{"title":"Ando Hidetake (安藤日出武)","description":"\u003cp\u003eWorks by the ceramic artist Ando Hidetake (安藤日出武, 1938–) currently available at Antique Liquor.\u003c\/p\u003e","products":[{"product_id":"205","title":"Holder of Gifu Prefecture Important Intangible Cultural Property for \"Kiseto\", Regular Member of the Japan Kogei Association, Sentaro Kiln, Ando Hidetake (安藤日出武), Cylindrical Shino Sake Vessel with Iron-Painted Decoration, Japanese-Style Rocks Glass #205","description":"\u003cp data-path-to-node=\"1\"\u003eThis piece is a cylindrical Shino yunomi cup with iron-painted decoration by Ando Hidetake, a ceramic artist who is a Holder of Gifu Prefecture Important Intangible Cultural Property for \"Kiseto.\" Although originally crafted as a Shino yunomi, our shop proposes it as a Japanese-style rocks glass (cylindrical sake vessel) for enjoying vintage spirits on the rocks.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eAndo Hidetake was born in 1938 (Showa 13) in Tajimi City, Gifu Prefecture. He is the third-generation head of Sentaro Kiln, founded in Ichinokura by Sentaro I in the early Meiji period, and is also introduced under the name \"Sensan Kiln\" in his biographical records. According to the artist profile of Sentaro Kiln, up until his father's generation, it was a kiln firing small porcelain sake cups and small dishes. Around the age of 22, Kato Tokuro visited his father and told him, \"If you are going to make ceramics, you must make ceramics born in Mino.\" This served as a turning point, leading Ando to immerse himself in the study of Momoyama-period Shino, Kiseto, and Oribe wares.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eAndo had no specific master. Walking through the mountains of Mino to excavate kiln sites, he taught himself how to use clay, design, and firing techniques directly from ceramic shards. Furthermore, believing that gas kilns had limitations in recreating Momoyama ceramics, he built a semi-aboveground anagama (cave kiln) utilizing the natural contours of the terrain in the wilderness of Kukuri-Kakishita, Kani City, near the Taihei ancient kiln site. According to records of the Museum of Modern Ceramic Art, Gifu, the firing lasts for six days and nights, burning 1,500 bundles of firewood. Committed to creating both clay and glazes from natural materials by himself, his unique style \"Ko-Mino,\" forged through the clay of Tono and this anagama, is highly praised by the museum as reaching a \"realm of ancient purity.\"\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eRegarding his major career accomplishments, he was selected for the first time for the 1st Asahi Ceramic Art Exhibition in 1963, the 11th Japan Traditional Art Crafts Exhibition in 1964, and the 1st Japan Ceramic Art Exhibition in 1971, continuing to be selected for each repeatedly thereafter. In 1970, he won the Governor's Award at the 8th Asahi Ceramic Art Exhibition and exhibited a large Shino platter at the Living and Industry Pavilion of the Japan World Exposition (Expo '70). He received an Encouragement Award at the 11th Asahi Ceramic Art Exhibition in 1973, became a regular member of the Japan Kogei Association in 1974, and received the 8th Kobei Prize in 1990.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eIn 1993, \"Ko-Mino Large Jar\" was designated as a Mino Ceramic Art Permanent Preservation Work. In 1998, he won the Grand Prix for \"Ko-Mino Tea Bowl\" at the Mino Ceramic Art Shoroku Award Tea Bowl Exhibition, and in the same year was designated a Holder of Tajimi City Intangible Cultural Property. In 2003, he was designated a Holder of Gifu Prefecture Important Intangible Cultural Property for \"Kiseto,\" and received the Gifu Prefecture Cultural Merit Award in 2013 and the Order of the Rising Sun, Silver Rays in 2016.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eIn Gifu Prefecture's official commentary, Ando's Kiseto is described as a unique style possessing a depth and dignity distinct from conventional Kiseto. From 2025 to 2026, the exhibition \"Lineage of Mino Ceramic Art: Ando Hidetake Exhibition\" was held at the Museum of Modern Ceramic Art, Gifu. As an artist who has continued to craft Momoyama-period Kiseto and Shino using clay and firing methods identical to those of the era, his representative works and recent creations were presented in this exhibition.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eShino is a representative ceramic of Mino during the Momoyama period, fired with a thick application of white glaze composed primarily of feldspar. Works drawn with patterns in iron wash under the white glaze are called \"E-Shino\" (picture Shino \/ iron-painted Shino).\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eOn the surface of this piece, minute air bubble marks characteristic of Shino, known as yuzuhada (citrus-skin texture), can be seen. The texture of the thickly applied feldspar glaze conveys dignity alongside warmth. In particular, the orange hi-iro (fire-color) that appears at the rim of the piece and around the iron painting gives warm variation to the white glaze surface as an unforced, natural landscape.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe iron-painted decoration under the white glaze is rendered with rustic and powerful brushwork, evoking the charm of Ko-Shino (ancient Shino) from the Momoyama period. Its moderate thickness and cylindrical shape that rests comfortably in the hand make it an easily usable form for a rocks glass. The deep amber color of vintage spirits reflects beautifully against the white Shino glaze, allowing one to enjoy the time spent savoring Western vintage spirits in a traditional Japanese vessel alongside the sound of ice touching the vessel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThere is no documentation specifying the exact year of production. It can only be confirmed that it was made from the 1960s onward, when the artist began his research into Momoyama ceramics. The body of the piece is free of chips and cracks and remains in very good condition. Dedicated tomobako (original wooden box) and shiori (leaflet) are included.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"11,0,0\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eAndo Hidetake (安藤日出武, Andō Hidetake, 1938–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11,1,0\"\u003e\u003cstrong\u003eMajor Career Highlights: \u003c\/strong\u003e[1963] First selected for the 1st Asahi Ceramic Art Exhibition; [1964] First selected for the 11th Japan Traditional Art Crafts Exhibition; [1970] Governor's Award at 8th Asahi Ceramic Art Exhibition; exhibited large Shino platter at Living and Industry Pavilion, Expo '70; [1971] First selected for the 1st Japan Ceramic Art Exhibition; [1973] Encouragement Award at 11th Asahi Ceramic Art Exhibition; [1974] Regular member of the Japan Kogei Association; [1975] First selected for the 1st Chunichi International Ceramic Art Exhibition; [1990] 8th Kobei Prize; [1992] Tajimi City Cultural Arts Merit Award; [1993] \"Ko-Mino Large Jar\" designated as Mino Ceramic Art Permanent Preservation Work; [1998] Grand Prix for \"Ko-Mino Tea Bowl\" at Mino Ceramic Art Shoroku Award Tea Bowl Exhibition; designated Holder of Tajimi City Intangible Cultural Property; [2002] Gifu Shimbun Grand Prize Culture Award; [2003] Designated Holder of Gifu Prefecture Important Intangible Cultural Property for \"Kiseto\"; [2011] Gifu Prefecture Educational and Cultural Merit Award; [2013] Gifu Prefecture Cultural Merit Award; [2016] Order of the Rising Sun, Silver Rays; Tokai Television Culture Award; [2017] Published \"Mikannomamani\" (Chubu Keizai Shimbun); [2025] \"Lineage of Mino Ceramic Art: Ando Hidetake Exhibition\" at Museum of Modern Ceramic Art, Gifu (through 2026)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11,2,0\"\u003e\u003cstrong\u003eMuseum Collections: \u003c\/strong\u003eMuseum of Modern Ceramic Art, Gifu (\"Kiseto Tea Bowl,\" \"Kiseto Large Jar\")\u003c\/li\u003e\n\u003cli data-path-to-node=\"11,3,0\"\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e From the 1960s onward (no date specified)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11,4,0\"\u003e\u003cstrong\u003eItem Condition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11,5,0\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated tomobako (original wooden box), shiori (leaflet) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"11,6,0\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePottery \/ Stoneware (Mino ware, Shino, iron-painted)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11,7,0\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 9.0 cm, Mouth diameter approx. 7.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"11,8,0\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eAll items offered by our shop, even if new and unused, were produced a very long time ago, and all are therefore listed as pre-owned. Items may show age-related wear or damage. Please understand and confirm this before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47695919612091,"sku":null,"price":23500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5664_result.jpg?v=1776175575"},{"product_id":"272","title":"Ando Hidetake (安藤日出武), Holder of Gifu Prefecture Important Intangible Cultural Property “Kiseto”, Regular Member of the Japan Kogei Association, Sentaro Kiln, Shino Cylindrical Yunomi Pair with Plum Blossom Design, Japanese-Style Rocks Glasses #272","description":"\u003cp dir=\"ltr\"\u003eThis is a pair of cylindrical Shino yunomi cups by Ando Hidetake, a ceramic artist designated as a Holder of Gifu Prefecture Important Intangible Cultural Property “Kiseto” (Yellow Seto). The set consists of one large and one small cup and was originally made as meoto-yunomi, a matched pair of teacups for a couple. We present them as Japanese-style rocks glasses for two, to savor vintage spirits neat or over a large piece of ice.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAndo Hidetake was born in 1938 (Showa 13) in Tajimi, Gifu Prefecture. He is the third generation of the Sentaro Kiln, founded in Ichinokura by the first-generation Sentaro in the early Meiji era, and in artist biographies he is also introduced under the name “Sensan Kiln.” According to the Sentaro Kiln’s artist profile, the earlier generations ran a workshop producing small porcelain sake cups and small dishes. His turning point came at around the age of 22, when Kato Tokuro, who had come to visit his father, told him, “If you are going to make pottery, you must make the pottery that was born in Mino.” From then on he devoted himself to the study of the Momoyama-period wares of Shino, Kiseto, and Oribe.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAndo had no particular teacher. He walked the mountains of Mino, dug at old kiln sites, and taught himself from potsherds how the clay was used and how the designs and firings were achieved. Convinced that gas kilns could never fully achieve Momoyama pottery, he built a semi-underground anagama kiln on open land in Kukuri Kakishita, Kani City, near the Taihei old kiln site, preserving the natural slope of the terrain. According to the Museum of Modern Ceramic Art, Gifu, each firing lasts six days and nights and consumes 1,500 bundles of firewood. He insists on making both clay and glazes himself from natural materials, and the museum highly regards his distinctive style, “Ko-Mino,” forged with the clay of the Tono region and this anagama, as having reached “the realm of antique refinement.”\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eHis principal achievements include first selections for the 1st Asahi Ceramic Art Exhibition in 1963, the 11th Japan Traditional Art Crafts Exhibition in 1964, and the 1st Japan Ceramic Art Exhibition in 1971, each followed by further selections. In 1970 he received the Governor’s Prize at the 8th Asahi Ceramic Art Exhibition and exhibited a large Shino platter at the Life Industry Pavilion of the Japan World Exposition. In 1973 he received the Encouragement Prize at the 11th Asahi Ceramic Art Exhibition, in 1974 he became a regular member of the Japan Kogei Association, and in 1990 he received the 8th Kobei Prize.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIn 1993 his “Ko-Mino Large Jar” was designated a Mino Ceramic Art Permanent Preservation Work. In 1998 his “Ko-Mino Tea Bowl” received the Grand Prize at the Mino Ceramic Art Shoroku Prize Tea Bowl Exhibition, and in the same year he was certified as a Holder of Tajimi City Intangible Cultural Property. In 2003 he was designated a Holder of Gifu Prefecture Important Intangible Cultural Property “Kiseto,” and he went on to receive the Gifu Prefecture Cultural Merit Honor in 2013 and the Order of the Rising Sun, Gold and Silver Rays, in 2016.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIn its commentary, Gifu Prefecture describes Ando’s Kiseto as a distinctive style of his own, with a depth and gravity unlike conventional Kiseto. From 2025 to 2026, the Museum of Modern Ceramic Art, Gifu, held the exhibition “The Lineage of Mino Ceramics: Ando Hidetake.” The exhibition introduced his representative and recent works, presenting him as an artist who has continued to make Momoyama-style Kiseto and Shino using the same clays and firing methods as in that era.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eShino is a ware representative of Mino in the Momoyama period, fired with a thick coating of white glaze composed mainly of feldspar. It is characterized by a milky-white warmth and the expressive “landscapes” that emerge in firing.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThese pieces are a large and a small cylindrical cup of differing sizes. A generous coat of milky-white feldspar glaze gives them a substantial texture. The surface is densely covered, from the exterior to the interior, with the fine pinhole marks known as yuzu-hada (citron-skin texture), characteristic of Shino. On the body, a plum blossom design stands out as a white reserved motif. Around the rim, the lower body, and near the base, vivid orange hiiro (fire color) appears in gradations, and its contrast with the white feldspar glaze creates a natural landscape. The cylindrical form, which fits comfortably in the hand, is also well suited to enjoying the deep flavor of vintage spirits and the sound of ice.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eNo documentation has been confirmed that would identify the year of production. It is certain only that the pieces date from the 1960s or later, after the artist began his study of Momoyama pottery. The cups themselves are free of cracks and chips, and the glaze color, yuzu-hada, and hiiro are all in excellent condition. They come with the dedicated tomobako (the original wooden box signed by the artist), inscribed in ink on the lid “Shino Yunomi” and bearing the red seal of Hidetake.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eAndo Hidetake (安藤日出武, Andō Hidetake, 1938-)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMajor Career Highlights:\u003c\/strong\u003e [1963] First selection, 1st Asahi Ceramic Art Exhibition; [1964] First selection, 11th Japan Traditional Art Crafts Exhibition; [1970] Governor’s Prize, 8th Asahi Ceramic Art Exhibition; large Shino platter exhibited at the Life Industry Pavilion, Japan World Exposition; [1971] First selection, 1st Japan Ceramic Art Exhibition; [1973] Encouragement Prize, 11th Asahi Ceramic Art Exhibition; [1974] Regular member of the Japan Kogei Association; [1975] First selection, 1st Chunichi International Ceramic Art Exhibition; [1990] 8th Kobei Prize; [1992] Tajimi City Culture and Arts Merit Award; [1993] “Ko-Mino Large Jar” designated a Mino Ceramic Art Permanent Preservation Work; [1998] Grand Prize for “Ko-Mino Tea Bowl,” Mino Ceramic Art Shoroku Prize Tea Bowl Exhibition; certified as a Holder of Tajimi City Intangible Cultural Property; [2002] Gifu Shimbun Grand Prize, Culture Award; [2003] Designated a Holder of Gifu Prefecture Important Intangible Cultural Property “Kiseto”; [2011] Gifu Prefecture Education and Culture Merit Award; [2013] Gifu Prefecture Cultural Merit Honor; [2016] Order of the Rising Sun, Gold and Silver Rays; Tokai TV Culture Prize; [2017] Publication of “Mikan no Mama ni” (Chubu Keizai Shimbun); [2025] “The Lineage of Mino Ceramics: Ando Hidetake,” Museum of Modern Ceramic Art, Gifu (through 2026)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMuseum Collections:\u003c\/strong\u003e Museum of Modern Ceramic Art, Gifu (“Kiseto Tea Bowl,” “Kiseto Large Jar”)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003ePeriod of Production: \u003c\/strong\u003e1960s or later (no date inscribed on the tomobako)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated tomobako\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eStoneware (Mino ware, Shino, plum blossom design)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Large: height approx. 10.0 cm, mouth diameter approx. 7.0 cm \/ Small: height approx. 9.5 cm, mouth diameter approx. 6.5 cm\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eAll items offered by our shop, even if new and unused, were produced a very long time ago, and all are therefore listed as pre-owned. Items may show age-related wear or damage. Please understand and confirm this before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47930758758587,"sku":null,"price":28000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1409_result.jpg?v=1787477614"},{"product_id":"360","title":"Holder of Gifu Prefecture Important Intangible Cultural Property for \"Kiseto\", Regular Member of the Japan Kogei Association, Sentaro Kiln, Ando Hidetake (安藤日出武), Faceted Cylindrical Shino Sake Vessel, Japanese-Style Rocks Glass #360","description":"\u003cp data-path-to-node=\"1\"\u003eThis piece is a faceted Shino yunomi cup by Ando Hidetake (1938–), a ceramic artist who is a Holder of Gifu Prefecture Important Intangible Cultural Property for \"Kiseto.\" Although crafted as a substantial, traditional Shino yunomi, our shop proposes it as a Japanese-style rocks glass (cylindrical sake vessel) for quietly savoring aged spirits or matured whisky neat, or on the rocks.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eAndo Hidetake was born in 1938 (Showa 13) in Tajimi City, Gifu Prefecture. He is the third-generation head of Sentaro Kiln, founded in Ichinokura by Sentaro I in the early Meiji period, and is also introduced under the name \"Sensan Kiln\" in his biographical records. According to the artist profile of Sentaro Kiln, up until his father's generation, it was a kiln firing small porcelain sake cups and small dishes. Around the age of 22, Kato Tokuro visited his father and told him, \"If you are going to make ceramics, you must make ceramics born in Mino.\" This served as a turning point, leading Ando to immerse himself in the study of Momoyama-period Shino, Kiseto, and Oribe wares.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eAndo had no specific master. Walking through the mountains of Mino to excavate kiln sites, he taught himself how to use clay, design, and firing techniques directly from ceramic shards. Furthermore, believing that gas kilns had limitations in recreating Momoyama ceramics, he built a semi-aboveground anagama (cave kiln) utilizing the natural contours of the terrain in the wilderness of Kukuri-Kakishita, Kani City, near the Taihei ancient kiln site. According to records of the Museum of Modern Ceramic Art, Gifu, the firing lasts for six days and nights, burning 1,500 bundles of firewood. Committed to creating both clay and glazes from natural materials by himself, his unique style \"Ko-Mino,\" forged through the clay of Tono and this anagama, is highly praised by the museum as reaching a \"realm of ancient purity.\"\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eRegarding his major career accomplishments, he was selected for the first time for the 1st Asahi Ceramic Art Exhibition in 1963, the 11th Japan Traditional Art Crafts Exhibition in 1964, and the 1st Japan Ceramic Art Exhibition in 1971, continuing to be selected for each repeatedly thereafter. In 1970, he won the Governor's Award at the 8th Asahi Ceramic Art Exhibition and exhibited a large Shino platter at the Living and Industry Pavilion of the Japan World Exposition (Expo '70). He received an Encouragement Award at the 11th Asahi Ceramic Art Exhibition in 1973, became a regular member of the Japan Kogei Association in 1974, and received the 8th Kobei Prize in 1990.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eIn 1993, \"Ko-Mino Large Jar\" was designated as a Mino Ceramic Art Permanent Preservation Work. In 1998, he won the Grand Prix for \"Ko-Mino Tea Bowl\" at the Mino Ceramic Art Shoroku Award Tea Bowl Exhibition, and in the same year was designated a Holder of Tajimi City Intangible Cultural Property. In 2003, he was designated a Holder of Gifu Prefecture Important Intangible Cultural Property for \"Kiseto,\" and received the Gifu Prefecture Cultural Merit Award in 2013 and the Order of the Rising Sun, Silver Rays in 2016.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eIn Gifu Prefecture's official commentary, Ando's Kiseto is described as a unique style possessing a depth and dignity distinct from conventional Kiseto. From 2025 to 2026, the exhibition \"Lineage of Mino Ceramic Art: Ando Hidetake Exhibition\" was held at the Museum of Modern Ceramic Art, Gifu. As an artist who has continued to craft Momoyama-period Kiseto and Shino using clay and firing methods identical to those of the era, his representative works and recent creations were presented in this exhibition.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eShino is a representative ceramic of Mino during the Momoyama period, fired with a thick application of white glaze composed primarily of feldspar. It is characterized by the warmth of its milky white tone and the richly expressive landscapes created by the firing process.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThe body of this piece features bold hand-cut faceting across its entire surface. This adds three-dimensional, handcrafted shadows to the cylindrical form. Minute air bubble marks characteristic of Shino, known as yuzuhada (citrus-skin texture), appear densely from the exterior to the interior. From deep within the thick glaze layer, vivid orange hi-iro (fire-color) emerges. This fire-color appears like dot-like patterns at the bottom of small pores, along the rim, and on the ridges of the facets. Around the foot ring and inside it, a gradation of raw clay and fire-color remains, encapsulating an unforced, natural landscape. The comfortable faceted shape that rests easily in the hand is ideally suited as a vessel for enjoying the deep flavors of aged spirits and the resonance of ice.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThere is no date inscribed on the tomobako, and no documentation specifies the exact year of production. It can only be confirmed that it was made from the 1960s onward, when the artist began his research into Momoyama ceramics. The body of the piece is free of chips and cracks, and the glaze coloration, citrus-skin texture, and emergence of fire-color are all in extremely fine condition. It comes with a dedicated tomobako (original wooden box) with \"Shino Yunomi\" written in ink and stamped with Hidetake's red seal on the lid, as well as a shiori (leaflet).\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eAndo Hidetake (安藤日出武, Andō Hidetake, 1938–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eMajor Career Highlights: \u003c\/strong\u003e[1963] First selected for the 1st Asahi Ceramic Art Exhibition; [1964] First selected for the 11th Japan Traditional Art Crafts Exhibition; [1970] Governor's Award at 8th Asahi Ceramic Art Exhibition; exhibited large Shino platter at Living and Industry Pavilion, Expo '70; [1971] First selected for the 1st Japan Ceramic Art Exhibition; [1973] Encouragement Award at 11th Asahi Ceramic Art Exhibition; [1974] Regular member of the Japan Kogei Association; [1975] First selected for the 1st Chunichi International Ceramic Art Exhibition; [1990] 8th Kobei Prize; [1992] Tajimi City Cultural Arts Merit Award; [1993] \"Ko-Mino Large Jar\" designated as Mino Ceramic Art Permanent Preservation Work; [1998] Grand Prix for \"Ko-Mino Tea Bowl\" at Mino Ceramic Art Shoroku Award Tea Bowl Exhibition; designated Holder of Tajimi City Intangible Cultural Property; [2002] Gifu Shimbun Grand Prize Culture Award; [2003] Designated Holder of Gifu Prefecture Important Intangible Cultural Property for \"Kiseto\"; [2011] Gifu Prefecture Educational and Cultural Merit Award; [2013] Gifu Prefecture Cultural Merit Award; [2016] Order of the Rising Sun, Silver Rays; Tokai Television Culture Award; [2017] Published \"Mikannomamani\" (Chubu Keizai Shimbun); [2025] \"Lineage of Mino Ceramic Art: Ando Hidetake Exhibition\" at Museum of Modern Ceramic Art, Gifu (through 2026)\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eMuseum Collections: \u003c\/strong\u003eMuseum of Modern Ceramic Art, Gifu (\"Kiseto Tea Bowl,\" \"Kiseto Large Jar\")\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cstrong\u003ePeriod of Production: \u003c\/strong\u003eFrom the 1960s onward (no date on the tomobako)\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003eItem Condition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated tomobako (original wooden box), shiori (leaflet) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Pottery \/ Stoneware (Mino ware, Shino, faceted)\u003c\/li\u003e\n\u003cli data-path-to-node=\"17\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 9.0 cm, Mouth diameter approx. 7.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eAll items offered by our shop, even if new and unused, were produced a very long time ago, and all are therefore listed as pre-owned. Items may show age-related wear or damage. Please understand and confirm this before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48222306173115,"sku":null,"price":23500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1354_result.jpg?v=1787476671"},{"product_id":"454","title":"Holder of Gifu Prefecture Important Intangible Cultural Property for \"Kiseto\", Regular Member of the Japan Kogei Association, Sentaro Kiln, Ando Hidetake (安藤日出武), Set of Five Shino Yunomi Cups, Japanese-Style Western Liquor Vessels #454","description":"\u003cp data-path-to-node=\"1\"\u003eThis piece is a set of five Shino yunomi cups by Ando Hidetake, a ceramic artist who is a Holder of Gifu Prefecture Important Intangible Cultural Property for \"Kiseto.\" The lid of the tomobako (original wooden box) features an inscription indicating a complete set of five Shino yunomi cups, along with the signature \"Hidetake\" and a red seal stamp. Inside the box, partitions are installed to house each of the five cups individually. Measuring approximately 7.5 cm in both diameter and height, they possess a size that rests comfortably in the palm, and their substantial build remains stable even when filled with ice. Our shop proposes them as Japanese-style rocks glasses for enjoying vintage spirits on the rocks.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eAndo Hidetake was born in 1938 (Showa 13) in Tajimi City, Gifu Prefecture. He is the third-generation head of the Sentaro Kiln in Ichinokura, which has operated a ceramic business for generations, and is also introduced under the name \"Sensan Kiln\" in his biographical records. According to the artist profile of Sentaro Kiln, up until his father's generation, it was a kiln firing small porcelain sake cups and small dishes. Around the age of 22, Kato Tokuro visited his father and told him, \"If you are going to make ceramics, you must make ceramics born in Mino.\" This served as a turning point, leading Ando to immerse himself in the study of Momoyama-period Shino, Kiseto, and Oribe wares.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eAndo had no specific master. Carrying a backpack, he walked through the mountains of Mino, excavated kiln sites to collect ceramic shards, and taught himself how to use clay, design, and firing techniques. Furthermore, believing that gas kilns had limitations in recreating Momoyama ceramics, he built a semi-aboveground anagama (cave kiln) utilizing the natural contours of the terrain in the wilderness of Kukuri-Kakishita, Kani City, near the Taihei ancient kiln site. According to records of the Museum of Modern Ceramic Art, Gifu, the firing lasts for six days and nights, burning 1,500 bundles of firewood. Committed to creating both clay and glazes from natural materials by himself, his unique style \"Ko-Mino,\" forged through the clay of Tono and this anagama, is highly praised by the museum as reaching a \"realm of ancient purity.\"\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eRegarding his major career accomplishments, he was selected for the first time for the 1st Asahi Ceramic Art Exhibition in 1963, the 11th Japan Traditional Art Crafts Exhibition in 1964, and the 1st Japan Ceramic Art Exhibition in 1971, continuing to be selected for each repeatedly thereafter. In 1970, he won the Governor's Award at the 8th Asahi Ceramic Art Exhibition and exhibited a large Shino platter at the Living and Industry Pavilion of the Japan World Exposition (Expo '70). He received an Encouragement Award at the 11th Asahi Ceramic Art Exhibition in 1973, became a regular member of the Japan Kogei Association in 1974, and received the 8th Kobei Prize in 1990.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eIn 1993, \"Ko-Mino Large Jar\" was designated as a Mino Ceramic Art Permanent Preservation Work. In 1998, he won the Grand Prix for \"Ko-Mino Tea Bowl\" at the Mino Ceramic Art Shoroku Award Tea Bowl Exhibition, and in the same year was designated a Holder of Tajimi City Intangible Cultural Property. In 2003, he was designated a Holder of Gifu Prefecture Important Intangible Cultural Property for \"Kiseto,\" and received the Gifu Prefecture Cultural Merit Award in 2013 and the Order of the Rising Sun, Silver Rays in 2016.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eIn Gifu Prefecture's official commentary, Ando's Kiseto is described as a unique style possessing a depth and dignity distinct from conventional Kiseto. From 2025 to 2026, the exhibition \"Lineage of Mino Ceramic Art: Ando Hidetake Exhibition\" was held at the Museum of Modern Ceramic Art, Gifu. As an artist who has continued to craft Momoyama-period Kiseto and Shino using clay and firing methods identical to those of the era, his representative works and recent creations were presented in this exhibition.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eThis piece is a Shino work, a style Ando has engaged with over many years alongside Kiseto. Shino is a representative ceramic of Mino during the Momoyama period, fired with a thick application of white glaze composed primarily of feldspar. This feature is clearly manifested in this work as well.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eAll five cups are generously covered in a milky-white Shino glaze. Countless minute pinholes characteristic of Shino are scattered across the glaze surface, many appearing as reddish spots on the inside. Along the thinly glazed rim, parts of the body, and around the bottom, orange to reddish-brown hi-iro (fire-color) emerges, imparting warm variation to the white skin. At the bottom, the fire-color spreads outward in a swirling pattern from the center, creating a distinct landscape for each individual cup.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe vessel shape is a cylindrical form with a mouth that gently curves inward. Soft undulations and distortions resembling finger presses remain on the body, giving each of the five cups a distinct expression. The interior bowl (mikomi) is also smoothly covered in white glaze scattered with small red spots, offering a serene landscape.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThere is no date inscribed on the tomobako, and no shiori is included, leaving no documentation to specify the exact year of production. It can only be confirmed that it was made from the 1960s onward, when the artist began his research into Momoyama ceramics.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"11,0,0\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Ando Hidetake (安藤日出武, Andō Hidetake, 1938–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11,1,0\"\u003e\u003cstrong\u003eMajor Career Highlights:\u003c\/strong\u003e [1963] First selected for the 1st Asahi Ceramic Art Exhibition; [1964] First selected for the 11th Japan Traditional Art Crafts Exhibition; [1970] Governor's Award at 8th Asahi Ceramic Art Exhibition; exhibited large Shino platter at Living and Industry Pavilion, Expo '70; [1971] First selected for the 1st Japan Ceramic Art Exhibition; [1973] Encouragement Award at 11th Asahi Ceramic Art Exhibition; [1974] Regular member of the Japan Kogei Association; [1975] First selected for the 1st Chunichi International Ceramic Art Exhibition; [1990] 8th Kobei Prize; [1992] Tajimi City Cultural Arts Merit Award; [1993] \"Ko-Mino Large Jar\" designated as Mino Ceramic Art Permanent Preservation Work; [1998] Grand Prix for \"Ko-Mino Tea Bowl\" at Mino Ceramic Art Shoroku Award Tea Bowl Exhibition; designated Holder of Tajimi City Intangible Cultural Property; [2002] Gifu Shimbun Grand Prize Culture Award; [2003] Designated Holder of Gifu Prefecture Important Intangible Cultural Property for \"Kiseto\"; [2011] Gifu Prefecture Educational and Cultural Merit Award; [2013] Gifu Prefecture Cultural Merit Award; [2016] Order of the Rising Sun, Silver Rays; Tokai Television Culture Award; [2017] Published \"Mikannomamani\" (Chubu Keizai Shimbunstar); [2025] \"Lineage of Mino Ceramic Art: Ando Hidetake Exhibition\" at Museum of Modern Ceramic Art, Gifu (through 2026)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11,2,0\"\u003e\u003cstrong\u003eMuseum Collections:\u003c\/strong\u003e Museum of Modern Ceramic Art, Gifu (\"Kiseto Tea Bowl,\" \"Kiseto Large Jar\")\u003c\/li\u003e\n\u003cli data-path-to-node=\"11,3,0\"\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e From the 1960s onward (cannot be specified as there is no date on the tomobako and no shiori is included)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11,4,0\"\u003e\u003cstrong\u003eItem Condition:\u003c\/strong\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11,5,0\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated tomobako (original wooden box) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"11,6,0\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePottery \/ Stoneware (Shino glaze)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11,7,0\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eDiameter approx. 7.5 cm, Height approx. 7.5 cm (each)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11,8,0\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e All items offered by our shop, even if new and unused, were produced a very long time ago, and all are therefore listed as pre-owned. Items may show age-related wear or damage. Please understand and confirm this before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48396667453627,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4510_result.jpg?v=1791638981"},{"product_id":"455","title":"Mino Renowned Kilns Collaboration: Shino, Akae, and Oribe Three-Kiln Sake Cup Set by Gyokuzan Kiln (玉山窯), Kobei Kiln (幸兵衛窯), and Sentaro Kiln (仙太郎窯), Japanese-Style Shot Glasses, Aged Sake Vessels #455","description":"\u003cp data-path-to-node=\"1\"\u003eThis rare set of three sake cups brings together the craftsmanship and history of Gyokuzan Kiln, Kobei Kiln, and Sentaro Kiln, the three prominent kilns representing Mino ware in Ichinokura-cho, Tajimi City, Gifu Prefecture. Inheriting the aesthetic sensibilities of Mino Momoyama pottery, these three renowned kilns have crafted a three-piece set of sake vessels, demonstrating without reservation their signature traditional techniques: Shino, Akae (overglaze red enamels), and Oribe. The lid of the accompanying dedicated paulownia wooden box (tomobako) is inscribed in ink with \"Sake Cups of Three Kilns\" (Sangama-hai) alongside the kiln names and red seal stamps of Gyokuzan, Kobei, and Sentaro, testifying to its firm pedigree as a collaborative work of the three kilns. From the accompanying pamphlets, the career histories of each kiln's master artisans, and the character of the box inscription, this work is identified as having been produced between the late 1980s and the early 1990s (late Showa to early Heisei era), when the techniques and styles of the three kilns had reached full maturity. It is a piece in exceptionally fine condition, complete with its dedicated three-compartment paulownia box, wrapping cloths, and explanatory pamphlets.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eExamining the design of each cup in detail reveals that the diverse charms of Mino ware and the aesthetics of each kiln's master artisans are condensed into their respective microcosms. The first piece, a Shino sake cup by Gyokuzan Kiln (mouth diameter approx. 6.0 cm, height approx. 5.0 cm), was crafted under the supervision of \u003ca href=\"\/en\/search?q=%22%E7%8E%89%E7%BD%AE%E4%BF%9D%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYasuo Tamaoki\u003c\/a\u003e, a Holder of Important Intangible Cultural Property of Gifu Prefecture. Covered in a thick, rich feldspar glaze (Shino glaze), it displays deep, warm gradations of scarlet fire marks (hiiro) and scorched hues born from kiln transformation, along with subtle pinholes resembling citrus peel (yuzuhada) that give it a profound character. The reverse side of the foot is impressed with the stamp \"Gyoku\" (玉), proof of Gyokuzan Kiln. The second piece, an Akae Phoenix Pattern sake cup by Kobei Kiln (mouth diameter approx. 5.6 cm, height approx. 4.5 cm), was produced under the guidance of \u003ca href=\"\/en\/search?q=%22%E5%8A%A0%E8%97%A4%E5%8D%93%E7%94%B7%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKato Takuo\u003c\/a\u003e VI (a Living National Treasure), Kato Kobei VII, and \u003ca href=\"\/en\/search?q=%22%E5%8A%A0%E8%97%A4%E7%9B%B4%E5%BD%A6%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKato Naohiko\u003c\/a\u003e. On a refined white clay body, dynamic phoenixes and peony arabesques are vividly depicted in fine vermilion-red lines and green and blue overglaze enamels, while the character \"Sakigake\" (魁, meaning pioneer) is powerfully rendered in vermilion red at the center of the interior bowl. The interior of the foot ring bears Kobei Kiln's unique impressed mark. The third piece, an Oribe Grass-Pattern Shoe-Shaped (Kutsugata) sake cup by Sentaro Kiln (mouth diameter approx. 5.0–5.3 cm, height approx. 4.5–4.7 cm), was guided and crafted by \u003ca href=\"\/en\/search?q=%22%E5%AE%89%E8%97%A4%E6%97%A5%E5%87%BA%E6%AD%A6%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eAndo Hidetake\u003c\/a\u003e, a Holder of Intangible Cultural Property of Tajimi City, and Ando Takumi. A vivid green copper glaze forms a striking contrast with iron-underglaze grass motifs (bamboo leaves) painted on white ground, while its Momoyama-style shoe-shaped form, hand-compressed after wheel throwing, creates a dynamic distortion that fits comfortably in the hand. The reverse side of the foot bears the impressed mark of Sentaro Kiln.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eOur shop proposes these three elegant sake cups, each possessing a distinct texture and sculpted beauty, as a dignified \"Japanese-style shot glass set (Japanese liquor vessel set)\" tailored to modern drinking culture and refined lifestyles, allowing one to compare aged spirits, vintage whisky, matured sake, or liquors straight neat side by side. It offers the opportunity to enjoy the three major techniques of Mino ware simultaneously—the warm clay feel of Shino, the vivid elegance of Akae, and the innovative sculpted beauty of Oribe—enhancing the colors of poured amber-toned aged spirits or clear liquors. An extraordinary set that allows one to savor the true essence of traditional Japanese craft through both visual appreciation and practical use.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003e\u003cstrong\u003e《Kobei Kiln Pamphlet》 \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eKobei Kiln was founded in 1804 (Cultural Era Year 1) by Kato Kobei I in Ichinokura, Mino, and soon became an official purveyor kiln supplying blue-and-white (sometsuke) tableware to the Honmaru and Nishinomaru of Edo Castle. Thereafter, continuing to develop as one of Mino's premier workshops through the second to fourth generations, the kiln achieved a firm reputation under the previous Fifth Generation Kato Kobei (1893–1982), who created numerous masterpieces employing a wide variety of techniques including Chinese ceramics such as celadon, kinrande, sometsuke, akae, and tenmoku, as well as Kenzan and Joseon dynasty styles. The current master, Kato Takuo VI, based on years of research, creates works that integrate tradition and originality, such as lusterware, blue glazes, tricolor (sancai), and Persian overglaze enamels based on restored Persian ceramics and Shosoin tricolor techniques. For these achievements, he has been designated a Living National Treasure. His eldest son, Kato Kobei VII, is active with his own distinctive artistic style. Additionally, with over 40 skilled artisans, the kiln produces dignified Japanese tableware under the guidance of Kato Takuo and Kato Kobei VII.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cstrong\u003e《Gyokuzan Kiln Yasuo \/ Supervised by Yasuo Tamaoki Pamphlet》 \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eDeeply drawn to the unique beauty of Shino and Oribe, the aesthetic legacy and famed ceramics of the Momoyama period born from our ancestral homeland, we refine the secret traditions handed down through generations, striving day and night in our research to breathe new life into them.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"6\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eGyokuzan Kiln (玉山窯, Supervised by Yasuo Tamaoki), Kobei Kiln (幸兵衛窯, Guided by Kato Takuo VI, Kato Kobei VII, Kato Naohiko), Sentaro Kiln (仙太郎窯, Guided and Crafted by Ando Hidetake, Ando Takumi) - Mino Three Kilns Collaboration\u003c\/li\u003e\n\u003cli data-path-to-node=\"7\"\u003e\u003cstrong\u003eMaster Artisans \u0026amp; Potters of Each Kiln: \u003c\/strong\u003eGyokuzan \u003cbr\u003e\u003cstrong\u003eKiln:\u003c\/strong\u003e Supervised by Yasuo Tamaoki (Holder of Important Intangible Cultural Property of Gifu Prefecture); Kobei \u003cbr\u003e\u003cstrong\u003eKiln:\u003c\/strong\u003e Guided by Kato Takuo VI (Living National Treasure), Kato Kobei VII, Kato Naohiko; Sentaro \u003cbr\u003e\u003cstrong\u003eKiln:\u003c\/strong\u003e Guided and Crafted by Ando Hidetake (Holder of Intangible Cultural Property of Tajimi City), Ando Takumi\u003c\/li\u003e\n\u003cli data-path-to-node=\"8\"\u003e\u003cstrong\u003eProduction Period: \u003c\/strong\u003eLate 1980s–early 1990s (Late Showa to early Heisei era)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eItem Condition: \u003c\/strong\u003eVery Good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated three-compartment paulownia box (Tomobako with calligraphy \"Sangama-hai\" and seals of three kilns), wrapping cloths, explanatory pamphlets included\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eCeramic \/ Porcelain (Shino glaze, Akae overglaze enamel, Oribe glaze)\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Shino Sake Cup (Gyokuzan Kiln): Mouth diameter approx. 6.0 cm, Height approx. 5.0 cm; Akae Phoenix Pattern Sake Cup (Kobei Kiln): Mouth diameter approx. 5.6 cm, Height approx. 4.5 cm; Oribe Grass-Pattern Shoe-Shaped Sake Cup (Sentaro Kiln): Mouth diameter approx. 5.0–5.3 cm, Height approx. 4.5–4.7 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eThe items provided by our shop were produced a very long time ago and are all listed as pre-owned items. Please understand and confirm the age-related changes before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48396667650235,"sku":null,"price":65000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3809_result.jpg?v=1790767478"}],"url":"https:\/\/antiqueliquor1926.com\/en\/collections\/maker-ando-hidetake.oembed","provider":"Antique Liquor","version":"1.0","type":"link"}