{"title":"Hagi Ware Sake Cups \u0026 Vessels","description":"\u003cp\u003eHagi ware, ranked second only to Raku among tea ceramics: white Hagi glaze and oni-hagi textures that deepen with use — the famed \"seven transformations of Hagi\".\u003c\/p\u003e","products":[{"product_id":"188","title":"Hagi Ceramic Artists Association Regular Member \/ Genius of Ultra-Robust Oni-Hagi Born from Re-Firing: Kuroda Gaku (黒田岳), Hidasuki (Yohen \/ Kiln-Mutated) Sake Vessel, Hagi Ware Rock Glass for Western Spirits #188","description":"\u003cp data-path-to-node=\"15\"\u003eBorn in Nagano Prefecture in 1946 and having blossomed his unique artistry in Hagi City, Yamaguchi Prefecture—a ceramic capital boasting over 400 years of proud tradition—Kuroda Gaku is a highly talented Hagi ware artist recognized as a prestigious Regular Member of the Hagi Ceramic Artists Association. Currently based at his Nanchi Kobo studio in Yamada, Hagi City, he continues his ceramic creation with a deep reverence and philosophy toward clay and fire, stating, \"These are pieces fired during my days of wandering back and forth between the clay, the fire, and myself. The clay, which had been sleeping for hundreds of millions of years, might look a bit annoyed after facing such intense heat...\" His overwhelming solo exhibition activities and works, which effortlessly leap over the boundaries of tradition, are extremely highly acclaimed as an exceptional presence by vessel collectors and discerning buyers across the country.\u003c\/p\u003e\n\u003cp data-path-to-node=\"16\"\u003e\u0026nbsp;The greatest feature of this piece, and what has become Kuroda Gaku's signature, is the overwhelming texture of Oni-Hagi, which is meticulously controlled through his unique technique. Oni-Hagi is a traditional technique that possesses a highly rugged and dynamic texture, created by boldly mixing coarse sand into the traditional Hagi clay, such as Mishima clay, and then applying a straw ash glaze before firing. What deserves special mention is Kuroda's insatiable commitment to re-firing, a process where the vessel is fired again at a high temperature after its initial regular firing. This triggers a violent chemical reaction (yohen, or kiln mutation) inside the kiln, causing a diverse array of beautiful colors—such as gentle and soft cream, pink, and sometimes mysterious blue—to appear on the surface of the vessel like a painting. Furthermore, this thorough firing process completely overcomes the historical weakness of traditional Hagi ware, which is typically fired at lower temperatures and is somewhat fragile. He has successfully achieved both sufficient strength to withstand use as tableware and modern barware, and a layer of incredibly beautiful penetrations (crazing) in the slip at the same time.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eWe propose this vessel, which possesses both definitive authority and ultra-robust strength, as the ultimate rock glass for savoring Japanese whisky, scotch, or bourbon, allowing you to boldly float a large block of ice. Distinct from rugged unglazed yakishime ware that uses no glaze at all, the texture of the fine crazing on the firmly fired Oni-Hagi fits the palm of your hand with surprising comfort from the moment you hold it, bringing a gentle warmth and a pleasing sense of weight suitable for an executive. The noble amber color of the whisky resonates beautifully with the complex color gradations born from the kiln mutation and the powerful scorch marks visible in places, giving an overwhelming three-dimensional depth inside the glass. Furthermore, through the greatest charm of Hagi ware, known as the Seven Transformations of Hagi (Hagi no Nanabake), the sake slowly seeps into the cracks (crazing) of the vessel over years of use, allowing you to enjoy the moving experience of watching the color and texture of the vessel gradually deepen and evolve as a lifelong companion without worrying about its strength. It is truly a refined, one-of-a-kind, ultimate sake vessel that harmonizes with a contemporary lifestyle.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Kuroda Gaku (黒田岳, 1946- )\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"29\"\u003eArtist's Major Activities:\u003c\/b\u003e A Hagi ware artist born in Nagano Prefecture in 1946. Established his Nanchi Kobo studio in Hagi City, Yamaguchi Prefecture. Evolved the traditional Hagi clay blending and established the Oni-Hagi method, which extracts powerful expressions and strength far surpassing regular Hagi ware by repeatedly firing the piece after its initial firing. His high level of technique and unique artistry have been publicly recognized, leading to his designation as a prestigious Regular Member of the Hagi Ceramic Artists Association. He expands his energetic solo exhibition activities centering on department stores and galleries nationwide, establishing a solid position in the contemporary Hagi ware world.\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"755\"\u003eProduction Period:\u003c\/b\u003e 1990s to 2000s (The mature period as a Regular Member of the Hagi Ceramic Artists Association) *This piece is a masterpiece symbolizing the golden era of his artistry, where his unique Oni-Hagi technique of repeatedly firing after the initial firing was perfected, beautifully fusing the ultimate yohen kiln mutation beauty where pinks and blues intricately intersect with a dignified structural beauty that powerfully tightens a modern table setting.\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"1226\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"1269\"\u003eAccessories:\u003c\/b\u003e Tomobako (Original signed wooden box), Ukon-nuno (Wrapping cloth)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"1348\"\u003eMaterial:\u003c\/b\u003e Pottery (Hagi ware, Oni-Hagi, Yohen glazed color)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"1408\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 7 cm, Height approx. 7 cm (approximate guide)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"1489\"\u003eNote:\u003c\/b\u003e All items offered by our store, even if new and unused, are from a very old production period and are listed as used. Items may have age-related damage, so please consider purchasing after understanding and checking.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47537146396859,"sku":null,"price":70000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5087_result.jpg?v=1774141573"},{"product_id":"300","title":"Purchased by Former Prime Ministers of Japan: Master Morishima Isshin (森島一伸), Hagi Ware Katamigawari Tea Bowl with Loquat-Toned Base and Shirahagi Glaze, Whisky Rock Glass-Style Sake Vessel #300","description":"\u003cp data-path-to-node=\"16\"\u003eThis Hagi ware tea bowl is crafted by Isshin Morishima (born 1937, kiln name: Kanbo-an), a master of Hagi ceramics with a distinguished record of supplying matcha tea bowls to key political figures—including former Prime Minister Fukuda Takeo, former Chief Cabinet Secretary Masaharu Gotoda, and former Minister for Foreign Affairs Shintaro Abe—as well as creating the memorial work for the first anniversary of the late former Prime Minister Eisaku Sato. Establishing his kiln in Tamae, Hagi City, Yamaguchi Prefecture in 1967 and relocating it to Tsubakihigashi Uenodai in 1981, Morishima established an elegant, dignified tea ceramic technique through continuous selections at the Yamaguchi Prefectural Art Exhibition, as well as the Japan Traditional Crafts Western Exhibition and the Issuikai Exhibition. Following the classic forms of traditional Goryeo tea bowls while pursuing the rustic, warm beauty of natural kiln transformations created by clay and glaze, he earned high acclaim in the Showa-era Hagi pottery world.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eThis work represents a splendid culmination of Morishima's signature expressions achieved through traditional coarse clay and thick white Hagi (Shirahagi) glaze. The entire body is generously covered with a soft-textured, opaque Shirahagi glaze, across which fine crackles and pinholes spread beautifully. A section of the body employs the Katamigawari (half-and-half) technique, where glaze is applied diagonally off-center, creating a striking contrast between the pristine white glaze and the warm loquat-colored fire marks and rough clay texture beneath. From the lower body to the foot ring, a bamboo-node foot is hand-sculpted, while a powerful Kairagi (plum-skin effect)—formed by un-melted, contracted glaze—manifests around the foot, alongside the artist's clear stamp \"Isshin\" beside the foot ring.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eWe propose this vessel, combining dignified sculptural elegance and substantial texture, as a supreme Japanese Kogei sake vessel (whisky rock glass) for savoring aged sake, premium whisky, or shochu over ice in modern lifestyles. The moist, tactile feel of the clay when held, along with the crackle patterns that deepen in character when liquid is poured, elevates daily drinks into a special artistic experience. Based on the accompanying biography leaflet and his relocation to Tsubakihigashi Uenodai in 1981, this piece is identified as an authentic work created between 1981 and 1985 in exceptional condition, coming complete with its original Tomobako bearing the artist's handwritten calligraphy and red seal, a matching cloth (tomogire), and the original biography leaflet.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eArtist：\u003c\/strong\u003eMorishima Isshin (森島一伸, Kanbo-an, born 1937)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist's Key Activities：\u003c\/strong\u003e[1967] Established kiln in Tamae, Hagi City; [1974] First selected for the Yamaguchi Prefectural Art Exhibition (selected continuously thereafter); [1975, 1978] Selected for the Japan Traditional Crafts Western Exhibition; [1976] Created memorial work for the first anniversary of late former Prime Minister Eisaku Sato; [1977] Delivered (purchased) matcha tea bowls to Prime Minister Fukuda Takeo and the Director-General of the Prime Minister's Office; [1977] Selected for the Issuikai Exhibition; [1981] Relocated kiln to Tsubakihigashi Uenodai, Hagi City; [1983] Delivered (purchased) matcha tea bowls to Chief Cabinet Secretary Masaharu Gotoda and Minister for Foreign Affairs Shintaro Abe\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003ePeriod of Production：\u003c\/strong\u003e1981–1985\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eCondition：\u003c\/strong\u003eVery good (no chips, no cracks, excluding age-related character typical of antique art)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003eAccessories：\u003c\/strong\u003eDedicated Tomobako (with \"Hagi Chawan\" on the lid and \"Isshin\" inscribed in ink with red seal on the lower left), matching cloth (tomogire), original biography leaflet included\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eMaterial：\u003c\/strong\u003eStoneware (Hagi ware, Shirahagi glaze, loquat-toned fire mark, Katamigawari half-and-half glaze, Kairagi plum-skin effect, crackle glaze)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eDimensions：\u003c\/strong\u003eHeight approx. 9.3 cm, Width (body diameter) approx. 12.9 cm, Inner mouth diameter approx. 10.7 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eCaution：\u003c\/strong\u003eAll products offered by our shop are historical items from an old production period and are listed as antique art \/ pre-owned items. Products may have subtle changes due to age, so please consider purchasing after understanding and verifying the nature of antique art.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974194512059,"sku":null,"price":35000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_9602_result.jpg?v=1784706506"},{"product_id":"333","title":"Direct Disciple of Gyokuryuzan Yoshida Shuen: Nagahisa Shosai (永久勝斎), Hagi Ware Warikodai Shiro-Hagi Kakisai Tea Bowl \"Shuku Koki Ga\", Three-Chamber Noborigama Kiln Toshoan, Western Liquor Vessel, Rocks Glass #333","description":"\u003cp data-path-to-node=\"16\"\u003eThis elegant Hagi ware tea bowl is crafted by Nagahisa Shosai (born 1937, kiln name: Toshoan), a traditional craftsman born in Minami-Furohagi, Hagi City, Yamaguchi Prefecture in 1937, who underwent years of rigorous training as a direct apprentice under master \u003ca href=\"\/en\/search?q=%22%E5%90%89%E7%94%B0%E8%90%A9%E8%8B%91%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYoshida Shuen\u003c\/a\u003e of the prestigious Gyokuryuzan Hagi pottery house. After building his independent kiln in Tamae, Hagi City in 1972, he constructed an authentic three-chamber noborigama (climbing kiln) named \"Toshoan\" in Oya-Kosako, Hagi City in 1986, pursuing passionate ceramic creation unique to wood-fired kilns. His body of work, combining the dignified tea aesthetic directly passed down from master Yoshida Shuen with the flame drama of his own climbing kiln, is highly praised by traditional tea utensil connoisseurs. We offer this supreme craft piece, condensing Japanese traditional beauty and handcrafted warmth, to the global market not only as tea ceremony pottery for enjoying matcha, but also as a vintage premium sake vessel (Japanese rocks glass) designed for slowly savoring aged amber sake or premium Japanese whisky over large ice cubes.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eExamining the details of this work confirms that Nagahisa’s proud traditional techniques and the charm of noborigama kiln firing are clearly manifested across the vessel. The form boasts a plump, rounded, inviting shape that fits comfortably in hand, directly conveying the warmth and soft texture inherent in Daido clay—the unique raw material of Hagi ware—when held. Regarding glazing, a milky-white Shiro-Hagi glaze made primarily from rice-straw ash is generously applied, with a dense and refined network of kannyu (crackle marks) spreading across the entire surface. Beneath the glaze, subtle gradations of kakisai (persimmon-tinted) reddish-orange fire marks (hiiro) and deep soot-like scorched tones born from oxidation-reduction reactions during firing show through, creating a magnificent contrast with the soft milky-white Shiro-Hagi glaze. From the dynamic scenery of white glaze dripping and pooling near the rim down to the powerful sculptural beauty of the warikodai (split foot ring) and the stamped \"Satsu\" (勝) seal beside the foot, master craftsmanship is condensed throughout. Within the interior base (mikomi), the Shiro-Hagi crackle and reddish fire marks spread out, allowing you to enjoy a profound Japanese landscape when floating spirits or ice.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eOn the lid of the accompanying dedicated wooden box, the characters \"Shuku Koki\" (Celebrating 70th Birthday) are written in dignified gold powder (kindei). \"Koki\" (also written Koki \/ 古稀) refers to the 70th birthday celebration in traditional East Asian counting age (kazoe-doshi), derived from the Tang Dynasty poet Du Fu's line: \"From ancient times, reaching seventy years of age has been rare.\" Born in 1937, Nagahisa Shosai reached his milestone 70th year in 2006, clearly substantiating that this work is a celebratory commemorative piece specially crafted for this memorable occasion. Based on these clear historical facts and box inscriptions, the period of production for this work is identified as circa 2005 to 2007 (around 2006). The vessel itself has no chips or cracks and remains in beautiful condition, arriving as a highly precious masterpiece accompanied by its dedicated Tomobako featuring the artist's own handwritten inscription.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eArtist：\u003c\/strong\u003eNagahisa Shosai (永久勝斎, born 1937, kiln name: Toshoan)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist's Key Activities：\u003c\/strong\u003e[1937] Born in Minami-Furohagi, Hagi City, Yamaguchi Prefecture; [1965] Entered the apprenticeship under Gyokuryuzan Yoshida Shuen as a direct student; [1972] Built his kiln in Tamae, Hagi City and established independence; [1986] Constructed the three-chamber noborigama climbing kiln \"Toshoan\" in Oya-Kosako, Hagi City\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003ePeriod of Production：\u003c\/strong\u003eCirca 2005–2007 (around 2006, 70th birthday commemorative work)\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eCondition：\u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003eAccessories：\u003c\/strong\u003eDedicated Tomobako (with gold powder \"Shuku Koki\" inscription on lid)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eMaterial：\u003c\/strong\u003eStoneware (Hagi ware, Shiro-Hagi white glaze, Biwa glaze, kannyu crackle glaze, Daido clay, warikodai split foot ring, stamped seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eDimensions：\u003c\/strong\u003eHeight approx. 9.0 cm, Mouth diameter approx. 12.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eCaution：\u003c\/strong\u003eAll products offered by our shop are pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48115731628219,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0306_result.jpg?v=1785639824"},{"product_id":"430","title":"Studied under Living National Treasure Miwa Kyusetsu X (Miwa Kyuwa): Gyokuryuzan Kiln, Yoshida Shuen (吉田萩苑) - Oni-Hagi Blue Glaze White Hagi Tea Bowl, Matchawan, Sake Vessel, Japanese Rocks Glass #430","description":"\u003cp data-path-to-node=\"18\"\u003eThis White Hagi blue glaze tea bowl is crafted by master Hagi ware artisan Yoshida Shuen (1940–1986), who entered apprenticeship under Living National Treasure \u003ca href=\"\/en\/search?q=%22%E4%B8%89%E8%BC%AA%E4%BC%91%E9%9B%AA%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eMiwa Kyusetsu\u003c\/a\u003e X (\u003ca href=\"\/en\/search?q=%22%E4%B8%89%E8%BC%AA%E4%BC%91%E5%92%8C%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eMiwa Kyuwa\u003c\/a\u003e, 1895–1981) at the age of 15, trained for many years as a live-in disciple, and after providing technical guidance at Tenhozankai Kiln, went independent in 1968 to open Gyokuryuzan Kiln. Inheriting the prestigious traditional techniques passed down from his master, Miwa Kyusetsu, while fusing a rugged Oni-Hagi clay body with a sweeping blue glaze, he earned high acclaim for his unique artistic style. Until his sudden passing at the young age of 46, he pursued the pinnacle of tea ceramics and was deeply revered among tea utensil markets and connoisseurs. Featuring a powerful form that fits comfortably in the hand and a magnificent visual scene where a vivid blue glaze floats within a plump, milky-white glazed surface, this work naturally possesses the dignity of a tea bowl. Beyond this, we present it to the global market as a luxury Japanese rocks glass (sake vessel) for floating large ice rocks, quietly pouring amber aged sake, matured whisky, or authentic shochu, and savoring the dynamic clay texture and color contrasts of traditional ceramic art.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eExamining the fine details of this piece, the designs of \"Oni-Hagi\" and \"White Hagi\" in which Yoshida Shuen excelled, alongside the \"Blue Glaze\" he continuously explored, culminate in an exceptionally high degree of completion. Upon a powerful clay body containing coarse sand, a milky-white Hagi glaze composed of feldspar and straw ash is applied, over which a vibrant blue glaze is boldly and fluidly rendered from a portion of the exterior surface through to the interior bottom (mikomi). Fine crazing (kannyu) formed during firing, Kairagi-like crawling generated as sand grains in the raw clay penetrate the glaze, as well as glaze drips and color gradations create a three-dimensional landscape. Beside the footring, a rugged raw red-clay exposition (tuchimise) remains, stamped clearly with the artist's seal mark \"Shuen\" in a circle. By pouring liquid into this porous body, one can fully enjoy the essence of \"Hagi no Nanabake\" (The Seven Transformations of Hagi), where pigments penetrate the crazing over time, deepening its aesthetic character with age.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eRegarding the period of production, it is estimated to have been created between 1975 and 1985 (Showa 50s), a period following his 1968 independence when the techniques passed down from Kyusetsu—incorporating creative blue glaze expressions into Oni-Hagi—reached full maturity. His career as an independent artist from 1968 until his sudden passing at age 46 around 1986 was remarkably brief—spanning only about 18 years. Consequently, the absolute number of existing authentic works is extremely limited, giving it extraordinarily high rarity value. The vessel body itself shows no damage such as cracks or chips, maintaining outstanding condition in terms of the firing of the White Hagi glaze, the contrast of the blue glaze, and the texture of the clay body. It comes as a superb piece complete with an authentic dedicated original box (Tomobako) bearing handwritten ink inscription and red seal on the lid face, a wrapping cloth, and an instructional leaflet (Shiori) outlining the origins of Hagi ware and the artist's biography.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Yoshida Shuen (吉田萩苑, 1940–1986)\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eArtist's Key Activities: \u003c\/strong\u003e[1955] Entered apprenticeship under Miwa Kyusetsu X (Living National Treasure Miwa Kyuwa); [1968] Opened Gyokuryuzan Kiln in Tamae, Hagi City, Yamaguchi Prefecture\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003eWorks Housed In:\u003c\/strong\u003e Permanent museum collection records are limited due to his early passing; however, works bearing authentication inscriptions (kakitsuke) by Grand Master Zabosai XVI of Urasenke and Master Kenchusai XII of the Horiuchi family exist, earning exceptionally high acclaim within tea ceremony circles and the antique art market\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e Circa 1975–1985 (Showa 50s, estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated original box (Tomobako), wrapping cloth, and instructional leaflet (Shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramic (Hagi ware, Oni-Hagi, White Hagi glaze, blue glaze)\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 8.5 cm, Mouth diameter approx. 12.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cstrong\u003eCaution: \u003c\/strong\u003eAll products offered by our shop are pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48332217286843,"sku":null,"price":65000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2652_result.jpg?v=1789091475"}],"url":"https:\/\/antiqueliquor1926.com\/en\/collections\/hagi-ware.oembed","provider":"Antique Liquor","version":"1.0","type":"link"}