{"title":"Works by Living National Treasures","description":"\u003cp\u003eOnly works made by the holders of Important Intangible Cultural Property themselves — the consummate art of Inoue Manji, Imaizumi Imaemon XIII, Shimaoka Tatsuzo, Ito Sekisui V and others.\u003c\/p\u003e","products":[{"product_id":"43","title":"Living National Treasure Nakada Kazuo (中田一於)'s Kutani Ware Silver-Glazed Shochu Drinking Glass #43","description":"\u003cp data-path-to-node=\"3\"\u003eNakada Kazuo has been designated as a Living National Treasure (Preserver of Important Intangible Cultural Property) for his ceramic technique known as Yukasai (underglaze coloring), the first designation ever made for this technique. This designation serves as public proof that the unique world of Yuri-ginsai (underglaze silver foil), which he has refined over many years, represents one of the highest peaks of Japanese traditional beauty.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eThe reason Nakada Kazuo, who has established a new milestone in the history of Kutani ware, is held in such high esteem lies in the almost obsessive precision condensed into this work. The essence of Yuri-ginsai lies in the nearly impossible technical harmony of sealing the brilliance of silver deep beneath a lapis lazuli glaze. While ordinary silver decoration typically oxidizes and turns black when exposed to air, Nakada arranges paper-thin pieces of silver foil one by one like a puzzle based on meticulous calculations. He perfectly controls the risk of the silver foil melting away due to the intense heat during firing, maintaining an eternal sparkle within the glaze. This process is a divine skill that only he can achieve. This specific expression of silver shining with dignity beneath the glaze was the decisive reason for his selection as the first Living National Treasure in the field of Yukasai.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eThis work was created around 2009, a period when Nakada had completely mastered his technique and was receiving intense attention from museums worldwide; it is a representative piece that embodies his true essence. The silver foil hidden beneath the lapis lazuli glaze changes its expression like a kaleidoscope depending on the angle of the light, sometimes shimmering sharply like a gemstone and at other times swaying softly like morning mist. The geometric patterns reminiscent of lotus petals covering the entire vessel are his signature design. The contrast of blue and silver reflecting on the inside when sake is poured can be described as a supreme view that only the owner can enjoy.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eFurthermore, this work is exceptionally outstanding in terms of its form. The footed style exudes the dignity of a fine art craft, yet it maintains excellent center-of-gravity balance when actually held, fusing practicality and aesthetics at a high level. As a testament to its global value, his works are part of the permanent collections of institutions such as the Smithsonian's Arthur M. Sackler Gallery in the United States. Following his designation as a Living National Treasure in 2025, there is no doubt that the rarity of such fulfilling works from his mature period will increase further in the art market. Holding the crystal of light of a master who has carved his name in history while enjoying a supreme drink is nothing less than a luxurious cultural privilege that transcends a mere evening glass.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Nakada Kazuo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eThe artist's notable achievements include:\u003c\/strong\u003e [ \u003cspan class=\"line\"\u003e\u003cspan class=\"year\"\u003e1990]\u003c\/span\u003e \u003cspan class=\"title\"\u003eMinister of Education Award at the Japan Traditional Crafts Exhibition; [\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"line\"\u003e\u003cspan class=\"year\"\u003e1993]\u003c\/span\u003e \u003cspan class=\"title\"\u003eUnderglaze Silver Vase selected for permanent collection at the Smithsonian Institution's Mackler Gallery in Washington; [\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan class=\"line\"\u003e2001] Grand Prize at the Traditional Kutani Ware Crafts Exhibition; [ \u003cspan class=\"year\"\u003e2011]\u003c\/span\u003e \u003cspan class=\"title\"\u003eMedal with Purple Ribbon; [ \u003cspan class=\"year\"\u003e2019]\u003c\/span\u003e Order of the Rising Sun, Gold Rays with Rosette; [2025] Designated Living National Treasure for his underglaze enamel technique.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction date:\u003c\/strong\u003e circa 2009\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated wooden box, wrapping cloth, artist biography\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramic (Kutani ware, pottery)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height approx. 10.8cm, diameter approx. 8.1cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCharacteristics of Nakada Kazuo's works:\u003c\/strong\u003e His greatest feature is the \"underglaze silver color\" technique, which involves applying a pattern with silver foil under the glaze. This technique allows the shine of the silver to show through the glaze, and the soft, pale colors and shading of light create a delicate expression with depth. Many of his works feature plants and geometric patterns applied with silver color, and are characterized by a cool, modern style.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47058962448571,"sku":null,"price":180000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1090_result.jpg?v=1784445616"},{"product_id":"42","title":"Living National Treasure Inoue Manji (井上萬二)'s White Porcelain Carved Teacup #42","description":"\u003cp\u003eInoue Manji (1929-2025) was born in Arita, Saga Prefecture in 1929, and is a representative ceramic artist of Arita ware. While Arita ware is typically characterized by colorful painting, he has always focused on white porcelain, pursuing its pure beauty.\u003c\/p\u003e\n\u003cp\u003e After studying under the master potter's wheel master, \u003ca href=\"\/en\/search?q=%22%E5%A5%A5%E5%B7%9D%E5%BF%A0%E5%8F%B3%E8%A1%9B%E9%96%80%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eOkugawa Chuemon\u003c\/a\u003e, he honed his skills at the Saga Prefectural Ceramics Testing Laboratory before going independent in 1971. His outstanding potter's wheel skills and the soft, refined beauty of his forms are highly acclaimed both in Japan and overseas. He has also worked tirelessly overseas, teaching at universities in the United States and engaging in cultural exchange activities, spreading the essence of Japanese traditional crafts to the world.\u003c\/p\u003e\n\u003cp\u003e This white porcelain piece exudes tranquil beauty, and we suspect it likely dates from Inoue Manji's later years, when his technique had reached its peak. Flowing lines of bamboo branches and leaves are delicately carved into the surface, gently lifting off the pure white porcelain. This openwork-like technique creates a tasteful shadow that changes appearance with the light. The included lid ensures that the aroma is not lost, making this a truly exceptional piece that maximizes the aroma of whisky. Enjoy this exceptional piece of Japanese sophistication and the finest craftsmanship with a special glass of whisky.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Inoue Manji (井上萬二, 1929-2025)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\n\n \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eThe artist's notable achievements include:\u003c\/strong\u003e [1979] Minister of Labor Award, [1987] Minister of Education Award at the Japan Traditional Crafts Exhibition, [1995] Certified as a Living National Treasure and Important Intangible Cultural Property \"White Porcelain\", [1997] Received the Medal with Purple Ribbon, [2003] Received the Order of the Rising Sun, Gold Rays with Neck Ribbon\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction year:\u003c\/strong\u003e 2000s (estimated)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated wooden box\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramic (white porcelain)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height 11cm, diameter 7.5cm\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47059029786811,"sku":null,"price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1019.jpg?v=1759322343"},{"product_id":"87","title":"Living National Treasure Kitamura Shinichi (北村眞一)'s masterpiece: The Silver Arbor, Lost-wax casting (Rōgata) silver and blown glass sake cup #87","description":"\u003cp data-path-to-node=\"6\"\u003eThis sake vessel, titled Wax-mold Cast Silver and Blown Glass Sakazuki, is a masterpiece that distills the exceptional techniques of Kitamura Shinichi, a Living National Treasure. It is an extremely rare piece that demonstrates the depth of the artist's exploration, beautifully fusing the disparate materials and techniques of metalwork and glass craftsmanship.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eBorn in 1952, Kitamura Shinichi is a metal artist who was certified in 2019 as a Preserver of the Important Intangible Cultural Property of Wax-mold Casting. This vessel is an exquisite creation utilizing those traditional techniques. Because silver, which is a metal, and glass have vastly different melting points and thermal expansion coefficients, the task of completely integrating the two requires extremely advanced skill to overcome the risk of bursting or cracking from thermal shock. This work features an ingenious structure that overcomes this challenge by blowing glass into a silver framework shaped like a tree. The silver ornamentation is characterized by an organic texture with numerous perforations and a form resembling a powerful, undulating tree trunk, creating a fantastical beauty.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThis piece is presumed to be an ambitious work from around the year 2000 (Heisei 12), a period of maturity in Kitamura's creative career during which he pursued the ultimate in technical fusion and decorativeness. The silver portion features a delicate design reminiscent of extending branches and leaves, evoking both the vitality of nature and a sense of tranquil beauty. When a drink is poured, light reflects through the intricate gaps in the silver, emitting a quiet radiance unlike any other. The expression of this light changes over time and projects various shadows depending on the viewing angle. The ability to appreciate the sophisticated craftsmanship of a Living National Treasure through an everyday vessel is one of this work's greatest charms. Fusions of glass with such complex silver motifs are rare even within Kitamura's body of work, making this a precious collector's item worthy of high acclaim for both its artistic and technical merit.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Kitamura Shinichi (北村眞一, 1952-present)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eArtist's major activities:\u003c\/strong\u003e [2019] Certified as a holder of the Important Intangible Cultural Property \"Lost-wax casting (Rōgata)\" (Living National Treasure)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction date:\u003c\/strong\u003e circa 2000\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated box included\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Silver, glass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height 7.5cm, diameter 5.5cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 42, 0);\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\" class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eSpecial note:\u003c\/strong\u003e As this is a silver product, discoloration due to oxidation of silver may occur.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47170608365755,"sku":null,"price":550000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2601.jpg?v=1763175269"},{"product_id":"170","title":"Living National Treasure Shimaoka Tatsuzo (島岡達三)'s Masterpiece: Jomon Inlaid Salt Glaze Couple's Teacup and Rocks Glass Set (2 Pieces) #170","description":"\u003cp data-path-to-node=\"8\"\u003eShimaoka Tatsuzo (1919-2007), a designated Living National Treasure, was born in the heart of old Tokyo as the eldest son of a master Kumihimo (traditional braided cord) artist. After completing his specialized education at the Department of Ceramics at the Tokyo Institute of Technology, he became a disciple of \u003ca href=\"\/en\/search?q=%22%E6%BF%B1%E7%94%B0%E5%BA%84%E5%8F%B8%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eHamada Shoji\u003c\/a\u003e, the giant of the Mingei (Folk Crafts) movement, in 1946. For over 20 years in Mashiko, he refined his craft. Hamada described Shimaoka as possessing profound inner confidence yet remaining consciously modest in his public presentations, highly praising his unwavering dedication to his personal aesthetic and technical focus.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe primary reason for Shimaoka's global acclaim is his original Jomon Inlay technique. This process involves rolling braided cords into semi-dry clay to impress rope patterns, then meticulously inlaying the depressions with contrasting colored slips before scraping away the excess to reveal the design. Remarkably, the cords used to create these patterns were silk heritage pieces belonging to his father, a renowned Kumihimo master. The exceptionally fine texture of these silk cords imbues the vessels with a refined rhythm and elegance that stands in stark contrast to the ruggedness of ancient Jomon pottery. Although inlaying is an ancient technique, flawlessly controlling the shrinkage of the clay and preventing the delicate patterns from blurring during the carving process requires extraordinary mastery. The impeccable beauty of the patterns in Shimaoka’s work is a testament to his immense concentration and precise engineering.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThis set of inlaid cups is a masterpiece that lavishly incorporates both Jomon Inlay and the salt glaze (or soda glaze) technique that Shimaoka perfected in his final years. Salt glazing is an exceptional method where rock salt or soda ash is introduced directly into the kiln when temperatures peak at 1250 to 1300 degrees Celsius. The volatilized sodium reacts chemically with the silica in the clay, creating a signature orange-peel texture with a subtle, glassy luster. This process severely erodes the kiln itself, requiring a dedicated structure and the intuitive mastery of an expert to control the volatile color development.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eThe defining brilliance of this work lies in its band-like composition, which allows two difficult techniques to coexist harmoniously in a single vessel. The upper section evokes the ancient stillness of Jomon Inlay, while the lower section showcases a vibrant, modern emerald green born from the soda glaze reaction. While Shimaoka’s work is often characterized by the soft, hazy textures his mentor Hamada likened to tsumugi or kasuri textiles, this high-contrast design reflects the sophisticated, modern aesthetic Shimaoka reached through his extensive international exhibitions.\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eWhile originally crafted as Yunomi (teacups), we propose a new way to experience this masterpiece: as the ultimate stage for savoring rare, discontinued vintage whiskies that have captured decades of time. Aged whisky is often described as drinkable perfume, and the slightly tapered rim of these cups is perfectly designed to concentrate the rising aromatic particles, directing them straight to the senses. Picking up the vessel and drawing it near creates a luxurious sanctuary for appreciating the rich bouquet of the spirit.\u003c\/p\u003e\n\u003cp data-path-to-node=\"13\"\u003eThe intricate texture of the Jomon Inlay at your fingertips and the smooth, salt-glazed surface against your lips provide a tactile pleasure that elevates the profound depth of aged spirits. This is the meeting of two arts: the art of earth perfected by Shimaoka Tatsuzo and the art of amber honed by the passage of time. When these two timelines converge, you are not merely drinking; you are engaging in a silent dialogue with the memories of a bygone era. Watching the colors born from the caprice of the flames while savoring a supreme vintage spirit is the ultimate luxury, reserved for those who truly appreciate the authentic.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"3\"\u003e*Comments from Hamada Shoji, Shimaoka's mentor\u003cbr\u003e\u003c\/h3\u003e\n\u003cp data-path-to-node=\"3\"\u003eShimaoka, typical of someone raised in downtown Tokyo, possesses strong inner confidence but consciously remains modest in presenting his work. Having graduated from the Ceramics Department of Tokyo Institute of Technology more than twenty years ago, and having become accustomed to the Mashiko clay, he has the skill to master most techniques, yet he deliberately focuses his work, restraining it to his preferences.\u003cbr\u003eShimaoka has adopted a unique inlay pattern, drawing inspiration from Jomon pottery techniques. The main braided cords used in this work are relics from his father, who was a master kumihimo craftsman. The cleverness with which he entrusts the pattern to the cord to establish his own style is truly characteristic of Shimaoka. His work is generally subdued; if it were a kimono, one might say the thread is tsumugi silk and the pattern is kasuri.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cstrong\u003eHamada Shoji (1894-1978)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Shimaoka Tatsuzo (島岡達三, 1919-2007)\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003eNotable Achievements:\u003c\/strong\u003e 1962 Japan Folk Crafts Museum Award, 1980 Tochigi Prefecture Cultural Merit Award, 1994 Japan Ceramic Association Gold Prize, 1996 Designated as a Holder of Important Intangible Cultural Property Jomon Inlay (Living National Treasure), 1999 Received the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003ePublic Collections:\u003c\/strong\u003e Victoria and Albert Museum (London), British Museum (London), Metropolitan Museum of Art (New York), Brooklyn Museum (New York), Museum of Fine Arts, Boston, National Museum of Modern Art, Tokyo, The Japan Folk Crafts Museum (the spiritual home of Hamada Shoji and Soetsu Yanagi), Mashiko Museum of Ceramic Art, Tochigi Prefectural Museum of Fine Arts, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e Circa 1980s to 1990s (estimated)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent (no chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated wooden box, artist's pamphlet\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramic\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e (Large) Height approx. 8.8 cm, diameter approx. 8.4 cm. (Small) Height approx. 7.8 cm, diameter approx. 7.5 cm.\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the items are in unused condition, they are vintage pieces and are listed as second-hand. Please understand that items may show characteristics of aging, and we encourage you to review all details before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47478150234299,"sku":null,"price":200000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4410.jpg?v=1772272087"},{"product_id":"186","title":"Living National Treasure, Ito Sekisui V (五代 伊藤赤水), Sado Mumyoi-yaki Kiln-Transformation (Yo-hen) Guinomi #186","description":"\u003cp data-path-to-node=\"18\"\u003eIto Sekisui V (born 1941) is a master of Japanese ceramics who was designated as a Living National Treasure in 2003 as the holder of the Important Intangible Cultural Property \"Mumyoi-yaki,\" making him the first from Sado Island to receive this honor. While inheriting the traditions of the prestigious Sekisui Kiln, which dates back to the late Edo period, he established a unique \"Yo-hen\" (kiln transformation) technique, solidifying the international artistic standing of Mumyoi-yaki. His exceptional techniques are permanently housed in major museums worldwide, including the Metropolitan Museum of Art in New York and the Victoria and Albert Museum in London, officially recognized as cultural heritage for humanity to preserve.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe Mumyoi-yaki utilized in this work is crafted from red clay rich in iron oxide, sourced from the vicinity of the Sado Gold Mine. This clay consists of extremely fine particles and exhibits an exceptionally high shrinkage rate of approximately 30% during firing, making it highly susceptible to cracking and warping. Consequently, achieving a finished piece requires the master craftsman's incredibly precise calculations and masterful skill. Although the design is \"Yakishime\" (unglazed stoneware), by controlling the kiln's flames to the absolute limit, the artist has transformed parts of the red clay into a deep jet black, showcasing the pinnacle of Yo-hen artistry. These traces of flame, which transcend human intention, are often described as reflections of Sado's rugged natural landscapes or the spray of waves crashing against the cliffs, embodying a quiet strength that shuns ostentation.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eOur shop redefines this unique vessel, crafted by a Living National Treasure, as the ultimate vessel for savoring aged sake or Japanese whisky that has acquired complex aromas over decades of maturation. The hard, fine texture unique to Mumyoi-yaki, coupled with the dramatic contrast of red and black, visually enhances the amber hues of fine spirits. It possesses a functional beauty that elevates a quiet moment of reflection into something more spiritual. The dialogue between earth and fire that emerges after stripping away all ornamentation embodies the Japanese aesthetic of wabi-sabi, imparting a sense of serene dignity to the holder.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eAuthor:\u003c\/b\u003e Ito Sekisui V (born 1941)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"34\"\u003eArtist's Notable Activities:\u003c\/b\u003e Elevated the \"Mumyoi-yaki\" tradition of Sado Island to the realm of fine art, and was designated a Living National Treasure (Holder of Important Intangible Cultural Property for Mumyoi-yaki) in 2003. [1973] Recipient of the Prince Takamatsu Memorial Award at the Japan Traditional Craft Exhibition; [2005] Awarded the Medal with Purple Ribbon; [2011] Awarded the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"475\"\u003eMuseum Collections:\u003c\/b\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; The Metropolitan Museum of Art; Victoria and Albert Museum; Smithsonian Institution; and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"676\"\u003ePeriod of Creation:\u003c\/b\u003e 2000s–2010s (The mature period after designation as a Living National Treasure). The \"Yo-hen\" (kiln transformation) in this work is Sekisui V's signature design, transforming red clay into jet black solely through flame control to express Sado’s rugged coastline. This represents the peak of his expression—a style where natural power and tranquility resonate beyond human intent, refined around the time of his 2003 designation.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1126\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1169\"\u003eAccessories:\u003c\/b\u003e Original wooden box (Tomobako), introductory leaflet \u003cb data-path-to-node=\"21\" data-index-in-node=\"1235\"\u003eMaterial:\u003c\/b\u003e Pottery (Mumyoi-yaki \/ Yo-hen)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1276\"\u003eDimensions:\u003c\/b\u003e Height approx. 8.0 cm, Mouth diameter approx. 6.2 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1341\"\u003eNote:\u003c\/b\u003e Please note that all products, even those in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47537145938107,"sku":null,"price":16000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5115_result.jpg?v=1774141337"},{"product_id":"187","title":"Living National Treasure, Nakada Kazuo (中田一於) - Kutani Ware Yūri Ginsai Vessel - As-is #187","description":"\u003cp data-path-to-node=\"19\"\u003eProduct Title: 2025 Living National Treasure Nakada Kazuo, Kutani Ware Yūri Ginsai Spirits Vessel Nakada Kazuo was designated as a Living National Treasure (Holder of Important Intangible Cultural Property) in 2025 for the ceramic technique of \"Yūkasai\" (underglaze decoration), the first designation ever made for this technique. This historic achievement is the nation's official recognition that Nakada's underglaze decoration, above all \"Yūri Ginsai\" (silver leaf beneath the glaze), refined over more than half a century, represents the absolute pinnacle of Japanese craft aesthetics. Having studied under the Living National Treasure \u003ca href=\"\/en\/search?q=%22%E5%BE%B3%E7%94%B0%E5%85%AB%E5%8D%81%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTokuda Yasokichi\u003c\/a\u003e III and learned the ultimate in color gradation, Nakada brought a new dimension of beauty to Kutani ware by sealing the brilliance of \"silver\" beneath the glaze.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThe reason Nakada is considered unique in the long history of Kutani ware lies in the overwhelming difficulty and tranquil beauty of the \"Yūri Ginsai\" technique featured in this work. Yūri Ginsai involves applying silver leaf to the vessel's surface and then firing it beneath a layer of glaze. Silver darkens as it oxidizes in the air, but sealed beneath the glaze it keeps its brilliance without tarnishing. Because the silver leaf is extremely thin, it constantly faces the risk of melting away under the intense heat of the kiln or being swept away by the movement of the glaze. Nakada places neatly cut pieces of silver leaf with tweezers, ensuring absolute precision, and uses unique temperature control to seal their brilliance beneath the glaze. This \"elegant depth of light that seems to well up from within\" is a divine technique that distinguishes itself from ordinary ginsai, where silver is simply fired onto the surface, and is a feat attainable only by a Living National Treasure.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eThis work strongly reflects the mature style of Nakada's career on the path toward becoming a Living National Treasure, featuring the geometric silver motifs that have become the artist's signature. Beneath the deep lapis lazuli and pale purple glazes, the neatly aligned vertical bands of silver leaf reflect light, at times shimmering like the passage of time, and at others like light dancing on a quiet water surface. Though originally created as a \"teacup (Yunomi),\" its high decorative quality and substantial weight make it an unparalleled \"spirits vessel\" for enjoying old-bottle whiskies or rare single malts that have aged for decades. When amber liquid is poured in, the refraction further amplifies the brilliance of the silver leaf, creating a fantastical scene in the palm of your hand that only the owner can experience.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eAs evidence of their global value, Nakada's works are permanently housed in institutions such as the Arthur M. Sackler Gallery of the Smithsonian Institution in Washington, D.C., and the National Museum of Modern Art, Tokyo. Following the 2025 designation as a Living National Treasure, these works have solidified their status as \"Japanese Cultural Heritage.\" There is no doubt that the rarity of such unique pieces, which perfectly balance technique and artistry, will continue to grow in the art market. To savor the finest drink alongside this \"crystallization of light\" by a master who has truly reached the peak of Japan's artistic world is a supreme cultural privilege, transcending the ordinary.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Nakada Kazuo (中田一於, born 1949)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"33\"\u003eArtist's Representative Activities:\u003c\/b\u003e [1990] Minister of Education Award at the Japan Traditional Craft Exhibition; [1993] Yūri Ginsai Jar permanently acquired by the Smithsonian's Sackler Gallery; [2011] Awarded the Medal with Purple Ribbon; [2019] Awarded the Order of the Rising Sun, Gold Rays with Rosette; [2025] Designated as a Holder of Important Intangible Cultural Property \"Yūkasai\" (underglaze decoration) (Living National Treasure).\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"456\"\u003ePeriod of Creation:\u003c\/b\u003e 2000s–2010s (The mature period when his technique was perfected)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"541\"\u003eCondition:\u003c\/b\u003e As-is \/ Imperfect\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e (one chip on the rim; please refer to product images)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"624\"\u003eAccessories:\u003c\/b\u003e Original wooden box (with the artist's handwritten signature and seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"708\"\u003eMaterial:\u003c\/b\u003e Ceramic (Kutani Ware \/ Yūri Ginsai)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"754\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 8.8 cm, Height approx. 7.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"819\"\u003eCharacteristics of Nakada Kazuo's Works:\u003c\/b\u003e The most defining feature is the \"Yūri Sai\" technique, which encloses gold or silver leaf beneath a transparent glaze. Because the silver leaf is never directly exposed to the air, it does not tarnish. The soft, deep luster transmitted through the glaze creates a modern and elegant ambiance.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1151\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47537146200251,"sku":null,"price":9000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5064_result.jpg?v=1774141491"},{"product_id":"189","title":"Living National Treasure, Ito Sekisui V (五代 伊藤赤水), Sado Mumyoi-yaki, Yohen Guinomi Sake Cups (Set of 2) #189","description":"\u003cp data-path-to-node=\"11\"\u003eIto Sekisui V (born 1941) is a master of contemporary ceramics who was designated a Living National Treasure in 2003 as a holder of the Important Intangible Cultural Property \"Mumyoi-yaki,\" the first person from Sado Island to receive this honor. While inheriting the traditions of the Sekisui kiln, which dates back to the late Edo period, he did not merely follow tradition but elevated Mumyoi-yaki to a global art form by pursuing the chemical reactions of clay and fire to their utmost limit. His reputation extends beyond Japan, as evidenced by the fact that prestigious public museums around the world, such as the Metropolitan Museum of Art in New York and the Victoria and Albert Museum in London, have his works in their permanent collections, testifying to the universal nature of his artistry.\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eParticularly noteworthy in this work is the culmination of \"Yohen\" (kiln transformation), which was central to his designation as a Living National Treasure. The raw material for Mumyoi-yaki is a red clay rich in iron oxide, produced near the Sado gold mine. This clay has extremely fine particles, leading to an astonishing shrinkage of approximately 30 percent during firing. This exceptionally high shrinkage rate can easily cause cracks and distortions with slight temperature changes or unevenness in the clay, making the meticulous calculations and intuition gained from years of experience by a master craftsman indispensable for producing a perfect piece. This work is a \"Yakishime\" (unglazed, high-fired ware) that, despite having no glaze, uses reduction firing to severely restrict oxygen during firing, causing the iron in the clay to react and transform parts of the red clay into a deep jet black. These traces of fire, beyond human intention, are said to mimic Sado's rugged coastline and the spray of waves crashing against cliffs, or the time etched into the rock by the winds sweeping across the island, encapsulating the harshness and tranquility of nature within a single vessel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"13\"\u003eStripped of ostentatious decoration and composed solely through the dialogue between earth and fire, the design of this work strongly reflects the Japanese aesthetic of \"wabi-sabi.\" The dramatic contrast between red and black, at first glance, gives a sharp impression, but the hard yet fine texture unique to Mumyoi-yaki, felt the moment it is held, exudes a serene power. The greatness of a Living National Treasure's work lies in its \"quiet dignity\"—the ability to change the atmosphere of a space simply by existing, without excessive assertion. We propose this rare pair as the ultimate sake vessel to enhance the delicate amber hues of aged sake or whisky, matured over decades. This vessel, the culmination of a master craftsman's lifelong quest, will surely become a special presence for sake lovers, transcending mere utility to provide spiritual fulfillment.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Ito Sekisui V (五代 伊藤赤水, born 1941)\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"34\"\u003eArtist's notable career highlights:\u003c\/b\u003e Elevated \"Mumyoi-yaki,\" a traditional craft from Sado Island, to the realm of art. Designated a holder of the Important Intangible Cultural Property \"Mumyoi-yaki\" (Living National Treasure) in 2003. [1973] Awarded the Prince Takamatsu Memorial Prize at the Japan Traditional Crafts Exhibition; [2005] Awarded the Medal with Purple Ribbon; [2011] Awarded the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"477\"\u003eWorks held in:\u003c\/b\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; The Metropolitan Museum of Art; Victoria and Albert Museum; Smithsonian Institution; and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"673\"\u003ePeriod of creation:\u003c\/b\u003e 2000s to 2010s (the mature period after being designated a Living National Treasure). The \"Yohen\" (kiln transformation) in this work, where red clay is transformed into jet black solely through fire control to express Sado's rugged coastline, is a signature design of Sekisui V. This style represents the peak of his expression, showcasing a natural power and tranquility resonating beyond human intention, further refined around the time of his 2003 designation.\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"1157\"\u003eCondition:\u003c\/b\u003e Good (No chips, no cracks), some minor surface marks\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"1221\"\u003eAccessories:\u003c\/b\u003e Original wooden box (Tomobako), wrapping cloth\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"1281\"\u003eMaterial:\u003c\/b\u003e Pottery (Mumyoi-yaki \/ Yohen)\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"1321\"\u003eDimensions:\u003c\/b\u003e Height approx. 7.2 cm - 8.0 cm, Mouth diameter approx. 6.0 cm - 6.8 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"1404\"\u003eNote:\u003c\/b\u003e Please note that all products, even those in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47538821136571,"sku":null,"price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5129_result.jpg?v=1774160539"},{"product_id":"199","title":"Living National Treasure, Ito Sekisui V (五代 伊藤赤水), Mumyoi-yaki, Elegant \"Manyo\" Cursive Line Engraving, Yunomi \/ Ceramic Whisky Tumbler \"Bush Clover in Autumn Field\" #199","description":"\u003cp data-path-to-node=\"18\"\u003eThis is an extremely rare masterpiece of \"Manyo Renmen Senkoku\" (Cursive Line Engraving of Manyo Poetry) by Ito Sekisui V, who elevated Mumyoi-yaki—a traditional craft of Sado City, Niigata Prefecture—to the realm of fine art and was designated a Living National Treasure in 2003. Mumyoi-yaki is defined by its use of red clay rich in iron oxide, sourced from the vicinity of the Sado Gold Mine. Fired at high temperatures, it becomes as hard as stone despite being pottery and possesses a distinctive metallic resonance. Ito Sekisui is a preeminent Japanese ceramic artist whose works are permanently housed in the world's most prestigious institutions, including the Metropolitan Museum of Art and the Victoria and Albert Museum.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThis piece is a rare gem among Ito Sekisui's works, featuring \"calligraphy\" as its central motif. On the surface of the vessel, five characters—\"Aki (Autumn), No (of), No (Field), Ni (in), Hagi (Bush Clover)\"—symbolizing a scene from the Man'yoshu (Japan's oldest poetry anthology), are engraved with breathtaking precision using a needle-like tool. This is not merely a sequence of characters, but a recreation in line engraving of \"Renmen-tai\" calligraphy—the style of connecting characters in a single, flowing stroke. The graceful red lines winding around the vessel visualize the wind blowing through the autumn fields of Sado and the passage of time. This expression, carving the soul of words into red clay with a level of concentration where no correction is possible, represents the pinnacle of delicate, stoic artistry, achievable only through the uniquely fine-grained clay of Mumyoi-yaki.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThese five characters encapsulate a universal primordial landscape cherished by the Japanese for over a millennium. Setting itself apart from his more common floral or fruit motifs, the method of connecting a few symbolic characters with a continuous line—rather than engraving the entire text—conveys the artist's minimalist aesthetic and intellectual message. The original wooden box bears the inscriptions \"Mumyoi\" on the right, \"Manyo\" in the center, and \"Yunomi\" (teacup) on the left, proving that the artist himself sealed these fragments of ancient poetry within the vessel. Although originally crafted as a teacup, given the deep red texture and the tactile sensation of the engraved characters on the fingertips, we propose this as a special spirits vessel for enjoying aged koshu or whisky. Savoring the amber liquid while contemplating the Manyo scene in the palm of your hand offers a blissful moment embodying the Zen and tranquility of traditional Japanese aesthetics.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Ito Sekisui V (五代 伊藤赤水, born 1941)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"34\"\u003eRepresentative Career:\u003c\/b\u003e Elevated the \"Mumyoi-yaki\" tradition of Sado Island to an international art form, and was designated a Living National Treasure (Holder of Important Intangible Cultural Property for Mumyoi-yaki) in 2003. [1973] Recipient of the Prince Takamatsu Memorial Award at the Japan Traditional Craft Exhibition; [2005] Awarded the Medal with Purple Ribbon; [2011] Awarded the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"473\"\u003eMuseum Collections:\u003c\/b\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; The Metropolitan Museum of Art (New York); Victoria and Albert Museum (London); Smithsonian Institution; and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"694\"\u003ePeriod of Creation:\u003c\/b\u003e 2000s–2010s (The mature period following his designation as a Living National Treasure). While Sekisui V is famously known for his \"Yohen\" (kiln transformation) designs, this line-engraving series represents the absolute height of his refined technique in his later years, showcasing a resonance of natural power and silence that transcends human intent.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1069\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1112\"\u003eAccessories:\u003c\/b\u003e Original signed wooden box (Tomobako), rice straw packing\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1183\"\u003eMaterial:\u003c\/b\u003e Pottery (Mumyoi-yaki \/ Sado red clay rich in iron oxide)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1250\"\u003eDimensions:\u003c\/b\u003e Height approx. 7.1 cm, Mouth diameter approx. 6.7 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1315\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47553125384379,"sku":null,"price":80000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5435_result.jpg?v=1774142551"},{"product_id":"253","title":"Shimaoka Tatsuzo (島岡達三, Living National Treasure) 1961 15th Anniversary Work \"Roar of a New Star\" Jomon Inlay Pair of Teacups, Sake Set, Rock Glasses (2-piece set) #253","description":"\u003cp data-path-to-node=\"18\"\u003eWe are pleased to introduce a highly significant cup by Shimaoka Tatsuzo (1919-2007), a living national treasure in contemporary pottery, renowned for his \"Jomon Zogan\" (Jomon inlay) technique. This piece marks a pivotal moment when Shimaoka re-evaluated his artistic roots and declared his independence as an artist. This monumental work was created in 1961, fifteen years after Shimaoka became an apprentice to the great master \u003ca href=\"\/en\/search?q=%22%E6%BF%B1%E7%94%B0%E5%BA%84%E5%8F%B8%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eHamada Shoji\u003c\/a\u003e in 1946. The year 1961 was a historical turning point that could be called the \"eve of a leap,\" as Shimaoka built his own climbing kiln in Mashiko, and the following year, 1962, he received the Japan Folk Crafts Museum Award, rapidly emerging as a rising star in the pottery world.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eThe design applied to this piece features Shimaoka's signature Jomon inlay technique, with the braided cords at the core of the pattern utilizing relics from his father, a master kumihimo (braiding) craftsman. His mentor, Hamada Shoji, described Shimaoka's style as possessing the skill to master most techniques but deliberately focusing his work to suit his preferences, praising his subdued work by likening it to the pattern of tsumugi silk. This aesthetic of restraint is alive in this piece as well, with a bold ridge applied midway through the vessel, giving the form an architectural stability and a profound presence. The Jomon pattern running diagonally from this ridge is pressed more deeply and powerfully compared to the refined expressions of his later Living National Treasure era, inscribing the raw yet pure passion of the young Shimaoka as he sought to establish his own style on the surface of the clay.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eAnalyzing this work from a technical perspective, the contrast of the white clay (inlay) embedded in the Jomon grooves is remarkably vivid, indicating the high level of perfection in the inlay technique that unifies different clays at temperatures exceeding 1200 degrees Celsius. The masterful skill with which Shimaoka established his unique style, entrusting the Jomon pattern to the tool of a cord, is precisely the manifestation of originality that his mentor Hamada acknowledged, saying, \"Indeed, this is exactly what one would expect from Shimaoka.\" This piece embodies Shimaoka's characteristic sincere personality, which, while harboring strong inner confidence, consciously maintains a humble presentation, culminating in the form of a pair of teacups, an everyday item closely tied to life.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eWe propose this historic teacup, created at the milestone of Shimaoka's 15th year of pottery, as a rock glass for enjoying amber-colored aged sake or Japanese whisky. When clear aged spirits are poured into it, the inlay lines that penetrate the interior of the vessel and the powerful Jomon irregularities refract through the liquid, creating a moment of deep contemplation that visually symbolizes the accumulation of time. On the inside of the lid of the accompanying wooden box, the inscription \"Commemorating 15 Years of Pottery\" is clearly written by the artist himself. Among Shimaoka's many works, its documentary value, allowing for the specific dating of its production, is extremely high, making it a benchmark piece closely watched by curators and collectors worldwide.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"3\"\u003e*Comments from Hamada Shoji, Shimaoka's mentor\u003cbr\u003e\u003c\/h3\u003e\n\u003cp data-path-to-node=\"3\"\u003eShimaoka, typical of someone raised in downtown Tokyo, possesses strong inner confidence but consciously remains modest in presenting his work. Having graduated from the Ceramics Department of Tokyo Institute of Technology more than twenty years ago, and having become accustomed to the Mashiko clay, he has the skill to master most techniques, yet he deliberately focuses his work, restraining it to his preferences.\u003cbr\u003eShimaoka has adopted a unique inlay pattern, drawing inspiration from Jomon pottery techniques. The main braided cords used in this work are relics from his father, who was a master kumihimo craftsman. The cleverness with which he entrusts the pattern to the cord to establish his own style is truly characteristic of Shimaoka. His work is generally subdued; if it were a kimono, one might say the thread is tsumugi silk and the pattern is kasuri.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cstrong\u003eHamada Shoji (1894-1978)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Shimaoka Tatsuzo (島岡達三, 1919-2007)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist's Major Achievements:\u003c\/strong\u003e [1962] Awarded the Japan Folk Crafts Museum Award, [1980] Awarded the Tochigi Prefecture Cultural Merit Award, [1994] Awarded the Japan Ceramic Society Gold Award, [1996] Designated as a Holder of Important Intangible Cultural Property \"Jomon Zogan\" (Living National Treasure), [1999] Awarded the Order of the Rising Sun, Gold Rays with Rosette\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eWorks Housed In: \u003c\/strong\u003eVictoria and Albert Museum (London), British Museum (London), Metropolitan Museum of Art (New York), Brooklyn Museum (New York), Museum of Fine Arts, Boston, National Museum of Modern Art, Tokyo, Japan Folk Crafts Museum (a sacred site carrying on the legacy of his mentor Hamada Shoji and Soetsu Yanagi), Mashiko Museum of Ceramic Art, Tochigi Prefectural Museum of Fine Arts, etc.\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eDate of Production: \u003c\/strong\u003e1961 (15th anniversary of Shimaoka Tatsuzo's pottery career)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eTomobako (original wooden box)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eCeramic (Jomon Inlay)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e [Large] Height approx. 9.2cm, Mouth diameter approx. 9.0cm, [Small] Height approx. 8.2cm, Mouth diameter approx. 8.0cm\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eAll products offered by our store, even if unused, are very old productions and are listed as used items. Products may have damage due to age, so please consider purchasing after understanding and confirming this.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47835534786747,"sku":null,"price":180000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6517_result.jpg?v=1778943846"},{"product_id":"285","title":"Living National Treasure Kitamura Shinichi (北村眞一) Cast Metal Yuragi Swaying Small Bowl (Small Plate) Metalwork Craft Item to Enjoy as a Snack Dish #285","description":"\u003cp data-path-to-node=\"21\"\u003eThis is a cast metal art piece by Kitamura Shinichi, a metal artist designated as a Living National Treasure (Holder of Important Intangible Cultural Property). His work is highly acclaimed for its solid metalwork techniques, inherited from his father and master, metal artist \u003ca href=\"\/en\/search?q=%22%E5%8C%97%E6%9D%91%E4%B8%80%E6%9C%97%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKitamura Ichiro\u003c\/a\u003e, and for its profound yet precise expressions achieved through the chukin (metal casting) technique. The greatest characteristic of the chukin technique, which involves pouring molten metal into a mold to form a shape, lies in its ability to express soft, rich curved surfaces and subtle textural nuances despite being made of metal. Kitamura Shinichi has mastered traditional chukin techniques, pursuing a refined sculptural beauty that harmonizes with contemporary living spaces, and his works are widely praised for their high artistic quality and reliable metalworking skill.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eThis piece is a small chukin bowl (small plate) featuring a design reminiscent of ancient Chinese coins. The Oriental aesthetic, created by the interplay of the square central form and the rounded outer shape, exquisitely harmonizes with the weighty texture of the metal. The greatest excellence in the design of this piece lies in its gently curved (spherical) bottom surface, which comes into contact with the tabletop. When placed on a table, it sways gently and pleasingly, yet thanks to the precisely calculated center of gravity unique to chukin, it incorporates a magnificent playfulness that ensures it remains stable and centered. The moist surface texture, which conveys none of the coldness of metal, along with the pleasant weight unique to metal when held in the hand, represents the culmination of uncompromising chukin techniques and refined sculptural sensibility.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23\"\u003eWe propose this vessel, combining historical art value with sophisticated playfulness, as an appetizer dish (for serving nuts, dried fruits, small sweets, etc.) to accompany premium spirits such as whisky or aged sake, gracefully adapting it to a refined modern lifestyle. The gentle swaying movement of the vessel placed beside a glass adds elegance and fosters conversation in the drinking space, elevating a relaxed evening drink to a more luxurious experience. Fusing the advanced techniques of a Living National Treasure with a sophisticated taste that enriches daily life, this piece is a rare craft art piece that brings rich dignity to the everyday table.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eKitamura Shinichi (北村眞一, born 1952–present)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eArtist's Representative Activity: \u003c\/strong\u003e[2019] Certified as a Holder of Important Intangible Cultural Property (\"Lost-Wax Casting\" \/ Living National Treasure)\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003ePeriod of Production: \u003c\/strong\u003e1980s–2000s\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated box and explanatory leaflet (Shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eCupronickel (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eWidth approx. 14 cm, Depth approx. 9.4 cm, Weight approx. 158 g\u003c\/li\u003e\n\u003cli data-path-to-node=\"31\"\u003e\u003cstrong\u003eSpecial Notes:\u003c\/strong\u003e As this is a silver product, discoloration due to silver oxidation can be observed.\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eCaution:\u003c\/strong\u003e Even if the products we offer are new and unused, they are from a very old production period and are all listed as used items. The product may have damage due to age, so please consider purchasing after understanding and confirming its condition.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974193856699,"sku":null,"price":26000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_9279_result.jpg?v=1784509104"},{"product_id":"382","title":"Living National Treasure Imaizumi Imaemon XIII (十三代 今泉今右衛門): Iro-Nabeshima Nishiki-E-Kawari Brocade Pattern Cylindrical Free Cups, Pair, Sake Vessels, Japanese Rocks Glasses #382","description":"\u003cp data-path-to-node=\"18\"\u003eInheriting the authentic tradition of the Akae-ya (overglaze enamel decorators) of the Nabeshima clan kiln from the Edo period, this is a pair set of \"Iro-Nabeshima Nishiki-E-kawari Brocade Pattern Yunomi\" created by Imaizumi Imaemon XIII (1926–2001), who was designated an Important Intangible Cultural Property holder (\"Living National Treasure\") for \"Iro-Nabeshima\" by the Japanese government in 1989. Perfectly harmonizing the elevated aesthetic sense of traditional Iro-Nabeshima with a contemporary sense of form, our shop presents this work to the global market not only for daily tea service, but also as luxury Japanese rocks glasses (pair sake vessels) for quietly savoring the rich flavor and aroma of amber aged sake, matured whisky, or authentic shochu over large ice cubes while admiring the vivid enameling reflected upon the translucent white porcelain body.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eSolid proof that this is an authentic work by Imaizumi Imaemon XIII is clearly evident in the mark on the bottom of the foot ring and the handwriting and seal stamp on the accompanying Tomobako. Inside the foot ring on the base of each vessel, an underglaze cobalt blue (gosu) mark is hand-inscribed in flowing hiragana as \"Imaizumi\" (いまいずみ), which represents the established, traditional marking style of Imaemon works. Furthermore, the elegant calligraphic signature \"Imaemon\" written in ink on the back of the lid of the dedicated paulownia Tomobako, along with the brushwork and impression of the square red seal stamp, perfectly match the style of Tomobako handwritten by the XIII master himself following his succession in 1973, professionally verifying that it is an authentic work by the hand of Imaizumi Imaemon XIII.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eObserving the details of this piece reveals the masterful expression of the advanced techniques and refined aesthetic design of Iro-Nabeshima that earned Imaizumi Imaemon XIII high international acclaim. Over the refined, translucent white porcelain body, delicate underglaze cobalt blue (sometsuke) drawing is applied, upon which vivid brocade-like designs in red, green, and yellow overglaze enamels are expressed after main firing. The two cups feature different decorative motifs (Nishiki-E-Kawari); one cup depicts elegant chrysanthemums with deep blue-green leaves, while the other vividly portrays fresh seasonal vegetables and fruits such as eggplant, melon, and red pepper with rich vitality. In the blue underglaze sections and leaf expressions, extremely delicate gradations and tonal nuances reminiscent of the Fukizumi (blown ink) and Usuzumi (light ink) techniques introduced and established in contemporary Iro-Nabeshima by the XIII master are imparted, bringing profound three-dimensional depth and artistic dignity to the overglaze enamels, which can otherwise tend toward flat uniformity.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eRegarding the period of production, taking his peak era after inheriting the master name in 1973 (Showa 48)—when his artistic style, the feel of the Tomobako, and the mastery of enameling reached their brilliant maturity—as a basis, it is identified as an authentic work created between circa 1975 and 1990 (mid-1970s to late 1980s, late Showa period). The vessel bodies themselves have no cracks, chips, hairline fractures (nyū), or other damage, maintaining excellent condition in both the smooth texture of the porcelain body and the coloration of the overglaze enamels. It arrives as a complete work accompanied by its dedicated paulownia Tomobako certifying the artist's intent, inscribed on the lid with \"Nishiki E-Kawari Yunomi\" and on the back with \"Imaemon\" in ink, stamped with his seal.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eImaizumi Imaemon XIII (十三代 今泉今右衛門, 1926–2001, Holder of Important Intangible Cultural Property for \"Iro-Nabeshima\" \/ Living National Treasure)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003eArtist's Key Activities:\u003c\/strong\u003e [1973] Succeeded to the name Imaizumi Imaemon XIII; [1986] Awarded the Medal with Purple Ribbon; [1989] Designated as a Holder of Important Intangible Cultural Property for \"Iro-Nabeshima\" (Living National Treasure); [1998] Received the Japan Ceramic Society Gold Award; [1999] Awarded the Order of the Rising Sun, Gold Rays with Rosette\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eWorks Housed In: \u003c\/strong\u003eNational Crafts Museum, Tokyo National Museum, Saga Prefectural Kyushu Ceramic Museum, Aichi Prefectural Ceramic Museum, Victoria and Albert Museum (London), British Museum (London), etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003ePeriod of Production: \u003c\/strong\u003eCirca 1975–1990 (Late Showa period, estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated Tomobako included (inscribed on the lid with \"Nishiki E-kawari Yunomi\" and on the back with \"Imaemon\" in ink, stamped with seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain (Arita ware, Iro-Nabeshima, overglaze enamels, Fukizumi\/Usuzumi effect, hiragana mark \"Imaizumi\" inside the foot ring)\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 8.5 cm, Mouth diameter approx. 7.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003e\u003cstrong\u003eCaution: \u003c\/strong\u003eAll products offered by our shop are pre-owned items due to their historical production period. Products may have minor age-related changes in texture, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48265439543483,"sku":null,"price":65000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1884_result.jpg?v=1787751070"},{"product_id":"384","title":"Living National Treasure, Holder of Important Intangible Cultural Property for \"White Porcelain\", Arita Inoue Manji Kiln, Inoue Manji (井上萬二), White Porcelain Water Dropper, Whisky Dropper #384","description":"\u003cp data-path-to-node=\"1\"\u003eInoue Manji (1929–2025) was a ceramic artist from Arita Town, Saga Prefecture, who was designated a Holder of Important Intangible Cultural Property for \"White Porcelain\" (Living National Treasure) in 1995. In Arita ware, where ornate decoration with underglaze cobalt (sometsuke) and overglaze enamels (iro-e) is mainstream, he dedicated his life to pursuing the sculptural beauty of white porcelain formed on the potter's wheel, guided by his conviction that \"the true merit of ceramics lies in their form.\" After training at the Kakiemon Kiln, he studied under \u003ca href=\"\/en\/search?q=%22%E5%A5%A5%E5%B7%9D%E5%BF%A0%E5%8F%B3%E8%A1%9B%E9%96%80%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eChuemon Okugawa\u003c\/a\u003e, renowned as a master of the potter's wheel, around 1952, learning the techniques of white porcelain and wheel throwing. From 1958, as a technical official at the Saga Prefectural Arita Ceramic Research Center, he conducted in-depth research on porcelain forming and glazes, and in 1971, he established the Inoue Manji Kiln.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eIn 1979, he was commended by the Minister of Labour as an Outstanding Skilled Artisan (Contemporary Master Craftsman). At the 34th Japan Traditional Art Crafts Exhibition in 1987, he won the Minister of Education Award for \"Seihakuji Carved Pattern Bowl,\" and in the same year, the award-winning work was purchased by the Agency for Cultural Affairs. In 1990, he was designated a Saga Prefecture Important Intangible Cultural Property, and in 1995, he was designated a Holder of the National Important Intangible Cultural Property for \"White Porcelain.\" He received the Medal with Purple Ribbon in 1997, the Order of the Rising Sun, Gold Rays with Neck Ribbon in 2003, and became an Honorary Citizen of Arita Town in 2005. His works are held in the collections of Tokyo National Museum, The National Museum of Modern Art, Tokyo (National Crafts Museum), Aichi Prefectural Museum of Art, The Kyushu Ceramic Museum, Saga Prefecture, and Higashihiroshima City Museum of Art, among others. In addition, in 1969, by order of the Governor of Saga Prefecture, he went to Pennsylvania State University in the United States as a visiting professor, and later taught pottery at New Mexico State University, dedicating great effort to fostering future generations both in Japan and overseas. He passed away on July 14, 2025, at the age of 96.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe greatest defining characteristic of his white porcelain lies in expressing beauty solely through the form pulled up on the potter's wheel, without applying any surface painting. He stated, \"Precisely because white porcelain lacks color, its form must be crafted beautifully,\" adopting \"Meito Muzatsu\" (a fine ceramic has no extraneous thoughts) as his guiding motto. In white porcelain, which cannot rely on decorative ornamentation, the slightest distortion or unevenness in thickness immediately reveals itself as a defect. For this reason, he was renowned for his uncompromising, rigorous approach to making, refusing to tolerate even a millimeter of distortion. His representative works include round white porcelain jars, white porcelain swirling-pattern jars, and crane-neck vases. In addition, he created carved-pattern works where motifs were carved into the white porcelain surface and touched with green glaze, as well as bluish-white porcelain (seihakuji) works where glaze pooled in carved recesses to take on a soft blue hue.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eThis work is a plain white porcelain water dropper that uses no carving or colored glaze whatsoever. The plump, rounded body swells in an unbroken, continuous curve from shoulder to base. The slender, short mouth rises seamlessly from the top of the body without any steps. A cylindrical spout is attached to one side of the shoulder, creating a contrast within this small vessel between the volume of the body and the delicacy of the mouth and spout. The glaze is applied lustrously and evenly, and reflected light flows smoothly along the curved planes of the body. This clearly attests to its dignified forming with minimal surface distortion. The foot ring is trimmed low and neatly, and a mark written in gosu (underglaze cobalt blue) is inscribed inside the foot ring. The rounded, taut body shares the same sculpted form as his representative round jars. The very essence of his white porcelain—establishing a piece through pure form alone while discarding decoration—is vividly expressed within this small vessel. The top of the tomobako lid is inscribed \"White Porcelain Water Dropper,\" and the underside of the lid bears the signature \"Inoue Manji Saku\" along with a red seal stamp.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eThe accompanying shiori lists his ceramic career up to Heisei 3 (1991), and his title remains at \"Designated Saga Prefecture Important Intangible Cultural Property.\" There is no mention of his 1995 Living National Treasure designation. From this, this work is considered to have been produced between 1991 and around 1995. It is a work from the period when his consummate wheel-throwing technique had reached full maturity, just prior to his designation as a Holder of the National Important Intangible Cultural Property.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eA water dropper (suiteki) was originally a calligraphic tool used to drip water onto an inkstone. Our shop proposes it as a water dropper for adding minute drops of water to vintage whisky and spirits. It is widely known that adding a few drops of water to whisky transforms its aroma and flavor profile, and the structure of a water dropper, which allows water to be adjusted drop by drop, is exceptionally well suited for this purpose. To use it, water is poured through the opening at the top of the body, and the vessel is tilted while covering that opening with a fingertip. By gently lifting and pressing the finger to regulate airflow, the amount of water falling from the spout can be precisely controlled.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eWith his passing in 2025, no new works will ever be created. This is an exceptional piece that allows you to keep close at hand the sculpted beauty of white porcelain pursued across a lifetime by a Living National Treasure, savoring it in daily life as a vessel for perfecting each drop of vintage spirits.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"8,0,0\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eInoue Manji (井上 萬二, 1929–2025)\u003c\/li\u003e\n\u003cli data-path-to-node=\"8,1,0\"\u003e\u003cstrong\u003eMajor Career Highlights: \u003c\/strong\u003e[1929] Born in Arita Town, Saga Prefecture; [1945] Began apprenticeship at Kakiemon Kiln; [c. 1952] Studied under Chuemon Okugawa to learn white porcelain and wheel techniques; [1958] Became a technical official at Saga Prefectural Arita Ceramic Research Center; [1968] Selected for the first time for the 15th Japan Traditional Art Crafts Exhibition; [1969] Taught ceramic art at Pennsylvania State University (visited the US 4 times by 1976); [1971] Established Inoue Manji Kiln; [1977] Received the Minister of International Trade and Industry Award at the National Traditional Craft Exhibition; [1979] Commended by the Minister of Labour as an Outstanding Skilled Artisan (Contemporary Master Craftsman); [1983] Began ceramic art instruction at New Mexico State University (visited the US 20 times thereafter); [1987] Received the Minister of Education Award at the 34th Japan Traditional Art Crafts Exhibition (Seihakuji Carved Pattern Bowl); [1995] Designated a Holder of Important Intangible Cultural Property for \"White Porcelain\" (Living National Treasure); [1997] Awarded the Medal with Purple Ribbon; [2002] Received the Nishi-Nippon Cultural Award; [2003] Awarded the Order of the Rising Sun, Gold Rays with Neck Ribbon; [2005] Became an Honorary Citizen of Arita Town; [2025] Passed away on July 14 (aged 96)\u003c\/li\u003e\n\u003cli data-path-to-node=\"8,2,0\"\u003e\u003cstrong\u003eMuseum Collections: \u003c\/strong\u003eTokyo National Museum, The National Museum of Modern Art, Tokyo (National Crafts Museum), Aichi Prefectural Museum of Art, The Kyushu Ceramic Museum, Saga Prefecture, Higashihiroshima City Museum of Art, and others\u003c\/li\u003e\n\u003cli data-path-to-node=\"8,3,0\"\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e c. 1991 to c. 1995 (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"8,4,0\"\u003e\u003cstrong\u003eItem Condition:\u003c\/strong\u003e No noticeable chips or cracks. There are several minute spots on the glaze surface and foot ring (refer to images)\u003c\/li\u003e\n\u003cli data-path-to-node=\"8,5,0\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated tomobako (original wooden box: lid top inscribed \"White Porcelain Water Dropper,\" lid underside inscribed with \"Inoue Manji Saku\" signature and red seal stamp), shiori (leaflet)\u003c\/li\u003e\n\u003cli data-path-to-node=\"8,6,0\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePorcelain (Arita ware, white porcelain)\u003c\/li\u003e\n\u003cli data-path-to-node=\"8,7,0\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 8.0 cm, Width (including spout) approx. 8.0 cm, Body diameter approx. 6.8 cm, Mouth diameter approx. 1.0 cm, Foot ring diameter approx. 3.7 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"8,8,0\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eAll items offered by our shop, even if new and unused, were produced a very long time ago, and all are therefore listed as pre-owned. Items may show age-related wear or damage. Please understand and confirm this before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48287449612475,"sku":null,"price":68000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5106_result_f52e9bd2-b7de-4983-bb26-89b3cf45f098.jpg?v=1791977180"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/collections\/IMG_5106_result_f52e9bd2-b7de-4983-bb26-89b3cf45f098.jpg?v=1793377838","url":"https:\/\/antiqueliquor1926.com\/en\/collections\/living-national-treasures.oembed","provider":"Antique Liquor","version":"1.0","type":"link"}