{"title":"Neriage \u0026 Nerikomi Sake Cups \u0026 Vessels","description":"\u003cp\u003eNeriage and nerikomi, where layered clays of different colours form the pattern itself — including Nishiki Neriage-de, an Important Intangible Cultural Property of Hiroshima.\u003c\/p\u003e","products":[{"product_id":"156","title":"Hiroshima Prefectural Important Intangible Cultural Property, Uchida Yasuhide (内田泰秀), Late Mature Period, 1980 Masterpiece of Pottery, Lost and Visionary Technique \"Hyori Kantsu Nishiki Neriage\" Ceramic Whisky Tumbler #156","description":"\u003cdiv dir=\"ltr\" aria-busy=\"false\" aria-live=\"polite\" id=\"model-response-message-contentr_460f7b4b0b04bce1\" class=\"markdown markdown-main-panel stronger enable-updated-hr-color\"\u003e\n\u003cp data-path-to-node=\"6\"\u003eUchida Yasuhide is a ceramic artist hailed as a solitary legend in the history of Showa era ceramics. Following immense acclaim at the 1970 Osaka Expo and his subsequent research at the Manufacture nationale de Sèvres, the prestigious national porcelain manufactory of France, he reached a unique artistic pinnacle that harmoniously fused Japanese and French aesthetics. This piece is a miraculous masterpiece created by Uchida during his final years at age 87, a work of such dedication that it took five full months to bring just a single cup to completion.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eAt first glance, the intricate patterns might appear to be beautiful designs painted with a brush. However, the true marvel of this work lies in the fact that these colors and motifs are not created using any pigments or surface painting at all. Instead, they are the result of the lost, phantom technique known as Hyori Kantsu Nishiki Neriagede (Surface-to-Reverse Penetration Brocade Marbling). Clays colored with various metal oxides are assembled like a complex puzzle based on precise calculations, forming the pattern itself as the very structure of the clay body.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThe fantastical flowers appearing at the center of the work, set against a blue mosaic background reminiscent of pond ripples, evoke Claude Monet's Water Lilies. In works like this, which utilize different colored clays, the risk of cracking at the joints is extremely high due to varying shrinkage rates during firing, and any flaws cannot be hidden with glaze. Uchida utilized the advanced techniques he honed at Sèvres to overcome these grueling conditions, achieving vivid, clear colors without turbidity and a robust, flawless finish.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe most defining characteristic is the surface-to-reverse penetration. When peering into the glass, one will be breathless to find that the complex patterns on the exterior extend perfectly through to the interior and even the base without the slightest deviation. This is evidence of the flawless layering of the clay strata and represents a supreme structural beauty imbued with a wish for peace without a back side (sincerity without duplicity) by Uchida, who was a native of the atomic-bombed city of Hiroshima.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eWhen amber whisky is poured into the glass, the intricate patterns shimmer like a kaleidoscope within the liquid, revealing a new, breathtaking landscape. This is the world of Nishiki (Brocade) where five months of passion and technique are encapsulated. To savor fine spirits in this ultimate Ceramic Whisky Tumbler is a luxurious cultural privilege that transcends a mere evening drink.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Uchida Yasuhide (内田泰秀, 1893–1997)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eNotable Career Highlights:\u003c\/strong\u003e [1952] Solo exhibition at Mitsukoshi Nihonbashi Main Store; [1960s] Studied color and porcelain techniques at the Manufacture nationale de Sèvres in France; [1965] Designated as an Intangible Cultural Property of Miyoshi City; [1970] Exhibited at the Osaka Expo (EXPO'70); [1973] Recognized as a Holder of an Important Intangible Cultural Property of Hiroshima Prefecture.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eDate of Production:\u003c\/strong\u003e April 1980 (Showa 55). Inscribed on the back of the box: Produced over five months, April 1980.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent (no chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original wooden box, wrapping cloth (with signature and seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Nishiki Neriage-de (Ceramic, Through-and-Through technique)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 6.5 cm, Diameter approx. 7.4 cm (approximate)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Although the products we offer may be unused, they were produced many years ago and are listed as vintage\/pre-owned items. Please be aware that products may show signs of aging. We appreciate your understanding and careful review before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47416312070331,"sku":null,"price":125000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4124.jpg?v=1770887564"},{"product_id":"158","title":"Hiroshima Prefectural Important Intangible Cultural Property, Uchida Yasuhide (内田泰秀), Late Mature Period, 1977 Masterpiece, Lost and Visionary Technique \"Hyori Kantsu Nishiki Neriage\" Ceramic Rock Glasses (2-Piece Set) #158","description":"\u003cdiv dir=\"ltr\" aria-busy=\"false\" aria-live=\"polite\" id=\"model-response-message-contentr_460f7b4b0b04bce1\" class=\"markdown markdown-main-panel stronger enable-updated-hr-color\"\u003e\n\u003cp data-path-to-node=\"7\"\u003eUchida Yasuhide is a ceramic artist hailed as a solitary legend in the history of Showa era ceramics. Following immense acclaim at the 1970 Osaka Expo and his subsequent research at the prestigious Manufacture nationale de Sèvres in France, he reached a unique artistic pinnacle that harmoniously fused Japanese and French aesthetics. This specific work, Hyori Kantsu Nishiki Neriage (Surface-to-Reverse Penetration Brocade Marbling), was created in July 1977 (Showa 52), a time when Uchida's technique had reached its full maturity and was approaching its absolute peak. On the reverse side of the accompanying original wooden box (tomobako), there is an ink inscription that reads July 24, Showa 52, Intangible Cultural Property, making this a pair of historical significance where years of dedicated study are kneaded into every single grain of clay.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eAt first glance, the intricate patterns might appear to be beautiful designs painted with a brush. However, the true marvel of this work lies in the fact that these colors and motifs are not created using any pigments or surface painting at all. They are the result of the lost, phantom technique known as Hyori Kantsu Nishiki Neriage. Clays colored with various metal oxides are assembled like a complex puzzle based on precise calculations, forming the pattern itself as the very structure of the clay body. Because different colored clays shrink at different rates during firing, the risk of cracking at the joints is extremely high, and any flaws cannot be hidden with glaze. While most works with such multi-colored and complex patterns would crack during firing, Uchida utilized the exceptional skills he honed at Sèvres to achieve vivid, clear colors without turbidity and a robust, flawless finish.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eUnique discolorations caused during firing can be seen on the surface, but in Uchida's work, these are by no means defects. They are the traces of a battle in which different clays fiercely pulled against one another under grueling heat, eventually merging and sublimating into a single entity. This expression, which looks as if the flickering of the flames themselves has been captured, is the scenery (keshiki) unique to fine kōgei (craft) and absent in industrial products; it is the steadfast proof that this work is a one-of-a-kind piece that survived the harsh kiln fire. Furthermore, the most defining characteristic, surface-to-reverse penetration, means that the complex patterns on the exterior extend perfectly through to the interior and even the base without the slightest deviation. This is evidence of the flawless layering of the clay strata and represents a supreme structural beauty imbued with a wish for peace without a back side (sincerity without duplicity) by Uchida, who was a native of the atomic-bombed city of Hiroshima.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eWe propose this historical Japanese masterpiece not merely as a teacup, but as a supreme whisky rock glass worthy of its esteemed status. When held in the hand, one can feel the profound weight of the kneaded clay and the intricate textures of the patterns beneath the fingertips. The moment amber whisky is poured in, the geometric motifs that penetrate through to the interior shimmer like a kaleidoscope within the liquid, revealing a new, breathtaking landscape at the bottom of the glass. This time spent where fine spirits meld with passion that has not faded after nearly fifty years will be a luxurious cultural privilege that transcends a mere evening drink.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Uchida Yasuhide (内田泰秀, 1893–1997)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eNotable Career Highlights:\u003c\/strong\u003e [1952] Solo exhibition at Mitsukoshi Nihonbashi Main Store; [1960s] Studied color and porcelain techniques at the Manufacture nationale de Sèvres in France; [1965] Designated as an Intangible Cultural Property of Miyoshi City; [1970] Exhibited at the Osaka Expo (EXPO'70); [1973] Recognized as a Holder of an Important Intangible Cultural Property of Hiroshima Prefecture.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eDate of Production:\u003c\/strong\u003e July 1977 (Showa 52). *Note: The back of the original wooden box (tomobako) bears an ink inscription that reads: July 24, Showa 52, Intangible Cultural Property.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent (no chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original wooden box, wrapping cloth (with signature and seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Nishiki Neriage-de (Ceramic, Through-and-Through technique)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e [Large] Height: Approx. 7.5cm, Diameter: Approx. 7.4cm \/ [Small] Height: Approx. 7cm, Diameter: Approx. 6cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Although the products we offer may be unused, they were produced many years ago and are listed as vintage\/pre-owned items. Please be aware that products may show signs of aging. We appreciate your understanding and careful review before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47454026793147,"sku":null,"price":100000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4188.jpg?v=1771241582"},{"product_id":"168","title":"Hiroshima Prefectural Important Intangible Cultural Property, Uchida Yasuhide (内田泰秀), Late Mature Period Masterpiece, Lost and Visionary Technique \"Hyori Kantsu Nishiki Neriage\" Ceramic Shot Glass #168","description":"\u003cp data-path-to-node=\"15\"\u003eUchida Yasuhide (1893–1997) is revered as a \"solitary legend\" in the history of Showa-era ceramics. After receiving international acclaim at the 1970 Osaka Expo and refining his craft at the prestigious Manufacture nationale de Sèvres in France, he reached a unique aesthetic realm where Japanese and French sensibilities converged. This exquisite shot glass is a masterpiece from his mature later years. It is crafted using his signature technique, \"Hyorikantsuunishikineriage\" (Through-and-Through Brocade Neriage), a legendary method that has effectively been lost to time.\u003c\/p\u003e\n\u003cp data-path-to-node=\"16\"\u003eAt first glance, the intricate geometric patterns may appear to be delicate brushwork, but they contain no pigments or painted designs whatsoever. This technique involves coloring raw clay with various metal oxides and assembling them like a complex 3D puzzle based on precise calculations, making the pattern itself the very structure of the vessel. Because different colored clays have varying shrinkage rates during firing, the risk of cracking at the joints is extremely high, and no glaze is used to hide imperfections. The vivid, unclouded colors and durable finish are the results of Uchida's mastery of color science at Sèvres and his absolute obsession with controlling every grain of clay.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eTrue to its name, \"Hyorikantsuu\" (Front-to-Back Penetration), the intricate exterior patterns pass through to the interior and base with absolute precision, creating a structure that is literally the same inside and out. This serves as undeniable proof of the perfect layering of the clay. For Uchida, a native of Hiroshima, this \"through-and-through\" beauty was a sublime physical manifestation of his prayer for a world of \"peace without front or back\" (transparency and harmony). The base is engraved with the character \"Tai\" (Yasu), his authentic signature, and one can feel the distinct, woven layers of clay—a hallmark of his work—with their fingertips.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eWe present this historically significant masterpiece as the ultimate shot glass for savoring the finest whiskies or spirits. Measuring 4.2 cm in height and 4.9 cm in diameter, its delicate size fits perfectly in the hand, ideal for appreciating the layered aromas of fine liquor in small sips. The moment amber liquid is poured, the kaleidoscopic patterns shimmering through to the interior create an ever-changing landscape at the bottom of the glass. While this item does not include accessories, the overwhelming presence of the work and the passion that remains undimmed after nearly fifty years offer the profound joy of ownership, transforming an evening drink into a transcendent cultural ritual.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Uchida Yasuhide (内田泰秀, 1893–1997)\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eNotable Achievements:\u003c\/strong\u003e Studied color and porcelain techniques at the Manufacture nationale de Sèvres in the 1960s. Exhibited at the 1970 Osaka Expo (EXPO'70). Designated a Holder of the Hiroshima Prefecture Important Intangible Cultural Property for \"Nishikineriage\" in 1973.\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003ePublic Collections:\u003c\/strong\u003e Treasured by craft collectors worldwide as a \"legendary artist,\" with works held in major collections across Hiroshima and beyond.\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e Late mature period (Late 1970s to 1980s)\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent (no chips or cracks, signed \"\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e泰\u003c\/span\u003e\")\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None (Item only)\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Nishikineriage (Ceramic, through-and-through inlay technique)\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 4.2 cm, diameter approx. 4.9 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Although these items are in unused condition, they are vintage archival pieces and are listed as second-hand. Please understand that items may show characteristics of aging, and we encourage you to review all details before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47476271382715,"sku":null,"price":33000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4387.jpg?v=1772273284"},{"product_id":"174","title":"Matsui Koyo (松井康陽) Masterpiece: The Zenith of Neriage - Structural Beauty of Layered Construction #174","description":"\u003cp data-path-to-node=\"19\"\u003eWe are proud to introduce a masterpiece by Matsui Koyo (1962-), who has established a unique and intellectual compositional beauty in modern Neriage (marbling) techniques. This work legitimately inherits the Neriage techniques scientifically and artistically systematized by his father, Matsui Yasunari, a Living National Treasure (Holder of Important Intangible Cultural Property) for the Neriagede technique. Koyo has elevated these techniques in his own generation to a level of further precision and modern geometric patterning, creating a piece that truly deserves to be called the art of lamination.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThe Core of the Technique: Fractal Structure of Assembly and Layering The most prominent feature of this work lies in the transcendental technique known as Kumiage (assembly) or Layered Neriage, which far exceeds the general concept of marbling. Rather than simply mixing different colors of clay, this technique involves first pressing dozens of thin clay sheets—each only a few tenths of a millimeter thick—into a single pattern block. These blocks are then precisely sliced, and the resulting fragments are reconfigured with other clay based on a different color scheme to redefine a larger and more complex pattern block. This mind-bogglingly repetitive process creates micro-architectures of clay, appearing on the surface as meticulous grids and gradations that challenge the limits of the naked eye.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eTechnical Difficulty: A Struggle with the Laws of Physics The reason this Kumiage technique is considered the pinnacle of ceramic art is its extraordinarily low survival rate. In ceramics, joining clays with different properties means that even a slight difference in shrinkage rates during drying or firing will cause catastrophic cracking or delamination at the interfaces. In a laminated structure like this, thousands to tens of thousands of interfaces exist within a single vessel. To unite them in a kiln exceeding 1,200 degrees Celsius, advanced scientific knowledge is essential to match the thermal expansion coefficients of each colored clay with mathematical precision. Based on the secret clay formulas inherited from his father Yasunari—which maintain constant shrinkage regardless of color change—Koyo's meticulous calculations allow this physical miracle to take shape.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eUniqueness of Form: Static Beauty Without Distortion The dignified presence of this work is also supported by the total elimination of distortion during the forming process. If the clay were pulled up on a potter's wheel like ordinary ceramics, the internal laminated patterns would be brutally stretched by the pressure of the fingers. Therefore, Koyo employs extremely specialized and time-consuming forming methods, such as hammering the clay from the outside or lavishly carving it out, to ensure the patterns are not distorted at all. This perfect coexistence of three-dimensional structural beauty and mathematical pattern accuracy is the unique aesthetic of the Matsui family.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23\"\u003eInheritance and Innovation from Living National Treasure Matsui \u003ca href=\"\/en\/search?q=%22%E6%9D%BE%E4%BA%95%E5%BA%B7%E6%88%90%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eMatsui Kosei\u003c\/a\u003e Koyo has reconstructed the world of Neriage—often called a kaleidoscope of clay—through a compositional perspective cultivated during his studies at the School of Art and Design, University of Tsukuba. While the works of his father, Yasunari, sometimes evoke a sense of wild vitality through techniques like Hahyo (surface cracking), Koyo's works exude a more refined and tranquil order. This is the result of sublimating the supreme techniques received from his great pioneer father into an art of logic that harmonizes with modern spaces.\u003c\/p\u003e\n\u003cp data-path-to-node=\"24\"\u003eThe Ultimate Tool for Savoring Aged Spirits We recommend this piece because its overwhelming lamination resonates with the layers of time carved into whisky through the aging process. When amber liquid is poured, the fine Neriage lines on the interior refract through the liquid, creating a moment of deep contemplation visually symbolizing the accumulation of time. Beyond simply owning a craft, it is about cherishing in one's hand the product of a human obsession that defied the laws of physics to transform clay into a jewel through fire. It will be a sublime tasting experience that echoes the profound flavors of aged spirits.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e Matsui Koyo (1962-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eRepresentative Career History:\u003c\/strong\u003e [1985] Graduated from the School of Art and Design, University of Tsukuba, and studied under his father, Matsui Yasunari (Living National Treasure). [1991] Won the Encouragement Award at the 38th Japan Traditional Crafts Exhibition. [2002] Received the Japan Ceramic Society Award. [2005] Won the Encouragement Award at the 33rd Traditional Crafts New Works Exhibition. [Later years] Served as a regular member of the Japan Kogei Association and a committee member of the Ibaraki Ceramic Art Museum. Museum\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eCollections:\u003c\/strong\u003e Metropolitan Museum of Art (New York, USA), Victoria and Albert Museum (London, UK), National Museum of Modern Art, Tokyo, Ibaraki Ceramic Art Museum, Smith College Museum of Art (USA), etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eProduction Date:\u003c\/strong\u003e 2000s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks) \u003cbr\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original box (tomobako), wrapping cloth, and descriptive leaflet included.\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain (Neriage)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Diameter approx. 8.0 cm, Base Diameter approx. 4.0 cm, Height approx. 8.2 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products provided by our shop are new and unused, they were produced a long time ago and are listed as second-hand items. Please understand and confirm that the products may have damage due to aging before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47517110239419,"sku":null,"price":85000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4652.jpg?v=1772964629"},{"product_id":"195","title":"Kitsuki-yaki, Tsukasa Kiln, Suzuki Kenji (鈴木健司), Seigaiha (Wave) Motif, Nerikomi Inlay Water Dropper \/ Whisky Dropper #195","description":"\u003cp data-path-to-node=\"18\"\u003eThis water dropper is the work of Suzuki Kenji, the potter who runs the Tsukasa Kiln (Kitsuki-yaki) in Kitsuki City, Oita Prefecture. The leaflet that comes with it expresses the maker's wish to create vessels that bring a sense of ease when held and used, much as a children's song warms the heart, and describes an ongoing, patient effort, through trial and error, to make pottery glazed with ash from the mandarin oranges and bamboo of Kitsuki, a castle town rich in nature. The \"Nerikomi\" (marbled clay) and \"Inlay\" (Zogan) techniques featured in this work demand advanced skill. Nerikomi involves the meticulous layering of differently colored clays to create patterns within the cross-section; it is a high-risk process where the varying shrinkage rates of the clays often lead to cracking during firing, thus requiring exceptional skill.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eOur shop redefines this vessel, originally designed as a calligraphic \"Suiteki\" for dripping water drop by drop, as a \"Whisky Dropper\" for perfectly unlocking the aromas of rare aged spirits and single malts. When spirits matured for decades are diluted with an extremely small amount of water, the surface tension changes, causing a \"blooming\" effect that dramatically releases complex layers of trapped aroma and flavor. This vessel's specialized form is ideal for the millimeter-precision control required for such a delicate process.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eIts method of use is remarkably intuitive and elegant. By lightly covering the small air hole on the top with a fingertip and subtly adjusting the pressure, the user can control the internal airflow with total precision. This allows one to guide a single drop exactly as intended into the amber liquid. The box lid bears the brushed inscription \"Seikai Shiranami-mon Suiteki\" (water dropper with blue-sea and white-wave pattern) along with the \"Tsukasa Kiln\" signature and seal, and the \"Seigaiha\" (Blue Ocean Waves) pattern, shaped by the maker's devoted craft, represents a rare fusion of calculated technique and the raw character of the clay. This rare piece of Japanese craftsmanship is both a functional tool and a unique collector’s item that invites the luxury of traditional beauty into a modern lifestyle.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Suzuki Kenji (鈴木健司), Tsukasa Kiln, Kitsuki-yaki (Kitsuki City, Oita Prefecture)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"33\"\u003eAbout the Kiln:\u003c\/b\u003e Tsukasa Kiln is a Kitsuki-yaki pottery in Kitsuki City, Oita Prefecture. Its enclosed leaflet describes an ongoing effort, through trial and error, to make pottery glazed with ash from the mandarin oranges and bamboo of the castle town of Kitsuki.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"896\"\u003ePeriod of Creation:\u003c\/b\u003e 1998 or later (the enclosed leaflet is printed with the seven-digit postal code \"873-0006\"; Japan introduced seven-digit postal codes in February 1998. Estimated on the assumption that the leaflet accompanied the piece when it was made). The \"Nerikomi Inlay\" in this work is a technically demanding process involving the integration of multiple clays with different shrinkage rates, entailing a high risk of damage during firing.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1297\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1340\"\u003eAccessories:\u003c\/b\u003e Original signed wooden box (Tomobako), wrapping cloth, introductory leaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1429\"\u003eMaterial:\u003c\/b\u003e Pottery (Kitsuki-yaki \/ Nerikomi Inlay)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1479\"\u003eDimensions:\u003c\/b\u003e Height approx. 4.5 cm, Width approx. 6.0 cm, Depth approx. 8.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1557\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47544827740347,"sku":null,"price":27000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5303_result.jpg?v=1774142188"},{"product_id":"197","title":"Konishi Yohei (小西洋平), Tokoname Ware Neriage, Horseback Cup (Stem Cup) \"Shouchu no Tama\" Sake Vessel #197","description":"\u003cp data-path-to-node=\"20\"\u003eThis \"Bashohai\" (Horseback Cup) is a 1980s masterpiece by Konishi Yohei (born 1941), a master craftsman who elevated the traditional techniques of Tokoname ware to the level of contemporary art. This particular piece has a prestigious provenance, having been selected around May 1985 at Seikado in Ginza, Tokyo—then one of Japan's premier hubs for high-end art and crafts. This was shortly after Konishi established his international reputation by winning the Silver Medal at the Vallauris International Ceramics Biennial in France in 1982. As a designated Intangible Cultural Property holder of Tokoname City, his works are held in prestigious public collections worldwide, including the Victoria and Albert Museum in London and the Philadelphia Museum of Art. This piece offers a rare opportunity to experience his exceptional artistry within the palm of your hand.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eIn Konishi Yohei’s creative work, the most highly acclaimed elements are his \"Neriage\" technique—layering differently colored clays to create intricate internal patterns—and his \"Usu-zukuri\" (thin-walled) wheel-throwing, which pushes the very limits of the medium. The Neriage in this work consists of multiple layers of Tokoname’s characteristic vermilion (Shudei), white, and black clays. Unlike surface painting, this creates a profound visual depth that seems to emanate from within the vessel itself. This technique requires joining multiple clays with different properties and shrinkage rates, entailing an extremely high risk of cracking or warping during drying and firing. Achieving this level of difficulty requires not only the clay selection skills rooted in Tokoname tradition but also the masterful intuition of an artist who understands the nature of fire.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eA detailed observation of the design reveals that the unique form of the horseback cup, flaring gracefully from its high stem, accentuates the complex textures created by the Neriage. The dynamic patterns on the surface, reminiscent of geological strata or cosmic undulations, represent a unique expression where calculated intent meets the natural transformation of the kiln. It encapsulates the creative energy of the 1980s, the peak of Konishi's career. Despite its delicate dimensions (approx. 6.3 cm in height, 5.3 cm in diameter), the contrast between the characteristic lightness of Tokoname ware and its visual density eloquently speaks to the true value that continues to captivate collectors worldwide.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Konishi Yohei (小西洋平, born 1941)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"34\"\u003eRepresentative Career:\u003c\/b\u003e [1982] Awarded the Silver Medal at the Vallauris International Ceramics Biennial in France; [2013] Designated as a holder of the Tokoname City Intangible Cultural Property for \"Tokoname Ware (Hand-thrown pottery).\" Currently a Full Member of the Japan Art Crafts Association, he continues to lead contemporary Tokoname ware, utilizing his self-taught and evolved \"Neriage\" and \"Usu-zukuri\" techniques.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"459\"\u003eMuseum Collections:\u003c\/b\u003e Victoria and Albert Museum (London, UK), Philadelphia Museum of Art (USA), Aichi Prefectural Ceramic Museum, Tokoname Ceramic Art Museum, INAX Live Museum, and others. Notably, the Victoria and Albert Museum in London houses his Neriage works, solidifying his international artistic status.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"770\"\u003ePeriod of Creation:\u003c\/b\u003e Early 1980s (Based on the inscription on the box)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"840\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks; features a vintage patina)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"910\"\u003eAccessories:\u003c\/b\u003e Original signed paper box (with inscription from Ginza Seikado, May 1985)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1020\"\u003eMaterial:\u003c\/b\u003e Pottery (Tokoname Ware \/ Neriage)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1064\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 5.3 cm, Height approx. 6.3 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1129\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47549040591035,"sku":null,"price":41000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5389_result_1ce32dd9-d47c-4a59-9fdb-1f85d0ca2f6b.jpg?v=1783556279"},{"product_id":"224","title":"Konishi Yohei (小西洋平), Tokoname City Intangible Cultural Heritage Holder, Hand-thrown Shudei Neriage Genshinsai Sake Set, Pair #224","description":"\u003cp data-path-to-node=\"6\"\u003eWe are pleased to introduce a Shudei Neriage Genshinsai work by Konishi Yohei (born 1941), a contemporary master who perfected the technique of hand-thrown pottery in the history of Tokoname ware and was designated as a holder of Tokoname City Intangible Cultural Property in 2013. Konishi is an artist who has established international artistic value, with his works housed in prestigious institutions such as the Victoria and Albert Museum in the UK and the Philadelphia Museum of Art in the US. This piece is an extremely rare pair, combining Konishi's signature neriage technique with thin-walled construction that challenges the limits of pottery wheel techniques. At our store, we propose it as a rock glass for enjoying long-aged koshu or whisky, to maximize its refined aesthetics and exquisite mouthfeel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eThe most highly regarded aspect of Konishi's creations is his neriage technique, which creates intricate patterns by layering different colored clays. In this work, shudei (vermilion clay), symbolic of Tokoname, serves as the base, with white and black clays precisely layered, forming a profound landscape that seems to emanate from within the vessel, distinctly different from mere surface painting. This technique carries an extremely high risk of cracks and distortions during firing due to the joining of multiple clays with different properties and shrinkage rates, but Konishi masterfully controls this through his selection of clays, backed by Tokoname's tradition, and his skilled intuition. This unique color expression, named \"Genshinsai,\" embodies a multi-layered beauty akin to geological strata, revealing ever-changing expressions depending on the viewing angle.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eParticularly noteworthy in terms of form is the thin-walled construction, achieved through the exceptional hand-thrown pottery technique that also led to his certification as an intangible cultural property. When you actually hold this piece, you will first be surprised by its lightness, almost unbelievable for a ceramic, and then by its smooth surface that adheres very delicately to your fingers. The appreciation of this work begins with an admiration for the artist's unique and splendid technique, as the method of stretching the clay to its thinnest limit solely by the sense of the fingertips creates a pleasant tension the moment it is held. Furthermore, the surface features sharp facet-cutting, reminiscent of cut hand-blown glass. This carving exposes the cross-section of the layered neriage clay, elevating it to a more geometric and modern design. This thin construction directly contributes to a pleasant mouthfeel, directly conveying the subtle nuances of sake to the lips and enhancing its rich aroma.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe matte texture of Tokoname ware's characteristic shudei gains luster with use, offering the pleasure of growing with its owner. This piece, which combines artistic merit recognized by the world's leading museums with the practicality of transforming everyday drinking into a dignified ritual, truly deserves to be called the pinnacle of Japanese Kōgei (crafts). This crystal of Tokoname's earth and fire, held in your hand, will take on new life the moment amber liquid is poured into it, bringing deep emotion to your tranquil evening drinks.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Konishi Yohei (小西洋平, 1941-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"30\"\u003eArtist's Notable Career:\u003c\/b\u003e [1982] Awarded the Silver Prize at the International Ceramics Biennale in Vallauris, France. [2013] Certified as a holder of Tokoname City Intangible Cultural Property \"Tokoname Ware (Hand-thrown pottery wheel).\" Currently, as a full member of the Japan Kōgei Association, he continues to work as a leading figure in contemporary Tokoname ware, leveraging his self-taught neriage and usuzukuri (thin-walled) techniques, which evolve traditional methods.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"509\"\u003eWorks Housed In:\u003c\/b\u003e Victoria and Albert Museum (London, UK), Philadelphia Museum of Art (USA), Aichi Prefectural Ceramic Museum (Seto City, Aichi Prefecture), Tokoname City Ceramic Hall (Tokoname City, Aichi Prefecture), INAX Live Museum (Tokoname City, Aichi Prefecture), and others. Notably, the Victoria and Albert Museum in London houses works using his representative neriage technique, confirming his international artistic value.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"943\"\u003ePeriod of Creation:\u003c\/b\u003e 1980s - early 1990s\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"983\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks, aged aesthetic)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"1042\"\u003eAccessories:\u003c\/b\u003e None\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"1060\"\u003eMaterial:\u003c\/b\u003e Pottery (Tokoname ware, Neriage)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"1103\"\u003eDimensions:\u003c\/b\u003e Height approx. 9.3 cm, Mouth diameter approx. 6.3 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"1168\"\u003eNote:\u003c\/b\u003e Even if new and unused, all products offered by our store are from a very old production period and are listed as used items. Products may have damage due to age, so please consider purchasing after understanding and checking their condition.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47701270659259,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6146_result.jpg?v=1778493337"},{"product_id":"246","title":"Tokoname Ware Traditional Craftsman First Generation Hotta Kenji (堀田憲児) Laminated Flowing Patterns Ceramic Whisky Tumbler #246","description":"\u003cp data-path-to-node=\"17\"\u003eWe present the work of Hotta Kenji (1951-2017), a traditional craftsman who, while building upon the traditional \"shudei\" (red clay) techniques of Tokoname ware, pioneered the modern and contemporary world of \"nerikomi\" (marbled clay). This piece, created after he established \"Kenji Toen\" in 1974, is a prime example of his signature retro-modern contemporary craft, where he controlled the properties of clay with his unique self-taught skills, fusing beautiful marble patterns with three-dimensional cutwork.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"18\"\u003eThe Depths of Technique: Constructing Layered Clay and the Rhythm of Three-Dimensional Cuts\u003c\/h3\u003e\n\u003cp data-path-to-node=\"18\"\u003eThe core of Hotta Kenji's work lies in the \"nerikomi\" (or \"neriage\") technique, where he layers clays of different colors and then throws them on a potter's wheel to create patterns resembling natural strata or wood grain. The flowing marble patterns seen on the surface of this piece are not merely surface decoration; they demonstrate that the vessel's thickness itself is an accumulation of different clays. Furthermore, Hotta Kenji perfected his unique design by meticulously hand-carving the surface of these nerikomi patterns, a technique called \"polka dot cut\" (or \"carved work\"), creating a visually and musically rhythmic interplay of geometric patterns and three-dimensional shadows.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"19\"\u003eChallenging Physical Limits: Harmonizing the Shrinkage Rates of Different Clays\u003c\/h3\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe reason this technique is lauded as a highly advanced ceramic craft lies in the immense risk involved in combining multiple clays with different properties and shrinkage rates. Typically, clays of different colors have different compositions, so even a slight miscalculation during the drying or firing process can lead to fatal cracks (kire) or breakage at the joints. Based on his rigorous clay management and experience as an outstanding traditional craftsman, firing a layered structure with countless interfaces like this piece without distortion at high temperatures is an extremely difficult feat. The fact that the intricate geometric patterns and cuts are perfectly maintained from the rim to the foot, without any flaws, eloquently speaks to his high level of technical sophistication.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"20\"\u003eForm and Function: Pure Form and Tactility through Unglazed Firing\u003c\/h3\u003e\n\u003cp data-path-to-node=\"20\"\u003eThis piece is finished with \"muyuyakishime\" (unglazed firing), where it is fired at high temperatures without any glaze. With a refined silhouette, approximately 6.0 cm in diameter and 8.0 cm in height, it directly conveys the fine and high-quality texture of the clay, exuding a pleasing, matte tension that feels as if it adheres to the palm. Precisely because there is no vitreous coating, the oils from your hands will permeate the surface with use, and over time, it will develop an alluring luster and color (aging), embodying the \"beauty of use\" as a craft that \"grows\" with you.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"21\"\u003eAn Intellectual Tasting Experience for Aged Sake and Whisky\u003c\/h3\u003e\n\u003cp data-path-to-node=\"21\"\u003eOur store proposes this piece, originally created as a teacup or free cup, as a Ceramic Whisky Tumbler for savoring amber-colored aged sake or matured Japanese whisky. As you pour the liquid, gently appreciating the smooth clay surface with your fingertips, the hidden nerikomi patterns within the vessel and the amber hues of the liquor, created by the passage of time, quietly resonate with each other. This offering, consisting solely of the main body without accessories, thus allows you to effortlessly incorporate the pinnacle of the artist's technique into your daily life and enjoy the essential pleasure of craft by directly experiencing top-tier craftsmanship in your hands.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eHotta Kenji (堀田憲児, 1951-2017)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist's Key Career Highlights:\u003c\/strong\u003e [1974] Established Kenji Toen. Certified Traditional Craftsman for \"Tokoname Ware,\" a nationally designated traditional craft. [1998] Awarded Encouragement Prize at the Choza Award Ceramics Exhibition (also selected 5 times at the same exhibition). [2001, 2002, 2004] Selected for the Tokyo Dome Tableware Grand Prix. [2002, 2004] Selected for the Kanazu Creation Forest \"Sake no Utsuwa\" (Sake Vessels) Exhibition. Selected for the Itami International Craft Exhibition. Selected and exhibited\/sold as an official original product at \"INAX Live Museum\" in Tokoname City, Aichi Prefecture. Passed away in 2017. His son, Takumi, now carries on his techniques.\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e 1990s-2010s (estimated)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eNone\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramic (Tokoname Ware, Nerikomi)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eApproximately 6.0 cm diameter, 8.0 cm height\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eAll items provided by our store, even if unused, are from a very old production period and are listed as used. Items may have damage due to age; please understand and confirm before considering purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47801254150331,"sku":null,"price":18000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6291_result.jpg?v=1778660371"},{"product_id":"247","title":"Tokoname City Designated Intangible Cultural Property Holder Konishi Yohei (小西洋平), Shudei Neriage Genshin-sai, Hand-thrown Thin-walled Guinomi \/ Shot Glass, With Imperfection (B-Stock) #247","description":"\u003cp data-path-to-node=\"23\"\u003eWe are proud to present an exceptionally rare Shudei Neriage Genshinsai guinomi by Konishi Yohei, a contemporary master who stands at the pinnacle of modern Tokoname ware and was certified as a holder of Tokoname City Designated Intangible Cultural Property in 2013. Konishi's artistry has achieved global recognition, with his works publicly held in prestigious institutions such as the Victoria and Albert Museum in the UK and the Philadelphia Museum of Art in the US, following his silver prize win at the Vallauris International Ceramics Biennale in France in 1982. This piece is a masterpiece from his most energetic and mature period, spanning the 1980s to the early 1990s, where his unique neriage technique—developed through self-study and refined atop traditional Tokoname ware methods—converges with the intricate sculptural beauty achieved by a hand-turned pottery wheel. Our store offers this supreme Japanese craftwork, possessing a verified history and global acclaim, as a vintage premium sake vessel for savoring aged amber spirits or premium Japanese whisky neat.\u003c\/p\u003e\n\u003cp data-path-to-node=\"24\"\u003eAt the core of Konishi Yohei's artistic value, and what experts most highly praise, is his unique neriage technique based on shudei (red clay), the symbol of Tokoname ware, where different colored clays are layered repeatedly to create patterns, along with his ultimate thin-walled construction achieved by a hand-turned pottery wheel. Konishi's neriage is not merely a superficial mixing of colors; by perfectly controlling clays with different compositions and shrinkage rates down to the millimeter, he creates complex and fluid geometric patterns that penetrate the thickness of the vessel. This technique results in a once-in-a-lifetime art where no two patterns are ever the same due to the chemical reaction between fire and clay in the kiln. The fact that works using this technique are housed in the Victoria and Albert Museum in the UK eloquently testifies to its universal beauty. Furthermore, the thin-walled construction, where clay is stretched to its limit using only the artist's fingertips, gives the vessel astonishing lightness and a pleasant feel to the mouth, embodying the ultimate in functional beauty in craftsmanship.\u003c\/p\u003e\n\u003cp data-path-to-node=\"25\"\u003eA detailed professional analysis of the design of this piece confirms that the unparalleled skill and aesthetic sense, synonymous with this master, are clearly evident across the entire surface of this small guinomi. The vessel's surface powerfully and precisely displays laminated neriage lines that beautifully undulate in conjunction with the rotation of the hand-turned pottery wheel, evoking the fluid strata or annual rings of nature. This pattern completely penetrates to the inside, allowing the clay pattern to emerge more vividly through the liquid when sake is poured. Additionally, the surface coloring, called Genshinsai, exhibits deep and delicate shades within the calm reddish-brown characteristic of shudei, possessing the inherent charm of Tokoname ware to mature and gain luster with use. The form of the rim, finished to an extreme thinness, dramatically enhances the tasting experience the moment premium spirits touch the lips.\u003c\/p\u003e\n\u003cp data-path-to-node=\"26\"\u003eThis piece comes with the artist's handwritten signature and seal on the accompanying wooden box, as well as the wrapping cloth, indicating a genuine and authentic condition. However, a noticeable scuff (scratch) is observed on the inner bottom, so we offer it at a special price as a \"B-stock\" item with a history befitting its vintage status. When liquid touches the inside of the vessel, the weight of time held by the amber liquor and the design of the vessel reminiscent of geological strata beautifully resonate. Please fully enjoy a thoughtful evening drink, appreciating the pinnacle of human artistry while directly feeling the rhythm of the clay that Konishi Yohei devoted his life to creating, right in the palm of your hand.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eKonishi Yohei (小西洋平, 1941- )\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eArtist's Major Career Highlights:\u003c\/strong\u003e [1982] Awarded Silver Prize at the Vallauris International Ceramics Biennale, France; [2013] Certified as a holder of Tokoname City Designated Intangible Cultural Property. Regular Member of the Japan Craft Arts Association.\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eWorks Held In: \u003c\/strong\u003eVictoria and Albert Museum (UK), Philadelphia Museum of Art (USA), Aichi Prefectural Ceramic Museum, INAX Live Museum, and others.\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e 1980s - early 1990s (estimated, mature period)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e B-Stock (no chips, no cracks, noticeable scuff on inner bottom)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original wooden box, wrapping cloth\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eCeramic (Tokoname ware, neriage, shudei, genshinsai)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 5.5 cm, Diameter approx. 5.9 cm\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e All items offered by our store, even if unused, are from a very old production period and are listed as used goods. Items may have damage due to age; please understand and confirm before considering purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47823827534011,"sku":null,"price":8000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6433_result.jpg?v=1778895975"},{"product_id":"249","title":"Tokoname City Intangible Cultural Property Holder, Konishi Yohei (小西洋平), Shu-dei Neriage Genshin-sai Sake Set (Sake Bottle and Cups) #249","description":"\u003cp data-path-to-node=\"8\"\u003eWe are pleased to introduce a Shudei Neriage Genshinsai sake set by Konishi Yohei (born 1941), a modern master who stands at the pinnacle of contemporary Tokoname ware and was designated a holder of Tokoname City Intangible Cultural Property in 2013. Konishi's artistry has earned global recognition, including a silver prize at the Vallauris International Ceramics Biennale in France in 1982, and his works are held in prestigious institutions such as the Victoria and Albert Museum in England and the Philadelphia Museum of Art in the United States. This piece is a masterpiece from his mature period in the 1980s to early 1990s, where his self-taught and refined neriage technique, built upon traditional Tokoname ware methods, harmonizes with the intricate sculptural beauty achieved through a hand-turned potter's wheel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe core essence of this work lies in the neriage technique, which involves layering clays of different colors on a base of shudei (vermilion clay), the symbol of Tokoname ware, to create patterns. The flowing, geological-strata-like curves visible in the accompanying images are not drawn on the surface; rather, they emerge from the layers of clay itself, penetrating the thickness of the vessel. Konishi's neriage goes beyond mere color blending; by perfectly controlling the shrinkage rate of the clay, he creates complex geometric patterns where intricate lines, millimeters in scale, intersect. This technique produces unique, one-of-a-kind patterns, making each piece a singular artistic encounter. The fact that works using this same technique are held in the Victoria and Albert Museum eloquently speaks to the universal artistic value of this piece.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eIn terms of form, the transcendent skill of the hand-turned potter's wheel, a reason for his designation as an Intangible Cultural Property, is fully displayed. Especially noteworthy are the extremely constricted neck of the sake bottle (tokkuri) and the thinly crafted (usuzukuri) finish seen in the sake cups (sakazuki), a realm uniquely mastered by Konishi. The usuzukuri technique, where clay is stretched to its limit with only the sensation of the fingertips, imparts astonishing lightness and a pleasant feel to the mouth of the vessel, embodying the beauty of utility in craftwork. Furthermore, the coloration on the surface, called Genshinsai, imbues the characteristic subdued reddish-brown of shudei with deep shading. It possesses the inherent charm of Tokoname ware, which develops a richer luster with use and grows with its owner.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eWe propose this elegant sake set, originally crafted for Japanese sake, as a special vessel for enjoying aged whisky or brandy. When liquid touches the inside of the vessel, the subtle clay patterns created by the neriage technique deepen their contours through the liquid. The weight of time held by amber spirits resonates with the vessel's design, reminiscent of geological strata. The temperature of the liquid conveyed by the ultra-thin sake cup nestled in one's palm, and the rhythm of the clay that Konishi Yohei dedicated his life to creating, will elevate the simple act of drinking into a thoughtful tasting experience, appreciating the pinnacle of human artistry and the harmony of nature.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eKonishi Yohei (小西洋平, born 1941)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eArtist's Notable Activities:\u003c\/strong\u003e [1982] Received a silver prize at the Vallauris International Ceramics Biennale in France, [2013] Designated a holder of Tokoname City Intangible Cultural Property. Regular member of the Japan Kōgei Association.\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eWorks Held In: \u003c\/strong\u003eVictoria and Albert Museum (UK), Philadelphia Museum of Art (USA), Aichi Prefectural Ceramic Museum, INAX Live Museum, and others.\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e 1980s – Early 1990s\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips or cracks)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eTomobako (original signed wooden box), Shiori (informational brochure), Wrapping cloths (2 pieces)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eCeramics (Tokoname Ware, Neriage)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eSake Bottle (Tokkuri): Height approx. 13.5 cm, Mouth diameter approx. 6.3 cm \/ Sake Cup (Sakazuki): Height approx. 6.0 cm, Mouth diameter approx. 6.0 cm\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eEven if the items we offer are new and unused, they are from a very old production period, and all are listed as used items. The products may have damage due to age, so please consider purchasing after understanding and checking.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47823831007419,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6346_result.jpg?v=1778894737"},{"product_id":"255","title":"Hiroshima Prefectural Important Intangible Cultural Property, Uchida Yasuhide (内田泰秀), Mature Period, 1971, Pottery, \"Hyori Kantsu Nishiki Neriage\" Sake Cup \/ Shot Glass #255","description":"\u003cp data-path-to-node=\"6\"\u003eWe are pleased to introduce an extremely rare guinomi created in 1971 by Mr. Uchida Yasuhide, a holder of Hiroshima Prefecture's Important Intangible Cultural Property \"Hyori Kantsu Nishiki Neriage\" who was born in 1893 and passed away in 1997 at the age of 104, leaving monumental footprints on the history of pottery from the Showa to Heisei eras. Mr. Uchida acquired advanced coloring and porcelain techniques at the prestigious Manufacture Nationale de Sèvres in France in the 1960s. After exhibiting at the Osaka Expo in 1970, he was designated a holder of Hiroshima Prefecture's Important Intangible Cultural Property in 1973. This piece is a monumental work crafted in 1971, a relatively early period in Mr. Uchida's career, just before he was recognized as a holder of an Important Intangible Cultural Property. Our shop proposes this legendary work, still highly praised by craft collectors both domestically and internationally, to the world as a special shot glass for savoring aged sake and premium whiskies neat.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eThe core of Uchida Yasuhide's artistry and his most highly acclaimed achievement is the lost, legendary technique of Hyori Kantsu Nishiki Neriage (front-and-back penetrating brocade clay layering), which is extremely difficult to reproduce today. This technique does not involve painting with pigments on the surface, as in conventional pottery. Instead, it is an astonishing method where different colored clays, created by mixing various metal oxides to achieve their hues, are meticulously combined like a puzzle based on precise calculations, forming the pattern itself as the structure of the clay. Since clays with different compositions have different shrinkage rates during firing, there is an extremely high risk of cracks forming at the joints in the kiln, allowing for no margin of error. The sense of color cultivated at the Sèvres porcelain factory and the high level of skill in completely controlling the clay enable the vibrant, unadulterated coloration seen in his work.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eA specialized analysis of the design of this piece clearly reveals valuable formative characteristics from the developmental stage of the Hyori Kantsu Nishiki Neriage technique. As its name, \"front-and-back penetrating,\" suggests, the intricate geometric patterns applied to the exterior penetrate completely to the interior and even the bottom without any deviation, visually proving the uniform layering of the clay. Compared to the refined, thin, and light style seen in Uchida's later works, this piece, from its developmental stage, has a generally robust and pleasing weight, offering an excellent hold that feels mysteriously natural in the hand from the first touch. Furthermore, a beautiful accumulation of glaze (yutamari) characteristic of works from this period is clearly visible at the bottom of the vessel's interior. The exterior bottom, while providing solid stability, retains the irregular undulations unique to handmade crafts that industrial products can never replicate. Therefore, the distinct feel and sensation experienced when releasing your hand as you set the piece down from the hand to the table is also a very interesting highlight unique to this particular work.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eFurthermore, this piece possesses a unique characteristic: the appearance of its surface color visibly changes depending on the type of light source, angle, and intensity of light during photography or viewing, offering a visual delight. Because this piece was crafted during a period before the character \"Yasu\" (泰) was incised on Mr. Uchida's works, no spatula-carved signature can be confirmed on the vessel itself. However, the genuine authorship of Mr. Uchida is thoroughly authenticated by the powerful texture of the multi-layered clay, as well as the tomobako (wooden box) featuring the artist's handwritten signature and seal, along with the original wrapping cloth. Please enjoy this unique masterpiece of traditional Japanese craftsmanship, a crystallization of passion and exceptional skill that has not faded over half a century, as a special companion for savoring fine spirits.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Uchida Yasuhide (内田泰秀, 1893–1997)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eArtist's Key Activities: \u003c\/strong\u003eAcquired coloring and porcelain techniques at the Manufacture Nationale de Sèvres in France in the 1960s. Exhibited at the Osaka Expo in 1970, and was designated a holder of Hiroshima Prefecture's Important Intangible Cultural Property \"Hyori Kantsu Nishiki Neriage\" in 1973.\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eProduction\u0026nbsp;Period: \u003c\/strong\u003e1971 \u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks) \u003cbr\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Signed wooden box, wrapping cloth\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eHyori Kantsu Nishiki Neriage (Pottery, front-and-back penetrating technique) \u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 5.0 cm, Mouth diameter approx. 5.4 cm\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eNote ①: \u003c\/strong\u003eEven if new and unused, all products offered by our shop are from very old production periods and are listed as used items. Products may have age-related damage; please understand and confirm this before considering a purchase.\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eNote ②: \u003c\/strong\u003eDue to lighting conditions and the viewing environment, the true colors and textures of the artwork may appear slightly different from the actual item. Therefore, we have included as many photographs as possible to allow you to examine the details from all angles. We kindly ask you to carefully view the details and make your purchase with complete satisfaction.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47835535114427,"sku":null,"price":33000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6982_result.jpg?v=1779603155"},{"product_id":"258","title":"Hiroshima Prefecture Important Intangible Cultural Property Holder, Uchida Yasuhide (内田泰秀), Mature Later Period, 1984 Masterpiece, Lost Legendary Technique \"Hyori-Kantsu Nishiki-Neriage-de\", White Camellia Design Tall-Footed Dish #258","description":"\u003cp data-path-to-node=\"26\"\u003eUchida Yasuhide (1893-1997), a holder of Hiroshima Prefecture's Important Intangible Cultural Property and referred to as a solitary legend in the history of Showa pottery. After exhibiting at the 1970 Osaka Expo and training at the prestigious Manufacture nationale de Sèvres in France, he reached a unique realm by fusing Japanese and French aesthetics. We present his supreme masterpiece, a ceramic confectionary dish (tall-footed dish) crafted on July 14, 1984, during his mature later years, utilizing the lost and legendary technique of Hyori-Kantsu-Nishiki-Neriage-de (double-sided penetrating brocade marbled clay).\u003c\/p\u003e\n\u003cp data-path-to-node=\"27\"\u003eThis piece, created in 1984, is a special item that was carefully preserved by the Uchida family as an unmarketable work for the artist's own collection, representing the pinnacle of his mature techniques during his prime. Later, at the funeral of Mr. Uchida, who lived an astonishingly long life of over a hundred years and attained his Buddhist transition (Sen-ge), it was presented as a token of appreciation to a select few close relatives who attended. The full extent of its valuable history can be meticulously confirmed by deciphering the accompanying memorial thank-you letter from the bereaved family dated March 20, 1997, from Mr. Hitoshi Sayo, Mr. Uchida's third son. This letter provides invaluable historical evidence proving that this work is an authentic and paramount heirloom of the Uchida family. We propose this elegant, tall-footed dish, approximately 19\u0026nbsp;cm in diameter, to the world as the ultimate premium plate for beautifully serving exquisite delicacies when enjoying aged amber sake or premium Japanese whisky.\u003c\/p\u003e\n\u003cp data-path-to-node=\"28\"\u003eThe Hyori-Kantsu-Nishiki-Neriage-de technique represents the pinnacle of Uchida Yasuhide's artistic value. The beautiful patterns on the vessel might appear to be hand-painted at first glance, but they are not superficial colors applied with pigments. This is a masterful technique where various types of clay, colored by blending different metal oxides, are intricately assembled like a puzzle with meticulous calculation, creating the pattern itself as the organizational structure of the clay. Furthermore, as indicated by its most significant characteristic, \"Hyori-Kantsu\" (penetrating front and back), these patterns perfectly penetrate and appear as beautiful, distinct compositions on both the front and back surfaces of the dish, set against a cobalt blue background, without any deviation. This is irrefutable evidence that the layers of clay are perfectly superimposed even in the interior, and within this ultimate structural beauty is completely encased Mr. Uchida's lifelong ardent wish for pure peace without front or back, a desire born from his experience as a native of Hiroshima, a city affected by atomic bombing.\u003c\/p\u003e\n\u003cp data-path-to-node=\"29\"\u003eObserving the design of the dish closely, a beautiful floral pattern of white camellias, quietly blooming from winter to early spring, around March when Mr. Uchida's funeral was held, vibrantly emerges against a striking cobalt blue background. The dignified appearance of white camellias blooming in the crisp air, signaling the end of harsh winter, beautifully overlaps with the lyrical scenery of the season when Mr. Uchida passed away and was seen off by his family and close acquaintances, bringing spiritual depth and endless romance to the work.\u003c\/p\u003e\n\u003cp data-path-to-node=\"30\"\u003eThe surface of the dish is intentionally not formed into an even flatness; instead, it features rich, varied undulations characteristic of handcrafted work. As can be seen in the accompanying photographs, the surface exhibits diffuse white reflection depending on the angle of light. We have photographed and presented the piece in its unaltered state to convey the overwhelming depth of design, unique warmth, and the inherent charm as pottery that arise precisely because of this uneven thickness. Furthermore, it is particularly noteworthy that the back of the dish clearly bears Mr. Uchida's signature (engraving), deeply carved by the artist's own hand. This powerful hand-carved signature is not only irrefutable proof that this piece was created directly by Uchida Yasuhide himself, but it also exudes an overwhelming presence as an important part of the design that strengthens the overall sculptural unity and functional beauty of the vessel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"31\"\u003eDue to the nature of the Hyori-Kantsu-Nishiki-Neriage-de technique, where different colored clays with varying properties and shrinkage rates are joined and fired, it is extremely difficult to achieve a perfect firing, as small cracks or openings are prone to occur at the clay boundaries. In this particular piece, one small opening where the clay boundary is slightly separated is observed in the central part of the brown leaf pattern on the surface, but this does not completely penetrate to the back as a hole. Additionally, two small bubbles formed during the pottery creation process can be seen in the glaze on the surface. Both of these are undeniable evidence of the handcrafted process produced by Uchida Yasuhide during his peak concentration, and they in no way detract from the perfection or dignity of the work. Please enjoy this supreme masterpiece, where the essence of color technology cultivated in Sèvres, France, the quintessence of Japanese spiritual culture, and a letter narrating the history of the family are united, in a prime spot during your special everyday dining occasions.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"32\"\u003e[Content of the letter of condolences from the bereaved family below]\u003c\/h3\u003e\n\u003cp data-path-to-node=\"32\"\u003eGassho As the spring sunshine begins to shine brightly, I sincerely hope that your esteemed family is in excellent health. Thank you very much for traveling a long distance in the cold to attend the funeral of my late father, Uchida Yasuhide, and for your kind and heartfelt condolences. I deeply appreciate the profound grief and fond memories expressed by all those who had a particularly close relationship with my father during his continental period, his Misumi period, and finally in this place, and who provided such a warm funeral. I am sure he would have been deeply moved to tears. Recently, the forty-ninth-day memorial service was concluded at Gokoku-ji Temple in Shimabara, his hometown, and Honju-in Nisshu Shonin (the late Uchida Yasuhide's Buddhist title) returned to the Okutsuki (sacred tomb) overlooking the Ariake Sea. Although it was a tumultuous life of over a hundred years, I believe he earnestly lived the spirit of the founder in each moment. In his later years, he was content with his pottery life, living in accordance with Jinen-Honi (natural spontaneity\/as-it-isness) in his small mountain hermitage. I am truly grateful from the bottom of my heart to everyone for their long-standing kindness and patronage. On the occasion of the forty-ninth day after his passing, I humbly send this token of my appreciation (and kindly ask for your compassionate acceptance). Thank you very much for such a long time. March 20, 1997 Respectfully yours, Hitoshi Sayo (Third son of the deceased)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Uchida Yasuhide (内田泰秀, 1893-1997)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eArtist's notable career highlights:\u003c\/strong\u003e [1952] Held the \"Uchida Yasuhide Nishiki-Neriage Pottery Exhibition\" at Mitsukoshi Nihonbashi Main Store, [1960s] Acquired color and porcelain techniques at Manufacture nationale de Sèvres, France, [1965] Designated as a Miyoshi City Intangible Cultural Property, [1970] Exhibited works at Osaka Expo (EXPO'70), [1973] Recognized as a holder of Hiroshima Prefecture's Important Intangible Cultural Property.\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eDate of Creation:\u003c\/strong\u003e July 14, 1984 (Showa 59)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks, some surface cracking characteristic of the work)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eCustom wooden box, wrapping cloth (signed and sealed), letter \u003cstrong\u003eof condolences from the bereaved family\u003c\/strong\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eNishiki-Neriage-de (pottery, Hyori-Kantsu technique)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 4.0 cm, diameter approx. 19.0 cm (approximate)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eEven if the products offered by our store are new and unused, they are from a very old production period and are all listed as used items. Products may have age-related damage, so please consider purchasing after understanding and confirming this.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47849214181563,"sku":null,"price":80000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6799.jpg?v=1779286318"},{"product_id":"261","title":"Seto City Designated Intangible Cultural Property Holder, First Generation Mizuno Sokaku (初代 水野双鶴), Nerikomi Chawan Ceramic Whisky Tumbler #261","description":"\u003cp data-path-to-node=\"0\"\u003eThis work is a nerikomi chawan by the first generation Mizuno Sokaku \u003cspan\u003e(1912-1996)\u003c\/span\u003e, a holder of Seto City Designated Intangible Cultural Property and a master who elevated the traditional technique, which was on the verge of extinction in Seto, into contemporary art. With a height of approximately 10.5 cm and a mouth diameter of approximately 10.7 cm, its unique proportions, which are slightly deeper than a typical chawan, lead us to propose it as a premium Japanese craft Ceramic Whisky Tumbler for slowly enjoying aged sake that has transformed into a rich amber color over time, or carefully selected whisky with large ice cubes. The overwhelming presence and dignity as an artwork, combined with the attempt to integrate a vessel deeply rooted in Japanese tea ceremony culture, the chawan, into modern luxurious alcoholic enjoyment, will provide a lavish experience for international collectors and special guests seeking the ultimate in Japanese hospitality.\u003c\/p\u003e\n\u003cp data-path-to-node=\"0\"\u003eThe artist, Mizuno Sokaku I, was born in 1912 in Seto City, Aichi Prefecture, a pottery town. He studied under \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E4%BA%95%E9%81%94%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujii Tatsukichi\u003c\/a\u003e, a pioneer of modern crafts, and was educated in free artistic expression untethered by tradition. Throughout his ceramic career, he achieved remarkable success on major domestic stages, including 27 selections for the Nitten Exhibition, three top awards at the Seto Ceramics Exhibition followed by designation as a non-juried artist, two Governor's Awards at the Asahi Ceramics Exhibition, the Toto Award at the National Ceramics Exhibition, the Tokai TV Award and a meritorious service award at the Japan New Crafts Exhibition, and numerous other awards including the Kansai Art Exhibition. He also held important positions such as councilor of the Japan New Craft Artists Federation, contributing to the development of younger artists and the craft industry. In 1987, his long-standing efforts in independently researching and refining the traditional nerikomi technique were officially recognized, and he was certified as a holder of the Seto City Designated Craft Technique, Ceramic Nerikomi Technique. He passed away on January 18, 1996, at the age of 84, leaving behind a legacy of exceptional skill as the great founder of the prestigious Nerikomi Mizuno family, whose traditions are still carried on by his son Mizuno Norio, who is also a holder of intangible cultural property, and his grandson Mizuno Tomoji, who enjoys global popularity with his unique sensibility. All works currently on the market are precious posthumous pieces with no new supply, making them extremely rare as top-class Japanese art, with very little information available overseas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"0\"\u003eThe most highly regarded technique in Mizuno Sokaku's pottery is nerikomi, which involves meticulously layering multiple clays with different components and firing characteristics, resulting in beautiful continuous patterns that appear no matter where the piece is cut, much like Kintaro-ame candy. Since each of the different clays has varying drying speeds and shrinkage rates during firing, even a slight miscalculation can cause cracks or firing tears in the kiln, making it an extremely difficult technique that requires extreme blending precision and strict temperature control. A detailed examination of this piece reveals that these advanced techniques and the artist's raw sensibility are expressed with overwhelming power across the entire surface of the vessel. On the surface of the vessel, orderly striped patterns woven from different colored clays and organic flow patterns reminiscent of flowing geological strata are dynamically expressed, achieving both the cold beauty of calculation and the warmth of handwork. As a unique characteristic of the nerikomi technique, the same pattern appears completely through the outside and inside at exactly the same position. Therefore, when sake is poured and ice floats, the geometric layers spreading inside the vessel shimmer beautifully, creating a visually stunning and refined experience.\u003c\/p\u003e\n\u003cp data-path-to-node=\"0\"\u003eBased on the artist's ceramic activity and physical evidence from his lifetime, the production period of this work is clearly estimated to be during his mature period, from the late 1970s to the early 1980s, just before he was designated as an intangible cultural property, when his technique was at its peak. The strongest evidence for this is the clear, unadorned handwritten signature style on the tomobako (wooden box), which does not include the title of cultural property holder, strongly reflecting the style of his era as a powerful artist who relied solely on the quality of his work rather than authority. Furthermore, the design of the logo mark featuring a pair of yellow cranes facing each other on the accompanying artist's profile booklet (shiori) perfectly matches the period from the late 1970s to the early 1980s, when he was actively rising to prominence on the forefront of the Japanese modern craft world as a councilor of the Japan New Craft Artists Federation. Due to the varying shrinkage rates of different clays, large and deep vessels like this one were impossible to fire without distortion during his younger years. The fusion of orderly striped patterns and dynamic flow patterns seen in this work is a monumental design feature that crystallizes the pinnacle of mature technique that directly led to his highest honor, the designation as an intangible cultural property in 1987.\u003c\/p\u003e\n\u003cp data-path-to-node=\"0\"\u003eThis work is perfectly accompanied by physical evidence that proves the artist's established style. The bottom of the vessel is engraved with the Sokaku pottery seal, indicating its authenticity, and it comes with a dedicated tomobako, wrapping cloth, and a detailed artist's profile booklet (shiori), all showing that it has been carefully preserved. In particular, the design of a pair of yellow cranes on the booklet, named after his artist name, expresses the artist's delightful playfulness. The lid of the tomobako has \"Nerikomi Chawan\" written on it, and the inside of the lid bears Sokaku's handwritten inscription, along with two perfect seals (round stamps). It is a complete piece in very good condition, without any chips or cracks, and as a supreme Japanese craft piece that is extremely difficult to encounter overseas, it possesses unwavering asset value.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Mizuno Sokaku I (初代 水野双鶴, 1912-1996)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"36\"\u003eArtist's Major Activities:\u003c\/b\u003e [1912] Born in Seto City, Aichi Prefecture, he studied under Fujii Tatsukichi, a pioneer of modern crafts, and was educated in free artistic expression untethered by tradition. Throughout his ceramic career, he achieved remarkable success on major domestic stages, including 27 selections for the Nitten Exhibition, three top awards at the Seto Ceramics Exhibition followed by designation as a non-juried artist, two Governor's Awards at the Asahi Ceramics Exhibition, the Toto Award at the National Ceramics Exhibition, the Tokai TV Award and a meritorious service award at the Japan New Crafts Exhibition, and numerous other awards including the Kansai Art Exhibition. He also held important positions such as councilor of the Japan New Craft Artists Federation, contributing to the development of younger artists and the craft industry. [1987] His long-standing efforts in independently researching and refining the traditional nerikomi technique were officially recognized, and he was certified as a holder of the Seto City Designated Craft Technique, Ceramic Nerikomi Technique. [1996] He passed away on January 18, at the age of 84, leaving behind a legacy of exceptional skill as the great founder of the prestigious Nerikomi Mizuno family, whose traditions are still carried on by his son and grandson, attracting global attention.\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1403\"\u003eProduction Period:\u003c\/b\u003e Late 1970s - Early 1980s (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1459\"\u003eCondition:\u003c\/b\u003e Very Good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1502\"\u003eAccessories:\u003c\/b\u003e Dedicated tomobako, wrapping cloth, artist's profile booklet (shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1594\"\u003eMaterial:\u003c\/b\u003e Ceramic (Nerikomi, Neriage)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1623\"\u003eDimensions:\u003c\/b\u003e Height approx. 10.5 cm, Mouth diameter approx. 10.7 cm \u003cbr\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e All products offered by our shop, even if new and unused, are from very old production periods and are listed as used items. Please understand that products may have age-related damage and consider your purchase after checking them.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47855264202939,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7368_result.jpg?v=1780464479"},{"product_id":"262","title":"Seto City Designated Intangible Cultural Property Holder, First Generation Mizuno Sokaku (初代 水野双鶴), Nerikomi Chawan Ceramic Whisky Tumbler #262","description":"\u003cp data-path-to-node=\"3\"\u003eThis is a nerikomi chawan (tea bowl) by Mizuno Sokaku \u003cspan\u003e(1912-1996)\u003c\/span\u003e the First, a holder of Seto City's Designated Intangible Cultural Property and a master who elevated traditional techniques, which were on the verge of dying out in the Seto region, into modern art. With a height of approximately 8.6 cm and a diameter of approximately 12.2 cm, this vessel boasts the classic and dignified proportions of a matcha bowl. Our store proposes it as a premium Japanese craft Ceramic Whisky Tumbler for slowly enjoying aged sake, which has deepened to a rich amber color over time, or carefully selected whiskies with large spherical ice cubes. The wide mouth and moderate shallow depth of this shape significantly enhance the rich aroma of the poured alcohol by allowing it to interact with the air, while the warmth of the clay and the pleasant weight are directly conveyed to the hand. Equipped with an overwhelming presence as a work of art, this attempt to merge a traditional chawan, deeply rooted in Japanese tea ceremony culture, with modern luxurious bar time will be an extravagant experience for entertaining international collectors and special guests with the utmost Japanese hospitality.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eMizuno Sokaku the First, born in Seto City, Aichi Prefecture in 1912, studied under \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E4%BA%95%E9%81%94%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujii Tatsukichi\u003c\/a\u003e, a pioneer of modern craft, and directly received his artistic spirit as a free expressionist, unconstrained by tradition. He achieved a brilliant record, including 27 selections for the Nitten Exhibition, and swept numerous top awards at major open-call exhibitions. In 1987, his exceptional skills were recognized, and he was designated as a holder of Seto City's Intangible Cultural Property. The Mizuno family, led by Mizuno Sokaku the First, is a prestigious lineage that has continued to captivate collectors worldwide for three generations, including his son Mizuno Norio, who also became an intangible cultural property holder, and his grandson Mizuno Tomoji, who enjoys global popularity with his unique sensibilities. Mizuno Sokaku the First is the great founder and source of all this. Since his passing in 1996, all works available in the market are precious posthumous works with no new supply, making them extremely rare as top-class Japanese designer crafts for which information is almost unobtainable overseas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe most highly regarded technique in Mizuno Sokaku's pottery is the nerikomi technique, in which multiple clays with different compositions and firing colors are meticulously layered, creating beautiful, continuous patterns that appear no matter where the piece is cut, much like Kintaro-ame candy. Since each of the different clays has a different drying speed and shrinkage rate during firing, even a slight miscalculation can cause cracks or tears in the kiln. This makes it the most challenging technique, requiring extreme blending skill and strict temperature control. A detailed examination of this work reveals that these advanced techniques and the artist's raw sensibility are expressed with overwhelming power across the entire surface of the vessel. The surface of the vessel dynamically displays orderly striped patterns woven by different colored clays and intricate flowing patterns reminiscent of tree rings or the texture of beautiful silk fabrics, achieving a balance between cold, calculated beauty and the warmth of handcraft. A unique feature of the nerikomi technique is that the exact same pattern appears through both the exterior and interior surfaces. When sake is poured and ice is floated, the organic geometric layers spreading within the vessel shimmer beautifully, creating a visually sophisticated experience.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eBased on the traces of his ceramic activities and circumstantial evidence during his lifetime, the production period of this work is clearly estimated to be from the late 1970s to the early 1980s, his mature period just before he was designated an intangible cultural property, when his skill was at its peak. The strongest evidence for this lies in the style of the autographed signature on the wooden box and the square seal, which does not include the title of cultural property holder. This strongly reflects the style of his era as a master who competed on the quality of his work itself, without relying on authority. Furthermore, the design of the logo on the accompanying bookmark, depicting a pair of yellow cranes facing each other, is identical to that from the period when he was actively involved in the forefront of the Japanese modern craft world. Due to differences in shrinkage rates between clays, it is prone to cracking, and it would have been impossible for him in his youth to fire a vessel with such a wide mouth and imposing proportions without distortion. The fusion of uniform and complex flowing patterns seen in this work is precisely the monumental design feature that crystallizes the pinnacle of his mature technique, which directly led to his highest honor, the designation as an Intangible Cultural Property in 1987.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThis work is perfectly accompanied by evidence that proves the artist's unique style. A clear \"Sokaku\" potter's mark, indicating the authenticity of the artist, is engraved on the bottom of the vessel, next to the footring. It also comes with its dedicated tomobako (wooden box), wrapping cloth, and an artist's profile booklet (shiori) detailing his ceramic history, all showing that it has been carefully preserved. In particular, the design of the booklet, featuring a pair of yellow cranes facing each other, named after his artist's name, expresses the artist's endearing playfulness. The lid of the wooden box is inscribed \"練込 茶盌\" (Nerikomi Chawan) on the outside, and \"双鶴\" (Sokaku) in his own handwriting on the inside, with a perfectly stamped square seal. It is a complete piece in very good condition, with no chips or cracks, and possesses unwavering asset value as a supreme Japanese craft piece that is extremely difficult to encounter overseas.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Mizuno Sokaku I (初代 水野双鶴, 1912-1996)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"36\"\u003eArtist's Representative Activities:\u003c\/b\u003e [1912] Born in Seto City, Aichi Prefecture, he studied under Fujii Tatsukichi, a pioneer of modern craft, and received training in free artistic expression, unconstrained by tradition. Throughout his ceramic career, he was selected for the Nitten Exhibition a total of 27 times, won the top prize at the Seto Ceramics Exhibition three times, later being designated without examination, received the Governor's Award twice at the Asahi Ceramics Exhibition, the Toto Award at the National Ceramics Exhibition, and the Tokai TV Award and Achievement Award at the Japan New Craft Exhibition, as well as numerous other awards including at the Kansai Art Exhibition, accumulating a brilliant record on major domestic stages. He also served in important positions such as a councilor of the Japan New Craft Artists Federation, contributing to the development of future generations and the craft world. [1987] His achievements in independently researching and refining the traditional nerikomi technique over many years were officially recognized, and he was designated as a holder of Seto City's Designated Craft Technique (Ceramics, Nerikomi Technique). [1996] He passed away on January 18th at the age of 84, leaving behind a lineage of exceptional skill as the great founder of the prestigious Nerikomi Mizuno family, which continues to attract global attention through his son and grandson.\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1460\"\u003eWorks in Collections:\u003c\/b\u003e Aichi Prefectural Ceramic Museum, Seto City Museum of Art, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1546\"\u003eProduction Period:\u003c\/b\u003e 1970s - Early 1980s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1597\"\u003eProduct Condition:\u003c\/b\u003e Very good (no chips, no cracks, please note the natural crackle (not a defect))\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1696\"\u003eAccessories:\u003c\/b\u003e Dedicated tomobako (wooden box), artist's profile booklet (shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1785\"\u003eMaterial:\u003c\/b\u003e Ceramic (nerikomi)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1814\"\u003eDimensions:\u003c\/b\u003e Height approx. 8.6 cm, Diameter approx. 12.2 cm \u003cbr\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products offered by our store are new and unused, they are from a very old production period and are all listed as used items. The product may have damage due to age, so please understand and confirm this before considering purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47881781969083,"sku":null,"price":65000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7420_result.jpg?v=1780464896"},{"product_id":"263","title":"Aida Yusuke (会田雄亮), Gold Medalist at the International Ceramic Art Competition Faenza, Nerikomi Sake Cup, Oshino Kiln, Shot Glass, Ceramic Whisky Tumbler #263","description":"\u003cp data-path-to-node=\"21\"\u003eThis piece is a nerikomi work by the master Aida Yusuke (1931-2015), who led Japan's modern craft design movement and established an international reputation. With a diameter of approximately 6.6 cm and a height of approximately 6.2 cm, this vessel fits comfortably in the hand. We propose it as a premium large shot glass or small rocks glass for aged spirits, to enjoy the deep, rich aroma and dense flavor of vintage liquor, which has taken on a beautiful amber hue over time. The time spent savoring aged spirits from this vessel, with its overwhelming modernism as an art piece and its architectural functional beauty, will be a supremely luxurious experience for international collectors and discerning guests alike.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eThe artist, Aida Yusuke, studied urban planning at Chiba University, then apprenticed under the renowned potter \u003ca href=\"\/en\/search?q=%22%E5%AE%AE%E4%B9%8B%E5%8E%9F%E8%AC%99%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKen Miyanohara\u003c\/a\u003e. He then moved to the United States, where he served as an instructor at the School of the Museum of Fine Arts, Boston, and as chief designer for prominent ceramic companies. In 1968, he achieved a global triumph by winning the gold prize at the Concorso Internazionale della Ceramica d'Arte di Faenza in Italy. He held important positions such as Chairman of the Japan Craft Design Association and committee member of the Design Promotion Council of the Ministry of International Trade and Industry, and also served as President of Tohoku University of Art and Design. He is known not only for indoor vessels but also as a pioneer of monumental environmental ceramics integrated with urban plazas and buildings. Since his regrettable sudden death in 2015, all works available on the market are precious legacies with no new supply, making them extremely rare as top-class Japanese designer crafts, with information largely unobtainable overseas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eThe most highly regarded technique in Aida Yusuke's pottery is the nerikomi technique, which involves meticulously combining different colored clays to create geometric patterns. Since multiple clays have different shrinkage rates during firing, even a slight miscalculation can cause cracks or firing tears in the kiln, making this a highly difficult technique that requires extremely advanced blending skills and strict temperature control. It was precisely because of his background in urban planning and architecture that he achieved the pinnacle of modern craft, creating sharp designs such as stripes and mosaics through the very structure of the clay, rather than by drawing patterns on the surface.\u003cbr\u003eA detailed examination of this work reveals that these characteristics are clearly and beautifully expressed in this vessel. The surface of the vessel exhibits the intricate geometric layers characteristic of Aida Yusuke's signature nerikomi technique, where the orderly striped patterns woven from different colored clays balance a cool, calculated beauty with the warmth of handcrafted work. The form, finished into smooth curves by throwing on the wheel, shines beautifully when sake is poured and conveys an urban sophistication when held. The bottom of the vessel is engraved with a sign indicating it is an authentic piece made at his Oshino kiln. Although it is offered without a box and as the main body only, it is in very good condition with no chips or cracks. This is a special item of undeniable value, a first-class collector's piece that captivates lovers of modern art and design worldwide.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Aida Yusuke (会田雄亮, 1931-2015)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"32\"\u003eArtist's Major Activities:\u003c\/b\u003e [1956] Apprenticed under Mr. Ken Miyanohara, [1968] Won gold prize at the Concorso Internazionale della Ceramica d'Arte di Faenza in Italy, [1972] Director of the Japan Designer Craftsmen Association, [1976] Chairman of the Japan Craft Design Association, [1986] Committee member of the Design Promotion Council of the Ministry of International Trade and Industry, [1991] Director of the Japan Architectural Art and Craft Association, [1992] Professor at the Faculty of Art, Tohoku University of Art and Design, [1993] Received the Design Achievement Award, [1998] President of Tohoku University of Art and Design, [2002] Professor Emeritus at Tohoku University of Art and Design, [2006] Visiting Professor at Aichi Prefectural University of the Arts\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"810\"\u003eWorks in Collections:\u003c\/b\u003e International Museum of Ceramics in Faenza (Italy), public art walls and monuments in various locations nationwide, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"953\"\u003eProduction Period:\u003c\/b\u003e 1980s-1990s (estimated, produced during the heyday of Japanese modern craft design)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1056\"\u003eProduct Condition:\u003c\/b\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1107\"\u003eAccessories:\u003c\/b\u003e None (Piece only)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1142\"\u003eMaterial:\u003c\/b\u003e Ceramic (Nerikomi)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1171\"\u003eDimensions:\u003c\/b\u003e Height approx. 6.2 cm, Diameter approx. 6.6 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1230\"\u003eNote:\u003c\/b\u003e Although the products we offer may be unused new items, they are from a very old production period and are all listed as used items. Please understand and confirm that the product may have damage due to age before considering purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47881782001851,"sku":null,"price":65000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7117_result.jpg?v=1780155923"},{"product_id":"280","title":"Seto City Designated Intangible Cultural Property Holder, First Generation Mizuno Sokaku (初代 水野双鶴), Nerikomi Chawan Ceramic Whisky Tumbler #280","description":"\u003cp data-path-to-node=\"3\"\u003eThis is a nerikomi chawan (tea bowl) by Mizuno Sokaku \u003cspan\u003e(1912-1996)\u003c\/span\u003e the First, a holder of Seto City's Designated Intangible Cultural Property and a master who elevated traditional techniques, which were on the verge of dying out in the Seto region, into modern art. With a height of approximately 8.6 cm and a diameter of approximately 12.2 cm, this vessel boasts the classic and dignified proportions of a matcha bowl. Our store proposes it as a premium Japanese craft Ceramic Whisky Tumbler for slowly enjoying aged sake, which has deepened to a rich amber color over time, or carefully selected whiskies with large spherical ice cubes. The wide mouth and moderate shallow depth of this shape significantly enhance the rich aroma of the poured alcohol by allowing it to interact with the air, while the warmth of the clay and the pleasant weight are directly conveyed to the hand. Equipped with an overwhelming presence as a work of art, this attempt to merge a traditional chawan, deeply rooted in Japanese tea ceremony culture, with modern luxurious bar time will be an extravagant experience for entertaining international collectors and special guests with the utmost Japanese hospitality.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eMizuno Sokaku the First, born in Seto City, Aichi Prefecture in 1912, studied under \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E4%BA%95%E9%81%94%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujii Tatsukichi\u003c\/a\u003e, a pioneer of modern craft, and directly received his artistic spirit as a free expressionist, unconstrained by tradition. He achieved a brilliant record, including 27 selections for the Nitten Exhibition, and swept numerous top awards at major open-call exhibitions. In 1987, his exceptional skills were recognized, and he was designated as a holder of Seto City's Intangible Cultural Property. The Mizuno family, led by Mizuno Sokaku the First, is a prestigious lineage that has continued to captivate collectors worldwide for three generations, including his son Mizuno Norio, who also became an intangible cultural property holder, and his grandson Mizuno Tomoji, who enjoys global popularity with his unique sensibilities. Mizuno Sokaku the First is the great founder and source of all this. Since his passing in 1996, all works available in the market are precious posthumous works with no new supply, making them extremely rare as top-class Japanese designer crafts for which information is almost unobtainable overseas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe most highly regarded technique in Mizuno Sokaku's pottery is the nerikomi technique, in which multiple clays with different compositions and firing colors are meticulously layered, creating beautiful, continuous patterns that appear no matter where the piece is cut, much like Kintaro-ame candy. Since each of the different clays has a different drying speed and shrinkage rate during firing, even a slight miscalculation can cause cracks or tears in the kiln. This makes it the most challenging technique, requiring extreme blending skill and strict temperature control. A detailed examination of this work reveals that these advanced techniques and the artist's raw sensibility are expressed with overwhelming power across the entire surface of the vessel. The surface of the vessel dynamically displays orderly striped patterns woven by different colored clays and intricate flowing patterns reminiscent of tree rings or the texture of beautiful silk fabrics, achieving a balance between cold, calculated beauty and the warmth of handcraft. A unique feature of the nerikomi technique is that the exact same pattern appears through both the exterior and interior surfaces. When sake is poured and ice is floated, the organic geometric layers spreading within the vessel shimmer beautifully, creating a visually sophisticated experience.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eBased on the traces of his ceramic activities and circumstantial evidence during his lifetime, the production period of this work is clearly estimated to be from the late 1970s to the early 1980s, his mature period just before he was designated an intangible cultural property, when his skill was at its peak. The strongest evidence for this lies in the style of the autographed signature on the wooden box and the square seal, which does not include the title of cultural property holder. This strongly reflects the style of his era as a master who competed on the quality of his work itself, without relying on authority. Furthermore, the design of the logo on the accompanying bookmark, depicting a pair of yellow cranes facing each other, is identical to that from the period when he was actively involved in the forefront of the Japanese modern craft world. Due to differences in shrinkage rates between clays, it is prone to cracking, and it would have been impossible for him in his youth to fire a vessel with such a wide mouth and imposing proportions without distortion. The fusion of uniform and complex flowing patterns seen in this work is precisely the monumental design feature that crystallizes the pinnacle of his mature technique, which directly led to his highest honor, the designation as an Intangible Cultural Property in 1987.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThis work is perfectly accompanied by evidence that proves the artist's unique style. A clear \"Sokaku\" potter's mark, indicating the authenticity of the artist, is engraved on the bottom of the vessel, next to the footring. It also comes with its dedicated tomobako (wooden box), wrapping cloth, and an artist's profile booklet (shiori) detailing his ceramic history, all showing that it has been carefully preserved. In particular, the design of the booklet, featuring a pair of yellow cranes facing each other, named after his artist's name, expresses the artist's endearing playfulness. The lid of the wooden box is inscribed \"練込 茶盌\" (Nerikomi Chawan) on the outside, and \"双鶴\" (Sokaku) in his own handwriting on the inside, with a perfectly stamped square seal. It is a complete piece in very good condition, with no chips or cracks, and possesses unwavering asset value as a supreme Japanese craft piece that is extremely difficult to encounter overseas.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Mizuno Sokaku I (初代 水野双鶴, 1912-1996)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"36\"\u003eArtist's Representative Activities:\u003c\/b\u003e [1912] Born in Seto City, Aichi Prefecture, he studied under Fujii Tatsukichi, a pioneer of modern craft, and received training in free artistic expression, unconstrained by tradition. Throughout his ceramic career, he was selected for the Nitten Exhibition a total of 27 times, won the top prize at the Seto Ceramics Exhibition three times, later being designated without examination, received the Governor's Award twice at the Asahi Ceramics Exhibition, the Toto Award at the National Ceramics Exhibition, and the Tokai TV Award and Achievement Award at the Japan New Craft Exhibition, as well as numerous other awards including at the Kansai Art Exhibition, accumulating a brilliant record on major domestic stages. He also served in important positions such as a councilor of the Japan New Craft Artists Federation, contributing to the development of future generations and the craft world. [1987] His achievements in independently researching and refining the traditional nerikomi technique over many years were officially recognized, and he was designated as a holder of Seto City's Designated Craft Technique (Ceramics, Nerikomi Technique). [1996] He passed away on January 18th at the age of 84, leaving behind a lineage of exceptional skill as the great founder of the prestigious Nerikomi Mizuno family, which continues to attract global attention through his son and grandson.\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1460\"\u003eWorks in Collections:\u003c\/b\u003e Aichi Prefectural Ceramic Museum, Seto City Museum of Art, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1546\"\u003eProduction Period:\u003c\/b\u003e 1970s - Early 1980s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1597\"\u003eProduct Condition:\u003c\/b\u003e Very good (no chips, no cracks, please note the natural crackle (not a defect))\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1696\"\u003eAccessories:\u003c\/b\u003e Dedicated tomobako (wooden box), Ukon cloth, artist's profile booklet (shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1785\"\u003eMaterial:\u003c\/b\u003e Ceramic (nerikomi)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1814\"\u003eDimensions:\u003c\/b\u003e Height approx. 8.6 cm, Diameter approx. 12.2 cm \u003cbr\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products offered by our store are new and unused, they are from a very old production period and are all listed as used items. The product may have damage due to age, so please understand and confirm this before considering purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974191988923,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_8822_result.jpg?v=1783738626"},{"product_id":"327","title":"Holder of Tokoname City Intangible Cultural Property - Konishi Yohei (小西洋平): Shudei Neriage Genshin-sai Water Dropper \/ Whisky Dropper, Water Dropper #327","description":"\u003cp data-path-to-node=\"2\"\u003eReigning at the pinnacle of modern Tokoname ware and certified as a Holder of Tokoname City Designated Intangible Cultural Property in 2013, the contemporary master Konishi Yohei (1941– ) created this water dropper in Shudei Neriage Genshin-sai. Konishi won the Silver Prize at the Vallauris International Ceramics Biennale in France in 1982, and his artistry has established a global reputation, with works collected in prestigious institutions such as the Victoria and Albert Museum in the UK and the Philadelphia Museum of Art in the USA. While this piece was originally created as a water dropper (Suiteki) used in Japanese calligraphy, our gallery proposes it as a special utensil for fine spirits (Whisky Dropper, Water Dropper) to add water drop by drop to aged whiskies and spirits, opening up their aromas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe absolute core of this work lies in the Neriage (marbled clay) technique, in which clays of different colors—starting with Tokoname's iconic Shudei (red clay) and Kokudei (black clay)—are layered multiple times to reveal unique geometric patterns resembling annual rings or geological strata across the cut faces. The flowing spiral and polygonal continuous patterns seen in the image are not painted on the surface; they are formed by the layered clay itself penetrating through the entire thickness of the vessel. Konishi's Neriage relies on supreme craftsmanship that perfectly controls the different shrinkage rates of various clays to prevent cracking, combining clays with millimeter-level precision. Furthermore, in this piece, delicate faceting (facet carving) is applied to the surface of the densely layered Neriage body, forming a polyhedral structure where the geological strata patterns of the Neriage emerge three-dimensionally depending on the angle of light. Inside the foot at the base, along with a vivid spiral Neriage pattern, Konishi's mark \"Yo\" is clearly carved.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eIn terms of form, the ultimate technique of hand-thrown pottery on a potter's wheel—which served as the reason for his designation as an Intangible Cultural Property holder—is demonstrated without reserve. The spout and the top water inlet (Hibikiguchi) are thrown with extreme delicacy, showing the true essence of wheel-throwing technology that pulls the clay up to its absolute structural limit. The surface coloration, referred to as Genshin-sai, harbors deep shadows within the calm hues woven by Shudei and Kokudei. It possesses the inherent charm of Tokoname ware, gaining luster over time through contact with natural skin oils and moisture as it is used, growing alongside its owner. When adding water drop by drop to whisky, the amber liquid resonates with the vessel's polyhedral design reminiscent of geological strata, elevating daily enjoyment into a contemplative tasting experience.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eThe production period of this work is identified as the late 1980s to early 1990s. As evidence, the handwriting style and seal impression on the accompanying original signed wooden box (Tomobako) perfectly match the characteristics of the period when Konishi's Neriage technique and polyhedral forming reached their deepest maturity after winning the Silver Prize at the Vallauris International Ceramics Biennale in 1982. Additionally, the final entry on the enclosed artist biography leaflet reads \"Showa 54 (1979),\" indicating that this version of the biography, used throughout the 1980s, was included. This is a valuable piece showcasing Konishi's unique sculptural beauty established from the mid-1980s to the early 1990s.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"6\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eKonishi Yohei (小西洋平, 1941– )\u003c\/li\u003e\n\u003cli data-path-to-node=\"7\"\u003e\u003cstrong\u003eMajor Career Highlights:\u003c\/strong\u003e [1982] Won the Silver Prize at the Vallauris International Ceramics Biennale in France, [2013] Certified as a Holder of Tokoname City Designated Intangible Cultural Property. Regular Member of the Japan Art Crafts Association.\u003c\/li\u003e\n\u003cli data-path-to-node=\"8\"\u003e\u003cstrong\u003eMuseum Collections:\u003c\/strong\u003e Victoria and Albert Museum (UK), Philadelphia Museum of Art (USA), Aichi Prefectural Ceramic Museum, INAX Live Museum, among others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e Late 1980s to early 1990s\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eItem Condition: \u003c\/strong\u003eVery Good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eOriginal signed wooden box (Tomobako), artist biography leaflet (Shiori), wrapping cloth\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eMaterials: \u003c\/strong\u003ePottery (Tokoname Ware, Neriage \/ Marbled Clay)\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 6.0 cm, Width approx. 5.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eEven if items offered by our store are unused, they were produced a very long time ago and are all listed as pre-owned items. Please inspect and understand that the item may show age-related changes before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48115731103931,"sku":null,"price":38000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_9775_result.jpg?v=1785048463"},{"product_id":"342","title":"Metropolitan Museum of Art Collection Artist, Japan Ceramic Society Award Winner Matsui Koyo (松井康陽): Mukunoki Ash Glaze Neriage Teacups (Pair), Japanese Rocks Glass #342","description":"\u003cp data-path-to-node=\"17\"\u003eStudying under his father \u003ca href=\"\/en\/search?q=%22%E6%9D%BE%E4%BA%95%E5%BA%B7%E6%88%90%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eMatsui Kosei\u003c\/a\u003e—a holder of Important Intangible Cultural Property (\"Neriage\" Marbled Ware \/ Living National Treasure)—Matsui Koyo (born 1962) elevated marbled ceramics into a new artistic realm through modern compositional perspectives and precise physical calculations cultivated at the School of Art and Design, University of Tsukuba. After graduating in 1985, he mastered the Matsui family’s secret clay formulation and sophisticated assembly techniques under his father's tutelage, establishing a solid position in modern Japanese ceramics by receiving the Encouragement Award at the 38th Japan Traditional Art Crafts Exhibition in 1991 and the Japan Ceramic Society Award in 2002. His works are officially housed in public institutions such as The Metropolitan Museum of Art (USA), the Victoria and Albert Museum (UK), and The National Museum of Modern Art, Tokyo. Our shop presents this supreme handcrafted masterpiece—a crystallization of human passion and scientific insight—to the global market not only as traditional tea vessels for enjoying sencha, but also as vintage rocks glasses (a Japanese pair of free cups) designed for quietly savoring amber-colored aged sake or premium Japanese whisky over large ice cubes.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eExamining the details of this work reveals that the fusion beauty of Matsui Koyo's proud, advanced \"layered neriage\" (marbling) and \"mukunoki ash glaze\" (using natural plant ash) is clearly manifested across the vessel. Clay sheets of different colors—blue, light blue, dark green, black, and refreshing white—are stacked layer upon layer in millimeter precision, reorganized, and assembled to create abstract yet structured patterns that seem to encapsulate flowing atmosphere, blue drift ice, or the dynamic layers of the Earth. Unlike surface painting, the neriage technique builds the clay itself three-dimensionally, so the patterns continuously penetrate from the interior base (mikomi) through to the bottom foot ring. Matching the differing shrinkage rates of each color with mathematical precision to prevent cracking or peeling during high-temperature firing is truly a physical miracle. Applied over this, the mukunoki ash glaze softly envelops the vivid marbled layers, conferring deep dimensionality and a serene matte texture alongside the refraction of light.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eRegarding the period of production, it is identified as an authentic work created in the 2000s (circa 2000–2010), a mature era when his unique expressive style combining geometric layered neriage composition and mukunoki ash glaze reached fulfillment following his 1991 Japan Traditional Art Crafts Exhibition Encouragement Award and 2002 Japan Ceramic Society Award. The vessel itself has no chips or cracks, maintaining an exceptionally beautiful condition. It arrives as an item in complete condition, accompanied by its dedicated Tomobako (wooden box) inscribed in ink on the lid \"Mukunoki-yu Neriage Yunomi Ittsui\" with a seal stamped, an artist-stamped Tomonuno (wrapping cloth), and a biography leaflet.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist： \u003c\/strong\u003eMatsui Koyo (松井康陽, 1962–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist's Key Activities： \u003c\/strong\u003e[1985] Graduated from the School of Art and Design, University of Tsukuba, and studied under his father Matsui Kosei (Living National Treasure); [1991] Received the Encouragement Award at the 38th Japan Traditional Art Crafts Exhibition; [2002] Received the Japan Ceramic Society Award; [2005] Received the Encouragement Award at the 33rd Traditional Art Crafts New Works Exhibition\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eWorks Housed In：\u003c\/strong\u003e The Metropolitan Museum of Art, Victoria and Albert Museum, The National Museum of Modern Art, Tokyo, Ibaraki Ceramic Art Museum, Smith College Museum of Art, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003ePeriod of Production：\u003c\/strong\u003e 2000s (circa 2000–2010)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eCondition： \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eAccessories：\u003c\/strong\u003e Dedicated Tomobako, Tomonuno included\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eMaterial： \u003c\/strong\u003eCeramic (Neriage marbled clay, mukunoki ash glaze, stamped seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eDimensions：\u003c\/strong\u003e Height approx. 8.2 cm, Mouth diameter approx. 8.0 cm (Pair)\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eCaution： \u003c\/strong\u003eAll products offered by our shop are pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48145421271227,"sku":null,"price":150000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0445_result.jpg?v=1786022223"},{"product_id":"367","title":"Hiroshima Prefectural Intangible Cultural Property, Nishiki-Neriage Holder Uchida Yasuhide (内田泰秀): Hyōri-Kantsū Nishiki-Neriage Matcha Bowl (1971), Japanese Rocks Glass, Ceramic Chawan #367","description":"\u003cp data-path-to-node=\"17\"\u003eCrafted by Uchida Yasuhide (1893–1997)—a master of Miyoshi ware who pursued uncompromising ceramic creation over a remarkably long life of 104 years before passing in 1997—this is a matcha bowl featuring the \"Hyōri-kantsū Nishiki-neriage\" (Through-and-Through Brocade Colored Clay Kneading) technique. After drawing significant attention with his solo exhibition at Nihombashi Mitsukoshi Main Store in 1952, Uchida Yasuhide traveled to the Manufacture nationale de Sèvres in France in the 1960s, where he acquired advanced color-blending techniques and chemical principles of firing for European porcelain. Having been designated a Miyoshi City Intangible Cultural Property in 1965 and exhibiting his work at the Osaka World Exposition (EXPO '70) in 1970, he was officially designated as a holder of Hiroshima Prefectural Intangible Cultural Property for \"Nishiki-neriage\" in 1973, cementing his legacy as a supreme master of modern colored-clay ceramic art. Our shop presents this piece—a synthesis of traditional Japanese aesthetics and Western color technology—to the global market not only as a dignified tea vessel, but also as a luxury Japanese rocks glass (large free cup) for sumptuously savoring amber-hued aged sake, matured whisky, or authentic shochu over large ice cubes.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eObserving the details of this work clearly reveals the true essence of \"Hyōri-kantsū Nishiki-neriage,\" Uchida Yasuhide's signature technique and one of the most challenging methods in Japanese ceramic art. Unlike conventional overglaze painting, this colored-clay kneading (neriage) technique builds patterns by precisely layering clays mixed in different colors; however, because clays containing different pigments possess subtly varying shrinkage rates during drying and firing, even a minute discrepancy directly leads to cracking or warping, resulting in an extremely low yield rate. In this bowl, white and calm blue-gray colored clays are dimensionally structured into a delicate, fluid wave pattern reminiscent of fine silk brocade (Nishiki) or strata of silk. Comparing the exterior and interior (mikomi) of the vessel reveals the magnificent \"through-and-through\" structure, where the lines of the pattern penetrate completely from front to back without the slightest variance. Furthermore, examining the surface of the vessel's body reveals a clear stamped signature \"Yasuhide\" carved directly over the striped pattern by the artist's own hand, eloquently certifying its authenticity.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eRegarding the period of production, taking the clear date hand-inscribed in ink on the back of the lid of the dedicated Tomobako as \"Created on April 18, Showa 46 (April 18, 1971)\" as decisive evidence, it is identified as an authentic work created on April 18, 1971. This era corresponds to the pinnacle of maturity in both technique and style for Uchida Yasuhide, following his EXPO '70 exhibition and just prior to his 1973 designation as a Hiroshima Prefectural Intangible Cultural Property. The vessel itself has no cracks or chips, maintaining extremely good condition in both the vivid contrast of the multicolored clays and the quality of the glaze surface. It arrives in complete condition, accompanied by its dedicated Tomobako (wooden box) inscribed on the lid with \"Nishiki-neriage Chawan\" and on the back with \"Created on April 18, Showa 46, Yasuhide\" with a seal stamped, alongside a dedicated cloth bearing his seal stamp.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Uchida Yasuhide (内田泰秀, 1893–1997, Hiroshima Prefectural Intangible Cultural Property Holder)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist's Key Activities: \u003c\/strong\u003e[1952] Held \"Uchida Yasuhide Nishiki-Neriage Ceramic Exhibition\" at Nihombashi Mitsukoshi Main Store; [1960s] Acquired color and porcelain techniques at Manufacture nationale de Sèvres in France; [1965] Designated as Miyoshi City Intangible Cultural Property; [1970] Exhibited work at the Osaka World Exposition (EXPO '70); [1973] Designated as Hiroshima Prefectural Intangible Cultural Property Holder for \"Nishiki-Neriage\"\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eWorks Housed In: \u003c\/strong\u003eHiroshima Prefectural Art Museum, Miyoshi City Public Collections (Miyoshi City History and Folklore Museum, etc.), Domestic and International Connoisseur Collections, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003ePeriod of Production: \u003c\/strong\u003eApril 18, 1971 (Showa 46) (Supported by verifiable production date record)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated Tomobako, dedicated cloth with seal stamp included\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eCeramics (Miyoshi ware, Hyōri-kantsū Nishiki-neriage, colored clay kneading, stamped signature)\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 7.5 cm–8.0 cm, Mouth diameter approx. 12.5 cm–13.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eCaution: \u003c\/strong\u003eAll products offered by our shop are pre-owned items due to their historical production period. Products may have minor age-related changes in texture, so please consider purchasing after understanding and verifying these details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48265138864315,"sku":null,"price":66000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1500_result.jpg?v=1787481542"},{"product_id":"383","title":"Tokoname City Intangible Cultural Property Holder Konishi Yohei (小西洋平): Red Clay Neriage Genshinsai Hand-thrown Wheel Tea \u0026 Sake Vessels, Pair #383","description":"\u003cp data-path-to-node=\"17\"\u003eCrafted by Konishi Yohei (1941–), a supreme master of contemporary Tokoname ware who was designated a holder of Tokoname City Intangible Cultural Property for \"Tokoname Ware (Hand-thrown Wheel)\" in 2013 after self-studying and refining the techniques of \"neriage\" (colored clay kneading) and \"usu-zukuri\" (thin-walled forms) while inheriting Tokoname's traditional technology, this is a pair of free cups in \"Shudei Neriage Genshinsai\" (red clay kneaded clay with vibrant color effect). Konishi Yohei established global acclaim by winning the Silver Award at the Vallauris International Ceramics Biennale in France in 1982, and his works are held in the collections of major museums worldwide, including the Victoria and Albert Museum in London and the Philadelphia Museum of Art in the United States. Our shop presents these pieces—boasting exquisite hand-thrown forms and a superior tactile feel—to the global market not only as daily tea vessels, but also as a pair of luxury Japanese rocks glasses (pair sake vessels) for quietly enjoying amber-hued aged sake, matured whisky, or authentic shochu.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eCarefully examining the details of this work clearly reveals the essence of \"Genshinsai,\" Konishi Yohei's signature technique that marked a new chapter in the history of Tokoname ware. Genshinsai is an extremely high-level neriage technique in which clays of different colors—including Tokoname's signature red clay (shudei), green clay (rokudei), white clay (hakudei), and yellow clay (ōdei)—are layered, creating fluid, geometric patterns through the rotation of the hand-thrown wheel and delicate hand-carving. The vessel's exterior meticulously expresses a complex, regular gradient pattern of wave and oval shapes woven by multicolored clays, which, combined with the thin-walled form achieved through extraordinary wheel-throwing skill, delivers a dignified yet refined texture that fits comfortably in the hand. From the interior bottom (mikomi) down to the base, magnificent spiral-patterned neriage layers created along the rotation of the wheel are exposed continuously without variance, and a round ceramic seal stamp \"Yo\" (洋) certifying the artist's intent is clearly impressed near the outer base beside the foot ring. Furthermore, the bottom surface (tatami-tsuki) is also penetrated by a similar concentric neriage pattern, perfectly preserving the structural beauty of neriage, where patterns are constructed through the combination of clays themselves.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eRegarding the period of production, taking his peak era after winning the Silver Award at the Vallauris International Ceramics Biennale in 1982—when the technique and expressive design of \"Genshinsai\" reached their highest maturity—as a basis, it is identified as an authentic work created between circa 1985 and 1995 (mid-1980s to early 1990s). Utilizing the same system of technique as his masterpiece housed in the Victoria and Albert Museum, this is an outstanding work from an era highly evaluated in the international art market. The vessel bodies themselves have no cracks or chips, maintaining extremely good condition in both the coloration of the multicolored clays and the smooth surface texture. It arrives in complete condition accompanied by its dedicated Tomobako (wooden box), with the lid inscribed in ink \"Genshinsai\" and \"Yohei\" and stamped with his seal.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Konishi Yohei (小西洋平, 1941–, Holder of Tokoname City Intangible Cultural Property for \"Tokoname Ware [Hand-thrown Wheel]\")\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist's Key Activities: \u003c\/strong\u003e[1982] Won the Silver Award at the Vallauris International Ceramics Biennale in France; [2013] Designated as a holder of Tokoname City Intangible Cultural Property for \"Tokoname Ware (Hand-thrown Wheel).\" Currently active as an official member of the Japan Art Crafts Association and a supreme master of contemporary Tokoname ware, leveraging his self-taught and refined \"neriage\" and \"usu-zukuri\" techniques while preserving traditional craft methods.\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eWorks Housed In:\u003c\/strong\u003e Victoria and Albert Museum (London, UK), Philadelphia Museum of Art (USA), Aichi Prefectural Ceramic Museum (Seto City, Aichi), Tokoname Ceramic Hall (Tokoname City, Aichi), INAX Live Museum (Tokoname City, Aichi), etc. In particular, the Victoria and Albert Museum in London holds works created using his signature neriage technique, establishing his international artistic value.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003ePeriod of Production: \u003c\/strong\u003e1980s–early 1990s\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks, with age-appropriate patina)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated Tomobako included (inscribed with \"Genshinsai\" and \"Yohei\" in ink and stamped with seal on the lid)\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePottery (Tokoname ware, neriage)\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 7.0 cm, Mouth diameter approx. 5.6 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eCaution: \u003c\/strong\u003eAll products offered by our shop are pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48287449088187,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1941_result.jpg?v=1787751215"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/collections\/IMG_0445_result.jpg?v=1793377906","url":"https:\/\/antiqueliquor1926.com\/en\/collections\/neriage.oembed?page=2","provider":"Antique Liquor","version":"1.0","type":"link"}