{"title":"Gold \u0026 Silver Decorated Sake Cups and Glasses","description":"\u003cp\u003eCeramic and glass sake ware adorned with gold and silver leaf, gold enamel and platinum — a quiet glow in the lamplight that makes every amber pour shine.\u003c\/p\u003e","products":[{"product_id":"1","title":"Gold-dyed brocade pattern ceramic glass by Rinkuro Kiln (林九郎窯) #1 ","description":"\u003cp\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThis is a beautiful ceramic glass with rich and vivid coloring. The inside of the glass has a beautiful pattern reminiscent of the sixteen-petaled double-petaled chrysanthemum, which represents the Emperor and the Imperial Family of Japan, and the pale green of the celadon porcelain and the gold coloring create a wonderful harmony. Why not try enjoying Japanese whisky in a Japanese glass?\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Rinkurou Kiln\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction period:\u003c\/strong\u003e 1970s - 1990s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Good (no chips, no cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Pottery (pottery)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 12cm, diameter approx. 7cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAbout Rinkurogama:\u003c\/strong\u003e Located in Hasami-cho, Nagasaki Prefecture, Rinkurogama is a Hasami ware pottery manufacturer founded in 1968 by Ishimaru Togei Co., Ltd. This manufacturer has inherited the traditions of Hasami ware, which has more than 400 years of history, while pursuing its own unique style and high-quality pottery. Rinkurogama's works are a modern revival of the \"Ko-Imari style\" from the Edo period, and are characterized by gorgeous and luxurious designs using techniques such as blue and white porcelain, akae, and somenishiki.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products we offer are new and unused, they are all listed as second-hand products because they were produced very long ago. Please note that the products may have damage due to aging, so please understand and check before considering purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"林九郎窯","offers":[{"title":"Default Title","offer_id":46614668411067,"sku":"","price":20000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/S__74350596_0.jpg?v=1746521986"},{"product_id":"3","title":"Arita ware Seiran Kiln (青藍窯) gold color ceramic glass set of 2 #3","description":"\u003cp\u003eSeirangama is a potter located in Arita-cho, Saga Prefecture, and produces works incorporating modern designs while inheriting the traditional techniques of Arita ware. Therefore, Seirangama's works are generally classified as Arita ware. How about using them as glasses for Japanese whisky?\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Arita ware Seiran kiln studio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction year:\u003c\/strong\u003e 2000s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 13cm, diameter approx. 6.5cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Pottery (pottery)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products we offer are new and unused, they are all listed as second-hand products because they were produced very long ago. Please note that the products may have damage due to aging, so please understand and check before considering purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"青藍窯工房","offers":[{"title":"Default Title","offer_id":46615745331387,"sku":"","price":10000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0061.jpg?v=1746522822"},{"product_id":"8","title":"Gold-dyed brocade pattern ceramic glass by Rinkuro Kiln (林九郎窯) #8 ","description":"\u003cp\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThis is a beautiful ceramic glass with rich and vivid coloring. The inside of the glass has a beautiful pattern reminiscent of the sixteen-petaled double-petaled chrysanthemum, which represents the Emperor and the Imperial Family of Japan, and the pale green of the celadon porcelain and the gold coloring create a wonderful harmony. Why not try enjoying Japanese whisky in a Japanese glass?\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Rinkurou Kiln\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction period:\u003c\/strong\u003e 1970s - 1990s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated wooden box\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Pottery (pottery)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 12cm, diameter approx. 7cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAbout Rinkurogama:\u003c\/strong\u003e Located in Hasami-cho, Nagasaki Prefecture, Rinkurogama is a Hasami ware pottery manufacturer founded in 1968 by Ishimaru Togei Co., Ltd. This manufacturer has inherited the traditions of Hasami ware, which has more than 400 years of history, while pursuing its own unique style and high-quality pottery. Rinkurogama's works are a modern revival of the \"Ko-Imari style\" from the Edo period, and are characterized by gorgeous and luxurious designs using techniques such as blue and white porcelain, akae, and somenishiki.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products we offer are new and unused, they are all listed as second-hand products because they were produced very long ago. Please note that the products may have damage due to aging, so please understand and check before considering purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"林九郎窯","offers":[{"title":"Default Title","offer_id":46617092587707,"sku":"","price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0162.jpg?v=1746520937"},{"product_id":"9","title":"Gold-dyed brocade pattern ceramic glass by Rinkuro Kiln (林九郎窯) #9 ","description":"\u003cp\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThis is a beautiful ceramic glass with rich and vivid coloring. The inside of the glass has a beautiful pattern reminiscent of the sixteen-petaled double-petaled chrysanthemum, which represents the Emperor and the Imperial Family of Japan, and the pale green of the celadon porcelain and the gold coloring create a wonderful harmony. Why not try enjoying Japanese whisky in a Japanese glass?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e*Due to the reflection of the glass surface, it may appear as if there are scratches, but there are no noticeable scratches. Please look at all the photos together.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Rinkurou Kiln\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction period:\u003c\/strong\u003e 1970s - 1990s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Good (no chips, no cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Pottery (pottery)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 12cm, diameter approx. 7cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAbout Rinkurogama:\u003c\/strong\u003e Located in Hasami-cho, Nagasaki Prefecture, Rinkurogama is a Hasami ware pottery manufacturer founded in 1968 by Ishimaru Togei Co., Ltd. This manufacturer has inherited the traditions of Hasami ware, which has more than 400 years of history, while pursuing its own unique style and high-quality pottery. Rinkurogama's works are a modern revival of the \"Ko-Imari style\" from the Edo period, and are characterized by gorgeous and luxurious designs using techniques such as blue and white porcelain, akae, and somenishiki.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products we offer are new and unused, they are all listed as second-hand products because they were produced very long ago. Please note that the products may have damage due to aging, so please understand and check before considering purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"林九郎窯","offers":[{"title":"Default Title","offer_id":46617279824059,"sku":"","price":20000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0205.jpg?v=1746540322"},{"product_id":"14","title":"Ishii Koji (石井康治) Hand-blown Art Glass Extra-large Beer Mug #14","description":"\u003cp data-path-to-node=\"6\"\u003eThis extra-large beer mug, created by the master of contemporary glass art, Ishii Koji (1946–1996), is more than just a practical vessel; it is a gem of an art piece that brings the tranquility and fantastical light of the deep sea to your table. Ishii was a pioneer who infused Western glass crafts with a uniquely Japanese sensibility. He continues to fascinate collectors worldwide with his works that utilize a unique inclusion technique to trap colors and motifs within the glass, expressing the transparency and sense of suspension evocative of the deep sea.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eThe greatest appeal of this piece lies in its fantastical design, reminiscent of a jellyfish—Ishii's signature motif. Within the frosted, matte glass surface, gold leaf and colored glass particles are trapped like a life form drifting in the water. When light hits them, they reveal a delicate and brilliant expression evocative of tentacles glowing within a body. The curves formed by thin white glass lines resemble the trajectory of life emerging from the darkness of the deep sea, and combined with the soft texture unique to hand-blown glass, they create a depth that is truly one-of-a-kind.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eIshii Koji is widely recognized for revolutionizing the Japanese packaging design industry with his 1985 silhouette bottle design for Sanwa Shurui's Iichiko, but his true value resides in his one-of-a-kind artistic creations. His works are housed in major museums both in Japan and abroad, including the National Museum of Modern Art, Tokyo, and the Aomori Museum of Art. It is not uncommon for even small pieces to be valued around 80,000 yen, while his medium-to-large masterpieces often exceed 1 million yen. Since his sudden passing in 1996 at the age of 50, no new works have been produced, making a stately, large-scale beer mug like this one an extremely rare find.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe tall, dignified form, the substantial construction with a weighted base, and the meticulous finish of the rim all convey the artist's advanced skill and passion. When amber-colored beer is poured into it, the gold decoration within resonates with the liquid, transforming your daily evening drink into a ritual of appreciating supreme art. Preserved in excellent condition and accompanied by its exclusive box, this masterpiece is a fitting embodiment of the madness and passion of a century ago that Antique Liquor 1926 seeks to recreate on modern tables.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Ishii Glass Studio Co., Ltd.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e Ishii Koji\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eThe artist's notable activities include:\u003c\/strong\u003e [1979] His work was exhibited at \"Japan New Face II\" and purchased by Her Imperial Highness Princess Chichibu; [1985] He designed the silhouette bottle for Sanwa Shurui's \"Iichiko\" and won a special prize at the Japan Package Design Competition; [1985] He won a special prize at the \"Seibu Crafts Grand Prize Exhibition\"; [1994] Held the exhibition \"Symphony of Light and Wind: GLASS Ishii Koji\" at the Narukawa Museum of Art in Hakone.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"font_8 wixui-rich-text__text\"\u003e\u003cspan class=\"wixui-rich-text__text\"\u003e\u003cstrong\u003eMajor collections:\u003c\/strong\u003e\u003c\/span\u003e The National Museum of \u003cspan class=\"wixui-rich-text__text\"\u003eModern Art, Tokyo,\u003c\/span\u003e \u003cspan class=\"wixui-rich-text__text\"\u003eAomori Museum of Art,\u003c\/span\u003e \u003cspan class=\"wixui-rich-text__text\"\u003eChiba Prefectural Museum of Art,\u003c\/span\u003e \u003cspan class=\"wixui-rich-text__text\"\u003eToyama Glass Art Museum,\u003c\/span\u003e \u003cspan class=\"wixui-rich-text__text\"\u003eHida Takayama Museum of Art (Hida Takayama),\u003c\/span\u003e \u003cspan class=\"wixui-rich-text__text\"\u003eNarukawa Art Museum (Hakone-Lake Ashi)\u003c\/span\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction period:\u003c\/strong\u003e 1980s-1990s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated box included\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e hand-blown\u003c\/span\u003e glass\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height 22cm, diameter 10.5cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"石井グラススタジオ","offers":[{"title":"Default Title","offer_id":46642820448443,"sku":"","price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_8166_result.jpg?v=1781791221"},{"product_id":"18","title":"Artist's work, hand-blown glass, with lid, silver glaze, moon shot glass #18","description":"\u003cp\u003eIt is a heavy shot glass with a lid. It was originally a high-end tea ceremony utensil, a type of tea utensil that is used to capture the aroma of tea, but its design for enjoying the aroma is also similar to that of whisky.\u003c\/p\u003e\n\u003cp\u003eThe shape and color of this piece are like the moon floating in the night sky, making it a very beautiful piece. It is the perfect item to enjoy Japanese whisky. The box and instructions have been lost, so the artist and date of production are unknown, but it is thought to be an old piece. Due to the lack of information, we are offering it at a low price.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProducer:\u003c\/strong\u003e unknown\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eYear of production:\u003c\/strong\u003e unknown\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None (glass, lid)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e hand-blown\u003c\/span\u003e glass\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 5.6cm, diameter approx. 6cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products we offer are new and unused, they are all listed as second-hand products because they were produced very long ago. Please note that the products may have damage due to aging, so please understand and check before considering purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":46667470274747,"sku":"","price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_9029_result.jpg?v=1784009926"},{"product_id":"25","title":"Iwata Hisatoshi (岩田久利) Late Work, Hand-blown Gold-decorated Red Glass \"San-shuku no Hai\" (The Cup of Three Celebrations) #25","description":"\u003cp data-path-to-node=\"25\"\u003eIwata Hisatoshi (1925–1994) was an unparalleled master who elevated Japanese contemporary glass craft to a global standard, transforming it from mere practical tools into pure art. This piece is a unique masterpiece, deeply personal and filled with affection, created in his final years—just about a year before his passing—when his artistic maturity had reached its zenith.\u003c\/p\u003e\n\u003cp data-path-to-node=\"26\"\u003eBehind the overwhelming presence of this sake cup lies a special story: it was designed to celebrate a miraculous moment when three major longevity milestones coincided for a specific individual—Hakuju (99th birthday), a Golden Wedding Anniversary (50 years of marriage), and Kiju (77th birthday). To express these three forms of \"shuku\" (celebration), Hisatoshi specially designed this piece using three colors: the pure white symbolizing Hakuju, the luxurious gold telling of the half-century bond of the Golden Wedding Anniversary, and the red conveying the vitality of Kiju, thereby encapsulating Japanese culture and history within this small vessel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"27\"\u003eThe reason Iwata Hisatoshi's work is internationally acclaimed is due to his exceptional sense of color and the vitality of the material itself, brought out by the \"sora-fuki\" (free-blowing) technique, which involves shaping the glass in the air without a mold. In this work, the expression created by the fine gold particles and the diagonal red flowing patterns is powerful, as if capturing flames and passion, and the beautiful tapering form towards the base fits surprisingly comfortably in the hand.\u003c\/p\u003e\n\u003cp data-path-to-node=\"28\"\u003eHaving served as the founding president of the Japan Glass Art Association and received the Minister of Education Award at Nitten and the Japan Art Academy Prize, Hisatoshi reigned supreme in the postwar Japanese craft world. Now that new supplies have ceased, his posthumous works are cultural heritages that are extremely difficult to obtain. This sake cup, carefully passed down along with its original wooden box (tomobako) bearing his signature and seal, is a crystallization of the \"Japanese beauty\" he pursued until the end. It will continue to exude a unique presence, whether used as a vessel for special occasions or kept as a lifelong collection.\u003c\/p\u003e\n\u003cp data-path-to-node=\"29\"\u003ePlease experience for yourself the texture of authentic hand-blown glass from the Iwata Hisatoshi Glass Studio, and the artist's \"breath\" residing in the exquisite dimensions of approximately 5.8 cm in diameter and 9.4 cm in height.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"30\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Iwata Hisatoshi Glass Studio\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003e\u0026nbsp;\u003cstrong\u003eArtist:\u003c\/strong\u003e Iwata Hisatoshi (岩田久利)\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003e\u003cstrong\u003eNotable Activities:\u003c\/strong\u003e [1976] Minister of Education Award at Nitten; [1982] Japan Art Academy Prize \u003cbr\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e Circa 1992–1993 (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003e\u003cstrong\u003ePublic Collections:\u003c\/strong\u003e The National Museum of Modern Art, Tokyo, The National Museum of Modern Art, Kyoto, Hokkaido Museum of Modern Art, The Japan Art Academy, The Metropolitan Museum of Art, New York, The Corning Museum of Glass, New York, Museum Kunstpalast, Düsseldorf, Musée des Arts Décoratifs, Paris, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original box included\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Hand-blown glass\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Diameter 5.8 cm (Opening 5.0 cm), Height 9.4 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are vintage items from an older production period and are listed as second-hand. Items may show signs of age-related wear. Please review the details carefully before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"岩田久利","offers":[{"title":"Default Title","offer_id":46766045626555,"sku":null,"price":35000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0506.jpg?v=1755336056"},{"product_id":"34","title":"Ichiya Akira (壹谷旭) Hand-blown Glass Ice Bowl with Gold and Silver Accents #34","description":"\u003cp\u003eIchiya Akira (1937–2003) was a leading Japanese glass artist of the modern era, renowned for developing and perfecting his unique technique known as “Yōkisai” (Kiln Rare Colour), which employs exquisite silver foil and gold decoration. His mastery of technique and rich colour expression earned him high acclaim both domestically and internationally.\u003c\/p\u003e\n\u003cp\u003eThe piece presented here is Ichiya Akira's Yōkisai Ice Bowl. The interplay of light created by the gold and silver decoration. This ice bowl, with its thick hand-blown glass and inherent curved beauty, adds a touch of refined colour to the table. The flowing curves on the substantial glass are exquisite, and the design, where gold delicately spreads within the transparency, exudes a sense of luxury.\u003c\/p\u003e\n\u003cp\u003eMeasuring approximately 10.5 cm in height and 15.4 cm in diameter, it can be used not only as an ice bowl for whisky, but also as an interior decoration to brighten up your table.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Ichiya Akira (壹谷旭, 1937–2003)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRepresentative activities of the artist:\u003c\/strong\u003e [1984] Received the Minister of Education Award at the Sanki Exhibition, [1982] Work acquired by the Cornyn Museum of Glass in New York\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDate of production:\u003c\/strong\u003e 1980s (estimated)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Hand-blown glass\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 10.5cm, diameter approx. 15.4cm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the items offered by our shop are new and unused, they are very old and are listed as second-hand goods. Please understand that the items may show signs of ageing and check them carefully before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":46961520443579,"sku":null,"price":30000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0722.jpg?v=1763284139"},{"product_id":"43","title":"Living National Treasure Nakada Kazuo (中田一於)'s Kutani Ware Silver-Glazed Shochu Drinking Glass #43","description":"\u003cp data-path-to-node=\"3\"\u003eNakada Kazuo has been designated as a Living National Treasure (Preserver of Important Intangible Cultural Property) for his ceramic technique known as Yukasai (underglaze coloring), the first designation ever made for this technique. This designation serves as public proof that the unique world of Yuri-ginsai (underglaze silver foil), which he has refined over many years, represents one of the highest peaks of Japanese traditional beauty.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eThe reason Nakada Kazuo, who has established a new milestone in the history of Kutani ware, is held in such high esteem lies in the almost obsessive precision condensed into this work. The essence of Yuri-ginsai lies in the nearly impossible technical harmony of sealing the brilliance of silver deep beneath a lapis lazuli glaze. While ordinary silver decoration typically oxidizes and turns black when exposed to air, Nakada arranges paper-thin pieces of silver foil one by one like a puzzle based on meticulous calculations. He perfectly controls the risk of the silver foil melting away due to the intense heat during firing, maintaining an eternal sparkle within the glaze. This process is a divine skill that only he can achieve. This specific expression of silver shining with dignity beneath the glaze was the decisive reason for his selection as the first Living National Treasure in the field of Yukasai.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eThis work was created around 2009, a period when Nakada had completely mastered his technique and was receiving intense attention from museums worldwide; it is a representative piece that embodies his true essence. The silver foil hidden beneath the lapis lazuli glaze changes its expression like a kaleidoscope depending on the angle of the light, sometimes shimmering sharply like a gemstone and at other times swaying softly like morning mist. The geometric patterns reminiscent of lotus petals covering the entire vessel are his signature design. The contrast of blue and silver reflecting on the inside when sake is poured can be described as a supreme view that only the owner can enjoy.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eFurthermore, this work is exceptionally outstanding in terms of its form. The footed style exudes the dignity of a fine art craft, yet it maintains excellent center-of-gravity balance when actually held, fusing practicality and aesthetics at a high level. As a testament to its global value, his works are part of the permanent collections of institutions such as the Smithsonian's Arthur M. Sackler Gallery in the United States. Following his designation as a Living National Treasure in 2025, there is no doubt that the rarity of such fulfilling works from his mature period will increase further in the art market. Holding the crystal of light of a master who has carved his name in history while enjoying a supreme drink is nothing less than a luxurious cultural privilege that transcends a mere evening glass.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Nakada Kazuo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eThe artist's notable achievements include:\u003c\/strong\u003e [ \u003cspan class=\"line\"\u003e\u003cspan class=\"year\"\u003e1990]\u003c\/span\u003e \u003cspan class=\"title\"\u003eMinister of Education Award at the Japan Traditional Crafts Exhibition; [\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"line\"\u003e\u003cspan class=\"year\"\u003e1993]\u003c\/span\u003e \u003cspan class=\"title\"\u003eUnderglaze Silver Vase selected for permanent collection at the Smithsonian Institution's Mackler Gallery in Washington; [\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan class=\"line\"\u003e2001] Grand Prize at the Traditional Kutani Ware Crafts Exhibition; [ \u003cspan class=\"year\"\u003e2011]\u003c\/span\u003e \u003cspan class=\"title\"\u003eMedal with Purple Ribbon; [ \u003cspan class=\"year\"\u003e2019]\u003c\/span\u003e Order of the Rising Sun, Gold Rays with Rosette; [2025] Designated Living National Treasure for his underglaze enamel technique.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction date:\u003c\/strong\u003e circa 2009\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated wooden box, wrapping cloth, artist biography\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramic (Kutani ware, pottery)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height approx. 10.8cm, diameter approx. 8.1cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCharacteristics of Nakada Kazuo's works:\u003c\/strong\u003e His greatest feature is the \"underglaze silver color\" technique, which involves applying a pattern with silver foil under the glaze. This technique allows the shine of the silver to show through the glaze, and the soft, pale colors and shading of light create a delicate expression with depth. Many of his works feature plants and geometric patterns applied with silver color, and are characterized by a cool, modern style.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47058962448571,"sku":null,"price":180000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1090_result.jpg?v=1784445616"},{"product_id":"41","title":"Hand-blown glass by Sakata Jinnai（坂田甚内, Jin）, featuring red and gold accents, gold leaf, and gold accents. Deep Jinmon glass #41","description":"\u003cp\u003eThis is a \"Red and Gold Hand-Blown Glass Sake Cup\" by Sakata Jinnai（Jin）. Gold leaf is scattered across the clear glass, creating a fantastical reflection of the light between the red base and the gold leaf. The elegant design is both elegant and stable, combining aesthetic value with practicality. Sakata Jinnai was born in Tokyo in 1943, studied under \u003ca href=\"\/en\/search?q=%22%E5%8A%A0%E5%AE%88%E7%94%B0%E7%AB%A0%E4%BA%8C%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKamoda Shoji\u003c\/a\u003e in 1964, and established his kiln in Kami-Oba, Mashiko Town, in 1966. Since then, he has been known as an artist who has incorporated glass and gold leaf into his works. This piece is thought to date from the 1990s and 2000s, when he was actively pursuing the fusion of ceramic and glass and increasingly experimenting with gold leaf and decorative elements. This exceptional sake cup (glass) is a rare piece among Sakata Jinnai's works, and is a masterpiece that will add a touch of elegance to any evening drink or dinner table, making it an ideal gift or collectible piece.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Sakata Jinnai (坂田甚内, 1943-present)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eThe artist's notable activities include:\u003c\/strong\u003e [ \u003cspan\u003e2009]\u003c\/span\u003e \u003cspan\u003eInvited artist at the 1st Shanghai International Ceramic Living Art Expo; [2013] Donated a large magatama plate with deep-patterned gold leaf and leaf glass, \"The Radiance of Life,\" to the Izumo Taisha Grand Shrine Heisei Grand Shrine Relocation; [2013] Donated a large black porcelain plate with deep-patterned gold leaf and leaf, \"Homage to the Sun,\" to coincide with the Ise Grand Shrine Shikinen Sengu; [\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003e2014] Donated a deep-patterned gold leaf and leaf glass objet d'art, \"Yamanei,\" to Atsuta Shrine; [2014]\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003eDonated a pair of black porcelain engraved gold leaf and leaf boxes, \"Longevity,\" to Kameoka Hachiman Shrine (Mashiko Town).\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction period:\u003c\/strong\u003e 1990s-2000s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Glass, gold leaf\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height 9.5cm, diameter 5.5cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47058981585083,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0997.jpg?v=1767788776"},{"product_id":"66","title":"Hand-blown glass by Sakata Jinnai (坂田甚内, Jin), featuring platinum and gold leaf accents. Deep Jin Crest Glass #66.","description":"\u003cp\u003eThis hand-blown glass by Sakata Jinnai features a deep pattern and platinum accents. This piece embodies the artist's unique worldview, transcending the boundaries between glass craft and ceramics. The glass itself is crafted using the \"crackle technique,\" which creates intricate cracks on the surface of the glass, causing the light to reflect irregularly, giving the entire piece a dreamlike texture.\u003c\/p\u003e\n\u003cp\u003eThe glass's design is characterized by a unique shape called \"Fukajinmon,\" which has a curved center. The most eye-catching feature is the gold decorative band that wraps around the narrow part of the glass. Gold leaf is lavishly scattered within the clear glass, giving off a dynamic and gorgeous glow that is almost as if a flame is entangled. This spiraling gold decoration elevates the glass beyond a simple sake cup, giving it a high value as a work of art.\u003c\/p\u003e\n\u003cp\u003eSakata Jinnai was born in Tokyo in 1943, studied under \u003ca href=\"\/en\/search?q=%22%E5%8A%A0%E5%AE%88%E7%94%B0%E7%AB%A0%E4%BA%8C%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKamoda Shoji\u003c\/a\u003e in 1964, and built his kiln in Mashiko Town in 1966. He is known as an artist who pursues the fusion of ceramics and glass. The gold leaf and decorative experiments seen in this piece are thought to date from the 1990s and 2000s, when the artist was actively developing his techniques. This exquisite piece will add a touch of elegance to your evening drinks and dinner table, and is also ideal for collections and as a gift.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Sakata Jinnai (坂田甚内, 1943-present)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eThe artist's notable activities include:\u003c\/strong\u003e [ \u003cspan\u003e2009]\u003c\/span\u003e \u003cspan\u003eInvited artist at the 1st Shanghai International Ceramic Living Art Expo; [2013] Donated a large magatama plate with deep-patterned gold leaf and leaf glass, \"The Radiance of Life,\" to the Izumo Taisha Grand Shrine Heisei Grand Shrine Relocation; [2013] Donated a large black porcelain plate with deep-patterned gold leaf and leaf, \"Homage to the Sun,\" to coincide with the Ise Grand Shrine Shikinen Sengu; [\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003e2014] Donated a deep-patterned gold leaf and leaf glass objet d'art, \"Yamanei,\" to Atsuta Shrine; [2014]\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003eDonated a pair of black porcelain engraved gold leaf and leaf boxes, \"Longevity,\" to Kameoka Hachiman Shrine (Mashiko Town).\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction period:\u003c\/strong\u003e 1990s-2000s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Glass, gold leaf\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height approx. 12cm, diameter approx. 4.2cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47099314241723,"sku":null,"price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1541.jpg?v=1760806654"},{"product_id":"78","title":"Ishii Koji (石井康治) Masterpiece: \"Jellyfish\" Art Glass Cup – A Fusion of Ancient Glaze Aesthetics and Hand-blown Brilliance #78","description":"\u003cp\u003eThis hand-blown glass is the work of Ishii Koji (1944-1996), a leading figure in the world of Japanese glass art. Ishii, who made the unusual transition from ceramics to glass art, attempted to express the worldview of traditional Japanese glazes in glass, creating a masterpiece that embodies his unique style.\u003c\/p\u003e\n\u003cp\u003eThe entire glass bowl is inlaid with a unique pattern known as \"Fumon.\" This is an advanced technique that involves spraying silver foil or colored glass powder onto the surface of molten glass and then fusing it with heat, creating complex, fantastical colors and textures. Yellow, blue, white, and silver particles mix together to create a tranquil, deep landscape reminiscent of antique pottery.\u003c\/p\u003e\n\u003cp\u003eThe design features an elegant morning glory shape with a wide opening, a short stem, and a stable, deep blue base. All of Ishii Koji's works are one-of-a-kind, handmade pieces, and are housed in art museums both in Japan and abroad. They continue to receive high praise, with small pieces starting at around 80,000 yen and medium to large masterpieces fetching over 1 million yen.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Ishii Glass Studio Co., Ltd.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Ishii Koji (石井康治)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eNotable Activities:\u003c\/strong\u003e [1979] Work exhibited at Japan New Face II and purchased by Her Imperial Highness Princess Chichibu; [1985] Designed the silhouette bottle for Sanwa Shurui's Iichiko and won a special prize at the Japan Package Design Competition; [1985] Won a special prize at the Seibu Crafts Grand Prize Exhibition; [1994] Held the solo exhibition Symphony of Light and Wind: GLASS Ishii Koji at the Narukawa Museum of Art in Hakone.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eMajor Collections:\u003c\/strong\u003e The National Museum of Modern Art, Tokyo; Aomori Museum of Art; Chiba Prefectural Museum of Art; Toyama Glass Art Museum; Hida Takayama Museum of Art; Narukawa Art Museum (Hakone-Lake Ashi).\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction date:\u003c\/strong\u003e circa 1988\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated box included\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e hand-blown glass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height approx. 7.5cm, diameter approx. 7.8cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"石井グラススタジオ","offers":[{"title":"Default Title","offer_id":47125283504315,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2321.jpg?v=1762099420"},{"product_id":"80","title":"Hand-blown glass by Sakata Jinnai (坂田甚内, Jin), featuring platinum, gold leaf, and gold accents. Set of 3 glasses with a deep Jin crest. #80","description":"\u003cp\u003eThis is a set of three hand-blown glassware by Sakata Jinnai, featuring a deep-patterned design and platinum-lacquered design. These works embody the artist's unique worldview and exceptional skill, transcending the boundaries between glass and ceramic art.\u003c\/p\u003e\n\u003cp\u003eThe glass itself is crafted using a crackle technique, which creates minute cracks on the surface of the glass. When light hits the glass, the finely broken surface, like ice, reflects irregularly, giving the entire piece a fantastical glow and a cool texture.\u003c\/p\u003e\n\u003cp\u003eThe glass's unique design is reminiscent of the Fukajin crest, with the body consisting of two rounded bulges, one above the other, and a single curve in the middle. The inside of the glass's base is decorated with a delicate arabesque pattern in gold, along with the artist's signature, the character \"Jin.\" Gold accents can also be seen on the inside of the glass. This gold decoration elevates the glass beyond a simple sake cup, giving it a high level of value as a work of art.\u003c\/p\u003e\n\u003cp\u003eSakata Jinnai was born in Tokyo in 1943, studied under \u003ca href=\"\/en\/search?q=%22%E5%8A%A0%E5%AE%88%E7%94%B0%E7%AB%A0%E4%BA%8C%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKamoda Shoji\u003c\/a\u003e in 1964, and built his kiln in Mashiko Town in 1966. He is known as an artist who pursues the fusion of ceramics and glass. The decorative experiments in crackle and gold leaf seen in this piece are thought to date from the 1990s to 2000s, when the artist was actively developing his techniques. This exquisite piece will add a touch of elegance to your evening drinks or dinner table, and is also ideal for collections or as a gift.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Sakata Jinnai (坂田甚内, 1943-present)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eThe artist's notable activities include:\u003c\/strong\u003e [ \u003cspan\u003e2009]\u003c\/span\u003e \u003cspan\u003eInvited artist at the 1st Shanghai International Ceramic Living Art Expo; [2013] Donated a large magatama plate with deep-patterned gold leaf and leaf glass, \"The Radiance of Life,\" to the Izumo Taisha Grand Shrine Heisei Grand Shrine Relocation; [2013] Donated a large black porcelain plate with deep-patterned gold leaf and leaf, \"Homage to the Sun,\" to coincide with the Ise Grand Shrine Shikinen Sengu; [\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003e2014] Donated a deep-patterned gold leaf and leaf glass objet d'art, \"Yamanei,\" to Atsuta Shrine; [2014]\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003eDonated a pair of black porcelain engraved gold leaf and leaf boxes, \"Longevity,\" to Kameoka Hachiman Shrine (Mashiko Town).\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction period:\u003c\/strong\u003e 1980s-1990s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Glass, gold leaf\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height approx. 12cm, diameter approx. 4.2cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47134716559547,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2367.jpg?v=1762239411"},{"product_id":"81","title":"Set of 2 hand-blown glass cups with a deep jinmon pattern, featuring platinum and gold leaf accents, by Sakata Jinnai (坂田甚内, Jin). #81","description":"\u003cp\u003eThis is a set of two hand-blown glass pieces by Sakata Jinnai, featuring a deep-patterned design and platinum-lacquered design. These pieces embody the artist's unique worldview and exceptional skill, transcending the boundaries between glass and ceramic art.\u003c\/p\u003e\n\u003cp\u003eThe glass itself is crafted using a crackle technique, which creates minute cracks on the surface of the glass. When light hits the glass, the finely broken surface, like ice, reflects irregularly, giving the entire piece a fantastical glow and a cool texture.\u003c\/p\u003e\n\u003cp\u003eThe glass's unique design is reminiscent of the Fukajin crest, with the body consisting of two rounded bulges, one above the other, and a single curve in the middle. The inside of the glass's base is decorated with a delicate arabesque pattern in gold, along with the artist's signature, the character \"Jin.\" Gold accents can also be seen on the inside of the glass. This gold decoration elevates the glass beyond a simple sake cup, giving it a high level of value as a work of art.\u003c\/p\u003e\n\u003cp\u003eSakata Jinnai was born in Tokyo in 1943, studied under \u003ca href=\"\/en\/search?q=%22%E5%8A%A0%E5%AE%88%E7%94%B0%E7%AB%A0%E4%BA%8C%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKamoda Shoji\u003c\/a\u003e in 1964, and built his kiln in Mashiko Town in 1966. He is known as an artist who pursues the fusion of ceramics and glass. The decorative experiments in crackle and gold leaf seen in this piece are thought to date from the 1980s to 1990s, when the artist was actively developing his techniques. This exquisite piece will add a touch of elegance to your evening drinks or dinner table, and is also ideal for collections or as a gift.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Sakata Jinnai (坂田甚内, 1943-present)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eThe artist's notable activities include:\u003c\/strong\u003e [ \u003cspan\u003e2009]\u003c\/span\u003e \u003cspan\u003eInvited artist at the 1st Shanghai International Ceramic Living Art Expo; [2013] Donated a large magatama plate with deep-patterned gold leaf and leaf glass, \"The Radiance of Life,\" to the Izumo Taisha Grand Shrine Heisei Grand Shrine Relocation; [2013] Donated a large black porcelain plate with deep-patterned gold leaf and leaf, \"Homage to the Sun,\" to coincide with the Ise Grand Shrine Shikinen Sengu; [\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003e2014] Donated a deep-patterned gold leaf and leaf glass objet d'art, \"Yamanei,\" to Atsuta Shrine; [2014]\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003eDonated a pair of black porcelain engraved gold leaf and leaf boxes, \"Longevity,\" to Kameoka Hachiman Shrine (Mashiko Town).\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction period:\u003c\/strong\u003e 1990s-2000s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Glass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height approx. 12cm, diameter approx. 7cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47134720360635,"sku":null,"price":40000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2391.jpg?v=1762239804"},{"product_id":"159","title":"Ishii Koji (石井康治) Hand-blown Art Glass Gold-decorated Knot Motif Sake Cup, 1 Piece #159","description":"\u003cp data-path-to-node=\"6\"\u003eIshii Koji (1946–1996) was a pioneer who infused Western glass crafts with a uniquely Japanese sensibility and a traditional Japanese aesthetic. Even after his passing in 1996, he continues to receive enthusiastic praise from collectors around the world. This work, a Hand-blown Glass Gold-decorated Sake Cup, embodies the refined aesthetics of Ishii's prime from the late 1980s to the mid-1990s, making it truly worthy of being called a masterpiece for the table.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eThe greatest appeal of Ishii's work lies in the tranquil and elegant texture of the frosted finish, evocative of the harsh winters of northern Japan. The lavish gold decoration that adorns the matte glass surface is more than just a superficial ornament; by contrasting it with the frosted texture, it exudes a profound brilliance that changes its expression depending on the angle of the light. Of particular note is the Musubi (knot) motif around the midsection. In Japanese culture, knots are considered sacred symbols that connect people and hearts. Expressing this in glass, which begins to harden the instant it is removed from the heat, requires extremely advanced craftsmanship. The way the glass curves, like unwavering brushstrokes, embrace the gold work is a true embodiment of Ishii's pursuit of the Japanese aesthetic.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eFurthermore, the structure of a stemmed sake cup like this one is among the most difficult shapes to create in the field of glass art. During the hand-blown molding process, the thin stem is subjected to extreme thermal stress, often leading to breakage or distortion during the cooling stage. Completing such a piece requires extraordinary concentration and skilled technique. Ishii's signature engraved on the bottom is proof that it is an authentic work that has overcome this rigorous process and passed strict inspection. This sake cup, which has been carefully preserved along with its original box, goes beyond its function as a simple drinking vessel, conveying the passion and creative intensity that Ishii Koji poured into his glass every time it rests in the owner's hand.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Ishii Glass Studio Co., Ltd.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Ishii Koji (石井康治)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eNotable Activities:\u003c\/strong\u003e [1979] Work exhibited at Japan New Face II and purchased by Her Imperial Highness Princess Chichibu; [1985] Designed the silhouette bottle for Sanwa Shurui's Iichiko and won a special prize at the Japan Package Design Competition; [1985] Won a special prize at the Seibu Crafts Grand Prize Exhibition; [1994] Held the solo exhibition Symphony of Light and Wind: GLASS Ishii Koji at the Narukawa Museum of Art in Hakone.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eMajor Collections:\u003c\/strong\u003e The National Museum of Modern Art, Tokyo; Aomori Museum of Art; Chiba Prefectural Museum of Art; Toyama Glass Art Museum; Hida Takayama Museum of Art; Narukawa Art Museum (Hakone-Lake Ashi).\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eProduction Era:\u003c\/strong\u003e Late 1980s to mid-1990s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original box and informational brochure included \u003cbr\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Hand-blown glass\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 10cm, Diameter approx. 6cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are vintage items from an older production era and are listed as second-hand. Items may show signs of age-related wear. Please review the details carefully before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"石井グラススタジオ","offers":[{"title":"Default Title","offer_id":47466202595515,"sku":null,"price":41000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4243.jpg?v=1771762390"},{"product_id":"173","title":"Kitade Seiko (北出星光, Kitade Isamu) Iroe Gold Gilt Floral Motif Gold Silence Illuminating Amber Rocks Glass #173","description":"\u003cp data-path-to-node=\"14\"\u003eWe are pleased to introduce a work featuring Iroe (overglaze painting) and gold gilt floral motifs by Kitade Seiko (1928-2011), a master who inherited the orthodox traditions of Kutani ware while elevating its expression to the level of contemporary art. Kitade Seiko, whose Birth name was Kitade Isamu, was born in 1928 in Daishoji, Kaga City, Ishikawa Prefecture. Until his passing at the age of 83 in 2011, he consistently pursued a high-standard aesthetic. He was the nephew and the most prominent disciple of \u003ca href=\"\/en\/search?q=%22%E5%8C%97%E5%87%BA%E5%A1%94%E6%AC%A1%E9%83%8E%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKitade Tojiro\u003c\/a\u003e, the master who brought innovation to Kutani ware by incorporating Middle Eastern designs. While inheriting his master's passionate and exotic sensibility, Seiko added Japanese delicacy and lyricism to create his own unique, tranquil worldview.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eThe most distinctive feature of this work is the extremely precise gold gilding applied to the traditional Kutani Iroe technique. The depicted flowers are realistic yet wrapped in a dreamlike elegance, featuring the red thistle, the national flower of Scotland and symbol of the home of Scotch whisky, and the blue gentian, which embodies the Japanese heart. The vitality of the thistle, which survives the harsh nature of the northern lands, and the blue of the gentian, which harbors quiet intelligence. The fact that these two contrasting flowers are united in perfect balance through Mr. Seiko's delicate gold gilding is the emotional depth of this work. The gold lines outlining each leaf are fixed using a high-difficulty technique that requires skilled brushwork and strict temperature control. These delicate gold lines add depth to the vessel, creating an atmosphere as if the flowers are breathing depending on the lighting. Our shop proposes this prestigious yunomi not merely as a tea vessel, but as a supreme sake vessel for savoring aged spirits and whisky. Unlike transparent crystal glass, the contrast between the gold gilding and the pale colors depicted by Kitade Seiko provides visual depth when amber liquid is poured, making the liquid surface shine golden. The comfortable weight and smooth texture when held, and the characteristic softness of porcelain on the lips, promise a quiet moment that satisfies all five senses along with the aroma of aged spirits.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eKitade Seiko's achievements are demonstrated by his illustrious career, including winning the Special Selection at the Nitten Exhibition and the Hokua Prize, as well as the Fourth Class Order of the Sacred Treasure awarded by the national government in 1998. Furthermore, he established his position as a regular member of the Japan Kogei Association, and his works are housed in public art museums such as the Ishikawa Prefectural Museum of Art, the Komatsu City Museum, and the Nakamura Memorial Museum of Art, Kanazawa. This is an extremely rare work with almost no information available in overseas markets. This piece, which condenses Japan's peak craftsmanship, will be a valuable opportunity for true collectors around the world to incorporate Japanese aesthetics into their lives.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e Kitade Seiko (Birth name: Kitade Isamu, 1928-2011)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cstrong\u003eRepresentative Career History:\u003c\/strong\u003e [1967] Won Special Selection at the 10th Nitten Exhibition, [1974] Won Special Selection at the 6th Nitten Exhibition, [1993] Received the Ishikawa Prefecture Cultural Merit Award, [1998] Awarded the Fourth Class Order of the Sacred Treasure, [Later years] Served as a Nitten judge, Nitten councilor, regular member of the Japan Kogei Association, and director of the Kyoto Craft Artists Association, among other positions.\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cstrong\u003eMuseum Collections:\u003c\/strong\u003e Spencer Museum of Art (University of Kansas, USA), Minneapolis Institute of Art (USA), Mary Griggs Burke Collection (USA), Ishikawa Prefectural Museum of Art, Kyoto City Kyocera Museum of Art (Kyoto Municipal Museum of Art), Itsuo Museum of Art (Ikeda City, Osaka), Nakamura Memorial Museum of Art, Kanazawa, Komatsu City Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cstrong\u003eProduction Date:\u003c\/strong\u003e 2005–2011 (The mature peak of his final years, following his recognition as a Contemporary Master Craftsman)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks) \u003cbr\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original box (tomobako), wrapping cloth, and descriptive leaflet included.\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Diameter approx. 7.0 cm, Height approx. 9.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products provided by our shop are new and unused, they were produced a long time ago and are listed as second-hand items. Please understand and confirm that the products may have damage due to aging before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47516864053435,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4714.jpg?v=1772963885"},{"product_id":"175","title":"Maki Yukichi (牧勇吉) Masterpiece: Blue and White Gold Dragonfly Flower Motif Mizuzashi - Palm-sized Water Dropper for Spirits #175","description":"\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"markdown markdown-main-panel stronger enable-updated-hr-color\" id=\"model-response-message-contentr_e4a2f8a9c1c4a68e\" aria-live=\"polite\" aria-busy=\"false\" dir=\"ltr\"\u003e\n\u003cp data-path-to-node=\"5\"\u003eWe are pleased to introduce the Sometsuke Gold Dragonfly Flower Motif Mizuzashi by Maki Yukichi (1916-1998), a master who was the top disciple of \u003ca href=\"\/en\/search?q=%22%E6%9D%BF%E8%B0%B7%E6%B3%A2%E5%B1%B1%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eItaya Hazan\u003c\/a\u003e, the emperor of modern ceramics, and who inherited his master's aesthetics most faithfully with his own unique sensibility. Originally created as a suiteki (water dropper) for calligraphy, Antique Liquor redefines this palm-sized piece as the ultimate water dropper for dramatically opening up the aroma and flavor of high-proof whisky. Maki Yukichi was a master of the postwar Japanese ceramic world, winning the Special Selection at the Nitten Exhibition in both 1951 and 1953, and later receiving the Fourth Class Order of the Sacred Treasure. The elegance radiating from his work stems not only from technical mastery but also from the spiritual depth inherited from his master Hazan, of treating ceramics like jewels.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe highlight of this work is the contrast between the Sometsuke blue, which harbors a deep tranquility, and the Gold Gilt (Kinzai) that shines vividly upon it. First, please observe the floral motif drawn with cobalt and the design of the dragonfly dancing lightly above it. Since ancient times, the dragonfly has been called Katsumushi (victory insect), a lucky motif beloved by samurai and literati for its posture of never retreating. Even in this tiny space, Maki Yukichi used meticulous brushstrokes for each wing of the dragonfly and the center of the flowers, where the Saidei (colored clay) texture inherited from his master is alive. By controlling clay particles to the extreme and discerning subtle differences in firing temperatures, he perfectly achieved the contradictory color design of submerging the Sometsuke blue while making the gold gilt stand out.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eAnalyzing this work from a technical standpoint, the difficulty of production is incomparable to that of ordinary tea utensils. After the main firing of the Sometsuke, a multi-stage firing process is essential to bake the gold at a lower temperature. For such a small water dropper, the thinness of the walls causes rapid heat transfer, frequently leading to breakage or distortion in the kiln. Furthermore, the sharpness of the spout and the fine-tuning of the water drop volume require high-level forming techniques backed by years of experience. Although Maki Yukichi possessed the academic technical strength to serve as a Nitten judge, he poured the same or even greater meticulous passion into these palm-sized tools as he did into his larger works.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eOur gallery proposes this work as a companion for whisky because of its exceptional tactile quality. The silky, moist porcelain texture pursued by Itaya Hazan is strongly reflected in Maki Yukichi's work. The smooth touch that seems to cling to the fingertips gently stimulates the owner's five senses during the quiet time of savoring the afterglow of aged spirits. When dropping one or two drops of water from this beautiful vessel into the amber liquid, the gold gilt on the vessel reflects the light, casting a glow as if blessing the microcosm within the glass. This elevates the simple act of adding water into a supreme ritual where traditional Japanese beauty and Scottish distilling techniques intersect.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003ePlease confirm in the palm of your hand the life of the artist Maki Yukichi and the pure beauty inherited from Itaya Hazan. As a rare small piece by a master whose works are housed in overseas museums, and as a tool that scientifically and artistically enhances the flavor of whisky, it will surely become an irreplaceable once-in-a-lifetime treasure for collectors with a true aesthetic eye.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e Maki Yukichi (1916-1998) Representative Career History: Studied under Itaya Hazan, the first ceramic artist to receive the Order of Culture. [1951] Won Special Selection at the 7th Nitten Exhibition, [1953] Won Special Selection at the 9th Nitten Exhibition, [1987] Awarded the Fourth Class Order of the Sacred Treasure. Later served as a Nitten councilor, Nitten member, and chairman of the Ibaraki Prefectural Art Exhibition.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eMuseum Collections:\u003c\/strong\u003e The Museum of Modern Art, Ibaraki; Chikusei Municipal Museum of Art (formerly Shimodate Municipal Museum of Art); Itaya Hazan Memorial Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eProduction Era:\u003c\/strong\u003e Circa 1980s (Showa to Heisei period)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original box (tomobako), wrapping cloth, and descriptive leaflet included.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain (Saidei and Gold Gilt)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 7.5 cm, Width approx. 9.4 cm x 7.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products provided by our shop are new and unused, they were produced a long time ago and are listed as second-hand items. Please understand and confirm that the products may have damage due to aging before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47518425710779,"sku":null,"price":100000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4732.jpg?v=1772964550"},{"product_id":"187","title":"Living National Treasure, Nakada Kazuo (中田一於) - Kutani Ware Yūri Ginsai Vessel - As-is #187","description":"\u003cp data-path-to-node=\"19\"\u003eProduct Title: 2025 Living National Treasure Nakada Kazuo, Kutani Ware Yūri Ginsai Spirits Vessel Nakada Kazuo was designated as a Living National Treasure (Holder of Important Intangible Cultural Property) in 2025 for the ceramic technique of \"Yūkasai\" (underglaze decoration), the first designation ever made for this technique. This historic achievement is the nation's official recognition that Nakada's underglaze decoration, above all \"Yūri Ginsai\" (silver leaf beneath the glaze), refined over more than half a century, represents the absolute pinnacle of Japanese craft aesthetics. Having studied under the Living National Treasure \u003ca href=\"\/en\/search?q=%22%E5%BE%B3%E7%94%B0%E5%85%AB%E5%8D%81%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTokuda Yasokichi\u003c\/a\u003e III and learned the ultimate in color gradation, Nakada brought a new dimension of beauty to Kutani ware by sealing the brilliance of \"silver\" beneath the glaze.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThe reason Nakada is considered unique in the long history of Kutani ware lies in the overwhelming difficulty and tranquil beauty of the \"Yūri Ginsai\" technique featured in this work. Yūri Ginsai involves applying silver leaf to the vessel's surface and then firing it beneath a layer of glaze. Silver darkens as it oxidizes in the air, but sealed beneath the glaze it keeps its brilliance without tarnishing. Because the silver leaf is extremely thin, it constantly faces the risk of melting away under the intense heat of the kiln or being swept away by the movement of the glaze. Nakada places neatly cut pieces of silver leaf with tweezers, ensuring absolute precision, and uses unique temperature control to seal their brilliance beneath the glaze. This \"elegant depth of light that seems to well up from within\" is a divine technique that distinguishes itself from ordinary ginsai, where silver is simply fired onto the surface, and is a feat attainable only by a Living National Treasure.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eThis work strongly reflects the mature style of Nakada's career on the path toward becoming a Living National Treasure, featuring the geometric silver motifs that have become the artist's signature. Beneath the deep lapis lazuli and pale purple glazes, the neatly aligned vertical bands of silver leaf reflect light, at times shimmering like the passage of time, and at others like light dancing on a quiet water surface. Though originally created as a \"teacup (Yunomi),\" its high decorative quality and substantial weight make it an unparalleled \"spirits vessel\" for enjoying old-bottle whiskies or rare single malts that have aged for decades. When amber liquid is poured in, the refraction further amplifies the brilliance of the silver leaf, creating a fantastical scene in the palm of your hand that only the owner can experience.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eAs evidence of their global value, Nakada's works are permanently housed in institutions such as the Arthur M. Sackler Gallery of the Smithsonian Institution in Washington, D.C., and the National Museum of Modern Art, Tokyo. Following the 2025 designation as a Living National Treasure, these works have solidified their status as \"Japanese Cultural Heritage.\" There is no doubt that the rarity of such unique pieces, which perfectly balance technique and artistry, will continue to grow in the art market. To savor the finest drink alongside this \"crystallization of light\" by a master who has truly reached the peak of Japan's artistic world is a supreme cultural privilege, transcending the ordinary.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Nakada Kazuo (中田一於, born 1949)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"33\"\u003eArtist's Representative Activities:\u003c\/b\u003e [1990] Minister of Education Award at the Japan Traditional Craft Exhibition; [1993] Yūri Ginsai Jar permanently acquired by the Smithsonian's Sackler Gallery; [2011] Awarded the Medal with Purple Ribbon; [2019] Awarded the Order of the Rising Sun, Gold Rays with Rosette; [2025] Designated as a Holder of Important Intangible Cultural Property \"Yūkasai\" (underglaze decoration) (Living National Treasure).\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"456\"\u003ePeriod of Creation:\u003c\/b\u003e 2000s–2010s (The mature period when his technique was perfected)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"541\"\u003eCondition:\u003c\/b\u003e As-is \/ Imperfect\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e (one chip on the rim; please refer to product images)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"624\"\u003eAccessories:\u003c\/b\u003e Original wooden box (with the artist's handwritten signature and seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"708\"\u003eMaterial:\u003c\/b\u003e Ceramic (Kutani Ware \/ Yūri Ginsai)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"754\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 8.8 cm, Height approx. 7.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"819\"\u003eCharacteristics of Nakada Kazuo's Works:\u003c\/b\u003e The most defining feature is the \"Yūri Sai\" technique, which encloses gold or silver leaf beneath a transparent glaze. Because the silver leaf is never directly exposed to the air, it does not tarnish. The soft, deep luster transmitted through the glaze creates a modern and elegant ambiance.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1151\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47537146200251,"sku":null,"price":9000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5064_result.jpg?v=1774141491"},{"product_id":"192","title":"Yamamoto Hogaku (山本芳岳), Masterpiece, Kutani Ware Aka-e Saibyō \/ Gilded Red Painting, Ascending Dragon Motif Guinomi Sake Cup, Imperial Family Gift Artist #192","description":"\u003cp data-path-to-node=\"18\"\u003eThis \"Aka-e Saibyō\" (Ultra-fine Red Painting) guinomi is a pinnacle of artistic achievement by Yamamoto Hogaku (born 1960), a master of contemporary Kutani ware based in Kaga City, Ishikawa Prefecture. Yamamoto is the foremost living successor of the Aka-e Saibyō technique, distinguished by his 1985 commission to create and present an Aka-e Saibyō tea bowl to His Imperial Highness the Crown Prince (now Emperor Emeritus).\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe reason this piece is designated as a \"Masterpiece\" lies in its \"microscopic detailing\" that transcends normal human vision. The primary technique, Aka-e Saibyō, is a superhuman craft involving the depiction of ultra-fine lines—less than 0.1 mm in thickness—drawn at perfectly equal intervals using red iron oxide (Bengara) pigment. The \"Ascending Dragon\" motif featured here is, along with the phoenix and tiger, Yamamoto’s most celebrated and technically demanding subject. From the internal texture of every individual dragon scale to the minute patterns filling every millimeter of the background, the entire surface is a dense concentration of visual information, embodying the essence of Aka-e Saibyō where no empty space is permitted.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThe red-painted ascending dragon on the exterior radiates a power that pierces the heavens, while the magnificent gilded dragon on the interior lends the entire vessel an overwhelming sense of nobility. Because Aka-e Saibyō can only be performed during the limited hours of peak daily concentration, and completing a single work of this density requires immense time, its availability in the market is extremely restricted. As a supreme vessel designed to brilliantly enhance the amber hues of aged sake or fine whisky, this piece represents the ultimate modern attainment of Kutani red painting.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Yamamoto Hogaku (山本芳岳, born 1960)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"36\"\u003eRepresentative Career:\u003c\/b\u003e Upholding the \"Aka-e Saibyō\" technique—which reached its peak in the Meiji period before seeing a drastic decline in successors—at the highest contemporary level. [1985] Specially commissioned to create and present the \"Aka-e Saibyō Chrysanthemum, Paulownia, and Phoenix Sencha Bowl\" to His Imperial Highness the Crown Prince (now Emperor Emeritus); [1992] Received the Honorable Mention at the 54th Issuikai Ceramics Exhibition; [1996] Officially certified as a Kutani Ware Traditional Craftsman by the Minister of International Trade and Industry. His exquisitely precise technique is lauded as the zenith of contemporary Kutani red painting.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"704\"\u003eMuseum Collections:\u003c\/b\u003e Ishikawa Prefectural Museum of Art, Ishikawa Kutani-yaki Art Museum, Kutani-yaki Kiln Site Exhibition Hall, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"844\"\u003ePeriod of Creation:\u003c\/b\u003e 2000s–2010s (His mature period following his certification as a Traditional Craftsman). This \"Ascending Dragon\" motif represents the peak of Yamamoto’s artistry, where the meticulous Aka-e Saibyō lines—drawn at under 0.1 mm—achieve perfect harmony with the magnificent gold leaf detailing. \u003cb data-path-to-node=\"21\" data-index-in-node=\"1154\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1197\"\u003eAccessories:\u003c\/b\u003e Original signed wooden box (Tomobako), wrapping cloth, introductory leaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1286\"\u003eMaterial:\u003c\/b\u003e Pottery (Kutani Ware \/ Aka-e Saibyō \/ Gilded Painting)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1351\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 6.4 cm, Height approx. 3.4 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1416\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47542629433531,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5230_result.jpg?v=1774166205"},{"product_id":"193","title":"Yamamoto Hogaku (山本芳岳), Masterpiece, Kutani Ware Aka-e Saibyo \/ Gilded Red Painting, Phoenix Motif Guinomi Sake Cup, Imperial Family Gift Artist #193","description":"\u003cp data-path-to-node=\"20\"\u003eThis \"Aka-e Saibyo\" (Ultra-fine Red Painting) guinomi is a pinnacle of Kutani ware artistry by Yamamoto Hogaku (born 1960), a master of contemporary Kutani ware based in Kaga City, Ishikawa Prefecture. Yamamoto is the foremost living successor of the Aka-e Saibyo technique, distinguished by his 1985 commission to create and present the \"Aka-e Saibyo Chrysanthemum, Paulownia, and Phoenix Sencha Bowl\" to His Imperial Highness the Crown Prince (now Emperor Emeritus).\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eThis work is a top-tier masterpiece featuring the \"Phoenix,\" Yamamoto’s signature and most prestigious motif, meticulously rendered through Aka-e Saibyo, a technique that far transcends the realm of standard red painting. Aka-e Saibyo is a superhuman craft involving the depiction of ultra-fine lines—less than 0.1 mm in thickness—drawn at perfectly equal intervals using red iron oxide (Bengara) pigment. From every individual feather of the phoenix to the microscopic geometric patterns filling the background, the entire surface of the vessel is a dense mass of visual information. This density, which permits no blank space, is the crystallization of a master craftsman's dedication over more than a month of concentrated effort.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eFurthermore, the interior of the vessel features a majestic phoenix in heavy gold, serving as a magnificent counterpart to the delicate red painting on the exterior. This perfect harmony of \"Red\" and \"Gold\" is a signature style from Yamamoto’s mature period, where his skill and artistry reached their peak. It exudes an elegance worthy of being called the ultimate achievement of red painting in contemporary Kutani. As a supreme vessel designed to brilliantly enhance the amber hues of aged sake or fine whisky, this is a masterpiece with a unique and powerful presence.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Yamamoto Hogaku (山本芳岳, born 1960)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"36\"\u003eRepresentative Career:\u003c\/b\u003e Upholding the \"Aka-e Saibyo\" technique—which reached its peak in the Meiji period before seeing a drastic decline in successors—at the highest contemporary level. [1985] Specially commissioned to create and present the \"Aka-e Saibyo Chrysanthemum, Paulownia, and Phoenix Sencha Bowl\" to His Imperial Highness the Crown Prince (now Emperor Emeritus); [1992] Received the Honorable Mention at the 54th Issuikai Ceramics Exhibition; [1996] Officially certified as a Kutani Ware Traditional Craftsman by the Minister of International Trade and Industry. His exquisitely precise technique is lauded as the zenith of contemporary Kutani red painting.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"704\"\u003eMuseum Collections:\u003c\/b\u003e Ishikawa Prefectural Museum of Art, Ishikawa Kutani-yaki Art Museum, Kutani-yaki Kiln Site Exhibition Hall, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"844\"\u003ePeriod of Creation:\u003c\/b\u003e Late 1990s–early 2000s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"899\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"942\"\u003eAccessories:\u003c\/b\u003e Original signed wooden box (Tomobako), introductory leaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1015\"\u003eMaterial:\u003c\/b\u003e Pottery (Kutani Ware \/ Aka-e Saibyo \/ Gilded Painting)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1080\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 5.0 cm, Height approx. 5.8 cm \u003cb data-path-to-node=\"23\" data-index-in-node=\"1145\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47543484154043,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5249_result.jpg?v=1774142081"},{"product_id":"202","title":"Yamamoto Hogaku (山本芳岳), Masterpiece, Kutani Ware Aka-e Saibyo \/ Gilded Red Painting, Phoenix Motif Guinomi Sake Cup, Imperial Family Gift Artist #202","description":"\u003cp data-path-to-node=\"20\"\u003eThis \"Aka-e Saibyo\" (Ultra-fine Red Painting) guinomi is a pinnacle of Kutani ware artistry by Yamamoto Hogaku (born 1960), a master of contemporary Kutani ware based in Kaga City, Ishikawa Prefecture. Yamamoto is the foremost living successor of the Aka-e Saibyo technique, distinguished by his 1985 commission to create and present the \"Aka-e Saibyo Chrysanthemum, Paulownia, and Phoenix Sencha Bowl\" to His Imperial Highness the Crown Prince (now Emperor Emeritus).\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eThis work is a top-tier masterpiece featuring the \"Phoenix,\" Yamamoto’s signature and most prestigious motif, meticulously rendered through Aka-e Saibyo, a technique that far transcends the realm of standard red painting. Aka-e Saibyo is a superhuman craft involving the depiction of ultra-fine lines—less than 0.1 mm in thickness—drawn at perfectly equal intervals using red iron oxide (Bengara) pigment. From every individual feather of the phoenix to the microscopic geometric patterns filling the background, the entire surface of the vessel is a dense mass of visual information. This density, which permits no blank space, is the crystallization of a master craftsman's dedication over more than a month of concentrated effort.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eFurthermore, the interior of the vessel features a majestic phoenix in heavy gold, serving as a magnificent counterpart to the delicate red painting on the exterior. This perfect harmony of \"Red\" and \"Gold\" is a signature style from Yamamoto’s mature period, where his skill and artistry reached their peak. It exudes an elegance worthy of being called the ultimate achievement of red painting in contemporary Kutani. As a supreme vessel designed to brilliantly enhance the amber hues of aged sake or fine whisky, this is a masterpiece with a unique and powerful presence.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Yamamoto Hogaku (山本芳岳, born 1960)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"36\"\u003eRepresentative Career:\u003c\/b\u003e Upholding the \"Aka-e Saibyo\" technique—which reached its peak in the Meiji period before seeing a drastic decline in successors—at the highest contemporary level. [1985] Specially commissioned to create and present the \"Aka-e Saibyo Chrysanthemum, Paulownia, and Phoenix Sencha Bowl\" to His Imperial Highness the Crown Prince (now Emperor Emeritus); [1992] Received the Honorable Mention at the 54th Issuikai Ceramics Exhibition; [1996] Officially certified as a Kutani Ware Traditional Craftsman by the Minister of International Trade and Industry. His exquisitely precise technique is lauded as the zenith of contemporary Kutani red painting.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"704\"\u003eMuseum Collections:\u003c\/b\u003e Ishikawa Prefectural Museum of Art, Ishikawa Kutani-yaki Art Museum, Kutani-yaki Kiln Site Exhibition Hall, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"844\"\u003ePeriod of Creation:\u003c\/b\u003e Late 1990s–early 2000s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"899\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"942\"\u003eAccessories:\u003c\/b\u003e Original signed wooden box (Tomobako), introductory leaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1015\"\u003eMaterial:\u003c\/b\u003e Pottery (Kutani Ware \/ Aka-e Saibyo \/ Gilded Painting)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1080\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 5.0 cm, Height approx. 5.8 cm \u003cb data-path-to-node=\"23\" data-index-in-node=\"1145\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47580656140475,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5626_result.jpg?v=1774857662"},{"product_id":"203","title":"Tani Shukei (谷秋渓), Kin-sai Aka-e Saibyo, Cloud Dragon Motif Sake Cups, Pair, Early Showa Period, Essence of the Takeuchi Ginshu School, Freehand Ultra-fine Dragon Pattern, A Masterpiece of Japanese Kogei #203","description":"\u003cp data-path-to-node=\"8\"\u003eTani Shukei (1888–1959, Birth name: Masaki), born in Daishoji, Kaga City, Ishikawa Prefecture, was a master craftsman who inherited the orthodox lineage of Kutani Aka-e Saibyo (ultra-fine red painting). He apprenticed under the Meiji-era master \u003ca href=\"\/en\/search?q=%22%E7%AB%B9%E5%86%85%E5%90%9F%E7%A7%8B%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTakeuchi Ginshu\u003c\/a\u003e and his third son, \u003ca href=\"\/en\/search?q=%22%E5%BA%83%E6%B2%A2%E8%8A%A6%E7%A7%8B%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eHirosawa Roshu\u003c\/a\u003e. Shukei’s most remarkable talent lay in his superhuman brushwork—he could fill an entire vessel with microscopic patterns using a single ultra-fine brush without any underdrawing (shitagaki). It is said he could freely replicate identical, intricate designs of dragons and phoenixes. This pair of sake cups features his signature Cloud Dragon motif. The depiction of dragon scales and auspicious clouds, spiraling around the small vessels, clearly displays his fluid, unhesitating brushstrokes and elegant color palette enriched with gold enamel (Kin-sai).\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eWhen compared to the works of \u003ca href=\"\/en\/search?q=%22%E5%B1%B1%E6%9C%AC%E8%8A%B3%E5%B2%B3%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYamamoto Hogaku\u003c\/a\u003e, the contemporary pinnacle of Aka-e Saibyo, the nature of precision in Shukei’s work reflects the vast difference in the technological environments of their respective eras. Modern works by Yamamoto are achieved through the use of high-powered magnifying glasses, microscopes, uniform synthetic fiber brushes, and highly refined pigments, resulting in microscopic precision and perfect symmetry that transcends human vision. In contrast, Shukei worked a century ago without any magnifying aids. He relied solely on his natural eyesight and concentration, using brushes hand-carved from animal hair and naturally derived pigments.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThis environmental difference imbues Shukei’s lines with a rhythmic vitality and \"breath\" that differs from modern uniformity. While the absolute thickness of the lines may yield to what modern tools can achieve, the momentum of drawing everything in one go without a guide and the intensity of expressing such density with limited tools symbolize the peak of physical skill attained by craftsmen of that era. If Yamamoto Hogaku represents the ultimate in modern precision beauty, Tani Shukei’s work is a concentrated historical legacy of the pure artisan spirit from an age where one faced the clay using only their five senses. When whisky is poured, the red-painted dragon shimmering through the golden liquid conveys a raw passion from a hundred years ago—a beauty distinct from the perfected precision of today.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Tani Shukei (谷秋渓, 1888–1959, Birth name: Tani Masaki)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"56\"\u003eRepresentative Career:\u003c\/b\u003e Born in 1888 in Daishoji, Ishikawa Prefecture. Apprenticed under Takeuchi Ginshu, the master who revived Meiji Kutani Aka-e Saibyo, and Hirosawa Roshu, mastering the authentic techniques of ultra-fine red painting. Operating a ceramic painting business in Yamashiro, he became renowned for his exceptional brushwork, capable of drawing intricate dragon and phoenix motifs directly onto the clay without any underdrawing. Throughout the turbulent transition from the Meiji to the Showa era, he remained a solitary master who preserved the superhuman craft of Aka-e Saibyo.\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"651\"\u003eMuseum Collections:\u003c\/b\u003e Public museums in Kaga City, Kutani Ware Archives, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"734\"\u003ePeriod of Creation:\u003c\/b\u003e Circa 1926 (Showa 1) – 1945 (Showa 20) (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"805\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"848\"\u003eAccessories:\u003c\/b\u003e Dedicated wooden box\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"882\"\u003eMaterial:\u003c\/b\u003e Ceramic (Kutani Ware \/ Aka-e Saibyo \/ Kin-sai)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"939\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 5.5 cm, Height approx. 3.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"1004\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47580656369851,"sku":null,"price":110000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5595_result.jpg?v=1774857548"},{"product_id":"207","title":"Direct Lineage of Tokuda Yasokichi I, Yoshida Katsuzan (吉田勝山), Kutani-ware Aote Yuri-kinsai Flower Pattern Water Dropper, Whisky Dropper #207","description":"\u003cp data-path-to-node=\"13\"\u003eYoshida Katsuzan (Birth name: \u003ca href=\"\/en\/search?q=%22%E5%90%89%E7%94%B0%E4%B8%88%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYoshida Takeo\u003c\/a\u003e, 1916-1999), a master of Kutani-ware based in Yokaichi, Kanazawa City, Ishikawa Prefecture, was a renowned craftsman who dedicated his life to the promotion and development of Kanazawa Kutani. He received direct guidance from \u003ca href=\"\/en\/search?q=%22%E5%BE%B3%E7%94%B0%E5%85%AB%E5%8D%81%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTokuda Yasokichi\u003c\/a\u003e I, the preeminent authority in Kutani-ware coloring, inheriting his exceptionally precise glaze blending and color development techniques. His distinguished career—including winning the Special Selection award at the Nitten Exhibition, his status as an Invited (Exempt from Screening) Artist, and receiving the Kanazawa City Culture Award and the Ishikawa Prefecture Cultural Achievement Award—attests to his prominent stature in the craft world. In particular, his \"Yuri-kinsai\" (Underglaze Gold Foil) technique and his modern sublimation of traditional \"Aote\" (Deep Green-Blue style) into transparent color expressions are highly acclaimed in museum collections worldwide.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eWhile originally created as a water dropper for calligraphy, this piece possesses rare practicality and artistry in the modern era as a water dropper for enhancing the aroma of aged spirits and whisky. The rich verdigris glaze covering the work is the hallmark of Yoshida Katsuzan’s Aote lineage, featuring deep colors achieved through secret glaze recipes inherited from Tokuda Yasokichi I. The glaze layer is remarkably thick, possessing a jewel-like luster and transparency. The gold foil embedded deep within reflects light with a subtle elegance, serving as a testament to the flawless execution of the highly difficult Yuri-kinsai technique.\u003c\/p\u003e\n\u003cp data-path-to-node=\"15\"\u003eThe large floral motif at the center is a peony, a favorite design of the artist, which radiates an overwhelming presence through realistic line-work and raised overglaze enamels. The vivid crimson hues are further accentuated by the contrast with the deep green glaze, elevating traditional Kutani aesthetics to a modern elegance. The rounded, graceful form fits snugly in the palm, embodying functional beauty designed for precise, drop-by-drop dispensing. Since the artist's passing in 1999, no new works have been released from the Katsuzan Kiln. Pieces from his mature later years that strongly reflect the color sensibility inherited directly from Yasokichi I are rare craft legacies, possessing historical value comparable to works held in the Ishikawa Prefectural Museum of Art and the Kanazawa Yasue Gold Leaf Museum.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Yoshida Katsuzan (吉田勝山, 1916-1999)\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"37\"\u003eArtist's Major Career Highlights:\u003c\/b\u003e [1948] Studied under \u003ca href=\"\/en\/search?q=%22%E5%8C%97%E6%9D%91%E7%BE%85%E5%B1%B1%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKitamura Razan\u003c\/a\u003e, [1950s] Studied under Tokuda Yasokichi I and mastered glazing techniques, [1970] Received Special Selection award at Nitten Exhibition, [1980] Received Kanazawa City Culture Award, [1991] Received Ishikawa Prefecture Cultural Achievement Award\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"352\"\u003eWorks in Collections:\u003c\/b\u003e Ishikawa Prefectural Museum of Art, Kanazawa Yasue Gold Leaf Museum, public institutions in Kanazawa City and Ishikawa Prefecture, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"510\"\u003eProduction Period:\u003c\/b\u003e 1980s-1990s (Estimated to be from his mature period \/ late-career work)\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"601\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"644\"\u003eAccessories:\u003c\/b\u003e Original wooden box (signed and sealed by Katsuzan Kiln), leaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"723\"\u003eMaterial:\u003c\/b\u003e Pottery (Kutani-ware)\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"755\"\u003eDimensions:\u003c\/b\u003e Height approx. 5.0cm, Width approx. 7.5cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"809\"\u003eNote:\u003c\/b\u003e Although the products we offer may be unused, they are from a very old production period, and all are listed as used items. Please understand that items may have age-related damage and consider this before making a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47695919743163,"sku":null,"price":23000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5739_result.jpg?v=1776176055"},{"product_id":"215","title":"Ishii Koji (石井康治) Handmade Blown Glass Gilded Horseback Sake Cup White Glass Jellyfish #215","description":"\u003cp data-path-to-node=\"17\"\u003eThis piece is by Ishii Koji (1946–1996), a leading Japanese glass artist known as the \"Magician of Glass.\" We introduce a sake cup featuring an ethereal jellyfish motif, a signature of Mr. Ishii. A fantastical world unfolds within the transparent glass, as if the very life of a jellyfish drifting in the depths of the deep sea has been encapsulated. Ishii's unique \"inclusion technique\" fully encloses colors and motifs within the glass, achieving a three-dimensional expression with depth.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eWhen you hold the glass, you can see gold leaf randomly scattered within, and colorful glass particles of red, blue, green, and yellow seemingly melting into it. This represents the tentacles of a jellyfish drifting in water and the mysterious, sparkling luminescence within its body, evoking a sense of vibrant life through the reflection of light. Fine white glass lines depict the elegant movement of jellyfish and the trails they leave as they float in the darkness of the deep sea, adding dynamic elements and a sense of buoyancy to the piece. As light passes through, the colors become even more vivid, revealing various expressions depending on the viewing angle.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eAll works are hand-blown glass, and the artist's high level of skill and artistry can be felt from the shape of the glass, the heavy construction of the base, and the meticulous finish of the white rim at the mouth. The artist's signature \"Koji\" is engraved on the foot of the base. This is a masterpiece of high artistic value, combining traditional Japanese craftsmanship with modern sensibilities. The accompanying original signed wooden box (tomobako) and a profile booklet (shiori) signed by the artist guarantee its authenticity. It is perfect for personal use or as a special gift.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eProduced by:\u003c\/b\u003e Ishii Glass Studio Co., Ltd.\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"42\"\u003eArtist:\u003c\/b\u003e Ishii Koji (石井康治)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"61\"\u003eArtist's Major Career Highlights:\u003c\/b\u003e [1979] Work exhibited at \"Japan New Face II\" purchased by Her Imperial Highness Princess Chichibu, [1985] Designed the \"Iichiko\" silhouette bottle for Sanwa Shurui and received a Special Award at the Japan Package Design Competition, [1985] Received a Special Award at the \"Seibu Craft Grand Prix Exhibition,\" [1994] Held the \"Symphony of Light and Wind GLASS Ishii Koji\" exhibition at the Hakone Narukawa Art Museum\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"512\"\u003eMain Collections:\u003c\/b\u003e National Museum of Modern Art, Tokyo, Aomori Museum of Art, Chiba Prefectural Museum of Art, Toyama Glass Art Museum, Hida Takayama Museum of Art (Hida Takayama), Narukawa Art Museum (Hakone-Ashinoko)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"731\"\u003eProduction Period:\u003c\/b\u003e 1980s–1990s\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"762\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"805\"\u003eAccessories:\u003c\/b\u003e Comes with a dedicated box\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"845\"\u003eMaterial:\u003c\/b\u003e Hand-blown glass\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"872\"\u003eDimensions:\u003c\/b\u003e Height approx. 11cm, Mouth diameter approx. 7cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"932\"\u003eNote:\u003c\/b\u003e All products we offer, even if unused, are from a very old production period and are listed as used. Please understand that products may have damage due to age, and consider this before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"石井グラススタジオ","offers":[{"title":"Default Title","offer_id":47695921676475,"sku":null,"price":41000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7628_result.jpg?v=1780833017"},{"product_id":"226","title":"Kutani Ware Sonoe Hisaodo (園江久雄堂) Minehisa Red Enameled Gold-Gilt Ninsei-Style Phoenix Motif Finely Painted Gold-Gilt Red Enameled Guinomi Shot Glass #226","description":"\u003cp data-path-to-node=\"24\"\u003eWe introduce a genuine vintage craft by Sonoe Hisaodo (art name: Minehisa), who boasted the highest level of overglaze enamel techniques in Okawa-cho, Komatsu City, Ishikawa Prefecture, during the golden age of Kutani ware in the Showa era. Although the studio is now defunct and will never produce new items again, we propose this phoenix-patterned sake cup, a traditional Japanese vessel, as the ultimate shot glass for elegantly enjoying amber-colored aged sake or mature Japanese whisky straight.\u003c\/p\u003e\n\u003cp data-path-to-node=\"25\"\u003eSonoe Hisaodo's most highly acclaimed technique lies not in the realm of modern art for public exhibition awards, but in the craftsmanship of practical overglaze enameling, refined to the extreme to delight the user's five senses. At its core is the sophisticated aesthetic of \"Ninsei-utsushi,\" which emulates the brilliant colored enamel world of the master craftsman Nonomura Ninsei of Kyoto, combined with the \"aka-e kinsai\" technique of overlaying pure gold paste onto finely detailed overglaze red painting.\u003c\/p\u003e\n\u003cp data-path-to-node=\"26\"\u003eA close professional examination of the attached product's design reveals that Sonoe Hisaodo's signature superlative technique is expressed with flawless precision. On the surface of the vessel, the phoenix, a symbol of eternal prosperity and good fortune in the East, is vividly depicted with hair-thin, uniform red lines. From the smooth curves of the phoenix's tail feathers, the overlapping of each individual feather, to the depiction of the auspicious clouds surrounding it, the extreme concentration of a skilled painter from that era, who held their breath with every brushstroke, is evident in a visual rhythm. Furthermore, the lavish gold embellishment applied over the red painting is not a gaudy, cheap glitter, but harmonizes with the elegant white porcelain body, creating a noble three-dimensionality and depth. It emits a calculated beauty that reveals various expressions depending on the angle of the light.\u003c\/p\u003e\n\u003cp data-path-to-node=\"27\"\u003eThis work is not by an artist who has left a brilliant record of awards in official art directories such as the Nitten Exhibition or the Japan Traditional Crafts Exhibition. However, that is precisely the proudest aspect of craftsmanship in Japanese traditional crafts. The genuine lineage of uncrowned artisans who silently honed their skills in production areas and satisfied high-end Japanese restaurants and discerning patrons during the era when \"Japan Kutani\" swept the world, breathes fully within this small vessel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"28\"\u003eSince the workshop itself no longer exists, individuals in such good condition, with the advanced gold-painting technique of the time preserved perfectly, are extremely rare. Pour top-grade whisky or aged sake, born from the accumulation of time, into this vessel while appreciating the exquisite ceramic texture that clings to your fingertips, something that glass can't offer. At that moment, the red and gold phoenix patterns applied both inside and outside the vessel vividly resonate through the refraction of the liquid, providing an intellectual tasting experience reserved only for its owner. Precisely because its name does not appear on the grand stage of history, it is a supreme piece that allows one to casually incorporate the pinnacle of pure technique into daily life and enjoy the true pleasure of art collecting—appreciating the ultimate beauty of utility in the palm of one's hand.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eSonoe Hisaodo (園江久雄堂, art name: Minehisa)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eKiln: \u003c\/strong\u003eOkawa-cho, Komatsu City, Ishikawa Prefecture (now closed)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eProduction Period: \u003c\/strong\u003e1980s-1990s (estimated)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eTomobako (Original wooden box signed by the artisan)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePottery (Kutani ware, fine overglaze red painting, gold enamel)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Diameter approx. 5.5 cm, Height approx. 3.5 cm\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products we offer are new and unused, they are from a very old production period, and all are listed as pre-owned. Please understand that products may have damage due to age, and consider this before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47738927448251,"sku":null,"price":26000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6613_result.jpg?v=1779250484"},{"product_id":"232","title":"Sakata Jinnai (坂田甚内, Jin) Handmade Blown Glass Red Gold Painted Gold Leaf Gold Painted Shinjinmon Glass Wine Glasses Set of 2 #232","description":"\u003cp data-path-to-node=\"6\"\u003eIntroducing an extremely rare set of two large wine glasses by Sakata Jinnai (born 1943), a master based in Mashiko who continues to pursue original expressions that transcend the boundaries of pottery. This work is a masterpiece where Sakata's theme of the fusion of pottery and glass, which he pursued energetically in the 1990s, is beautifully realized through its sculptural beauty and superb technique.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eThe most astonishing feature of this work lies in the structure of its vivid red stem, which immediately captures the eye. This is not merely a solid block of red glass, but rather employs an advanced technique similar to filigrana—a traditional Venetian glass art form—where numerous extremely thin red glass rods are bundled together and twisted into shape. The texture created by this aggregation of countless lines is Sakata's expression in glass of the powerful, rhythmic Shinjinmon (Deeply Subtle Pattern) that he established in his black pottery works. When illuminated, the red lines intersect in multiple layers, emitting a complex and profound brilliance impossible with a single color.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eIn contrast, the transparent bowl features the ice glass technique, with beautiful cracks spreading across its entire surface. This technique involves momentarily dipping hot blown glass into cold water to create fine cracks on the surface, then reheating and shaping it to produce a unique, ice-like texture. This serendipitous texture causes the irregularly placed gold leaf, known as Haku-ha-hari (foil-leaf glass), to diffusely reflect light, creating a fantastical prism when liquid is poured into it.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eFurthermore, the overwhelming scale of approximately 21 cm in height and 12 cm in rim diameter is exceptionally large for a hand-blown glass wine glass. To fire a work of this size with perfect control over cracks and distortions while maintaining a refined symmetry requires masterful control of fire and a profound understanding of gravity, truly demonstrating the artist's extraordinary skill. The handwritten signatures of Jin and Sakata Jinnai on only one of the two pieces serve as a testament to the artist's pride, indicating that these two pieces constitute a complete set.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eStarting from orthodox pottery under the tutelage of the legendary potter \u003ca href=\"\/en\/search?q=%22%E5%8A%A0%E5%AE%88%E7%94%B0%E7%AB%A0%E4%BA%8C%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKamoda Shoji\u003c\/a\u003e, Sakata boldly incorporated diverse materials such as glass and gold leaf, establishing craft as contemporary art. His glass works from the 1990s, in particular, document an important transitional period that led to his later dedications to Ise Jingu (Ise Grand Shrine) and Izumo Taisha (Izumo Grand Shrine). Glass works created by potters possess a unique blend of earthy strength and decorative beauty not found in works by dedicated glass artists, and their presence in the market is extremely limited. These are supreme art pieces that not only brightly adorn everyday moments but also offer the joy of owning a fragment of Japan's modern craft history.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Sakata Jinnai (坂田甚内, 1943–Present)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"37\"\u003eArtist's Representative Activities:\u003c\/b\u003e [2009] Invited artist at the 1st Shanghai International Ceramic Art Exhibition; [2013] Donated Shinjinmon Haku-ha-hari Magatama Large Plate \"Brilliance of Life\" for the Great Heisei Relocation of Izumo Taisha; [2013] Donated Black Pottery Shinjinmon Foil-Pressed Large Plate \"Homage to the Sun\" for the Shikinen Sengu of Ise Jingu; [2014] Donated Shinjinmon Foil-Glass Object \"Waannei\" to Atsuta Jingu; [2014] Donated a pair of Black Pottery Engraved Shinjinmon Foil-Pressed Ceramic Boxes \"Longevity\" to Kameoka Hachimangu (Mashiko Town).\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"612\"\u003eProduction Period:\u003c\/b\u003e 1990s (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"649\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"692\"\u003eAccessories:\u003c\/b\u003e None\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"710\"\u003eMaterials:\u003c\/b\u003e Glass, Gold Leaf\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"738\"\u003eDimensions:\u003c\/b\u003e Height approx. 21 cm, Rim Diameter approx. 12 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"799\"\u003eNote:\u003c\/b\u003e All products offered by our store, even if unused, are from very old production periods and are listed as used items. Products may have age-related damage, so please understand and confirm before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47754503749819,"sku":null,"price":135000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5943_result.jpg?v=1778344905"},{"product_id":"234","title":"Nitten Special Selection and Hokuka Award Winner, Nitten Councillor, Kitade Seiko (北出星光) - Iroe Kinsai Kachomon Sake Cup - Contemporary Kutani Ware's Pinnacle of Saidei Iroe Craft - One of a Kind #234","description":"\u003cp data-path-to-node=\"30\"\u003eThis is an extremely dignified sake cup masterpiece by Mr. Kitade Seiko (Birth name: Kitade Isamu, 1928-2011), the third son and most faithful disciple of \u003ca href=\"\/en\/search?q=%22%E5%8C%97%E5%87%BA%E5%A1%94%E6%AC%A1%E9%83%8E%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKitade Tojiro\u003c\/a\u003e, a pioneering ceramic artist who greatly redefined the history of Kutani ware from modern to contemporary times, and a master who inherited the legitimate lineage. Kitade Seiko was born in Daishoji, Kaga City, Ishikawa Prefecture in 1928 and, until his passing at the age of 83 in 2011, established his own tranquil artistic world in the post-war contemporary ceramics scene, primarily through the Nitten exhibition. From a young age, he was thoroughly instilled with the strict modernist philosophy passed down from \u003ca href=\"\/en\/search?q=%22%E5%AF%8C%E6%9C%AC%E6%86%B2%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTomimoto Kenkichi\u003c\/a\u003e, a Living National Treasure who promoted the modernization of ceramics, to his father, Tojiro: \"Do not create patterns from existing patterns.\" This creative spirit, which rejects easy imitation of classics and instead generates new modern designs from sketching nature, gives his works a special authority in the art world as treasures of modern Kutani ware, demonstrating the noble artistry and advanced techniques directly descended from Tomimoto.\u003c\/p\u003e\n\u003cp data-path-to-node=\"31\"\u003eThe techniques for which Kitade Seiko is most highly acclaimed are the Saidei colored clay technique, which he inherited from his father and further refined in his own generation, the delicate multi-layer overglaze painting, and the highly harmonized gold, silver, and platinum decoration. In terms of design, he excelled throughout his life in developing modern and exotic abstract geometric patterns inspired by birds, plants, and classical patterns from Persia and Central Asia. By perfectly blending the unique thickness and painterly texture of colored clay and overglazes within a single vessel, rather than treating the smooth surface of porcelain merely as a painting canvas, he succeeded in expressing a quiet, deep, and poetic space previously unseen in Kutani ware.\u003c\/p\u003e\n\u003cp data-path-to-node=\"32\"\u003eThis \"Iroe Kinsai Kachomon Sakazuki\" (Sake Cup with Enameled and Gold-decorated Fruit and Butterfly Design) is a masterpiece that clearly and densely expresses Seiko's outstanding techniques and designs. Four equidistant round windows are placed around the outer circumference of the vessel, within which beautifully gradient \"butterflies,\" abstractly modernized yet based on meticulous sketches, and richly ripened \"fruit\" motifs are vividly depicted alternately. Filling the space around the round windows are the intricate Persian-style abstract geometric patterns that are Seiko's true specialty, with the thickness of the red and green overglazes placed at the intersections of the grids and the elegant gold lines bordering them forming a magnificent three-dimensional texture. Furthermore, a round window is placed at the center bottom of the cup's interior (mikomi), with a design of fruiting plants surrounded by a refined dotted pattern in gold on a red ground (akaji kinrande), and red and gold double lines around the rim. Such high-difficulty decorations are applied without compromise, even to the innermost parts. This technique of combining colored clay, multi-layer overglaze, and gold decoration carries an extremely high risk of peeling and cracking due to differences in shrinkage rates between the body and the colored clay, and requires multi-stage firing, moving the piece repeatedly between the main kiln and the overglaze kiln after determining the optimal temperature range. Thus, it is an ultra-high-difficulty crystallization achievable only through the skill of an exceptional master craftsman. On the back of the foot, the artist's signature \"Seiko\" is proudly written in green paint, proof of his genuine work.\u003c\/p\u003e\n\u003cp data-path-to-node=\"33\"\u003eKitade Seiko consistently maintained a style throughout his life of creating each piece with singular devotion for exhibition at Nitten and solo shows, distinguishing himself from commercial crafts produced for mass consumption. Therefore, the total number of existing works is extremely limited. In particular, many of his major and representative works are housed in public museums and research institutions such as the Ishikawa Prefectural Museum of Art and the Research Institute of Art and Craft, Kanazawa College of Art. Authentic small pieces circulated in the private market are exceedingly rare, possessing immense scarcity value. This is a very rare Japanese masterpiece about which there is little information overseas. We propose this sake cup, imbued with art-historical authority and superlative technique, as the ultimate Japanese Kōgei sake vessel for enjoying traditional Japanese beauty in the palm of your hand, in line with a sophisticated modern lifestyle. Its small, comfortable size of 3.0 cm in height, 6.3 cm in rim diameter, and 2.7 cm in base diameter is ideal for savoring aged sake and mature sake that have acquired deep richness and mellow aromas over many years. The vivid overglaze and noble gold decoration covering the entire vessel resonate beautifully with the elegant amber color of the poured aged sake, elevating a daily evening drink into a luxurious experience of appreciating supreme three-dimensional art. It is the ultimate modern piece.\u003c\/p\u003e\n\u003ch4 data-path-to-node=\"34\"\u003e*The description on the wrapping paper is also transcribed below.\u003c\/h4\u003e\n\u003cp data-path-to-node=\"35\"\u003e\u003cstrong\u003e[Transcription] \u003c\/strong\u003eNobe (of the field) though it flourishes, its age will end. The leaves, merely scattered by the west wind, the forest wind, the dew that rested on them, too, scatters to the original leaves. Not even a drop of dew remains, all just scattering away. Nothing remains, such is this world.\u003c\/p\u003e\n\u003cp data-path-to-node=\"36\"\u003e\u003cstrong\u003e(English Poetic Translation) \u003c\/strong\u003eThough the fields lushly flourish, their span of life must reach its dusk. The leaves that bide now are swept away by the autumn wind, the sighing forest breeze; the dew that rested upon them scatters back to its mother leaves. Vanishing without leaving even a single droplet behind, it all scatters and fades—such is the fleeting law of this impermanent world.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"37\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eKitade Seiko (北出星光, Birth name: Kitade Isamu, 1928-2011)\u003c\/li\u003e\n\u003cli data-path-to-node=\"38\"\u003e\u003cstrong\u003eArtist's Representative Activities:\u003c\/strong\u003e [1952] First selection at the 8th Nitten Exhibition, [1962] Received the Special Selection and Hokuka Award at the 5th Shin Nitten Exhibition, [1975] Appointed Nitten member, [1992] Appointed Nitten councilor, Member of the Ishikawa Prefectural Designated Intangible Cultural Property Kutani Ware Technical Preservation Society\u003c\/li\u003e\n\u003cli data-path-to-node=\"39\"\u003e\u003cstrong\u003eWorks in Collection:\u003c\/strong\u003e Ishikawa Prefectural Museum of Art, Research Institute of Art and Craft, Kanazawa College of Art, and other major public institutions\u003c\/li\u003e\n\u003cli data-path-to-node=\"40\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e 1980s (Golden age as a Nitten member, mature period in his 50s)\u003c\/li\u003e\n\u003cli data-path-to-node=\"41\"\u003e\u003cstrong\u003eProduct Condition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"42\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain (colored clay, overglaze enamel, gold decoration)\u003c\/li\u003e\n\u003cli data-path-to-node=\"43\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None (including wrapping paper)\u003c\/li\u003e\n\u003cli data-path-to-node=\"44\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 3.0 cm, Rim diameter approx. 6.3 cm, Base diameter approx. 2.7 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"45\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003ePlease note that all products offered by our store, even if brand new and unused, originate from a historic production period and are strictly listed as antique\/used fine art items. Vintage products may exhibit subtle age-related characteristics; please consider purchasing upon full understanding and confirmation.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47754503913659,"sku":null,"price":35000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_8709_result.jpg?v=1783739758"},{"product_id":"245","title":"Sakata Jinnai (坂田甚内, Jin), Disciple of Kamoda Shoji: Hakuha-hari Shinjinmon Red Gold-painted Hand-blown Glass Swinging Sake Cup #245","description":"\u003cp data-path-to-node=\"7\"\u003eThis is an extremely rare hand-blown glass sake cup by the master Sakata Jinnai (born 1943), who studied under \u003ca href=\"\/en\/search?q=%22%E5%8A%A0%E5%AE%88%E7%94%B0%E7%AB%A0%E4%BA%8C%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKamoda Shoji\u003c\/a\u003e, the legendary ceramist who elevated Mashiko ware to the realm of art, and pioneered a unique fusion of pottery and glass. This piece exemplifies the pinnacle of Sakata's intense exploration of the fusion of pottery and glass and decorative expression from the 1990s to the 2000s, condensing his representative sculptural philosophy.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThe most significant design feature of this work is the sophisticated fusion of the Shinjinmon (Deeply Subtle Pattern), which is the artist's identity, and the Hakuha-hari technique, which encapsulates gold leaf within the glass. Shinjinmon originally refers to deep and mystical patterns created in pottery by rope patterns or imprints. In this work, however, it is redefined as a multi-layered and profound visual effect through the intricate crazing intentionally applied to the transparent glass layer, the meticulously placed gold leaf in the cracks, and the emerald-like green luminescence that changes with the viewing angle. This green luminescence is a result of advanced coloring techniques that utilize specific metal oxides and light interference, giving it a jewel-like depth that transcends simple coloring.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eA notable sculptural aspect is the swing structure, achieved by making the bottom thick and round, allowing it to sway like a roly-poly toy without ever toppling over. This minimalist form, devoid of a stem or base, combines a substantial weight when held with a playful elegance as it sways gently on a table. This design, which imparts a fluctuation and stability reminiscent of pottery to the hard material of glass, requires perfect control of the center of gravity and precise thickness adjustment unique to hand-blowing, demonstrating the artist's exceptional molding technique.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eSakata Jinnai's works, as evidenced by their dedication to Japan's highest sacred sites such as Ise Grand Shrine, Izumo Grand Shrine, and Atsuta Jingu, are highly regarded as art pieces imbued with divinity and spirituality that transcend mere craft. The decorative exuberance born from the clash between his earthy sensibility as a ceramist and the transparent beauty of glass is a unique aesthetic not found in dedicated glass artists. This supreme piece, bearing the authentic handwritten signatures Jin and Jinnai, elevates evening drinks to a dignified ritual and offers the joy of owning a significant fragment of Japan's modern craft history.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Sakata Jinnai (坂田甚内, 1943–Present)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"37\"\u003eArtist's Major Activities:\u003c\/b\u003e [2009] Invited artist at the 1st Shanghai International Ceramic Art Exhibition; [2013] Donated Shinjinmon Hakuha-hari Magatama Large Plate \"Brilliance of Life\" for the Great Heisei Relocation of Izumo Grand Shrine; [2013] Donated Black Pottery Shinjinmon Foil-Pressed Large Plate \"Homage to the Sun\" for the Shikinen Sengu of Ise Grand Shrine; [2014] Donated Shinjinmon Foil-Glass Object \"Waannei\" to Atsuta Jingu; [2014] Donated a pair of Black Pottery Engraved Shinjinmon Foil-Pressed Ceramic Boxes \"Longevity\" to Kameoka Hachimangu (Mashiko Town).\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"615\"\u003eProduction Period:\u003c\/b\u003e 1990s–2000s\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"646\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"689\"\u003eAccessories:\u003c\/b\u003e None\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"707\"\u003eMaterial:\u003c\/b\u003e Glass, Gold leaf\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"734\"\u003eDimensions:\u003c\/b\u003e Height approx. 6.5 cm, Rim diameter approx. 6.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"797\"\u003eNote:\u003c\/b\u003e All products offered by our store, even if unused, are from very old production periods and are listed as used items. Products may have age-related damage, so please understand and confirm before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47783617757371,"sku":null,"price":35000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6049_result.jpg?v=1778339405"},{"product_id":"248","title":"Artist in the Collections of the National Crafts Museum, Tokyo and the Corning Museum of Glass (USA) | Takeuchi Denji (竹内傳治) | Guinomi Sake Cup in Colored Glass with Gold Leaf Band | Japanese-Style Shot Glass #248","description":"\u003cp dir=\"ltr\"\u003eThis is a guinomi (sake cup) by the glass artist Takeuchi Denji. The tomobako (the wooden box signed by the artist) bears an ink inscription reading \"Denji\" together with a red seal, and an incised signature appears on the underside of the foot. A shiori (the artist's biographical leaflet) and a wrapping cloth accompany the piece. Our shop proposes this small drinking vessel as a Japanese-style shot glass for savoring aged spirits and whisky a little at a time.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eTakeuchi was born in 1934 in Onoda City, Yamaguchi Prefecture, and died in 2001. These dates are taken from the collection records of the Independent Administrative Institution National Museum of Art, which give his name using the modern simplified form of the first character of his given name. According to the accompanying leaflet, Takeuchi joined Sasaki Glass in 1958 and stepped down as a director of the company in 1993. During his time with the company, he lived in New York from 1962 to 1963 and in Hamburg until 1970. In 1968, he won a gold prize at the International Crafts Exhibition in Utrecht, the Netherlands. In 1978, he received the International Grand Prize of Spain at a design competition in Valencia, an honor he received again in 1981 and 1987. In 1979, he was awarded the Kunii Kitaro Prize for Industrial Crafts as the representative of Sasaki Glass's design work. He served as vice president and as chairman of the board of the Japan Glass Artcrafts Association, and taught at the Kanazawa Utatsuyama Crafts Workshop and the Toyama Institute of Glass Art.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eTakeuchi's work is held by museums in Japan and abroad. The Corning Museum of Glass in the United States holds a set of three colorless cut-glass glasses made in 1978. According to the museum's records, the set was exhibited there in 1979, which corresponds to the leaflet's account of his selection for the \"New Glass\" exhibition and the acquisition of his work by the museum. Takeuchi is also among the artists featured in New Glass Review 5, the annual published by the museum in 1984. In Japan, the National Crafts Museum (National Museum of Modern Art, Tokyo) holds five of his works: Crystal glass, whisky decanter and glasses (1978); Composition No. 45 (1982), a sculptural work made by casting and cutting; Crystal glass, ice pail (1990); Crystal glass, whisky glasses (1990); and Crystal glass, glasses for on the rocks (1991). That four of these five works are vessels for drink shows that such vessels were one of the central concerns of his work. The Hokkaido Museum of Modern Art also holds his work. The leaflet further lists institutions including the Toledo Museum of Art (USA), the Glasmuseet Ebeltoft (Denmark), and the Victoria and Albert Museum (UK) as holding his work.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eFrom the 1980s onward, he exhibited in the \"Contemporary Glass\" exhibition at the National Museum of Modern Art (Kyoto and Tokyo) in 1980, the 2nd World Glass Now exhibition at the Hokkaido Museum of Modern Art in 1985, and \"300 Years of Japanese Glass\" at the Suntory Museum of Art in 1986, among others. He also held a three-person exhibition with \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E7%94%B0%E5%96%AC%E5%B9%B3%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujita Kyohei\u003c\/a\u003e and Naoto Yokoyama in Paris in 1987. In 1995, he was invited to exhibit in \"Contemporary Japanese Crafts\" at the Victoria and Albert Museum in London.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMost of Takeuchi's works in museum collections are made of colorless crystal glass and finished by mold-blowing, cutting, or casting. This piece, by contrast, reveals another side of his work, composed of colored glass, gold-colored leaf, and a matte surface. Its full, rounded body opens gently outward toward the rim, and a small disc-shaped foot sits beneath. The upper half is wisteria violet and the lower half pale rose, the two colors melting into each other as if softly blurred, with streaks of deep purple flowing through the violet area. A band of gold-colored leaf encircles the middle of the body; the leaf is broken into a fine, net-like pattern of cracks, and the edges of the band undulate irregularly. Both the interior and exterior have a matte texture, and fine bubbles are dispersed throughout the glass. Viewed from above, the leaf on the body shows through from the inside as a ring. A single small dark purple dot can be seen near the rim. As the forming method, the material of the leaf, and the method used to create the matte finish cannot be determined with certainty from external appearance, we refrain from stating them.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe period of production has been estimated from the accompanying leaflet. The home telephone number printed on it is in the eight-digit Tokyo format used from January 1, 1991. The postal code is in the three-digit format used before Japanese postal codes were changed to seven digits in February 1998. The final entry in the biography is dated 1995. On these grounds, we have determined that the leaflet was printed between 1995 and early 1998. As this piece has been passed down together with the leaflet, we estimate that it was made in the same period.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eTakeuchi Denji (竹内傳治, 1934–2001)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eSelected Career Highlights: \u003c\/strong\u003e[1958] Joined Sasaki Glass (stepped down as a director in 1993); [1968] Gold prize, International Crafts Exhibition, Utrecht (the Netherlands); [1978] International Grand Prize of Spain, design competition in Valencia (awarded again in 1981 and 1987); [1979] Selected for the \"New Glass\" exhibition at the Corning Museum of Glass (USA), with work acquired by the museum; received the Kunii Kitaro Prize for Industrial Crafts; [1980] Invited to exhibit in \"Contemporary Glass,\" National Museum of Modern Art (Kyoto and Tokyo); [1982] Invited to exhibit in \"Modern Japanese Glass Crafts,\" National Museum of Modern Art, Tokyo, with work acquired by the museum; [1985] Exhibited in the 2nd World Glass Now exhibition, Hokkaido Museum of Modern Art; [1986] Invited to exhibit in \"300 Years of Japanese Glass,\" Suntory Museum of Art; [1987] Three-person exhibition with Fujita Kyohei and Naoto Yokoyama, Paris; [1994] Glory Award in the Arts and Culture category from Onoda City; [1995] Invited to exhibit in \"Contemporary Japanese Crafts,\" Victoria and Albert Museum (London)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMuseum Collections:\u003c\/strong\u003e National Crafts Museum (National Museum of Modern Art, Tokyo), Corning Museum of Glass (USA), Hokkaido Museum of Modern Art\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003ePeriod of Production: \u003c\/strong\u003ec. 1995–1998 (estimated from the printing period of the accompanying leaflet)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eTomobako (wooden box signed by the artist), wrapping cloth, and shiori (biographical leaflet) included\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Glass (colored glass, gold-colored leaf)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 6.0 cm, Rim diameter approx. 5.5 cm\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eNotice: \u003c\/strong\u003eAll items offered by our shop, even those that are new and unused, were produced a very long time ago and are therefore listed as pre-owned. Items may show age-related wear or damage. Please understand this and review the details carefully before deciding to purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47823828418747,"sku":null,"price":23000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4353_result.jpg?v=1791349815"},{"product_id":"256","title":"Artist in the Collections of the National Crafts Museum, Tokyo and the Corning Museum of Glass (USA) | Takeuchi Denji (竹内傳治) | Guinomi Sake Cup in Colored Glass with Gold Leaf Band | Japanese-Style Shot Glass #256","description":"\u003cp dir=\"ltr\"\u003eThis is a guinomi (sake cup) by the glass artist Takeuchi Denji. The tomobako (the wooden box signed by the artist) bears an ink inscription reading \"Denji\" together with a red seal, and an incised signature appears on the underside of the foot. A shiori (the artist's biographical leaflet) and a wrapping cloth accompany the piece. Our shop proposes this small drinking vessel as a Japanese-style shot glass for savoring aged spirits and whisky a little at a time.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eTakeuchi was born in 1934 in Onoda City, Yamaguchi Prefecture, and died in 2001. These dates are taken from the collection records of the Independent Administrative Institution National Museum of Art, which give his name using the modern simplified form of the first character of his given name. According to the accompanying leaflet, Takeuchi joined Sasaki Glass in 1958 and stepped down as a director of the company in 1993. During his time with the company, he lived in New York from 1962 to 1963 and in Hamburg until 1970. In 1968, he won a gold prize at the International Crafts Exhibition in Utrecht, the Netherlands. In 1978, he received the International Grand Prize of Spain at a design competition in Valencia, an honor he received again in 1981 and 1987. In 1979, he was awarded the Kunii Kitaro Prize for Industrial Crafts as the representative of Sasaki Glass's design work. He served as vice president and as chairman of the board of the Japan Glass Artcrafts Association, and taught at the Kanazawa Utatsuyama Crafts Workshop and the Toyama Institute of Glass Art.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eTakeuchi's work is held by museums in Japan and abroad. The Corning Museum of Glass in the United States holds a set of three colorless cut-glass glasses made in 1978. According to the museum's records, the set was exhibited there in 1979, which corresponds to the leaflet's account of his selection for the \"New Glass\" exhibition and the acquisition of his work by the museum. Takeuchi is also among the artists featured in New Glass Review 5, the annual published by the museum in 1984. In Japan, the National Crafts Museum (National Museum of Modern Art, Tokyo) holds five of his works: Crystal glass, whisky decanter and glasses (1978); Composition No. 45 (1982), a sculptural work made by casting and cutting; Crystal glass, ice pail (1990); Crystal glass, whisky glasses (1990); and Crystal glass, glasses for on the rocks (1991). That four of these five works are vessels for drink shows that such vessels were one of the central concerns of his work. The Hokkaido Museum of Modern Art also holds his work. The leaflet further lists institutions including the Toledo Museum of Art (USA), the Glasmuseet Ebeltoft (Denmark), and the Victoria and Albert Museum (UK) as holding his work.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eFrom the 1980s onward, he exhibited in the \"Contemporary Glass\" exhibition at the National Museum of Modern Art (Kyoto and Tokyo) in 1980, the 2nd World Glass Now exhibition at the Hokkaido Museum of Modern Art in 1985, and \"300 Years of Japanese Glass\" at the Suntory Museum of Art in 1986, among others. He also held a three-person exhibition with \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E7%94%B0%E5%96%AC%E5%B9%B3%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujita Kyohei\u003c\/a\u003e and Naoto Yokoyama in Paris in 1987. In 1995, he was invited to exhibit in \"Contemporary Japanese Crafts\" at the Victoria and Albert Museum in London.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMost of Takeuchi's works in museum collections are made of colorless crystal glass and finished by mold-blowing, cutting, or casting. This piece, by contrast, reveals another side of his work, composed of colored glass, gold-colored leaf, and a matte surface. Its full, rounded body opens gently outward toward the rim, and a small disc-shaped foot sits beneath. The upper half is pale sky blue and the lower half yellow-green, the two colors melting into each other as if softly blurred, with mottling of deeper green appearing in the yellow-green area as it nears the foot. A band of gold-colored leaf encircles the middle of the body; the leaf is broken into a fine, net-like pattern of cracks, and the upper edge of the band rises and falls in a series of triangular peaks reminiscent of a mountain ridgeline. Both the interior and exterior have a matte texture, and when viewed from above, the yellow-green color shows through at the bottom of the interior. As the forming method, the material of the leaf, and the method used to create the matte finish cannot be determined with certainty from external appearance, we refrain from stating them.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe period of production has been estimated from the accompanying leaflet. The home telephone number printed on it is in the eight-digit Tokyo format used from January 1, 1991. The postal code is in the three-digit format used before Japanese postal codes were changed to seven digits in February 1998. The final entry in the biography is dated 1995. On these grounds, we have determined that the leaflet was printed between 1995 and early 1998. As this piece has been passed down together with the leaflet, we estimate that it was made in the same period.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eTakeuchi Denji (竹内傳治, 1934–2001)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eSelected Career Highlights:\u003c\/strong\u003e [1958] Joined Sasaki Glass (stepped down as a director in 1993); [1968] Gold prize, International Crafts Exhibition, Utrecht (the Netherlands); [1978] International Grand Prize of Spain, design competition in Valencia (awarded again in 1981 and 1987); [1979] Selected for the \"New Glass\" exhibition at the Corning Museum of Glass (USA), with work acquired by the museum; received the Kunii Kitaro Prize for Industrial Crafts; [1980] Invited to exhibit in \"Contemporary Glass,\" National Museum of Modern Art (Kyoto and Tokyo); [1982] Invited to exhibit in \"Modern Japanese Glass Crafts,\" National Museum of Modern Art, Tokyo, with work acquired by the museum; [1985] Exhibited in the 2nd World Glass Now exhibition, Hokkaido Museum of Modern Art; [1986] Invited to exhibit in \"300 Years of Japanese Glass,\" Suntory Museum of Art; [1987] Three-person exhibition with Fujita Kyohei and Naoto Yokoyama, Paris; [1994] Glory Award in the Arts and Culture category from Onoda City; [1995] Invited to exhibit in \"Contemporary Japanese Crafts,\" Victoria and Albert Museum (London)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMuseum Collections:\u003c\/strong\u003e National Crafts Museum (National Museum of Modern Art, Tokyo), Corning Museum of Glass (USA), Hokkaido Museum of Modern Art\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e c. 1995–1998 (estimated from the printing period of the accompanying leaflet)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eTomobako (wooden box signed by the artist), wrapping cloth, and shiori (biographical leaflet) included\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eGlass (colored glass, gold-colored leaf)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 6.0 cm, Rim diameter approx. 5.5 cm\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eNotice: \u003c\/strong\u003eAll items offered by our shop, even those that are new and unused, were produced a very long time ago and are therefore listed as pre-owned. Items may show age-related wear or damage. Please understand this and review the details carefully before deciding to purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47837542121659,"sku":null,"price":23000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4393_result.jpg?v=1791349697"},{"product_id":"259","title":"Permanent Collection Artist of the National Crafts Museum, etc., Takeuchi Denji (竹内傳治), Hand-Blown Glass Sake Cup with Gold and Color Inclusions, Premium Shot Glass #259","description":"\u003cp data-path-to-node=\"14\"\u003eThis is an extremely avant-garde and modern hand-blown glass sake cup by Takeuchi Denji, a master who supported the dawn of modern Japanese glass craftsmanship and whose works are permanently preserved in major museums both in Japan and abroad. Reminiscent of traditional horseback sake cups or footed vessels, its organic form with a constriction in the center fits comfortably in the hand. We proudly present this as a premium Japanese craft shot glass for slowly enjoying aged sake that has matured into a rich amber color over time, or carefully selected single malt whisky straight. The unique wide-opening proportion instantly releases the rich aroma of the poured liquor, and when held, it directly conveys the smooth texture and pleasant weight unique to hand-blown glass. With an overwhelming presence as a work of art, this piece, which integrates Japanese aesthetics into a modern luxurious space, will create a luxurious time for entertaining international collectors and special guests at the highest level.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eThe artist, Takeuchi Denji, was born in Onoda City, Yamaguchi Prefecture in 1934. While leading Japanese in-house design as the design representative for Sasaki Glass Co., Ltd., a top Japanese glass manufacturer, he also honed his international artistic sensibility by staying in New York and Hamburg from the 1960s. He achieved brilliant results on major stages both domestically and internationally, including winning the gold prize at the International Applied Arts Exhibition in Utrecht, the Netherlands, winning the Spanish International Grand Prize three times at the Valencia Design Competition in Spain, receiving the Kitaro Kunii Industrial Arts Award, and being selected for an exhibition hosted by the Corning Museum of Glass in the United States, the highest authority in the global glass world. His extraordinary sense of form has been widely and publicly recognized, and his works are permanently preserved in the public collections of modern art museums around the world, including the National Crafts Museum of Japan, the Victoria and Albert Museum in the UK, and the Toledo Museum of Art in the US. Since his sudden death in 2001, new supplies have completely ceased, making these valuable vintage pieces by a deceased artist. Complete items with their dedicated boxes that circulate in the market have extremely high rarity and asset value.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eOne of the most highly acclaimed elements of Takeuchi Denji's work, as noted in public records, is the fusion of transparent and black, and the three-dimensional color expression achieved through his exceptional hot-work technique. As can be seen in the accompanying images, this piece perfectly embodies his signature design. The heavy black glass covering the top of the vessel, the vibrant opaque turquoise green at the bottom, and the overwhelmingly transparent glass connecting them in the center create a magnificent contrast. Furthermore, at the boundary between the upper and lower colors, a bold band of heavy gold leaf, with fine crack-like textures created by baking and stretching gold foil onto the glass surface, is arranged, radiating a metallic shine when illuminated. In the constricted central part, an advanced inclusion technique is used, where vibrant colored glass pieces in pink, blue, purple, and other hues are fluidly encased within layers of transparent glass. When viewed from above, the amber liquid of aged sake, the internal colors, and the green at the bottom resonate beautifully like a kaleidoscope. The bottom is engraved with the artist's own hand-carved signature \"Denji,\" and along with the signature and seal on the lid of the dedicated box, it is an item in perfect condition with complete material evidence proving its authenticity.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Takeuchi Denji (竹内傳治, 1934-2001)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"35\"\u003eArtist's Major Career Highlights:\u003c\/b\u003e [1934] Born in Onoda City, Yamaguchi Prefecture, [1958] Joined Sasaki Glass Co., Ltd. and served as design representative and director, [1962] Stayed in New York, [1968] Won a gold prize at the International Applied Arts Exhibition in Utrecht, Netherlands, and stayed in Hamburg, [1978] Won the Spanish International Grand Prize at the Valencia Design Competition in Spain (also in '81 and '87), [1979] Received the Kitaro Kunii Industrial Arts Award and was selected for the \"New Glass\" exhibition hosted by the Corning Museum of Glass in the US, [1987] Held a joint exhibition with \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E7%94%B0%E5%96%AC%E5%B9%B3%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujita Kyohei\u003c\/a\u003e and others in Paris, [1991] Began glass production in Venice, Italy, [1994] Received the Award of Excellence in the Arts and Culture category from Onoda City, [2001] Passed away on July 16 at the age of 67\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"873\"\u003eWorks in Collection:\u003c\/b\u003e National Crafts Museum (Tokyo National Museum of Modern Art), Hokkaido Museum of Modern Art, Notojima Glass Museum, Shimonoseki City Art Museum, Corning Museum of Glass (USA), Toledo Museum of Art (USA), Victoria and Albert Museum (UK), Czech Glass Museum, Lausanne Museum of Decorative Arts (Switzerland), etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1206\"\u003ePeriod of Production:\u003c\/b\u003e 1980s-1990s (Works from his mature period, before and after his time in Venice, during which he won numerous grand prizes in domestic and international competitions)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1394\"\u003eProduct Condition:\u003c\/b\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1445\"\u003eAccessories:\u003c\/b\u003e Dedicated paper box, wrapping cloth included\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1503\"\u003eMaterial:\u003c\/b\u003e Hand-blown glass (with gold leaf and embedded colored glass)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1574\"\u003eDimensions:\u003c\/b\u003e Height approx. 7.2 cm, Mouth diameter approx. 5.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1639\"\u003eNote:\u003c\/b\u003e Even if new and unused, all products offered by our shop are from a very old production period and are listed as used. Products may have age-related damage, so please consider purchasing after understanding and checking.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47849214279867,"sku":null,"price":41000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7580_result.jpg?v=1780832850"},{"product_id":"268","title":"MITI Minister's Award Winner at the Banko Ceramic Competition \/ Produced Large Jars for Naritasan Osaka Betsuin Temple - Hisamura Toshihide (久村俊英), Nagashima-yaki Kiln Toshihide, Gold-painted Nunome Three-legged Ceramic Whisky Tumbler #268","description":"\u003cp data-path-to-node=\"23\"\u003eThis is an exquisitely designed three-legged sake cup by Toshihide Hisamura (1956-), a highly skilled ceramist who has won the highest awards, such as the Minister of International Trade and Industry Award and the semi-grand prize, in traditional Japanese ceramics competitions. He is also known for having provided large jars and basins to adorn important spaces in the Kisshokaku building of Naritasan Osaka Betsuin Temple. The accompanying wooden box (tomobako) bears the artist's elegant handwritten inscription \"Nagashima-yaki Kiln Toshihide.\" The cup features a unique multifaceted form that fits perfectly in the hand, and an overwhelming presence where modern design is fused with functional beauty. We proudly present this rare craft piece as a premium Japanese Ceramic Whisky Tumbler, perfect for slowly enjoying rare aged sake that has matured into a deep amber color over many years, or a special single malt whisky with large ice cubes. This is a very rare masterpiece of Nagashima-yaki from Kuwana, Mie Prefecture, rarely seen in overseas markets, and a supreme vessel that brings the spirited sculptural beauty of Japanese contemporary crafts (Japanese KOGEI) to luxurious spaces.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23\"\u003eToshihide Hisamura, the artist, was born in Shizuoka Prefecture in 1956 and graduated from the prestigious Kanazawa College of Art, giving him a very unique and intellectual background in the traditional ceramics world. After graduating from university, he worked in product design, involved in the design of industrial products, and further built a career as an international creator by traveling to the United States and Europe to study cutting-edge overseas designs. Later, in Nagashima-cho, Kuwana City, Mie Prefecture, Toshihide and Atsuko Hisamura opened the Nagashima-yaki Tajin Kiln. While based on traditional Banko-yaki techniques, they developed simple and gentle works that reflect his meticulous sculptural calculations as a product designer and his thoughts on the changing seasons of Suigo Nagashima, surrounded by the Kiso Three Rivers. His exceptional technical skill and modern sensibility have been widely and publicly recognized, including selections for the Asahi Ceramic Exhibition and consecutive awards in the Banko Ceramic Comprehensive Competition, where he received the highest award, the Minister of International Trade and Industry Award, as well as the semi-grand prize and three other awards. After receiving the highest award, he completely stopped submitting to public exhibitions, which are influenced by trends in the art market, and has since immersed himself in ideal creations with his wife, making him known as a phantom artist whose works are extremely scarce in the market. In 1996, his outstanding craftsmanship was recognized, and he was nominated to create large jars and basins for important spaces, the Gatsurin-no-ma and reception room Kaori, for the construction of Kisshokaku at Naritasan Osaka Betsuin Temple, thus establishing a solid position in the Japanese architectural craft world as well.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23\"\u003eA professional analysis of the sculptural beauty of this work reveals that Hisamura's unique spatial composition ability, highly praised as a former product designer, and the advanced traditional techniques of Banko-yaki are perfectly harmonized in this small vessel. The beautiful seams that clearly run from the side to the inner bottom of the vessel are clear evidence that instead of typical wheel-throwing, a forming technique was used where clay sheets (tatara) were rolled and their ends boldly overlapped and joined. By intentionally leaving these joints as sharp, un-smoothed lines, a three-dimensional edge and modern shadow are created on the front, reminiscent of folded origami or fabric, or even modern architecture. Furthermore, the unique three legs supporting the bottom of the vessel, and the entire unglazed base, clearly show that coarse fabric was pressed very strongly with the artist's specific intention, and the \"nunome (fabric texture) technique\" is perfectly executed, clearly engraving the deep and sharp texture of the weave down to every detail. The powerful pleat-like undulations extending radially from the three legs towards the center, and even the central annular detail, show that the fabric texture is preserved three-dimensionally without being crushed, indicating that this is not an accidental byproduct of the work but a meticulously calculated and advanced decorative expression. The dramatic contrast in texture created between the rustic iron-containing stoneware body characteristic of Banko-yaki and the smooth glazed layer on top is simply magnificent. In terms of decoration, a base of deep olive-green feldspar glaze is adorned with fluid black iron-painting curves drawn directly, and gold accents are luxuriously placed between the glaze, emitting an elegant metallic sparkle. A sharp red painting and gold horizontal band encircles the lower part of the vessel, embodying the modern design philosophy that tightens the overall organic form in a sophisticated way. The artist's handwritten signature, seal, and mark on the lid of the tomobako, along with a red seal certifying its authenticity, are perfectly intact, making this an art craft piece of unwavering asset value in superb condition without any flaws.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"24,0,0\"\u003e\u003cb data-path-to-node=\"24,0,0\" data-index-in-node=\"0\"\u003eArtist\u003c\/b\u003e: Hisamura Toshihide (久村俊英, 1956-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24,1,0\"\u003e\u003cb data-path-to-node=\"24,1,0\" data-index-in-node=\"0\"\u003eArtist's Major Career History\u003c\/b\u003e: [1956] Born in Shimizu Ward, Shizuoka City, Shizuoka Prefecture, [c. 1979] Engaged in product design after graduating from Kanazawa College of Art, studied overseas design in the U.S. and Europe, [1980s] Established Nagashima-yaki Tajin Kiln in Nagashima-cho, Kuwana City, Mie Prefecture, selected for the Asahi Ceramic Exhibition, consecutively awarded the highest prize \"Minister of International Trade and Industry Award,\" \"Semi-Grand Prize,\" and \"3 Awards\" in the Banko Ceramic Comprehensive Competition (subsequently ceased submitting to public exhibitions to concentrate on unique creations), [1996] Commissioned to create large jars and basins for the Gatsurin-no-ma and reception room Kaori, important spaces for the construction of Naritasan Osaka Betsuin Temple Kisshokaku.\u003c\/li\u003e\n\u003cli data-path-to-node=\"24,2,0\"\u003e\u003cb data-path-to-node=\"24,2,0\" data-index-in-node=\"0\"\u003eWorks in Collection\u003c\/b\u003e: Naritasan Osaka Betsuin Temple (permanent installation in public spaces of Kisshokaku)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24,3,0\"\u003e\u003cb data-path-to-node=\"24,3,0\" data-index-in-node=\"0\"\u003eProduction Period\u003c\/b\u003e: 1990s-2000s (estimated, works from the mature period before and after completing the major project for Naritasan, following the award of the Minister of International Trade and Industry Award)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24,4,0\"\u003e\u003cb data-path-to-node=\"24,4,0\" data-index-in-node=\"0\"\u003eProduct Condition\u003c\/b\u003e: Excellent (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24,5,0\"\u003e\u003cb data-path-to-node=\"24,5,0\" data-index-in-node=\"0\"\u003eAccessories\u003c\/b\u003e: Dedicated tomobako (wooden box) (lid inscribed \"Nagashima-yaki Kiln Toshihide\"), with wrapping cloth\u003c\/li\u003e\n\u003cli data-path-to-node=\"24,6,0\"\u003e\u003cb data-path-to-node=\"24,6,0\" data-index-in-node=\"0\"\u003eMaterial\u003c\/b\u003e: Ceramic (Oribe-style feldspar glaze, red overglaze painting with gold accents)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24,7,0\"\u003e\u003cb data-path-to-node=\"24,7,0\" data-index-in-node=\"0\"\u003eDimensions\u003c\/b\u003e: Height approx. 7.8 cm, mouth diameter approx. 6.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"24,8,0\"\u003e\u003cb data-path-to-node=\"24,8,0\" data-index-in-node=\"0\"\u003eNote\u003c\/b\u003e: Even if the products offered by our store are unused, they are from a very old production period and are all listed as used items. The product may have age-related damage, so please consider purchasing after understanding and checking.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47881783410875,"sku":null,"price":10000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7786_result.jpg?v=1781228883"},{"product_id":"278","title":"Japan Ceramic Society Award Winner, Visiting Fellow at Harvard University, Kozuru Hajime (高鶴元), Black Glazed Platinum Painted Bellows-Structure Pitcher with Twisted Handle, Mizusashi Water Vessel #278","description":"\u003cp data-path-to-node=\"1\"\u003eBorn as the eldest son of \u003ca href=\"\/en\/search?q=%22%E9%AB%98%E9%B6%B4%E5%A4%8F%E5%B1%B1%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKozuru Kazan\u003c\/a\u003e, a prestigious kiln master of Agano ware with approximately 400 years of history in Fukuoka Prefecture, Kozuru Hajime (b. 1938) is a master who was active at the pinnacle of Japanese traditional ceramic art, winning the Japan Art Crafts Association Chairman's Award at the Japan Traditional Art Crafts Exhibition for two consecutive years and receiving the 22nd Japan Ceramic Society Award. This highly original pitcher (mizutsugi \/ water vessel) is a work by him. In 1980, recognized for his research achievements in Old Agano ware and his exceptional modeling prowess, Kozuru Hajime was invited to the United States as a Visiting Fellow at Harvard University, where he built a kiln in the suburbs of Boston. After moving to the U.S., he transcended the boundaries of traditional tea ceramics, developing international contemporary art that fused Western aesthetic forms, geometric shapes, and metallic glazes such as platinum and gold luster. The Roman alphabet mark \"HK\" incised into the bottom of the piece symbolizing his style, the inscription \"Black Glazed Platinum Painted Pitcher\" on the original wooden box (Tomobako), along with the expression of the twisted handle and platinum luster, clearly tell that this is an authentic work created around 1985 to 1995 (mid-1980s to early 1990s), coinciding with the period of international exhibitions following his move to Harvard University in 1980.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eThis work possesses a powerful and commanding presence with dimensions of approximately 18.5 cm in height, 20.0 cm in overall width including the handle, and 16.0 cm in body diameter. The body features the bellows structure (stepped horizontal ridges)—an architectural geometric modeling technique in which Kozuru Hajime excels—creating vivid sculptural light and shadow. The handle extending from the spout adopts a twisted (spiral) structure formed by tightly twisting two clay strands together, splendidly combining Western traditional pouring vessel designs with dynamic clay expression of Japanese ceramics. Over the matte black glaze covering the entire vessel, platinum painting (platinum luster) emitting a dull, heavy silver luster is applied, radiating an overwhelming presence through the chic, deep gradient created by the black and silver tones. Furthermore, the bottom features an octagonal carved base, clearly retaining the incised \"HK\" mark alongside shell-stacking marks (three spur marks) from high-temperature firing, bearing testimony to the artist's technical mastery and authenticity.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003ePossessing heavy form and metallic beauty reminiscent of antique silver, our shop proposes this pitcher (mizutsugi) tailored to modern lifestyles as a supreme Japanese Kogei sake vessel (water dispenser \/ decanter) for enjoying rich aged spirits, whisky, or shochu. The deep texture woven by the black glaze and platinum luster further enhances the beauty of amber-colored aged spirits and matured liquors, bringing the sophistication of dignified modern art to high-end bar counters and dining tables. With works collected in public museums such as the Peabody Museum at Harvard University and the Fukuoka Prefectural Museum of Art, this rare masterpiece by Kozuru Hajime represents a high-level realization where traditional craft and modern art intersect, serving as a luxurious craft piece that graces special spaces.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003e\u003cstrong\u003e\u0026lt;Artist's Message\u0026gt; \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eBorn out of ceramics, Not merely because of the circumstance of my birth, Just as a white flower blooms naturally from a white flower seed, And a red flower from a red flower seed, Before I realized it, I was sitting in the very heart of ceramic art. And now, I reflect. I want to create something true, To take the beautiful spirit and form created by our ancestors, Make it my own, and live in the present era... Wishing for nothing more than this, I sit amidst the clay again today.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\" style=\"text-align: right;\"\u003eKozuru Hajime\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eKozuru Hajime (高鶴元, 1938-)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRepresentative Career Highlights:\u003c\/strong\u003e [1968, 1969] Received the Japan Art Crafts Association Chairman's Award at the 15th and 16th Japan Traditional Art Crafts Exhibitions (won 2 consecutive years), [1975] Received the 22nd Japan Ceramic Society Award, [1980] Traveled to the U.S. as a Visiting Fellow at Harvard University, [1997] Received the 9th Fukuoka Prefecture Cultural Award\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePublic Collections: \u003c\/strong\u003eFukuoka Prefectural Museum of Art, Tagawa City Museum of Art, Peabody Museum of Archaeology and Ethnology at Harvard University, Forest Hills Park (Boston), etc.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e c. 1985–1995 (Period as Visiting Fellow at Harvard University to international expansion period)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eItem Condition:\u003c\/strong\u003e Very Good (No chips, no cracks)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated original wooden box (Tomobako) included (with artist's calligraphy and red seal), original leaflet included (\"Moto-gama\")\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramics (Black glaze, platinum painted)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eWidth (including handle) approx. 20.0 cm, Depth (body diameter) approx. 16.0 cm, Height approx. 18.5 cm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products provided by our shop are unused, they were produced a very long time ago and are all listed as pre-owned items. Please understand and confirm that the item may have age-related wear before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974191890619,"sku":null,"price":75000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3230_result.jpg?v=1790256615"},{"product_id":"283","title":"Kyoto Prefectural Traditional Craft Techniques Holder, Hayashi Makuu (林沐雨) - A Phantom Kiyomizu-yaki Masterpiece Fusing Vivid Cobalt Enamel and Fine Gold Leaf: Gold-Accented Enamel \"Oosuzume \/ Red-flanked Bluetail\" Yunomi Tea Bowl \/ Rock Glass #283","description":"\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"markdown markdown-main-panel enable-luminous-fast-follows enable-updated-hr-color stronger\" id=\"model-response-message-contentr_126626194aeeb34d\" aria-busy=\"false\" aria-live=\"polite\" dir=\"ltr\"\u003e\n\u003cp data-path-to-node=\"27\"\u003eThis is an exceptionally elegant Iroe-Kinsai (overglaze enamel painting with gold accents) Yunomi tea bowl, representing the absolute pinnacle of classic Kyoto elegance, meticulously crafted by the grand master of Kiyomizu ware, Makuu Hayashi (1901–1991, real name: Yoshikazu Hayashi). The artist is widely recognized among elite collectors as an extremely rare individual whose works are seldom found within the Japanese secondary market or domestic digital archives. This extreme rarity is due to his unwavering lifelong commitment to working completely independently without ever aligning himself with major Japanese art establishments such as the Nitten Exhibition, combined with his extensive mid-century production of bespoke pieces direct-exported to overseas trading houses, notably in Hawaii, both before and after World War II.\u003c\/p\u003e\n\u003cp data-path-to-node=\"28\"\u003eOur gallery proudly presents this rare, historically significant masterpiece by a legendary artisan, not merely as an everyday utilitarian vessel, but as a supreme expression of Japanese Kōgei. It is specifically curated to serve as a premium sake cup for savoring rare vintage and aged sakes that have developed a profound complexity and rich character over decades of cellaring. The comfortable, organic proportion that nestles perfectly within the palm of your hand and its deliberate depth are beautifully designed to gently capture and concentrate the volatile, opulent aromas of mature spirits, creating a deeply luxurious sensory experience that delights both the eye and the palate.\u003c\/p\u003e\n\u003cp data-path-to-node=\"29\"\u003eMakuu Hayashi's most historically celebrated achievements lie in his exquisite mastery of overglaze enameling, which directly inherits the grand classical traditions of the legendary historical potters Ogata Kenzan and Nonomura Ninsei, along with his revolutionary color expressions utilizing traditional Japanese mineral pigments and Kochi glazes set against a low-temperature red-flame translucent glaze that he independently developed in 1928. This specific vessel beautifully demonstrates these exceptional techniques, adorned with the bird motif that the master favored above all else. The \"Oosuzume\" (modeled after the Red-flanked bluetail) depicted on the front facing of the cup utilizes a pristine, piercingly vivid cobalt Japanese mineral pigment, with incredibly precise brushwork that beautifully captures the dynamic vitality of life. Furthermore, sophisticated gold leaf detailing is layered over deep black enamels around the bird's face and across the primary feathers, retaining the imperial elegance of traditional Kiyomizu ware while simultaneously elevating the composition into a sharp, modern graphic design reminiscent of mid-century Western fine art.\u003c\/p\u003e\n\u003cp data-path-to-node=\"30\"\u003eAnother exceptional highlight of this piece extends beyond the surface painting to showcase the sublime, organic fusion of clay and kiln fire throughout the entire vessel body. Observing the reverse and side profiles of the cup, one can discern delicate pink speckles, historically known as \"higaawari\" (accidental kiln fire transformations), gently blushing through the fine crackled cream-white glaze base. Although the piece is technically crafted from fine porcelain, this breathing organic phenomenon beautifully evokes the material warmth and aesthetic depth unique to traditional Kyoto pottery, entirely distinguishing the object from cold, sterile commercial wares. On the underside of the foot rim, Makuu's authentic signature, inheriting the artistic lineage of his historical studio \"Isshian,\" is boldly and sharply incised with a master's spatula. The exterior lid of the accompanying dedicated wooden box (Tomobako), which has safely protected the artwork for decades, bears the artist's personal, fluid calligraphy titled \"Oosuzume Yunomi\" along with his signature and official vermilion seal (rakkan)—an absolute certification of provenance that fully guarantees its reliability, authenticity, and profound historical collection value. We invite you to experience the absolute zenith of traditional Japanese craftsmanship, a rarity virtually nonexistent in international markets, alongside your finest spirits.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"31\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eHayashi Makuu (林沐雨, 1901–1991, Birth name: Yoshikazu Hayashi)\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eArtist's Notable Activities:\u003c\/strong\u003e [1916] Studied the core fundamentals of ceramic arts under his biological father, the master potter \u003ca href=\"\/en\/search?q=%22%E6%9E%97%E7%A5%A5%E5%B1%B1%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eShozan Hayashi\u003c\/a\u003e; [1921] Entered \"Gojodo,\" the highly exclusive purveyor to the Imperial Household Ministry, where he thoroughly acquired advanced imperial porcelain manufacturing techniques; [1932] Studied under \u003ca href=\"\/en\/search?q=%22%E6%B8%85%E6%B0%B4%E5%85%AD%E5%85%B5%E8%A1%9B%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKiyomizu Rokubei\u003c\/a\u003e V, the undisputed titan of modern Kyoto ceramic arts (until 1936); [1948] Formally certified as a \"Holder of Traditional Craft Techniques\" by the Kyoto Prefectural Government for his outstanding contributions to cultural preservation\u003c\/li\u003e\n\u003cli data-path-to-node=\"33\"\u003e\u003cstrong\u003eMuseum Collections:\u003c\/strong\u003e Ibaraki Ceramic Art Museum, and other prominent public fine art institutions\u003c\/li\u003e\n\u003cli data-path-to-node=\"34\"\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e Circa 1950s–1970s (Mid-Showa era)\u003c\/li\u003e\n\u003cli data-path-to-node=\"35\"\u003e\u003cstrong\u003eProduct Condition: \u003c\/strong\u003eVery Good (pristine archival condition with no chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"36\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated Tomobako (Original wooden box signed and sealed by the artist)\u003c\/li\u003e\n\u003cli data-path-to-node=\"37\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain (Porcelain body featuring colored clay slip and fine gold leaf decoration)\u003c\/li\u003e\n\u003cli data-path-to-node=\"38\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 8.9 cm, Mouth diameter approx. 8.1 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"39\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003ePlease be advised that all historical works curated by our gallery, even if unused, originate from a historic production era and are strictly categorized as antique\/pre-owned fine art. Vintage objects may display subtle age-related nuances; we kindly invite you to consider your purchase with a full understanding of the unique character of antique Japanese ceramics.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c!----\u003e\u003c\/div\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974192251067,"sku":null,"price":66000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_9062_result.jpg?v=1784251734"},{"product_id":"304","title":"Kitade Tojiro (北出塔次郎), Councillor of the Nitten Exhibition and First Professor at Kanazawa College of Art: Polychrome Enamel and Gold Geometric Pattern Butterfly Design, A Pinnacle of Contemporary Kutani Ware Two-Piece Set #304","description":"\u003cp data-path-to-node=\"36\"\u003eThis is a highly dignified pair of sake cups by Mr. Kitade Tojiro (1898-1968), a pioneering ceramic artist who significantly reshaped the history of Kutani ware from modern to contemporary times, and a magnificent leader who supported the development of art education in Japan. Born in Hyogo Prefecture in 1898 and passing away in 1968, Mr. Kitade Tojiro was a supreme master representing the contemporary Kutani ceramic world of the Showa era. After dropping out of Kansai University's Faculty of Law in 1916, he studied under the master \u003ca href=\"\/en\/search?q=%22%E7%9F%A2%E9%87%8E%E6%A9%8B%E6%9D%91%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKyoson Yano\u003c\/a\u003e at the Osaka School of Fine Arts, where he learned the essence of Japanese painting and honed his unique, exceptional artistic sensibilities.\u003c\/p\u003e\n\u003cp data-path-to-node=\"37\"\u003eThe most decisive turning point in his ceramic career came in the autumn of 1936. He invited Mr. \u003ca href=\"\/en\/search?q=%22%E5%AF%8C%E6%9C%AC%E6%86%B2%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTomimoto Kenkichi\u003c\/a\u003e (1886-1963), a master of modern ceramics who later became a Living National Treasure for overglaze enamel porcelain, to his personal Kitade Kiln, and together they devoted themselves to thorough ceramic research, living and working side-by-side. Mr. Tomimoto deeply resonated with Tojiro's uncompromising artistic spirit and named his kiln \"Seisen-gama.\" Mr. Tomimoto's strict modernist philosophy, which rejected easy imitation of classical patterns and sought to create new modern designs from nature—to \"never create patterns from existing patterns\"—became a powerful identity for Seisen-gama thereafter. Following this historic event, the works he left behind were proudly inscribed on their accompanying boxes and catalogs as \"Seisen-gama works,\" testifying to a noble artistry directly inherited from Tomimoto and advanced techniques, circulating in the art world with special authority, even more than his personal name.\u003c\/p\u003e\n\u003cp data-path-to-node=\"38\"\u003eThis pair of sake cups is a masterpiece that clearly exhibits Kitade Tojiro's most highly regarded sophisticated fusion of overglaze enamel, colored slip (saidei), and gold leaf, along with his unique exotic abstract geometric designs. On the front of the vessel, a powerful butterfly motif is depicted in noble gold leaf layered over deep black. On the sides, vivid geometric patterns, skillfully arranged with gold, red, and green, are intricately woven with extreme precision. The method of completely departing from traditional Kutani ware decorations like landscapes and birds-and-flowers, and instead developing modern and exotic abstract geometric patterns inspired by classical designs from Persia and Central Asia, is Tojiro's true forte. Furthermore, he did not treat the smooth surface of the porcelain merely as a canvas, but perfectly harmonized the thickness of the paints, the unique texture of the colored slip, and the elegant shimmer of the gold leaf within a single vessel. Determining the optimal firing temperatures for each paint and slip, and undergoing multiple firing processes—bisque firing, main firing, and numerous overglaze firings—this small sake cup encapsulates a meticulously calculated, ultra-high-difficulty technique that could never be achieved with mediocre ceramic skills.\u003c\/p\u003e\n\u003cp data-path-to-node=\"39\"\u003eHe devoted a tremendous amount of time to his duties as an educator and in public service, becoming a professor in the Ceramics Department at the Kanazawa Specialized School of Arts and Crafts (present-day Kanazawa College of Art) upon its establishment in 1946, and later serving in important positions in the art world such as a councillor for the Nitten exhibition. As a result, his lifetime production of pure creative works is very limited. Furthermore, since many of his major and representative works are housed in public museums such as the National Museum of Modern Art, Tokyo, and the Ishikawa Prefectural Museum of Art, genuine masterpieces circulating in the private market are extremely rare, possessing an overwhelming scarcity value that serves as historical documentation.\u003c\/p\u003e\n\u003cp data-path-to-node=\"40\"\u003eWe propose these vessels, imbued with undeniable art-historical authority and superlative skill, as supreme sake vessels (shot glasses) of Japanese Kōgei, allowing you to enjoy the traditional beauty of Japan in the palm of your hand, tailored to a sophisticated modern lifestyle. They are especially suitable for savoring aged sake and vintage sake that have developed deep richness and mellow aromas over many years. The dignified presence of the black and gold butterfly on the front, and the vibrant geometric patterns on the sides, resonate beautifully with the exquisite amber color of aged sake poured into them, elevating your daily evening drink to a luxurious experience of appreciating a pinnacle of three-dimensional art.\u003c\/p\u003e\n\u003cp data-path-to-node=\"41\"\u003eThe advanced modernism and technical genes of Seisen-gama, built by Kitade Tojiro, were perfectly transmitted to the renowned masters he nurtured. His lineage continues with successive generations of geniuses: his second son, \u003ca href=\"\/en\/search?q=%22%E5%8C%97%E5%87%BA%E4%B8%8D%E4%BA%8C%E9%9B%84%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKitade Fujio\u003c\/a\u003e (1921-2014), who faithfully inherited his father's color sense and modernism and served as a professor and president of Kanazawa College of Art; his third son, \u003ca href=\"\/en\/search?q=%22%E5%8C%97%E5%87%BA%E6%98%9F%E5%85%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKitade Seiko\u003c\/a\u003e (Birth name: \u003ca href=\"\/en\/search?q=%22%E5%8C%97%E5%87%BA%E5%8B%87%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKitade Isamu\u003c\/a\u003e, 1928-2011), who inherited unique traditional techniques and was active primarily in the Nitten exhibition; and \u003ca href=\"\/en\/search?q=%22%E6%AD%A6%E8%85%B0%E6%95%8F%E6%98%AD%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTakegoshi Toshiaki\u003c\/a\u003e (1940-2021), a great master of contemporary Kutani ware, who, strongly encouraged by Professor Tojiro, switched from industrial design to ceramics and later won the Japan Art Academy Prize and became a member of the Japan Art Academy. This supreme sake vessel, a crystallization of a historical miracle that evolved tradition into art, is a preeminent modern piece that brings undeniable elegance and a unique presence to the daily dining table.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"42\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Kitade Tojiro (北出塔次郎, 1898-1968)\u003c\/li\u003e\n\u003cli data-path-to-node=\"43\"\u003e\u003cstrong\u003eArtist's Notable Career History:\u003c\/strong\u003e [1928] First accepted into the 9th Teiten Exhibition, [1946] Appointed Professor of Ceramics Department at Kanazawa Specialized School of Arts and Crafts (present-day Kanazawa College of Art), [1959] Appointed Council Member (Councillor) of the Nitten Exhibition\u003c\/li\u003e\n\u003cli data-path-to-node=\"44\"\u003e\u003cstrong\u003eWorks Housed At: \u003c\/strong\u003eThe National Museum of Modern Art, Tokyo; Ishikawa Prefectural Museum of Art; Kanazawa College of Art, Art \u0026amp; Craft Research Institute; etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"45\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e 1950s to mid-1960s (Mature period after receiving the Hokkoku Culture Award)\u003c\/li\u003e\n\u003cli data-path-to-node=\"46\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"47\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated Tomobako (original wooden box signed and sealed by the artist), wrapping cloth, Shiori profile brochure included\u003c\/li\u003e\n\u003cli data-path-to-node=\"48\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePorcelain (colored slip, gold leaf)\u003c\/li\u003e\n\u003cli data-path-to-node=\"49\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 4.3 cm, Diameter approx. 5.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"50\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003ePlease note that all products offered by our store, even if brand new and unused, originate from a historic production period and are strictly listed as antique\/used fine art items. Vintage products may exhibit subtle age-related characteristics; please consider purchasing upon full understanding and confirmation.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48055747182779,"sku":null,"price":70000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_8640_result.jpg?v=1783739319"},{"product_id":"308","title":"Kutani Ware Kaga Daishoji Akae Saibyou Master Tani Shukei (谷秋渓) - Akae Saibyou Kinsai Dragon Sake Cup Pair - The True Essence of Takeuchi Ginshu's Lineage, Microscopic One-Stroke Painting, Cloud Dragon Motif, A Treasure of Japanese Ceramic History #308","description":"\u003cp data-path-to-node=\"21\"\u003eThis is an exceptionally rare and highly dignified pair of Kutani Akae Saibyou Kinsai (microscopic red painting with gold highlights) sake cups (Sake-nomi), complete with their original signed wooden box (Tomobako), meticulously crafted by Shukei Tani (1888-1959, Birth name: Masaki), an eminent artisan native to Daishoji, Kaga City, Ishikawa Prefecture. Shukei Tani studied directly under the two historic titans of ceramic art: \u003ca href=\"\/en\/search?q=%22%E7%AB%B9%E5%86%85%E5%90%9F%E7%A7%8B%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTakeuchi Ginshu\u003c\/a\u003e, a legendary Meiji-era master of Kutani red painting, and his third son, \u003ca href=\"\/en\/search?q=%22%E5%BA%83%E6%B2%A2%E8%8A%A6%E7%A7%8B%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eRoshu Hirosawa\u003c\/a\u003e, who was widely acclaimed as the absolute historical pinnacle of Daishoji fine red painting. Tani’s works purely inherit the legitimate and orthodox lineage of this fine red style. Conveying the true essence of Daishoji artistry to the modern era, Shukei Tani’s creations are incredibly rare masterpieces with virtually no historical documentation available in Western art markets or general antique venues. Shukei consistently maintained an uncompromising creative ethos that thoroughly rejected the facile imitation of historical classics, instead refining manual artistry to the absolute limit. Consequently, his work is profoundly revered within the fine art community as a monumental presence that conclusively certifies the authenticity of the Daishoji Akae Saibyou lineage.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eThe paramount achievement and definitive hallmark of Shukei Tani’s ceramic art lies in his absolute mastery of the Kutani aka-e saibyou technique of \"Sogaki\" (comprehensive full-surface drawing), a method of total surface embellishment where the entirety of the porcelain is completely covered in microscopic red lines, deliberately leaving no negative space or blank areas. Utilizing an incredibly fine liner brush dipped in a specialized iron silicate pigment termed \"Bankou,\" his brushwork proceeds with mathematical precision, achieving an astonishing level of structural uniformity that exhibits no tremor or variation in line thickness even when examined under high magnification. On the outer walls of this matching pair of sake cups, this superlative technique is fully realized. Dynamic, undulating cloud dragons and swirling auspicious vapours seamlessly wrap around the gentle, three-dimensional curves of the porcelain vessel with mesmerizing density. Furthermore, opulent gold leaf (Kinsai) is strategically and beautifully layered over the dragon’s whiskers, dorsal fins, and the contours of the clouds, imparting an overwhelming splendor and a rich, tactile three-dimensional texture to the monochrome red base linework. The foot of each cup is similarly encircled by a dense geometric band rendered in pure gold leaf, reflecting an absolute refusal to compromise on decorative perfection down to the smallest millimeter.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23\"\u003eAn additional, extraordinary highlight of this work is that the absolute aesthetic discipline of Daishoji Akae is rigorously applied not only to the exterior but thoroughly into the innermost depths of the vessel. At the center bottom of the interior (Mikomi) lies a delicately bordered circular window, within which a regal phoenix (Ho-o) gracefully spreading its sprawling tail feathers in full flight is vividly and dynamically rendered in red enamel and brilliant gold leaf. Furthermore, a fine comb pattern (Kushime-mon)—consisting of perfectly parallel, hair-thin vertical red lines—encircles the inner rim of the mouth, ensuring that a flawless decorative universe unfolds from every conceivable viewing angle. Inside the foot ring, the four characters reading \"Kutani Shukei\" are cleanly hand-painted in red enamel by the master’s own hand, standing as definitive proof of authenticity. The lid of the accompanying dedicated wooden box (Tomobako) bears the elegant ink inscription \"Kutani Aka-e Sakazuki Ni\" (Two Kutani Aka-e Sake Cups), while the reverse side of the lid features the formal signature \"Shukei-zo\" accompanied by his authentic red vermilion seal, unequivocally establishing that this set was born from Shukei Tani's direct hand and has been reverently preserved as a pristine heirloom.\u003c\/p\u003e\n\u003cp data-path-to-node=\"24\"\u003eThe specialized process required to merge traditional microscopic red linework with multiple layers of gold leaf represents one of the most technologically daunting undertakings in the history of Japanese traditional crafts. If the volume of enamel held by the brush, the exact structural pressure of the hand, and a perfectly steady, uniform drawing speed—akin to holding one's breath—are not continuously maintained, the interlocking, microscopic patterns will instantly collapse. Moreover, because the red iron enamel and the gold leaf require vastly different optimal temperatures inside the kiln to develop their ideal color radiance, the porcelain must undergo a treacherous multi-stage firing regimen within the overglaze kiln after the initial bisque and main glaze firings. This ultra-high-difficulty discipline carries an immense failure rate, where a single moment of temperature deviation can cause the red pigment to vaporize or the porcelain core to fracture. Because it is physically impossible to mass-produce or streamline this structural creation, each cup represents a unique, one-of-a-kind universe requiring weeks of absolute concentration. Surviving the turbulent eras of the late Meiji, Taisho, and Showa periods to remain intact as a flawless, undamaged pair complete with its original inscribed Tomobako box is a true miracle of historical preservation.\u003c\/p\u003e\n\u003cp data-path-to-node=\"25\"\u003eOur gallery proudly proposes this pair, steeped in profound art-historical authority and unmatched manual skill, as the ultimate Japanese Kōgei sake vessels (shot glasses) designed to bring peerless elegance to a sophisticated modern lifestyle. Perfectly proportioned to rest naturally within the palm, these vessels are ideally suited to concentrate the complex aromas and deep, rich flavors of vintage sakes, aged spirits, or fine whiskies that have acquired a beautiful amber hue over decades of maturation. Accompanied by the moving poem transcribed upon the vintage wrapping paper, which captures the transient beauty of dew and the impermanence of existence, the vivid red linework and majestic gold ornamentation glisten brilliantly when filled with a fine spirit. This transforms a quiet evening drink into a luxurious immersion into a three-dimensional masterpiece of classic Japanese art—an unparalleled modern heirloom.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eTani Shukei (谷秋渓, Birth Name: Masaki Tani, 1888-1959)\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cstrong\u003eArtist's Notable Career History: \u003c\/strong\u003eActive primarily in Daishoji, Kaga City, Ishikawa Prefecture from the late Meiji to the mid-Showa period, mastering and perfecting the legitimate, orthodox techniques of Daishoji Aka-e Saibyou under the renowned red-painting masters Takeuchi Ginshu and Roshu Hirosawa\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e Taisho to early Showa era (Pre-war period, approx. 1920s–early 1930s)\u003c\/li\u003e\n\u003cli data-path-to-node=\"31\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated Tomobako (original signed and sealed wooden box), original historic wrapping paper (with transcription and translations included)\u003c\/li\u003e\n\u003cli data-path-to-node=\"33\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain (fine red painting, gold decoration)\u003c\/li\u003e\n\u003cli data-path-to-node=\"34\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 4.8 cm, Mouth diameter approx. 5.0 cm (Internal dimension)\u003c\/li\u003e\n\u003cli data-path-to-node=\"35\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003ePlease note that all products offered by our store, even if brand new and unused, originate from a historic production period and are strictly listed as antique\/used fine art items. Vintage products may exhibit subtle age-related characteristics; please consider purchasing upon full understanding and confirmation.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48055748133051,"sku":null,"price":125000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_8774_result.jpg?v=1783738886"},{"product_id":"317","title":"Ishikawa Intangible Cultural Property, Nitten Special Award Winner Matsumoto Saichi (松本佐一): Gold \u0026 Green Glazed Black-Painted Flat Sake Cup, Guinomi, Japanese Shot Glass #317","description":"\u003cp data-path-to-node=\"15\"\u003eCrafted by Matsumoto Saichi (1930–2021), a holder of Ishikawa Prefectural Designated Intangible Cultural Property for Kutani Ware and Nitten Special Award winner who was born in Kanazawa City, Ishikawa Prefecture, in 1930 and passed away at the age of 91 in 2021, this is a hand-painted flat sake cup adorned with gold and green glazes. Inheriting the legacy of the prestigious Matsuya Kiln and graduating from the Department of Ceramics at Kanazawa College of Art as well as the National Ceramic Experimental Station, Matsumoto Saichi broke free from the traditional \"five-color\" (Gosai) framework of Kutani ware, fusing gold and silver luster with graphic symbolic motifs to establish high acclaim as a leading figure in modern Kutani ceramics. Entrusted with creating the official sake cup gift for the Prime Minister during the normalization of Sino-Japanese diplomatic relations and furnishings for the Akasaka Palace (State Guest House), as well as winning the prestigious Nitten Special Award twice, he was a master who carried national honors. Featuring a shallow, gently flared flat-cup form measuring approximately 3 cm in height and 8 cm in diameter, this piece possesses high practical utility and aesthetic value, not only as a traditional cup for enjoying chilled sake, but also as a vintage shot glass (Japanese sake cup) for quietly savoring amber aged sake or single malt whisky straight.\u003c\/p\u003e\n\u003cp data-path-to-node=\"16\"\u003eObserving the details of this piece reveals a sophisticated fusion of Matsumoto Saichi's signature gold luster and translucent glazes, alongside his emblematic graphic design. Within the interior well (mikomi), a translucent, vibrant emerald-green glaze is layered over a brilliant gold leaf base, creating an enchanting visual effect where metallic radiance surges from the bottom of the vessel when struck by light. Rendered over this in black overglaze enamels are galloping four-legged animals, geometric fencing, and abstract motifs reminiscent of trees and birds, executed in fluid, expressive brushwork that constructs a modern aesthetic evoking ancient murals and primitive art. Meanwhile, the exterior walls are coated in a rich, vivid deep-blue glaze, and the unglazed white porcelain within the foot ring clearly displays his hand-painted signature reading \"Saichi\" in red overglaze, certifying it as an authentic creation.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eRegarding the period of production, taking clues from his peak artistic era between his first Nitten Special Award in 1977 (\"Ginsai Kiku\") and his second Nitten Special Award in 1988 (\"Kinsai Henko\"), when his style reached full maturity and he was at the height of his creative power as a leader of modern Kutani ware, it is identified as an authentic creation made between the late 1970s and the 1980s (Showa 50s to Showa 60s). The vessel itself has no cracks or chips, maintaining extremely good condition in its gold and green glaze coloration as well as the adherence of the black brushwork. It arrives in complete condition, accompanied by its dedicated Tomobako (wooden box) inscribed with the work's title on the lid and signed with a seal on the underside of the lid by the artist, alongside a wrapping cloth and a biographical brochure.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eMatsumoto Saichi (松本佐一, 1930–2021)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cstrong\u003eArtist's Key Activities: \u003c\/strong\u003e[1950] Graduated from the Department of Ceramics at Kanazawa College of Art; [1952] First selected for Nitten (exhibited work purchased by the Tokyo Metropolitan Government); [1972] Commissioned to create the official Prime Minister gift sake cup for the normalization of Sino-Japanese relations; [1974] Commissioned to create furnishings for Akasaka Palace; [1977, 1988] Won the Nitten Special Award; [1999] Designated as a holder of Ishikawa Prefectural Intangible Cultural Property for Kutani Ware\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cstrong\u003eMain Public Collections:\u003c\/strong\u003e Tokyo Metropolitan Government, Kanazawa City, local governments, art museums, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e Circa late 1970s–1980s (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None (item only)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain (gold \u0026amp; green glaze, black overglaze decoration, painted signature)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 3.0 cm, Mouth diameter approx. 8.0 cm\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cstrong\u003eCaution: \u003c\/strong\u003eAll products offered by our shop are pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48093149266107,"sku":null,"price":15000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1101_result_d8e3eb91-f08e-4300-a73c-3c83a1d73d95.jpg?v=1787108502"},{"product_id":"362","title":"Ishii Koji (石井康治): Gold Leaf Blown Red Glass Sake Cup, Guinomi, Japanese Shot Glass #362","description":"\u003cp data-path-to-node=\"29\"\u003eCrafted by Ishii Koji (1946–1996), a master of modern Japanese glass art who was born in Chiba Prefecture in 1946 and passed away suddenly at the age of 50 in 1996, this is a blown red glass sake vessel adorned with gold leaf decoration. After studying metalworking techniques in the Department of Crafts at Tokyo University of the Arts and working at Toyo Glass, Ishii Koji established himself as an independent glass artist in 1977. He earned high acclaim as a leading figure in expressing the subtle nuances of Japan's four seasons, natural landscapes, light, and wind within the medium of glass. In 1989, he founded Ishii Glass Studio Co., Ltd., and in 1991, he opened a studio in Aomori City to energetically release new works. His creations are housed in public art museums across Japan, including The National Museum of Modern Art, Tokyo, the Aomori Museum of Art, the Chiba Prefectural Museum of Art, the Toyama City Museum of Glass Art, and the Narikawa Art Museum in Hakone. Fitting comfortably in the palm with its substantial, heavy form, this sake cup (guinomi) possesses high practical utility and aesthetic value, not only as a traditional vessel for enjoying chilled sake, but also as a vintage shot glass (Japanese sake cup) for quietly savoring aged sake or matured whisky straight.\u003c\/p\u003e\n\u003cp data-path-to-node=\"30\"\u003eObserving the details of this piece reveals a sophisticated fusion of the blown glass sculptural beauty for which Ishii Koji received the highest acclaim, vibrant gold-ruby red glass, and bold gold leaf (kanzai) application. Formed through free-blowing techniques, the thick body bears a vivid red hue combining depth and translucency; when light passes through, the rich gradations of crimson are illuminated beautifully. Applied dynamically from the upper sides down to the base, the gold leaf has cracked and spread into an even, exquisite crackle pattern due to the heat during forming and the stretching of the glass. One can enjoy two distinct aesthetic views: the three-dimensional brilliance of the gold leaf fused on the exterior, and the interior scene where the texture of the gold leaf shimmers through the red glass. The rim features a gentle flared edge and rolled finish unique to hand-blown glass, while the flat bottom, hand-ground and polished, clearly displays his hand-carved signature reading \"Koji,\" certifying it as an authentic work by Ishii Koji.\u003c\/p\u003e\n\u003cp data-path-to-node=\"31\"\u003eRegarding the period of production, taking clues from his peak artistic era following his independence in 1977, marked by his award for designing the silhouette bottle for Sanwa Shurui's \"Iichiko\" in 1985 and the establishment of Ishii Glass Studio in 1989, when he actively presented blown glass works through salons and exhibitions such as the venerable luxury craft merchant Otsuya Onishi Toshichi in Kyoto, it is identified as an authentic creation made between 1985 and circa 1995 (Showa 60s to early Heisei period). While Ishii Koji's works are generally housed in paper gift boxes, this piece is an exceptionally rare special edition housed in a wooden Tomobako (wooden box) inscribed on the lid \"Te-fubuki Garasu Sake-ki\" (Hand-blown Glass Sake Vessel) and signed on the back \"Koji saku\" with a seal stamped. In complete condition, it includes the wooden Tomobako hand-signed by the artist, a red protective cloth, and a dedicated cloth stamped with the seal reading \"Kyoto Higashiyama Sanjo Otsuya Onishi Toshichi.\" The vessel itself has no cracks or chips, maintaining extremely good condition in both its red glass coloration and the adherence of the gold leaf.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eManufacturer: \u003c\/strong\u003eIshii Glass Studio Co., Ltd.\u003c\/li\u003e\n\u003cli data-path-to-node=\"33\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eIshii Koji (石井康治, 1946–1996)\u003c\/li\u003e\n\u003cli data-path-to-node=\"34\"\u003e\u003cstrong\u003eArtist's Key Activities:\u003c\/strong\u003e [1977] Left Toyo Glass to become an independent glass artist; [1979] Work exhibited at \"Japan New Face II\" purchased by Her Imperial Highness Princess Chichibu; [1985] Designed the silhouette bottle for Sanwa Shurui \"Iichiko\" and received a special award; [1989] Established Ishii Glass Studio Co., Ltd.; [1994] Held a solo exhibition at the Narikawa Art Museum in Hakone\u003c\/li\u003e\n\u003cli data-path-to-node=\"35\"\u003e\u003cstrong\u003eMain Public Collections:\u003c\/strong\u003e The National Museum of Modern Art, Tokyo; Aomori Museum of Art; Chiba Prefectural Museum of Art; Toyama City Museum of Glass Art; Narikawa Art Museum; Hida Takayama Museum of Art, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"36\"\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e Circa 1985–1995 (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"37\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"38\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated Tomobako (wooden box), red cloth, cloth stamped with Onishi Toshichi seal included\u003c\/li\u003e\n\u003cli data-path-to-node=\"39\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Hand-blown glass (gold-ruby red glass, gold leaf, gold decoration, carved signature)\u003c\/li\u003e\n\u003cli data-path-to-node=\"40\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 5.6 cm – 5.8 cm, Mouth diameter approx. 6.6 cm – 7.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"41\"\u003e\u003cstrong\u003eCaution:\u003c\/strong\u003e All products offered by our shop are pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48241385570491,"sku":null,"price":30000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1044_result.jpg?v=1787106624"},{"product_id":"412","title":"Ishii Koji (石井康治): Hand-Blown Satin Glass, Silver Leaf Saika-mon Pattern, Stemmed Tasting Glass, Wine Glass #412","description":"\u003cp data-path-to-node=\"17\"\u003eGraduating from the Department of Crafts (Tankin \/ Metal Hammering Specialty) at Tokyo University of the Arts in 1971, and going independent in 1977 after working at Toyo Glass Co., Ltd. before establishing Ishii Glass Studio Co., Ltd. in 1989, master artisan Ishii Koji (1946–1996) of Japan's contemporary glass art world created this hand-blown stemmed tasting glass. Fusing free-blowing (Chubuki) techniques with the three-dimensional sculptural sensibility cultivated through metal hammering to establish a unique glass expression themed around light, wind, and the natural beauty of Japan, he left a brilliant legacy: his exhibited piece at \"Japan New Face II\" was purchased by Her Imperial Highness Princess Chichibu in 1979; he won the Special Award at the Japan Package Design Competition in 1985 for designing the silhouette bottle of Sanwa Shurui's \"iichiko\" as well as the Special Award at the Seibu Crafts Grand Prize Exhibition in the same year; and he held the \"Symphony of Light and Wind: GLASS Ishii Koji\" exhibition at the Narukawa Art Museum in Hakone in 1994. Featuring a bowl that opens softly like a tulip and a dignified stem, this piece embraces the rich, rising aromas of aged sake, matured Japanese sake, or matured whisky, presented to the global market as a luxury tasting glass (sake vessel) for carefully appreciating delicate colorations.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eIn this piece, the bonding technology of multi-layered colored glass and metal leaf—Ishii Koji's hallmark—and a fantastical design echoing \"Saika-mon\" (floral patterns expressing four seasons of flowers and natural radiance) manifest with extraordinary completion. On a light lavender satin (frosted) glass body offering a moist tactile feel, silver leaf and colorful glass elements in mint green, milk-white, and pale purple are delicately heat-fused and decorated under high temperatures from the lower bowl to the stem. The process of uniformly fusing silver leaf and multiple colored glasses with different expansion coefficients without tearing the leaf, while imparting a matte texture to the surface, is a highly difficult technique requiring precise temperature control and advanced free-blowing skills. When liquid is poured in, the silver leaf and vivid elements placed at the bottom of the bowl gleam beautifully amid the soft light diffusion of the satin ground, gracefully harmonizing with the hue of the spirits. From the stem to the foot, it is finished in a tight dark tone, with the artist's hand-engraved signature \"Koji\" carved on the underside of the base.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eRegarding the period of production, it is estimated to be a work created during his peak era (1989–1996, late 1980s to mid-1990s), spanning from the establishment of Ishii Glass Studio Co., Ltd. in 1989, through the opening of the Aomori Studio in 1991, until his sudden passing at the age of 50 in 1996. His career as an independent artist from 1977 until his passing was short—spanning roughly 20 years—making one-of-a-kind hand-blown glass items crafted by his hands limited in market circulation and boasting exceptionally high rarity. The vessel body itself suffers no damage such as cracks or chips, maintaining outstanding condition in both satin surface finish and decoration. It comes with a dedicated box stamped with a red seal and inscribed on the lid face with \"Hand-Blown Glass, Koji.\"\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Ishii Koji (石井康治, 1946–1996)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist's Key Activities: \u003c\/strong\u003e[1979] Exhibited work at \"Japan New Face II\" purchased by Her Imperial Highness Princess Chichibu; [1985] Designed silhouette bottle for Sanwa Shurui \"iichiko\" and won Special Award at Japan Package Design Competition; [1985] Won Special Award at Seibu Crafts Grand Prize Exhibition; [1989] Established Ishii Glass Studio Co., Ltd.; [1991] Opened Ishii Glass Studio Aomori Studio; [1994] Held \"Symphony of Light and Wind: GLASS Ishii Koji\" exhibition at Narukawa Art Museum, Hakone\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eWorks Housed In:\u003c\/strong\u003e National Museum of Modern Art, Tokyo (now National Crafts Museum), Aomori Museum of Art, Chiba Prefectural Museum of Art, Toyama City Museum of Glass Art, Hida Takayama Museum of Art, Narukawa Art Museum (Hakone, Lake Ashi)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e 1989–1996 (Late 1980s–mid-1990s, estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated box included\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eHand-blown glass (satin finish, fused silver leaf and colored glass)\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 10.5 cm, Mouth diameter approx. 7.2 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eCaution:\u003c\/strong\u003e All products offered by our shop are pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48313816088763,"sku":null,"price":41000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2429_result.jpg?v=1788607147"},{"product_id":"471","title":"Aomori Prefecture Art and Culture Award Recipient, Tsugaru Vidro, Hokuyo Glass, Okawa Kaoru (大川薫): Frosted Glass Stem Cup (Bajohai) with Gold-Tone Foil and Applied Glass Beads #471","description":"\u003cp dir=\"ltr\"\u003eThis piece is a stemmed glass cup by Okawa Kaoru (1940–2008), who worked at Hokuyo Glass, a glassworks in Aomori Prefecture, while also presenting his own works as an independent artist. The underside of the foot bears the incised signature “K. OKAWA.” The frosted, matte body is decorated with gold-tone foil combined with applied glass beads. Measuring approximately 8.5 cm in height and 8.0 cm in rim diameter, it is well suited for use as a Japanese-style shot glass for savoring aged spirits a little at a time.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAccording to his reported biography, Mr. Okawa was born in Niigata Prefecture in 1940, studied craft design at Musashino Art University, and joined Hokuyo Glass in Aomori City in 1964. Hokuyo Glass began in 1949 as a maker of glass fishing floats. Building on the free-blowing (chūbuki) technique developed through float making, the company created Tsugaru Vidro in 1977, a line of handmade glass expressing the four seasons and natural landscapes of Aomori. Tsugaru Vidro was also the first product to be designated a traditional craft of Aomori Prefecture. From 1980 onward, Mr. Okawa presented his work in solo exhibitions and glass exhibitions in various parts of Japan. According to the official records of Aomori Prefecture, he received the 11th Aomori Prefecture Art and Culture Award in the crafts category for fiscal year Showa 60 (1985). He is further reported to have won the Grand Prize in Section 1 of the Tohoku Glass Art Exhibition, sponsored by Asahi Glass, in 1990, and the Asahi Glass Prize at the 1st Japan Glass Art Exhibition in 1991. In 2006 he served as an adviser to the company, and he passed away in 2008.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMr. Okawa’s style is distinguished by the way he incorporated glassmaking techniques from abroad on a foundation of glassblowing. In particular, his tea ceremony utensils, in which he adapted millefiori, the mosaic glass technique handed down on the Venetian island of Murano, in his own distinctive way, are introduced as representative of his work. He also produced many works on the theme of the natural scenery of the Tsugaru region. This piece does not employ millefiori mosaic decoration. Instead, it shows a different line of decorative expression using gold-tone foil and glass beads, and it stands as an example of the breadth of his technical range.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe vessel takes the form of a bajohai, or stem cup: an upward-flaring cup set on a thick, solid stem that widens toward its base. The entire surface has a matte finish with subdued luster. The color shifts from top to bottom, from a pale yellow at the rim and upper body, to a milky tone from the lower body to the top of the stem, and back to a yellowish hue in the stem itself. A band of gold-tone foil encircles the middle of the body. The foil is broken into a fine network of cracks through which the underlying glass shows, and glass beads of various sizes rise above it. The beads are irregular in shape, some round, some elongated, some joined in clusters, and several project beyond the outline of the vessel. Because the matte surface diffuses light softly, the whole vessel appears to glow gently when lit, while only the foil glitters finely, creating a striking contrast. The decorative band can also be seen through the glass from the interior, so the arrangement of foil and beads can be enjoyed from inside the cup as well. The signature “K. OKAWA” is incised on the flat inner surface of the underside of the foot.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe piece bears no date. It is a work bearing the artist’s personal signature, made between 1980, when he began presenting his work in solo and glass exhibitions, and his death in 2008. Documentation on Mr. Okawa is limited even within Japan, and his work has received almost no attention overseas. This stem cup, combining gold-tone foil and glass beads on a frosted body, is a piece of documentary value for understanding his work.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Okawa Kaoru (大川 薫, 1940–2008)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eRepresentative career highlights:\u003c\/strong\u003e [1964] Joined Hokuyo Glass, [1980 onward] Exhibited in solo exhibitions and glass exhibitions in various parts of Japan, [1985] 11th Aomori Prefecture Art and Culture Award (Crafts, fiscal year Showa 60), [1990] Grand Prize, Section 1, Tohoku Glass Art Exhibition (sponsored by Asahi Glass), [1991] Asahi Glass Prize, 1st Japan Glass Art Exhibition (sponsored by Asahi Glass), [2006] Adviser to Hokuyo Glass\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMuseum collections: \u003c\/strong\u003eNo museum holdings have been confirmed\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003ePeriod of production: \u003c\/strong\u003eLate Showa to Heisei era (between 1980 and 2008)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eShows signs of use (marks resembling water stains are visible on the surface)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eNone\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Glass (metal foil decoration)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 8.5 cm, rim diameter approx. 8.0 cm\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eRemarks: \u003c\/strong\u003eIncised signature “K. OKAWA” on the underside of the foot\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eAll items offered by our shop, even if new and unused, were produced long ago and are therefore listed as pre-owned. Items may show age-related wear or damage; please review and understand this before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":67635081347259,"sku":null,"price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4914_result_02cc0847-93ba-4960-9816-d0c397e7f7b3.jpg?v=1791899362"},{"product_id":"478","title":"Aomori Prefecture Art and Culture Award Recipient, Tsugaru Vidro, Hokuyo Glass, Okawa Kaoru (大川薫): Gourd-Shaped Frosted Crimson Glass Tokkuri (Sake Flask) with Gold and Silver Foil #478","description":"\u003cp dir=\"ltr\"\u003eThis piece is a gourd-shaped glass tokkuri (sake flask) by Okawa Kaoru (1940–2008), who worked at Hokuyo Glass, a glassworks in Aomori Prefecture, while also presenting his own works as an independent artist. The base bears a single-character signature incised in cursive script that appears to read “Kaoru” (薫). The body, made of deep crimson glass with a frosted matte finish, is clad in gold-tone foil on its upper portion and silver-tone foil on its lower portion. At approximately 13 cm in height and 8 cm in body diameter, it sits comfortably in the hand and can be used as a decanter for serving aged spirits.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAccording to his reported biography, Mr. Okawa was born in Niigata Prefecture in 1940, studied craft design at Musashino Art University, and joined Hokuyo Glass in Aomori City in 1964. Hokuyo Glass began in 1949 as a maker of glass fishing floats. Building on the free-blowing (chūbuki) technique developed through float making, the company created Tsugaru Vidro in 1977, a line of handmade glass expressing the four seasons and natural landscapes of Aomori. Tsugaru Vidro was also the first product to be designated a traditional craft of Aomori Prefecture. From 1980 onward, Mr. Okawa presented his work in solo exhibitions and glass exhibitions in various parts of Japan. According to the official records of Aomori Prefecture, he received the 11th Aomori Prefecture Art and Culture Award in the crafts category for fiscal year Showa 60 (1985). He is further reported to have won the Grand Prize in Section 1 of the Tohoku Glass Art Exhibition, sponsored by Asahi Glass, in 1990, and the Asahi Glass Prize at the 1st Japan Glass Art Exhibition in 1991. In 2006 he served as an adviser to the company, and he passed away in 2008.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMr. Okawa’s style is distinguished by the way he incorporated glassmaking techniques from abroad on a foundation of glassblowing. In particular, his tea ceremony utensils, in which he adapted millefiori, the mosaic glass technique handed down on the Venetian island of Murano, in his own distinctive way, are introduced as representative of his work. He also produced many works on the theme of the natural scenery of the Tsugaru region. This piece does not employ millefiori mosaic decoration. It is an example in which the surface is composed through the contrast of two kinds of foil, gold and silver, and it demonstrates the breadth of his decorative expression.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe vessel takes the form of a gourd, with a larger and a smaller swelling joined by a narrow waist. The upper swelling tapers toward the mouth, and the rim flares slightly outward. In this piece, a form long cherished in Japan as the shape of the tokkuri is rendered in glass. The entire surface has a matte finish with subdued luster, and the underlying glass changes in appearance with the light, ranging from a deep carmine to a bright crimson. From the upper swelling to the rim, finely fragmented gold-tone foil covers nearly the entire surface. Its lower edge breaks off irregularly, leaving a band of the crimson ground exposed at the waist. On the lower swelling, silver-tone foil fragments of various sizes encircle the surface, separated by a network of cracks, so that the crimson ground forms lines threading between the pieces of foil and creates a pattern across the whole. Among the silver-tone foil are also fragments with a golden tint, so the coloring shifts with the viewing angle. When lit from behind, the crimson glass glows brightly as light passes through it, while the foil emerges as dark silhouettes. A further highlight of this piece is the appearance of a seemingly inverted pattern, different from what is seen when light falls on it from the front. The base is finished with a shallow, flat recess, on which the signature is incised.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe piece bears no date. It is a work bearing the artist’s signature, made between 1980, when he began presenting his work in solo and glass exhibitions, and his death in 2008. Documentation on Mr. Okawa is limited even within Japan, and his work has received almost no attention overseas. This gourd-shaped tokkuri, combining gold and silver foil on frosted crimson glass, is a piece of documentary value for understanding his work.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eOkawa Kaoru (大川 薫,1940–2008)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eRepresentative career highlights:\u003c\/strong\u003e [1964] Joined Hokuyo Glass, [1980 onward] Exhibited in solo exhibitions and glass exhibitions in various parts of Japan, [1985] 11th Aomori Prefecture Art and Culture Award (Crafts, fiscal year Showa 60), [1990] Grand Prize, Section 1, Tohoku Glass Art Exhibition (sponsored by Asahi Glass), [1991] Asahi Glass Prize, 1st Japan Glass Art Exhibition (sponsored by Asahi Glass), [2006] Adviser to Hokuyo Glass\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMuseum collections:\u003c\/strong\u003e No museum holdings have been confirmed\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003ePeriod of production: \u003c\/strong\u003eLate Showa to Heisei era (between 1980 and 2008)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eShows slight signs of use\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eNone\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eGlass (metal foil decoration)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 13.0 cm, maximum body diameter approx. 8.0 cm, mouth diameter approx. 3.5 cm\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eRemarks: \u003c\/strong\u003eSingle-character signature, appearing to read “Kaoru” (薫), incised on the base\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eAll items offered by our shop, even if new and unused, were produced long ago and are therefore listed as pre-owned. Items may show age-related wear or damage; please review and understand this before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":67651885072571,"sku":null,"price":35000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4917_result_e2504d4c-1622-47fe-8a19-4d525a273dda.jpg?v=1791899121"},{"product_id":"479","title":"Aomori Prefecture Art and Culture Award Recipient, Tsugaru Vidro, Hokuyo Glass, Okawa Kaoru (大川薫): Frosted Amber Glass Footed Cup with Silver-Tone and Brown-Tone Foil #479","description":"\u003cp dir=\"ltr\"\u003eThis piece is a footed glass cup by Okawa Kaoru (1940–2008), who worked at Hokuyo Glass, a glassworks in Aomori Prefecture, while also presenting his own works as an independent artist. The underside of the foot bears a single-character signature incised in cursive script that appears to read “Kaoru” (薫). The amber body, finished with a frosted matte surface, is layered with a white band at the rim and two kinds of foil. Measuring approximately 7 cm in height and 6 cm in rim diameter, it sits comfortably in the hand and is well suited for use as a Japanese-style shot glass for savoring aged spirits a little at a time.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAccording to his reported biography, Mr. Okawa was born in Niigata Prefecture in 1940, studied craft design at Musashino Art University, and joined Hokuyo Glass in Aomori City in 1964. Hokuyo Glass began in 1949 as a maker of glass fishing floats. Building on the free-blowing (chūbuki) technique developed through float making, the company created Tsugaru Vidro in 1977, a line of handmade glass expressing the four seasons and natural landscapes of Aomori. Tsugaru Vidro was also the first product to be designated a traditional craft of Aomori Prefecture. From 1980 onward, Mr. Okawa presented his work in solo exhibitions and glass exhibitions in various parts of Japan. According to the official records of Aomori Prefecture, he received the 11th Aomori Prefecture Art and Culture Award in the crafts category for fiscal year Showa 60 (1985). He is further reported to have won the Grand Prize in Section 1 of the Tohoku Glass Art Exhibition, sponsored by Asahi Glass, in 1990, and the Asahi Glass Prize at the 1st Japan Glass Art Exhibition in 1991. In 2006 he served as an adviser to the company, and he passed away in 2008.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMr. Okawa’s style is distinguished by the way he incorporated glassmaking techniques from abroad on a foundation of glassblowing. In particular, his tea ceremony utensils, in which he adapted millefiori, the mosaic glass technique handed down on the Venetian island of Murano, in his own distinctive way, are introduced as representative of his work. He also produced many works on the theme of the natural scenery of the Tsugaru region. This piece does not employ millefiori mosaic decoration. It is an example in which the surface is composed of bands of differently colored glass and two kinds of foil layered one above another, and it demonstrates the breadth of his decorative expression.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe vessel rises from a small foot, its body opening gently upward before turning slightly outward at the rim. The entire surface has a matte finish with subdued luster and is composed of three layers stacked from top to bottom. From the rim to the upper body runs a milky white band, part of which is marked off by a section of silver-tone foil broken into a fine network of cracks. Below it, a band of brownish foil encircles the body, its upper edge breaking off irregularly in a wave-like line that creates a soft undulation along the border with the white band. The lower half of the body is amber glass that deepens toward orange as it nears the foot, and the foot itself is finished in a reddish orange. When light falls on the cup, the whole vessel glows brightly from within, and looking into the interior, the thick foot appears as a deep orange circle floating at the bottom. The underside of the foot is finished flat, and the signature is incised there.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe piece bears no date. It is a work bearing the artist’s signature, made between 1980, when he began presenting his work in solo and glass exhibitions, and his death in 2008. Documentation on Mr. Okawa is limited even within Japan, and his work has received almost no attention overseas. This footed cup, combining layers of colored glass and two kinds of foil on a frosted body, is a piece of documentary value for understanding his work.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eOkawa \u003c\/span\u003e\u003cspan\u003eKaoru (大川薫,\u0026nbsp;\u003c\/span\u003e\u003cspan\u003e1940–2008)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eRepresentative career\u0026nbsp;\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003ehighlights: \u003c\/strong\u003e[1964] \u003c\/span\u003e\u003cspan\u003eJoined Hokuyo Glass, \u003c\/span\u003e\u003cspan\u003e[1980 onward] \u003c\/span\u003e\u003cspan\u003eExhibited in solo \u003c\/span\u003e\u003cspan\u003eexhibitions and glass \u003c\/span\u003e\u003cspan\u003eexhibitions in \u003c\/span\u003e\u003cspan\u003evarious parts of \u003c\/span\u003e\u003cspan\u003eJapan, [1985] 11th \u003c\/span\u003e\u003cspan\u003eAomori Prefecture Art \u003c\/span\u003e\u003cspan\u003eand Culture Award \u003c\/span\u003e\u003cspan\u003e(Crafts, fiscal year \u003c\/span\u003e\u003cspan\u003eShowa 60), [1990] \u003c\/span\u003e\u003cspan\u003eGrand Prize, Section \u003c\/span\u003e\u003cspan\u003e1, Tohoku Glass Art \u003c\/span\u003e\u003cspan\u003eExhibition (sponsored \u003c\/span\u003e\u003cspan\u003eby Asahi Glass), \u003c\/span\u003e\u003cspan\u003e[1991] Asahi Glass \u003c\/span\u003e\u003cspan\u003ePrize, 1st Japan \u003c\/span\u003e\u003cspan\u003eGlass Art Exhibition \u003c\/span\u003e\u003cspan\u003e(sponsored by Asahi \u003c\/span\u003e\u003cspan\u003eGlass), [2006] \u003c\/span\u003e\u003cspan\u003eAdviser to Hokuyo \u003c\/span\u003e\u003cspan\u003eGlass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMuseum \u003c\/span\u003e\u003cspan\u003ecollections: No \u003c\/span\u003e\u003cspan\u003emuseum holdings have \u003c\/span\u003e\u003cspan\u003ebeen confirmed\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003ePeriod\u0026nbsp;\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003eof production: \u003c\/strong\u003eLate \u003c\/span\u003e\u003cspan\u003eShowa to Heisei era \u003c\/span\u003e\u003cspan\u003e(between 1980 and \u003c\/span\u003e\u003cspan\u003e2008)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eCondition:\u0026nbsp;\u003c\/strong\u003e\u003cspan\u003eShows signs of use\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eNone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eGlass\u0026nbsp;\u003c\/span\u003e\u003cspan\u003e(metal foil \u003c\/span\u003e\u003cspan\u003edecoration)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight\u0026nbsp;\u003c\/span\u003e\u003cspan\u003eapprox. 7.0 cm, rim \u003c\/span\u003e\u003cspan\u003ediameter approx. 6.0 \u003c\/span\u003e\u003cspan\u003ecm, foot diameter \u003c\/span\u003e\u003cspan\u003eapprox. 3.0 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eRemarks:\u0026nbsp;\u003c\/strong\u003e\u003cspan\u003eSingle-character \u003c\/span\u003e\u003cspan\u003esignature, appearing \u003c\/span\u003e\u003cspan\u003eto read “Kaoru” (薫), \u003c\/span\u003e\u003cspan\u003eincised on the \u003c\/span\u003e\u003cspan\u003eunderside of the \u003c\/span\u003e\u003cspan\u003efoot. In person, the \u003c\/span\u003e\u003cspan\u003epiece tends to look \u003c\/span\u003e\u003cspan\u003eduller and darker \u003c\/span\u003e\u003cspan\u003ethan in the images, \u003c\/span\u003e\u003cspan\u003ebut when viewed in a \u003c\/span\u003e\u003cspan\u003ebright place or with \u003c\/span\u003e\u003cspan\u003elight shining on it, \u003c\/span\u003e\u003cspan\u003eit shows the same \u003c\/span\u003e\u003cspan\u003ecoloring as in the \u003c\/span\u003e\u003cspan\u003eproduct photographs. \u003c\/span\u003e\u003cspan\u003eTo avoid any \u003c\/span\u003e\u003cspan\u003emisunderstanding \u003c\/span\u003e\u003cspan\u003ecaused by the images, \u003c\/span\u003e\u003cspan\u003ewe have posted a \u003c\/span\u003e\u003cspan\u003elarge number of \u003c\/span\u003e\u003cspan\u003ephotographs, so \u003c\/span\u003e\u003cspan\u003eplease carefully \u003c\/span\u003e\u003cspan\u003echeck how the \u003c\/span\u003e\u003cspan\u003ecoloring appears in \u003c\/span\u003e\u003cspan\u003eeach one.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eAll\u0026nbsp;\u003c\/span\u003e\u003cspan\u003eitems offered by our \u003c\/span\u003e\u003cspan\u003eshop, even if new and \u003c\/span\u003e\u003cspan\u003eunused, were produced \u003c\/span\u003e\u003cspan\u003elong ago and are \u003c\/span\u003e\u003cspan\u003etherefore listed as \u003c\/span\u003e\u003cspan\u003epre-owned. Items may \u003c\/span\u003e\u003cspan\u003eshow age-related wear \u003c\/span\u003e\u003cspan\u003eor damage; please \u003c\/span\u003e\u003cspan\u003ereview and understand \u003c\/span\u003e\u003cspan\u003ethis before \u003c\/span\u003e\u003cspan\u003econsidering your \u003c\/span\u003e\u003cspan\u003epurchase.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":67651885138107,"sku":null,"price":23000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4918_result_734870fb-da33-425f-bfad-369758da4801.jpg?v=1791899472"},{"product_id":"483","title":"National Crafts Collection Artist, Fujita Jun (藤田潤): Hand-Blown Frosted Glass Sake Cup with Gold-Tone Foil, Gold Prize Winner at the International Exhibition of Glass Kanazawa, Former Chairman of the Japan Glass Artcrafts Association #483","description":"\u003cp dir=\"ltr\"\u003eThis piece is a hand-blown glass sake cup by Fujita Jun (born 1951), a glass artist whose works are held in the collections of the National Crafts Museum and the Yokohama Museum of Art. The underside of the foot bears the incised signature “Jun” in Roman letters. The lid of the tomobako (the artist-inscribed wooden box) bears the ink inscription “Tebuki Sakazuki” (hand-blown sake cup), together with the artist’s signature “Jun” (潤) and his red seal. The body is clear glass with a frosted matte finish, its lower half clad in finely fragmented gold-tone foil. Measuring approximately 3.5 cm in height and 8.0 cm in rim diameter, this shallow cup is well suited for use as a Japanese-style shot glass for savoring aged spirits a little at a time.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMr. Fujita was born in Edogawa Ward, Tokyo, in 1951, and moved to Ichikawa City, Chiba Prefecture, in 1955. After graduating from the Department of Philosophy in the Faculty of Letters at Gakushuin University in 1975, he set out on the same path of glass art as his father, \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E7%94%B0%E5%96%AC%E5%B9%B3%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujita Kyohei\u003c\/a\u003e, the first glass artist to receive the Order of Culture. Since holding solo exhibitions at Takashimaya in Tokyo and Osaka in 1984, he has held solo exhibitions on a regular basis. In 1991 he took part in the 4th World Contemporary Glass Exhibition at the Hokkaido Museum of Modern Art. His awards include the Bridgestone Museum of Art Prize at “Glass ‘96 in Japan” in 1996, the Merit Prize at the KOGANEZAKI Vessel Form International Glass Exhibition in 2000, and the Gold Prize at the International Exhibition of Glass Kanazawa in 2001, and in 2008 he received a Commendation from the Commissioner for Cultural Affairs. He has also served as Chairman of the Japan Glass Artcrafts Association, devoting himself to the advancement of the glass art community in Japan. His works in public collections include “Impression” and “Two People” (both 1993) at the National Crafts Museum (The National Museum of Modern Art, Tokyo), and “Path of the Wind” (1999) at the Yokohama Museum of Art.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMr. Fujita has sought a sense of weightlessness in glass, continuing to work on the themes of wind, air, and water. He himself has said that glass is a material well suited to expressing sensations such as “floating,” “flowing,” and “drifting.” According to the Yokohama Museum of Art, his works make full use of free-blowing (chūbuki), in which the glass is inflated in midair while the blowpipe is rotated, and slumping, in which glass placed over a mold is heated so that it takes shape under its own weight. He further decorates the surface by sandblasting and acid etching, creating delicate effects of light. Like his father, he works in both Japan and Venice, Italy, and in recent years he has also presented a series of kazaribako (decorative boxes), the form for which his father was renowned.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAs the inscription “Tebuki” (hand-blown) on the tomobako indicates, this cup was formed by blowing, without the use of a mold. The vessel is a shallow cup set on a small, low cylindrical foot, with a rounded rim that curves slightly inward. The entire surface has a matte finish with subdued luster. From the rim to the upper half of the body, the clear glass is left unadorned, while a band of gold-tone foil is applied from the lower half of the body down to the edge of the foot. The foil is broken into a fine network of cracks, and these cracks become lines radiating outward from the foot, so that when the cup is viewed from below, the pattern resembles rays of light extending in all directions from the foot at its center. The foil fragments gather in larger pieces near the foot and scatter into finer particles toward the upper edge, merging into the glass ground. The upper edge of the foil breaks off irregularly, creating a soft undulation along its border with the clear glass. Looking into the interior, the band of foil shows through the frosted wall, appearing as a golden ring encircling the bottom of the cup. When the cup is filled, the shimmer of the foil wavers beneath the surface of the liquid, offering an expression different from that seen from the outside. The foot is of frosted clear glass, and the signature “Jun” is incised on its flat underside.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe piece bears no date. It is a work made after 1975, when the artist set out on the path of glass art, and it comes complete with the artist’s incised signature and a tomobako bearing his signature. This hand-blown sake cup by an artist whose works are held by a national crafts museum and a public art museum, and whose career includes major awards and the chairmanship of the Japan Glass Artcrafts Association, is a piece that allows contemporary Japanese glass art to be enjoyed at the table every day.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eFujita Jun (藤田 潤, born 1951)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eRepresentative career highlights: \u003c\/strong\u003e[1975] Graduated from the Department of Philosophy, Faculty of Letters, Gakushuin University, [1984] Solo exhibitions at Takashimaya, Tokyo and Osaka (held regularly thereafter), [1991] Exhibited at the 4th World Contemporary Glass Exhibition (Hokkaido Museum of Modern Art), [1996] Bridgestone Museum of Art Prize, “Glass ‘96 in Japan”, [2000] Merit Prize, KOGANEZAKI Vessel Form International Glass Exhibition, [2001] Gold Prize, International Exhibition of Glass Kanazawa, [2006–2015] Chairman, Japan Glass Artcrafts Association, [2008] Commendation from the Commissioner for Cultural Affairs\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMuseum collections: \u003c\/strong\u003eNational Crafts Museum (The National Museum of Modern Art, Tokyo), Yokohama Museum of Art\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003ePeriod of production: \u003c\/strong\u003eLate Showa to Reiwa era (after 1975, when the artist set out on the path of glass art)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent (no chips, no cracks)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eTomobako (artist-inscribed wooden box)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eGlass (metal foil decoration)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 3.5 cm, rim diameter approx. 8.0 cm\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eRemarks:\u003c\/strong\u003e Incised signature “Jun” on the underside of the foot. The lid of the tomobako bears the ink inscription “Tebuki Sakazuki” (hand-blown sake cup) with the artist’s signature “Jun” (潤) and red seal\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eAll items offered by our shop, even if new and unused, were produced long ago and are therefore listed as pre-owned. Items may show age-related wear or damage; please review and understand this before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":67651887857851,"sku":null,"price":27000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5069_result.jpg?v=1791975967"},{"product_id":"484","title":"Aomori Prefecture Art and Culture Award Recipient, Tsugaru Vidro, Hokuyo Glass, Okawa Kaoru (大川薫): Frosted Blue-Green Glass Stem Cup (Bajohai) with Gold-Tone Foil and White Glass Dots #484","description":"\u003cp dir=\"ltr\"\u003eThis piece is a stemmed glass cup by Okawa Kaoru (1940–2008), who worked at Hokuyo Glass, a glassworks in Aomori Prefecture, while also presenting his own works as an independent artist. The underside of the stem bears the incised signature “K. OKAWA.” The body, made of blue-green glass with a frosted matte finish, is decorated with gold-tone foil combined with dots of white glass. Measuring approximately 5.5 cm in height and 7.3 cm in rim diameter, it sits comfortably in the hand and is well suited for use as a Japanese-style shot glass for savoring aged spirits a little at a time.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAccording to his reported biography, Mr. Okawa was born in Niigata Prefecture in 1940, studied craft design at Musashino Art University, and joined Hokuyo Glass in Aomori City in 1964. Hokuyo Glass began in 1949 as a maker of glass fishing floats. Building on the free-blowing (chūbuki) technique developed through float making, the company created Tsugaru Vidro in 1977, a line of handmade glass expressing the four seasons and natural landscapes of Aomori. Tsugaru Vidro was also the first product to be designated a traditional craft of Aomori Prefecture. From 1980 onward, Mr. Okawa presented his work in solo exhibitions and glass exhibitions in various parts of Japan. According to the official records of Aomori Prefecture, he received the 11th Aomori Prefecture Art and Culture Award in the crafts category for fiscal year Showa 60 (1985). He is further reported to have won the Grand Prize in Section 1 of the Tohoku Glass Art Exhibition, sponsored by Asahi Glass, in 1990, and the Asahi Glass Prize at the 1st Japan Glass Art Exhibition in 1991. In 2006 he served as an adviser to the company, and he passed away in 2008.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMr. Okawa’s style is distinguished by the way he incorporated glassmaking techniques from abroad on a foundation of glassblowing. In particular, his tea ceremony utensils, in which he adapted millefiori, the mosaic glass technique handed down on the Venetian island of Murano, in his own distinctive way, are introduced as representative of his work. He also produced many works on the theme of the natural scenery of the Tsugaru region. This piece does not employ millefiori mosaic decoration. It is an example in which the surface is composed of gold-tone foil and white glass dots, and it demonstrates the breadth of his decorative expression.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe vessel takes the form of a bajohai, or stem cup, with a rounded, fairly deep cup supported on a short, thick, solid stem. The rim is finished thick and rounded, curving slightly inward. The stem is of frosted clear glass, widening gently toward its base and giving the cup a solid, steady presence. The exterior of the cup has a matte finish with subdued luster, and within the blue-green ground, streaks of pale green flow diagonally, so that the depth of color shifts with the viewing angle. The gold-tone foil spreads like a haze of fine particles near the rim, while from the lower body to the top of the stem it becomes larger fragments broken into a fine network of cracks, gathering densely around the stem. Over this, white glass dots of various sizes rise from the surface. The dots are irregular in shape, some round, some oval, some joined in twos and threes, and they are scattered most thickly over the lower half of the body. On some of the dots, flakes of gold-tone foil remain on the surface, and these details where white and gold overlap are a further highlight. Unlike the exterior, the interior has a glossy surface, through which the shimmer of the foil and the white dots can be seen. When light falls on the cup, the foil glitters with a greenish gold, and a scene resembling a swirl spiraling toward the center of the bottom appears. The underside of the stem is finished flat, and the signature is incised there.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe piece bears no date. It is a work bearing the artist’s personal signature, made between 1980, when he began presenting his work in solo and glass exhibitions, and his death in 2008. Documentation on Mr. Okawa is limited even within Japan, and his work has received almost no attention overseas. This stem cup, combining gold-tone foil and white glass dots on frosted blue-green glass, is a piece of documentary value for understanding his work.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Okawa Kaoru (大川 薫, 1940–2008)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eSelected Career Highlights:\u003c\/strong\u003e [1964] Joined Hokuyo Glass, [1980 onward] Exhibited in solo exhibitions and glass exhibitions in various parts of Japan, [1985] 11th Aomori Prefecture Art and Culture Award (Crafts, fiscal year Showa 60), [1990] Grand Prize, Section 1, Tohoku Glass Art Exhibition (sponsored by Asahi Glass), [1991] Asahi Glass Prize, 1st Japan Glass Art Exhibition (sponsored by Asahi Glass), [2006] Adviser to Hokuyo Glass\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e Between 1980 and 2008 (estimated)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eGood (no chips, no cracks)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eIncluded: \u003c\/strong\u003eNone\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eGlass (metal foil decoration)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 5.5 cm, rim diameter approx. 7.3 cm\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eRemarks: \u003c\/strong\u003eIncised signature “K. OKAWA” on the underside of the stem\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003ePlease Note:\u003c\/strong\u003e All items offered by our shop, even if new and unused, were produced long ago and are therefore listed as pre-owned. Items may show age-related wear or damage; please review and understand this before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":67651889234107,"sku":null,"price":28000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5310_result_d226054e-165b-4264-9de7-8859a745117a.jpg?v=1792252053"},{"product_id":"485","title":"Aomori Prefecture Art and Culture Award Recipient, Tsugaru Vidro, Hokuyo Glass, Okawa Kaoru (大川薫): Frosted Milk-White Glass Stem Cup (Bajohai) with Gold-Tone Foil and Blue Glass Dots, Sold As-Is #485","description":"\u003cp dir=\"ltr\"\u003eThis piece is a stemmed glass cup by Okawa Kaoru (1940–2008), who worked at Hokuyo Glass, a glassworks in Aomori Prefecture, while also presenting his own works as an independent artist. The side of the stem bears the incised signature “K. OKAWA.” The frosted, milky-white body is decorated with gold-tone foil combined with dots of blue glass. Measuring approximately 6.3 cm in height and 7.5 cm in rim diameter, it sits comfortably in the hand and is well suited for use as a Japanese-style shot glass for savoring aged spirits a little at a time.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAccording to his reported biography, Mr. Okawa was born in Niigata Prefecture in 1940, studied craft design at Musashino Art University, and joined Hokuyo Glass in Aomori City in 1964. Hokuyo Glass began in 1949 as a maker of glass fishing floats. Building on the free-blowing (chūbuki) technique developed through float making, the company created Tsugaru Vidro in 1977, a line of handmade glass expressing the four seasons and natural landscapes of Aomori. Tsugaru Vidro was also the first product to be designated a traditional craft of Aomori Prefecture. From 1980 onward, Mr. Okawa presented his work in solo exhibitions and glass exhibitions in various parts of Japan. According to the official records of Aomori Prefecture, he received the 11th Aomori Prefecture Art and Culture Award in the crafts category for fiscal year Showa 60 (1985). He is further reported to have won the Grand Prize in Section 1 of the Tohoku Glass Art Exhibition, sponsored by Asahi Glass, in 1990, and the Asahi Glass Prize at the 1st Japan Glass Art Exhibition in 1991. In 2006 he served as an adviser to the company, and he passed away in 2008.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMr. Okawa’s style is distinguished by the way he incorporated glassmaking techniques from abroad on a foundation of glassblowing. In particular, his tea ceremony utensils, in which he adapted millefiori, the mosaic glass technique handed down on the Venetian island of Murano, in his own distinctive way, are introduced as representative of his work. He also produced many works on the theme of the natural scenery of the Tsugaru region. This piece does not employ millefiori mosaic decoration. It is an example in which the surface is composed of gold-tone foil and blue glass dots, and it demonstrates the breadth of his decorative expression.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe vessel takes the form of a bajohai, or stem cup, with a rounded cup supported on a stem that widens toward its base. The stem is hollow inside, so that the decoration of the cup can be seen through it when looking up from below. The entire surface has a matte finish with subdued luster, and the milky-white glass softly diffuses the light. The cup is clad in gold-tone foil, which spreads like a haze of fine particles near the rim and becomes larger fragments broken into a fine network of cracks on the lower body, varying in density from place to place. Over this, blue glass dots are arranged in vertical rows radiating from just below the rim down to the top of the stem. The dots are larger toward the upper part of the cup and become smaller and more closely set as they approach the stem, so that when the cup is viewed from below, the blue lines form a pattern spreading outward in all directions from the stem. The dots rise slightly from the surface, and between the rows the body undulates gently. Looking into the interior, the rows of blue dots and the glimmer of the foil show through the frosted wall, and a single blue dot is set at the very center of the bottom. When the cup is filled, the blue and gold pattern emerges through the surface of the liquid, offering an expression different from that seen from the outside.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe piece bears no date. It is a work bearing the artist’s personal signature, made between 1980, when he began presenting his work in solo and glass exhibitions, and his death in 2008. Documentation on Mr. Okawa is limited even within Japan, and his work has received almost no attention overseas. This stem cup, combining gold-tone foil and blue glass dots on frosted milky-white glass, is a piece of documentary value for understanding his work.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eOkawa Kaoru (大川 薫, 1940–2008)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eSelected Career Highlights:\u003c\/strong\u003e [1964] Joined Hokuyo Glass, [1980 onward] Exhibited in solo exhibitions and glass exhibitions in various parts of Japan, [1985] 11th Aomori Prefecture Art and Culture Award (Crafts, fiscal year Showa 60), [1990] Grand Prize, Section 1, Tohoku Glass Art Exhibition (sponsored by Asahi Glass), [1991] Asahi Glass Prize, 1st Japan Glass Art Exhibition (sponsored by Asahi Glass), [2006] Adviser to Hokuyo Glass\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eDate: \u003c\/strong\u003eBetween 1980 and 2008 (estimated)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eSold as-is (one light surface scratch on the interior. It does not extend into any crack or break, and there are no chips on the rim. The scratch can be made out in the photographs at certain angles but is difficult to see with the naked eye. It does not affect the cup’s use as a sake cup)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eIncluded: \u003c\/strong\u003eNone\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eGlass (metal foil decoration)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 6.3 cm, rim diameter approx. 7.5 cm\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eRemarks: \u003c\/strong\u003eIncised signature “K. OKAWA” on the side of the stem\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003ePlease Note: \u003c\/strong\u003eAll items offered by our shop, even if new and unused, were produced long ago and are therefore listed as pre-owned. Items may show age-related wear or damage; please review and understand this before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":67651890282683,"sku":null,"price":18000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5257_result_0d6f819f-afd1-4f31-91ea-3d7ca1cf7d32.jpg?v=1792252020"},{"product_id":"486","title":"Certified Preserver of Craft Techniques, Miyanaga Tozan II (二代 宮永東山・宮永友雄, Miyanaga Tomoo): Ruri-Glazed Gilt Lobed Confectionery Bowl with Jindai Moji Inscription, Kashiki \/ Kashibachi \/ Fruit Bowl #486","description":"\u003cp\u003eThis is a \"Ruri-Glazed Gilt Confectionery Bowl with Shinji (Divine Characters)\" by Miyanaga Tozan II (given name Miyanaga Tomoo, 1907–1995), the second-generation head of the Miyanaga Tozan Kiln, one of the distinguished names of Kyoto ceramics (Kyo-yaki). The entire vessel is covered in a deep lapis-blue ruri glaze, and the interior is inscribed in gold with a single line of Jindai moji, the so-called \"characters of the Age of the Gods.\" This lobed bowl comes with its Tomobako (the original wooden box bearing the artist's ink inscription and red seal) and its Tomonuno (the original cloth wrapper bearing a red seal). Carrying on the celadon, blue-and-white (sometsuke), and polychrome enamel wares produced since the first generation, Miyanaga Tozan II excelled in fine tableware and came to be known as \"Tozan of Tableware.\" This piece exemplifies the refined tableware style of the second generation.\u003c\/p\u003e\n\u003cp\u003eThe history of the Miyanaga Tozan Kiln begins with Miyanaga Tozan I (given name Miyanaga Gotaro, 1868–1941). Born into a samurai family of the Daishoji Domain in Ishikawa Prefecture, Tozan I served as assistant to Okakura Tenshin, principal of the Tokyo School of Fine Arts, and took part in surveys of art institutions in Western countries. He later worked at the Provisional Office for the Paris Exposition Universelle of the Ministry of Agriculture and Commerce and was dispatched to Paris, where he became acquainted with Kinkozan Sobei VII. After returning to Japan, he moved to Kyoto, became artistic adviser to the Kinkozan workshop, and devoted himself to the reform of Meiji-era Kyoto ceramics. In 1903 (Meiji 36), he joined Yutoen, Japan's first society for the study of ceramic design, founded through the initiative of the ceramic chemist Nakazawa Iwata and the Western-style painter Asai Chu. In 1909 (Meiji 42), he built the Tozan Kiln at Fukakusa, at the foot of Mount Inari in Fushimi. The art name \"Tozan\" was chosen by his friend Koda Rohan, with whom he had shared lodgings for about two years while studying at the Tokyo French Language School; Rohan took it from the phrase in Mencius, \"Confucius ascended the Eastern Mountain.\" During the Showa era, his works \"Two-Color Glazed Vase\" and \"Pale Celadon Pentagonal Vase with Floral Design\" were selected for the Imperial Art Academy Exhibition (Teiten), and from the 14th exhibition onward he was granted mukansa status, exempting him from jury screening. Celadon was his greatest specialty, and he was known as \"Tozan of Celadon.\"\u003c\/p\u003e\n\u003cp\u003eMiyanaga Tozan II was born in Kyoto in August 1907 (Meiji 40), the son of Tozan I. After attending Kyoto First Middle School, he graduated from the Design Department of the Kyoto Higher School of Arts and Crafts in 1930 (Showa 5). In 1935 (Showa 10), he completed the training course at the National Ceramics Testing Institute, where he carried out research on feldspar, among other subjects. During this period he also studied under \u003ca href=\"\/en\/search?q=%22%E6%B2%BC%E7%94%B0%E4%B8%80%E9%9B%85%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eNumata Ichiga\u003c\/a\u003e, and \u003ca href=\"\/en\/search?q=%22%E5%85%AB%E6%9C%A8%E4%B8%80%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYagi Kazuo\u003c\/a\u003e was among his fellow pupils. In 1939 (Showa 14), his work was selected for the 3rd Ministry of Education Art Exhibition (Bunten), and in December 1941 (Showa 16), following the sudden death of Tozan I, he succeeded to the name as Tozan II. In 1943 (Showa 18), he was certified as a Preserver of Craft Techniques under the national system established during wartime. After the war, he served as a member of the Kinki regional committee for the national certification of traditional craftsmen. From 1955 (Showa 30), he studied the tea ceremony under Yurinsai, grand master of the Mushakojisenke (Kankyuan) school, and in 1960 (Showa 35), he took part in founding the Kyoto Traditional Ceramic Artists Association, later serving as its vice president. From 1964 (Showa 39) to 1990 (Heisei 2), he lectured at the Sen Chado Bunka Gakuin (Sen Tea Culture Institute), and from 1975 (Showa 50) onward he traveled widely around the world, gaining extensive knowledge of the ceramics and antiquities of the Middle East and the Mediterranean coast in particular. He passed away in March 1995 (Heisei 7).\u003c\/p\u003e\n\u003cp\u003eThe Miyanaga Tozan name has been passed on to \u003ca href=\"\/en\/search?q=%22%E5%AE%AE%E6%B0%B8%E7%90%86%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eMiyanaga Rikichi\u003c\/a\u003e (born 1935), the eldest son of Tozan II. In 1970 (Showa 45), Rikichi joined Sodeisha, the avant-garde ceramic artists' group, and is known for works that pursue sculptural form. The Miyanaga family has been engaged in ceramics for more than 120 years. In addition, a great many works by Tozan II and by the Tozan Kiln, made up to his death, were preserved at the family home through the efforts of his wife, Keiko. As a valuable body of material on postwar Kyoto ceramics, these works have been studied by the Kyoto Modern Ceramics Research Group, composed of ceramic historians, curators, and potters based in the Kansai region, and made public as the \"Miyanaga Tozan Kiln Ceramics Database.\"\u003c\/p\u003e\n\u003cp\u003eThe technique most highly esteemed at the Miyanaga Tozan Kiln is celadon, as the epithet \"Tozan of Celadon\" given to the first generation attests. The second generation, in addition to celadon, was called \"Tozan of Tableware\" for his fine tableware, including blue-and-white and polychrome enamel wares. This piece is not celadon but a work of fine tableware in the polychrome family, executed in ruri glaze and gold, and it clearly displays the quality of craftsmanship in tableware that was the true hallmark of the second generation. The interior and exterior are evenly covered in a deep ruri glaze with little variation, giving a strong luster. The rim is lobed, formed by notches cut into its edge, and is encircled by a gilt band. A single ridge runs around the inside of the rim; because the glaze thins over this ridge, a bright blue line emerges against the deep lapis of the vessel, outlining the lobed contour from within. In the interior, a line of characters drawn in slender, flowing strokes is applied in overglaze gold. The design is restrained and refined, with gold lines glowing against the dark blue ground; by confining the decoration to a single line in the interior, the composition heightens the depth of the ruri glaze. The foot ring is carved relatively tall; the area within it is glazed in ruri, with an oval \"Tozan\" kiln mark written in gold at the center. The white clay body is visible on the inner side of the foot ring, contrasting with the ruri glaze.\u003c\/p\u003e\n\u003cp\u003eAs the word \"Shinji\" (divine characters) in the inscriptions on the Tomobako and the paper label indicates, the characters in the interior are Jindai moji (characters of the Age of the Gods). Jindai moji is the collective term for scripts that have been claimed to have existed in Japan before the introduction of Chinese characters. Several types are known, including Hifumi, Anaichi, and Ahiru, and most of them are phonetic scripts in which each character represents a single sound. Theories that ancient Japan possessed its own script can be found as early as the Kamakura period, but debate became especially lively in the Edo period. In the late Edo period, the Kokugaku (National Learning) scholar Hirata Atsutane argued for their authenticity in Shinji Hifumi Den, while Ban Nobutomo put forward a dissenting view in Kana no Motosue, giving rise to controversy. Modern Japanese linguistics regards all Jindai moji as later creations. The term \"Shinji\" used in the box inscription is a traditional name for Jindai moji, also seen in the title of Atsutane's work. That Miyanaga Tozan II, who was also versed in the tea ceremony, adopted such characters as a design for fine tableware gives this piece its distinctive rarity.\u003c\/p\u003e\n\u003cp\u003eThe characters on this piece are written in a cursive style of linked curves, with ten characters arranged in a single line. No character form appears twice among the ten. The content of the inscription is not recorded on the Tomobako or in any accompanying material, and no reading based on comparison with a character table has been established. With that caveat, we would add our own conjecture: the inscription may record \"hi fu mi yo i mu na ya ko to,\" the ten opening sounds of the Hifumi Norito (Hifumi prayer). There are two grounds for this. First, all ten characters differ in form, which matches these ten sounds, none of which is repeated. Second, as the name of one type of Jindai moji, \"Hifumi,\" suggests, Jindai moji have been handed down in association with the sound sequence \"hi fu mi.\"\u003c\/p\u003e\n\u003cp\u003e\"Hi fu mi yo i mu na ya ko to\" is formed by placing in order the initial sounds of the native Japanese numerals from one to ten: \"hito, futa, mi, yo, itsu, mu, nana, ya, kokono, to.\" The Hifumi Norito, which begins with these ten sounds, is a prayer composed of forty-seven sounds, each used once without repetition, and it has been chanted within Shinto-related traditions. If this conjecture is correct, the interior of this piece bears, in gold, a celebratory phrase counting the numbers from one to ten. Please note, however, that this is our conjecture based on features such as the number and forms of the characters, and it should be regarded as a reference only.\u003c\/p\u003e\n\u003cp\u003eThe accompanying Tomobako is made of cedar; the lid bears the title in ink and the signature \"Tozan zo\" (made by Tozan), with an oval red seal reading \"Tozan.\" The Tomonuno that wraps the bowl is likewise stamped with the same oval red \"Tozan\" seal. On the side of the box remains a paper label (price tag) inscribed in ink with \"Tozan\" and \"Shinji Kashibachi\" (Confectionery Bowl with Divine Characters), together with a price in the two-hundred-yen range, written beginning with \"two hundred\" in the old-style formal numeral. As this is a work by Miyanaga Tozan II, it dates from after December 1941 (Showa 16), when he succeeded to the name. Furthermore, based on the price level on this label, we estimate that it was sold in the postwar period, between the Showa 20s and the first half of the Showa 30s (approximately 1945 to the late 1950s).\u003c\/p\u003e\n\u003cp\u003eWith a height of approx. 7.0 cm and a diameter of approx. 21.5 cm, this is a fairly shallow bowl of generous proportions. Beyond its use as a kashiki for serving wagashi and higashi (dry confections), it can also hold nuts, chocolates, or seasonal fruit while enjoying aged spirits or whisky. The contrast of deep ruri blue and gold grows richer still under lighting. This is a piece of Kyoto ceramics rarely introduced overseas, conveying the history of the Miyanaga Tozan Kiln and the fine tableware of its second generation.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eMiyanaga Tozan II (宮永 東山、1907–1995) \/ Given name: Miyanaga Tomoo（宮永 友雄）\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSelected Career Highlights:\u003c\/strong\u003e [1930] Graduated from the Design Department, Kyoto Higher School of Arts and Crafts; [1935] Completed the training course at the National Ceramics Testing Institute (studied under Numata Ichiga); [1939] Selected for the 3rd Bunten; [1941] Succeeded to the name Miyanaga Tozan II; [1943] Certified as a Preserver of Craft Techniques; [1955] Began studying the tea ceremony under Yurinsai, grand master of Mushakojisenke; [1960] Took part in founding the Kyoto Traditional Ceramic Artists Association (later Vice President); [1964] Lecturer at the Sen Chado Bunka Gakuin (until 1990); [1968] Three-person exhibition of Miyanaga Tozan, his wife Keiko, and Rikichi at Mitsukoshi Nihonbashi, Tokyo; [1983] Exhibition of Miyanaga Tozan and Rikichi at Mitsukoshi Nihonbashi, Tokyo; [1987] Exhibited in \"Currents of the Modern Era: Nihonga and Crafts of Kyoto,\" Kyoto Municipal Museum of Art\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePublic Collections: \u003c\/strong\u003eNo record of holdings in public institutions has been confirmed (works by Tozan II and the Tozan Kiln have been studied by the Kyoto Modern Ceramics Research Group and published as the \"Miyanaga Tozan Kiln Ceramics Database\")\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDate: \u003c\/strong\u003eShowa period (after Tozan II's succession to the name in December 1941; estimated from the price on the label to be postwar, between the Showa 20s and the first half of the Showa 30s)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eGood (no notable chips or cracks; age-related wear to the gilding on the rim)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIncluded: \u003c\/strong\u003eTomobako (ink inscription \"Tozan zo,\" oval red seal \"Tozan,\" price label on the side), Tomonuno (oval red seal \"Tozan\")\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eCeramic (ruri glaze, gilding)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 7.0 cm, diameter approx. 21.5 cm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease Note: \u003c\/strong\u003eAll items offered by our shop, even if new and unused, were produced a very long time ago and are therefore listed as pre-owned. Items may show damage from age; please understand and review this before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":67651891593403,"sku":null,"price":30000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5463_result_c4102838-5dce-4f00-9102-b152b47a7a03.jpg?v=1792252425"},{"product_id":"487","title":"Studied under Tokuda Yasokichi III – Certified Traditional Craftsman of Kutani Ware – Kawashima Hiroshi (河島洋) – Footed Sake Cup, Suisaka-de Style, with Round-Window Design in Overglaze Enamels and Gold – With Tomobako – Japanese Shot Glass #487","description":"\u003cp dir=\"ltr\"\u003eThis footed sake cup is by Kawashima Hiroshi, a Kutani ware artist based in Kaga City, Ishikawa Prefecture. The whole vessel is covered in a blackish-brown glaze with a silvery sheen. At the center of the inner surface, a round window holds a design in overglaze enamels and gold. The tall foot carries a band of leaf-shaped motifs in gold and silvery white on a pale blue-green ground. Inside the foot is a signature that can be read as “Hiroshi.” The inside of the Tomobako (the artist’s original signed wooden box) lid bears the signature “Hiroshi” and a red “Hiroshi” seal. The outside of the lid bears an ink inscription that can be read as “Suisaka-de” (Suisaka style) and the large character for “sakazuki” (sake cup). The wrapping cloth is also stamped with a red seal.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eKawashima Hiroshi was born in 1951 in Kamikawasaki-machi, Kaga City, Ishikawa Prefecture. He went on to study with the aim of becoming a designer, and his interest in ceramics grew while he was studying graphic design, oil painting, and watercolor. He later studied under \u003ca href=\"\/en\/search?q=%22%E5%BE%B3%E7%94%B0%E5%85%AB%E5%8D%81%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTokuda Yasokichi\u003c\/a\u003e III, a Holder of Important Intangible Cultural Property (Living National Treasure), and under \u003ca href=\"\/en\/search?q=%22%E4%B8%AD%E5%B3%B6%E7%8F%A0%E5%85%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eNakajima Shuko\u003c\/a\u003e, a Holder of Intangible Cultural Property of Terai Town. At the 29th Japan Traditional Kogei Exhibition in 1982, his “Bowl with Small Floral Patterns in Overglaze Enamels” was accepted for exhibition. A work by his wife, Kawashima Mari, was accepted at the same exhibition. The couple have continued to work together as the Shishikara Pottery Studio (Shishikara Tobo).\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe artist’s own record of his career lists three acceptances at the Japan Traditional Kogei Exhibition. It also lists acceptance at the Japan Traditional Kogei Exhibition Ishikawa Branch Exhibition, eight consecutive acceptances at the Traditional Kutani Ware Craft Exhibition, ten consecutive acceptances and two awards at the Sozo Bijutsu (Creative Art) Exhibition, and an award at the Kutani Design Exhibition. In terms of technical skill, he placed first in the first-grade ceramics skills examination and obtained the qualification of First-Grade Ceramics Technician, certified by the Minister of Labour. He was also commissioned to create “Design of Doves” as a commemorative gift for the 80th birthday of Ambassador Mansfield, the United States Ambassador to Japan. His solo exhibitions have been held at the Art Salon of the Daiwa Department Store, the Towa Gallery in Aoyama, Tokyo, and the Seibu department stores in Ikebukuro and Takatsuki, among other venues. His group exhibitions include “Six Ceramic Artists Who Will Shape Tomorrow” at the Odakyu Department Store, Shinjuku.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eHe is currently a Full Member of the Japan Kogei Association and a Certified Traditional Craftsman of Kutani Ware. He is also a member of the Japan Ceramics Association and the Japan Ceramic Art Association, and he has served as a director of the Ishikawa Prefecture Ceramic Art Association and as a standing director of the Kaga City Art Association. He also belonged to the ceramics sections of the Issui-kai and the Sozo Bijutsu-kai. According to his biography, he received an Encouragement Prize at the Traditional Kogei Ishikawa Branch Exhibition in 1995 and exhibited at the National Art Museum of China in Beijing in 2000. In 2006 his “Bowl with Floral Design in Overglaze Enamels and Sgraffito” received the Hazama Memorial Prize at the Issui-kai Ceramics Section Exhibition, and he received the same prize again the following year, in 2007.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eKawashima is best known for work in the Yoshidaya style. The Yoshidaya kiln was founded in the late Edo period by Toyota Den’emon, a wealthy merchant of Daishoji who traded under the name Yoshidaya, with the aim of reviving Ko-Kutani (Old Kutani). The kiln was highly regarded for artistry and quality that approached those of Ko-Kutani. Drawn to Yoshidaya ware, Kawashima carries out every stage himself, from throwing on the wheel to overglaze painting. Through research into clay bodies, clay mixtures, and colored glazes, he established his own Yoshidaya style, and his works in this style are known as “So-Yoshidaya.”\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThis cup belongs to a different line from that Yoshidaya style. The Tomobako bears an inscription that can be read as “Suisaka-de.” Explanations of Kutani ware styles describe Suisaka ware, said to have been produced before Ko-Kutani in Suisaka in Kaga (now Suisaka-machi, Kaga City), as having a body coated in brownish glaze with refinements such as reserved white areas, and with designs added in overglaze enamels or silver. The composition of this cup, with a round window on a blackish-brown glazed body decorated in overglaze enamels and gold, recalls this early Kaga style. The colors within the round window are ochre, green, white, and gold, and no red is used.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eInside the round window on the inner surface of the bowl, flowing line motifs and fine dot motifs are drawn in gold on an ochre ground. Three white lines cross over them to form a triangle, and the inside of the triangle is filled with a gold seigaiha (wave) pattern on a green ground. The exterior and interior are covered in a blackish-brown glaze, with a silvery sheen over a fine, granular texture. The outward-flaring cylindrical foot is painted on a pale blue-green ground with radiating leaf-shaped motifs in gold and silvery white, together with dot motifs. The top and bottom of the foot are marked off by thin dark-brown lines, and the foot rim is unglazed, showing the clay body. The inside of the foot is dark green, and in a pale green circle at its center is a signature in white that can be read as “Hiroshi.”\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eWe suggest this cup as a Japanese-style shot glass for sipping aged spirits or whisky neat, a little at a time. When the cup is filled, the enamel-painted round window at the bottom of the dark vessel can be admired through the surface of the liquor.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eNeither the cup nor the Tomobako records a year of production, so we date it to the period after the artist began his ceramic career.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThere are no chips or cracks. The exterior has small black specks that appear to have occurred during firing, as well as a very small red spot. Near the foot, on the lower body, there is one small brushmark in gold. On the inner surface, some of the gold extends slightly beyond the edge of the round window. The foot rim shows uneven brown coloring. The outside of the Tomobako lid shows discoloration due to age. Please refer to the images for details.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eKawashima Hiroshi (河島 洋、1951–)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eSelected Career Highlights: \u003c\/strong\u003e[1951] Born in Kamikawasaki-machi, Kaga City, Ishikawa Prefecture; studied under Tokuda Yasokichi III (Holder of Important Intangible Cultural Property) and Nakajima Shuko (Holder of Intangible Cultural Property of Terai Town); [1982] Accepted at the 29th Japan Traditional Kogei Exhibition, “Bowl with Small Floral Patterns in Overglaze Enamels”; [c. 1983] Created “Design of Doves” as a gift commemorating the 80th birthday of Ambassador Mansfield, U.S. Ambassador to Japan; three acceptances at the Japan Traditional Kogei Exhibition (per the artist’s career record); eight consecutive acceptances at the Traditional Kutani Ware Craft Exhibition; ten consecutive acceptances and two awards at the Sozo Bijutsu Exhibition; award at the Kutani Design Exhibition; first place in the first-grade ceramics skills examination, First-Grade Ceramics Technician; Full Member of the Japan Kogei Association; Certified Traditional Craftsman of Kutani Ware; [2006 and 2007] Hazama Memorial Prize, Issui-kai Ceramics Section Exhibition (per his biography)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003ePublic Collections:\u003c\/strong\u003e No records of holdings in public institutions have been confirmed\u003cbr\u003eDate: 1970s or later (after the start of the artist’s ceramic career; no date on the cup or the Tomobako)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eIncluded: \u003c\/strong\u003eTomobako, wrapping cloth\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Porcelain and pottery (glazed, overglaze enamels, gold)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eRim diameter approx. 8.5 cm, H approx. 5 cm\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003ePlease Note: \u003c\/strong\u003eAlthough some of our items may be new and unused, all are listed as pre-owned because they were produced a very long time ago. Items may show signs of age-related wear. Please understand and check the condition before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":67651891691707,"sku":null,"price":27000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5518_result.jpg?v=1792252284"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/collections\/IMG_5943_result.jpg?v=1793377932","url":"https:\/\/antiqueliquor1926.com\/en\/collections\/gold-silver-decoration.oembed?page=2","provider":"Antique Liquor","version":"1.0","type":"link"}