{"title":"Kutani Ware Sake Cups \u0026 Vessels","description":"\u003cp\u003eKutani ware, the overglaze-enamelled porcelain of Kaga: sake cups and vessels alive with five-colour painting, fine red-line work and gold, led by Living National Treasures and Nitten artists.\u003c\/p\u003e","products":[{"product_id":"43","title":"Living National Treasure Nakada Kazuo (中田一於)'s Kutani Ware Silver-Glazed Shochu Drinking Glass #43","description":"\u003cp data-path-to-node=\"3\"\u003eNakada Kazuo has been designated as a Living National Treasure (Preserver of Important Intangible Cultural Property) for his ceramic technique known as Yukasai (underglaze coloring), the first designation ever made for this technique. This designation serves as public proof that the unique world of Yuri-ginsai (underglaze silver foil), which he has refined over many years, represents one of the highest peaks of Japanese traditional beauty.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eThe reason Nakada Kazuo, who has established a new milestone in the history of Kutani ware, is held in such high esteem lies in the almost obsessive precision condensed into this work. The essence of Yuri-ginsai lies in the nearly impossible technical harmony of sealing the brilliance of silver deep beneath a lapis lazuli glaze. While ordinary silver decoration typically oxidizes and turns black when exposed to air, Nakada arranges paper-thin pieces of silver foil one by one like a puzzle based on meticulous calculations. He perfectly controls the risk of the silver foil melting away due to the intense heat during firing, maintaining an eternal sparkle within the glaze. This process is a divine skill that only he can achieve. This specific expression of silver shining with dignity beneath the glaze was the decisive reason for his selection as the first Living National Treasure in the field of Yukasai.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eThis work was created around 2009, a period when Nakada had completely mastered his technique and was receiving intense attention from museums worldwide; it is a representative piece that embodies his true essence. The silver foil hidden beneath the lapis lazuli glaze changes its expression like a kaleidoscope depending on the angle of the light, sometimes shimmering sharply like a gemstone and at other times swaying softly like morning mist. The geometric patterns reminiscent of lotus petals covering the entire vessel are his signature design. The contrast of blue and silver reflecting on the inside when sake is poured can be described as a supreme view that only the owner can enjoy.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eFurthermore, this work is exceptionally outstanding in terms of its form. The footed style exudes the dignity of a fine art craft, yet it maintains excellent center-of-gravity balance when actually held, fusing practicality and aesthetics at a high level. As a testament to its global value, his works are part of the permanent collections of institutions such as the Smithsonian's Arthur M. Sackler Gallery in the United States. Following his designation as a Living National Treasure in 2025, there is no doubt that the rarity of such fulfilling works from his mature period will increase further in the art market. Holding the crystal of light of a master who has carved his name in history while enjoying a supreme drink is nothing less than a luxurious cultural privilege that transcends a mere evening glass.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Nakada Kazuo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eThe artist's notable achievements include:\u003c\/strong\u003e [ \u003cspan class=\"line\"\u003e\u003cspan class=\"year\"\u003e1990]\u003c\/span\u003e \u003cspan class=\"title\"\u003eMinister of Education Award at the Japan Traditional Crafts Exhibition; [\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"line\"\u003e\u003cspan class=\"year\"\u003e1993]\u003c\/span\u003e \u003cspan class=\"title\"\u003eUnderglaze Silver Vase selected for permanent collection at the Smithsonian Institution's Mackler Gallery in Washington; [\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan class=\"line\"\u003e2001] Grand Prize at the Traditional Kutani Ware Crafts Exhibition; [ \u003cspan class=\"year\"\u003e2011]\u003c\/span\u003e \u003cspan class=\"title\"\u003eMedal with Purple Ribbon; [ \u003cspan class=\"year\"\u003e2019]\u003c\/span\u003e Order of the Rising Sun, Gold Rays with Rosette; [2025] Designated Living National Treasure for his underglaze enamel technique.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction date:\u003c\/strong\u003e circa 2009\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated wooden box, wrapping cloth, artist biography\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramic (Kutani ware, pottery)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height approx. 10.8cm, diameter approx. 8.1cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCharacteristics of Nakada Kazuo's works:\u003c\/strong\u003e His greatest feature is the \"underglaze silver color\" technique, which involves applying a pattern with silver foil under the glaze. This technique allows the shine of the silver to show through the glaze, and the soft, pale colors and shading of light create a delicate expression with depth. Many of his works feature plants and geometric patterns applied with silver color, and are characterized by a cool, modern style.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47058962448571,"sku":null,"price":180000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1090_result.jpg?v=1784445616"},{"product_id":"75","title":"\"Beer Cup\" Ceramic Glass #75","description":"\u003cp\u003eThis piece is a ceramic beer cup with a pale blue-green glaze reminiscent of beautiful celadon. Its goblet-like shape, with a plump body that exudes the warmth of a handmade item and a stable base, combines traditional Japanese sake cups with the elegance of modern Western tableware.\u003c\/p\u003e\n\u003cp\u003e The glaze's surface is covered with a complex pattern of fine speckles and shading, likely the result of kiln changes, creating a deep, jade-like hue. The glaze flows around the rim and the base of the foot, revealing the color of the clay, allowing you to enjoy the rich scenery of handcrafted work. The inside is a deep green, which enhances the depth and beauty of the drink poured into it.\u003c\/p\u003e\n\u003cp\u003e The box is inscribed with the words \"Beer Cup,\" and it was created as a vessel for enjoying cold beer, sake, or wine. Its modern form and serene colors make it an excellent object to admire, and it will enrich your time, from everyday evening drinks to special occasions.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProducer:\u003c\/strong\u003e unknown\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction year:\u003c\/strong\u003e 1980s (estimated)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated wooden box\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramic (pottery)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\n\n \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height approx. 13cm, diameter approx. 7cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47127299129531,"sku":null,"price":5500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2141.jpg?v=1761633517"},{"product_id":"154","title":"Kutani ware grape crest horse cup made by Kamide Choemon Kiln (上出長右衛門窯, KAMIDE CHOEMON, 4th generation Kentaro Kamide) #154","description":"\u003cp data-path-to-node=\"3\"\u003eThis elegant \"Grape Design Horseback Riding Cup\" was created by Kamide Kentaro（\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e1929-2026）\u003c\/span\u003e, the fourth generation master of the prestigious Kutani ware kiln, \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eKamide Choemon\u003c\/span\u003e . Kentaro studied applied chemistry at the Faculty of Engineering at Toyama University, and is believed to be a work from his prime, around the late 1970s or 1980s, when his scientific approach to glazes and color development bore fruit.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eThe core of the design is the deep, vivid indigo \"Choemon Blue\" that is synonymous with the kiln, and a fresh grape pattern in the traditional five colors of Kutani on a thick surface. The grapes, which symbolize fertility and prosperity, are painted with meticulous brushwork, beautifully embellishing the elegant and dignified shape of the horse-riding cup.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eAlthough this work is made of pottery, the sound that resonates when the glasses touch each other is by no means dull. The delicate, refreshing tone resonates beautifully, like the ringing of a metal bell, allowing all five senses to experience the high purity of the material and the exquisite craftsmanship. The \"refreshing, bell-like sound\" is also evidence of the high density of the clay and the extremely high level of skill with which it was fired.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe details of this piece are exemplified by the skilled craftsmanship behind the illustrious achievements, such as receiving the Ministry of International Trade and Industry Director-General's Award in 1984 and producing a gift for the Imperial Family (the Crown Prince and Princess at the time) in 1985. In addition to its artistic value, this masterpiece is also extremely valuable as a historical document that conveys the authenticity of Kutani ware to the present day.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e KAMIDE CHOEMON (4th generation Kentaro Kamide,\u0026nbsp;1929-2026\u003c\/span\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAbout Kamide Choemon Kiln:\u003c\/strong\u003e Founded in 1879, Kamide Choemon Kiln is a prestigious Kutani ware manufacturer representing Ishikawa Prefecture. Committed to consistent handcrafting, it is known for its elegant style, featuring vibrant \"Choemon Blue\" blue and white porcelain and five colors. The refined beauty of its ware, backed by a history of presentation to the Imperial Household and scientific evidence, is highly regarded both at home and abroad.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eThe artist's notable achievements include:\u003c\/strong\u003e [1957] Received the Ishikawa Prefectural Governor's Award at the New Tableware Exhibition, [1969] Donated a \"vase\" at the request of Meiji Shrine, [1983] Received an Honorable Mention Award at the Kutani Ware Traditional Crafts Exhibition, [1984] Received the Ministry of International Trade and Industry Director-General's Award at the National Traditional Crafts Exhibition, [1985] Created tableware for the Crown Prince and Princess (now the Emperor and Empress Emerita) when they visited the prefecture.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction period:\u003c\/strong\u003e 1970s to early 1980s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated wooden box, instruction manual (bookmark), wrapping cloth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Kutani ware (ceramics)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height approx. 9cm, diameter approx. 6cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47400412807355,"sku":null,"price":28000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4028.jpg?v=1770885309"},{"product_id":"180","title":"Mitsui Tamekichi III (三代 三ッ井為吉), Polychrome Flower and Bird Design, Western Liquor Tasting Vessel, Kutani Ware Polychrome Bajohai #180","description":"\u003cp data-path-to-node=\"18\"\u003eMitsui Tamekichi III (Birth name: Mitsui Eiichi, born 1935) is the third-generation head of the Tamekichi kiln, a prestigious Kutani ware pottery based in Nomi City, Ishikawa Prefecture, and is one of the artists who symbolize modern Kutani ware. After graduating from Kanazawa College of Art in 1959, he studied under Professor \u003ca href=\"\/en\/search?q=%22%E5%8C%97%E5%87%BA%E5%A1%94%E6%AC%A1%E9%83%8E%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKitade Tojiro\u003c\/a\u003e and \u003ca href=\"\/en\/search?q=%22%E6%B5%85%E8%94%B5%E4%BA%94%E5%8D%81%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eIsokichi Asakura\u003c\/a\u003e, a Person of Cultural Merit, and inherited the title Tamekichi III in 1961. His most distinctive feature is that, despite having a hearing disability, he transformed it into a refined sense of color and meticulous brushwork. His artistry is lauded as \"the dynamism of color residing in silence,\" and starting with a presentation to U.S. Ambassador Edwin O. Reischauer in 1962, he was commissioned by successive Prime Ministers (Ohira, Suzuki, and Nakasone) to create gifts for state guests during visits to China, establishing an unshakeable position as a leading figure in \"craft diplomacy\" representing Japan.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThis work is an Iroe Bajohai (polychrome horseback cup) that encapsulates the transparency of \"Kutani Gosai\" (Kutani five colors), which is Tamekichi III's forte, and his most favored traditional \"Kacho-zu\" (flower-and-bird painting). Bajohai were noble vessels once made for samurai to drink sake on horseback, and their high stems possess a functionality similar to modern wine glasses and tasting glasses. What makes this piece particularly rare is the density of the painting applied to its limited curved surface. On the outside, flowers and birds depicting the changing seasons are painted, and on the inside, geometric patterns that create a kaleidoscope-like reflection when amber liquid is poured are depicted with the unique thickness (mori) of hand-painting. This visual depth transcends verbal communication and is the crystallization of pure artistic expression that he created through his dialogue with earth, fire, and color.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eHis works are housed and acclaimed by major public institutions both domestically and internationally. In Japan, they are held in specialized institutions such as the Ishikawa Prefectural Museum of Art and the Nomi City Kutani Ware Museum, and he has numerous achievements in presenting works to members of the Imperial Family (Prince Mikasa's house, Prince Hitachi's house). Particularly noteworthy is his overwhelming international acclaim; in 2002, he held a solo exhibition at the Smithsonian Institution (Arthur M. Sackler Gallery) in the United States, achieving the remarkable feat of having his works permanently acquired. Furthermore, he served as a visiting professor at Gallaudet University in Washington D.C., the world's only comprehensive university for the deaf, demonstrating that his activities extend beyond the realm of art and hold international significance as a bridge between cultures. Our store proposes this masterpiece as the ultimate vessel for simultaneously enjoying the delicate aromas of vintage whisky and the visual beauty offered by the pinnacle of Japanese craftsmanship.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Mitsui Tamekichi III (三代 三ッ井為吉, Mitsui Tamekichi, 1935–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"55\"\u003eMajor career highlights of the artist:\u003c\/b\u003e 1961 Succeeded as Tamekichi III. 1987 Received Prime Minister's Award. 1994 Solo exhibition at Switzer Gallery, New York. 1997 Appointed Visiting Professor at Gallaudet University. 2002 Solo exhibition at Smithsonian Institution, works permanently acquired. 2005 Received Edward Gallaudet Award.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"390\"\u003eWorks housed in:\u003c\/b\u003e Smithsonian Institution (Washington D.C., USA), Gallaudet University (USA), Ishikawa Prefectural Museum of Art, Nomi City Kutani Ware Museum, and many others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"566\"\u003ePeriod of Creation:\u003c\/b\u003e 1990s to 2000s (around the time of the Smithsonian Institution solo exhibition, a mature period when both technique and acclaim reached their peak)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"734\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"777\"\u003eAccessories:\u003c\/b\u003e Original wooden box (with artist's handwritten signature and seal), wrapping cloth\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"873\"\u003eMaterial:\u003c\/b\u003e Ceramic (Kutani ware, Iro-e)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"912\"\u003eDimensions:\u003c\/b\u003e Height approx. 5.5 cm, Rim diameter approx. 5.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"975\"\u003eNote:\u003c\/b\u003e Even if the products provided by our store are new and unused, they are from a very old production period, and all are listed as pre-owned. Products may have age-related damage, so please consider your purchase with understanding and confirmation.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47518801690811,"sku":null,"price":41000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4960_result.jpg?v=1774140933"},{"product_id":"187","title":"Living National Treasure, Nakada Kazuo (中田一於) - Kutani Ware Yūri Ginsai Vessel - As-is #187","description":"\u003cp data-path-to-node=\"19\"\u003eProduct Title: 2025 Living National Treasure Nakada Kazuo, Kutani Ware Yūri Ginsai Spirits Vessel Nakada Kazuo was designated as a Living National Treasure (Holder of Important Intangible Cultural Property) in 2025 for the ceramic technique of \"Yūkasai\" (underglaze decoration), the first designation ever made for this technique. This historic achievement is the nation's official recognition that Nakada's underglaze decoration, above all \"Yūri Ginsai\" (silver leaf beneath the glaze), refined over more than half a century, represents the absolute pinnacle of Japanese craft aesthetics. Having studied under the Living National Treasure \u003ca href=\"\/en\/search?q=%22%E5%BE%B3%E7%94%B0%E5%85%AB%E5%8D%81%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTokuda Yasokichi\u003c\/a\u003e III and learned the ultimate in color gradation, Nakada brought a new dimension of beauty to Kutani ware by sealing the brilliance of \"silver\" beneath the glaze.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThe reason Nakada is considered unique in the long history of Kutani ware lies in the overwhelming difficulty and tranquil beauty of the \"Yūri Ginsai\" technique featured in this work. Yūri Ginsai involves applying silver leaf to the vessel's surface and then firing it beneath a layer of glaze. Silver darkens as it oxidizes in the air, but sealed beneath the glaze it keeps its brilliance without tarnishing. Because the silver leaf is extremely thin, it constantly faces the risk of melting away under the intense heat of the kiln or being swept away by the movement of the glaze. Nakada places neatly cut pieces of silver leaf with tweezers, ensuring absolute precision, and uses unique temperature control to seal their brilliance beneath the glaze. This \"elegant depth of light that seems to well up from within\" is a divine technique that distinguishes itself from ordinary ginsai, where silver is simply fired onto the surface, and is a feat attainable only by a Living National Treasure.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eThis work strongly reflects the mature style of Nakada's career on the path toward becoming a Living National Treasure, featuring the geometric silver motifs that have become the artist's signature. Beneath the deep lapis lazuli and pale purple glazes, the neatly aligned vertical bands of silver leaf reflect light, at times shimmering like the passage of time, and at others like light dancing on a quiet water surface. Though originally created as a \"teacup (Yunomi),\" its high decorative quality and substantial weight make it an unparalleled \"spirits vessel\" for enjoying old-bottle whiskies or rare single malts that have aged for decades. When amber liquid is poured in, the refraction further amplifies the brilliance of the silver leaf, creating a fantastical scene in the palm of your hand that only the owner can experience.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eAs evidence of their global value, Nakada's works are permanently housed in institutions such as the Arthur M. Sackler Gallery of the Smithsonian Institution in Washington, D.C., and the National Museum of Modern Art, Tokyo. Following the 2025 designation as a Living National Treasure, these works have solidified their status as \"Japanese Cultural Heritage.\" There is no doubt that the rarity of such unique pieces, which perfectly balance technique and artistry, will continue to grow in the art market. To savor the finest drink alongside this \"crystallization of light\" by a master who has truly reached the peak of Japan's artistic world is a supreme cultural privilege, transcending the ordinary.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Nakada Kazuo (中田一於, born 1949)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"33\"\u003eArtist's Representative Activities:\u003c\/b\u003e [1990] Minister of Education Award at the Japan Traditional Craft Exhibition; [1993] Yūri Ginsai Jar permanently acquired by the Smithsonian's Sackler Gallery; [2011] Awarded the Medal with Purple Ribbon; [2019] Awarded the Order of the Rising Sun, Gold Rays with Rosette; [2025] Designated as a Holder of Important Intangible Cultural Property \"Yūkasai\" (underglaze decoration) (Living National Treasure).\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"456\"\u003ePeriod of Creation:\u003c\/b\u003e 2000s–2010s (The mature period when his technique was perfected)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"541\"\u003eCondition:\u003c\/b\u003e As-is \/ Imperfect\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e (one chip on the rim; please refer to product images)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"624\"\u003eAccessories:\u003c\/b\u003e Original wooden box (with the artist's handwritten signature and seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"708\"\u003eMaterial:\u003c\/b\u003e Ceramic (Kutani Ware \/ Yūri Ginsai)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"754\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 8.8 cm, Height approx. 7.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"819\"\u003eCharacteristics of Nakada Kazuo's Works:\u003c\/b\u003e The most defining feature is the \"Yūri Sai\" technique, which encloses gold or silver leaf beneath a transparent glaze. Because the silver leaf is never directly exposed to the air, it does not tarnish. The soft, deep luster transmitted through the glaze creates a modern and elegant ambiance.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1151\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47537146200251,"sku":null,"price":9000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5064_result.jpg?v=1774141491"},{"product_id":"192","title":"Yamamoto Hogaku (山本芳岳), Masterpiece, Kutani Ware Aka-e Saibyō \/ Gilded Red Painting, Ascending Dragon Motif Guinomi Sake Cup, Imperial Family Gift Artist #192","description":"\u003cp data-path-to-node=\"18\"\u003eThis \"Aka-e Saibyō\" (Ultra-fine Red Painting) guinomi is a pinnacle of artistic achievement by Yamamoto Hogaku (born 1960), a master of contemporary Kutani ware based in Kaga City, Ishikawa Prefecture. Yamamoto is the foremost living successor of the Aka-e Saibyō technique, distinguished by his 1985 commission to create and present an Aka-e Saibyō tea bowl to His Imperial Highness the Crown Prince (now Emperor Emeritus).\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe reason this piece is designated as a \"Masterpiece\" lies in its \"microscopic detailing\" that transcends normal human vision. The primary technique, Aka-e Saibyō, is a superhuman craft involving the depiction of ultra-fine lines—less than 0.1 mm in thickness—drawn at perfectly equal intervals using red iron oxide (Bengara) pigment. The \"Ascending Dragon\" motif featured here is, along with the phoenix and tiger, Yamamoto’s most celebrated and technically demanding subject. From the internal texture of every individual dragon scale to the minute patterns filling every millimeter of the background, the entire surface is a dense concentration of visual information, embodying the essence of Aka-e Saibyō where no empty space is permitted.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThe red-painted ascending dragon on the exterior radiates a power that pierces the heavens, while the magnificent gilded dragon on the interior lends the entire vessel an overwhelming sense of nobility. Because Aka-e Saibyō can only be performed during the limited hours of peak daily concentration, and completing a single work of this density requires immense time, its availability in the market is extremely restricted. As a supreme vessel designed to brilliantly enhance the amber hues of aged sake or fine whisky, this piece represents the ultimate modern attainment of Kutani red painting.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Yamamoto Hogaku (山本芳岳, born 1960)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"36\"\u003eRepresentative Career:\u003c\/b\u003e Upholding the \"Aka-e Saibyō\" technique—which reached its peak in the Meiji period before seeing a drastic decline in successors—at the highest contemporary level. [1985] Specially commissioned to create and present the \"Aka-e Saibyō Chrysanthemum, Paulownia, and Phoenix Sencha Bowl\" to His Imperial Highness the Crown Prince (now Emperor Emeritus); [1992] Received the Honorable Mention at the 54th Issuikai Ceramics Exhibition; [1996] Officially certified as a Kutani Ware Traditional Craftsman by the Minister of International Trade and Industry. His exquisitely precise technique is lauded as the zenith of contemporary Kutani red painting.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"704\"\u003eMuseum Collections:\u003c\/b\u003e Ishikawa Prefectural Museum of Art, Ishikawa Kutani-yaki Art Museum, Kutani-yaki Kiln Site Exhibition Hall, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"844\"\u003ePeriod of Creation:\u003c\/b\u003e 2000s–2010s (His mature period following his certification as a Traditional Craftsman). This \"Ascending Dragon\" motif represents the peak of Yamamoto’s artistry, where the meticulous Aka-e Saibyō lines—drawn at under 0.1 mm—achieve perfect harmony with the magnificent gold leaf detailing. \u003cb data-path-to-node=\"21\" data-index-in-node=\"1154\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1197\"\u003eAccessories:\u003c\/b\u003e Original signed wooden box (Tomobako), wrapping cloth, introductory leaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1286\"\u003eMaterial:\u003c\/b\u003e Pottery (Kutani Ware \/ Aka-e Saibyō \/ Gilded Painting)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1351\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 6.4 cm, Height approx. 3.4 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1416\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47542629433531,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5230_result.jpg?v=1774166205"},{"product_id":"193","title":"Yamamoto Hogaku (山本芳岳), Masterpiece, Kutani Ware Aka-e Saibyo \/ Gilded Red Painting, Phoenix Motif Guinomi Sake Cup, Imperial Family Gift Artist #193","description":"\u003cp data-path-to-node=\"20\"\u003eThis \"Aka-e Saibyo\" (Ultra-fine Red Painting) guinomi is a pinnacle of Kutani ware artistry by Yamamoto Hogaku (born 1960), a master of contemporary Kutani ware based in Kaga City, Ishikawa Prefecture. Yamamoto is the foremost living successor of the Aka-e Saibyo technique, distinguished by his 1985 commission to create and present the \"Aka-e Saibyo Chrysanthemum, Paulownia, and Phoenix Sencha Bowl\" to His Imperial Highness the Crown Prince (now Emperor Emeritus).\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eThis work is a top-tier masterpiece featuring the \"Phoenix,\" Yamamoto’s signature and most prestigious motif, meticulously rendered through Aka-e Saibyo, a technique that far transcends the realm of standard red painting. Aka-e Saibyo is a superhuman craft involving the depiction of ultra-fine lines—less than 0.1 mm in thickness—drawn at perfectly equal intervals using red iron oxide (Bengara) pigment. From every individual feather of the phoenix to the microscopic geometric patterns filling the background, the entire surface of the vessel is a dense mass of visual information. This density, which permits no blank space, is the crystallization of a master craftsman's dedication over more than a month of concentrated effort.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eFurthermore, the interior of the vessel features a majestic phoenix in heavy gold, serving as a magnificent counterpart to the delicate red painting on the exterior. This perfect harmony of \"Red\" and \"Gold\" is a signature style from Yamamoto’s mature period, where his skill and artistry reached their peak. It exudes an elegance worthy of being called the ultimate achievement of red painting in contemporary Kutani. As a supreme vessel designed to brilliantly enhance the amber hues of aged sake or fine whisky, this is a masterpiece with a unique and powerful presence.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Yamamoto Hogaku (山本芳岳, born 1960)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"36\"\u003eRepresentative Career:\u003c\/b\u003e Upholding the \"Aka-e Saibyo\" technique—which reached its peak in the Meiji period before seeing a drastic decline in successors—at the highest contemporary level. [1985] Specially commissioned to create and present the \"Aka-e Saibyo Chrysanthemum, Paulownia, and Phoenix Sencha Bowl\" to His Imperial Highness the Crown Prince (now Emperor Emeritus); [1992] Received the Honorable Mention at the 54th Issuikai Ceramics Exhibition; [1996] Officially certified as a Kutani Ware Traditional Craftsman by the Minister of International Trade and Industry. His exquisitely precise technique is lauded as the zenith of contemporary Kutani red painting.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"704\"\u003eMuseum Collections:\u003c\/b\u003e Ishikawa Prefectural Museum of Art, Ishikawa Kutani-yaki Art Museum, Kutani-yaki Kiln Site Exhibition Hall, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"844\"\u003ePeriod of Creation:\u003c\/b\u003e Late 1990s–early 2000s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"899\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"942\"\u003eAccessories:\u003c\/b\u003e Original signed wooden box (Tomobako), introductory leaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1015\"\u003eMaterial:\u003c\/b\u003e Pottery (Kutani Ware \/ Aka-e Saibyo \/ Gilded Painting)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1080\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 5.0 cm, Height approx. 5.8 cm \u003cb data-path-to-node=\"23\" data-index-in-node=\"1145\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47543484154043,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5249_result.jpg?v=1774142081"},{"product_id":"198","title":"Mitsui Tamekichi III (三代 三ッ井為吉), Kutani Ware Polychrome Landscape (Sansui), Guinomi Sake Cup, Commemorative Work for Prime Minister Nakasone’s Friendly Visit to China #198","description":"\u003cp data-path-to-node=\"21\"\u003eThis piece is a special Kutani-yaki sake cup created to commemorate Sino-Japanese friendship and the ceremonial toast during Prime Minister Yasuhiro Nakasone’s official visit to China in 1984 (Showa 59). Mitsui Tamekichi III (Birth name: Mitsui Eiichi, born 1935), a standard-bearer of the prestigious Mitsui Tamekichi lineage, was officially commissioned to create sake cups for Prime Minister Nakasone’s visit, following his previous commissions for Prime Minister Ohira in 1979 and Prime Minister Suzuki in 1982. This piece is a distinguished item crafted to grace a historic diplomatic stage. Tamekichi III inherited the techniques of the first Tamekichi, who was a disciple of the legendary \u003ca href=\"\/en\/search?q=%22%E5%BE%B3%E7%94%B0%E5%85%AB%E5%8D%81%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTokuda Yasokichi\u003c\/a\u003e I. He is highly acclaimed for expressing the traditional Kutani Gosai (five Kutani colors: red, yellow, green, purple, and dark blue)—used since the Ko-Kutani era—with modern sophistication.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eWhile the design may appear simple at first glance, this piece is a culmination of advanced craftsmanship that sets it apart from mass-produced items. The technique of applying traditional Japanese overglaze enamels (wa-enogu) in thick layers creates a three-dimensional effect and a jewel-like translucency within the pigments themselves. This chromatic beauty, which transmits and intricately refracts light, can never be replicated by transfer prints or uniform products using Western-style paints. Furthermore, the brushwork depicting the landscapes exhibits calculated variation in speed and pressure; each stroke creates an atmospheric depth within the small vessel, as if mist were rising. Combined with the elegant arrangement of unpainted negative space, it exudes a dignity unattainable in mass production.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23\"\u003eThe landscape-and-figure motif (Sansui-jinbutsu-mon) on the exterior represents the essence of Tamekichi’s artistry, depicting a tranquil worldview through meticulous polychrome techniques. This motif is a universal theme in East Asian culture symbolizing the harmony between nature and humanity, making it the ideal design for a diplomatic gift signifying the deep cultural ties between Japan and China. The vibrant coloration of the Kutani Gosai, sharpened by delicate brushwork, demonstrates the high-level fusion of ancient \"beauty in utility\" and modern artistry that the artist reached through decades of research.\u003c\/p\u003e\n\u003cp data-path-to-node=\"24\"\u003eStanding approximately 5.3 cm in height with a diameter of 5.6 cm, the cup is designed with a refined scale that fits comfortably in the palm, intended to lend maximum grace to the fleeting moment of a toast in a diplomatic setting. It is extremely rare for such works, which hold significant historical value and are tied to Japanese political history and traditional crafts, to circulate overseas. This piece transcends its role as a sake vessel, serving as a cultural artifact of the relations between Japan and China in the late 20th century. Bearing the artist’s signature \"Tamekichi\" on the bottom, it represents a perfected form of modern Kutani-yaki, produced as a commemorative gift for a prime ministerial overseas visit where strict quality and formality were paramount.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cb data-path-to-node=\"25\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Mitsui Tamekichi III (三代 三ッ井為吉, born 1935)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cb data-path-to-node=\"25\" data-index-in-node=\"41\"\u003eRepresentative Career:\u003c\/b\u003e 1961: Succeeded to the title of Mitsui Tamekichi III. 1987: Received the Prime Minister's Award. 1994: Solo exhibition at Switzer Gallery, New York. 1997: Appointed Visiting Professor at Gallaudet University. 2002: Solo exhibition and permanent collection at the Smithsonian Institution. 2005: Received the Edward Gallaudet Award. Works in Public Collections: Smithsonian Institution (Washington D.C., USA), Gallaudet University (USA), Ishikawa Prefectural Museum of Art, Nomi City Kutani-yaki Museum, and many others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cb data-path-to-node=\"25\" data-index-in-node=\"583\"\u003ePeriod of Creation:\u003c\/b\u003e Circa 1984 (The original wooden box states it was prepared for Prime Minister Nakasone’s visit to China in March 1984).\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cb data-path-to-node=\"25\" data-index-in-node=\"723\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cb data-path-to-node=\"25\" data-index-in-node=\"766\"\u003eAccessories:\u003c\/b\u003e Original signed wooden box (Tomobako), with the artist's signature and seal.\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cb data-path-to-node=\"25\" data-index-in-node=\"856\"\u003eMaterial:\u003c\/b\u003e Ceramic (Kutani Ware \/ Polychrome)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cb data-path-to-node=\"25\" data-index-in-node=\"901\"\u003eDimensions:\u003c\/b\u003e Height approx. 5.3 cm, Mouth diameter approx. 5.6 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cb data-path-to-node=\"25\" data-index-in-node=\"966\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47549043998907,"sku":null,"price":12000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5419_result.jpg?v=1774166278"},{"product_id":"202","title":"Yamamoto Hogaku (山本芳岳), Masterpiece, Kutani Ware Aka-e Saibyo \/ Gilded Red Painting, Phoenix Motif Guinomi Sake Cup, Imperial Family Gift Artist #202","description":"\u003cp data-path-to-node=\"20\"\u003eThis \"Aka-e Saibyo\" (Ultra-fine Red Painting) guinomi is a pinnacle of Kutani ware artistry by Yamamoto Hogaku (born 1960), a master of contemporary Kutani ware based in Kaga City, Ishikawa Prefecture. Yamamoto is the foremost living successor of the Aka-e Saibyo technique, distinguished by his 1985 commission to create and present the \"Aka-e Saibyo Chrysanthemum, Paulownia, and Phoenix Sencha Bowl\" to His Imperial Highness the Crown Prince (now Emperor Emeritus).\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eThis work is a top-tier masterpiece featuring the \"Phoenix,\" Yamamoto’s signature and most prestigious motif, meticulously rendered through Aka-e Saibyo, a technique that far transcends the realm of standard red painting. Aka-e Saibyo is a superhuman craft involving the depiction of ultra-fine lines—less than 0.1 mm in thickness—drawn at perfectly equal intervals using red iron oxide (Bengara) pigment. From every individual feather of the phoenix to the microscopic geometric patterns filling the background, the entire surface of the vessel is a dense mass of visual information. This density, which permits no blank space, is the crystallization of a master craftsman's dedication over more than a month of concentrated effort.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eFurthermore, the interior of the vessel features a majestic phoenix in heavy gold, serving as a magnificent counterpart to the delicate red painting on the exterior. This perfect harmony of \"Red\" and \"Gold\" is a signature style from Yamamoto’s mature period, where his skill and artistry reached their peak. It exudes an elegance worthy of being called the ultimate achievement of red painting in contemporary Kutani. As a supreme vessel designed to brilliantly enhance the amber hues of aged sake or fine whisky, this is a masterpiece with a unique and powerful presence.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Yamamoto Hogaku (山本芳岳, born 1960)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"36\"\u003eRepresentative Career:\u003c\/b\u003e Upholding the \"Aka-e Saibyo\" technique—which reached its peak in the Meiji period before seeing a drastic decline in successors—at the highest contemporary level. [1985] Specially commissioned to create and present the \"Aka-e Saibyo Chrysanthemum, Paulownia, and Phoenix Sencha Bowl\" to His Imperial Highness the Crown Prince (now Emperor Emeritus); [1992] Received the Honorable Mention at the 54th Issuikai Ceramics Exhibition; [1996] Officially certified as a Kutani Ware Traditional Craftsman by the Minister of International Trade and Industry. His exquisitely precise technique is lauded as the zenith of contemporary Kutani red painting.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"704\"\u003eMuseum Collections:\u003c\/b\u003e Ishikawa Prefectural Museum of Art, Ishikawa Kutani-yaki Art Museum, Kutani-yaki Kiln Site Exhibition Hall, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"844\"\u003ePeriod of Creation:\u003c\/b\u003e Late 1990s–early 2000s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"899\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"942\"\u003eAccessories:\u003c\/b\u003e Original signed wooden box (Tomobako), introductory leaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1015\"\u003eMaterial:\u003c\/b\u003e Pottery (Kutani Ware \/ Aka-e Saibyo \/ Gilded Painting)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1080\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 5.0 cm, Height approx. 5.8 cm \u003cb data-path-to-node=\"23\" data-index-in-node=\"1145\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47580656140475,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5626_result.jpg?v=1774857662"},{"product_id":"203","title":"Tani Shukei (谷秋渓), Kin-sai Aka-e Saibyo, Cloud Dragon Motif Sake Cups, Pair, Early Showa Period, Essence of the Takeuchi Ginshu School, Freehand Ultra-fine Dragon Pattern, A Masterpiece of Japanese Kogei #203","description":"\u003cp data-path-to-node=\"8\"\u003eTani Shukei (1888–1959, Birth name: Masaki), born in Daishoji, Kaga City, Ishikawa Prefecture, was a master craftsman who inherited the orthodox lineage of Kutani Aka-e Saibyo (ultra-fine red painting). He apprenticed under the Meiji-era master \u003ca href=\"\/en\/search?q=%22%E7%AB%B9%E5%86%85%E5%90%9F%E7%A7%8B%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTakeuchi Ginshu\u003c\/a\u003e and his third son, \u003ca href=\"\/en\/search?q=%22%E5%BA%83%E6%B2%A2%E8%8A%A6%E7%A7%8B%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eHirosawa Roshu\u003c\/a\u003e. Shukei’s most remarkable talent lay in his superhuman brushwork—he could fill an entire vessel with microscopic patterns using a single ultra-fine brush without any underdrawing (shitagaki). It is said he could freely replicate identical, intricate designs of dragons and phoenixes. This pair of sake cups features his signature Cloud Dragon motif. The depiction of dragon scales and auspicious clouds, spiraling around the small vessels, clearly displays his fluid, unhesitating brushstrokes and elegant color palette enriched with gold enamel (Kin-sai).\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eWhen compared to the works of \u003ca href=\"\/en\/search?q=%22%E5%B1%B1%E6%9C%AC%E8%8A%B3%E5%B2%B3%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYamamoto Hogaku\u003c\/a\u003e, the contemporary pinnacle of Aka-e Saibyo, the nature of precision in Shukei’s work reflects the vast difference in the technological environments of their respective eras. Modern works by Yamamoto are achieved through the use of high-powered magnifying glasses, microscopes, uniform synthetic fiber brushes, and highly refined pigments, resulting in microscopic precision and perfect symmetry that transcends human vision. In contrast, Shukei worked a century ago without any magnifying aids. He relied solely on his natural eyesight and concentration, using brushes hand-carved from animal hair and naturally derived pigments.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThis environmental difference imbues Shukei’s lines with a rhythmic vitality and \"breath\" that differs from modern uniformity. While the absolute thickness of the lines may yield to what modern tools can achieve, the momentum of drawing everything in one go without a guide and the intensity of expressing such density with limited tools symbolize the peak of physical skill attained by craftsmen of that era. If Yamamoto Hogaku represents the ultimate in modern precision beauty, Tani Shukei’s work is a concentrated historical legacy of the pure artisan spirit from an age where one faced the clay using only their five senses. When whisky is poured, the red-painted dragon shimmering through the golden liquid conveys a raw passion from a hundred years ago—a beauty distinct from the perfected precision of today.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Tani Shukei (谷秋渓, 1888–1959, Birth name: Tani Masaki)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"56\"\u003eRepresentative Career:\u003c\/b\u003e Born in 1888 in Daishoji, Ishikawa Prefecture. Apprenticed under Takeuchi Ginshu, the master who revived Meiji Kutani Aka-e Saibyo, and Hirosawa Roshu, mastering the authentic techniques of ultra-fine red painting. Operating a ceramic painting business in Yamashiro, he became renowned for his exceptional brushwork, capable of drawing intricate dragon and phoenix motifs directly onto the clay without any underdrawing. Throughout the turbulent transition from the Meiji to the Showa era, he remained a solitary master who preserved the superhuman craft of Aka-e Saibyo.\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"651\"\u003eMuseum Collections:\u003c\/b\u003e Public museums in Kaga City, Kutani Ware Archives, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"734\"\u003ePeriod of Creation:\u003c\/b\u003e Circa 1926 (Showa 1) – 1945 (Showa 20) (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"805\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"848\"\u003eAccessories:\u003c\/b\u003e Dedicated wooden box\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"882\"\u003eMaterial:\u003c\/b\u003e Ceramic (Kutani Ware \/ Aka-e Saibyo \/ Kin-sai)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"939\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 5.5 cm, Height approx. 3.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"1004\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47580656369851,"sku":null,"price":110000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5595_result.jpg?v=1774857548"},{"product_id":"207","title":"Direct Lineage of Tokuda Yasokichi I, Yoshida Katsuzan (吉田勝山), Kutani-ware Aote Yuri-kinsai Flower Pattern Water Dropper, Whisky Dropper #207","description":"\u003cp data-path-to-node=\"13\"\u003eYoshida Katsuzan (Birth name: \u003ca href=\"\/en\/search?q=%22%E5%90%89%E7%94%B0%E4%B8%88%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYoshida Takeo\u003c\/a\u003e, 1916-1999), a master of Kutani-ware based in Yokaichi, Kanazawa City, Ishikawa Prefecture, was a renowned craftsman who dedicated his life to the promotion and development of Kanazawa Kutani. He received direct guidance from \u003ca href=\"\/en\/search?q=%22%E5%BE%B3%E7%94%B0%E5%85%AB%E5%8D%81%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTokuda Yasokichi\u003c\/a\u003e I, the preeminent authority in Kutani-ware coloring, inheriting his exceptionally precise glaze blending and color development techniques. His distinguished career—including winning the Special Selection award at the Nitten Exhibition, his status as an Invited (Exempt from Screening) Artist, and receiving the Kanazawa City Culture Award and the Ishikawa Prefecture Cultural Achievement Award—attests to his prominent stature in the craft world. In particular, his \"Yuri-kinsai\" (Underglaze Gold Foil) technique and his modern sublimation of traditional \"Aote\" (Deep Green-Blue style) into transparent color expressions are highly acclaimed in museum collections worldwide.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eWhile originally created as a water dropper for calligraphy, this piece possesses rare practicality and artistry in the modern era as a water dropper for enhancing the aroma of aged spirits and whisky. The rich verdigris glaze covering the work is the hallmark of Yoshida Katsuzan’s Aote lineage, featuring deep colors achieved through secret glaze recipes inherited from Tokuda Yasokichi I. The glaze layer is remarkably thick, possessing a jewel-like luster and transparency. The gold foil embedded deep within reflects light with a subtle elegance, serving as a testament to the flawless execution of the highly difficult Yuri-kinsai technique.\u003c\/p\u003e\n\u003cp data-path-to-node=\"15\"\u003eThe large floral motif at the center is a peony, a favorite design of the artist, which radiates an overwhelming presence through realistic line-work and raised overglaze enamels. The vivid crimson hues are further accentuated by the contrast with the deep green glaze, elevating traditional Kutani aesthetics to a modern elegance. The rounded, graceful form fits snugly in the palm, embodying functional beauty designed for precise, drop-by-drop dispensing. Since the artist's passing in 1999, no new works have been released from the Katsuzan Kiln. Pieces from his mature later years that strongly reflect the color sensibility inherited directly from Yasokichi I are rare craft legacies, possessing historical value comparable to works held in the Ishikawa Prefectural Museum of Art and the Kanazawa Yasue Gold Leaf Museum.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Yoshida Katsuzan (吉田勝山, 1916-1999)\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"37\"\u003eArtist's Major Career Highlights:\u003c\/b\u003e [1948] Studied under \u003ca href=\"\/en\/search?q=%22%E5%8C%97%E6%9D%91%E7%BE%85%E5%B1%B1%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKitamura Razan\u003c\/a\u003e, [1950s] Studied under Tokuda Yasokichi I and mastered glazing techniques, [1970] Received Special Selection award at Nitten Exhibition, [1980] Received Kanazawa City Culture Award, [1991] Received Ishikawa Prefecture Cultural Achievement Award\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"352\"\u003eWorks in Collections:\u003c\/b\u003e Ishikawa Prefectural Museum of Art, Kanazawa Yasue Gold Leaf Museum, public institutions in Kanazawa City and Ishikawa Prefecture, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"510\"\u003eProduction Period:\u003c\/b\u003e 1980s-1990s (Estimated to be from his mature period \/ late-career work)\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"601\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"644\"\u003eAccessories:\u003c\/b\u003e Original wooden box (signed and sealed by Katsuzan Kiln), leaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"723\"\u003eMaterial:\u003c\/b\u003e Pottery (Kutani-ware)\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"755\"\u003eDimensions:\u003c\/b\u003e Height approx. 5.0cm, Width approx. 7.5cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"809\"\u003eNote:\u003c\/b\u003e Although the products we offer may be unused, they are from a very old production period, and all are listed as used items. Please understand that items may have age-related damage and consider this before making a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47695919743163,"sku":null,"price":23000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5739_result.jpg?v=1776176055"},{"product_id":"226","title":"Kutani Ware Sonoe Hisaodo (園江久雄堂) Minehisa Red Enameled Gold-Gilt Ninsei-Style Phoenix Motif Finely Painted Gold-Gilt Red Enameled Guinomi Shot Glass #226","description":"\u003cp data-path-to-node=\"24\"\u003eWe introduce a genuine vintage craft by Sonoe Hisaodo (art name: Minehisa), who boasted the highest level of overglaze enamel techniques in Okawa-cho, Komatsu City, Ishikawa Prefecture, during the golden age of Kutani ware in the Showa era. Although the studio is now defunct and will never produce new items again, we propose this phoenix-patterned sake cup, a traditional Japanese vessel, as the ultimate shot glass for elegantly enjoying amber-colored aged sake or mature Japanese whisky straight.\u003c\/p\u003e\n\u003cp data-path-to-node=\"25\"\u003eSonoe Hisaodo's most highly acclaimed technique lies not in the realm of modern art for public exhibition awards, but in the craftsmanship of practical overglaze enameling, refined to the extreme to delight the user's five senses. At its core is the sophisticated aesthetic of \"Ninsei-utsushi,\" which emulates the brilliant colored enamel world of the master craftsman Nonomura Ninsei of Kyoto, combined with the \"aka-e kinsai\" technique of overlaying pure gold paste onto finely detailed overglaze red painting.\u003c\/p\u003e\n\u003cp data-path-to-node=\"26\"\u003eA close professional examination of the attached product's design reveals that Sonoe Hisaodo's signature superlative technique is expressed with flawless precision. On the surface of the vessel, the phoenix, a symbol of eternal prosperity and good fortune in the East, is vividly depicted with hair-thin, uniform red lines. From the smooth curves of the phoenix's tail feathers, the overlapping of each individual feather, to the depiction of the auspicious clouds surrounding it, the extreme concentration of a skilled painter from that era, who held their breath with every brushstroke, is evident in a visual rhythm. Furthermore, the lavish gold embellishment applied over the red painting is not a gaudy, cheap glitter, but harmonizes with the elegant white porcelain body, creating a noble three-dimensionality and depth. It emits a calculated beauty that reveals various expressions depending on the angle of the light.\u003c\/p\u003e\n\u003cp data-path-to-node=\"27\"\u003eThis work is not by an artist who has left a brilliant record of awards in official art directories such as the Nitten Exhibition or the Japan Traditional Crafts Exhibition. However, that is precisely the proudest aspect of craftsmanship in Japanese traditional crafts. The genuine lineage of uncrowned artisans who silently honed their skills in production areas and satisfied high-end Japanese restaurants and discerning patrons during the era when \"Japan Kutani\" swept the world, breathes fully within this small vessel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"28\"\u003eSince the workshop itself no longer exists, individuals in such good condition, with the advanced gold-painting technique of the time preserved perfectly, are extremely rare. Pour top-grade whisky or aged sake, born from the accumulation of time, into this vessel while appreciating the exquisite ceramic texture that clings to your fingertips, something that glass can't offer. At that moment, the red and gold phoenix patterns applied both inside and outside the vessel vividly resonate through the refraction of the liquid, providing an intellectual tasting experience reserved only for its owner. Precisely because its name does not appear on the grand stage of history, it is a supreme piece that allows one to casually incorporate the pinnacle of pure technique into daily life and enjoy the true pleasure of art collecting—appreciating the ultimate beauty of utility in the palm of one's hand.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eSonoe Hisaodo (園江久雄堂, art name: Minehisa)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eKiln: \u003c\/strong\u003eOkawa-cho, Komatsu City, Ishikawa Prefecture (now closed)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eProduction Period: \u003c\/strong\u003e1980s-1990s (estimated)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eTomobako (Original wooden box signed by the artisan)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePottery (Kutani ware, fine overglaze red painting, gold enamel)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Diameter approx. 5.5 cm, Height approx. 3.5 cm\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products we offer are new and unused, they are from a very old production period, and all are listed as pre-owned. Please understand that products may have damage due to age, and consider this before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47738927448251,"sku":null,"price":26000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6613_result.jpg?v=1779250484"},{"product_id":"234","title":"Nitten Special Selection and Hokuka Award Winner, Nitten Councillor, Kitade Seiko (北出星光) - Iroe Kinsai Kachomon Sake Cup - Contemporary Kutani Ware's Pinnacle of Saidei Iroe Craft - One of a Kind #234","description":"\u003cp data-path-to-node=\"30\"\u003eThis is an extremely dignified sake cup masterpiece by Mr. Kitade Seiko (Birth name: Kitade Isamu, 1928-2011), the third son and most faithful disciple of \u003ca href=\"\/en\/search?q=%22%E5%8C%97%E5%87%BA%E5%A1%94%E6%AC%A1%E9%83%8E%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKitade Tojiro\u003c\/a\u003e, a pioneering ceramic artist who greatly redefined the history of Kutani ware from modern to contemporary times, and a master who inherited the legitimate lineage. Kitade Seiko was born in Daishoji, Kaga City, Ishikawa Prefecture in 1928 and, until his passing at the age of 83 in 2011, established his own tranquil artistic world in the post-war contemporary ceramics scene, primarily through the Nitten exhibition. From a young age, he was thoroughly instilled with the strict modernist philosophy passed down from \u003ca href=\"\/en\/search?q=%22%E5%AF%8C%E6%9C%AC%E6%86%B2%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTomimoto Kenkichi\u003c\/a\u003e, a Living National Treasure who promoted the modernization of ceramics, to his father, Tojiro: \"Do not create patterns from existing patterns.\" This creative spirit, which rejects easy imitation of classics and instead generates new modern designs from sketching nature, gives his works a special authority in the art world as treasures of modern Kutani ware, demonstrating the noble artistry and advanced techniques directly descended from Tomimoto.\u003c\/p\u003e\n\u003cp data-path-to-node=\"31\"\u003eThe techniques for which Kitade Seiko is most highly acclaimed are the Saidei colored clay technique, which he inherited from his father and further refined in his own generation, the delicate multi-layer overglaze painting, and the highly harmonized gold, silver, and platinum decoration. In terms of design, he excelled throughout his life in developing modern and exotic abstract geometric patterns inspired by birds, plants, and classical patterns from Persia and Central Asia. By perfectly blending the unique thickness and painterly texture of colored clay and overglazes within a single vessel, rather than treating the smooth surface of porcelain merely as a painting canvas, he succeeded in expressing a quiet, deep, and poetic space previously unseen in Kutani ware.\u003c\/p\u003e\n\u003cp data-path-to-node=\"32\"\u003eThis \"Iroe Kinsai Kachomon Sakazuki\" (Sake Cup with Enameled and Gold-decorated Fruit and Butterfly Design) is a masterpiece that clearly and densely expresses Seiko's outstanding techniques and designs. Four equidistant round windows are placed around the outer circumference of the vessel, within which beautifully gradient \"butterflies,\" abstractly modernized yet based on meticulous sketches, and richly ripened \"fruit\" motifs are vividly depicted alternately. Filling the space around the round windows are the intricate Persian-style abstract geometric patterns that are Seiko's true specialty, with the thickness of the red and green overglazes placed at the intersections of the grids and the elegant gold lines bordering them forming a magnificent three-dimensional texture. Furthermore, a round window is placed at the center bottom of the cup's interior (mikomi), with a design of fruiting plants surrounded by a refined dotted pattern in gold on a red ground (akaji kinrande), and red and gold double lines around the rim. Such high-difficulty decorations are applied without compromise, even to the innermost parts. This technique of combining colored clay, multi-layer overglaze, and gold decoration carries an extremely high risk of peeling and cracking due to differences in shrinkage rates between the body and the colored clay, and requires multi-stage firing, moving the piece repeatedly between the main kiln and the overglaze kiln after determining the optimal temperature range. Thus, it is an ultra-high-difficulty crystallization achievable only through the skill of an exceptional master craftsman. On the back of the foot, the artist's signature \"Seiko\" is proudly written in green paint, proof of his genuine work.\u003c\/p\u003e\n\u003cp data-path-to-node=\"33\"\u003eKitade Seiko consistently maintained a style throughout his life of creating each piece with singular devotion for exhibition at Nitten and solo shows, distinguishing himself from commercial crafts produced for mass consumption. Therefore, the total number of existing works is extremely limited. In particular, many of his major and representative works are housed in public museums and research institutions such as the Ishikawa Prefectural Museum of Art and the Research Institute of Art and Craft, Kanazawa College of Art. Authentic small pieces circulated in the private market are exceedingly rare, possessing immense scarcity value. This is a very rare Japanese masterpiece about which there is little information overseas. We propose this sake cup, imbued with art-historical authority and superlative technique, as the ultimate Japanese Kōgei sake vessel for enjoying traditional Japanese beauty in the palm of your hand, in line with a sophisticated modern lifestyle. Its small, comfortable size of 3.0 cm in height, 6.3 cm in rim diameter, and 2.7 cm in base diameter is ideal for savoring aged sake and mature sake that have acquired deep richness and mellow aromas over many years. The vivid overglaze and noble gold decoration covering the entire vessel resonate beautifully with the elegant amber color of the poured aged sake, elevating a daily evening drink into a luxurious experience of appreciating supreme three-dimensional art. It is the ultimate modern piece.\u003c\/p\u003e\n\u003ch4 data-path-to-node=\"34\"\u003e*The description on the wrapping paper is also transcribed below.\u003c\/h4\u003e\n\u003cp data-path-to-node=\"35\"\u003e\u003cstrong\u003e[Transcription] \u003c\/strong\u003eNobe (of the field) though it flourishes, its age will end. The leaves, merely scattered by the west wind, the forest wind, the dew that rested on them, too, scatters to the original leaves. Not even a drop of dew remains, all just scattering away. Nothing remains, such is this world.\u003c\/p\u003e\n\u003cp data-path-to-node=\"36\"\u003e\u003cstrong\u003e(English Poetic Translation) \u003c\/strong\u003eThough the fields lushly flourish, their span of life must reach its dusk. The leaves that bide now are swept away by the autumn wind, the sighing forest breeze; the dew that rested upon them scatters back to its mother leaves. Vanishing without leaving even a single droplet behind, it all scatters and fades—such is the fleeting law of this impermanent world.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"37\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eKitade Seiko (北出星光, Birth name: Kitade Isamu, 1928-2011)\u003c\/li\u003e\n\u003cli data-path-to-node=\"38\"\u003e\u003cstrong\u003eArtist's Representative Activities:\u003c\/strong\u003e [1952] First selection at the 8th Nitten Exhibition, [1962] Received the Special Selection and Hokuka Award at the 5th Shin Nitten Exhibition, [1975] Appointed Nitten member, [1992] Appointed Nitten councilor, Member of the Ishikawa Prefectural Designated Intangible Cultural Property Kutani Ware Technical Preservation Society\u003c\/li\u003e\n\u003cli data-path-to-node=\"39\"\u003e\u003cstrong\u003eWorks in Collection:\u003c\/strong\u003e Ishikawa Prefectural Museum of Art, Research Institute of Art and Craft, Kanazawa College of Art, and other major public institutions\u003c\/li\u003e\n\u003cli data-path-to-node=\"40\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e 1980s (Golden age as a Nitten member, mature period in his 50s)\u003c\/li\u003e\n\u003cli data-path-to-node=\"41\"\u003e\u003cstrong\u003eProduct Condition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"42\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain (colored clay, overglaze enamel, gold decoration)\u003c\/li\u003e\n\u003cli data-path-to-node=\"43\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None (including wrapping paper)\u003c\/li\u003e\n\u003cli data-path-to-node=\"44\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 3.0 cm, Rim diameter approx. 6.3 cm, Base diameter approx. 2.7 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"45\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003ePlease note that all products offered by our store, even if brand new and unused, originate from a historic production period and are strictly listed as antique\/used fine art items. Vintage products may exhibit subtle age-related characteristics; please consider purchasing upon full understanding and confirmation.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47754503913659,"sku":null,"price":35000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_8709_result.jpg?v=1783739758"},{"product_id":"240","title":"Kida Hiroyuki (木田弘之) Kutani Ware Celadon Teabowl and Ceramic Whisky Tumbler (Selected for the Nitten Exhibition, Awarded Minister of Education Prize) #240","description":"\u003cp data-path-to-node=\"14\"\u003eThis is a celadon chawan (tea bowl) by Hiroyuki Kida (1944-), a modern Kutani ware master whose works have received numerous top honors, including the Nitten Special Selection and the Minister of Education Award, and whose pieces are permanently held by Japan's Ministry of Foreign Affairs. This piece has the beautiful proportions of a matcha bowl that fits comfortably in the hand, and our shop proudly proposes it as a premium Japanese craft Ceramic Whisky Tumbler for slowly enjoying aged sake that has matured into a rich amber color over time, or carefully selected whisky with large ice cubes. Its traditional shape, with a wide mouth and moderate depth, significantly enhances the rich aroma of the poured liquor by allowing it to interact with the air, and when held, it directly conveys the smooth texture and pleasant weight characteristic of Kutani porcelain. The attempt to merge the traditional chawan, which possesses an overwhelming presence as an art object and is deeply rooted in Japanese tea ceremony culture, with the modern enjoyment of luxury spirits will surely provide a luxurious experience for entertaining overseas collectors and special guests with the highest form of Japanese hospitality.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eThe artist, Hiroyuki Kida, was born in Hachiman, Komatsu City, Ishikawa Prefecture in 1944. As the third-generation successor of Kida Seito, a renowned family of Kutani ware three-dimensional sculptors, he inherited the highly precise modeling techniques passed down through generations. Furthermore, not content with the scope of traditional crafts, he completed his studies at the Government Industrial Research Institute, Nagoya, a national research institution, acquiring scientific and modern ceramic technology. He has established a truly rare, completely handmade style in the world of Kutani ware, overseeing every step from mold making and shaping to meticulous overglaze painting himself. He has achieved brilliant results on major stages both domestically and internationally, including receiving the Nitten Special Selection, the Minister of Education Award, being selected for the Faenza International Ceramics Competition in Italy, and winning the Chunichi Grand Prize. His extraordinary modeling sense and technique have been officially recognized as national art pieces, purchased by the Ministry of Foreign Affairs, and permanently housed as part of the public collection of the Hokkaido Museum of Modern Art, among other accolades, widely proving their cultural asset value. He continues to be a leading figure who relentlessly pursues the art of pottery, and complete pieces bearing the artist's original signature on the box, which circulate in the market, possess extremely high rarity due to the lack of new supply.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eOne of the most highly regarded aspects of Hiroyuki Kida's pottery is his advanced glaze color control technology, backed by years of research. Upon careful examination of this piece, as can be seen in the accompanying images, it stands out as an exceptionally well-executed work among his celadon pieces, a masterpiece full of artistic flavor. The beautiful glaze covering the entire vessel achieves a vivid and deeply clear coloration reminiscent of the highest quality jade, possessing an incredibly high, captivating transparency. Furthermore, as can be meticulously observed in the detailed photographs, a splendid network of crackle, like finely woven ice cracks, spreads beautifully and seamlessly from the inner and outer walls of the vessel all the way to the deep interior. The thickness of this transparent glaze and the countless layers of fine cracks within it allow light to pass through, creating a three-dimensional visual effect as if a mystical natural landscape unfolds deep within the vessel when gazed upon. When sake is poured and ice floats within, the amber liquid of aged sake, the jade color, and the sparkling crackle will harmonize beautifully within the vessel, evoking the highest level of sophistication.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eThis piece is perfectly accompanied by physical evidence that confirms its authenticity and the artist's distinct style. On the base of the vessel, within the carefully finished foot, a clear square seal \"Hiroyuki\" is engraved, indicating it is an authentic work by the artist. Furthermore, the lid of the dedicated wooden box, which shows careful preservation, bears the artist's handwritten inscription \"Celadon Tea Bowl\" on the front and \"Kutani Hiroyuki\" with a square seal on the inside. In addition, a dedicated yellow wrapping cloth beautifully stamped with the artist's seal, and a detailed artist's profile booklet (shiori) are all included in excellent condition. This is a complete piece in very good condition, free from chips or cracks, and represents an asset of undeniable value as a supreme Japanese craft piece, extremely difficult to encounter overseas. Please note that the fine crackle patterns visible on the surface of the vessel are a traditional, natural characteristic unique to celadon, known as \"kannyu,\" and are not damage from later impact or wear. Please feel free to pour your drink and enjoy its beautiful appearance. We invite you to enjoy the supreme beauty cultivated by Japanese tradition in your own hands.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Kida Hiroyuki (木田弘之, 1944-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"30\"\u003eArtist's Major Activities:\u003c\/b\u003e [1944] Born in Kaga Hachiman, Komatsu City, Ishikawa Prefecture, completed studies at the Government Industrial Research Institute, Nagoya. [1966] First accepted into the 22nd Ishikawa Prefectural Contemporary Art Exhibition and first exhibited and accepted into the 9th Nitten Exhibition (work title: Town with a Forest). Since then, he has achieved brilliant results in major public exhibitions. [1974] Selected for the 32nd Faenza International Ceramics Competition in Italy, a globally renowned authority. [1977] Received the Chunichi Grand Prize, the highest award at the 5th Chunichi International Ceramics Exhibition (work later publicly acquired by Komatsu City). [1979] Received the Minister of Education Award, the highest award category at the Prefectural Exhibition Selection organized by the Agency for Cultural Affairs. [1980] Recommended as a member of the Japan New Craft Artists Federation, and his work exhibited at the 2nd Japan New Craft Exhibition in the same year (Serving Dish, Sui) was publicly acquired by the Ministry of Foreign Affairs. [1995] Received the Special Selection, one of the highest honors of the Nitten Exhibition.\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1212\"\u003eWorks in Public Collections:\u003c\/b\u003e Ministry of Foreign Affairs (public acquisition), Komatsu City, Ishikawa Prefecture (public acquisition), Hokkaido Museum of Modern Art (1973 work, ceramic three-dimensional piece \"Untitled\" permanently housed), etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1458\"\u003eProduction Period:\u003c\/b\u003e Circa 1977–1980 (Showa 52–Showa 55 \/ The pinnacle of his golden age, during which he won the Chunichi Grand Prize and the Minister of Education Award, and achieved public acquisition by the Ministry of Foreign Affairs)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1622\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks; please note the natural crackle)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1698\"\u003eAccessories:\u003c\/b\u003e Dedicated wooden box, wrapping cloth, artist's profile booklet (shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1792\"\u003eMaterial:\u003c\/b\u003e Porcelain (celadon)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1822\"\u003eDimensions:\u003c\/b\u003e Height approx. 8.0 cm, Diameter approx. 12.2 cm \u003cbr\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products offered by our shop are unused, they are very old production items and are all listed as used. Products may have age-related damage, so please consider purchasing after understanding and checking.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47766438576315,"sku":null,"price":70000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7468_result.jpg?v=1780730527"},{"product_id":"241","title":"Matsumoto Saichi (松本佐一)'s Kutani Ware Sake Cup\/Shot Glass a product of a recipient of the Japan Fine Arts Exhibition Special Selection and Intangible Cultural Property of Ishikawa Prefecture #241 ","description":"\u003cp data-path-to-node=\"14\"\u003eThis is an exquisitely modern guinomi sake cup by Matsumoto Saichi (1930-2021), a grand master who twice won special recognition at the Nitten Exhibition and left a significant mark on the history of modern Kutani ware as a holder of Ishikawa Prefecture's Intangible Cultural Property. We proudly present this piece, which brilliantly transcends the boundaries of traditional tea ceremony pottery and sake vessels, as a high-end Japanese craft shot glass for slowly enjoying aged sake that has matured into a rich amber color over many years, or premium single malt whisky straight. The refined cylindrical form with a subtle undulation fits comfortably in the hand, and the gently flared rim dramatically enhances the smoothness of the sake's texture. While possessing an overwhelming presence as a work of art, this piece harmonizes perfectly with contemporary luxury spaces and bar settings. It is an extremely rare art piece with very little information circulating overseas, making it a supreme item to welcome special guests or satisfy the discerning eye of an avid collector.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eMatsumoto Saichi, the artist, was born as the fourth generation of the Matsuya kiln, which inherits the lineage of Shoundo, a prestigious Kutani ware kiln established in 1833. While inheriting the bloodline of a highly distinguished pottery family, with his grandfather being Matsumoto Sataro, a leading authority on Kutani ware research, he established a scientific and academic foundation for ceramics in the early post-war period by completing specialized education at an art school and then completing his studies at a national research institution. Not only did he achieve numerous brilliant awards at the Nitten Exhibition, but he was also commissioned to create sake cups as prime minister's gifts during the normalization of diplomatic relations between Japan and China, and further, he crafted furnishings for the State Guest House, Akasaka Palace, where world leaders are welcomed, making him a legendary master craftsman who bore national honors. He continued to lead the Japanese craft world, and complete pieces with the artist's handwritten box inscription, which circulate in the market, possess high rarity due to no new supply.\u0026nbsp;\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eMatsumoto Saichi's pottery is most highly regarded for his modern craft techniques that break away from the traditional concept of Kutani ware's Gosaie (five-color enamel painting), utilizing gold and silver glazes to create geometric and abstract textures that shine in contemporary spaces. Upon our careful examination of this piece, as you can see in the accompanying images, the sophisticated fusion of gold glaze and colored glaze, which is his hallmark, is expressed with extreme clarity. The entire surface of the vessel is layered with a vivid emerald green glaze over a brilliant gold base, creating a beautiful visual effect where a metallic shimmer appears to well up from within the vessel when illuminated. Furthermore, the sides of the vessel are powerfully adorned with abstracted animal silhouettes reminiscent of ancient frescoes and primitive art, along with geometric lattice patterns, rendered in black overglaze. These perfectly embody the concept of \"Object Kutani\" that he pursued throughout his career.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eThe artist's signature is carefully inscribed in red pigment on the base (kodai), and on the lid of the dedicated wooden box, which indicates it has been carefully preserved, there is a handwritten inscription by the artist, and on the inside of the lid, there is a signature and a clear red seal, providing complete material evidence of its authenticity. This is a vintage piece from the prime of a grand master whose new supply has completely ceased, a piece with definite asset value that should be passed down to future generations. Please enjoy the supreme beauty of this miraculous fusion of Japanese tradition and modern art in your own hands.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Matsumoto Saichi (松本佐一, 1930-2021)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"37\"\u003eArtist's notable career highlights:\u003c\/b\u003e [1930] Born in Kanazawa City, Ishikawa Prefecture, [1950] Graduated from the Ceramics Department of Kanazawa College of Art, [1951] Completed the second term of training at the National Industrial Research Institute of Ceramics, Ministry of International Trade and Industry, [1952] First selected for the 8th Nitten Exhibition, with the exhibited work officially purchased by Tokyo Metropolis, [1972] Crafted \"Sake Cups for the Japan-China Friendship Prime Minister's Gift\" for the normalization of diplomatic relations between Japan and China, [1974] Crafted electric lamps for the State Guest House, Akasaka Palace, [1977] Received special recognition at the 9th Nitten Exhibition (work: Silver Glaze Prayer), [1988] Received special recognition for the second time at the 20th Nitten Exhibition (work: Gold Glaze Flat Jar) and created the large ceramic wall \"Hyakka Ryoran\" at JR Kanazawa Station, [1999] Certified as a holder of Ishikawa Prefecture's Intangible Cultural Property for Kutani ware, [2021] Passed away on November 13 at the age of 91\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1125\"\u003eWorks in collections:\u003c\/b\u003e Tokyo Metropolis, Kanazawa City, local governments, various museums, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1221\"\u003ePeriod of Creation:\u003c\/b\u003e Late 1970s - 1980s (estimated, created during the artist's prime, having received multiple special recognitions at the Nitten Exhibition)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1379\"\u003eProduct Condition:\u003c\/b\u003e Excellent (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1430\"\u003eAccessories:\u003c\/b\u003e Dedicated wooden box, wrapping cloth, artist's profile booklet (shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1524\"\u003eMaterial:\u003c\/b\u003e Porcelain (gold and green glaze)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1567\"\u003eDimensions:\u003c\/b\u003e Height approx. 5.7 cm, Rim diameter approx. 4.6 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1630\"\u003eNote:\u003c\/b\u003e Even if the products offered by our shop are unused, they are from a very old production period and are all listed as used items. Products may have age-related damage, so please consider purchasing after understanding and checking.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47783616774331,"sku":null,"price":26000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7693_result.jpg?v=1780832708"},{"product_id":"243","title":"Matsuura Shinya (松浦慎弥), Recipient of the Japan Traditional Art Crafts Exhibition Award, Iroe Waritori Komon Chomon Bajohai, Japanese Kogei, Tasting Glass #243","description":"\u003cp data-path-to-node=\"22\"\u003eWe are pleased to introduce a stem cup (Bajohai) by Matsuura Shinya, who was born in Kanazawa City, Ishikawa Prefecture in 1960 and possesses a solid career, having graduated from the Oil Painting Major of the Department of Fine Arts at Kanazawa College of Art and the Ishikawa Prefectural Kutani Ware Technical Training Center. In 1986, he apprenticed under the master of Kutani ware, \u003ca href=\"\/en\/search?q=%22%E6%B5%85%E8%94%B5%E4%BA%94%E5%8D%81%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eIsokichi Asakura\u003c\/a\u003e, a recipient of the Order of Culture and a member of the Japan Art Academy. Mr. Matsuura was recognized as a Regular Member of the Japan Art Crafts Association in 2001 and received the pinnacle New Artist Award at the 54th Japan Traditional Art Crafts Exhibition in 2007 for his work, \"Yuri Kinsai Bowl.\" He is a contemporary and highly talented artist who beautifully combines traditional Kutani ware techniques with a strong foundation in fine art. Our store proposes this beautiful craftwork with a verified rating to the world as a special tasting glass (sake vessel) for slowly savoring aged sake or premium whisky neat.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23\"\u003eA professional analysis of the design of this piece reveals it to be an extremely elaborate example of a stem cup (a high-footed sake vessel), a dignified classical form, with an intricate Iroe Waritori Komon (colored enamel divided patterns with fine geometric motifs) incorporating bird designs applied over its entire surface. Waritori is a traditional compositional method of dividing the vessel's surface into several sections. Within these sections, a delicate Komon technique of continuously drawing minute geometric patterns and lively bird motifs (Chomon) are expressed in a superb balance. The painterly spatial awareness and traditional Kutani colored enamel painting techniques, characteristic of Mr. Matsuura, who majored in oil painting during his university years, are beautifully integrated. The taut, straight lines of the high foot and the graceful curvature of the vessel body create a beautiful contrast. The meticulously drawn patterns and bird designs, executed without any compromise, eloquently attest to the artist's extremely high concentration and precise craftsmanship.\u003c\/p\u003e\n\u003cp data-path-to-node=\"24\"\u003eThe moment amber-colored aged sake or whisky is poured into this stem cup, the Kutani enamels on the inside and outside of the vessel and the hues of the fine liquor complement each other. Along with the smooth texture of the porcelain transmitted to the palm, this creates a supreme tasting experience that satisfies both sight and touch. This piece comes complete with a wooden box signed and sealed by the artist, a wrapping cloth with an official seal, and a detailed brochure (artist's profile) from the time, meticulously documenting his brilliant career leading up to his New Artist Award at the Japan Traditional Art Crafts Exhibition in 2007. These serve as definitive evidence guaranteeing its authenticity and artistic value. Please fully enjoy this crystallization of the highest level of Japanese traditional craftsmanship, which is unavailable overseas, in the privileged setting of your daily appreciation of fine liquor.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eMatsuura Shinya (松浦慎弥, 1960–present)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eArtist's Key Activities: \u003c\/strong\u003eRegular Member of the Japan Art Crafts Association. Studied under Kutani ware master Isokichi Asakura, recipient of the Order of Culture. Graduated from the Oil Painting Major of the Department of Fine Arts, Kanazawa College of Art, and the Ishikawa Prefectural Kutani Ware Technical Training Center. Received awards including the Excellent Work Award and Technical Award at the Traditional Kutani Ware Craft Exhibition, and the Hokkoku Shimbun Award at the Ishikawa Traditional Crafts Exhibition. In 2007, he received the highest New Artist Award at the 54th Japan Traditional Art Crafts Exhibition. He is highly regarded as a leading contemporary artist in the Kutani ware world.\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003ePeriod of Creation: \u003c\/strong\u003eAround 2007-2010 (estimated)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eTomobako (wooden box with artist's handwritten signature and seal), sealed wrapping cloth, brochure\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePorcelain (Kutani ware, colored enamel)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Diameter approx. 5.4 cm, height approx. 8.7 cm\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eEven if the products offered by our store are new and unused, they are from a very old production period, and all are listed as used items. Products may have damage due to age, so please understand and confirm before considering purchase.\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47783617527995,"sku":null,"price":28000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6882_result.jpg?v=1779603684"},{"product_id":"244","title":"Matsuura Shinya (松浦慎弥), Recipient of the Japan Traditional Art Crafts Exhibition Award, Iroe Waritori Bajohai, Painted Designs of Divided Sections with Landscape, Hawks, Birds, and Seated Figures, Japanese Kogei Tasting Glass #244","description":"\u003cp data-path-to-node=\"6\"\u003eIntroducing a bajohai (stem cup) by Matsuura Shinya, who was born in Kanazawa City, Ishikawa Prefecture in 1960 and possesses an impressive resume, having graduated from the Oil Painting Major of the Department of Fine Arts at Kanazawa College of Art and the Ishikawa Prefectural Kutani Ware Technical Training Center. In 1986, he studied under \u003ca href=\"\/en\/search?q=%22%E6%B5%85%E8%94%B5%E4%BA%94%E5%8D%81%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eIsokichi Asakura\u003c\/a\u003e, a master of Kutani ware who received the Order of Culture and was a member of the Japan Art Academy. Mr. Matsuura was certified as a Regular Member of the Japan Art Crafts Association in 2001 and received the highest New Artist Award at the 54th Japan Traditional Art Crafts Exhibition in 2007 for his work \"Yuri-kinsai Bowl.\" He is a talented contemporary artist who combines traditional Kutani ware techniques with a strong foundation in fine art. Our store proposes this beautiful craft piece with a verified rating to the world as a special tasting glass (sake vessel) for slowly savoring aged sake or premium whisky neat.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eA professional analysis of this piece's design reveals a pictorial world where Mr. Matsuura's precise technique and unique spatial composition are fully demonstrated on the entire surface of the bajohai, a dignified classical form (a high-footed sake vessel). Three \"windows\" are constructed using the traditional waritori (divided pattern) technique, which beautifully divides the surface of the vessel. Within each section, three completely different scenes are depicted entirely by hand: a meticulously drawn rich natural landscape, a dynamic hawk (bird) soaring high towards the sky, and a figure quietly standing and deeply seated in the midst of nature. While inheriting the gene of the profound color design through colored glazes and overglaze enamel (Iroe), which is a hallmark of his mentor, Isokichi Asakura, the sophisticated compositional balance unique to Mr. Matsuura, who specialized in oil painting during his university days, harmonizes beautifully with the elegant silhouette of this high-footed vessel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThe moment amber aged sake or Japanese whisky is poured into this bajohai, the dignified colors of the overglaze enamel applied both inside and outside the vessel and the brilliance of the fine liquor blend through the liquid. Along with the smooth porcelain texture that transmits to the palm, this creates a supreme tasting experience that satisfies both sight and touch. This piece comes complete with a tomobako (original wooden box signed and sealed by the artist), an official sealed wrapping cloth, and a leaflet (artist's biography) from the time, meticulously documenting his brilliant career leading up to his New Artist Award at the Japan Traditional Art Crafts Exhibition in 2007. These definitively attest to its authenticity and artistic value. Please fully enjoy this pinnacle of Japanese traditional craftsmanship, unattainable overseas, in your daily special seat for appreciating fine beverages.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eMatsuura Shinya (松浦慎弥, 1960–present)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist's Representative Career:\u003c\/strong\u003e Full member of the Japan Crafts Council. Studied under Ikko Asakura, a master of Kutani ware and recipient of the Order of Culture. Graduated from Kanazawa College of Art, Department of Fine Arts, specializing in oil painting, and the Ishikawa Prefectural Kutani Ware Technical Training Center. Recipient of awards including the Excellence Award and Technical Award at the Traditional Kutani Ware Craft Exhibition, the Hokkoku Shimbun Award at the Ishikawa Traditional Craft Exhibition, and the highest New Artist Award at the 54th Japan Traditional Crafts Exhibition in 2007. Highly regarded as a leading talented artist in the contemporary Kutani ware world.\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e Circa 2007-2010 (estimated)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original box (with artist's handwritten signature and seal), wrapping cloth, leaflet (artist's biography)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePorcelain (Kutani ware, overglaze enamel)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Mouth diameter approx. 5.4 cm, height approx. 8.7 cm\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eNote:\u0026nbsp;\u003c\/strong\u003eEven if new and unused, all items offered by our store are very old productions and are listed as used. Please understand and confirm that items may have age-related damage before considering purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47783617626299,"sku":null,"price":27000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6931_result.jpg?v=1779604031"},{"product_id":"260","title":"Kutani Master with Imperial Presentation Record Yamamoto Hogaku (山本芳岳) Special Top-Tier Work Kutani Ware Red Ground Gold Brocade Cloud Dragon Motif Sake Cup (Bajohai) Tasting Glass #260","description":"\u003cp data-path-to-node=\"3\"\u003eThis is an akaji kinran unryu-mon bajohai (red-ground gold brocade cloud dragon stem cup) by Yamamoto Hogaku, a master of modern Kutani ware based in Kaga City, Ishikawa Prefecture. With its elegant proportions of approximately 10.0 cm in height and 6.0 cm in mouth diameter, we propose this stem cup as a special tasting glass for enjoying the profound aromas of aged sake and long-aged sake, which have matured into a beautiful amber color over time. The shape of the stem cup, with its slender stem, prevents body temperature from the hand from affecting the sake, allowing the complex aromatic changes of aged sake, from chilled to room temperature, to be captured in perfect condition. Furthermore, the white porcelain on the inside of the vessel clearly reflects the deep and beautiful gradation of aged sake, creating a supremely luxurious bar time that satisfies all five senses. This vessel, which elevates the highest level of Japanese traditional craftsmanship into practical art for modern lifestyles, promises a moment of supreme hospitality for overseas collectors and special guests.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eYamamoto Hogaku, the artist, was born in 1960 and is a genius potter who elevated the technique of Akae Saibyo, which flourished during the Meiji period but then saw a drastic decrease in successors and was becoming a phantom technique, to the highest level in modern times. As the greatest historical fact symbolizing his outstanding technical skill and artistry, in 1985 he was honored with the unparalleled privilege of humbly crafting and presenting an Akae Saibyo Kiku-Kiri-Ho-o-mon Sencha-wan (fine-line chrysanthemum, paulownia, and phoenix design sencha bowl) to His Imperial Highness the Crown Prince, who is now the Emperor Emeritus. Thereafter, he solidified his position as the pinnacle of akae in modern Kutani, receiving an honorable mention at the 54th Issuikai Pottery Exhibition in 1992 and being nationally certified as a Kutani ware traditional craftsman by the Minister of International Trade and Industry in 1996. His works are deeply housed in prestigious public institutions in Japan, such as the Ishikawa Prefectural Museum of Art, the Ishikawa Kutani-yaki Art Museum, and the Kutani Ware Kiln Ruins Exhibition Hall, and are extremely highly valued collector's items that are rarely available overseas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eWhat is most highly regarded in Yamamoto Hogaku's art is his Akae Saibyo technique, which uses ultra-fine lines of 0.1 mm or less, described as micro-drawing lines beyond human vision. This work is a special top-tier piece estimated to have been produced during his mature period from the 2000s to 2010s, when his technique was most stable after his certification as a traditional craftsman. It represents his characteristic style, in which his ultimate Akae Saibyo and dazzlingly brilliant gold decoration achieve a miraculous harmony.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eA detailed examination of this work reveals that these superlative techniques are clearly and perfectly expressed across the entire surface of this small stem cup. The intricate background pattern covering the surface of the vessel is meticulously drawn with breathtakingly fine and uniform red ultra-fine lines, upon which the powerfully depicted cloud dragon motif emerges with overwhelming dynamism. The exquisitely rendered dragon scales and flowing clouds in gold decoration emit a luxurious shimmer like a kaleidoscope depending on the angle of the light, directly conveying the supreme dignity of modern Kutani ware to the beholder. At the bottom, Hogaku's signature, indicating its authenticity, is beautifully inscribed. The dedicated tomobako (wooden box) with the artist's own inscription and seal, a wrapping cloth, and a booklet showing his detailed pottery chronology are all included. This is a complete piece in very good condition with no chips or cracks, an exceptional item with unwavering asset value as the ultimate Japanese craft art, extremely difficult to encounter overseas.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Yamamoto Hogaku (山本芳岳, 1960-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"32\"\u003eArtist's significant career highlights:\u003c\/b\u003e Inherited the \"Akae Saibyo\" technique, which flourished during the Meiji period but saw a drastic decrease in successors, to the highest modern level. [1985] Humbly crafted and presented an \"Akae Saibyo Kiku-Kiri-Ho-o-mon Sencha-wan\" to His Imperial Highness the Crown Prince (now Emperor Emeritus), [1992] Received an Honorable Mention at the 54th Issuikai Pottery Exhibition, [1996] Certified as a Kutani ware traditional craftsman by the Minister of International Trade and Industry (now Minister of Economy, Trade and Industry). His extremely precise technique is regarded as the pinnacle of Akae in modern Kutani.\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"691\"\u003eWorks housed:\u003c\/b\u003e Ishikawa Prefectural Museum of Art, Ishikawa Kutani-yaki Art Museum, Kutani Ware Kiln Ruins Exhibition Hall, among others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"828\"\u003eProduction period:\u003c\/b\u003e 2000s to 2010s (estimated to be a work from his mature period after being certified as a traditional craftsman). *The \"Akaji Kinran Unryu-mon\" of this work is a representative style of Hogaku's mature period, where his exceptional technique and artistry reached their peak, showcasing a perfect harmony between intricate fine-line drawing with ultra-fine lines of 0.1 mm or less and brilliant gold decoration.\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"1257\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"1300\"\u003eAccessories:\u003c\/b\u003e Tomobako (wooden box), wrapping cloth, artist's profile insert\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"1376\"\u003eMaterial:\u003c\/b\u003e Pottery (Kutani ware - Akaji Kinrande - Gold decoration)\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"1443\"\u003eDimensions:\u003c\/b\u003e Height approx. 10.0 cm, Mouth diameter approx. 6.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"1509\"\u003eNote:\u003c\/b\u003e All products offered by our store, even if new and unused, are from a very old production period and are listed as used items. Products may have damage due to age, so please consider purchasing after understanding and confirming their condition.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47849214312635,"sku":null,"price":160000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7039_result.jpg?v=1780155395"},{"product_id":"267","title":"Recipient of the Prime Minister's Award, Third Generation Takegoshi, Taizan Kiln, Takegoshi Toshiaki (武腰敏昭), Kutani Ware, Pomegranate Design Guinomi Shot Glass #267","description":"\u003cp data-path-to-node=\"3\"\u003eThis is a Kutani ware guinomi (sake cup) with a pomegranate motif by Takegoshi Toshiaki III, a master craftsman who served as a member of the Japan Art Academy, the highest honor in the Japanese art world. It has a refined cylindrical shape that fits comfortably in the hand, and we propose it as a premium shot glass for enjoying excellent traditional Japanese crafts in a modern lifestyle. There is no better sake vessel for savoring aged sake, which takes on a rich amber hue and deep, mellow aroma and flavor over time. Enjoying aged sake with this vessel, which possesses overwhelming prestige as a work of art, will be a supremely luxurious experience for international collectors and discerning guests alike.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eTakegoshi Toshiaki, the artist, was born as the 3rd generation of the prestigious Taizan Kiln in Nomi City, Ishikawa Prefecture, and was a master who left a great mark on the history of modern Kutani ware. His career was brilliant, starting with his first selections for the Nitten Exhibition and the Japan Contemporary Crafts Exhibition, followed by serving as a councilor for the Nitten Exhibition. He achieved the highest honors in public exhibitions, including the Prime Minister's Award at the Nikko-kai Exhibition for his work \"Haru Kuru Rashi\" (Spring is Coming) and the Prime Minister's Award at the Nitten Exhibition for his work \"Shijima\" (Silence). Later, he devoted himself to fostering young talent as a professor at Kanazawa Gakuin University, received the Japan Art Academy Award for his work \"Lakeside - Colored Glaze Flower Vase,\" was appointed a member of the Japan Art Academy, the highest honor in the craft world, and served as a managing director of the Nitten Exhibition. We proudly present this rare work by a top-class Japanese artist, of whom there is little information available overseas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe reason why Takegoshi Toshiaki's works are highly acclaimed by museums and enthusiasts both in Japan and abroad is due to his exceptional technique and modern design sensibility. Having studied industrial design at Kanazawa College of Art and apprenticed under the renowned Professor \u003ca href=\"\/en\/search?q=%22%E5%8C%97%E5%87%BA%E5%A1%94%E6%AC%A1%E9%83%8E%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKitade Tojiro\u003c\/a\u003e, he transcended the traditional framework of Kutani ware, pursuing the tension created by the vessel's form and calculated brushstrokes. Furthermore, he was an innovator who worked tirelessly to jointly develop and commercialize lead-free glazes that are gentle to people and the environment. His technical skill, which completely controlled the deep colors and brilliance of Kutani ware using lead-free paints—which are extremely difficult to control in terms of color development—and sublimated them into a unique modern beauty, is the result of his tireless research.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eAn examination of this work reveals that these characteristics are clearly and splendidly expressed within this small guinomi. The traditional pomegranate motif, revered since ancient times as a symbol of prosperity and fertility, is depicted with the artist's refined modern composition. The pomegranate branch placed on the side of the vessel is drawn with precise, structural lines that evoke his background in industrial design, and the ripe, cracked pomegranate fruit revealing its vibrant red seeds is expressed through meticulous painting. The green, blue, and yellow gradations seen in the surrounding leaves demonstrate an extremely high level of color control technology using lead-free glazes, creating a beautiful harmony of vivid colors. Furthermore, the exquisite balance of negative space with the unpainted white base gives the entire work a modern elegance. The artist's distinctive \"Toshi\" signature can be seen at the bottom of the vessel, and along with the dedicated tomobako (wooden box signed and sealed by the artist himself), it possesses extremely high rarity value as a flawless and complete item.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Takegoshi Toshiaki III (武腰敏昭, 1940-2021)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"43\"\u003eArtist's Major Activities:\u003c\/b\u003e [1957] First selected for Nitten Exhibition, [1963] First selected for Japan Contemporary Crafts Exhibition, [1996] Nitten Exhibition Councilor, [1997] Awarded Prime Minister's Award at Nikko-kai Exhibition for \"Haru Kuru Rashi\", [2001] Awarded Prime Minister's Award at Nitten Exhibition for \"Shijima\", [2005] Professor at Kanazawa Gakuin University, [2010] Awarded Japan Art Academy Award for \"Lakeside - Colored Glaze Flower Vase\" and became a member of the Japan Art Academy, [2011] Managing Director of Nitten Exhibition\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"596\"\u003eCollection Record:\u003c\/b\u003e Japan Art Academy (Taito-ku, Tokyo - houses Japan Art Academy Award-winning work \"Lakeside - Colored Glaze Flower Vase\"), Ishikawa Prefectural Museum of Art (Kanazawa City, Ishikawa Prefecture - houses major works such as \"Colored Glaze Flower Vase\"), Nomi City Kutani Ware Museum (Nomi City, Ishikawa Prefecture - houses successive works and related materials from \"Taizan Kiln\")\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"996\"\u003eProduction Period:\u003c\/b\u003e Late 1990s - 2000s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1046\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1089\"\u003eAccessories:\u003c\/b\u003e Dedicated tomobako (wooden box signed and sealed by the artist himself), artist's profile booklet (shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1218\"\u003eMaterial:\u003c\/b\u003e Porcelain (enamelled with gold accents)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1268\"\u003eDimensions:\u003c\/b\u003e Height approx. 5.5 cm, Mouth diameter approx. 5.5 cm, Base diameter approx. 3.5 cm \u003cbr\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e All products offered by our store, even if unused, are very old and are listed as used items. Products may have damage due to age, so please understand and confirm before considering purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47881782329531,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7275_result.jpg?v=1780460447"},{"product_id":"293","title":"Masterpiece Kutani Ware Guinomi Sake Cup \"Red Plum Blossoms\" by Master Shiohara Bunji (塩原文二), Realm-Transcending Artist Mastering Both Oil Painting and Ceramics, Final Years' Legacy #293","description":"\u003cp data-path-to-node=\"20\"\u003eThis is a Kutani ware Guinomi (sake cup) created by Bunji Shiohara, an extraordinary realm-transcending artist who was elected a member of both the Western Painting and Ceramics divisions of Itsui-kai, pursuing peak aesthetic expression in both oil painting and Kutani ceramics. Mr. Bunji Shiohara (1907–1978) was born in Komatsu City, Ishikawa Prefecture, and studied overglaze decoration on porcelain and stoneware at the workshop of first-generation \u003ca href=\"\/en\/search?q=%22%E5%BE%B3%E7%94%B0%E5%85%AB%E5%8D%81%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTokuda Yasokichi\u003c\/a\u003e (Kaisei), a giant of Kutani ware. From 1950 onward, he accomplished the extraordinary feat of simultaneous selection in both Western painting and ceramics divisions at the Nitten and Itsui-kai exhibitions. Building upon the prestigious traditional Kutani overglaze techniques stemming from the first-generation Yasokichi, he fused them with the skilled brushwork and refined color sensibility of an oil painter, establishing a uniquely evaluated stance in modern Japanese craft history.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eThis work features a refined red plum blossom design painted on a gently textured vessel surface beautifully covered with fine crackles (kannyu). The crowning highlight of the piece lies in its depiction of red plum blossoms: while utilizing traditional Kutani Japanese mineral pigments, it renders them with three-dimensional depth and gradation reminiscent of oil paint layered on canvas. Shading and depth are imparted to the vivid vermilion-red petals, while white, yellow, and striking blue and purple are delicately applied to the stamens and calyxes, expressing the vibrant vitality of the petals through the painter's keen eye and solid draftsmanship. Beside the foot ring, the artist’s own seal \"Bunji\" is carved, creating a contrast between the robust clay texture and the delicate overglaze enamel that enhances the dignity of the piece.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eWe propose this historically valuable work as a supreme Japanese Kogei sake vessel for savoring aged sake or premium whisky matured through the years, gracefully adapting it to a refined modern lifestyle. The substantial form that rests comfortably in the hand and the colors of the red plum blossoms reflecting beautifully against the amber liquid elevate a daily evening drink into a special hour of engaging with peak art. Because Bunji Shiohara created at an exceptionally high level in both Western painting and ceramics, the absolute number of his ceramic works is extremely scarce. It is remarkably rare for a piece to appear on the market complete with its original wooden box (Tomobako)—bearing the calligraphic title \"Red Plum Blossoms,\" the artist's ink signature, and seal—along with the explanatory leaflet from that era. This is a one-of-a-kind craft piece embodying the lifelong passion of a master who endlessly pursued beauty.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23,0,0\"\u003e\u003cstrong\u003e* Bunji Shiohara (1907–1978)\u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"23,0,0\"\u003e:\u0026nbsp;Born in 1907 and passing away in 1978, Bunji Shiohara was a rare artist who was elected to membership by top-tier art associations in both completely distinct fields of expression—Western oil painting and ceramics—fully blooming his talent in both simultaneously. He was an unrepeatable realm-transcending artist embodying the \"two-sword style\" in the art world, whose footprint was forged by two passionate \"paths.\"\u003c\/p\u003e\n\u003cp data-path-to-node=\"23,1,0\"\u003e\u003cstrong\u003e* The Path of Painting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"23,1,0\"\u003e:\u0026nbsp;Awareness of Oil Painting and Rise in Itsui-kai The beginning of Shiohara's art was the path of oil painting, which he resumed \"as if remembering what had been forgotten\" after once stepping away. Encouraged by those around him, he submitted an oil painting to the Itsui-kai Exhibition in the autumn of 1950 and gained his first selection, followed by consecutive selections in Nitten starting in 1951. Since then, he maintained uninterrupted annual selections in both exhibitions, deeply savoring his self-awareness toward painting under the enthusiastic guidance of seniors and mentors in Itsui-kai. Recognized for his solid expression and firm painterly spirit, he was elected an Itsui-kai member in 1957. Taking the change in Nitten sponsorship in 1958 as an occasion for reflection, he subsequently ceased submitting to Nitten, pouring his full energy solely into the stage of the Itsui-kai Exhibition to pursue his unique beauty of oil painting.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23,2,0\"\u003e\u003cstrong\u003e* The Path of Ceramics\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"23,2,0\"\u003e:\u0026nbsp;Encounter with Tokuda Yasokichi (Kaisei) and Full-Fledged Pursuit What awakened Shiohara's other outstanding talent was a fortunate interaction with the renowned ceramic artist Tokuda Yasokichi during the time he called himself \"Kaisei,\" casually enjoying painting overglaze enamels at his studio out of easy friendship. In August 1950, receiving a sudden proposal from Kaisei, \"Shall we try submitting your work to Nitten?\", he unexpectedly felt inclined and crafted \"Vase with Butterfly Design,\" making a brilliant first selection at Nitten. Taking this as a turning point, he crafted Nitten submission pieces at the studio for three years, making a sensational debut as a ceramic artist with three consecutive years of Nitten selections. In the autumn of 1953, after consulting with Kaisei and aspiring to undertake full-fledged research in ceramics, Shiohara immersed himself in thorough production research starting from forming (clay body making). Whenever a piece was completed, he eagerly submitted it to exhibitions such as the Ceramic Art Exhibition sponsored by Osaka Asahi, gaining recognition for his overwhelming skill and color sense. In the autumn of 1960, he accomplished the extraordinary feat of being elected an \"Itsui-kai Ceramics Division Member\" in addition to his Western Painting Division membership. Furthermore, in 1975, he joined the Ceramics Division of the Sozo Bijutsu Exhibition and was elected a member, establishing his position at the pinnacle of the ceramic world in both name and reality. The \"Path of Painting\" facing the canvas, and the \"Path of Ceramics\" challenging clay and fire. The works of Bunji Shiohara, a genius who spent his life mastering two specialized fields without compromise, are miraculous crystals harboring a unique aesthetic transcending genres and a firm passion.\u003c\/p\u003e\n\u003cp data-path-to-node=\"24\"\u003e\u003cstrong\u003e* Information from the Work's Leaflet:\u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"24\"\u003eThe Path of Painting Resumed painting as if remembering what had been forgotten, and encouraged by someone, submitted an oil painting to the Itsui-kai Exhibition in autumn 1950 and gained first selection. From 1951, submitted and was selected for Nitten, continuing annual submissions and selections for both exhibitions thereafter. Savoring self-awareness toward painting under the guidance of Itsui-kai seniors and mentors, elected an Itsui-kai member in 1957. In 1958, taking the change in Nitten sponsorship as an occasion for reflection, ceased Nitten submissions and submitted exclusively to Itsui-kai Exhibitions up to the present.\u003c\/p\u003e\n\u003cp data-path-to-node=\"25\"\u003eThe Path of Ceramics When Mr. Tokuda Yasokichi called himself Kaisei, enjoyed painting overglaze enamels at his studio out of easy friendship. In August 1950, Mr. Kaisei suddenly said, \"Shall we try submitting your work to Nitten?\" Unexpectedly inclined, crafted a vase with butterfly design and gained first selection upon submission. Created Nitten pieces at his studio for three years thereafter with three consecutive selections. In autumn 1953, after consulting with him, aspired to full-fledged research in ceramics, starting production research from the clay body itself. Submitted completed works to Ceramic Art Exhibitions sponsored by Osaka Asahi, and in autumn 1960 was elected member of Itsui-kai Ceramics Division in addition to Western Painting. In 1975 joined Sozo Bijutsu Exhibition Ceramics Division and was elected member up to the present.\u003c\/p\u003e\n\u003cp data-path-to-node=\"25\" style=\"text-align: right;\"\u003eBunji Shiohara\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Shiohara Bunji (塩原文二, 1907–1978)\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eArtist's Representative Activity:\u003c\/strong\u003e [1950] First selected for the Itsui-kai Exhibition (Oil Painting) and Nitten (Ceramics, \"Vase with Butterfly Design\"), [1951–1952] Simultaneously selected in both Western Painting and Ceramics divisions at Nitten, [1957] Elected member of Itsui-kai (Western Painting Division), [1960] Awarded the Itsui-kai Prize at the 22nd Itsui-kai Exhibition and elected member of the Itsui-kai Ceramics Division, [1975] Elected member of the Sozo Bijutsu Exhibition Ceramics Division\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eWorks in Collection: \u003c\/strong\u003eIshikawa Prefectural Museum of Art, Komatsu City Nishikigama Exhibition Hall, Komatsu City Museum, Wayo Women's University Cultural Materials Museum\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cstrong\u003ePeriod of Production: \u003c\/strong\u003e1976–1978 (Leaflet history recorded up to 1976, Final Period of Life)\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks, excluding age-related character typical of antique art)\u003c\/li\u003e\n\u003cli data-path-to-node=\"31\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated wooden box (Tomobako) with \"Guinomi Red Plum Blossoms\" inscribed on the lid and \"Bunji Shiohara\" in ink with a seal on the lower left; explanatory leaflet (Shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eStoneware (Kutani ware, overglaze enamels, crackle glaze)\u003c\/li\u003e\n\u003cli data-path-to-node=\"33\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 5.5 cm, Mouth diameter approx. 5.5 cm, Base diameter approx. 3.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"34\"\u003e\u003cstrong\u003eCaution:\u003c\/strong\u003e All products offered by our shop are historical items from an old production period and are listed as antique art \/ pre-owned items. Products may have subtle changes due to age, so please consider purchasing after understanding and verifying the nature of antique art.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974194217147,"sku":null,"price":75000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_9438_result.jpg?v=1784547479"},{"product_id":"304","title":"Kitade Tojiro (北出塔次郎), Councillor of the Nitten Exhibition and First Professor at Kanazawa College of Art: Polychrome Enamel and Gold Geometric Pattern Butterfly Design, A Pinnacle of Contemporary Kutani Ware Two-Piece Set #304","description":"\u003cp data-path-to-node=\"36\"\u003eThis is a highly dignified pair of sake cups by Mr. Kitade Tojiro (1898-1968), a pioneering ceramic artist who significantly reshaped the history of Kutani ware from modern to contemporary times, and a magnificent leader who supported the development of art education in Japan. Born in Hyogo Prefecture in 1898 and passing away in 1968, Mr. Kitade Tojiro was a supreme master representing the contemporary Kutani ceramic world of the Showa era. After dropping out of Kansai University's Faculty of Law in 1916, he studied under the master \u003ca href=\"\/en\/search?q=%22%E7%9F%A2%E9%87%8E%E6%A9%8B%E6%9D%91%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKyoson Yano\u003c\/a\u003e at the Osaka School of Fine Arts, where he learned the essence of Japanese painting and honed his unique, exceptional artistic sensibilities.\u003c\/p\u003e\n\u003cp data-path-to-node=\"37\"\u003eThe most decisive turning point in his ceramic career came in the autumn of 1936. He invited Mr. \u003ca href=\"\/en\/search?q=%22%E5%AF%8C%E6%9C%AC%E6%86%B2%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTomimoto Kenkichi\u003c\/a\u003e (1886-1963), a master of modern ceramics who later became a Living National Treasure for overglaze enamel porcelain, to his personal Kitade Kiln, and together they devoted themselves to thorough ceramic research, living and working side-by-side. Mr. Tomimoto deeply resonated with Tojiro's uncompromising artistic spirit and named his kiln \"Seisen-gama.\" Mr. Tomimoto's strict modernist philosophy, which rejected easy imitation of classical patterns and sought to create new modern designs from nature—to \"never create patterns from existing patterns\"—became a powerful identity for Seisen-gama thereafter. Following this historic event, the works he left behind were proudly inscribed on their accompanying boxes and catalogs as \"Seisen-gama works,\" testifying to a noble artistry directly inherited from Tomimoto and advanced techniques, circulating in the art world with special authority, even more than his personal name.\u003c\/p\u003e\n\u003cp data-path-to-node=\"38\"\u003eThis pair of sake cups is a masterpiece that clearly exhibits Kitade Tojiro's most highly regarded sophisticated fusion of overglaze enamel, colored slip (saidei), and gold leaf, along with his unique exotic abstract geometric designs. On the front of the vessel, a powerful butterfly motif is depicted in noble gold leaf layered over deep black. On the sides, vivid geometric patterns, skillfully arranged with gold, red, and green, are intricately woven with extreme precision. The method of completely departing from traditional Kutani ware decorations like landscapes and birds-and-flowers, and instead developing modern and exotic abstract geometric patterns inspired by classical designs from Persia and Central Asia, is Tojiro's true forte. Furthermore, he did not treat the smooth surface of the porcelain merely as a canvas, but perfectly harmonized the thickness of the paints, the unique texture of the colored slip, and the elegant shimmer of the gold leaf within a single vessel. Determining the optimal firing temperatures for each paint and slip, and undergoing multiple firing processes—bisque firing, main firing, and numerous overglaze firings—this small sake cup encapsulates a meticulously calculated, ultra-high-difficulty technique that could never be achieved with mediocre ceramic skills.\u003c\/p\u003e\n\u003cp data-path-to-node=\"39\"\u003eHe devoted a tremendous amount of time to his duties as an educator and in public service, becoming a professor in the Ceramics Department at the Kanazawa Specialized School of Arts and Crafts (present-day Kanazawa College of Art) upon its establishment in 1946, and later serving in important positions in the art world such as a councillor for the Nitten exhibition. As a result, his lifetime production of pure creative works is very limited. Furthermore, since many of his major and representative works are housed in public museums such as the National Museum of Modern Art, Tokyo, and the Ishikawa Prefectural Museum of Art, genuine masterpieces circulating in the private market are extremely rare, possessing an overwhelming scarcity value that serves as historical documentation.\u003c\/p\u003e\n\u003cp data-path-to-node=\"40\"\u003eWe propose these vessels, imbued with undeniable art-historical authority and superlative skill, as supreme sake vessels (shot glasses) of Japanese Kōgei, allowing you to enjoy the traditional beauty of Japan in the palm of your hand, tailored to a sophisticated modern lifestyle. They are especially suitable for savoring aged sake and vintage sake that have developed deep richness and mellow aromas over many years. The dignified presence of the black and gold butterfly on the front, and the vibrant geometric patterns on the sides, resonate beautifully with the exquisite amber color of aged sake poured into them, elevating your daily evening drink to a luxurious experience of appreciating a pinnacle of three-dimensional art.\u003c\/p\u003e\n\u003cp data-path-to-node=\"41\"\u003eThe advanced modernism and technical genes of Seisen-gama, built by Kitade Tojiro, were perfectly transmitted to the renowned masters he nurtured. His lineage continues with successive generations of geniuses: his second son, \u003ca href=\"\/en\/search?q=%22%E5%8C%97%E5%87%BA%E4%B8%8D%E4%BA%8C%E9%9B%84%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKitade Fujio\u003c\/a\u003e (1921-2014), who faithfully inherited his father's color sense and modernism and served as a professor and president of Kanazawa College of Art; his third son, \u003ca href=\"\/en\/search?q=%22%E5%8C%97%E5%87%BA%E6%98%9F%E5%85%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKitade Seiko\u003c\/a\u003e (Birth name: \u003ca href=\"\/en\/search?q=%22%E5%8C%97%E5%87%BA%E5%8B%87%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKitade Isamu\u003c\/a\u003e, 1928-2011), who inherited unique traditional techniques and was active primarily in the Nitten exhibition; and \u003ca href=\"\/en\/search?q=%22%E6%AD%A6%E8%85%B0%E6%95%8F%E6%98%AD%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTakegoshi Toshiaki\u003c\/a\u003e (1940-2021), a great master of contemporary Kutani ware, who, strongly encouraged by Professor Tojiro, switched from industrial design to ceramics and later won the Japan Art Academy Prize and became a member of the Japan Art Academy. This supreme sake vessel, a crystallization of a historical miracle that evolved tradition into art, is a preeminent modern piece that brings undeniable elegance and a unique presence to the daily dining table.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"42\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Kitade Tojiro (北出塔次郎, 1898-1968)\u003c\/li\u003e\n\u003cli data-path-to-node=\"43\"\u003e\u003cstrong\u003eArtist's Notable Career History:\u003c\/strong\u003e [1928] First accepted into the 9th Teiten Exhibition, [1946] Appointed Professor of Ceramics Department at Kanazawa Specialized School of Arts and Crafts (present-day Kanazawa College of Art), [1959] Appointed Council Member (Councillor) of the Nitten Exhibition\u003c\/li\u003e\n\u003cli data-path-to-node=\"44\"\u003e\u003cstrong\u003eWorks Housed At: \u003c\/strong\u003eThe National Museum of Modern Art, Tokyo; Ishikawa Prefectural Museum of Art; Kanazawa College of Art, Art \u0026amp; Craft Research Institute; etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"45\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e 1950s to mid-1960s (Mature period after receiving the Hokkoku Culture Award)\u003c\/li\u003e\n\u003cli data-path-to-node=\"46\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"47\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated Tomobako (original wooden box signed and sealed by the artist), wrapping cloth, Shiori profile brochure included\u003c\/li\u003e\n\u003cli data-path-to-node=\"48\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePorcelain (colored slip, gold leaf)\u003c\/li\u003e\n\u003cli data-path-to-node=\"49\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 4.3 cm, Diameter approx. 5.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"50\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003ePlease note that all products offered by our store, even if brand new and unused, originate from a historic production period and are strictly listed as antique\/used fine art items. Vintage products may exhibit subtle age-related characteristics; please consider purchasing upon full understanding and confirmation.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48055747182779,"sku":null,"price":70000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_8640_result.jpg?v=1783739319"},{"product_id":"308","title":"Kutani Ware Kaga Daishoji Akae Saibyou Master Tani Shukei (谷秋渓) - Akae Saibyou Kinsai Dragon Sake Cup Pair - The True Essence of Takeuchi Ginshu's Lineage, Microscopic One-Stroke Painting, Cloud Dragon Motif, A Treasure of Japanese Ceramic History #308","description":"\u003cp data-path-to-node=\"21\"\u003eThis is an exceptionally rare and highly dignified pair of Kutani Akae Saibyou Kinsai (microscopic red painting with gold highlights) sake cups (Sake-nomi), complete with their original signed wooden box (Tomobako), meticulously crafted by Shukei Tani (1888-1959, Birth name: Masaki), an eminent artisan native to Daishoji, Kaga City, Ishikawa Prefecture. Shukei Tani studied directly under the two historic titans of ceramic art: \u003ca href=\"\/en\/search?q=%22%E7%AB%B9%E5%86%85%E5%90%9F%E7%A7%8B%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTakeuchi Ginshu\u003c\/a\u003e, a legendary Meiji-era master of Kutani red painting, and his third son, \u003ca href=\"\/en\/search?q=%22%E5%BA%83%E6%B2%A2%E8%8A%A6%E7%A7%8B%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eRoshu Hirosawa\u003c\/a\u003e, who was widely acclaimed as the absolute historical pinnacle of Daishoji fine red painting. Tani’s works purely inherit the legitimate and orthodox lineage of this fine red style. Conveying the true essence of Daishoji artistry to the modern era, Shukei Tani’s creations are incredibly rare masterpieces with virtually no historical documentation available in Western art markets or general antique venues. Shukei consistently maintained an uncompromising creative ethos that thoroughly rejected the facile imitation of historical classics, instead refining manual artistry to the absolute limit. Consequently, his work is profoundly revered within the fine art community as a monumental presence that conclusively certifies the authenticity of the Daishoji Akae Saibyou lineage.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eThe paramount achievement and definitive hallmark of Shukei Tani’s ceramic art lies in his absolute mastery of the Kutani aka-e saibyou technique of \"Sogaki\" (comprehensive full-surface drawing), a method of total surface embellishment where the entirety of the porcelain is completely covered in microscopic red lines, deliberately leaving no negative space or blank areas. Utilizing an incredibly fine liner brush dipped in a specialized iron silicate pigment termed \"Bankou,\" his brushwork proceeds with mathematical precision, achieving an astonishing level of structural uniformity that exhibits no tremor or variation in line thickness even when examined under high magnification. On the outer walls of this matching pair of sake cups, this superlative technique is fully realized. Dynamic, undulating cloud dragons and swirling auspicious vapours seamlessly wrap around the gentle, three-dimensional curves of the porcelain vessel with mesmerizing density. Furthermore, opulent gold leaf (Kinsai) is strategically and beautifully layered over the dragon’s whiskers, dorsal fins, and the contours of the clouds, imparting an overwhelming splendor and a rich, tactile three-dimensional texture to the monochrome red base linework. The foot of each cup is similarly encircled by a dense geometric band rendered in pure gold leaf, reflecting an absolute refusal to compromise on decorative perfection down to the smallest millimeter.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23\"\u003eAn additional, extraordinary highlight of this work is that the absolute aesthetic discipline of Daishoji Akae is rigorously applied not only to the exterior but thoroughly into the innermost depths of the vessel. At the center bottom of the interior (Mikomi) lies a delicately bordered circular window, within which a regal phoenix (Ho-o) gracefully spreading its sprawling tail feathers in full flight is vividly and dynamically rendered in red enamel and brilliant gold leaf. Furthermore, a fine comb pattern (Kushime-mon)—consisting of perfectly parallel, hair-thin vertical red lines—encircles the inner rim of the mouth, ensuring that a flawless decorative universe unfolds from every conceivable viewing angle. Inside the foot ring, the four characters reading \"Kutani Shukei\" are cleanly hand-painted in red enamel by the master’s own hand, standing as definitive proof of authenticity. The lid of the accompanying dedicated wooden box (Tomobako) bears the elegant ink inscription \"Kutani Aka-e Sakazuki Ni\" (Two Kutani Aka-e Sake Cups), while the reverse side of the lid features the formal signature \"Shukei-zo\" accompanied by his authentic red vermilion seal, unequivocally establishing that this set was born from Shukei Tani's direct hand and has been reverently preserved as a pristine heirloom.\u003c\/p\u003e\n\u003cp data-path-to-node=\"24\"\u003eThe specialized process required to merge traditional microscopic red linework with multiple layers of gold leaf represents one of the most technologically daunting undertakings in the history of Japanese traditional crafts. If the volume of enamel held by the brush, the exact structural pressure of the hand, and a perfectly steady, uniform drawing speed—akin to holding one's breath—are not continuously maintained, the interlocking, microscopic patterns will instantly collapse. Moreover, because the red iron enamel and the gold leaf require vastly different optimal temperatures inside the kiln to develop their ideal color radiance, the porcelain must undergo a treacherous multi-stage firing regimen within the overglaze kiln after the initial bisque and main glaze firings. This ultra-high-difficulty discipline carries an immense failure rate, where a single moment of temperature deviation can cause the red pigment to vaporize or the porcelain core to fracture. Because it is physically impossible to mass-produce or streamline this structural creation, each cup represents a unique, one-of-a-kind universe requiring weeks of absolute concentration. Surviving the turbulent eras of the late Meiji, Taisho, and Showa periods to remain intact as a flawless, undamaged pair complete with its original inscribed Tomobako box is a true miracle of historical preservation.\u003c\/p\u003e\n\u003cp data-path-to-node=\"25\"\u003eOur gallery proudly proposes this pair, steeped in profound art-historical authority and unmatched manual skill, as the ultimate Japanese Kōgei sake vessels (shot glasses) designed to bring peerless elegance to a sophisticated modern lifestyle. Perfectly proportioned to rest naturally within the palm, these vessels are ideally suited to concentrate the complex aromas and deep, rich flavors of vintage sakes, aged spirits, or fine whiskies that have acquired a beautiful amber hue over decades of maturation. Accompanied by the moving poem transcribed upon the vintage wrapping paper, which captures the transient beauty of dew and the impermanence of existence, the vivid red linework and majestic gold ornamentation glisten brilliantly when filled with a fine spirit. This transforms a quiet evening drink into a luxurious immersion into a three-dimensional masterpiece of classic Japanese art—an unparalleled modern heirloom.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eTani Shukei (谷秋渓, Birth Name: Masaki Tani, 1888-1959)\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cstrong\u003eArtist's Notable Career History: \u003c\/strong\u003eActive primarily in Daishoji, Kaga City, Ishikawa Prefecture from the late Meiji to the mid-Showa period, mastering and perfecting the legitimate, orthodox techniques of Daishoji Aka-e Saibyou under the renowned red-painting masters Takeuchi Ginshu and Roshu Hirosawa\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e Taisho to early Showa era (Pre-war period, approx. 1920s–early 1930s)\u003c\/li\u003e\n\u003cli data-path-to-node=\"31\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated Tomobako (original signed and sealed wooden box), original historic wrapping paper (with transcription and translations included)\u003c\/li\u003e\n\u003cli data-path-to-node=\"33\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain (fine red painting, gold decoration)\u003c\/li\u003e\n\u003cli data-path-to-node=\"34\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 4.8 cm, Mouth diameter approx. 5.0 cm (Internal dimension)\u003c\/li\u003e\n\u003cli data-path-to-node=\"35\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003ePlease note that all products offered by our store, even if brand new and unused, originate from a historic production period and are strictly listed as antique\/used fine art items. Vintage products may exhibit subtle age-related characteristics; please consider purchasing upon full understanding and confirmation.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48055748133051,"sku":null,"price":125000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_8774_result.jpg?v=1783738886"},{"product_id":"309","title":"Member of The Japan Art Academy Takegoshi Toshiaki (武腰敏昭), NHK Chairman's Award Takegoshi Fuyuki (武腰冬樹), Prime Minister's Award Yamachika Takeshi (山近剛), Kutani Ware, Iro-e Sake Cups Set of Three (Iro-e Guinomi San), Japanese-Style Shot Glass Trio Set #309","description":"\u003cp data-path-to-node=\"1\"\u003eMaster Takegoshi Toshiaki (1940–2021), a titan of contemporary Kutani ware who studied under the third-generation master \u003ca href=\"\/en\/search?q=%22%E6%AD%A6%E8%85%B0%E6%B3%B0%E5%B1%B1%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTakegoshi Taizan\u003c\/a\u003e III of the historic Taizan Kiln dating back to the late Edo period, and served as a Member of The Japan Art Academy and Executive Director of the Nitten. Takegoshi Fuyuki, his eldest son who inherited the fourth generation of the Taizan Kiln and received the prestigious NHK Chairman's Award, the highest accolade at the Japan Contemporary Arts and Crafts Exhibition. And Takeshi Yamachika (1930–2020), who served as President of the Sozo Bijutsu-kai (Creative Art Association) and was awarded the Prime Minister's Award at the 67th Sozo Exhibition. This rare, collaborative sake vessel set, titled \"Iro-e Guinomi San (Three Colored Sake Cups),\" was created through a joint effort by three renowned ceramic artists representing the Kutani pottery world of Nomi, Ishikawa Prefecture. The front of the lid on the accompanying paulownia wooden box (tomobako) bears the handwritten title \"Iro-e Guinomi San,\" while the reverse side of the lid features the individual handwritten signatures and red seal stamps of \"Toshi,\" \"Fuyu,\" and \"Takeshi\" side by side. Based on the period when Takegoshi Toshiaki actively unveiled monumental works as a leading figure in Kutani ware, Fuyuki, as the fourth-generation master, emerged as a new leader of the Taizan Kiln, and Takeshi Yamachika mentored younger generations as President of Sozo Bijutsu-kai, this authentic work is identified as having been created between the early 2000s and c. 2010 (the late 1990s to early 2010s in the Heisei era) through their close friendship and rivalry of technique.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eThis set boasts magnificent individuality, encapsulating three completely distinct designs and techniques. The work by Takegoshi Toshiaki (softly colored floral motif) combines the gentle color expression he pioneered as a leading researcher of environmentally friendly lead-free overglaze pigments with the refined sketching strength of Japanese painting, allowing a delicate gradient of yellow and light blue to bloom with grace. The work by Takegoshi Fuyuki (black leaf and red berry motif), characteristic of an artist skilled in fusing ceramics with architecture and three-dimensional forms, presents a modern and graphic contemporary craft beauty through the bold contrast between the sharp silhouettes of black-glazed leaves and vivid red berries. The work by Takeshi Yamachika (blue dayflower motif) reflects his signature style of affectionately depicting familiar wild flowers; rendered stroke by stroke with meticulous precision using vibrant traditional Kutani five-color overglaze pigments, the dayflowers exude a charming presence filled with vitality.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eWith comfortable dimensions measuring approx. 7.2 cm in mouth diameter and 4.8 cm in height each, possessing an ideal thickness that fits naturally in the hand, our shop proposes this set as a sophisticated trio of Japanese-style shot glasses for enjoying aged spirits, matured sake, vintage whisky, or liquors in modern living spaces. The striking beauty of the overglaze enamels, highlighting the unique individuality of each artist at a glance, beautifully enhances the amber hue and clarity of poured spirits, creating an elegant and vibrant atmosphere at the table. This supreme collaboration masterpiece harmonizes Kutani tradition with contemporary art, making it an exceptionally valuable addition to any collection.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003e\u003cstrong\u003eTakegoshi Toshiaki (1940–2021) \u003c\/strong\u003e: The Japan Art Academy Prize (2009), Member of The Japan Art Academy (Appointed 2010), Nitten Prime Minister's Award (2001) ,\u0026nbsp;Studied under the third-generation master of the historic Taizan Kiln, which dates back to the late Edo period. He was a master of contemporary Kutani ware who fused the refined descriptive strength of Japanese painting with modernism. As a leading figure in the research of lead-free overglaze pigments (lead-free glazes), he vastly expanded the expressive domain of Kutani ware, serving as Executive Director of the Nitten and a Member of The Japan Art Academy. He created numerous monumental works, including dedicated pieces for Yakushiji Temple and Ise Grand Shrine, as well as large ceramic murals for public institutions.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cstrong\u003eTakegoshi Fuyuki (1965–)\u0026nbsp;\u003c\/strong\u003e: Japan Contemporary Arts and Crafts Exhibition NHK Chairman's Award, Studied under Takegoshi Toshiaki and inherited the fourth generation of the Kutani Taizan Kiln. Advocating the fusion of ceramics with architecture and three-dimensional forms, he develops sharp, contemporary sculptural forms combining slab-building and linear shapes with high-fire cobalt blue and black glazes. Winning the NHK Chairman's Award—one of the highest honors at the Japan Contemporary Arts and Crafts Exhibition—he leads new possibilities in contemporary Kutani ware.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003e\u003cstrong\u003eTakeshi Yamachika (1930–2020)\u0026nbsp;\u003c\/strong\u003e: 67th Sozo Exhibition Prime Minister's Award (2014),\u0026nbsp; Studied under Japanese painter Kazumasa Mori and established a world of Kutani overglaze painting overflowing with vitality, such as his \"Nomichi\" (Wild Path) series depicting familiar wild flowers and birds with warm brushwork. Highly praised for his realistic yet emotionally rich style utilizing delicate Kutani five-color enamels, he served as President of Sozo Bijutsu-kai for many years, contributing to the guidance of younger artists and the promotion of traditional Kutani crafts.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"7\"\u003e\u003cstrong\u003eArtists: \u003c\/strong\u003eTakegoshi Toshiaki (武腰敏昭), Takegoshi Fuyuki (武腰冬樹), Yamachika Takeshi (山近剛)\u003c\/li\u003e\n\u003cli data-path-to-node=\"8\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e c. Early 2000s–2010 (Late 1990s–early 2010s, Heisei era)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eItem Condition: \u003c\/strong\u003eVery Good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated wooden box (Tomobako) included (with signatures and red seals of Toshi, Fuyu, and Takeshi on the inner lid), wrapping cloths included\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePorcelain \/ Ceramics (Kutani overglaze enamels, lead-free pigments)\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eEach approx. Mouth diameter 7.2 cm, Height 4.8 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eThe items provided by our shop were produced a long time ago and are all listed as pre-owned items. Please understand and confirm the age-related changes before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48055748165819,"sku":null,"price":75000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3683_result.jpg?v=1790495613"},{"product_id":"320","title":"Nitten Prime Minister Award-Winning Artist Kitade Fujio (北出不二雄), Kutani Ware Iroe Calligraphic Character Ashtray \"Jitsugetsushin: Daily Renewal, Ever-New Alongside the Sun and Moon\" #320","description":"\u003cp data-path-to-node=\"17\"\u003eThis Kutani ware ashtray is created by Kitade Fujio (1919–2014), a master of modern Kutani ceramics who served as professor and president of Kanazawa College of Art and was awarded both the Prime Minister Award at Nitten and the Prime Minister Award at the Japan New Craft Exhibition. Studying under his father, \u003ca href=\"\/en\/search?q=%22%E5%8C%97%E5%87%BA%E5%A1%94%E6%AC%A1%E9%83%8E%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKitade Tojiro\u003c\/a\u003e, an innovator of modern Kutani ware—Kitade Fujio graduated from the Ceramic Arts Department of Kanazawa College of Art in 1950. He achieved continuous selections primarily at Nitten exhibitions while serving in key positions such as President of the Kutani Ware Technology Preservation Association, establishing his unique polychrome porcelain style that fuses the beauty of traditional Japanese overglaze pigments with modern graphic design sensibilities. His works are housed in institutions such as the Ishikawa Prefectural Museum of Art and the National Museum of Modern Art, Tokyo, earning him high acclaim as a master who dedicated his life to the modernization and elevation of Kutani ceramics.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eThe title of this work, \"Jitsugetsushin\" (Sun and Moon Renewed), carries a message derived from classical wisdom: \"Renew oneself daily, constantly reborn anew alongside the sun and moon,\" symbolizing self-refreshment, growth, and eternal celebration. The flattened rim features segmented compartments based on the vibrant vermilion red of Kutani Akae, within which the three characters \"日\" (Sun), \"月\" (Moon), and \"新\" (New) are powerfully rendered against backgrounds of translucent Kutani Gosai (five-color) overglaze enamels in green, yellow, and purple, respectively. The sides display graceful white vertical stripes accented with abstract heart-shaped motifs in vivid green glaze, achieving a perfect balance between traditional overglaze painting techniques and contemporary graphic design aesthetics. The underside of the foot ring bears the mark \"Kutani Fujio\" painted in green glaze, fully demonstrating Kitade Fujio's sophisticated spatial expression achieved through meticulous brushwork and precise temperature control in the overglaze kiln.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThis work is identified as an authentic piece created between 1980 and 1987, a mature period during which he served as a professor at Kanazawa College of Art until receiving the Prime Minister Award at Nitten. It comes in flawless condition, complete with its dedicated Tomobako (original wooden box) inscribed in ink with \"Kutani Jitsugetsushin Ashtray\" and \"Fujio\" accompanied by the artist's red seal. As a tabletop craft piece or art object to enhance interior spaces, it commands a remarkably strong aesthetic presence.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist：\u003c\/strong\u003eKitade Fujio (北出不二雄, 1919–2014)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist's Key Activities：\u003c\/strong\u003e1950: Graduated from the Ceramic Arts Department of Kanazawa College of Art; first selected for Nitten; 1971, 1978, 1984: Served as Nitten judge; 1979: Appointed Professor at Kanazawa College of Art; 1987: Awarded the Prime Minister Award at Nitten; 1991: Appointed President of Kanazawa College of Art; awarded Chunichi Cultural Award; 1993: Awarded the Prime Minister Award at the Japan New Craft Exhibition; served as President of the Kutani Ware Technology Preservation Association and Professor Emeritus at Kanazawa College of Art\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eWorks Housed In：\u003c\/strong\u003eIshikawa Prefectural Museum of Art, Kanazawa College of Art, Kaga City Art Museum, The National Museum of Modern Art, Tokyo\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003ePeriod of Production：\u003c\/strong\u003e1980–1987\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eCondition：\u003c\/strong\u003eVery good (no chips, no cracks, excluding age-related character typical of antique art)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eAccessories：\u003c\/strong\u003eDedicated Tomobako (with \"Kutani Jitsugetsushin Ashtray\" and \"Fujio\" inscribed in ink with red seal on the lid), wrapping cloth (with artist's seal), original biography leaflet included\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eMaterial：\u003c\/strong\u003ePorcelain (Kutani Iroe overglaze, Akae red enamel, Kutani Gosai five-color glaze, calligraphic character motif)\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eDimensions：\u003c\/strong\u003eHeight approx. 6.0 cm, Diameter approx. 14.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eCaution：\u003c\/strong\u003eAll products offered by our shop are historical items from an old production period and are listed as antique art \/ pre-owned items. Products may have subtle changes due to age, so please consider purchasing after understanding and verifying the nature of antique art.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48105864429755,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_9693_result.jpg?v=1784862195"},{"product_id":"456","title":"Craftsman Certified by the Minister of International Trade and Industry, Imperial Presenting Artist, Yamamoto Hogaku (山本芳岳), Pair of Kutani Fine Red Enamel Stem Cups with Peach Motif (Bajohai), Japanese-Style Shot Glasses, Aged Liquor Vessels #456","description":"\u003cp data-path-to-node=\"1\"\u003eThis is a supreme pair of red enamel porcelain works, \"Kutani Fine Red Enamel Stem Cups with Peach Motif (Bajohai), Pair (2 pieces),\" created by Yamamoto Hogaku (b. 1960), a leading authority in Kutani fine red enamel decoration (akae saibyo), a Traditional Craftsman certified by the Minister of International Trade and Industry (now the Minister of Economy, Trade and Industry), and a highly renowned artist who presented works to the Imperial Household. Mr. Yamamoto, who cultivated his pictorial composition skills in the Design Course at Fukui High School and the Fine Arts Department (Japanese Painting) at Kinjo Junior College, learned wheel-throwing techniques at the Kutani Ware Crafts Training School. In 1982, he entered the studio of \u003ca href=\"\/en\/search?q=%22%E7%A6%8F%E5%B3%B6%E8%8A%B3%E6%98%A5%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eHoshun Fukushima\u003c\/a\u003e, a master of Kutani fine red enamel decoration, receiving strict training in miraculous brushwork that draws lines as fine as human hair, as well as in overglaze enamels. In 1985, immediately after going independent, on the occasion of the Imperial visit to Kaga City for the All Japan High School Athletic Meet, he was honored to produce and present \"Kutani Fine Red Enamel Appetizer Dish with Chrysanthemum and Phoenix Motif\" to Their Imperial Highnesses the Crown Prince and Crown Princess (the Current Emperor Emeritus and Empress Emerita). Later, he successively served as a member of the Ishikawa Branch of the Japan Art Crafts Association and a director of the Kaga Art Box Association, establishing a brilliant career that includes solo exhibitions at Mitsukoshi Nihombashi Main Store and ceramic wall creations for major public buildings. The outer lid of the accompanying dedicated paulownia wooden box (tomobako) features the handwritten inscription \"Kutani Fine Red Enamel Stem Cups with Peach Motif,\" while the inner lid bears the signature seal \"Kutani Hogaku\" and a seal stamp. Since the final entry in the included explanatory pamphlet (shiori) lists \"2007 (Heisei 19) Mitsukoshi Nihombashi Main Store (3rd Exhibition),\" this work can be estimated as a piece created around 2007 (around Heisei 19), a period when his craftsmanship reached full maturity.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eAnalyzing the design of this piece reveals a magnificent condensation of advanced compositional beauty backed by his background in Japanese painting and design, alongside Mr. Yamamoto's true hallmark: ultra-high-density fine red enamel decoration. On the exterior of the vessel, auspicious compartmentalized patterns such as shippo (seven treasures), kikko (tortoiseshell), and lattice motifs are meticulously drawn at micron-level density using a fine brush, at the center of which juicy peach fruits and leaves are depicted with gold outlines, red enamel gradations, and delicate stippling. Furthermore, cute peach fruits and plum blossoms are charmingly drawn on the inner bottom (mikomi), with geometric patterns and gold paint applied without gaps up to the inner rim of the vessel and the stem foot. The \"peach\" depicted here has been considered a sacred tree and divine fruit in Chinese and Japanese traditional motifs since ancient times, representing an exceptionally high-ranking auspicious motif symbolizing longevity and immortality. It also originates from the tale in the Kojiki (Records of Ancient Matters) where Izanagi no Mikoto repelled evil spirits with peach fruits, embodying a powerful talisman for warding off evil and bringing good health and blessings. The stem foot features beautiful decorations in green and gold enamels, and the bottom of the foot is proudly inscribed with \"Kutani Hogaku\" in red enamel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eBoasting a stem cup (bajohai) form with an elegant posture measuring approx. 5.5 cm in diameter and approx. 7.5 cm in height, our shop proposes this work, in alignment with modern refined lifestyles and fine spirits culture, as an ultimate pair of \"Japanese-style shot glasses (Japanese liquor vessels)\" for savoring vintage whisky, premium straight spirits, aged sake, or matured Japanese liquor neat. The tactile texture of delicate painting felt when holding the cup in hand and the auspicious motif of peaches and plum blossoms that appears at the bottom when pouring and finishing your drink elevate an evening drink to an incomparably graceful and dignified occasion. A masterpiece uniting the supreme line drawing technology of an Imperial Presenting Artist with traditional auspicious motifs, this piece allows one to relish the true essence of Japanese craft beauty through both visual appreciation and practical use.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"4\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eYamamoto Hogaku (山本芳岳, b. 1960)\u003c\/li\u003e\n\u003cli data-path-to-node=\"5\"\u003e\u003cstrong\u003eArtist's Representative Career Highlights: \u003c\/strong\u003eGraduated from Design Course at Fukui High School, Fine Arts Department at Kinjo Junior College, and Kutani Ware Crafts Training School. [1982] Studied under Hoshun Fukushima. [1985] Went independent; presented a fine red enamel work on the occasion of the Imperial visit of Their Imperial Highnesses the Crown Prince and Crown Princess (current Emperor Emeritus and Empress Emerita) to Kaga City. [1989] Member of Ishikawa Branch of Japan Art Crafts Association; [1996] Certified as a Traditional Craftsman by the Minister of International Trade and Industry; held solo exhibitions at Mitsukoshi Nihombashi Main Store (1st to 3rd). Director of Kaga Art Box Association, Director of Kaga Kutani Ware Ceramics Co-operative Association.\u003c\/li\u003e\n\u003cli data-path-to-node=\"6\"\u003e\u003cstrong\u003eProduction Period: \u003c\/strong\u003eAround 2007 (around Heisei 19)\u003c\/li\u003e\n\u003cli data-path-to-node=\"7\"\u003e\u003cstrong\u003eItem Condition:\u003c\/strong\u003e Very Good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"8\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated paulownia wooden box (Tomobako with handwritten calligraphy \"Kutani Fine Red Enamel Stem Cups with Peach Motif\" on the lid, signature seal \"Kutani Hogaku\" and seal stamp on the inside of the lid), career pamphlet (shiori), wrapping cloth included\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePorcelain (Fine red enamel decoration, gold paint, green glaze, yellow glaze)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eDiameter approx. 5.5 cm, Height approx. 7.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eThe items provided by our shop were produced a very long time ago even if unused, and are all listed as pre-owned items. Please understand and confirm the age-related changes before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48396667748539,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4164_result.jpg?v=1791090205"},{"product_id":"487","title":"Studied under Tokuda Yasokichi III – Certified Traditional Craftsman of Kutani Ware – Kawashima Hiroshi (河島洋) – Footed Sake Cup, Suisaka-de Style, with Round-Window Design in Overglaze Enamels and Gold – With Tomobako – Japanese Shot Glass #487","description":"\u003cp dir=\"ltr\"\u003eThis footed sake cup is by Kawashima Hiroshi, a Kutani ware artist based in Kaga City, Ishikawa Prefecture. The whole vessel is covered in a blackish-brown glaze with a silvery sheen. At the center of the inner surface, a round window holds a design in overglaze enamels and gold. The tall foot carries a band of leaf-shaped motifs in gold and silvery white on a pale blue-green ground. Inside the foot is a signature that can be read as “Hiroshi.” The inside of the Tomobako (the artist’s original signed wooden box) lid bears the signature “Hiroshi” and a red “Hiroshi” seal. The outside of the lid bears an ink inscription that can be read as “Suisaka-de” (Suisaka style) and the large character for “sakazuki” (sake cup). The wrapping cloth is also stamped with a red seal.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eKawashima Hiroshi was born in 1951 in Kamikawasaki-machi, Kaga City, Ishikawa Prefecture. He went on to study with the aim of becoming a designer, and his interest in ceramics grew while he was studying graphic design, oil painting, and watercolor. He later studied under \u003ca href=\"\/en\/search?q=%22%E5%BE%B3%E7%94%B0%E5%85%AB%E5%8D%81%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTokuda Yasokichi\u003c\/a\u003e III, a Holder of Important Intangible Cultural Property (Living National Treasure), and under \u003ca href=\"\/en\/search?q=%22%E4%B8%AD%E5%B3%B6%E7%8F%A0%E5%85%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eNakajima Shuko\u003c\/a\u003e, a Holder of Intangible Cultural Property of Terai Town. At the 29th Japan Traditional Kogei Exhibition in 1982, his “Bowl with Small Floral Patterns in Overglaze Enamels” was accepted for exhibition. A work by his wife, Kawashima Mari, was accepted at the same exhibition. The couple have continued to work together as the Shishikara Pottery Studio (Shishikara Tobo).\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe artist’s own record of his career lists three acceptances at the Japan Traditional Kogei Exhibition. It also lists acceptance at the Japan Traditional Kogei Exhibition Ishikawa Branch Exhibition, eight consecutive acceptances at the Traditional Kutani Ware Craft Exhibition, ten consecutive acceptances and two awards at the Sozo Bijutsu (Creative Art) Exhibition, and an award at the Kutani Design Exhibition. In terms of technical skill, he placed first in the first-grade ceramics skills examination and obtained the qualification of First-Grade Ceramics Technician, certified by the Minister of Labour. He was also commissioned to create “Design of Doves” as a commemorative gift for the 80th birthday of Ambassador Mansfield, the United States Ambassador to Japan. His solo exhibitions have been held at the Art Salon of the Daiwa Department Store, the Towa Gallery in Aoyama, Tokyo, and the Seibu department stores in Ikebukuro and Takatsuki, among other venues. His group exhibitions include “Six Ceramic Artists Who Will Shape Tomorrow” at the Odakyu Department Store, Shinjuku.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eHe is currently a Full Member of the Japan Kogei Association and a Certified Traditional Craftsman of Kutani Ware. He is also a member of the Japan Ceramics Association and the Japan Ceramic Art Association, and he has served as a director of the Ishikawa Prefecture Ceramic Art Association and as a standing director of the Kaga City Art Association. He also belonged to the ceramics sections of the Issui-kai and the Sozo Bijutsu-kai. According to his biography, he received an Encouragement Prize at the Traditional Kogei Ishikawa Branch Exhibition in 1995 and exhibited at the National Art Museum of China in Beijing in 2000. In 2006 his “Bowl with Floral Design in Overglaze Enamels and Sgraffito” received the Hazama Memorial Prize at the Issui-kai Ceramics Section Exhibition, and he received the same prize again the following year, in 2007.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eKawashima is best known for work in the Yoshidaya style. The Yoshidaya kiln was founded in the late Edo period by Toyota Den’emon, a wealthy merchant of Daishoji who traded under the name Yoshidaya, with the aim of reviving Ko-Kutani (Old Kutani). The kiln was highly regarded for artistry and quality that approached those of Ko-Kutani. Drawn to Yoshidaya ware, Kawashima carries out every stage himself, from throwing on the wheel to overglaze painting. Through research into clay bodies, clay mixtures, and colored glazes, he established his own Yoshidaya style, and his works in this style are known as “So-Yoshidaya.”\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThis cup belongs to a different line from that Yoshidaya style. The Tomobako bears an inscription that can be read as “Suisaka-de.” Explanations of Kutani ware styles describe Suisaka ware, said to have been produced before Ko-Kutani in Suisaka in Kaga (now Suisaka-machi, Kaga City), as having a body coated in brownish glaze with refinements such as reserved white areas, and with designs added in overglaze enamels or silver. The composition of this cup, with a round window on a blackish-brown glazed body decorated in overglaze enamels and gold, recalls this early Kaga style. The colors within the round window are ochre, green, white, and gold, and no red is used.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eInside the round window on the inner surface of the bowl, flowing line motifs and fine dot motifs are drawn in gold on an ochre ground. Three white lines cross over them to form a triangle, and the inside of the triangle is filled with a gold seigaiha (wave) pattern on a green ground. The exterior and interior are covered in a blackish-brown glaze, with a silvery sheen over a fine, granular texture. The outward-flaring cylindrical foot is painted on a pale blue-green ground with radiating leaf-shaped motifs in gold and silvery white, together with dot motifs. The top and bottom of the foot are marked off by thin dark-brown lines, and the foot rim is unglazed, showing the clay body. The inside of the foot is dark green, and in a pale green circle at its center is a signature in white that can be read as “Hiroshi.”\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eWe suggest this cup as a Japanese-style shot glass for sipping aged spirits or whisky neat, a little at a time. When the cup is filled, the enamel-painted round window at the bottom of the dark vessel can be admired through the surface of the liquor.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eNeither the cup nor the Tomobako records a year of production, so we date it to the period after the artist began his ceramic career.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThere are no chips or cracks. The exterior has small black specks that appear to have occurred during firing, as well as a very small red spot. Near the foot, on the lower body, there is one small brushmark in gold. On the inner surface, some of the gold extends slightly beyond the edge of the round window. The foot rim shows uneven brown coloring. The outside of the Tomobako lid shows discoloration due to age. Please refer to the images for details.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eKawashima Hiroshi (河島 洋、1951–)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eSelected Career Highlights: \u003c\/strong\u003e[1951] Born in Kamikawasaki-machi, Kaga City, Ishikawa Prefecture; studied under Tokuda Yasokichi III (Holder of Important Intangible Cultural Property) and Nakajima Shuko (Holder of Intangible Cultural Property of Terai Town); [1982] Accepted at the 29th Japan Traditional Kogei Exhibition, “Bowl with Small Floral Patterns in Overglaze Enamels”; [c. 1983] Created “Design of Doves” as a gift commemorating the 80th birthday of Ambassador Mansfield, U.S. Ambassador to Japan; three acceptances at the Japan Traditional Kogei Exhibition (per the artist’s career record); eight consecutive acceptances at the Traditional Kutani Ware Craft Exhibition; ten consecutive acceptances and two awards at the Sozo Bijutsu Exhibition; award at the Kutani Design Exhibition; first place in the first-grade ceramics skills examination, First-Grade Ceramics Technician; Full Member of the Japan Kogei Association; Certified Traditional Craftsman of Kutani Ware; [2006 and 2007] Hazama Memorial Prize, Issui-kai Ceramics Section Exhibition (per his biography)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003ePublic Collections:\u003c\/strong\u003e No records of holdings in public institutions have been confirmed\u003cbr\u003eDate: 1970s or later (after the start of the artist’s ceramic career; no date on the cup or the Tomobako)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eIncluded: \u003c\/strong\u003eTomobako, wrapping cloth\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Porcelain and pottery (glazed, overglaze enamels, gold)\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eRim diameter approx. 8.5 cm, H approx. 5 cm\u003cbr\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003ePlease Note: \u003c\/strong\u003eAlthough some of our items may be new and unused, all are listed as pre-owned because they were produced a very long time ago. Items may show signs of age-related wear. Please understand and check the condition before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":67651891691707,"sku":null,"price":27000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5518_result.jpg?v=1792252284"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/collections\/IMG_1090_result.jpg?v=1793429918","url":"https:\/\/antiqueliquor1926.com\/en\/collections\/kutani-ware.oembed?page=2","provider":"Antique Liquor","version":"1.0","type":"link"}