{"title":"Kano Mitsuo (叶光夫)","description":"\u003cp\u003eWorks by the ceramic artist Kano Mitsuo (叶光夫, 1903–1970) currently available at Antique Liquor.\u003c\/p\u003e","products":[{"product_id":"284","title":"Minister of Education Award Winner, Councilor of Nitten, and Artist Permanently Housed in the Museum of Fine Arts, Boston: Kano Mitsuo (叶光夫). Masterpiece: Hariyu-yusai Large Flower Vase, Large Bowl, Ice Bowl #284","description":"\u003cp data-path-to-node=\"26\"\u003eThis is a large-sized vase featuring the finest techniques and designs of Kano Mitsuo (1903-1970), a legendary master who reigned at the pinnacle of glaze research based on scientific analysis in the history of modern Japanese ceramics, yet held only six solo exhibitions throughout his lifetime. Born into the prestigious Kano family of Kiyomizu ware and a graduate of the Kyoto Ceramic Testing Institute, Kano Mitsuo studied under \u003ca href=\"\/en\/search?q=%22%E5%B0%8F%E6%A3%AE%E5%BF%8D%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKomori Shinobu\u003c\/a\u003e, a renowned pioneer of scientific ceramics in Japan. In 1920, he joined the Chinese Ceramics Research Institute in Dalian, where he thoroughly investigated the glazes and firing mechanisms of ancient Chinese ceramics. In 1943, he was commissioned by the Manchukuo government to select sites for official kilns, and his overwhelming knowledge and astonishing technical skill would shock the Japanese art world shortly after the war. Beginning with a Special Selection Award at the Nitten Exhibition in 1949, his works were permanently acquired by authoritative museums and national institutions worldwide, including the National Museum of Modern Art, Kyoto (purchased by the Ministry of Education), the Paroris Museum (purchased at the Contemporary Ceramic Exhibition in Paris), donated to the Museo Internazionale delle Ceramiche in Faenza, and acquired by the Museum of Fine Arts, Boston, the Museu de Arte de São Paulo, and the Japan Art Academy. In 1967, he received the Minister of Education Award at the Nitten Exhibition, and in 1968, he became a Nitten councilor. Highly praised for his refined aesthetic spirit, he produced a white porcelain vase for the Imperial Household at the time of the new palace construction in 1969, leaving behind an unparalleled legacy and honor as a master craftsman.\u003c\/p\u003e\n\u003cp data-path-to-node=\"27\"\u003eKano Mitsuo's ceramic philosophy was rooted in the modernization of Eastern traditions based on thorough scientific evidence, and the pursuit of functional beauty that maximizes the potential of clay and glaze within the constraints of a vessel. This overwhelming spirit of functional beauty and perfect technical skill significantly changed the life of his nephew and direct disciple, Kano Tetsuo (Kano Shokoku II), a founding member of the Sodeisha group. In the early Sodeisha, which was spearheaded by \u003ca href=\"\/en\/search?q=%22%E5%85%AB%E6%9C%A8%E4%B8%80%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYagi Kazuo\u003c\/a\u003e and aimed at establishing purely three-dimensional objects completely devoid of practicality, Kano Tetsuo experienced deep spiritual conflict in abandoning the ultimate functional beauty that his master, Kano Mitsuo, had built through arduous research. As a result, he left the group at a very early stage around 1951 and embarked on the orthodox succession of practical vessels that fused tradition and modernism. Kano Mitsuo's global and outstanding modern aesthetic sense was also evident in the numerous cutting-edge Western tableware he created at the request of Noémi Raymond, wife of the renowned architect Antonin Raymond and herself a prominent designer. He embodied a universal modernism that harmonized with contemporary living spaces, rather than merely recreating classics.\u003c\/p\u003e\n\u003cp data-path-to-node=\"28\"\u003eThe Hariyu-yusai (glass glaze with variegated colors) technique employed in this work is an extremely important representative technique, with a similar masterpiece published in Kano Mitsuo's collection of works. It is rooted in his unique glass glaze technology, which he perfected in July 1942, before the war, by deriving a precise blending ratio of 75 parts Nango feldspar and 25 parts lead-free white jade. A professional analysis of the inside of the piece reveals a thickly melted, precisely calculated glass glaze, with ice crackle crazing, finely and densely spread like jewels from the bottom to the rim. This layer of transparent, delicate crazing reflects light in a beautiful, kaleidoscopic manner depending on the angle of incidence, lending immeasurable depth to the interior of the vessel. In contrast, the exterior of the vessel is uniformly covered with a deep black glaze, creating a vivid contrast with the serene world within. Furthermore, the lower part of the body features a sophisticated interlocking pattern in a continuous band, created by intricate stamping (indented patterning). In these textured patterned areas, the Yusai technique, where iron content and complex colors blend intricately, is fully utilized, precisely revealing changes in the crystallization, such as reddish-brown and slight bluish hues, as if floating from the jet-black background. The contrast between the hard black luster and the organic crystallization residing within the regular patterns is the epitome of extremely difficult glaze control that only Kano Mitsuo could achieve.\u003c\/p\u003e\n\u003cp data-path-to-node=\"29\"\u003eFurthermore, what determines the artistic value of this work is the presence of a highly special potter's mark applied within the foot rim at the base of the vessel. In contrast to the simple incised marks seen on the bottom of ordinary vases and practical vessels, fine white slip clay is applied within the foot rim, and Kano's painted signature is inscribed beautifully over it in a vivid blue cobalt pigment. This blue potter's mark serves as a vibrant accent that jumps out at the viewer when the bottom is revealed, transitioning from the jet-black exterior. It possesses extremely high precision and visual impact, as if a blue design has been embedded using meticulous inlay techniques. Kano Mitsuo's uncompromising dedication to perfectly controlling his artistic signature down to the invisible details is condensed in the uniqueness of this single potter's mark, eloquently testifying that this work is an undeniable authentic masterpiece from his own hand. The lid of the accompanying wooden box features a dynamic inscription of the title \"Hariyu-yusai Kaki\" (Glass Glaze Variegated Vase) and Kano's signature, complete with a clear red seal.\u003c\/p\u003e\n\u003cp data-path-to-node=\"30\"\u003eThe production period of this work is identified as the mature period of the mid-Showa era (circa 1955–1962). This logically supports that it was produced over approximately 28 years, from July 1942, when Kano Mitsuo completed his unique glass glaze blending ratio, through his journey to Manchuria in 1943, the period from 1946 when he began exhibiting extensively at the Nitten exhibition and his overwhelming technique of functional beauty entered its golden age, the 1940s and 1950s when he drew his direct disciple Kano Tetsuo back to the succession of tradition, until the artist's passing in August 1970. The historical background of this work being a genuine piece from the master's mature period, produced directly by his hands and transcending the turbulent wartime and postwar periods, further solidifies its artistic value.\u003c\/p\u003e\n\u003cp data-path-to-node=\"31\"\u003eWith dimensions of approximately 15 cm in height, 30 cm in body diameter, and 26.5 cm in mouth diameter, it boasts a commanding, impressive extra-large size. While its sculptural beauty can, of course, be enjoyed as a large vase that creates an elegant indoor atmosphere, it also offers rich practicality as a special accent in modern, sophisticated table settings. When enjoying fine aged sake or vintage wine, it can be placed in a space as a large ice bowl filled with ice or an exquisite wine cooler to chill bottles. The beautiful ice crackle of the glass glaze on the inside will resonate with the ice and condensation, creating breathtakingly luxurious and executive moments. This is a museum-quality, one-of-a-kind piece that embodies the essence of Kano Mitsuo's functional beauty, which has been highly praised and permanently collected by leading museums around the world, allowing you to directly experience its luxury in your daily life. It is something you will never encounter again, whether domestically or internationally.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cb data-path-to-node=\"32\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Kano Mitsuo (叶光夫, 1903-1970)\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cb data-path-to-node=\"32\" data-index-in-node=\"32\"\u003eArtist's Major Career Highlights:\u003c\/b\u003e [1920] Joined the Chinese Ceramics Research Institute in Dalian and engaged in research on ancient Chinese ceramics; [1943] Traveled to Manchuria as a Manchukuo government consultant to select sites for official kilns; [1946] First exhibited at the Japan Fine Arts Exhibition (Nitten); [1949] Received a Special Selection Award at Nitten; [1953] Received the Hokuto Award at Nitten; [1957] Appointed as a Nitten judge; [1958] Became a member of the Nitten Association; [1967] Appointed as a Nitten judge and received the Minister of Education Award; [1968] Appointed as a Nitten councilor; [1969] Produced a white porcelain vase for the new palace construction.\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cb data-path-to-node=\"32\" data-index-in-node=\"728\"\u003eWorks in Collections:\u003c\/b\u003e National Museum of Modern Art, Kyoto; Museum of Fine Arts, Boston (USA); Museu de Arte de São Paulo (Brazil); Japan Art Academy; Musée Paroris (France); Museo Internazionale delle Ceramiche, Faenza (Italy).\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cb data-path-to-node=\"0\" data-index-in-node=\"0\"\u003eCirca:\u003c\/b\u003e c. 1955–1962 (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cb data-path-to-node=\"32\" data-index-in-node=\"1067\"\u003eProduct Condition:\u003c\/b\u003e Very good (no chips, no cracks, box has age-related cracks and dirt).\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cb data-path-to-node=\"32\" data-index-in-node=\"1156\"\u003eAccessories:\u003c\/b\u003e Comes with original wooden box (note age-related deterioration).\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cb data-path-to-node=\"32\" data-index-in-node=\"1234\"\u003eMaterial:\u003c\/b\u003e Pottery (glass glaze, variegated glaze).\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cb data-path-to-node=\"32\" data-index-in-node=\"1285\"\u003eDimensions:\u003c\/b\u003e Height approx. 15.0 cm, body diameter approx. 30.0 cm, mouth diameter approx. 26.5 cm.\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cb data-path-to-node=\"32\" data-index-in-node=\"1384\"\u003eNote:\u003c\/b\u003e Even if the products we offer are new and unused, they are from a very old production period and are all listed as used items. Products may have age-related damage, so please understand and confirm before considering purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974192283835,"sku":null,"price":300000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_8291_result.jpg?v=1782049469"},{"product_id":"289","title":"Minister of Education Award Recipient, Boston Museum of Fine Arts Permanent Collection Artist, Kano Mitsuo (叶光夫). Representative Works: Glass Glaze Sumi-yaki Vases, Flower Bowls, Large Plates #289","description":"\u003cdiv class=\"markdown markdown-main-panel enable-luminous-fast-follows stronger enable-updated-hr-color\" id=\"model-response-message-contentr_d26872c670014ad4\" aria-live=\"off\" aria-busy=\"false\" dir=\"ltr\"\u003e\n\u003cp data-path-to-node=\"24\"\u003eThis is an extra-large rectangular flower bowl, approximately 50.5 cm in width, boasting an overwhelming scale and adorned with the highest level of technique and design by Kano Mitsuo (1903-1970), a legendary master who, despite reigning supreme in the scientific analysis of glazes in the history of modern Japanese ceramics, held only six solo exhibitions in his lifetime. Born into the Kano family, a distinguished name in Kiyomizu ware, Kano Mitsuo graduated from the Kyoto Ceramic Testing Institute and studied under the renowned \u003ca href=\"\/en\/search?q=%22%E5%B0%8F%E6%A3%AE%E5%BF%8D%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eShinobu Komori\u003c\/a\u003e, a pioneer of scientific ceramics in Japan. Later, in 1920, he joined the Chinese Ceramic Research Institute in Dalian, where he thoroughly investigated the glazes and firing mechanisms of ancient Chinese ceramics. In 1943, he was commissioned by Manchukuo to select sites for official kilns, and his overwhelming knowledge and astonishing technical prowess sent shockwaves through the Japanese art world immediately after the war. Beginning with his special selection award at the Nitten Exhibition in 1949, his works were acquired by the Ministry of Education for the National Museum of Modern Art, Kyoto, purchased by the Musée Palissy at the Contemporary Ceramics Paris Exhibition, donated to the International Museum of Ceramics in Faenza, Italy, and permanently housed in prestigious museums and national institutions around the world, including the Museum of Fine Arts, Boston, the Museum of Art, São Paulo, Brazil, and the Japan Art Academy. In 1967, he received the Minister of Education Award at the Nitten Exhibition, and in 1968, he became a councilor of the Nitten Exhibition. His dignified sculptural spirit was highly acclaimed, and in 1969, he was commissioned to create a white porcelain vase for the construction of the new Imperial Palace, which he humbly presented to the Imperial Household, leaving behind an unparalleled legacy of honor and achievement.\u003c\/p\u003e\n\u003cp data-path-to-node=\"25\"\u003eAt the root of Kano Mitsuo's ceramic philosophy was the modern updating of Eastern tradition based on thorough scientific evidence, and the pursuit of functional beauty that brings out the potential of clay and glaze to their limits within the constraints of a vessel. This overwhelming spirit of functional beauty and perfect technical skill significantly changed the life of his real nephew and direct disciple, Kano Tetsuo (the second generation Kano Matsutani), a founding member of the Sodeisha group. In the early Sodeisha, which was centered on \u003ca href=\"\/en\/search?q=%22%E5%85%AB%E6%9C%A8%E4%B8%80%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYagi Kazuo\u003c\/a\u003e and others and was pushing toward the establishment of pure three-dimensional objects that completely eliminated practicality, Kano Tetsuo experienced deep spiritual conflict in abandoning the ultimate functional beauty that his master, Kano Mitsuo, had built through painstaking research. As a result, he left the group at the very early stage around 1951 and turned to the legitimate inheritance of practical vessels that fused tradition and modernity. Furthermore, Kano Mitsuo's global and outstanding modern aesthetic sense is also evident in the numerous cutting-edge Western tableware he created at the request of Noémi Raymond, the wife of the famous architect Antonin Raymond and a renowned designer. He embodied a universal modernism that harmonized with contemporary living spaces, going beyond merely reproducing classics.\u003c\/p\u003e\n\u003cp data-path-to-node=\"26\"\u003eThis work is a museum-quality large rectangular bowl where Kano's decorative beauty and unique glaze theory are synchronized to the utmost. Looking into the inside of the work, one finds a bold, flowing, and geometric concentric ripple pattern (swirl pattern) drawn with a sharp contrast of black and white, which is the essence of \"Sumiyaki\" (ink-fired). This pattern radiates regularly and with organic undulations from a tiny central circle towards the outer edge, displaying an astonishing graphic sense reminiscent of the raked sand patterns in Japanese Zen rock gardens or the serene ripples spreading across a water surface. Furthermore, covering this monochrome world, a unique glass glaze (hariyū), derived from a precise blending ratio of Nangō feldspar and lead-free glass flux, is melted extraordinarily thick, forming a layer of incredibly fine and dense ice crackle crazing like jewels across the entire surface of the vessel. Depending on the angle of incoming light, a kaleidoscopic diffused reflection emanates from the depths of this transparent glass layer, giving immeasurable three-dimensional depth and an absorbing spirituality to the flat vessel. In contrast, from the rim of the vessel to the outer wall, a rich and warm ochre to deep amber iron glaze (ash glaze) gradient is applied uniformly, creating a vivid chromatic and visual contrast with the cool monochrome worldview of the interior, and serving as a supreme frame that powerfully tightens the overall sculptural beauty of the work.\u003c\/p\u003e\n\u003cp data-path-to-node=\"27\"\u003eWhat further determines the artistic value of this work is the presence of a handwritten signature on the flat base, where the footrim is intentionally omitted. In the center of the perfectly flat, carved-out base, the inscription \"光夫\" (Mitsuo) is clearly marked with black pigment, either iron or cobalt, in a fluid and masterful brushstroke free of hesitation. Kano Mitsuo's uncompromising commitment to perfectly controlling his artistic signature, even in invisible details, is condensed in this single signature, eloquently testifying that this work is an undeniable authentic masterpiece from his own hand. The exposed clay body around the inscribed signature reveals the meticulous yet well-fired, slightly reddish, high-quality ceramic clay, carefully selected by a prestigious Kiyomizu ware family. The contrast between this rustic charm of the clay and the refined hariyū (glass glaze) covering the surface is also superb. The production period of this work is logically identified as his mature period in the mid-Showa era (circa 1942-1970), when his unique hariyū technique was established, and his overwhelming technical prowess reached its golden age, exemplified by his appointment as a Nitten judge and recipient of the Minister of Education Award. The historical background of this work, being an authentic piece created directly by the master's hand, having transcended the turbulent periods of war and postwar, further solidifies its value.\u003c\/p\u003e\n\u003cp data-path-to-node=\"28\"\u003eWe propose this magnificent extra-large bowl, a legacy of the grand master at the origin of avant-garde ceramic history, as a special accent in modern, sophisticated table settings, and as a supreme example of Japanese Kōgei (craftsmanship) to enjoy rich practicality. In addition to appreciating its sculptural beauty as a large vase to adorn a refined interior, if placed in a space as an extra-large ice platter or a luxurious wine cooler, filled with ice to display multiple bottles when savoring premium aged whisky, vintage wine, or champagne, the beautiful ice crackle of the hariyū and the sumiyaki ripples on the interior will beautifully resonate with the ice and condensation, creating a breathtakingly luxurious executive experience. This is a supreme, one-of-a-kind item that you will never encounter again, domestically or internationally, allowing you to directly experience the essence of Kano Mitsuo's functional beauty, whose high technical skill has been praised and permanently housed in leading museums around the world, in your daily life.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cb data-path-to-node=\"29\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Kano Mitsuo (叶光夫, 1903-1970)\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cb data-path-to-node=\"29\" data-index-in-node=\"32\"\u003eArtist's Major Activities:\u003c\/b\u003e [1920] Joined the Chinese Ceramic Research Institute in Dalian and engaged in research on ancient Chinese ceramics, [1943] Traveled to Manchuria as a commissioned expert for Manchukuo to select sites for official kilns, [1946] First exhibited at the Japan Art Exhibition (Nitten), [1949] [Received special selection award at the Japan Art Exhibition, [1953] Received Hokuto Prize at the Japan Art Exhibition, [1957] Appointed as a judge for the Japan Art Exhibition, [1958] Appointed as a member of the Nitten corporate body, [1967] Appointed as a Nitten judge and received the Minister of Education Award, [1968] Appointed as a Nitten councilor, [1969] Humbly created a white porcelain vase for the construction of the new Imperial Palace.\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cb data-path-to-node=\"29\" data-index-in-node=\"799\"\u003eWorks Housed In:\u003c\/b\u003e The National Museum of Modern Art, Kyoto; Museum of Fine Arts, Boston (USA); Museum of Art, São Paulo (Brazil); Japan Art Academy; Musée Palissy (France); International Museum of Ceramics in Faenza (Italy).\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cstrong\u003eCirca: \u003c\/strong\u003eA work created in 1947\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cb data-path-to-node=\"29\" data-index-in-node=\"1133\"\u003eCondition:\u003c\/b\u003e With defects (\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eone chip on the inner rim\u003c\/span\u003e, no cracks or breaks, minor scratches and kiln flaws due to age)\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cb data-path-to-node=\"29\" data-index-in-node=\"1249\"\u003eAccessories:\u003c\/b\u003e Original signed wooden box (Tomobako)\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cb data-path-to-node=\"29\" data-index-in-node=\"1300\"\u003eMaterial:\u003c\/b\u003e Pottery (hariyū \/ glass glaze, sumiyaki \/ ink-fired, glazed color)\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cb data-path-to-node=\"29\" data-index-in-node=\"1377\"\u003eDimensions:\u003c\/b\u003e Height approx. 9.0 cm, Width (long side) approx. 50.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cb data-path-to-node=\"29\" data-index-in-node=\"1446\"\u003eNote:\u003c\/b\u003e All items offered by our store, even if new and unused, are from a very old production period and are listed as used. Items may have age-related damage, so please consider purchasing after understanding and checking.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974193987771,"sku":null,"price":100000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_8382_result.jpg?v=1782451035"},{"product_id":"307","title":"Prize Winner of the Minister of Education Award, Artist Permanently Collected in the Museum of Fine Arts, Boston - Kano Mitsuo (叶光夫): Iron-painted Hakeme Cylindrical Teabowl \/ Rock Glass #307","description":"\u003cp data-path-to-node=\"2\"\u003eIn modern Japanese ceramic history, Kano Mitsuo was a master potter in Kyoto who stood at the absolute pinnacle of glaze research based on scientific analysis, while holding only six solo exhibitions throughout his lifetime. Born into the prestigious Kano family of Kiyomizu ware, he completed his studies at the Kyoto Ceramic Testing Institute and studied under \u003ca href=\"\/en\/search?q=%22%E5%B0%8F%E6%A3%AE%E5%BF%8D%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eShinobu Komori\u003c\/a\u003e, a renowned pioneer of scientific ceramics in Japan, thoroughly investigating the glazes and firing mechanisms of ancient Chinese ceramics. He was the master under whom Kano Tetsuo (Kano Shokoku II), a founding member of Sodeisha, chose to inherit the pinnacle of functional beauty after much psychological conflict. Kano Mitsuo established a unique ceramic world where tradition and modernity merge, as seen in his creation of cutting-edge western tableware at the request of Noemi Raymond, designer and wife of the famous architect Antonin Raymond.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe most highly acclaimed techniques and designs in Kano Mitsuo's works are his advanced glaze expressions backed by scientific inquiry, along with his rich expressions of Hakeme (brush mark) and Yusai (glaze coloring) that elevate traditional Eastern designs into a modern sculptural spirit. The true essence of his art is clearly demonstrated in this Iron-painted Hakeme Cylindrical Teabowl. Dynamic brush strokes applying white slip and iron glaze cover the entire body, creating a exquisite scenery through the contrast and texture of the exposed clay beneath the brush marks. Furthermore, dense dark brown iron glaze applied from near the foot to the lower body fuses intricately with the warm cream-toned glaze on the upper part inside the kiln, presenting a fluid, flowing kiln-change effect. The uneven, deep glazed surface, interspersed with traces of bubbles and fine pinholes, is a technique born from flawless firing control rooted in the physical and chemical knowledge cultivated through his research at the Ceramic Testing Institute and ancient Chinese ceramics. Inside the foot, a square seal mark reading \"Hikari\" (Mitsuo) is clearly stamped.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eThe production period of this work corresponds to his golden age from the mid-1950s—following his receipt of the Nitten Hokuto Prize in 1953—to the late 1950s and early 1960s, when he served as a judge and member of Nitten. The powerful ink inscription on the lid of the accompanying original signed wooden box (Tomobako), along with the signature and red seal of \"Mitsuo-zo\" on the lower left, perfectly match the handwriting characteristics of box inscriptions from this period. This is a valuable piece showing a period when both his sculpting and glazing were at their sharpest, just before entering his late style. Its exquisite cylindrical form fits snugly in the hand, making it a deeply charming piece that can be enjoyed not only as a cylindrical teabowl for preparing matcha, but also as a rock glass.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"5\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Kano Mitsuo (叶光夫, 1903–1970)\u003c\/li\u003e\n\u003cli data-path-to-node=\"6\"\u003e\u003cstrong\u003eMajor Career Highlights:\u003c\/strong\u003e [1920] Entered the China Ceramic Research Institute in Dalian to engage in ancient Chinese ceramic research, [1943] Traveled to Manchuria as a consultant for the Manchukuo government to select sites for official kilns, [1946] Exhibited for the first time at the Japan Fine Arts Exhibition (Nitten), [1949] Won the Special Selection Award at Nitten, [1953] Won the Hokuto Prize at Nitten, [1957] Appointed as a Nitten Judge, [1958] Became a member of the Nitten Corporation, [1967] Served as a Nitten Judge and received the Minister of Education Award, [1968] Appointed as a Nitten Councillor, [1969] Specially crafted a white porcelain vase for the inauguration of the new Imperial Palace.\u003c\/li\u003e\n\u003cli data-path-to-node=\"7\"\u003e\u003cstrong\u003eMuseum Collections:\u003c\/strong\u003e The National Museum of Modern Art, Kyoto; Museum of Fine Arts, Boston (USA); São Paulo Museum of Art (Brazil); The Japan Art Academy; Musée des Arts Décoratifs \/ Musée de la Parole (France); International Museum of Ceramics in Faenza (Italy).\u003c\/li\u003e\n\u003cli data-path-to-node=\"8\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e Circa 1955–1962 (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eItem Condition: \u003c\/strong\u003eVery Good (No chips, no cracks, with cracks and staining on the box due to age)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eOriginal signed wooden box (Tomobako), matching cloth (Tomogire with seal mark), box ribbon (Sanada-himo)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e Pottery (Iron Glaze, Hakeme)\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 9.6 cm, Width approx. 10.5 cm, Inner Rim Diameter approx. 8.9 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eEven if items offered by our store are unused, they were produced a very long time ago and are all listed as pre-owned items. Please inspect and understand that the item may show age-related changes before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48055748100283,"sku":null,"price":65000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_9822_result.jpg?v=1785048735"},{"product_id":"335","title":"Prize Winner of the Minister of Education Award, Artist Permanently Collected in the Museum of Fine Arts, Boston - Kano Mitsuo (叶光夫): Iron-painted Hakeme Cylindrical Teabowl \/ Rock Glass #335","description":"\u003cp data-path-to-node=\"2\"\u003eIn modern Japanese ceramic history, Kano Mitsuo was a master potter in Kyoto who stood at the absolute pinnacle of glaze research based on scientific analysis, while holding only six solo exhibitions throughout his lifetime. Born into the prestigious Kano family of Kiyomizu ware, he completed his studies at the Kyoto Ceramic Testing Institute and studied under \u003ca href=\"\/en\/search?q=%22%E5%B0%8F%E6%A3%AE%E5%BF%8D%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eShinobu Komori\u003c\/a\u003e, a renowned pioneer of scientific ceramics in Japan, thoroughly investigating the glazes and firing mechanisms of ancient Chinese ceramics. He was the master under whom Kano Tetsuo (Kano Shokoku II), a founding member of Sodeisha, chose to inherit the pinnacle of functional beauty after much psychological conflict. Kano Mitsuo established a unique ceramic world where tradition and modernity merge, as seen in his creation of cutting-edge western tableware at the request of Noemi Raymond, designer and wife of the famous architect Antonin Raymond.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe most highly acclaimed techniques and designs in Kano Mitsuo's works are his advanced glaze expressions backed by scientific inquiry, along with his rich expressions of Hakeme (brush mark) and Yusai (glaze coloring) that elevate traditional Eastern designs into a modern sculptural spirit. The true essence of his art is clearly demonstrated in this Iron-painted Hakeme Cylindrical Teabowl. Dynamic brush strokes applying white slip and iron glaze cover the entire body, creating a exquisite scenery through the contrast and texture of the exposed clay beneath the brush marks. Furthermore, dense dark brown iron glaze applied from near the foot to the lower body fuses intricately with the warm cream-toned glaze on the upper part inside the kiln, presenting a fluid, flowing kiln-change effect. The uneven, deep glazed surface, interspersed with traces of bubbles and fine pinholes, is a technique born from flawless firing control rooted in the physical and chemical knowledge cultivated through his research at the Ceramic Testing Institute and ancient Chinese ceramics. Inside the foot, a square seal mark reading \"Hikari\" (Mitsuo) is clearly stamped.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eThe production period of this work corresponds to his golden age from the mid-1950s—following his receipt of the Nitten Hokuto Prize in 1953—to the late 1950s and early 1960s, when he served as a judge and member of Nitten. The powerful ink inscription on the lid of the accompanying original signed wooden box (Tomobako), along with the signature and red seal of \"Mitsuo-zo\" on the lower left, perfectly match the handwriting characteristics of box inscriptions from this period. This is a valuable piece showing a period when both his sculpting and glazing were at their sharpest, just before entering his late style. Its exquisite cylindrical form fits snugly in the hand, making it a deeply charming piece that can be enjoyed not only as a cylindrical teabowl for preparing matcha, but also as a rock glass.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"5\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Kano Mitsuo (叶光夫, 1903–1970)\u003c\/li\u003e\n\u003cli data-path-to-node=\"6\"\u003e\u003cstrong\u003eMajor Career Highlights:\u003c\/strong\u003e [1920] Entered the China Ceramic Research Institute in Dalian to engage in ancient Chinese ceramic research, [1943] Traveled to Manchuria as a consultant for the Manchukuo government to select sites for official kilns, [1946] Exhibited for the first time at the Japan Fine Arts Exhibition (Nitten), [1949] Won the Special Selection Award at Nitten, [1953] Won the Hokuto Prize at Nitten, [1957] Appointed as a Nitten Judge, [1958] Became a member of the Nitten Corporation, [1967] Served as a Nitten Judge and received the Minister of Education Award, [1968] Appointed as a Nitten Councillor, [1969] Specially crafted a white porcelain vase for the inauguration of the new Imperial Palace.\u003c\/li\u003e\n\u003cli data-path-to-node=\"7\"\u003e\u003cstrong\u003eMuseum Collections:\u003c\/strong\u003e The National Museum of Modern Art, Kyoto; Museum of Fine Arts, Boston (USA); São Paulo Museum of Art (Brazil); The Japan Art Academy; Musée des Arts Décoratifs \/ Musée de la Parole (France); International Museum of Ceramics in Faenza (Italy).\u003c\/li\u003e\n\u003cli data-path-to-node=\"8\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e Circa 1955–1962 (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eItem Condition: \u003c\/strong\u003eVery Good (No chips, no cracks, with cracks and staining on the box due to age)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eOriginal signed wooden box (Tomobako), box ribbon (Sanada-himo)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e Pottery (Iron Glaze, Hakeme)\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 9.6 cm, Width approx. 10.5 cm, Inner Rim Diameter approx. 8.9 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eEven if items offered by our store are unused, they were produced a very long time ago and are all listed as pre-owned items. Please inspect and understand that the item may show age-related changes before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48093147726011,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1286_result.jpg?v=1787475876"},{"product_id":"311","title":"Prize Winner of the Minister of Education Award, Artist Permanently Collected in the Museum of Fine Arts, Boston - Kano Mitsuo (叶光夫): Iron-painted Hakeme Cylindrical Teabowl \/ Rock Glass #311","description":"\u003cp data-path-to-node=\"2\"\u003eIn modern Japanese ceramic history, Kano Mitsuo was a master potter in Kyoto who stood at the absolute pinnacle of glaze research based on scientific analysis, while holding only six solo exhibitions throughout his lifetime. Born into the prestigious Kano family of Kiyomizu ware, he completed his studies at the Kyoto Ceramic Testing Institute and studied under \u003ca href=\"\/en\/search?q=%22%E5%B0%8F%E6%A3%AE%E5%BF%8D%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eShinobu Komori\u003c\/a\u003e, a renowned pioneer of scientific ceramics in Japan, thoroughly investigating the glazes and firing mechanisms of ancient Chinese ceramics. He was the master under whom Kano Tetsuo (Kano Shokoku II), a founding member of Sodeisha, chose to inherit the pinnacle of functional beauty after much psychological conflict. Kano Mitsuo established a unique ceramic world where tradition and modernity merge, as seen in his creation of cutting-edge western tableware at the request of Noemi Raymond, designer and wife of the famous architect Antonin Raymond.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe most highly acclaimed techniques and designs in Kano Mitsuo's works are his advanced glaze expressions backed by scientific inquiry, along with his rich expressions of Hakeme (brush mark) and Yusai (glaze coloring) that elevate traditional Eastern designs into a modern sculptural spirit. The true essence of his art is clearly demonstrated in this Iron-painted Hakeme Cylindrical Teabowl. Dynamic brush strokes applying white slip and iron glaze cover the entire body, creating a exquisite scenery through the contrast and texture of the exposed clay beneath the brush marks. Furthermore, dense dark brown iron glaze applied from near the foot to the lower body fuses intricately with the warm cream-toned glaze on the upper part inside the kiln, presenting a fluid, flowing kiln-change effect. The uneven, deep glazed surface, interspersed with traces of bubbles and fine pinholes, is a technique born from flawless firing control rooted in the physical and chemical knowledge cultivated through his research at the Ceramic Testing Institute and ancient Chinese ceramics. Inside the foot, a square seal mark reading \"Hikari\" (Mitsuo) is clearly stamped.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eThe production period of this work corresponds to his golden age from the mid-1950s—following his receipt of the Nitten Hokuto Prize in 1953—to the late 1950s and early 1960s, when he served as a judge and member of Nitten. The powerful ink inscription on the lid of the accompanying original signed wooden box (Tomobako), along with the signature and red seal of \"Mitsuo-zo\" on the lower left, perfectly match the handwriting characteristics of box inscriptions from this period. This is a valuable piece showing a period when both his sculpting and glazing were at their sharpest, just before entering his late style. Its exquisite cylindrical form fits snugly in the hand, making it a deeply charming piece that can be enjoyed not only as a cylindrical teabowl for preparing matcha, but also as a rock glass.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"5\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Kano Mitsuo (叶光夫, 1903–1970)\u003c\/li\u003e\n\u003cli data-path-to-node=\"6\"\u003e\u003cstrong\u003eMajor Career Highlights:\u003c\/strong\u003e [1920] Entered the China Ceramic Research Institute in Dalian to engage in ancient Chinese ceramic research, [1943] Traveled to Manchuria as a consultant for the Manchukuo government to select sites for official kilns, [1946] Exhibited for the first time at the Japan Fine Arts Exhibition (Nitten), [1949] Won the Special Selection Award at Nitten, [1953] Won the Hokuto Prize at Nitten, [1957] Appointed as a Nitten Judge, [1958] Became a member of the Nitten Corporation, [1967] Served as a Nitten Judge and received the Minister of Education Award, [1968] Appointed as a Nitten Councillor, [1969] Specially crafted a white porcelain vase for the inauguration of the new Imperial Palace.\u003c\/li\u003e\n\u003cli data-path-to-node=\"7\"\u003e\u003cstrong\u003eMuseum Collections:\u003c\/strong\u003e The National Museum of Modern Art, Kyoto; Museum of Fine Arts, Boston (USA); São Paulo Museum of Art (Brazil); The Japan Art Academy; Musée des Arts Décoratifs \/ Musée de la Parole (France); International Museum of Ceramics in Faenza (Italy).\u003c\/li\u003e\n\u003cli data-path-to-node=\"8\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e Circa 1955–1962 (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eItem Condition: \u003c\/strong\u003eVery Good (No chips, no cracks, with cracks and staining on the box due to age)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eOriginal signed wooden box (Tomobako), matching cloth (Tomogire with seal mark), box ribbon (Sanada-himo)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e Pottery (Iron Glaze, Hakeme)\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 9.6 cm, Width approx. 10.5 cm, Inner Rim Diameter approx. 8.9 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eEven if items offered by our store are unused, they were produced a very long time ago and are all listed as pre-owned items. Please inspect and understand that the item may show age-related changes before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48133592973499,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0880_result.jpg?v=1786435451"}],"url":"https:\/\/antiqueliquor1926.com\/en\/collections\/maker-kano-mitsuo.oembed","provider":"Antique Liquor","version":"1.0","type":"link"}