{"title":"Mizuno Sokaku I (初代 水野双鶴)","description":"\u003cp\u003eWorks by the ceramic artist Mizuno Sokaku I (初代 水野双鶴, 1912–1996) currently available at Antique Liquor.\u003c\/p\u003e","products":[{"product_id":"261","title":"Seto City Designated Intangible Cultural Property Holder, First Generation Mizuno Sokaku (初代 水野双鶴), Nerikomi Chawan Ceramic Whisky Tumbler #261","description":"\u003cp data-path-to-node=\"0\"\u003eThis work is a nerikomi chawan by the first generation Mizuno Sokaku \u003cspan\u003e(1912-1996)\u003c\/span\u003e, a holder of Seto City Designated Intangible Cultural Property and a master who elevated the traditional technique, which was on the verge of extinction in Seto, into contemporary art. With a height of approximately 10.5 cm and a mouth diameter of approximately 10.7 cm, its unique proportions, which are slightly deeper than a typical chawan, lead us to propose it as a premium Japanese craft Ceramic Whisky Tumbler for slowly enjoying aged sake that has transformed into a rich amber color over time, or carefully selected whisky with large ice cubes. The overwhelming presence and dignity as an artwork, combined with the attempt to integrate a vessel deeply rooted in Japanese tea ceremony culture, the chawan, into modern luxurious alcoholic enjoyment, will provide a lavish experience for international collectors and special guests seeking the ultimate in Japanese hospitality.\u003c\/p\u003e\n\u003cp data-path-to-node=\"0\"\u003eThe artist, Mizuno Sokaku I, was born in 1912 in Seto City, Aichi Prefecture, a pottery town. He studied under \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E4%BA%95%E9%81%94%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujii Tatsukichi\u003c\/a\u003e, a pioneer of modern crafts, and was educated in free artistic expression untethered by tradition. Throughout his ceramic career, he achieved remarkable success on major domestic stages, including 27 selections for the Nitten Exhibition, three top awards at the Seto Ceramics Exhibition followed by designation as a non-juried artist, two Governor's Awards at the Asahi Ceramics Exhibition, the Toto Award at the National Ceramics Exhibition, the Tokai TV Award and a meritorious service award at the Japan New Crafts Exhibition, and numerous other awards including the Kansai Art Exhibition. He also held important positions such as councilor of the Japan New Craft Artists Federation, contributing to the development of younger artists and the craft industry. In 1987, his long-standing efforts in independently researching and refining the traditional nerikomi technique were officially recognized, and he was certified as a holder of the Seto City Designated Craft Technique, Ceramic Nerikomi Technique. He passed away on January 18, 1996, at the age of 84, leaving behind a legacy of exceptional skill as the great founder of the prestigious Nerikomi Mizuno family, whose traditions are still carried on by his son Mizuno Norio, who is also a holder of intangible cultural property, and his grandson Mizuno Tomoji, who enjoys global popularity with his unique sensibility. All works currently on the market are precious posthumous pieces with no new supply, making them extremely rare as top-class Japanese art, with very little information available overseas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"0\"\u003eThe most highly regarded technique in Mizuno Sokaku's pottery is nerikomi, which involves meticulously layering multiple clays with different components and firing characteristics, resulting in beautiful continuous patterns that appear no matter where the piece is cut, much like Kintaro-ame candy. Since each of the different clays has varying drying speeds and shrinkage rates during firing, even a slight miscalculation can cause cracks or firing tears in the kiln, making it an extremely difficult technique that requires extreme blending precision and strict temperature control. A detailed examination of this piece reveals that these advanced techniques and the artist's raw sensibility are expressed with overwhelming power across the entire surface of the vessel. On the surface of the vessel, orderly striped patterns woven from different colored clays and organic flow patterns reminiscent of flowing geological strata are dynamically expressed, achieving both the cold beauty of calculation and the warmth of handwork. As a unique characteristic of the nerikomi technique, the same pattern appears completely through the outside and inside at exactly the same position. Therefore, when sake is poured and ice floats, the geometric layers spreading inside the vessel shimmer beautifully, creating a visually stunning and refined experience.\u003c\/p\u003e\n\u003cp data-path-to-node=\"0\"\u003eBased on the artist's ceramic activity and physical evidence from his lifetime, the production period of this work is clearly estimated to be during his mature period, from the late 1970s to the early 1980s, just before he was designated as an intangible cultural property, when his technique was at its peak. The strongest evidence for this is the clear, unadorned handwritten signature style on the tomobako (wooden box), which does not include the title of cultural property holder, strongly reflecting the style of his era as a powerful artist who relied solely on the quality of his work rather than authority. Furthermore, the design of the logo mark featuring a pair of yellow cranes facing each other on the accompanying artist's profile booklet (shiori) perfectly matches the period from the late 1970s to the early 1980s, when he was actively rising to prominence on the forefront of the Japanese modern craft world as a councilor of the Japan New Craft Artists Federation. Due to the varying shrinkage rates of different clays, large and deep vessels like this one were impossible to fire without distortion during his younger years. The fusion of orderly striped patterns and dynamic flow patterns seen in this work is a monumental design feature that crystallizes the pinnacle of mature technique that directly led to his highest honor, the designation as an intangible cultural property in 1987.\u003c\/p\u003e\n\u003cp data-path-to-node=\"0\"\u003eThis work is perfectly accompanied by physical evidence that proves the artist's established style. The bottom of the vessel is engraved with the Sokaku pottery seal, indicating its authenticity, and it comes with a dedicated tomobako, wrapping cloth, and a detailed artist's profile booklet (shiori), all showing that it has been carefully preserved. In particular, the design of a pair of yellow cranes on the booklet, named after his artist name, expresses the artist's delightful playfulness. The lid of the tomobako has \"Nerikomi Chawan\" written on it, and the inside of the lid bears Sokaku's handwritten inscription, along with two perfect seals (round stamps). It is a complete piece in very good condition, without any chips or cracks, and as a supreme Japanese craft piece that is extremely difficult to encounter overseas, it possesses unwavering asset value.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Mizuno Sokaku I (初代 水野双鶴, 1912-1996)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"36\"\u003eArtist's Major Activities:\u003c\/b\u003e [1912] Born in Seto City, Aichi Prefecture, he studied under Fujii Tatsukichi, a pioneer of modern crafts, and was educated in free artistic expression untethered by tradition. Throughout his ceramic career, he achieved remarkable success on major domestic stages, including 27 selections for the Nitten Exhibition, three top awards at the Seto Ceramics Exhibition followed by designation as a non-juried artist, two Governor's Awards at the Asahi Ceramics Exhibition, the Toto Award at the National Ceramics Exhibition, the Tokai TV Award and a meritorious service award at the Japan New Crafts Exhibition, and numerous other awards including the Kansai Art Exhibition. He also held important positions such as councilor of the Japan New Craft Artists Federation, contributing to the development of younger artists and the craft industry. [1987] His long-standing efforts in independently researching and refining the traditional nerikomi technique were officially recognized, and he was certified as a holder of the Seto City Designated Craft Technique, Ceramic Nerikomi Technique. [1996] He passed away on January 18, at the age of 84, leaving behind a legacy of exceptional skill as the great founder of the prestigious Nerikomi Mizuno family, whose traditions are still carried on by his son and grandson, attracting global attention.\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1403\"\u003eProduction Period:\u003c\/b\u003e Late 1970s - Early 1980s (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1459\"\u003eCondition:\u003c\/b\u003e Very Good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1502\"\u003eAccessories:\u003c\/b\u003e Dedicated tomobako, wrapping cloth, artist's profile booklet (shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1594\"\u003eMaterial:\u003c\/b\u003e Ceramic (Nerikomi, Neriage)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1623\"\u003eDimensions:\u003c\/b\u003e Height approx. 10.5 cm, Mouth diameter approx. 10.7 cm \u003cbr\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e All products offered by our shop, even if new and unused, are from very old production periods and are listed as used items. Please understand that products may have age-related damage and consider your purchase after checking them.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47855264202939,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7368_result.jpg?v=1780464479"},{"product_id":"262","title":"Seto City Designated Intangible Cultural Property Holder, First Generation Mizuno Sokaku (初代 水野双鶴), Nerikomi Chawan Ceramic Whisky Tumbler #262","description":"\u003cp data-path-to-node=\"3\"\u003eThis is a nerikomi chawan (tea bowl) by Mizuno Sokaku \u003cspan\u003e(1912-1996)\u003c\/span\u003e the First, a holder of Seto City's Designated Intangible Cultural Property and a master who elevated traditional techniques, which were on the verge of dying out in the Seto region, into modern art. With a height of approximately 8.6 cm and a diameter of approximately 12.2 cm, this vessel boasts the classic and dignified proportions of a matcha bowl. Our store proposes it as a premium Japanese craft Ceramic Whisky Tumbler for slowly enjoying aged sake, which has deepened to a rich amber color over time, or carefully selected whiskies with large spherical ice cubes. The wide mouth and moderate shallow depth of this shape significantly enhance the rich aroma of the poured alcohol by allowing it to interact with the air, while the warmth of the clay and the pleasant weight are directly conveyed to the hand. Equipped with an overwhelming presence as a work of art, this attempt to merge a traditional chawan, deeply rooted in Japanese tea ceremony culture, with modern luxurious bar time will be an extravagant experience for entertaining international collectors and special guests with the utmost Japanese hospitality.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eMizuno Sokaku the First, born in Seto City, Aichi Prefecture in 1912, studied under \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E4%BA%95%E9%81%94%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujii Tatsukichi\u003c\/a\u003e, a pioneer of modern craft, and directly received his artistic spirit as a free expressionist, unconstrained by tradition. He achieved a brilliant record, including 27 selections for the Nitten Exhibition, and swept numerous top awards at major open-call exhibitions. In 1987, his exceptional skills were recognized, and he was designated as a holder of Seto City's Intangible Cultural Property. The Mizuno family, led by Mizuno Sokaku the First, is a prestigious lineage that has continued to captivate collectors worldwide for three generations, including his son Mizuno Norio, who also became an intangible cultural property holder, and his grandson Mizuno Tomoji, who enjoys global popularity with his unique sensibilities. Mizuno Sokaku the First is the great founder and source of all this. Since his passing in 1996, all works available in the market are precious posthumous works with no new supply, making them extremely rare as top-class Japanese designer crafts for which information is almost unobtainable overseas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe most highly regarded technique in Mizuno Sokaku's pottery is the nerikomi technique, in which multiple clays with different compositions and firing colors are meticulously layered, creating beautiful, continuous patterns that appear no matter where the piece is cut, much like Kintaro-ame candy. Since each of the different clays has a different drying speed and shrinkage rate during firing, even a slight miscalculation can cause cracks or tears in the kiln. This makes it the most challenging technique, requiring extreme blending skill and strict temperature control. A detailed examination of this work reveals that these advanced techniques and the artist's raw sensibility are expressed with overwhelming power across the entire surface of the vessel. The surface of the vessel dynamically displays orderly striped patterns woven by different colored clays and intricate flowing patterns reminiscent of tree rings or the texture of beautiful silk fabrics, achieving a balance between cold, calculated beauty and the warmth of handcraft. A unique feature of the nerikomi technique is that the exact same pattern appears through both the exterior and interior surfaces. When sake is poured and ice is floated, the organic geometric layers spreading within the vessel shimmer beautifully, creating a visually sophisticated experience.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eBased on the traces of his ceramic activities and circumstantial evidence during his lifetime, the production period of this work is clearly estimated to be from the late 1970s to the early 1980s, his mature period just before he was designated an intangible cultural property, when his skill was at its peak. The strongest evidence for this lies in the style of the autographed signature on the wooden box and the square seal, which does not include the title of cultural property holder. This strongly reflects the style of his era as a master who competed on the quality of his work itself, without relying on authority. Furthermore, the design of the logo on the accompanying bookmark, depicting a pair of yellow cranes facing each other, is identical to that from the period when he was actively involved in the forefront of the Japanese modern craft world. Due to differences in shrinkage rates between clays, it is prone to cracking, and it would have been impossible for him in his youth to fire a vessel with such a wide mouth and imposing proportions without distortion. The fusion of uniform and complex flowing patterns seen in this work is precisely the monumental design feature that crystallizes the pinnacle of his mature technique, which directly led to his highest honor, the designation as an Intangible Cultural Property in 1987.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThis work is perfectly accompanied by evidence that proves the artist's unique style. A clear \"Sokaku\" potter's mark, indicating the authenticity of the artist, is engraved on the bottom of the vessel, next to the footring. It also comes with its dedicated tomobako (wooden box), wrapping cloth, and an artist's profile booklet (shiori) detailing his ceramic history, all showing that it has been carefully preserved. In particular, the design of the booklet, featuring a pair of yellow cranes facing each other, named after his artist's name, expresses the artist's endearing playfulness. The lid of the wooden box is inscribed \"練込 茶盌\" (Nerikomi Chawan) on the outside, and \"双鶴\" (Sokaku) in his own handwriting on the inside, with a perfectly stamped square seal. It is a complete piece in very good condition, with no chips or cracks, and possesses unwavering asset value as a supreme Japanese craft piece that is extremely difficult to encounter overseas.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Mizuno Sokaku I (初代 水野双鶴, 1912-1996)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"36\"\u003eArtist's Representative Activities:\u003c\/b\u003e [1912] Born in Seto City, Aichi Prefecture, he studied under Fujii Tatsukichi, a pioneer of modern craft, and received training in free artistic expression, unconstrained by tradition. Throughout his ceramic career, he was selected for the Nitten Exhibition a total of 27 times, won the top prize at the Seto Ceramics Exhibition three times, later being designated without examination, received the Governor's Award twice at the Asahi Ceramics Exhibition, the Toto Award at the National Ceramics Exhibition, and the Tokai TV Award and Achievement Award at the Japan New Craft Exhibition, as well as numerous other awards including at the Kansai Art Exhibition, accumulating a brilliant record on major domestic stages. He also served in important positions such as a councilor of the Japan New Craft Artists Federation, contributing to the development of future generations and the craft world. [1987] His achievements in independently researching and refining the traditional nerikomi technique over many years were officially recognized, and he was designated as a holder of Seto City's Designated Craft Technique (Ceramics, Nerikomi Technique). [1996] He passed away on January 18th at the age of 84, leaving behind a lineage of exceptional skill as the great founder of the prestigious Nerikomi Mizuno family, which continues to attract global attention through his son and grandson.\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1460\"\u003eWorks in Collections:\u003c\/b\u003e Aichi Prefectural Ceramic Museum, Seto City Museum of Art, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1546\"\u003eProduction Period:\u003c\/b\u003e 1970s - Early 1980s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1597\"\u003eProduct Condition:\u003c\/b\u003e Very good (no chips, no cracks, please note the natural crackle (not a defect))\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1696\"\u003eAccessories:\u003c\/b\u003e Dedicated tomobako (wooden box), artist's profile booklet (shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1785\"\u003eMaterial:\u003c\/b\u003e Ceramic (nerikomi)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1814\"\u003eDimensions:\u003c\/b\u003e Height approx. 8.6 cm, Diameter approx. 12.2 cm \u003cbr\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products offered by our store are new and unused, they are from a very old production period and are all listed as used items. The product may have damage due to age, so please understand and confirm this before considering purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47881781969083,"sku":null,"price":65000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7420_result.jpg?v=1780464896"},{"product_id":"280","title":"Seto City Designated Intangible Cultural Property Holder, First Generation Mizuno Sokaku (初代 水野双鶴), Nerikomi Chawan Ceramic Whisky Tumbler #280","description":"\u003cp data-path-to-node=\"3\"\u003eThis is a nerikomi chawan (tea bowl) by Mizuno Sokaku \u003cspan\u003e(1912-1996)\u003c\/span\u003e the First, a holder of Seto City's Designated Intangible Cultural Property and a master who elevated traditional techniques, which were on the verge of dying out in the Seto region, into modern art. With a height of approximately 8.6 cm and a diameter of approximately 12.2 cm, this vessel boasts the classic and dignified proportions of a matcha bowl. Our store proposes it as a premium Japanese craft Ceramic Whisky Tumbler for slowly enjoying aged sake, which has deepened to a rich amber color over time, or carefully selected whiskies with large spherical ice cubes. The wide mouth and moderate shallow depth of this shape significantly enhance the rich aroma of the poured alcohol by allowing it to interact with the air, while the warmth of the clay and the pleasant weight are directly conveyed to the hand. Equipped with an overwhelming presence as a work of art, this attempt to merge a traditional chawan, deeply rooted in Japanese tea ceremony culture, with modern luxurious bar time will be an extravagant experience for entertaining international collectors and special guests with the utmost Japanese hospitality.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eMizuno Sokaku the First, born in Seto City, Aichi Prefecture in 1912, studied under \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E4%BA%95%E9%81%94%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujii Tatsukichi\u003c\/a\u003e, a pioneer of modern craft, and directly received his artistic spirit as a free expressionist, unconstrained by tradition. He achieved a brilliant record, including 27 selections for the Nitten Exhibition, and swept numerous top awards at major open-call exhibitions. In 1987, his exceptional skills were recognized, and he was designated as a holder of Seto City's Intangible Cultural Property. The Mizuno family, led by Mizuno Sokaku the First, is a prestigious lineage that has continued to captivate collectors worldwide for three generations, including his son Mizuno Norio, who also became an intangible cultural property holder, and his grandson Mizuno Tomoji, who enjoys global popularity with his unique sensibilities. Mizuno Sokaku the First is the great founder and source of all this. Since his passing in 1996, all works available in the market are precious posthumous works with no new supply, making them extremely rare as top-class Japanese designer crafts for which information is almost unobtainable overseas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe most highly regarded technique in Mizuno Sokaku's pottery is the nerikomi technique, in which multiple clays with different compositions and firing colors are meticulously layered, creating beautiful, continuous patterns that appear no matter where the piece is cut, much like Kintaro-ame candy. Since each of the different clays has a different drying speed and shrinkage rate during firing, even a slight miscalculation can cause cracks or tears in the kiln. This makes it the most challenging technique, requiring extreme blending skill and strict temperature control. A detailed examination of this work reveals that these advanced techniques and the artist's raw sensibility are expressed with overwhelming power across the entire surface of the vessel. The surface of the vessel dynamically displays orderly striped patterns woven by different colored clays and intricate flowing patterns reminiscent of tree rings or the texture of beautiful silk fabrics, achieving a balance between cold, calculated beauty and the warmth of handcraft. A unique feature of the nerikomi technique is that the exact same pattern appears through both the exterior and interior surfaces. When sake is poured and ice is floated, the organic geometric layers spreading within the vessel shimmer beautifully, creating a visually sophisticated experience.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eBased on the traces of his ceramic activities and circumstantial evidence during his lifetime, the production period of this work is clearly estimated to be from the late 1970s to the early 1980s, his mature period just before he was designated an intangible cultural property, when his skill was at its peak. The strongest evidence for this lies in the style of the autographed signature on the wooden box and the square seal, which does not include the title of cultural property holder. This strongly reflects the style of his era as a master who competed on the quality of his work itself, without relying on authority. Furthermore, the design of the logo on the accompanying bookmark, depicting a pair of yellow cranes facing each other, is identical to that from the period when he was actively involved in the forefront of the Japanese modern craft world. Due to differences in shrinkage rates between clays, it is prone to cracking, and it would have been impossible for him in his youth to fire a vessel with such a wide mouth and imposing proportions without distortion. The fusion of uniform and complex flowing patterns seen in this work is precisely the monumental design feature that crystallizes the pinnacle of his mature technique, which directly led to his highest honor, the designation as an Intangible Cultural Property in 1987.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThis work is perfectly accompanied by evidence that proves the artist's unique style. A clear \"Sokaku\" potter's mark, indicating the authenticity of the artist, is engraved on the bottom of the vessel, next to the footring. It also comes with its dedicated tomobako (wooden box), wrapping cloth, and an artist's profile booklet (shiori) detailing his ceramic history, all showing that it has been carefully preserved. In particular, the design of the booklet, featuring a pair of yellow cranes facing each other, named after his artist's name, expresses the artist's endearing playfulness. The lid of the wooden box is inscribed \"練込 茶盌\" (Nerikomi Chawan) on the outside, and \"双鶴\" (Sokaku) in his own handwriting on the inside, with a perfectly stamped square seal. It is a complete piece in very good condition, with no chips or cracks, and possesses unwavering asset value as a supreme Japanese craft piece that is extremely difficult to encounter overseas.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Mizuno Sokaku I (初代 水野双鶴, 1912-1996)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"36\"\u003eArtist's Representative Activities:\u003c\/b\u003e [1912] Born in Seto City, Aichi Prefecture, he studied under Fujii Tatsukichi, a pioneer of modern craft, and received training in free artistic expression, unconstrained by tradition. Throughout his ceramic career, he was selected for the Nitten Exhibition a total of 27 times, won the top prize at the Seto Ceramics Exhibition three times, later being designated without examination, received the Governor's Award twice at the Asahi Ceramics Exhibition, the Toto Award at the National Ceramics Exhibition, and the Tokai TV Award and Achievement Award at the Japan New Craft Exhibition, as well as numerous other awards including at the Kansai Art Exhibition, accumulating a brilliant record on major domestic stages. He also served in important positions such as a councilor of the Japan New Craft Artists Federation, contributing to the development of future generations and the craft world. [1987] His achievements in independently researching and refining the traditional nerikomi technique over many years were officially recognized, and he was designated as a holder of Seto City's Designated Craft Technique (Ceramics, Nerikomi Technique). [1996] He passed away on January 18th at the age of 84, leaving behind a lineage of exceptional skill as the great founder of the prestigious Nerikomi Mizuno family, which continues to attract global attention through his son and grandson.\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1460\"\u003eWorks in Collections:\u003c\/b\u003e Aichi Prefectural Ceramic Museum, Seto City Museum of Art, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1546\"\u003eProduction Period:\u003c\/b\u003e 1970s - Early 1980s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1597\"\u003eProduct Condition:\u003c\/b\u003e Very good (no chips, no cracks, please note the natural crackle (not a defect))\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1696\"\u003eAccessories:\u003c\/b\u003e Dedicated tomobako (wooden box), Ukon cloth, artist's profile booklet (shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1785\"\u003eMaterial:\u003c\/b\u003e Ceramic (nerikomi)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1814\"\u003eDimensions:\u003c\/b\u003e Height approx. 8.6 cm, Diameter approx. 12.2 cm \u003cbr\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products offered by our store are new and unused, they are from a very old production period and are all listed as used items. The product may have damage due to age, so please understand and confirm this before considering purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974191988923,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_8822_result.jpg?v=1783738626"}],"url":"https:\/\/antiqueliquor1926.com\/en\/collections\/maker-mizuno-sokaku-i.oembed","provider":"Antique Liquor","version":"1.0","type":"link"}