{"title":"Shimaoka Tatsuzo (島岡達三)","description":"\u003cp\u003eWorks by the Living National Treasure Shimaoka Tatsuzo (島岡達三, 1919–2007) currently available at Antique Liquor.\u003c\/p\u003e","products":[{"product_id":"170","title":"Living National Treasure Shimaoka Tatsuzo (島岡達三)'s Masterpiece: Jomon Inlaid Salt Glaze Couple's Teacup and Rocks Glass Set (2 Pieces) #170","description":"\u003cp data-path-to-node=\"8\"\u003eShimaoka Tatsuzo (1919-2007), a designated Living National Treasure, was born in the heart of old Tokyo as the eldest son of a master Kumihimo (traditional braided cord) artist. After completing his specialized education at the Department of Ceramics at the Tokyo Institute of Technology, he became a disciple of \u003ca href=\"\/en\/search?q=%22%E6%BF%B1%E7%94%B0%E5%BA%84%E5%8F%B8%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eHamada Shoji\u003c\/a\u003e, the giant of the Mingei (Folk Crafts) movement, in 1946. For over 20 years in Mashiko, he refined his craft. Hamada described Shimaoka as possessing profound inner confidence yet remaining consciously modest in his public presentations, highly praising his unwavering dedication to his personal aesthetic and technical focus.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe primary reason for Shimaoka's global acclaim is his original Jomon Inlay technique. This process involves rolling braided cords into semi-dry clay to impress rope patterns, then meticulously inlaying the depressions with contrasting colored slips before scraping away the excess to reveal the design. Remarkably, the cords used to create these patterns were silk heritage pieces belonging to his father, a renowned Kumihimo master. The exceptionally fine texture of these silk cords imbues the vessels with a refined rhythm and elegance that stands in stark contrast to the ruggedness of ancient Jomon pottery. Although inlaying is an ancient technique, flawlessly controlling the shrinkage of the clay and preventing the delicate patterns from blurring during the carving process requires extraordinary mastery. The impeccable beauty of the patterns in Shimaoka’s work is a testament to his immense concentration and precise engineering.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThis set of inlaid cups is a masterpiece that lavishly incorporates both Jomon Inlay and the salt glaze (or soda glaze) technique that Shimaoka perfected in his final years. Salt glazing is an exceptional method where rock salt or soda ash is introduced directly into the kiln when temperatures peak at 1250 to 1300 degrees Celsius. The volatilized sodium reacts chemically with the silica in the clay, creating a signature orange-peel texture with a subtle, glassy luster. This process severely erodes the kiln itself, requiring a dedicated structure and the intuitive mastery of an expert to control the volatile color development.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eThe defining brilliance of this work lies in its band-like composition, which allows two difficult techniques to coexist harmoniously in a single vessel. The upper section evokes the ancient stillness of Jomon Inlay, while the lower section showcases a vibrant, modern emerald green born from the soda glaze reaction. While Shimaoka’s work is often characterized by the soft, hazy textures his mentor Hamada likened to tsumugi or kasuri textiles, this high-contrast design reflects the sophisticated, modern aesthetic Shimaoka reached through his extensive international exhibitions.\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eWhile originally crafted as Yunomi (teacups), we propose a new way to experience this masterpiece: as the ultimate stage for savoring rare, discontinued vintage whiskies that have captured decades of time. Aged whisky is often described as drinkable perfume, and the slightly tapered rim of these cups is perfectly designed to concentrate the rising aromatic particles, directing them straight to the senses. Picking up the vessel and drawing it near creates a luxurious sanctuary for appreciating the rich bouquet of the spirit.\u003c\/p\u003e\n\u003cp data-path-to-node=\"13\"\u003eThe intricate texture of the Jomon Inlay at your fingertips and the smooth, salt-glazed surface against your lips provide a tactile pleasure that elevates the profound depth of aged spirits. This is the meeting of two arts: the art of earth perfected by Shimaoka Tatsuzo and the art of amber honed by the passage of time. When these two timelines converge, you are not merely drinking; you are engaging in a silent dialogue with the memories of a bygone era. Watching the colors born from the caprice of the flames while savoring a supreme vintage spirit is the ultimate luxury, reserved for those who truly appreciate the authentic.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"3\"\u003e*Comments from Hamada Shoji, Shimaoka's mentor\u003cbr\u003e\u003c\/h3\u003e\n\u003cp data-path-to-node=\"3\"\u003eShimaoka, typical of someone raised in downtown Tokyo, possesses strong inner confidence but consciously remains modest in presenting his work. Having graduated from the Ceramics Department of Tokyo Institute of Technology more than twenty years ago, and having become accustomed to the Mashiko clay, he has the skill to master most techniques, yet he deliberately focuses his work, restraining it to his preferences.\u003cbr\u003eShimaoka has adopted a unique inlay pattern, drawing inspiration from Jomon pottery techniques. The main braided cords used in this work are relics from his father, who was a master kumihimo craftsman. The cleverness with which he entrusts the pattern to the cord to establish his own style is truly characteristic of Shimaoka. His work is generally subdued; if it were a kimono, one might say the thread is tsumugi silk and the pattern is kasuri.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cstrong\u003eHamada Shoji (1894-1978)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Shimaoka Tatsuzo (島岡達三, 1919-2007)\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003eNotable Achievements:\u003c\/strong\u003e 1962 Japan Folk Crafts Museum Award, 1980 Tochigi Prefecture Cultural Merit Award, 1994 Japan Ceramic Association Gold Prize, 1996 Designated as a Holder of Important Intangible Cultural Property Jomon Inlay (Living National Treasure), 1999 Received the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003ePublic Collections:\u003c\/strong\u003e Victoria and Albert Museum (London), British Museum (London), Metropolitan Museum of Art (New York), Brooklyn Museum (New York), Museum of Fine Arts, Boston, National Museum of Modern Art, Tokyo, The Japan Folk Crafts Museum (the spiritual home of Hamada Shoji and Soetsu Yanagi), Mashiko Museum of Ceramic Art, Tochigi Prefectural Museum of Fine Arts, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e Circa 1980s to 1990s (estimated)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent (no chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated wooden box, artist's pamphlet\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramic\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e (Large) Height approx. 8.8 cm, diameter approx. 8.4 cm. (Small) Height approx. 7.8 cm, diameter approx. 7.5 cm.\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the items are in unused condition, they are vintage pieces and are listed as second-hand. Please understand that items may show characteristics of aging, and we encourage you to review all details before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47478150234299,"sku":null,"price":200000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4410.jpg?v=1772272087"},{"product_id":"253","title":"Shimaoka Tatsuzo (島岡達三, Living National Treasure) 1961 15th Anniversary Work \"Roar of a New Star\" Jomon Inlay Pair of Teacups, Sake Set, Rock Glasses (2-piece set) #253","description":"\u003cp data-path-to-node=\"18\"\u003eWe are pleased to introduce a highly significant cup by Shimaoka Tatsuzo (1919-2007), a living national treasure in contemporary pottery, renowned for his \"Jomon Zogan\" (Jomon inlay) technique. This piece marks a pivotal moment when Shimaoka re-evaluated his artistic roots and declared his independence as an artist. This monumental work was created in 1961, fifteen years after Shimaoka became an apprentice to the great master \u003ca href=\"\/en\/search?q=%22%E6%BF%B1%E7%94%B0%E5%BA%84%E5%8F%B8%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eHamada Shoji\u003c\/a\u003e in 1946. The year 1961 was a historical turning point that could be called the \"eve of a leap,\" as Shimaoka built his own climbing kiln in Mashiko, and the following year, 1962, he received the Japan Folk Crafts Museum Award, rapidly emerging as a rising star in the pottery world.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eThe design applied to this piece features Shimaoka's signature Jomon inlay technique, with the braided cords at the core of the pattern utilizing relics from his father, a master kumihimo (braiding) craftsman. His mentor, Hamada Shoji, described Shimaoka's style as possessing the skill to master most techniques but deliberately focusing his work to suit his preferences, praising his subdued work by likening it to the pattern of tsumugi silk. This aesthetic of restraint is alive in this piece as well, with a bold ridge applied midway through the vessel, giving the form an architectural stability and a profound presence. The Jomon pattern running diagonally from this ridge is pressed more deeply and powerfully compared to the refined expressions of his later Living National Treasure era, inscribing the raw yet pure passion of the young Shimaoka as he sought to establish his own style on the surface of the clay.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eAnalyzing this work from a technical perspective, the contrast of the white clay (inlay) embedded in the Jomon grooves is remarkably vivid, indicating the high level of perfection in the inlay technique that unifies different clays at temperatures exceeding 1200 degrees Celsius. The masterful skill with which Shimaoka established his unique style, entrusting the Jomon pattern to the tool of a cord, is precisely the manifestation of originality that his mentor Hamada acknowledged, saying, \"Indeed, this is exactly what one would expect from Shimaoka.\" This piece embodies Shimaoka's characteristic sincere personality, which, while harboring strong inner confidence, consciously maintains a humble presentation, culminating in the form of a pair of teacups, an everyday item closely tied to life.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eWe propose this historic teacup, created at the milestone of Shimaoka's 15th year of pottery, as a rock glass for enjoying amber-colored aged sake or Japanese whisky. When clear aged spirits are poured into it, the inlay lines that penetrate the interior of the vessel and the powerful Jomon irregularities refract through the liquid, creating a moment of deep contemplation that visually symbolizes the accumulation of time. On the inside of the lid of the accompanying wooden box, the inscription \"Commemorating 15 Years of Pottery\" is clearly written by the artist himself. Among Shimaoka's many works, its documentary value, allowing for the specific dating of its production, is extremely high, making it a benchmark piece closely watched by curators and collectors worldwide.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"3\"\u003e*Comments from Hamada Shoji, Shimaoka's mentor\u003cbr\u003e\u003c\/h3\u003e\n\u003cp data-path-to-node=\"3\"\u003eShimaoka, typical of someone raised in downtown Tokyo, possesses strong inner confidence but consciously remains modest in presenting his work. Having graduated from the Ceramics Department of Tokyo Institute of Technology more than twenty years ago, and having become accustomed to the Mashiko clay, he has the skill to master most techniques, yet he deliberately focuses his work, restraining it to his preferences.\u003cbr\u003eShimaoka has adopted a unique inlay pattern, drawing inspiration from Jomon pottery techniques. The main braided cords used in this work are relics from his father, who was a master kumihimo craftsman. The cleverness with which he entrusts the pattern to the cord to establish his own style is truly characteristic of Shimaoka. His work is generally subdued; if it were a kimono, one might say the thread is tsumugi silk and the pattern is kasuri.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cstrong\u003eHamada Shoji (1894-1978)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Shimaoka Tatsuzo (島岡達三, 1919-2007)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist's Major Achievements:\u003c\/strong\u003e [1962] Awarded the Japan Folk Crafts Museum Award, [1980] Awarded the Tochigi Prefecture Cultural Merit Award, [1994] Awarded the Japan Ceramic Society Gold Award, [1996] Designated as a Holder of Important Intangible Cultural Property \"Jomon Zogan\" (Living National Treasure), [1999] Awarded the Order of the Rising Sun, Gold Rays with Rosette\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eWorks Housed In: \u003c\/strong\u003eVictoria and Albert Museum (London), British Museum (London), Metropolitan Museum of Art (New York), Brooklyn Museum (New York), Museum of Fine Arts, Boston, National Museum of Modern Art, Tokyo, Japan Folk Crafts Museum (a sacred site carrying on the legacy of his mentor Hamada Shoji and Soetsu Yanagi), Mashiko Museum of Ceramic Art, Tochigi Prefectural Museum of Fine Arts, etc.\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eDate of Production: \u003c\/strong\u003e1961 (15th anniversary of Shimaoka Tatsuzo's pottery career)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eTomobako (original wooden box)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eCeramic (Jomon Inlay)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e [Large] Height approx. 9.2cm, Mouth diameter approx. 9.0cm, [Small] Height approx. 8.2cm, Mouth diameter approx. 8.0cm\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eAll products offered by our store, even if unused, are very old productions and are listed as used items. Products may have damage due to age, so please consider purchasing after understanding and confirming this.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47835534786747,"sku":null,"price":180000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6517_result.jpg?v=1778943846"}],"url":"https:\/\/antiqueliquor1926.com\/en\/collections\/maker-shimaoka-tatsuzo.oembed","provider":"Antique Liquor","version":"1.0","type":"link"}