Activities: \u003c\/strong\u003e[1970] Established Nagisa Kiln in Imari City, Saga Prefecture; [1989] Won the Saga Governor's Award at the Japan Shin-Kogei Exhibition; [1991] Built a full-scale anagama kiln at Nagisa Kiln; [1992] Transitioned to an independent artist outside public competitions after receiving awards at the Gendai Kogei Exhibition; [1998] Appointed ceramics instructor at Keitoku High School; [2005] Authored and published the technical book \"First-Time Electric Kiln Firing: Saggar Firing Japanese Ceramics\" (Seibundo Shinkosha)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003ePeriod of Production: \u003c\/strong\u003eCirca 1995–2005 (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated Tomobako included\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePottery (Imari ware, Nagisa Kiln, saggar firing, Jomon carved pattern, with artist's mark)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 8.0 cm, Mouth diameter approx. 13.6 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eCaution: \u003c\/strong\u003eAll products offered by our shop are pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48302502805691,"sku":null,"price":38000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2118_result.jpg?v=1788061758"},{"product_id":"456","title":"Craftsman Certified by the Minister of International Trade and Industry, Imperial Presenting Artist, Yamamoto Hogaku (山本芳岳), Pair of Kutani Fine Red Enamel Stem Cups with Peach Motif (Bajohai), Japanese-Style Shot Glasses, Aged Liquor Vessels #456","description":"\u003cp data-path-to-node=\"1\"\u003eThis is a supreme pair of red enamel porcelain works, \"Kutani Fine Red Enamel Stem Cups with Peach Motif (Bajohai), Pair (2 pieces),\" created by Yamamoto Hogaku (b. 1960), a leading authority in Kutani fine red enamel decoration (akae saibyo), a Traditional Craftsman certified by the Minister of International Trade and Industry (now the Minister of Economy, Trade and Industry), and a highly renowned artist who presented works to the Imperial Household. Mr. Yamamoto, who cultivated his pictorial composition skills in the Design Course at Fukui High School and the Fine Arts Department (Japanese Painting) at Kinjo Junior College, learned wheel-throwing techniques at the Kutani Ware Crafts Training School. In 1982, he entered the studio of \u003ca href=\"\/en\/search?q=%22%E7%A6%8F%E5%B3%B6%E8%8A%B3%E6%98%A5%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eHoshun Fukushima\u003c\/a\u003e, a master of Kutani fine red enamel decoration, receiving strict training in miraculous brushwork that draws lines as fine as human hair, as well as in overglaze enamels. In 1985, immediately after going independent, on the occasion of the Imperial visit to Kaga City for the All Japan High School Athletic Meet, he was honored to produce and present \"Kutani Fine Red Enamel Appetizer Dish with Chrysanthemum and Phoenix Motif\" to Their Imperial Highnesses the Crown Prince and Crown Princess (the Current Emperor Emeritus and Empress Emerita). Later, he successively served as a member of the Ishikawa Branch of the Japan Art Crafts Association and a director of the Kaga Art Box Association, establishing a brilliant career that includes solo exhibitions at Mitsukoshi Nihombashi Main Store and ceramic wall creations for major public buildings. The outer lid of the accompanying dedicated paulownia wooden box (tomobako) features the handwritten inscription \"Kutani Fine Red Enamel Stem Cups with Peach Motif,\" while the inner lid bears the signature seal \"Kutani Hogaku\" and a seal stamp. Since the final entry in the included explanatory pamphlet (shiori) lists \"2007 (Heisei 19) Mitsukoshi Nihombashi Main Store (3rd Exhibition),\" this work can be estimated as a piece created around 2007 (around Heisei 19), a period when his craftsmanship reached full maturity.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eAnalyzing the design of this piece reveals a magnificent condensation of advanced compositional beauty backed by his background in Japanese painting and design, alongside Mr. Yamamoto's true hallmark: ultra-high-density fine red enamel decoration. On the exterior of the vessel, auspicious compartmentalized patterns such as shippo (seven treasures), kikko (tortoiseshell), and lattice motifs are meticulously drawn at micron-level density using a fine brush, at the center of which juicy peach fruits and leaves are depicted with gold outlines, red enamel gradations, and delicate stippling. Furthermore, cute peach fruits and plum blossoms are charmingly drawn on the inner bottom (mikomi), with geometric patterns and gold paint applied without gaps up to the inner rim of the vessel and the stem foot. The \"peach\" depicted here has been considered a sacred tree and divine fruit in Chinese and Japanese traditional motifs since ancient times, representing an exceptionally high-ranking auspicious motif symbolizing longevity and immortality. It also originates from the tale in the Kojiki (Records of Ancient Matters) where Izanagi no Mikoto repelled evil spirits with peach fruits, embodying a powerful talisman for warding off evil and bringing good health and blessings. The stem foot features beautiful decorations in green and gold enamels, and the bottom of the foot is proudly inscribed with \"Kutani Hogaku\" in red enamel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eBoasting a stem cup (bajohai) form with an elegant posture measuring approx. 5.5 cm in diameter and approx. 7.5 cm in height, our shop proposes this work, in alignment with modern refined lifestyles and fine spirits culture, as an ultimate pair of \"Japanese-style shot glasses (Japanese liquor vessels)\" for savoring vintage whisky, premium straight spirits, aged sake, or matured Japanese liquor neat. The tactile texture of delicate painting felt when holding the cup in hand and the auspicious motif of peaches and plum blossoms that appears at the bottom when pouring and finishing your drink elevate an evening drink to an incomparably graceful and dignified occasion. A masterpiece uniting the supreme line drawing technology of an Imperial Presenting Artist with traditional auspicious motifs, this piece allows one to relish the true essence of Japanese craft beauty through both visual appreciation and practical use.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"4\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eYamamoto Hogaku (山本芳岳, b. 1960)\u003c\/li\u003e\n\u003cli data-path-to-node=\"5\"\u003e\u003cstrong\u003eArtist's Representative Career Highlights: \u003c\/strong\u003eGraduated from Design Course at Fukui High School, Fine Arts Department at Kinjo Junior College, and Kutani Ware Crafts Training School. [1982] Studied under Hoshun Fukushima. [1985] Went independent; presented a fine red enamel work on the occasion of the Imperial visit of Their Imperial Highnesses the Crown Prince and Crown Princess (current Emperor Emeritus and Empress Emerita) to Kaga City. [1989] Member of Ishikawa Branch of Japan Art Crafts Association; [1996] Certified as a Traditional Craftsman by the Minister of International Trade and Industry; held solo exhibitions at Mitsukoshi Nihombashi Main Store (1st to 3rd). Director of Kaga Art Box Association, Director of Kaga Kutani Ware Ceramics Co-operative Association.\u003c\/li\u003e\n\u003cli data-path-to-node=\"6\"\u003e\u003cstrong\u003eProduction Period: \u003c\/strong\u003eAround 2007 (around Heisei 19)\u003c\/li\u003e\n\u003cli data-path-to-node=\"7\"\u003e\u003cstrong\u003eItem Condition:\u003c\/strong\u003e Very Good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"8\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated paulownia wooden box (Tomobako with handwritten calligraphy \"Kutani Fine Red Enamel Stem Cups with Peach Motif\" on the lid, signature seal \"Kutani Hogaku\" and seal stamp on the inside of the lid), career pamphlet (shiori), wrapping cloth included\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePorcelain (Fine red enamel decoration, gold paint, green glaze, yellow glaze)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eDiameter approx. 5.5 cm, Height approx. 7.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eThe items provided by our shop were produced a very long time ago even if unused, and are all listed as pre-owned items. Please understand and confirm the age-related changes before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48396667748539,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4164_result.jpg?v=1791090205"}],"url":"https:\/\/antiqueliquor1926.com\/en\/collections\/era-2000s.oembed?page=2","provider":"Antique Liquor","version":"1.0","type":"link"}