{"title":"Rocks Glasses and Teacups","description":"\u003cp\u003eWide-mouthed glasses, teacups (yunomi) and bowls that hold a large piece of ice for whisky on the rocks.\u003c\/p\u003e","products":[{"product_id":"4","title":"Hand-blown glass by Ishii Koji (石井康治), red glass, jellyfish design #4","description":"\u003cp data-path-to-node=\"5\"\u003eThis beautiful sake vessel is a work by \u003ca href=\"\/en\/collections\/maker-ishii-koji\" target=\"_blank\" rel=\"noopener\"\u003eIshii Koji\u003c\/a\u003e (石井康治, 1946–1996), a leading Japanese glass artist. Ishii Koji is renowned for fantastical jellyfish-inspired works, using a unique inclusion technique to trap colors and motifs within the glass, expressing a sense of transparency and suspension evocative of the deep sea.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThis sake vessel is also believed to be based on the jellyfish motif. Within the transparent interior of the glass, gold leaf and multicolored glass granules are trapped as if melting together, expressing a fantastical shimmer evocative of jellyfish tentacles drifting in water or the light sparkling within its body. The thin white glass lines depict the graceful movements of the jellyfish and the trajectory of life emerging from the darkness of the deep sea, further accentuating the depth and sense of suspension through the reflection of light.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eEach piece is a one-of-a-kind handmade work, and the artist's high technical skill and artistry are evident in the shape of the glass, the substantial construction of the base, and the meticulous finish of the white wrap-around applied to the rim. Merging traditional Japanese craft beauty with a modern sensibility, this piece is a masterpiece of high artistic value. The accompanying original wooden box (tomobako) and the shiori leaflet signed by the artist guarantee that this is an authentic work.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Ishii Glass Studio Co., Ltd.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Ishii Koji (石井康治)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eNotable Activities:\u003c\/strong\u003e [1979] Work exhibited at Japan New Face II and purchased by Her Imperial Highness Princess Chichibu; [1985] Designed the silhouette bottle for Sanwa Shurui's Iichiko and won a special prize at the Japan Package Design Competition; [1985] Won a special prize at the Seibu Crafts Grand Prize Exhibition; [1994] Held the solo exhibition Symphony of Light and Wind: GLASS Ishii Koji at the Narukawa Museum of Art in Hakone.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eMajor Collections:\u003c\/strong\u003e The National Museum of Modern Art, Tokyo; Aomori Museum of Art; Chiba Prefectural Museum of Art; Toyama Glass Art Museum; Hida Takayama Museum of Art; Narukawa Art Museum (Hakone-Lake Ashi).\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction period:\u003c\/strong\u003e 1980s-1990s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated box included\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e hand-blown glass\u003c\/span\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height 11cm, diameter 7cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"石井グラススタジオ","offers":[{"title":"Default Title","offer_id":46615789174971,"sku":"","price":41000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4808.jpg?v=1773500903"},{"product_id":"5","title":"Hand-blown glass (white glass) by Ishii Koji (石井康治) #5 ","description":"\u003cp data-path-to-node=\"5\"\u003eThis beautiful sake vessel is a work by \u003ca href=\"\/en\/collections\/maker-ishii-koji\" target=\"_blank\" rel=\"noopener\"\u003eIshii Koji\u003c\/a\u003e (石井康治, 1946–1996), a leading Japanese glass artist. Ishii Koji is renowned for fantastical jellyfish-inspired works, using a unique inclusion technique to trap colors and motifs within the glass, expressing a sense of transparency and suspension evocative of the deep sea.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThis sake vessel is also believed to be based on the jellyfish motif. Within the transparent interior of the glass, gold leaf and multicolored glass granules are trapped as if melting together, expressing a fantastical shimmer evocative of jellyfish tentacles drifting in water or the light sparkling within its body. The thin white glass lines depict the graceful movements of the jellyfish and the trajectory of life emerging from the darkness of the deep sea, further accentuating the depth and sense of suspension through the reflection of light.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eEach piece is a one-of-a-kind handmade work, and the artist's high technical skill and artistry are evident in the shape of the glass, the substantial construction of the base, and the meticulous finish of the white wrap-around applied to the rim. Merging traditional Japanese craft beauty with a modern sensibility, this piece is a masterpiece of high artistic value. The accompanying original wooden box (tomobako) and the shiori leaflet signed by the artist guarantee that this is an authentic work.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Ishii Glass Studio Co., Ltd.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Ishii Koji (石井康治)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eNotable Activities:\u003c\/strong\u003e [1979] Work exhibited at Japan New Face II and purchased by Her Imperial Highness Princess Chichibu; [1985] Designed the silhouette bottle for Sanwa Shurui's Iichiko and won a special prize at the Japan Package Design Competition; [1985] Won a special prize at the Seibu Crafts Grand Prize Exhibition; [1994] Held the solo exhibition Symphony of Light and Wind: GLASS Ishii Koji at the Narukawa Museum of Art in Hakone.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eMajor Collections:\u003c\/strong\u003e The National Museum of Modern Art, Tokyo; Aomori Museum of Art; Chiba Prefectural Museum of Art; Toyama Glass Art Museum; Hida Takayama Museum of Art; Narukawa Art Museum (Hakone-Lake Ashi).\u003cspan class=\"wixui-rich-text__text\" style=\"font-size: 0.875rem;\"\u003e\u0026nbsp;Art (Hida Takayama),\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan class=\"wixui-rich-text__text\" style=\"font-size: 0.875rem;\"\u003eNarukawa Art Museum (Hakone-Lake Ashi)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction period:\u003c\/strong\u003e 1980s-1990s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated box included\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e hand-blown glass\u003c\/span\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height 11cm, diameter 7cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"石井グラススタジオ","offers":[{"title":"Default Title","offer_id":46615791042747,"sku":"","price":41000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4845.jpg?v=1773501017"},{"product_id":"17","title":"Hand-blown glass rocks glass by Iwata Hisatoshi (岩田久利) #17","description":"\u003cp\u003eThis is \"San,\" a work by \u003ca href=\"\/en\/collections\/maker-iwata-hisatoshi\" target=\"_blank\" rel=\"noopener\"\u003eIwata Hisatoshi\u003c\/a\u003e (岩田久利, 1925–1994), one of Japan's leading glass artists. The word \"San\" \u003cspan\u003emeans \"brilliant, dazzling, and beautiful, like the light of a fire shining brightly,\" and as its\u003c\/span\u003e name suggests, it exudes a radiant presence. The entire piece is studded with delicate gold leaf, and when you hold it in your hand, it exudes a luxurious feel, as if you are embracing light. The yellowish exterior is actually made up of countless tiny pieces of gold leaf, and upon closer inspection, the beauty of the delicate goldwork emerges.\u003c\/p\u003e\n\u003cp data-end=\"698\" data-start=\"581\"\u003eFurthermore, the three-dimensional shape on the surface of the vessel is not only beautiful to look at, but also functional, allowing the glass to be held securely in one hand. The size is just right for pouring and enjoying whisky, making this an exceptional product that will bring a touch of luxury to your everyday life. When enjoying Japanese whisky, why not try using a Japanese glass?\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e \u003ca href=\"\/en\/collections\/maker-iwata-hisatoshi\" target=\"_blank\" rel=\"noopener\"\u003eIwata Hisatoshi\u003c\/a\u003e Studio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e Iwata Hisatoshi\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThe artist's notable achievements include the Minister of Education Award at the Nitten Exhibition in 1976 and the Japan Art Academy Award in 1982.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePublic Collections:\u003c\/strong\u003e The National Museum of Modern Art, Tokyo, The National Museum of Modern Art, Kyoto, Hokkaido Museum of Modern Art, The Japan Art Academy, The Metropolitan Museum of Art, New York, The Corning Museum of Glass, New York, Museum Kunstpalast, Düsseldorf, Musée des Arts Décoratifs, Paris, and others.\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction period:\u003c\/strong\u003e Late 1970s to early 1980s (estimated)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated box included\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e hand-blown\u003c\/span\u003e glass\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height approx. 8.2cm, diameter approx. 8.5cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"岩田久利","offers":[{"title":"Default Title","offer_id":46667460935867,"sku":"","price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0404.jpg?v=1748490750"},{"product_id":"35","title":"Iwata Hisatoshi (岩田久利) Hand-blown Glass Rock Glass #35","description":"\u003cp\u003eThis is \"San,\" a work by \u003ca href=\"\/en\/collections\/maker-iwata-hisatoshi\" target=\"_blank\" rel=\"noopener\"\u003eIwata Hisatoshi\u003c\/a\u003e (岩田久利, 1925–1994), one of Japan's leading glass artists. The word \"San\" \u003cspan\u003emeans \"brilliant, dazzling, and beautiful, like the light of a fire shining brightly,\" and as its\u003c\/span\u003e name suggests, it exudes a radiant presence. The entire piece is studded with delicate gold leaf, and when you hold it in your hand, it exudes a luxurious feel, as if you are embracing light. The yellowish exterior is actually made up of countless tiny pieces of gold leaf, and upon closer inspection, the beauty of the delicate goldwork emerges.\u003c\/p\u003e\n\u003cp data-end=\"698\" data-start=\"581\"\u003eFurthermore, the three-dimensional shape on the surface of the vessel is not only beautiful to look at, but also functional, allowing the glass to be held securely in one hand. The size is just right for pouring and enjoying whisky, making this an exceptional product that will bring a touch of luxury to your everyday life. When enjoying Japanese whisky, why not try using a Japanese glass?\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e \u003ca href=\"\/en\/collections\/maker-iwata-hisatoshi\" target=\"_blank\" rel=\"noopener\"\u003eIwata Hisatoshi\u003c\/a\u003e Studio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e Iwata Hisatoshi\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThe artist's notable achievements include the Minister of Education Award at the Nitten Exhibition in 1976 and the Japan Art Academy Award in 1982.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePublic Collections:\u003c\/strong\u003e The National Museum of Modern Art, Tokyo, The National Museum of Modern Art, Kyoto, Hokkaido Museum of Modern Art, The Japan Art Academy, The Metropolitan Museum of Art, New York, The Corning Museum of Glass, New York, Museum Kunstpalast, Düsseldorf, Musée des Arts Décoratifs, Paris, and others.\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eYear of production:\u003c\/strong\u003e 1986\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated box included\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e hand-blown\u003c\/span\u003e glass\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height approx. 8.2cm, diameter approx. 8.5cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"岩田久利","offers":[{"title":"Default Title","offer_id":47057540710587,"sku":null,"price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0891.jpg?v=1759036215"},{"product_id":"42","title":"Living National Treasure Inoue Manji (井上萬二)'s White Porcelain Carved Teacup #42","description":"\u003cp\u003e\u003ca href=\"\/en\/collections\/maker-inoue-manji\" target=\"_blank\" rel=\"noopener\"\u003eInoue Manji\u003c\/a\u003e (井上萬二, 1929–2025) was born in Arita, Saga Prefecture in 1929, and is a representative ceramic artist of \u003ca href=\"\/en\/collections\/arita-imari-ware\" target=\"_blank\" rel=\"noopener\"\u003eArita ware\u003c\/a\u003e. While Arita ware is typically characterized by colorful painting, Inoue has always focused on white porcelain, pursuing its pure beauty.\u003c\/p\u003e\n\u003cp\u003e After studying under the master potter's wheel master, \u003ca href=\"\/en\/search?q=%22%E5%A5%A5%E5%B7%9D%E5%BF%A0%E5%8F%B3%E8%A1%9B%E9%96%80%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eOkugawa Chuemon\u003c\/a\u003e, the artist honed Inoue's skills at the Saga Prefectural Ceramics Testing Laboratory before going independent in 1971. Inoue's outstanding potter's wheel skills and the soft, refined beauty of the resulting forms are highly acclaimed both in Japan and overseas. The artist has also worked tirelessly overseas, teaching at universities in the United States and engaging in cultural exchange activities, spreading the essence of Japanese traditional crafts to the world.\u003c\/p\u003e\n\u003cp\u003e This white porcelain piece exudes tranquil beauty, and we suspect it likely dates from Inoue Manji's later years, when the artist's technique had reached its peak. Flowing lines of bamboo branches and leaves are delicately carved into the surface, gently lifting off the pure white porcelain. This openwork-like technique creates a tasteful shadow that changes appearance with the light. The included lid ensures that the aroma is not lost, making this a truly exceptional piece that maximizes the aroma of whisky. Enjoy this exceptional piece of Japanese sophistication and the finest craftsmanship with a special glass of whisky.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e \u003ca href=\"\/en\/collections\/maker-inoue-manji\" target=\"_blank\" rel=\"noopener\"\u003eInoue Manji\u003c\/a\u003e (井上萬二, 1929–2025)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\n\n \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eThe artist's notable achievements include:\u003c\/strong\u003e [1979] Minister of Labor Award, [1987] Minister of Education Award at the Japan Traditional Crafts Exhibition, [1995] Certified as a \u003ca href=\"\/en\/collections\/living-national-treasures\" target=\"_blank\" rel=\"noopener\"\u003eLiving National Treasure\u003c\/a\u003e and Important Intangible Cultural Property \"White Porcelain\", [1997] Received the Medal with Purple Ribbon, [2003] Received the Order of the Rising Sun, Gold Rays with Neck Ribbon\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction year:\u003c\/strong\u003e 2000s (estimated)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated wooden box\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramic (white porcelain)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height 11cm, diameter 7.5cm\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47059029786811,"sku":null,"price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1019.jpg?v=1759322343"},{"product_id":"101","title":"Nanban Torai Ceramic Whisky Tumbler by Rinkuro (林九郎) #101 ","description":"\u003cp data-path-to-node=\"2\"\u003eThis rocks glass is part of the gorgeous \"Nanban Torai\" series, produced by \u003ca href=\"\/en\/collections\/maker-rinkuro-kiln\" target=\"_blank\" rel=\"noopener\"\u003eRinKurou Kiln\u003c\/a\u003e, based in Hasami Town, Nagasaki Prefecture. RinKurou\u0026nbsp;Kiln is known for its unique \"Old Imari Style,\" which incorporates modern sensibilities while carrying on the traditions of \u003ca href=\"\/en\/collections\/arita-imari-ware\" target=\"_blank\" rel=\"noopener\"\u003eArita ware\u003c\/a\u003e and Hasami ware, and this piece is also dotted with their outstanding design.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe glass is octagonal and fits comfortably in the hand. Its sides feature vibrantly painted images of black ships and Westerners against a lavish gold background. The motif of the design is the historic \"Arrival of the Black Ships,\" the 1853 arrival of four ships, including two steamships, at Uraga Port under the command of U.S. Commodore Matthew Perry. This event marked the end of Japan's long period of isolation and marked the beginning of a dramatic intermingling and vibrant exchange between Japanese and Western cultures. The design of the admiral's costume and sailing ships speaks to the amazement and curiosity felt by Japanese people at the time toward Western culture. Its beautiful blend of traditional Japanese designs, such as the blue ocean wave pattern, and the exotic atmosphere of Nanban culture creates a unique worldview characteristic of the RinKurou\u0026nbsp;Kiln.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eOf particular note is the contrast between the pale \"Seigaiha\" (waves) pattern on the inside and bottom of the glass and the rich coloring on the outside. Looking into it from the inside, you can enjoy the translucent texture of the celadon, and its beauty is accentuated with each drink poured into it. This piece is thought to have been produced between the late 1980s and early 2000s, when RinKurou\u0026nbsp;Kiln actively developed this style of Nanban series, which became highly popular as a gift item and high-end sake vessel. This glass, which combines traditional Japanese beauty with the romance of the Age of Discovery that led to the Meiji Restoration, will add a special touch to your everyday life, whether for aesthetic or practical use.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e \u003ca href=\"\/en\/collections\/maker-rinkuro-kiln\" target=\"_blank\" rel=\"noopener\"\u003eRinKurou\u0026nbsp;Kiln\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction period:\u003c\/strong\u003e 1990s-2000s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramic (pottery)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height approx. 9cm, diameter approx. 8cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAbout RinKurou Kiln:\u003c\/strong\u003e Located in Hasami Town, Nagasaki Prefecture, RinKurou Kiln is a Hasami ware pottery manufacturer founded in 1968 by Ishimaru Ceramics Co., Ltd. The manufacturer continues to carry on the traditions of Hasami ware, which has a history of over 400 years, while pursuing its own unique style and high-quality pottery. RinKurou\u0026nbsp;Kiln's works are a modern revival of the \"Ko-Imari style\" of the Edo period, characterized by gorgeous and luxurious designs using techniques such as blue and white porcelain, red porcelain, and somenishiki porcelain.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"林九郎窯","offers":[{"title":"Default Title","offer_id":47278523973819,"sku":null,"price":16000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3082.jpg?v=1766901900"},{"product_id":"131","title":"Hand-blown glass rocks glass by Iwata Hisatoshi (岩田久利) #131 ","description":"\u003cp\u003eThis is \"San,\" a work by \u003ca href=\"\/en\/collections\/maker-iwata-hisatoshi\" target=\"_blank\" rel=\"noopener\"\u003eIwata Hisatoshi\u003c\/a\u003e (岩田久利, 1925–1994), one of Japan's leading glass artists. The word \"San\" \u003cspan\u003emeans \"brilliant, dazzling, and beautiful, like the light of a fire shining brightly,\" and as its\u003c\/span\u003e name suggests, it exudes a radiant presence. The entire piece is studded with delicate gold leaf, and when you hold it in your hand, it exudes a luxurious feel, as if you are embracing light. The yellowish exterior is actually made up of countless tiny pieces of gold leaf, and upon closer inspection, the beauty of the delicate goldwork emerges.\u003c\/p\u003e\n\u003cp data-end=\"698\" data-start=\"581\"\u003eFurthermore, the three-dimensional shape on the surface of the vessel is not only beautiful to look at, but also functional, allowing the glass to be held securely in one hand. The size is just right for pouring and enjoying whisky, making this an exceptional product that will bring a touch of luxury to your everyday life. When enjoying Japanese whisky, why not try using a Japanese glass?\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e \u003ca href=\"\/en\/collections\/maker-iwata-hisatoshi\" target=\"_blank\" rel=\"noopener\"\u003eIwata Hisatoshi\u003c\/a\u003e Studio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e Iwata Hisatoshi\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThe artist's notable achievements include the Minister of Education Award at the Nitten Exhibition in 1976 and the Japan Art Academy Award in 1982.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePublic Collections:\u003c\/strong\u003e The National Museum of Modern Art, Tokyo, The National Museum of Modern Art, Kyoto, Hokkaido Museum of Modern Art, The Japan Art Academy, The Metropolitan Museum of Art, New York, The Corning Museum of Glass, New York, Museum Kunstpalast, Düsseldorf, Musée des Arts Décoratifs, Paris, and others.\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eProduction year:\u003c\/strong\u003e Around 1986\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e hand-blown\u003c\/span\u003e glass\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height approx. 8.2cm, diameter approx. 8.5cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"岩田久利","offers":[{"title":"Default Title","offer_id":47355717812411,"sku":null,"price":20000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3643.jpg?v=1768560194"},{"product_id":"156","title":"Hiroshima Prefectural Important Intangible Cultural Property, Uchida Yasuhide (内田泰秀), Late Mature Period, 1980 Masterpiece of Pottery, Lost and Visionary Technique \"Hyori Kantsu Nishiki Neriage\" Ceramic Whisky Tumbler #156","description":"\u003cdiv dir=\"ltr\" aria-busy=\"false\" aria-live=\"polite\" id=\"model-response-message-contentr_460f7b4b0b04bce1\" class=\"markdown markdown-main-panel stronger enable-updated-hr-color\"\u003e\n\u003cp data-path-to-node=\"6\"\u003e\u003ca href=\"\/en\/collections\/maker-uchida-yasuhide\" target=\"_blank\" rel=\"noopener\"\u003eUchida Yasuhide\u003c\/a\u003e is a ceramic artist hailed as a solitary legend in the history of Showa era ceramics. Following immense acclaim at the 1970 Osaka Expo and Uchida's subsequent research at the Manufacture nationale de Sèvres, the prestigious national porcelain manufactory of France, the artist reached a unique artistic pinnacle that harmoniously fused Japanese and French aesthetics. This piece is a miraculous masterpiece created by Uchida at age 87, in the final years of a long life, a work of such dedication that it took five full months to bring just a single cup to completion.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eAt first glance, the intricate patterns might appear to be beautiful designs painted with a brush. However, the true marvel of this work lies in the fact that these colors and motifs are not created using any pigments or surface painting at all. Instead, they are the result of the lost, phantom technique known as Hyori Kantsu Nishiki Neriagede (Surface-to-Reverse Penetration Brocade Marbling). Clays colored with various metal oxides are assembled like a complex puzzle based on precise calculations, forming the pattern itself as the very structure of the clay body.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThe fantastical flowers appearing at the center of the work, set against a blue mosaic background reminiscent of pond ripples, evoke Claude Monet's Water Lilies. In works like this, which utilize different colored clays, the risk of cracking at the joints is extremely high due to varying shrinkage rates during firing, and any flaws cannot be hidden with glaze. Uchida utilized the advanced techniques the artist honed at Sèvres to overcome these grueling conditions, achieving vivid, clear colors without turbidity and a robust, flawless finish.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe most defining characteristic is the surface-to-reverse penetration. When peering into the glass, one will be breathless to find that the complex patterns on the exterior extend perfectly through to the interior and even the base without the slightest deviation. This is evidence of the flawless layering of the clay strata and represents a supreme structural beauty imbued with a wish for peace without a back side (sincerity without duplicity) by Uchida, who was a native of the atomic-bombed city of Hiroshima.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eWhen amber whisky is poured into the glass, the intricate patterns shimmer like a kaleidoscope within the liquid, revealing a new, breathtaking landscape. This is the world of Nishiki (Brocade) where five months of passion and technique are encapsulated. To savor fine spirits in this ultimate Ceramic Whisky Tumbler is a luxurious cultural privilege that transcends a mere evening drink.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e \u003ca href=\"\/en\/collections\/maker-uchida-yasuhide\" target=\"_blank\" rel=\"noopener\"\u003eUchida Yasuhide\u003c\/a\u003e (内田泰秀, 1893–1997)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eNotable Career Highlights:\u003c\/strong\u003e [1952] Solo exhibition at Mitsukoshi Nihonbashi Main Store; [1960s] Studied color and porcelain techniques at the Manufacture nationale de Sèvres in France; [1965] Designated as an Intangible Cultural Property of Miyoshi City; [1970] Exhibited at the Osaka Expo (EXPO'70); [1973] Recognized as a Holder of an Important Intangible Cultural Property of Hiroshima Prefecture.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eDate of Production:\u003c\/strong\u003e April 1980 (Showa 55). Inscribed on the back of the box: Produced over five months, April 1980.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent (no chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original wooden box, wrapping cloth (with signature and seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Nishiki Neriage-de (Ceramic, Through-and-Through technique)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 6.5 cm, Diameter approx. 7.4 cm (approximate)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Although the products we offer may be unused, they were produced many years ago and are listed as vintage\/pre-owned items. Please be aware that products may show signs of aging. We appreciate your understanding and careful review before purchase.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47416312070331,"sku":null,"price":125000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4124.jpg?v=1770887564"},{"product_id":"157","title":"Eguchi Katsumi (江口勝美): Masterpiece of His Prime - Washi-Dye Floral Motif, Supreme Whisky Ceramic Whisky Tumbler Set of Two #157","description":"\u003cp\u003e\u003ca href=\"\/en\/collections\/maker-eguchi-katsumi\" target=\"_blank\" rel=\"noopener\"\u003eEguchi Katsumi\u003c\/a\u003e (江口勝美, 1936–), a master craftsman who revived the Koyamaji Kiln in 1968, is the authentic successor of the Nanbu Kokaratsu tradition in Takeo, Saga Prefecture, which dates back to the late Momoyama period. Celebrating Eguchi's 88th birthday (Beiju) in 2024, the artist remains a living legend of Hizen ceramics. This pair of vessels fuses the solemnity of traditional Oribe Karatsu with the artist's original decorative aesthetic, creating a supreme work coveted by discerning craft collectors. The heart of this work is the Washizome (washi-dyeing) technique, which involves adhering thin washi paper to the bisque-fired surface to allow pigments to permeate. This creates a dreamlike gradation—as if the colors are seeping through the gaps in the fibers—that is impossible to achieve through direct brushwork. Eguchi has meticulously calculated the mineral components of the clay and the absorption rates of the pigments; while the indigo and brown floral petals possess the transparency of watercolors, the colors are permanently fused deep into the ceramic body through high-temperature firing.\u003c\/p\u003e\n\u003cp\u003eThe voluminous form, standing 8.5 cm high and 8.4 cm in diameter, represents the pinnacle of Eguchi's aesthetic, which reached its maturity around the late 1980s to early 1990s. This was the era when Eguchi won the Prime Minister's Award and works were acquired by the Victoria and Albert Museum in the UK. The delicate crazing (kannyu) covering the surface is a natural decoration born from the differing shrinkage rates of clay and glaze. When amber whisky is poured, these intricate patterns come into sharp focus through the liquid. The friction of the ice and the warmth of the hands cause the ceramic to exhibit subtle changes in expression, as if the vessel itself were breathing. This pair encapsulates the artisan's skill that earned the artist the honor of having Eguchi's techniques officially recorded by the government and presenting Eguchi's works to the Crown Prince and Prince Takamatsu.\u003c\/p\u003e\n\u003cp\u003eThe powerful carving of the base demonstrates the structural stability required to support Eguchi's superb techniques, such as Washizome Kurinuki (hollow-carving), sublimating the rustic charm of Oribe Karatsu once beloved by tea masters into the ultimate modern drinking vessel. To experience the passion of Eguchi Katsumi—who redefined a fading tradition and won national acclaim—alongside a golden aged spirit is a cultural privilege reserved for those who recognize true value.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e \u003ca href=\"\/en\/collections\/maker-eguchi-katsumi\" target=\"_blank\" rel=\"noopener\"\u003eEguchi Katsumi\u003c\/a\u003e (江口勝美, 1936–)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRepresentative Career Highlights:\u003c\/strong\u003e [1961: West Japan Crafts Exhibition, Asahi Shimbun Prize (Special Award)], [1962: National Prefectural Selection Exhibition, Minister of Education Award], [1972: 19th Japan Traditional Crafts Exhibition, Grand Prize (Asahi Shimbun Prize)], [1979: 5th Japan Ceramic Art Exhibition, Excellent Work Award], [1981: 26th Japan Traditional Crafts Exhibition, Encouragement Award], [1983: West Japan Ceramic Art Exhibition, Grand Prize (Prime Minister's Award)], [1985: Japan Ceramic Society Award] \u0026nbsp;\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e Circa 1989 to early 1990s\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent (No chips, no cracks)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original wooden box, artist's profile (insert) \u003cbr\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramic (Pottery)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 8.5 cm, Diameter approx. 8.4 cm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Of this two-piece set,\u003cstrong\u003e \u003c\/strong\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003ethe cup on the left (with the brown floral pattern) features a deep \"Kannyu\" (crazing) extending from the rim to the body, where a slight catch can be felt with a fingertip. While this does not currently affect the structural integrity or functional use\u003c\/span\u003e, we have explicitly noted it here as a reflection of the proprietor's commitment to transparency regarding the unique characteristics of vintage ceramics. In consideration of this, we are offering this masterpiece from the artist’s peak period at a special discounted price.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Although the products we offer may be unused, they were produced many years ago and are listed as vintage\/pre-owned items. Please be aware that products may show signs of aging. We appreciate your understanding and careful review before purchase.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47446953361595,"sku":null,"price":30000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4153.jpg?v=1770884583"},{"product_id":"158","title":"Hiroshima Prefectural Important Intangible Cultural Property, Uchida Yasuhide (内田泰秀), Late Mature Period, 1977 Masterpiece, Lost and Visionary Technique \"Hyori Kantsu Nishiki Neriage\" Ceramic Rock Glasses (2-Piece Set) #158","description":"\u003cdiv dir=\"ltr\" aria-busy=\"false\" aria-live=\"polite\" id=\"model-response-message-contentr_460f7b4b0b04bce1\" class=\"markdown markdown-main-panel stronger enable-updated-hr-color\"\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003ca href=\"\/en\/collections\/maker-uchida-yasuhide\" target=\"_blank\" rel=\"noopener\"\u003eUchida Yasuhide\u003c\/a\u003e is a ceramic artist hailed as a solitary legend in the history of Showa era ceramics. Following immense acclaim at the 1970 Osaka Expo and Uchida's subsequent research at the prestigious Manufacture nationale de Sèvres in France, the artist reached a unique artistic pinnacle that harmoniously fused Japanese and French aesthetics. This specific work, Hyori Kantsu Nishiki Neriage (Surface-to-Reverse Penetration Brocade Marbling), was created in July 1977 (Showa 52), a time when Uchida's technique had reached its full maturity and was approaching its absolute peak. On the reverse side of the accompanying original wooden box (tomobako), there is an ink inscription that reads July 24, Showa 52, Intangible Cultural Property, making this a pair of historical significance where years of dedicated study are kneaded into every single grain of clay.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eAt first glance, the intricate patterns might appear to be beautiful designs painted with a brush. However, the true marvel of this work lies in the fact that these colors and motifs are not created using any pigments or surface painting at all. They are the result of the lost, phantom technique known as Hyori Kantsu Nishiki Neriage. Clays colored with various metal oxides are assembled like a complex puzzle based on precise calculations, forming the pattern itself as the very structure of the clay body. Because different colored clays shrink at different rates during firing, the risk of cracking at the joints is extremely high, and any flaws cannot be hidden with glaze. While most works with such multi-colored and complex patterns would crack during firing, Uchida utilized the exceptional skills the artist honed at Sèvres to achieve vivid, clear colors without turbidity and a robust, flawless finish.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eUnique discolorations caused during firing can be seen on the surface, but in Uchida's work, these are by no means defects. They are the traces of a battle in which different clays fiercely pulled against one another under grueling heat, eventually merging and sublimating into a single entity. This expression, which looks as if the flickering of the flames themselves has been captured, is the scenery (keshiki) unique to fine kōgei (craft) and absent in industrial products; it is the steadfast proof that this work is a one-of-a-kind piece that survived the harsh kiln fire. Furthermore, the most defining characteristic, surface-to-reverse penetration, means that the complex patterns on the exterior extend perfectly through to the interior and even the base without the slightest deviation. This is evidence of the flawless layering of the clay strata and represents a supreme structural beauty imbued with a wish for peace without a back side (sincerity without duplicity) by Uchida, who was a native of the atomic-bombed city of Hiroshima.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eWe propose this historical Japanese masterpiece not merely as a teacup, but as a supreme whisky rock glass worthy of its esteemed status. When held in the hand, one can feel the profound weight of the kneaded clay and the intricate textures of the patterns beneath the fingertips. The moment amber whisky is poured in, the geometric motifs that penetrate through to the interior shimmer like a kaleidoscope within the liquid, revealing a new, breathtaking landscape at the bottom of the glass. This time spent where fine spirits meld with passion that has not faded after nearly fifty years will be a luxurious cultural privilege that transcends a mere evening drink.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e \u003ca href=\"\/en\/collections\/maker-uchida-yasuhide\" target=\"_blank\" rel=\"noopener\"\u003eUchida Yasuhide\u003c\/a\u003e (内田泰秀, 1893–1997)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eNotable Career Highlights:\u003c\/strong\u003e [1952] Solo exhibition at Mitsukoshi Nihonbashi Main Store; [1960s] Studied color and porcelain techniques at the Manufacture nationale de Sèvres in France; [1965] Designated as an Intangible Cultural Property of Miyoshi City; [1970] Exhibited at the Osaka Expo (EXPO'70); [1973] Recognized as a Holder of an Important Intangible Cultural Property of Hiroshima Prefecture.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eDate of Production:\u003c\/strong\u003e July 1977 (Showa 52). *Note: The back of the original wooden box (tomobako) bears an ink inscription that reads: July 24, Showa 52, Intangible Cultural Property.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent (no chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original wooden box, wrapping cloth (with signature and seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Nishiki Neriage-de (Ceramic, Through-and-Through technique)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e [Large] Height: Approx. 7.5cm, Diameter: Approx. 7.4cm \/ [Small] Height: Approx. 7cm, Diameter: Approx. 6cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Although the products we offer may be unused, they were produced many years ago and are listed as vintage\/pre-owned items. Please be aware that products may show signs of aging. We appreciate your understanding and careful review before purchase.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47454026793147,"sku":null,"price":100000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4188.jpg?v=1771241582"},{"product_id":"160","title":"Hand-blown Art Glass by Iwata Hisatoshi (岩田久利), Kin-aka Kiriko (Gold Ruby Glass) Rocks Glass, 1 Piece, #160","description":"\u003cp data-path-to-node=\"4\"\u003e\u003cspan class=\"\"\u003eThis Kin-aka Kiriko created by the master of contemporary glass art,\u003c\/span\u003e\u003cspan class=\"\"\u003e \u003ca href=\"\/en\/collections\/maker-iwata-hisatoshi\" target=\"_blank\" rel=\"noopener\"\u003eIwata Hisatoshi\u003c\/a\u003e (岩田久利, 1925–1994),\u003c\/span\u003e\u003cspan class=\"\"\u003e is more than just a vessel; it is a gem of an art piece that captures the memories of light and heat.\u003c\/span\u003e\u003cspan class=\"\"\u003e Together with Iwata Hisatoshi's father,\u003c\/span\u003e\u003cspan class=\"\"\u003e \u003ca href=\"\/en\/collections\/maker-iwata-toshichi\" target=\"_blank\" rel=\"noopener\"\u003eIwata Toshichi\u003c\/a\u003e,\u003c\/span\u003e\u003cspan class=\"\"\u003e Hisatoshi elevated Japanese glass art from utility tools to pure art.\u003c\/span\u003e\u003cspan class=\"\"\u003e The reason why the artist's works continue to fascinate enthusiasts around the world lies in the overwhelming depth of their colors and the sculptural power that draws out the vitality of the material.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cspan class=\"\"\u003eThe soul of this piece is the supreme coloring technique known as Kin-aka,\u003c\/span\u003e\u003cspan class=\"\"\u003e also called Gold Ruby Glass.\u003c\/span\u003e\u003cspan class=\"\"\u003e This miraculous color is born only by mixing real pure gold into the glass raw material and repeatedly reheating it in a scorching furnace at temperatures exceeding 1,\u003c\/span\u003e\u003cspan class=\"\"\u003e000 degrees Celsius.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003e\u003cspan class=\"\"\u003eThe blending ratio of pure gold is a secret of the artist and the studio,\u003c\/span\u003e\u003cspan class=\"\"\u003e so it cannot be generalized,\u003c\/span\u003e\u003cspan class=\"\"\u003e but it is typically said that the content of pure gold (gold chloride solution) is approximately 0.\u003c\/span\u003e\u003cspan class=\"\"\u003e01% to 0.\u003c\/span\u003e\u003cspan class=\"\"\u003e03% relative to the glass material.\u003c\/span\u003e\u003cspan class=\"\"\u003e For instance,\u003c\/span\u003e\u003cspan class=\"\"\u003e if a piece weighs about 300g,\u003c\/span\u003e\u003cspan class=\"\"\u003e the amount of pure gold contained is calculated to be a mere 0.\u003c\/span\u003e\u003cspan class=\"\"\u003e03g to 0.\u003c\/span\u003e\u003cspan class=\"\"\u003e1g.\u003c\/span\u003e\u003cspan class=\"\"\u003e However,\u003c\/span\u003e\u003cspan class=\"\"\u003e the reason why Kin-aka glass works are so expensive is not simply due to the use of pure gold as a raw material.\u003c\/span\u003e\u003cspan class=\"\"\u003e It lies in the background of having to overcome the strict barrier of an extremely unstable yield (success rate).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cspan class=\"\"\u003eEven among works made of the same Kin-aka glass,\u003c\/span\u003e\u003cspan class=\"\"\u003e inexpensive items tend to have a thinner red layer,\u003c\/span\u003e\u003cspan class=\"\"\u003e which results in a weak contrast with the white parts when Kiriko cuts are applied.\u003c\/span\u003e\u003cspan class=\"\"\u003e However,\u003c\/span\u003e\u003cspan class=\"\"\u003e as seen in this piece,\u003c\/span\u003e\u003cspan class=\"\"\u003e those with a thick,\u003c\/span\u003e\u003cspan class=\"\"\u003e beautiful crimson layer and sharp cut edges possess a completely different sense of visual weight.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cspan class=\"\"\u003eTo achieve this vibrant red,\u003c\/span\u003e\u003cspan class=\"\"\u003e even a slight difference in the process carries the constant risk of wasting expensive gold,\u003c\/span\u003e\u003cspan class=\"\"\u003e and the extreme tension during the production process forms the foundation of this work's value.\u003c\/span\u003e\u003cspan class=\"\"\u003e In particular,\u003c\/span\u003e\u003cspan class=\"\"\u003e the process of reheating the once-molded glass to the appropriate temperature to dramatically develop the color of the gold particles is extremely difficult,\u003c\/span\u003e\u003cspan class=\"\"\u003e even for a master with great experience.\u003c\/span\u003e\u003cspan class=\"\"\u003e Even a slight temperature change causes the color to become cloudy,\u003c\/span\u003e\u003cspan class=\"\"\u003e and failure would result in the piece becoming nothing more than extremely high-cost waste material.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cspan class=\"\"\u003eNevertheless,\u003c\/span\u003e\u003cspan class=\"\"\u003e Iwata Hisatoshi pursued a deep dignity and transparency akin to a ruby—a quality that can never be reached with copper-red made from cheaper copper—and dared to invest precious metal.\u003c\/span\u003e\u003cspan class=\"\"\u003e This uncompromising pride of the artist and the fact that it is a unique piece that survived the rigorous selection process determine its rarity.\u003c\/span\u003e\u003cspan class=\"\"\u003e The deep yet transparent red that seems to burn from within is the very embodiment of the color of passion that Hisatoshi pursued throughout a lifetime.\u003c\/span\u003e\u003cspan class=\"\"\u003e The bold and precise Kiriko cuts on the surface brilliantly scrape away this Kin-aka layer,\u003c\/span\u003e\u003cspan class=\"\"\u003e creating a vivid contrast with the transparent glass beneath and causing light to reflect diffusely like a gemstone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003e\u003cspan class=\"\"\u003eThe microscopic bubbles gently trapped within the glass and the soft texture unique to hand-blown glass are by no means defects.\u003c\/span\u003e\u003cspan class=\"\"\u003e They are traces of breath—something lost in modern industrial products—where the artist gathered glass from the crucible and breathed soul into it all at once.\u003c\/span\u003e\u003cspan class=\"\"\u003e Among antique collectors,\u003c\/span\u003e\u003cspan class=\"\"\u003e these are called keshiki (scenery) and are highly valued as aesthetic points that give the work a unique depth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003e\u003cspan class=\"\"\u003eWith an exquisite size of approximately 7.\u003c\/span\u003e\u003cspan class=\"\"\u003e8 cm in diameter and 6.\u003c\/span\u003e\u003cspan class=\"\"\u003e5 cm in height,\u003c\/span\u003e\u003cspan class=\"\"\u003e it shows a perfect harmony as a rocks glass for pouring amber-colored whisky.\u003c\/span\u003e\u003cspan\u003e The liquid swaying through the Kin-aka Kiriko is the height of luxury,\u003c\/span\u003e\u003cspan\u003e transforming the time spent quietly sipping at the end of the day into a supreme ritual.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003e\u003cspan\u003eThe handwritten signature Hisatoshi (久利) on the bottom and the carefully preserved original box eloquently tell the story that this is an authentic work that has cleared Hisatoshi's strict aesthetic standards.\u003c\/span\u003e\u003cspan\u003e Now,\u003c\/span\u003e\u003cspan\u003e over 30 years after Iwata Hisatoshi's passing,\u003c\/span\u003e\u003cspan\u003e with no new works being created,\u003c\/span\u003e\u003cspan\u003e acquiring such a well-conditioned posthumous work from the artist's prime carries a special meaning that goes beyond mere ownership—it is the inheritance of culture.\u003c\/span\u003e\u003cspan\u003e This is a masterpiece that shines brilliantly in the history of Japanese glass craft,\u003c\/span\u003e\u003cspan\u003e embodying the madness and passion of 100 years ago that Antique Liquor 1926 continues to uphold.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cspan\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e \u003ca href=\"\/en\/collections\/maker-iwata-hisatoshi\" target=\"_blank\" rel=\"noopener\"\u003eIwata Hisatoshi\u003c\/a\u003e Glass Studio \u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e Iwata Hisatoshi (岩田久利) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist's Notable Activities:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e [1976] Received the Minister of Education Award at Nitten; [1982] Received the Japan Art Academy Prize.\u003c\/span\u003e\u003cspan\u003e \u003cbr\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e Late 1970s to early 1990s (estimated) \u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e Very good (no chips or cracks) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cspan\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e Original box and wrapping cloth included \u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cspan\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e Hand-blown glass \u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cspan\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e Approx.\u003c\/span\u003e\u003cspan\u003e 7.\u003c\/span\u003e\u003cspan\u003e8 cm in diameter,\u003c\/span\u003e\u003cspan\u003e 6.\u003c\/span\u003e\u003cspan\u003e5 cm in height\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cspan\u003e\u003cstrong\u003ePlease Note①:\u003c\/strong\u003e Due to the presence of fine dust particles on the surface during photography, some images may appear to show air bubbles or scratches. Upon detailed inspection, there are no notable scratches, and internal air bubbles are extremely minimal. Please purchase with confidence.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cspan\u003e\u003cstrong\u003ePlease note②:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e Even if the products we offer are brand new and unused,\u003c\/span\u003e\u003cspan\u003e they are from a very old production period and are listed as second-hand items.\u003c\/span\u003e\u003cspan\u003e Please understand and confirm that the products may have damage due to aging before considering your purchase.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"岩田久利","offers":[{"title":"Default Title","offer_id":47466345693371,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4296.jpg?v=1771849402"},{"product_id":"170","title":"Living National Treasure Shimaoka Tatsuzo (島岡達三)'s Masterpiece: Jomon Inlaid Salt Glaze Couple's Teacup and Rocks Glass Set (2 Pieces) #170","description":"\u003cp data-path-to-node=\"8\"\u003e\u003ca href=\"\/en\/collections\/maker-shimaoka-tatsuzo\" target=\"_blank\" rel=\"noopener\"\u003eShimaoka Tatsuzo\u003c\/a\u003e (島岡達三, 1919–2007), a designated \u003ca href=\"\/en\/collections\/living-national-treasures\" target=\"_blank\" rel=\"noopener\"\u003eLiving National Treasure\u003c\/a\u003e, was born in the heart of old Tokyo as the eldest son of a master Kumihimo (traditional braided cord) artist. After completing Shimaoka's specialized education at the Department of Ceramics at the Tokyo Institute of Technology, the artist became a disciple of \u003ca href=\"\/en\/search?q=%22%E6%BF%B1%E7%94%B0%E5%BA%84%E5%8F%B8%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eHamada Shoji\u003c\/a\u003e, the giant of the Mingei (Folk Crafts) movement, in 1946. For over 20 years in Mashiko, the artist refined Shimaoka's craft. Hamada described Shimaoka as possessing profound inner confidence yet remaining consciously modest in public presentations, highly praising Shimaoka's unwavering dedication to a personal aesthetic and technical focus.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe primary reason for Shimaoka's global acclaim is the original Jomon Inlay technique. This process involves rolling braided cords into semi-dry clay to impress rope patterns, then meticulously inlaying the depressions with contrasting colored slips before scraping away the excess to reveal the design. Remarkably, the cords used to create these patterns were silk heritage pieces belonging to Shimaoka's father, a renowned Kumihimo master. The exceptionally fine texture of these silk cords imbues the vessels with a refined rhythm and elegance that stands in stark contrast to the ruggedness of ancient Jomon pottery. Although inlaying is an ancient technique, flawlessly controlling the shrinkage of the clay and preventing the delicate patterns from blurring during the carving process requires extraordinary mastery. The impeccable beauty of the patterns in Shimaoka’s work is a testament to the artist's immense concentration and precise engineering.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThis set of inlaid cups is a masterpiece that lavishly incorporates both Jomon Inlay and the salt glaze (or soda glaze) technique that Shimaoka perfected late in life. Salt glazing is an exceptional method where rock salt or soda ash is introduced directly into the kiln when temperatures peak at 1250 to 1300 degrees Celsius. The volatilized sodium reacts chemically with the silica in the clay, creating a signature orange-peel texture with a subtle, glassy luster. This process severely erodes the kiln itself, requiring a dedicated structure and the intuitive mastery of an expert to control the volatile color development.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eThe defining brilliance of this work lies in its band-like composition, which allows two difficult techniques to coexist harmoniously in a single vessel. The upper section evokes the ancient stillness of Jomon Inlay, while the lower section showcases a vibrant, modern emerald green born from the soda glaze reaction. While Shimaoka’s work is often characterized by the soft, hazy textures the artist's mentor Hamada likened to tsumugi or kasuri textiles, this high-contrast design reflects the sophisticated, modern aesthetic Shimaoka reached through extensive international exhibitions.\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eWhile originally crafted as Yunomi (teacups), we propose a new way to experience this masterpiece: as the ultimate stage for savoring rare, discontinued vintage whiskies that have captured decades of time. Aged whisky is often described as drinkable perfume, and the slightly tapered rim of these cups is perfectly designed to concentrate the rising aromatic particles, directing them straight to the senses. Picking up the vessel and drawing it near creates a luxurious sanctuary for appreciating the rich bouquet of the spirit.\u003c\/p\u003e\n\u003cp data-path-to-node=\"13\"\u003eThe intricate texture of the Jomon Inlay at your fingertips and the smooth, salt-glazed surface against your lips provide a tactile pleasure that elevates the profound depth of aged spirits. This is the meeting of two arts: the art of earth perfected by Shimaoka Tatsuzo and the art of amber honed by the passage of time. When these two timelines converge, you are not merely drinking; you are engaging in a silent dialogue with the memories of a bygone era. Watching the colors born from the caprice of the flames while savoring a supreme vintage spirit is the ultimate luxury, reserved for those who truly appreciate the authentic.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"3\"\u003e*Comments from Hamada Shoji, Shimaoka's mentor\u003cbr\u003e\u003c\/h3\u003e\n\u003cp data-path-to-node=\"3\"\u003eShimaoka, typical of someone raised in downtown Tokyo, possesses strong inner confidence but consciously remains modest in presenting the work. Having graduated from the Ceramics Department of Tokyo Institute of Technology more than twenty years ago, and having become accustomed to the Mashiko clay, the artist has the skill to master most techniques, yet Shimaoka deliberately focuses Shimaoka's work, restraining it to Shimaoka's preferences.\u003cbr\u003eShimaoka has adopted a unique inlay pattern, drawing inspiration from Jomon pottery techniques. The main braided cords used in this work are relics from Shimaoka's father, who was a master kumihimo craftsman. The cleverness with which the artist entrusts the pattern to the cord to establish Shimaoka's own style is truly characteristic of Shimaoka. Shimaoka's work is generally subdued; if it were a kimono, one might say the thread is tsumugi silk and the pattern is kasuri.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cstrong\u003eHamada Shoji (浜田庄司, 1894–1978)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e \u003ca href=\"\/en\/collections\/maker-shimaoka-tatsuzo\" target=\"_blank\" rel=\"noopener\"\u003eShimaoka Tatsuzo\u003c\/a\u003e (島岡達三, 1919–2007)\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003eNotable Achievements:\u003c\/strong\u003e 1962 Japan Folk Crafts Museum Award, 1980 Tochigi Prefecture Cultural Merit Award, 1994 Japan Ceramic Association Gold Prize, 1996 Designated as a Holder of Important Intangible Cultural Property Jomon Inlay (Living National Treasure), 1999 Received the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003ePublic Collections:\u003c\/strong\u003e Victoria and Albert Museum (London), British Museum (London), Metropolitan Museum of Art (New York), Brooklyn Museum (New York), Museum of Fine Arts, Boston, National Museum of Modern Art, Tokyo, The Japan Folk Crafts Museum (the spiritual home of Hamada Shoji and Soetsu Yanagi), Mashiko Museum of Ceramic Art, Tochigi Prefectural Museum of Fine Arts, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e Circa 1980s to 1990s (estimated)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent (no chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated wooden box, artist's pamphlet\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramic\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e (Large) Height approx. 8.8 cm, diameter approx. 8.4 cm. (Small) Height approx. 7.8 cm, diameter approx. 7.5 cm.\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the items are in unused condition, they are vintage pieces and are listed as second-hand. Please understand that items may show characteristics of aging, and we encourage you to review all details before purchase.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47478150234299,"sku":null,"price":200000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4410.jpg?v=1772272087"},{"product_id":"173","title":"Kitade Seiko (北出星光, Kitade Isamu) Iroe Gold Gilt Floral Motif Gold Silence Illuminating Amber Rocks Glass #173","description":"\u003cp data-path-to-node=\"14\"\u003eWe are pleased to introduce a work featuring Iroe (overglaze painting) and gold gilt floral motifs by \u003ca href=\"\/en\/collections\/maker-kitade-seiko\" target=\"_blank\" rel=\"noopener\"\u003eKitade Seiko\u003c\/a\u003e (北出星光, 1928–2011), a master who inherited the orthodox traditions of \u003ca href=\"\/en\/collections\/kutani-ware\" target=\"_blank\" rel=\"noopener\"\u003eKutani ware\u003c\/a\u003e while elevating its expression to the level of contemporary art. Kitade Seiko, whose Birth name was Kitade Isamu, was born in 1928 in Daishoji, Kaga City, Ishikawa Prefecture. Until Kitade Seiko's passing at the age of 83 in 2011, the artist consistently pursued a high-standard aesthetic. The artist was the nephew and the most prominent disciple of \u003ca href=\"\/en\/products\/304\" target=\"_blank\" rel=\"noopener\"\u003eKitade Tojiro\u003c\/a\u003e, the master who brought innovation to Kutani ware by incorporating Middle Eastern designs. While inheriting the master's passionate and exotic sensibility, Seiko added Japanese delicacy and lyricism to create a unique and tranquil personal worldview.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eThe most distinctive feature of this work is the extremely precise gold gilding applied to the traditional Kutani Iroe technique. The depicted flowers are realistic yet wrapped in a dreamlike elegance, featuring the red thistle, the national flower of Scotland and symbol of the home of Scotch whisky, and the blue gentian, which embodies the Japanese heart. The vitality of the thistle, which survives the harsh nature of the northern lands, and the blue of the gentian, which harbors quiet intelligence. The fact that these two contrasting flowers are united in perfect balance through Kitade Seiko's delicate gold gilding is the emotional depth of this work. The gold lines outlining each leaf are fixed using a high-difficulty technique that requires skilled brushwork and strict temperature control. These delicate gold lines add depth to the vessel, creating an atmosphere as if the flowers are breathing depending on the lighting. Our shop proposes this prestigious yunomi not merely as a tea vessel, but as a supreme sake vessel for savoring aged spirits and whisky. Unlike transparent crystal glass, the contrast between the gold gilding and the pale colors depicted by Kitade Seiko provides visual depth when amber liquid is poured, making the liquid surface shine golden. The comfortable weight and smooth texture when held, and the characteristic softness of porcelain on the lips, promise a quiet moment that satisfies all five senses along with the aroma of aged spirits.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eKitade Seiko's achievements are demonstrated by an illustrious career, including winning the Special Selection at the Nitten Exhibition and the Hokua Prize, as well as the Fourth Class Order of the Sacred Treasure awarded by the national government in 1998. Furthermore, Kitade Seiko became a regular member of the Japan Kogei Association, and works by the artist are housed in public art museums such as the Ishikawa Prefectural Museum of Art, the Komatsu City Museum, and the Nakamura Memorial Museum of Art, Kanazawa. This is an extremely rare work with almost no information available in overseas markets. This piece, which condenses Japan's peak craftsmanship, will be a valuable opportunity for true collectors around the world to incorporate Japanese aesthetics into their lives.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e Kitade Seiko (Birth name: Kitade Isamu, 1928–2011)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cstrong\u003eRepresentative Career History:\u003c\/strong\u003e [1967] Won Special Selection at the 10th Nitten Exhibition, [1974] Won Special Selection at the 6th Nitten Exhibition, [1993] Received the Ishikawa Prefecture Cultural Merit Award, [1998] Awarded the Fourth Class Order of the Sacred Treasure, [Later years] Served as a Nitten judge, Nitten councilor, regular member of the Japan Kogei Association, and director of the Kyoto Craft Artists Association, among other positions.\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cstrong\u003eMuseum Collections:\u003c\/strong\u003e Spencer Museum of Art (University of Kansas, USA), Minneapolis Institute of Art (USA), Mary Griggs Burke Collection (USA), Ishikawa Prefectural Museum of Art, Kyoto City Kyocera Museum of Art (Kyoto Municipal Museum of Art), Itsuo Museum of Art (Ikeda City, Osaka), Nakamura Memorial Museum of Art, Kanazawa, Komatsu City Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cstrong\u003eProduction Date:\u003c\/strong\u003e 2005–2011 (The mature peak of the artist's final years, following Kitade Seiko's recognition as a Contemporary Master Craftsman)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks) \u003cbr\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original box (tomobako), wrapping cloth, and descriptive leaflet included.\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Diameter approx. 7.0 cm, Height approx. 9.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products provided by our shop are new and unused, they were produced a long time ago and are listed as second-hand items. Please understand and confirm that the products may have damage due to aging before considering a purchase.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47516864053435,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4714.jpg?v=1772963885"},{"product_id":"174","title":"Matsui Koyo (松井康陽) Masterpiece: The Zenith of Neriage - Structural Beauty of Layered Construction #174","description":"\u003cp data-path-to-node=\"19\"\u003eWe are proud to introduce a masterpiece by \u003ca href=\"\/en\/collections\/maker-matsui-koyo\" target=\"_blank\" rel=\"noopener\"\u003eMatsui Koyo\u003c\/a\u003e (松井康陽, 1962–), who has established a unique and intellectual compositional beauty in modern Neriage (marbling) techniques. This work legitimately inherits the Neriage techniques scientifically and artistically systematized by Matsui Koyo's father, Matsui Yasunari, a \u003ca href=\"\/en\/collections\/living-national-treasures\" target=\"_blank\" rel=\"noopener\"\u003eLiving National Treasure\u003c\/a\u003e (Holder of Important Intangible Cultural Property) for the Neriagede technique. Koyo has elevated these techniques in a new generation to a level of further precision and modern geometric patterning, creating a piece that truly deserves to be called the art of lamination.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThe Core of the Technique: Fractal Structure of Assembly and Layering The most prominent feature of this work lies in the transcendental technique known as Kumiage (assembly) or Layered Neriage, which far exceeds the general concept of marbling. Rather than simply mixing different colors of clay, this technique involves first pressing dozens of thin clay sheets—each only a few tenths of a millimeter thick—into a single pattern block. These blocks are then precisely sliced, and the resulting fragments are reconfigured with other clay based on a different color scheme to redefine a larger and more complex pattern block. This mind-bogglingly repetitive process creates micro-architectures of clay, appearing on the surface as meticulous grids and gradations that challenge the limits of the naked eye.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eTechnical Difficulty: A Struggle with the Laws of Physics The reason this Kumiage technique is considered the pinnacle of ceramic art is its extraordinarily low survival rate. In ceramics, joining clays with different properties means that even a slight difference in shrinkage rates during drying or firing will cause catastrophic cracking or delamination at the interfaces. In a laminated structure like this, thousands to tens of thousands of interfaces exist within a single vessel. To unite them in a kiln exceeding 1,200 degrees Celsius, advanced scientific knowledge is essential to match the thermal expansion coefficients of each colored clay with mathematical precision. Based on the secret clay formulas inherited from Matsui Koyo's father Yasunari—which maintain constant shrinkage regardless of color change—Koyo's meticulous calculations allow this physical miracle to take shape.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eUniqueness of Form: Static Beauty Without Distortion The dignified presence of this work is also supported by the total elimination of distortion during the forming process. If the clay were pulled up on a potter's wheel like ordinary ceramics, the internal laminated patterns would be brutally stretched by the pressure of the fingers. Therefore, Koyo employs extremely specialized and time-consuming forming methods, such as hammering the clay from the outside or lavishly carving it out, to ensure the patterns are not distorted at all. This perfect coexistence of three-dimensional structural beauty and mathematical pattern accuracy is the unique aesthetic of the Matsui family.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23\"\u003eInheritance and Innovation from Living National Treasure \u003ca href=\"\/en\/search?q=%22%E6%9D%BE%E4%BA%95%E5%BA%B7%E6%88%90%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eMatsui Kosei\u003c\/a\u003e: Matsui Koyo has reconstructed the world of Neriage—often called a kaleidoscope of clay—through a compositional perspective cultivated during studies at the School of Art and Design, University of Tsukuba. While the works of Matsui Koyo's father, Yasunari, sometimes evoke a sense of wild vitality through techniques like Hahyo (surface cracking), Koyo's works exude a more refined and tranquil order. This is the result of sublimating the supreme techniques received from the artist's great pioneer father into an art of logic that harmonizes with modern spaces.\u003c\/p\u003e\n\u003cp data-path-to-node=\"24\"\u003eThe Ultimate Tool for Savoring Aged Spirits We recommend this piece because its overwhelming lamination resonates with the layers of time carved into whisky through the aging process. When amber liquid is poured, the fine Neriage lines on the interior refract through the liquid, creating a moment of deep contemplation visually symbolizing the accumulation of time. Beyond simply owning a craft, it is about cherishing in one's hand the product of a human obsession that defied the laws of physics to transform clay into a jewel through fire. It will be a sublime tasting experience that echoes the profound flavors of aged spirits.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e Matsui Koyo (1962–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eRepresentative Career History:\u003c\/strong\u003e [1985] Graduated from the School of Art and Design, University of Tsukuba, and studied under the artist's father, Matsui Yasunari (Living National Treasure). [1991] Won the Encouragement Award at the 38th Japan Traditional Crafts Exhibition. [2002] Received the Japan Ceramic Society Award. [2005] Won the Encouragement Award at the 33rd Traditional Crafts New Works Exhibition. [Later years] Served as a regular member of the Japan Kogei Association and a committee member of the Ibaraki Ceramic Art Museum. Museum\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eCollections:\u003c\/strong\u003e Metropolitan Museum of Art (New York, USA), Victoria and Albert Museum (London, UK), National Museum of Modern Art, Tokyo, Ibaraki Ceramic Art Museum, Smith College Museum of Art (USA), etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eProduction Date:\u003c\/strong\u003e 2000s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks) \u003cbr\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original box (tomobako), wrapping cloth, and descriptive leaflet included.\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain (Neriage)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Diameter approx. 8.0 cm, Base Diameter approx. 4.0 cm, Height approx. 8.2 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products provided by our shop are new and unused, they were produced a long time ago and are listed as second-hand items. Please understand and confirm that the products may have damage due to aging before considering a purchase.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47517110239419,"sku":null,"price":85000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4652.jpg?v=1772964629"},{"product_id":"177","title":"The 13th generation Yokoishi Gagyu (十三代 横石臥牛)'s work, a revival of Genkawa ware and the ultimate brushstrokes that capture the \"wind\" of the pottery. Ceramic sake cup #177","description":"\u003cp data-path-to-node=\"3\"\u003eThe legendary Utsutsugawa ware, produced in Nagasaki during the mid-Edo period for only about 50 years, suddenly vanished. The solitary potter who revived this \"phantom pottery\" and elevated it to the realm of art was \u003ca href=\"\/en\/collections\/maker-yokoishi-gagyu-xiii\" target=\"_blank\" rel=\"noopener\"\u003eYokoishi Gagyu\u003c\/a\u003e XIII (十三代横石臥牛, 1925–2016). This work is a masterpiece that vividly reflects the aesthetics of Yokoishi Gagyu's heyday, when the artist reigned as the leading figure in Utsutsugawa ware in both name and reality, and was designated a Nagasaki Prefecture Intangible Cultural Property holder in 1975.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003e When discussing Jusandai's work, it is essential to mention the artist's delicate shaping ability, surpassing even porcelain, by molding iron-rich red clay to the thinnest possible thickness. Despite being ceramic, the thinness of the clay produces a clear, metallic sound when struck with the fingers, and this is the reason why Genkawa ware was once praised as \"exquisite in the East, Genkawa in the West.\" Applied to this unique surface are the elegant \"hakeme\" (brush marks) that have become synonymous with Jusandai. Created by running a brush laden with white engobe clay over the base without a moment's hesitation, the patterns sometimes resemble raging waves and sometimes gently flowing clouds, visualizing the invisible flow of \"wind\" within the vessel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e The design of the Japanese pampas grass depicted in this work is one of Jusandai's specialties, a motif that continues to fascinate enthusiasts around the world. The ears of Japanese pampas grass, blown by the wind and swaying in one direction like ocean waves, are not simply a realistic botanical illustration. They are a \"record of dynamic movement\" created through extreme concentration, with no redo possible, by \"raking\" the grass with a sharp bamboo spatula or similar tool in the mere seconds before the decorative clay dries completely. The scene woven by the brushstrokes and Japanese pampas grass in the background evokes the autumn wilderness, a quintessential Japanese landscape, while also possessing a meticulously calculated, abstract beauty.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003e For whisky lovers, this piece is sure to be the perfect conversational partner. The deep reddish-brown base, unique to Genkawa ware, brings out the amber color of aged single malt in a truly vibrant way, while the extremely thin rim guides the liquid's delicate aroma directly into the mouth. With the artist's passing in 2016, the supply of Yokoishi's personal creations, which embodied keen sensibility and superb craftsmanship, has completely ceased. With a glorious history that includes numerous presentations to Emperor Showa and His Majesty the Emperor Emeritus, this vessel embodies the \"beauty of obsession\" that one artist dedicated a lifetime to reviving, it is more than just a sake vessel; it will become a special piece that reflects the pride of its owner.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e \u003cstrong\u003eArtist:\u003c\/strong\u003e \u003ca href=\"\/en\/collections\/maker-yokoishi-gagyu-xiii\" target=\"_blank\" rel=\"noopener\"\u003eYokoishi Gagyu\u003c\/a\u003e (十三代 横石臥牛) 13th (1925–2016)\u003c\/li\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e \u003cstrong\u003eThe artist's notable achievements include:\u003c\/strong\u003e reviving the extinct \"Genkawa-yaki\" style. [1975] Certified as a holder of Nagasaki Prefecture's designated intangible cultural property \"Genkawa-yaki\" (sole certification); [1982] Received the Japan Crafts Association Encouragement Award at the 29th Japan Traditional Crafts Exhibition; [1993] Received the Order of the Sacred Treasure, Fifth Class. Yokoishi presented wares to Emperor Showa and the former Emperor (then Crown Prince) on numerous occasions, solidifying the status of Genkawa-yaki.\u003c\/li\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e \u003cstrong\u003eCollections:\u003c\/strong\u003e Nagasaki Prefectural Art Museum, Sasebo City Museum Shimase Art Center, etc.\u003c\/li\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e \u003cstrong\u003eProduction period:\u003c\/strong\u003e 1980s to 1990s (late Showa period to early Heisei period) *This design (dynamic brushstrokes of pampas grass blown by the wind) is a typical feature of Yokoishi's \"golden period\" from around the Crafts Exhibition award of 1982 to the award of 1993, when the artist’s technique and artistry were at their most mature and won high acclaim both at home and abroad.\u003c\/li\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e \u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips or cracks)\u003c\/li\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e \u003cstrong\u003eAccessories:\u003c\/strong\u003e None\u003c\/li\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e \u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramic (Genkawa-yaki, brushed bamboo-patterned)\u003c\/li\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e \u003cstrong\u003eDimensions:\u003c\/strong\u003e Diameter approx. 5.5 cm, height approx. 7.5 cm\u003c\/li\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e \u003cstrong\u003ePlease note:\u003c\/strong\u003e Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47518500356283,"sku":null,"price":16000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4760.jpg?v=1772960777"},{"product_id":"178","title":"Eguchi Katsumi (江口勝美) Masterpiece from His Peak Period: Washi-zome Floral Design, Supreme Whisky Ceramic Whisky Tumbler Set of 2 #178","description":"\u003cdiv class=\"source-inline-chip-container ng-star-inserted\"\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003ca href=\"\/en\/collections\/maker-eguchi-katsumi\" target=\"_blank\" rel=\"noopener\"\u003eEguchi Katsumi\u003c\/a\u003e is a renowned master who revived the Koyamaji Kiln in 1968, upholding the orthodox lineage of Southern Ko-Karatsu that has continued in Takeo, Saga Prefecture, since the late Momoyama period. As a living legend in the Hizen pottery world, Eguchi's reputation is widely established. Celebrated the artist's 88th birthday (Beiju) in 2024, this pair of glasses was crafted between the late 1980s and early 1990s, the absolute prime of Eguchi's artistic career. These works are highly coveted by craft connoisseurs for the way they fuse the formal dignity of traditional Oribe Karatsu with Eguchi's unique decorative aesthetic. The core of this work lies in the Washi-zome (Japanese paper dyeing) technique, where thin Washi paper is adhered to the bisque-fired surface to allow pigments to permeate through. This process creates a dreamlike gradation—a subtle seeping of color through the fibers—that is impossible to achieve with direct brushwork. Eguchi has meticulously calculated the interaction between clay composition and pigment absorption; the indigo and brown petals in these pieces possess a watercolor-like transparency, yet the colors are fired deep into the ceramic body. A particular highlight of this work's sculptural beauty is the lush, rounded body line that seems to cling to the palm of the hand. This unique silhouette is ideally designed for rare single malts or aged spirits, allowing the user to slowly swirl the glass to open up the complex aromas. Even with large ice cubes, the glass provides ample space for an elegant swirl, allowing one to enjoy the musical resonance of whisky and ice. This vessel is truly elevated to a supreme Ceramic Whisky Tumbler. The contrast between the substantial texture of the clay and the light floral patterns of the Washi-zome deepens significantly when filled with amber liquid, exuding the grandeur of the finest vessel for a modern lifestyle.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e \u003ca href=\"\/en\/collections\/maker-eguchi-katsumi\" target=\"_blank\" rel=\"noopener\"\u003eEguchi Katsumi\u003c\/a\u003e (江口勝美, 1936–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eRepresentative Career:\u003c\/strong\u003e 1961 West Japan Crafts Exhibition Asahi Shimbun Award (Special Prize), 1962 National Prefectural Exhibition Selection Minister of Education Award, 1972 19th Japan Traditional Art Crafts Exhibition Asahi Shimbun Award, 1979 5th Japan Ceramic Art Exhibition Excellence Award, 1981 26th Japan Traditional Art Crafts Exhibition Japan Art Crafts Association Encouragement Award, 1983 West Japan Ceramic Art Exhibition Prime Minister's Award, 1985 Japan Ceramic Society Award.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eMuseum Collections:\u003c\/strong\u003e Saga Prefectural Museum, Saga Prefectural Kyushu Ceramic Cultural Museum, The Japan Foundation, etc.\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e 1989 to early 1990s (Masterpiece from the artist's prime) \u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very Good (no chips, no cracks)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original wooden box, introductory leaflet (Shiori)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramic (Koyamaji Kiln \/ Oribe Karatsu)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e [Large] Height approx. 8.7cm, Mouth diameter approx. 8cm, [Small] Height approx. 7.5cm, Mouth diameter approx. 7.7cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the items we provide are new and unused, they are from a very old production period and are listed as used. Please understand and confirm that the items may have age-related wear before considering your purchase.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47518503469243,"sku":null,"price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4908_result.jpg?v=1774140723"},{"product_id":"179","title":"Fukuda Rikisaburo (福田力三郎), Iron-Glaze Polychrome Bamboo Design Tea Bowl, The Supreme Whisky Ceramic Whisky Tumbler #179","description":"\u003cp data-path-to-node=\"19\"\u003eFukuda Rikisaburo (福田力三郎, 1912–1993) was a legendary guardian who, for over half a century alongside the great \u003ca href=\"\/en\/collections\/living-national-treasures\" target=\"_blank\" rel=\"noopener\"\u003eLiving National Treasure\u003c\/a\u003e \u003ca href=\"\/en\/search?q=%22%E6%BF%B1%E7%94%B0%E5%BA%84%E5%8F%B8%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eHamada Shoji\u003c\/a\u003e, protected the sacred \"fire\" and \"earth\" of Mashiko pottery. This work, \"Tea Bowl with Iron-Glaze Polychrome Bamboo Design,\" transcends the scope of a mere apprentice's work; it is a masterpiece that represents the culmination of Fukuda's late-career artistry, fully embodying the essence of the Hamada Folk Craft (Mingei) movement. Apprenticing with Hamada Shoji in 1925 at the age of 13, Fukuda served an entire working life as the chief workshop manager (Banto), the most trusted pillar of Hamada’s studio. The artist's style, distinct from Fukuda's teacher’s flamboyant artistry, distills a \"sincerity to the earth\" and \"beauty in utility\" that can only be achieved by a craftsman dedicated to the front lines of production.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThe highlight of this piece is the bold yet delicate technique of \"Tetsu-e Kasai\" (iron-glaze with added polychrome) applied to the surface. Painted without hesitation over traditional Mashiko persimmon (Kaki) and rice husk (Nukajiro) glazes, the bamboo leaf design captures a fleeting moment of vitality swaying in the wind. These brushstrokes possess the robust power of a man who touched clay and conversed with fire daily for decades. The profound dark brown of the iron-glaze and the depth of the added colors create a magnificent contrast with the rustic texture of the Mashiko earth, bringing a spiritual depth to the entire vessel. Connoisseurs will be particularly impressed by the substantial \"heft\" and the mastery of the firing. As the manager of the studio’s climbing kiln, Fukuda understood the nature of fire perfectly, allowing the artist to achieve a degree of glaze melt that feels like a powerful, uncalculated force of nature. The moment you hold it, you feel the substantial weight and warmth of the earth. This texture, combined with the subtle flare of the rim and the depth of the bowl, elevates its functional perfection to the highest degree.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eThere is a deliberate reason we propose this masterpiece as the \"Supreme Ceramic Whisky Tumbler.\" Originally, a tea bowl is a \"vessel for fragrance\" designed to maximize the aromatic experience. Its wide interior and calculated diameter allow the complex aromas of aged spirits—especially whisky—to open up more luxuriantly than in a standard glass, delivering the scent directly to the palate. The deep tones of the persimmon glaze and the powerful iron-glaze design resonate with bold single malts, such as a long-aged Macallan from sherry casks or a peaty Lagavulin. The heavy Mashiko earthenware gently embraces the musical sound of amber liquid swirling against ice.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003ePouring a fine Western spirit into a treasure of Japanese Kōgei creates a \"fusion of Eastern and Western cultures\" that defines the essence of modern luxury. Because Fukuda devoted most of a lifetime to assisting Hamada, works bearing Fukuda's own signature—especially tea bowls of this caliber—are exceedingly rare. When the scent of the earth blends with the matured aroma of whisky, a unique time flows where Showa-era craftsmanship and contemporary sensibility intersect. Feeling the history of the Mingei movement at your fingertips while enjoying amber-colored moments—this piece promises an intellectual and elegant lifestyle.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e \u003ca href=\"\/en\/pages\/makers#ceramic\" target=\"_blank\" rel=\"noopener\"\u003eFukuda Rikisaburo\u003c\/a\u003e (福田力三郎, 1912–1993)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"38\"\u003eKey Activities:\u003c\/b\u003e The very first apprentice of Living National Treasure Hamada Shoji. From the age of 13, Fukuda served as the chief manager (Banto) of the Hamada Workshop, overseeing all aspects of production and firing throughout a long career. The artist embodied the spirit of Hamada Folk Craft on the front lines and was revered as the \"Craftsman among Craftsmen.\"\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"391\"\u003eAwards:\u003c\/b\u003e [1972] Honored as Tochigi Prefecture Cultural Contributor, [1984] Recipient of the Shimotsuke Prefectural Citizen's Award, etc. Recognized for Fukuda's vast contributions to regional culture and dedication to teaching younger generations.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"637\"\u003eMuseum Collections:\u003c\/b\u003e Mashiko Museum of Ceramic Art, Japan Folk Crafts Museum (Tokyo), Tochigi Prefectural Museum of Fine Arts, Hamada Shoji Memorial Mashiko Sankokan Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"815\"\u003eProduction Period:\u003c\/b\u003e 1980s (Estimated). Believed to be a masterpiece from the artist's later years, when Fukuda transitioned from being the workshop foreman to holding solo exhibitions and perfecting Fukuda's unique iron-glaze style.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1029\"\u003eCondition:\u003c\/b\u003e Very Good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1072\"\u003eAccessories:\u003c\/b\u003e Comes with original signed wooden box (Tomobako)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1134\"\u003eMaterial:\u003c\/b\u003e Ceramic (Iron-glaze polychrome \/ \u003ca href=\"\/en\/collections\/mashiko-ware\" target=\"_blank\" rel=\"noopener\"\u003eMashiko Ware\u003c\/a\u003e)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1191\"\u003eDimensions:\u003c\/b\u003e Height approx. 7.8 cm, Diameter approx. 11 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1249\"\u003eNote:\u003c\/b\u003e Please note that all products, even those in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47518571430075,"sku":null,"price":18000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4938_result.jpg?v=1774140824"},{"product_id":"182","title":"Utsutsugawa-yaki, Thirteenth Generation Yokoishi Gagyu (十三代 横石臥牛), White Heron Motif Ceramic Whisky Tumbler #182","description":"\u003cp data-path-to-node=\"18\"\u003eThirteenth Generation \u003ca href=\"\/en\/collections\/maker-yokoishi-gagyu-xiii\" target=\"_blank\" rel=\"noopener\"\u003eYokoishi Gagyu\u003c\/a\u003e (十三代横石臥牛, 1925–2016; Birth name: Hiromi Yokoishi) was the holder of the Nagasaki Prefectural Designated Intangible Cultural Property for Utsutsugawa-yaki. Gagyu XIII was the great restorer who revived Utsutsugawa-yaki—a legendary pottery that flourished for only about 50 years during the mid-Edo period before disappearing. Although Utsutsugawa-yaki was once praised as the \"Treasure of the West,\" its techniques were lost for approximately 200 years. The Yokoishi family conducted exhaustive research over several generations, and it was the 13th generation who elevated its artistry to its absolute pinnacle. For the artist's outstanding achievements, Gagyu XIII was awarded the Medal with Purple Ribbon and the Order of the Rising Sun, Gold Rays with Rosette. Gagyu XIII's works are housed in the Kyushu Ceramic Museum and the Nagasaki Prefectural Art Museum, and have been frequently selected as gifts for imperial and royal families both in Japan and abroad.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe White Heron motif (Shirasagi-mon) depicted in this work is the most significant design and is considered synonymous with the 13th generation Gagyu. The most defining characteristic of Utsutsugawa-yaki is the \"Hakeme\" (brush mark) technique, where dark brown earthenware clay rich in iron is fired as thinly as porcelain, and then white slip is applied with a brush. The artist was particularly renowned for the delicate \"Mizore-hakeme\" (sleet brush marks), which evokes the image of sleet falling from the sky. Gagyu XIII was able to depict the graceful form of a white heron solely through the dynamic force of the brushwork. Because iron-rich clay and slip have different shrinkage rates, fixing such precise patterns on a thinly-made vessel while preventing peeling or cracking requires an exceptionally high level of mastery.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eWe propose this historic \"Tsutsuhai\" (cylindrical cup) as a special vessel for enjoying old whisky or vintage sake. The deep, iron-colored tone of the base and the contrast of the dynamic white heron are further accentuated when amber liquid is poured in. The thinness of the rim conveys the delicate flavors of the spirit directly to the palate, and the sight of the white heron shimmering through the liquid offers a luxurious experience of savoring traditional Japanese beauty in the palm of your hand. Crafted by the master who passed away in 2016, this is a rare piece representing the golden age of the revived Utsutsugawa-yaki.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Thirteenth Generation \u003ca href=\"\/en\/collections\/maker-yokoishi-gagyu-xiii\" target=\"_blank\" rel=\"noopener\"\u003eYokoishi Gagyu\u003c\/a\u003e (十三代 横石臥牛, 1925–2016)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"57\"\u003eRepresentative Career:\u003c\/b\u003e 1975 Certified as a holder of Nagasaki Prefectural Designated Intangible Cultural Property, 1982 Awarded the Japan Ceramic Society Award, 1987 Awarded the Medal with Purple Ribbon, 1995 Awarded the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"327\"\u003eMuseum Collections:\u003c\/b\u003e Kyushu Ceramic Museum, Nagasaki Prefectural Art Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"408\"\u003ePeriod of Creation:\u003c\/b\u003e 1990s–2000s (The peak mature period of the artist)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"479\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"522\"\u003eAccessories:\u003c\/b\u003e None\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"540\"\u003eMaterial:\u003c\/b\u003e Pottery (Utsutsugawa-yaki \/ Hakeme)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"586\"\u003eDimensions:\u003c\/b\u003e Height approx. 7 cm, Mouth diameter approx. 5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"647\"\u003eNote:\u003c\/b\u003e Please note that all products, even those in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47537143578811,"sku":null,"price":16000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4989_result.jpg?v=1774141106"},{"product_id":"183","title":"Utsutsugawa-yaki, Thirteenth Generation Yokoishi Gagyu (十三代 横石臥牛), Toran Hakeme Ceramic Whisky Tumbler #183","description":"\u003cp data-path-to-node=\"18\"\u003eThirteenth Generation \u003ca href=\"\/en\/collections\/maker-yokoishi-gagyu-xiii\" target=\"_blank\" rel=\"noopener\"\u003eYokoishi Gagyu\u003c\/a\u003e (十三代横石臥牛, 1925–2016; Birth name: Hiromi Yokoishi) was the holder of the Nagasaki Prefectural Designated Intangible Cultural Property for Utsutsugawa-yaki. Gagyu XIII was the restorer and grandmaster who revived Utsutsugawa-yaki—a legendary pottery that flourished for only about 50 years during the mid-Edo period before disappearing. Although Utsutsugawa-yaki was once praised as the \"Treasure of the West,\" its techniques were lost for approximately 200 years. The Yokoishi family conducted exhaustive research over several generations, and it was the 13th generation who elevated its artistry to its absolute pinnacle. For the artist's outstanding achievements, Gagyu XIII was awarded the Medal with Purple Ribbon and the Order of the Rising Sun, Gold Rays with Rosette. Gagyu XIII's works are housed in the Kyushu Ceramic Museum and the Nagasaki Prefectural Art Museum, and have been frequently selected as gifts for imperial and royal families both in Japan and abroad.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe Toran-hakeme (turbulent brushwork) applied to this piece is an extremely dynamic technique that evokes raging waves and swirling currents. This technique, which lies at the heart of Utsutsugawa-yaki, is achieved by firing dark brown clay rich in iron as thinly as porcelain, and then vigorously layering white slip over it. In particular, this Toran-hakeme creates a powerful rhythm and visual depth on the surface of the vessel, with overlapping brushstrokes drawn in a single, continuous motion. Since iron-rich clay and slip have different shrinkage rates during firing, firmly adhering such a bold pattern to a thinly-made vessel without peeling requires advanced kiln control and masterful handiwork, honed by the artist through decades of dedication.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eWe propose this historic cylindrical cup as a special vessel for enjoying old whisky or rare spirits. The contrast between the deep, iron-colored tone of the body and the intense ripples drawn by the pure white brushwork adds visual depth when amber liquid is poured, allowing a sense of powerful energy to coexist within a tranquil moment. The thinness of the rim delivers the delicate flavor of the spirit directly, and the turbulent design depicted within the vessel, shimmering through the liquid, offers a luxurious experience of savoring traditional Japanese aesthetics in the palm of your hand. Crafted by the master who passed away in 2016, this is a masterpiece representing the golden age of the revived and evolved Utsutsugawa-yaki.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Thirteenth Generation \u003ca href=\"\/en\/collections\/maker-yokoishi-gagyu-xiii\" target=\"_blank\" rel=\"noopener\"\u003eYokoishi Gagyu\u003c\/a\u003e (十三代 横石臥牛, 1925–2016)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"57\"\u003eRepresentative Career:\u003c\/b\u003e 1975 Certified as a holder of Nagasaki Prefectural Designated Intangible Cultural Property, 1982 Awarded the Japan Ceramic Society Award, 1987 Awarded the Medal with Purple Ribbon, 1995 Awarded the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"327\"\u003eMuseum Collections:\u003c\/b\u003e Kyushu Ceramic Museum, Nagasaki Prefectural Art Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"408\"\u003ePeriod of Creation:\u003c\/b\u003e 1990s–2000s (The peak mature period of the artist)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"479\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"522\"\u003eAccessories:\u003c\/b\u003e None\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"540\"\u003eMaterial:\u003c\/b\u003e Pottery (Utsutsugawa-yaki \/ Hakeme)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"586\"\u003eDimensions:\u003c\/b\u003e Height approx. 7 cm, Mouth diameter approx. 5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"647\"\u003eNote:\u003c\/b\u003e Please note that all products, even those in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47537143644347,"sku":null,"price":15000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5005_result.jpg?v=1774141160"},{"product_id":"184","title":"Utsutsugawa-yaki, Thirteenth Generation Yokoishi Gagyu (十三代 横石臥牛), Mizore Hakeme Ceramic Whisky Tumbler #184","description":"\u003cp data-path-to-node=\"18\"\u003eThirteenth Generation \u003ca href=\"\/en\/collections\/maker-yokoishi-gagyu-xiii\" target=\"_blank\" rel=\"noopener\"\u003eYokoishi Gagyu\u003c\/a\u003e (十三代横石臥牛, 1925–2016; Birth name: Hiromi Yokoishi) was the holder of the Nagasaki Prefectural Designated Intangible Cultural Property for Utsutsugawa-yaki. Gagyu XIII was the restorer and grandmaster who revived Utsutsugawa-yaki—a legendary pottery that flourished for only about 50 years during the mid-Edo period before disappearing. Although Utsutsugawa-yaki was once praised as the \"Treasure of the West,\" its techniques were lost for approximately 200 years. The Yokoishi family conducted exhaustive research over several generations, and it was the 13th generation who elevated its artistry to its absolute pinnacle. For the artist's outstanding achievements, Gagyu XIII was awarded the Medal with Purple Ribbon and the Order of the Rising Sun, Gold Rays with Rosette. Gagyu XIII's works are housed in the Kyushu Ceramic Museum and the Nagasaki Prefectural Art Museum, and have been frequently selected as gifts for imperial and royal families both in Japan and abroad.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe \"Mizore-hakeme\" (sleet brushwork) applied to this piece is the most delicate technique and is considered synonymous with the 13th generation Gagyu. The essence of Utsutsugawa-yaki lies in firing thin, porcelain-like vessels from reddish-brown clay rich in iron, and then applying white slip with a brush. This piece, in particular, expresses extremely fine brush movements reminiscent of sleet falling from the sky. Since the iron-rich clay and the slip have different shrinkage rates during firing, fixing the patterns without peeling on a vessel formed to extreme thinness requires a high level of kiln control and masterful handiwork that the artist achieved through decades of dedication.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eWe propose this historic cylindrical cup as a special vessel for enjoying old whisky or rare spirits. The serene contrast created by the deep, iron-colored body and the pure white brushwork adds visual depth when amber liquid is poured in, offering a sensory experience that connects with traditional Japanese beauty through all five senses. The thinness of the rim conveys the delicate flavor of the spirit directly to the palate, and the sleet-like design depicted within the vessel, shimmering through the liquid, truly provides a luxurious experience of savoring traditional Japanese aesthetics in the palm of your hand. Crafted by the master who passed away in 2016, this is a rare and exquisite piece representing the golden age of the revived and evolved Utsutsugawa-yaki.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Thirteenth Generation \u003ca href=\"\/en\/collections\/maker-yokoishi-gagyu-xiii\" target=\"_blank\" rel=\"noopener\"\u003eYokoishi Gagyu\u003c\/a\u003e (十三代 横石臥牛, 1925–2016)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"57\"\u003eArtist's notable career highlights:\u003c\/b\u003e 1975 Certified as a holder of Nagasaki Prefectural Designated Intangible Cultural Property, 1982 Awarded the Japan Ceramic Society Prize, 1987 Awarded the Medal with Purple Ribbon, 1995 Awarded the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"340\"\u003eWorks housed at:\u003c\/b\u003e Kyushu Ceramic Museum, Nagasaki Prefectural Art Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"418\"\u003eProduction period:\u003c\/b\u003e 1990s–2000s (The peak mature period of the artist)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"488\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"531\"\u003eAccessories:\u003c\/b\u003e None\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"549\"\u003eMaterial:\u003c\/b\u003e Pottery (Utsutsugawa-yaki \/ Hakeme)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"595\"\u003eDimensions:\u003c\/b\u003e Height approx. 7 cm, Mouth diameter approx. 5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"656\"\u003eNote:\u003c\/b\u003e Please note that all products, even those in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47537143939259,"sku":null,"price":16000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5034_result.jpg?v=1774141180"},{"product_id":"185","title":"Utsutsugawa-yaki, Thirteenth Generation Yokoishi Gagyu (十三代 横石臥牛), Lotus Hakeuchi Ceramic Whisky Tumbler #185","description":"\u003cp data-path-to-node=\"18\"\u003eThirteenth Generation \u003ca href=\"\/en\/collections\/maker-yokoishi-gagyu-xiii\" target=\"_blank\" rel=\"noopener\"\u003eYokoishi Gagyu\u003c\/a\u003e (十三代横石臥牛, 1925–2016; Birth name: Hiromi Yokoishi) was the holder of the Nagasaki Prefectural Designated Intangible Cultural Property for Utsutsugawa-yaki. Gagyu XIII was the restorer and grandmaster who revived Utsutsugawa-yaki—a legendary pottery that flourished for only about 50 years during the mid-Edo period before disappearing. Although Utsutsugawa-yaki was once praised as the \"Treasure of the West,\" its techniques were lost for approximately 200 years. The Yokoishi family conducted exhaustive research over several generations, and it was the 13th generation who elevated its artistry to its absolute pinnacle. For the artist's outstanding achievements, Gagyu XIII was awarded the Medal with Purple Ribbon and the Order of the Rising Sun, Gold Rays with Rosette. Gagyu XIII's works are housed in the Kyushu Ceramic Museum and the Nagasaki Prefectural Art Museum, and have been frequently selected as gifts for imperial and royal families both in Japan and abroad.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe lotus motif on this work is one of Gagyu XIII's most favored designs and is depicted using the Hakeme (brush-mark) technique, which lies at the core of Utsutsugawa-yaki. Utsutsugawa-yaki is characterized by firing dark brown clay with a high iron content as thinly as porcelain. By applying white slip with a brush using the Hakeuchi (brush-striking) technique—where the slip is tapped onto the surface—the artist expresses the life force of lotus leaves and flowers swaying in the wind. Since iron-rich clay and slip have different shrinkage rates during firing, advanced techniques backed by decades of experience are essential to firmly adhere the patterns to extremely thin vessels without peeling.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eOur store proposes this historic cylindrical cup as a special vessel for enjoying old whisky or rare spirits. The contrast between the deep, iron-colored base and the pure white brush marks of the lotus, when filled with amber liquid, enhances visual depth and provides a serene experience. The thinness of the rim conveys the delicate flavor of the spirit directly to the palate, and the shimmering lotus design inside the vessel as it interacts with the liquid offers a luxurious experience of savoring traditional Japanese aesthetics in the palm of your hand. Crafted by the master who passed away in 2016, this is a masterpiece representing the golden age of the revived and evolved Utsutsugawa-yaki.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Thirteenth Generation \u003ca href=\"\/en\/collections\/maker-yokoishi-gagyu-xiii\" target=\"_blank\" rel=\"noopener\"\u003eYokoishi Gagyu\u003c\/a\u003e (十三代 横石臥牛, 1925–2016)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"57\"\u003eArtist's representative activities:\u003c\/b\u003e 1975 Certified as a holder of Nagasaki Prefectural Designated Intangible Cultural Property, 1982 Awarded the Japan Ceramic Society Award, 1987 Awarded the Medal with Purple Ribbon, 1995 Awarded the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"340\"\u003eMuseum Collections:\u003c\/b\u003e Kyushu Ceramic Museum, Nagasaki Prefectural Art Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"421\"\u003eProduction period:\u003c\/b\u003e 1990s–2000s (The peak mature period of the artist)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"491\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"534\"\u003eAccessories:\u003c\/b\u003e None\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"552\"\u003eMaterial:\u003c\/b\u003e Pottery (Utsutsugawa-yaki \/ Hakeme)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"598\"\u003eDimensions:\u003c\/b\u003e Height approx. 7 cm, Mouth diameter approx. 5 cm \u003cb data-path-to-node=\"21\" data-index-in-node=\"659\"\u003eNote:\u003c\/b\u003e Please note that all products, even those in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47537145610427,"sku":null,"price":15000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5021_result.jpg?v=1774141238"},{"product_id":"187","title":"Living National Treasure, Nakada Kazuo (中田一於) - Kutani Ware Yūri Ginsai Vessel - As-is #187","description":"\u003cp data-path-to-node=\"19\"\u003eProduct Title: 2025 \u003ca href=\"\/en\/collections\/living-national-treasures\" target=\"_blank\" rel=\"noopener\"\u003eLiving National Treasure\u003c\/a\u003e \u003ca href=\"\/en\/collections\/maker-nakada-kazuo\" target=\"_blank\" rel=\"noopener\"\u003eNakada Kazuo\u003c\/a\u003e, \u003ca href=\"\/en\/collections\/kutani-ware\" target=\"_blank\" rel=\"noopener\"\u003eKutani Ware\u003c\/a\u003e Yūri Ginsai Spirits Vessel Nakada Kazuo (中田一於, 1949–) was designated as a Living National Treasure (Holder of Important Intangible Cultural Property) in 2025 for the ceramic technique of \"Yūkasai\" (underglaze decoration), the first designation ever made for this technique. This historic achievement is the nation's official recognition that Nakada's underglaze decoration, above all \"Yūri Ginsai\" (silver leaf beneath the glaze), refined over more than half a century, represents the absolute pinnacle of Japanese craft aesthetics. Having studied under the Living National Treasure \u003ca href=\"\/en\/search?q=%22%E5%BE%B3%E7%94%B0%E5%85%AB%E5%8D%81%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTokuda Yasokichi\u003c\/a\u003e III and learned the ultimate in color gradation, Nakada brought a new dimension of beauty to Kutani ware by sealing the brilliance of \"silver\" beneath the glaze.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThe reason Nakada is considered unique in the long history of Kutani ware lies in the overwhelming difficulty and tranquil beauty of the \"Yūri Ginsai\" technique featured in this work. Yūri Ginsai involves applying silver leaf to the vessel's surface and then firing it beneath a layer of glaze. Silver darkens as it oxidizes in the air, but sealed beneath the glaze it keeps its brilliance without tarnishing. Because the silver leaf is extremely thin, it constantly faces the risk of melting away under the intense heat of the kiln or being swept away by the movement of the glaze. Nakada places neatly cut pieces of silver leaf with tweezers, ensuring absolute precision, and uses unique temperature control to seal their brilliance beneath the glaze. This \"elegant depth of light that seems to well up from within\" is a divine technique that distinguishes itself from ordinary ginsai, where silver is simply fired onto the surface, and is a feat attainable only by a Living National Treasure.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eThis work strongly reflects the mature style of Nakada's career on the path toward becoming a Living National Treasure, featuring the geometric silver motifs that have become the artist's signature. Beneath the deep lapis lazuli and pale purple glazes, the neatly aligned vertical bands of silver leaf reflect light, at times shimmering like the passage of time, and at others like light dancing on a quiet water surface. Though originally created as a \"teacup (Yunomi),\" its high decorative quality and substantial weight make it an unparalleled \"spirits vessel\" for enjoying old-bottle whiskies or rare single malts that have aged for decades. When amber liquid is poured in, the refraction further amplifies the brilliance of the silver leaf, creating a fantastical scene in the palm of your hand that only the owner can experience.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eAs evidence of their global value, Nakada's works are permanently housed in institutions such as the Arthur M. Sackler Gallery of the Smithsonian Institution in Washington, D.C., and the National Museum of Modern Art, Tokyo. Following the 2025 designation as a Living National Treasure, these works have solidified their status as \"Japanese Cultural Heritage.\" There is no doubt that the rarity of such unique pieces, which perfectly balance technique and artistry, will continue to grow in the art market. To savor the finest drink alongside this \"crystallization of light\" by a master who has truly reached the peak of Japan's artistic world is a supreme cultural privilege, transcending the ordinary.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e \u003ca href=\"\/en\/collections\/maker-nakada-kazuo\" target=\"_blank\" rel=\"noopener\"\u003eNakada Kazuo\u003c\/a\u003e (中田一於, 1949–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"33\"\u003eArtist's Representative Activities:\u003c\/b\u003e [1990] Minister of Education Award at the Japan Traditional Craft Exhibition; [1993] Yūri Ginsai Jar permanently acquired by the Smithsonian's Sackler Gallery; [2011] Awarded the Medal with Purple Ribbon; [2019] Awarded the Order of the Rising Sun, Gold Rays with Rosette; [2025] Designated as a Holder of Important Intangible Cultural Property \"Yūkasai\" (underglaze decoration) (Living National Treasure).\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"456\"\u003ePeriod of Creation:\u003c\/b\u003e 2000s–2010s (The mature period when Nakada's technique was perfected)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"541\"\u003eCondition:\u003c\/b\u003e As-is \/ Imperfect\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e (one chip on the rim; please refer to product images)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"624\"\u003eAccessories:\u003c\/b\u003e Original wooden box (with the artist's handwritten signature and seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"708\"\u003eMaterial:\u003c\/b\u003e Ceramic (Kutani Ware \/ Yūri Ginsai)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"754\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 8.8 cm, Height approx. 7.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"819\"\u003eCharacteristics of Nakada Kazuo's Works:\u003c\/b\u003e The most defining feature is the \"Yūri Sai\" technique, which encloses gold or silver leaf beneath a transparent glaze. Because the silver leaf is never directly exposed to the air, it does not tarnish. The soft, deep luster transmitted through the glaze creates a modern and elegant ambiance.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1151\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47537146200251,"sku":null,"price":9000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5064_result.jpg?v=1774141491"},{"product_id":"188","title":"Hagi Ceramic Artists Association Regular Member \/ Genius of Ultra-Robust Oni-Hagi Born from Re-Firing: Kuroda Gaku (黒田岳), Hidasuki (Yohen \/ Kiln-Mutated) Sake Vessel, Hagi Ware Rock Glass for Western Spirits #188","description":"\u003cp data-path-to-node=\"15\"\u003eBorn in Nagano Prefecture in 1946 and having blossomed Kuroda's unique artistry in Hagi City, Yamaguchi Prefecture—a ceramic capital boasting over 400 years of proud tradition—Kuroda Gaku is a highly talented \u003ca href=\"\/en\/collections\/hagi-ware\" target=\"_blank\" rel=\"noopener\"\u003eHagi ware\u003c\/a\u003e artist recognized as a prestigious Regular Member of the Hagi Ceramic Artists Association. Currently based at the Nanchi Kobo studio in Yamada, Hagi City, Kuroda continues to create ceramics with a deep reverence and philosophy toward clay and fire, stating, \"These are pieces fired during my days of wandering back and forth between the clay, the fire, and myself. The clay, which had been sleeping for hundreds of millions of years, might look a bit annoyed after facing such intense heat...\" Kuroda's overwhelming solo exhibition activities and works, which effortlessly leap over the boundaries of tradition, are extremely highly acclaimed as an exceptional presence by vessel collectors and discerning buyers across the country.\u003c\/p\u003e\n\u003cp data-path-to-node=\"16\"\u003e\u0026nbsp;The greatest feature of this piece, and what has become Kuroda Gaku's signature, is the overwhelming texture of Oni-Hagi, which is meticulously controlled through the artist's unique technique. Oni-Hagi is a traditional technique that possesses a highly rugged and dynamic texture, created by boldly mixing coarse sand into the traditional Hagi clay, such as Mishima clay, and then applying a straw ash glaze before firing. What deserves special mention is Kuroda's insatiable commitment to re-firing, a process where the vessel is fired again at a high temperature after its initial regular firing. This triggers a violent chemical reaction (yohen, or kiln mutation) inside the kiln, causing a diverse array of beautiful colors—such as gentle and soft cream, pink, and sometimes mysterious blue—to appear on the surface of the vessel like a painting. Furthermore, this thorough firing process completely overcomes the historical weakness of traditional Hagi ware, which is typically fired at lower temperatures and is somewhat fragile. Kuroda has successfully achieved both sufficient strength to withstand use as tableware and modern barware, and a layer of incredibly beautiful penetrations (crazing) in the slip at the same time.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eWe propose this vessel, which possesses both definitive authority and ultra-robust strength, as the ultimate rock glass for savoring Japanese whisky, scotch, or bourbon, allowing you to boldly float a large block of ice. Distinct from rugged unglazed yakishime ware that uses no glaze at all, the texture of the fine crazing on the firmly fired Oni-Hagi fits the palm of your hand with surprising comfort from the moment you hold it, bringing a gentle warmth and a pleasing sense of weight suitable for an executive. The noble amber color of the whisky resonates beautifully with the complex color gradations born from the kiln mutation and the powerful scorch marks visible in places, giving an overwhelming three-dimensional depth inside the glass. Furthermore, through the greatest charm of Hagi ware, known as the Seven Transformations of Hagi (Hagi no Nanabake), the sake slowly seeps into the cracks (crazing) of the vessel over years of use, allowing you to enjoy the moving experience of watching the color and texture of the vessel gradually deepen and evolve as a lifelong companion without worrying about its strength. It is truly a refined, one-of-a-kind, ultimate sake vessel that harmonizes with a contemporary lifestyle.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e \u003ca href=\"\/en\/pages\/makers#ceramic\" target=\"_blank\" rel=\"noopener\"\u003eKuroda Gaku\u003c\/a\u003e (黒田岳, 1946–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"29\"\u003eArtist's Major Activities:\u003c\/b\u003e A Hagi ware artist born in Nagano Prefecture in 1946. Established the artist's Nanchi Kobo studio in Hagi City, Yamaguchi Prefecture. Evolved the traditional Hagi clay blending and established the Oni-Hagi method, which extracts powerful expressions and strength far surpassing regular Hagi ware by repeatedly firing the piece after its initial firing. Kuroda's high level of technique and unique artistry have been publicly recognized, leading to designation as a prestigious Regular Member of the Hagi Ceramic Artists Association. The artist expands Kuroda's energetic solo exhibition activities centering on department stores and galleries nationwide, establishing a solid position in the contemporary Hagi ware world.\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"755\"\u003eProduction Period:\u003c\/b\u003e 1990s to 2000s (The mature period as a Regular Member of the Hagi Ceramic Artists Association) *This piece is a masterpiece symbolizing the golden era of Kuroda's artistry, where the artist's unique Oni-Hagi technique of repeatedly firing after the initial firing was perfected, beautifully fusing the ultimate yohen kiln mutation beauty where pinks and blues intricately intersect with a dignified structural beauty that powerfully tightens a modern table setting.\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"1226\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"1269\"\u003eAccessories:\u003c\/b\u003e Tomobako (Original signed wooden box), Ukon-nuno (Wrapping cloth)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"1348\"\u003eMaterial:\u003c\/b\u003e Pottery (Hagi ware, Oni-Hagi, Yohen glazed color)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"1408\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 7 cm, Height approx. 7 cm (approximate guide)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"1489\"\u003eNote:\u003c\/b\u003e All items offered by our store, even if new and unused, are from a very old production period and are listed as used. Items may have age-related damage, so please consider purchasing after understanding and checking.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47537146396859,"sku":null,"price":70000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5087_result.jpg?v=1774141573"},{"product_id":"199","title":"Living National Treasure, Ito Sekisui V (五代 伊藤赤水), Mumyoi-yaki, Elegant \"Manyo\" Cursive Line Engraving, Yunomi \/ Ceramic Whisky Tumbler \"Bush Clover in Autumn Field\" #199","description":"\u003cp data-path-to-node=\"18\"\u003eThis is an extremely rare masterpiece of \"Manyo Renmen Senkoku\" (Cursive Line Engraving of Manyo Poetry) by \u003ca href=\"\/en\/collections\/maker-ito-sekisui-v\" target=\"_blank\" rel=\"noopener\"\u003eIto Sekisui\u003c\/a\u003e V, who elevated \u003ca href=\"\/en\/collections\/mumyoi-ware\" target=\"_blank\" rel=\"noopener\"\u003eMumyoi-yaki\u003c\/a\u003e—a traditional craft of Sado City, Niigata Prefecture—to the realm of fine art and was designated a \u003ca href=\"\/en\/collections\/living-national-treasures\" target=\"_blank\" rel=\"noopener\"\u003eLiving National Treasure\u003c\/a\u003e in 2003. Mumyoi-yaki is defined by its use of red clay rich in iron oxide, sourced from the vicinity of the Sado Gold Mine. Fired at high temperatures, it becomes as hard as stone despite being pottery and possesses a distinctive metallic resonance. Ito Sekisui is a preeminent Japanese ceramic artist whose works are permanently housed in the world's most prestigious institutions, including the Metropolitan Museum of Art and the Victoria and Albert Museum.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThis piece is a rare gem among Ito Sekisui's works, featuring \"calligraphy\" as its central motif. On the surface of the vessel, five characters—\"Aki (Autumn), No (of), No (Field), Ni (in), Hagi (Bush Clover)\"—symbolizing a scene from the Man'yoshu (Japan's oldest poetry anthology), are engraved with breathtaking precision using a needle-like tool. This is not merely a sequence of characters, but a recreation in line engraving of \"Renmen-tai\" calligraphy—the style of connecting characters in a single, flowing stroke. The graceful red lines winding around the vessel visualize the wind blowing through the autumn fields of Sado and the passage of time. This expression, carving the soul of words into red clay with a level of concentration where no correction is possible, represents the pinnacle of delicate, stoic artistry, achievable only through the uniquely fine-grained clay of Mumyoi-yaki.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThese five characters encapsulate a universal primordial landscape cherished by the Japanese for over a millennium. Setting itself apart from Sekisui V's more common floral or fruit motifs, the method of connecting a few symbolic characters with a continuous line—rather than engraving the entire text—conveys the artist's minimalist aesthetic and intellectual message. The original wooden box bears the inscriptions \"Mumyoi\" on the right, \"Manyo\" in the center, and \"Yunomi\" (teacup) on the left, proving that the artist personally sealed these fragments of ancient poetry within the vessel. Although originally crafted as a teacup, given the deep red texture and the tactile sensation of the engraved characters on the fingertips, we propose this as a special spirits vessel for enjoying aged koshu or whisky. Savoring the amber liquid while contemplating the Manyo scene in the palm of your hand offers a blissful moment embodying the Zen and tranquility of traditional Japanese aesthetics.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e \u003ca href=\"\/en\/collections\/maker-ito-sekisui-v\" target=\"_blank\" rel=\"noopener\"\u003eIto Sekisui\u003c\/a\u003e V (五代 伊藤赤水, 1941–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"34\"\u003eRepresentative Career:\u003c\/b\u003e Elevated the \"Mumyoi-yaki\" tradition of Sado Island to an international art form, and was designated a Living National Treasure (Holder of Important Intangible Cultural Property for Mumyoi-yaki) in 2003. [1973] Recipient of the Prince Takamatsu Memorial Award at the Japan Traditional Craft Exhibition; [2005] Awarded the Medal with Purple Ribbon; [2011] Awarded the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"473\"\u003eMuseum Collections:\u003c\/b\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; The Metropolitan Museum of Art (New York); Victoria and Albert Museum (London); Smithsonian Institution; and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"694\"\u003ePeriod of Creation:\u003c\/b\u003e 2000s–2010s (The mature period following Sekisui V's designation as a Living National Treasure). While Sekisui V is famously known for the artist's \"Yohen\" (kiln transformation) designs, this line-engraving series represents the absolute height of Sekisui V's refined technique in Sekisui V's later years, showcasing a resonance of natural power and silence that transcends human intent.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1069\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1112\"\u003eAccessories:\u003c\/b\u003e Original signed wooden box (Tomobako), rice straw packing\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1183\"\u003eMaterial:\u003c\/b\u003e Pottery (Mumyoi-yaki \/ Sado red clay rich in iron oxide)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1250\"\u003eDimensions:\u003c\/b\u003e Height approx. 7.1 cm, Mouth diameter approx. 6.7 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1315\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47553125384379,"sku":null,"price":80000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5435_result.jpg?v=1774142551"},{"product_id":"201","title":"Iwata Hisatoshi (岩田久利), Jobun (Striped) Glass Vessel, Rock Glass \/ Tasting Glass, Japan Art Academy Award Winning Artist #201","description":"\u003cp data-path-to-node=\"19\"\u003e\u003ca href=\"\/en\/collections\/maker-iwata-hisatoshi\" target=\"_blank\" rel=\"noopener\"\u003eIwata Hisatoshi\u003c\/a\u003e (岩田久利, 1925–1994) was a pioneer who elevated modern Japanese glass craft to the realm of fine art. As a recipient of the Japan Art Academy Award in 1982, Iwata Hisatoshi is considered one of the most distinguished glass artists of the Showa period. Building upon the traditions of Iwata Koge Glass, founded by the artist's father \u003ca href=\"\/en\/collections\/maker-iwata-toshichi\" target=\"_blank\" rel=\"noopener\"\u003eIwata Toshichi\u003c\/a\u003e, Iwata Hisatoshi pursued a refined aesthetic that has garnered significant international acclaim. Iwata Hisatoshi's works are held in prestigious global collections, including the Metropolitan Museum of Art in New York and the Corning Museum of Glass.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThis piece features a distinctive striped design known as \"Jobun,\" where opaque milky white glass and colorless transparent glass alternate in layers. This intricate spiral pattern is created using advanced hand-blowing techniques, where a heated mass of glass is twisted instantaneously while being blown and shaped. The minimalist design, devoid of all color and composed solely of white and transparent tones, highlights Iwata Hisatoshi's exceptional technical skill and the intrinsic beauty of glass as a medium.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eOur store proposes this uniquely shaped and stable vessel as a special sake cup for enjoying Japanese whisky or long-aged vintage sake. Its palm-sized dimensions and the substantial weight characteristic of the artist's work provide excellent practicality as a functional vessel. When amber-colored whisky is poured into this vessel, the transparent striped sections act like lenses, brilliantly transmitting the vibrant color of the liquid to the exterior.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eThe visual mechanism where the opaque white lines and the amber color of the spirit appear alternately—thereby completing the vessel's design—is the pinnacle of calculated sculptural beauty. The amber glow transmitted through the glass changes with the angle of light, offering a luxurious experience that merges traditional Jobun patterns with contemporary whisky culture. Relying not on ornate decoration but on the maximization of light, shadow, and the colors of the liquid, this piece is a unique presence that enriches a sophisticated lifestyle.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"0\"\u003eManufacturer:\u003c\/b\u003e \u003ca href=\"\/en\/collections\/maker-iwata-hisatoshi\" target=\"_blank\" rel=\"noopener\"\u003eIwata Hisatoshi\u003c\/a\u003e Studio\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"37\"\u003eArtist:\u003c\/b\u003e Iwata Hisatoshi (岩田久利)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"61\"\u003eArtist's notable career highlights:\u003c\/b\u003e [1976] Received the Minister of Education Award at the Nitten Exhibition; [1982] Received the Japan Art Academy Award\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"215\"\u003eWorks held in collections at:\u003c\/b\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; Hokkaido Museum of Modern Art; The Japan Art Academy; The Metropolitan Museum of Art, New York; The Corning Museum of Glass, New York; Museum Kunstpalast, Düsseldorf; Musée des Arts Décoratifs, Paris; and others\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"541\"\u003ePeriod of creation:\u003c\/b\u003e 1980s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"579\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"622\"\u003eAccessories:\u003c\/b\u003e Dedicated box included\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"658\"\u003eMaterial:\u003c\/b\u003e Hand-blown glass\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"685\"\u003eDimensions:\u003c\/b\u003e Diameter approx. 7.0 cm, Height approx. 9.4 cm (approximate)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"758\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47578210435259,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5328_result.jpg?v=1774142251"},{"product_id":"205","title":"Holder of Gifu Prefecture Important Intangible Cultural Property for \"Kiseto\", Regular Member of the Japan Kogei Association, Sentaro Kiln, Ando Hidetake (安藤日出武), Cylindrical Shino Sake Vessel with Iron-Painted Decoration, Japanese-Style Rocks Glass #205","description":"\u003cp data-path-to-node=\"1\"\u003eThis piece is a cylindrical Shino yunomi cup with iron-painted decoration by \u003ca href=\"\/en\/collections\/maker-ando-hidetake\" target=\"_blank\" rel=\"noopener\"\u003eAndo Hidetake\u003c\/a\u003e, a ceramic artist who is a Holder of Gifu Prefecture Important Intangible Cultural Property for \"Kiseto.\" Although originally crafted as a Shino yunomi, our shop proposes it as a Japanese-style rocks glass (cylindrical sake vessel) for enjoying vintage spirits on the rocks.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eAndo Hidetake was born in 1938 (Showa 13) in Tajimi City, Gifu Prefecture. Ando is the third-generation head of \u003ca href=\"\/en\/products\/455\" target=\"_blank\" rel=\"noopener\"\u003eSentaro Kiln\u003c\/a\u003e, founded in Ichinokura by Sentaro I in the early Meiji period, and is also introduced under the name \"Sensan Kiln\" in Ando's biographical records. According to the artist profile of Sentaro Kiln, up until Ando's father's generation, it was a kiln firing small porcelain sake cups and small dishes. Around the age of 22, Kato Tokuro visited Ando's father and told the young Ando, \"If you are going to make ceramics, you must make ceramics born in Mino.\" This served as a turning point, leading Ando to become immersed in the study of Momoyama-period Shino, Kiseto, and Oribe wares.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eAndo had no specific master. Walking through the mountains of Mino to excavate kiln sites, Ando learned, without a teacher, how to use clay, design, and firing techniques directly from ceramic shards. Furthermore, believing that gas kilns had limitations in recreating Momoyama ceramics, Ando built a semi-aboveground anagama (cave kiln) utilizing the natural contours of the terrain in the wilderness of Kukuri-Kakishita, Kani City, near the Taihei ancient kiln site. According to records of the Museum of Modern Ceramic Art, Gifu, the firing lasts for six days and nights, burning 1,500 bundles of firewood. Ando makes both clay and glazes personally from natural materials, and the unique style \"Ko-Mino,\" forged through the clay of Tono and this anagama, is highly praised by the museum as reaching a \"realm of ancient purity.\"\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eRegarding Ando's major career accomplishments, Ando was selected for the first time for the 1st Asahi Ceramic Art Exhibition in 1963, the 11th Japan Traditional Art Crafts Exhibition in 1964, and the 1st Japan Ceramic Art Exhibition in 1971, continuing to be selected for each repeatedly thereafter. In 1970, Ando won the Governor's Award at the 8th Asahi Ceramic Art Exhibition and exhibited a large Shino platter at the Living and Industry Pavilion of the Japan World Exposition (Expo '70). The artist received an Encouragement Award at the 11th Asahi Ceramic Art Exhibition in 1973, became a regular member of the Japan Kogei Association in 1974, and received the 8th Kobei Prize in 1990.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eIn 1993, \"Ko-Mino Large Jar\" was designated as a Mino Ceramic Art Permanent Preservation Work. In 1998, Ando won the Grand Prix for \"Ko-Mino Tea Bowl\" at the Mino Ceramic Art Shoroku Award Tea Bowl Exhibition, and in the same year was designated a Holder of Tajimi City Intangible Cultural Property. In 2003, the artist was designated a Holder of Gifu Prefecture Important Intangible Cultural Property for \"Kiseto,\" and received the Gifu Prefecture Cultural Merit Award in 2013 and the Order of the Rising Sun, Silver Rays in 2016.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eIn Gifu Prefecture's official commentary, Ando's Kiseto is described as a unique style possessing a depth and dignity distinct from conventional Kiseto. From 2025 to 2026, the exhibition \"Lineage of Mino Ceramic Art: Ando Hidetake Exhibition\" was held at the Museum of Modern Ceramic Art, Gifu. As an artist who has continued to craft Momoyama-period Kiseto and Shino using clay and firing methods identical to those of the era, Ando's representative works and recent creations were presented in this exhibition.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eShino is a representative ceramic of Mino during the Momoyama period, fired with a thick application of white glaze composed primarily of feldspar. Works drawn with patterns in iron wash under the white glaze are called \"E-Shino\" (picture Shino \/ iron-painted Shino).\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eOn the surface of this piece, minute air bubble marks characteristic of Shino, known as yuzuhada (citrus-skin texture), can be seen. The texture of the thickly applied feldspar glaze conveys dignity alongside warmth. In particular, the orange hi-iro (fire-color) that appears at the rim of the piece and around the iron painting gives warm variation to the white glaze surface as an unforced, natural landscape.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe iron-painted decoration under the white glaze is rendered with rustic and powerful brushwork, evoking the charm of Ko-Shino (ancient Shino) from the Momoyama period. Its moderate thickness and cylindrical shape that rests comfortably in the hand make it an easily usable form for a rocks glass. The deep amber color of vintage spirits reflects beautifully against the white Shino glaze, allowing one to enjoy the time spent savoring Western vintage spirits in a traditional Japanese vessel alongside the sound of ice touching the vessel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThere is no documentation specifying the exact year of production. It can only be confirmed that it was made from the 1960s onward, when the artist began Ando's research into Momoyama ceramics. The body of the piece is free of chips and cracks and remains in very good condition. Dedicated tomobako (original wooden box) and shiori (leaflet) are included.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"11,0,0\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003e\u003ca href=\"\/en\/collections\/maker-ando-hidetake\" target=\"_blank\" rel=\"noopener\"\u003eAndo Hidetake\u003c\/a\u003e (安藤日出武, 1938–; Andō Hidetake)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11,1,0\"\u003e\u003cstrong\u003eMajor Career Highlights: \u003c\/strong\u003e[1963] First selected for the 1st Asahi Ceramic Art Exhibition; [1964] First selected for the 11th Japan Traditional Art Crafts Exhibition; [1970] Governor's Award at 8th Asahi Ceramic Art Exhibition; exhibited large Shino platter at Living and Industry Pavilion, Expo '70; [1971] First selected for the 1st Japan Ceramic Art Exhibition; [1973] Encouragement Award at 11th Asahi Ceramic Art Exhibition; [1974] Regular member of the Japan Kogei Association; [1975] First selected for the 1st Chunichi International Ceramic Art Exhibition; [1990] 8th Kobei Prize; [1992] Tajimi City Cultural Arts Merit Award; [1993] \"Ko-Mino Large Jar\" designated as Mino Ceramic Art Permanent Preservation Work; [1998] Grand Prix for \"Ko-Mino Tea Bowl\" at Mino Ceramic Art Shoroku Award Tea Bowl Exhibition; designated Holder of Tajimi City Intangible Cultural Property; [2002] Gifu Shimbun Grand Prize Culture Award; [2003] Designated Holder of Gifu Prefecture Important Intangible Cultural Property for \"Kiseto\"; [2011] Gifu Prefecture Educational and Cultural Merit Award; [2013] Gifu Prefecture Cultural Merit Award; [2016] Order of the Rising Sun, Silver Rays; Tokai Television Culture Award; [2017] Published \"Mikannomamani\" (Chubu Keizai Shimbun); [2025] \"Lineage of Mino Ceramic Art: Ando Hidetake Exhibition\" at Museum of Modern Ceramic Art, Gifu (through 2026)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11,2,0\"\u003e\u003cstrong\u003eMuseum Collections: \u003c\/strong\u003eMuseum of Modern Ceramic Art, Gifu (\"Kiseto Tea Bowl,\" \"Kiseto Large Jar\")\u003c\/li\u003e\n\u003cli data-path-to-node=\"11,3,0\"\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e From the 1960s onward (no date specified)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11,4,0\"\u003e\u003cstrong\u003eItem Condition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11,5,0\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated tomobako (original wooden box), shiori (leaflet) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"11,6,0\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePottery \/ Stoneware (\u003ca href=\"\/en\/collections\/mino-ware\" target=\"_blank\" rel=\"noopener\"\u003eMino ware\u003c\/a\u003e, Shino, iron-painted)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11,7,0\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 9.0 cm, Mouth diameter approx. 7.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"11,8,0\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eAll items offered by our shop, even if new and unused, were produced a very long time ago, and all are therefore listed as pre-owned. Items may show age-related wear or damage. Please understand and confirm this before considering a purchase.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47695919612091,"sku":null,"price":23500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5664_result.jpg?v=1776175575"},{"product_id":"206","title":"Saga Prefectural Intangible Cultural Property Holder, 19th Generation Ogasawara Choshun (十九代 小笠原長春) – Nabeshima Celadon Carved Pattern Cylindrical Large Ceramic Whisky Tumbler #206","description":"\u003cp data-path-to-node=\"6\"\u003eThe 19th-generation Ogasawara Choshun (十九代小笠原長春, 1932–; Birth name Kenzo Ogasawara), a direct descendant of the official painters and potters who supported the Nabeshima Domain's clan kiln during the Edo period, is the foremost authority on Nabeshima celadon. Born in 1932 in Okawachi-cho, Imari City, Saga Prefecture, Ogasawara's exceptional skills were recognized in 1998 when the artist was certified as a holder of Nabeshima celadon, an Important Intangible Cultural Property of Saga Prefecture. The artist's works are collected and exhibited at prestigious institutions such as the British Museum, establishing an unshakeable reputation in the international art market as the pinnacle of porcelain symbolizing Oriental beauty. The greatest feature of Nabeshima celadon, which the Ogasawara family has preserved, lies in its luxurious use of finely crushed rare natural celadon raw stone, mined only in Okawachiyama, Imari, as its glaze.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eThis piece embodies many of the technical characteristics for which Ogasawara Choshun is most highly regarded, but behind it lies an extremely difficult production process. What first catches the eye is the deep, moist color reminiscent of jade, but celadon glazes using natural stone are surprisingly sensitive to heat control. Mastering the reduction firing process, which limits oxygen in the kiln, is a formidable task; even a slight error can cause the color to turn a dull brownish-red, losing its original luster. Furthermore, to achieve the unique depth of Nabeshima celadon, the glaze is applied extremely thickly. This highly difficult technique carries a constant risk of the glaze flowing off during firing or cracking during cooling. The way the delicate line-engraved patterns beneath quietly emerge through this thick layer of glaze is truly a \"miracle scenery\" that can only be achieved by a certified master through strict temperature control and refined sensibility.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eAlthough this piece was created as a teabowl, its form incorporates exceptional ingenuity within the framework of traditional tea utensils. While its dimensions of approximately 11 cm in height and 10 cm in diameter are standard for a deep teabowl, what is particularly noteworthy is its original silhouette, which widens in two tiers from the body to the rim. This tiered shape is not only aesthetically pleasing but also demonstrates surprising functionality. The calculated two-stage widening dramatically improves finger grip, allowing for a remarkably stable hold with one hand despite its generous size. This unique aesthetic form provides a profound sense of security in the hand when repurposed as a Ceramic Whisky Tumbler for enjoying aged spirits. Inheriting the spirit of the \"secret kilns\" that produced items exclusively for presentation to the Shogun's family, Ogasawara Choshun has established a status equivalent to a modern \u003ca href=\"\/en\/collections\/living-national-treasures\" target=\"_blank\" rel=\"noopener\"\u003eLiving National Treasure\u003c\/a\u003e. Ogasawara's works are rare cultural assets where limited natural resources and extreme skill converge, making them masterpieces worthy of adorning a luxurious evening drink.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e 19th-generation \u003ca href=\"\/en\/pages\/makers#ceramic\" target=\"_blank\" rel=\"noopener\"\u003eOgasawara Choshun\u003c\/a\u003e (十九代 小笠原長春), Kenzo Ogasawara (1932–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"67\"\u003eArtist's Major Career Highlights:\u003c\/b\u003e [1951] Began pottery production, [1982] Received Saga Prefecture Art and Culture Contribution Award, [1993] Regional Culture Contributor Award (Minister of Education Award), [1998] Certified as a holder of Nabeshima Celadon, an Important Intangible Cultural Property of Saga Prefecture, [2003] Received the Order of the Rising Sun, Silver Rays\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"445\"\u003eWorks in Collections:\u003c\/b\u003e The British Museum (London), Embassy of Japan in the UK (London), Imperial Household Agency (record of presentation), Saga Prefectural Kyushu Ceramic Museum, Saga Prefectural Art Museum, Imari City Ceramic Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"686\"\u003ePeriod of Production:\u003c\/b\u003e After 1998 (Estimated to be during the artist's mature period, after being certified as an Important Intangible Cultural Property)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"830\"\u003eCondition:\u003c\/b\u003e Excellent (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"873\"\u003eAccessories:\u003c\/b\u003e Original wooden box (Tomobako), Pamphlet\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"927\"\u003eMaterial:\u003c\/b\u003e Porcelain (Nabeshima Celadon)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"967\"\u003eDimensions:\u003c\/b\u003e Height approx. 11.0 cm, Mouth diameter approx. 10.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"1034\"\u003eNote:\u003c\/b\u003e All products offered by our shop, even if unused, are very old productions and are listed as used items. Products may have age-related damage, so please understand and confirm this before purchasing.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47695919644859,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5697_result.jpg?v=1776175847"},{"product_id":"223","title":"Colored-Glaze Rocks Glass with Cattail Spikes by Takeda Toshio (武田敏男), Pupil of Living National Treasure Tamura Koichi, Full Member of the Japan Kogei Association, Artist Represented in the Collection of The National Museum of Modern Art, Kyoto #223","description":"\u003cp dir=\"ltr\"\u003eWe are pleased to present a vessel by \u003ca href=\"\/en\/collections\/maker-takeda-toshio\" target=\"_blank\" rel=\"noopener\"\u003eTakeda Toshio\u003c\/a\u003e (武田敏男, 1932–), a ceramic artist born in 1932 (Showa 7) in Takaoka, Toyama Prefecture. After studying ceramics at Kanazawa College of Art, Takeda honed this craft in Kyoto and Kanazawa, and also studied under \u003ca href=\"\/en\/search?q=%22%E7%94%B0%E6%9D%91%E8%80%95%E4%B8%80%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTamura Koichi\u003c\/a\u003e, who would later be designated a \u003ca href=\"\/en\/collections\/living-national-treasures\" target=\"_blank\" rel=\"noopener\"\u003eLiving National Treasure\u003c\/a\u003e. Since 1964 the artist has continued to make ceramics at the kiln Takeda built in Mashiko, Tochigi Prefecture. Takeda’s work has been accepted many times into the Nitten (Japan Fine Arts Exhibition), the Japan Ceramic Art Exhibition and the Japan Traditional Kogei Exhibition. The artist’s entry to the Japan Ceramic Art Exhibition was selected for a touring exhibition in Canada and the United States and then entered the collection of The National Museum of Modern Art, Kyoto. Takeda is a full member of the Japan Kogei Association and has also served on the selection and judging committee of the Japan Kogei Association New Works Exhibition. This piece was originally made as a yunomi (teacup). Drawing on its form and coloring, we present it as a rocks glass (drinking vessel) for slowly savoring amber-hued koshu (aged sake) or long-matured Japanese whisky over ice.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAccording to Takeda’s ceramic career record, Takeda graduated from Kanazawa College of Art in 1955 (Showa 30) and continued research in the college’s research course. In 1956 (Showa 31) Takeda moved to Kyoto, where the artist studied under \u003ca href=\"\/en\/search?q=%22%E7%B1%B3%E6%B2%A2%E8%98%87%E5%B3%AF%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYonezawa Soho\u003c\/a\u003e, and Takeda’s work was accepted into the Nitten. In 1957 (Showa 32) the artist returned to Kanazawa and worked at Takeda’s alma mater as assistant to the \u003ca href=\"\/en\/collections\/kutani-ware\" target=\"_blank\" rel=\"noopener\"\u003eKutani ware\u003c\/a\u003e artist \u003ca href=\"\/en\/products\/304\" target=\"_blank\" rel=\"noopener\"\u003eKitade Tojiro\u003c\/a\u003e, then a professor at Kanazawa College of Art. In 1960 (Showa 35) Takeda sought out Tamura Koichi in Sano, Tochigi Prefecture, and became Tamura’s pupil. Through Tamura’s introduction the artist joined the Tsukamoto Pottery in Mashiko, where Takeda was devoted to ceramic research. In 1963 (Showa 38) Takeda entered the Nagoya Industrial Research Institute to master glaze and firing techniques, studying under Kato Etsuzo and Morita Shiro. The following year, 1964 (Showa 39), the artist built Takeda’s own kiln in Mashiko and became independent. In 1966 (Showa 41) Takeda formed the Shodokai with like-minded colleagues living in Mashiko. In 1969 (Showa 44) the artist’s work was accepted into the Japan Traditional Kogei Exhibition. In 1971 (Showa 46) Takeda’s work was accepted into the Japan Ceramic Art Exhibition, organized by The Mainichi Newspapers. This entry was selected for a touring exhibition in Canada and the United States and was later purchased by The National Museum of Modern Art, Kyoto. In 1974 (Showa 49) the artist became a full member of the Japan Kogei Association, and between 1983 and 1986 Takeda served on the selection and judging committee of the Japan Kogei Association New Works Exhibition. From 1973 (Showa 48) to 1990 (Heisei 2) Takeda held solo exhibitions at Nihombashi Takashimaya in Tokyo, ten in all, and the artist also held a series of solo exhibitions at Yokohama Takashimaya. In 1990, the artist’s “Bowl with Grape Design in Iron and Copper Decoration” was accepted into the 37th Japan Traditional Kogei Exhibition.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe work that can be confirmed as a representative piece attesting to Takeda’s standing is this “Bowl with Grape Design in Iron and Copper Decoration.” Tetsu-dosai (iron and copper decoration) is a mode of expression that combines the colors developed by two metals, iron and copper, to adorn the surface of a vessel. Takeda’s teacher, Tamura Koichi, was recognized for, among other things, using copper coloring alongside iron painting (tetsu-e) to vary the palette. In 1986 Tamura was designated a Holder of Important Intangible Cultural Property (Living National Treasure). Takeda’s tetsu-dosai belongs to this lineage. Takeda also received specialized training in glaze and firing techniques at the Nagoya Industrial Research Institute. The artist’s representative work centers on iron painting, but in this piece the surface is built from gradations of color created by overlapping colored glazes. It reveals one facet of the broad expressive range of an artist who made a study of glazes.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe subject of this piece is the cattail, a plant that grows in wetlands and along the shallow edges of ponds and marshes, bearing cylindrical spikes in summer. The exterior of the vessel takes cobalt blue as its keynote, with colors shifting from yellow to green and on to purple so smoothly that no boundary between them can be felt. These layers of color create deep, rich shading reminiscent of a waterside scene. The cattail spikes are depicted on the front and back of the vessel, each in a different composition. The texture of the brown spikes and the spread of the supple, outstretched leaves show a different expression on each side, so a new scene appears each time the vessel is turned.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eUnlike mass-produced ware, this is a one-of-a-kind piece that has passed through the artist’s own hands. Very little information on Takeda Toshio’s work circulates outside Japan. Opportunities to acquire a vessel by an artist whose work is held in a national museum collection are therefore limited. The piece comes with its tomobako (the original box inscribed by the artist) and a shiori, a leaflet recording the artist’s ceramic career.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003e\u003ca href=\"\/en\/collections\/maker-takeda-toshio\" target=\"_blank\" rel=\"noopener\"\u003eTakeda Toshio\u003c\/a\u003e (武田 敏男, 1932–)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eSelected Career Highlights:\u003c\/strong\u003e [1955] Graduated from Kanazawa College of Art, pursued research in the college’s research course; [1956] Studied under Yonezawa Soho in Kyoto, accepted into the Nitten; [1957] Worked at the artist’s alma mater as assistant to Kitade Tojiro; [1960] Studied under Tamura Koichi in Sano, Tochigi Prefecture, conducted ceramic research at the Tsukamoto Pottery in Mashiko; [1963] Researched glazes and firing at the Nagoya Industrial Research Institute; [1964] Built Takeda’s own kiln in Mashiko, Tochigi Prefecture, and became independent; [1966] Formed the Shodokai; [1969] Accepted into the Japan Traditional Kogei Exhibition; [1971] Accepted into the Japan Ceramic Art Exhibition, entry selected for the touring exhibition in Canada and the United States and added to the collection of The National Museum of Modern Art, Kyoto; [1973] First solo exhibition at Nihombashi Takashimaya (continuing through the tenth in 1990); [1974] Became a full member of the Japan Kogei Association; [1983] Served on the selection and judging committee of the Japan Kogei Association New Works Exhibition (also in 1984 and 1986); [1990] Accepted into the 37th Japan Traditional Kogei Exhibition (Bowl with Grape Design in Iron and Copper Decoration)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003ePublic Collections:\u003c\/strong\u003e The National Museum of Modern Art, Kyoto\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eDate: \u003c\/strong\u003e1990s (estimated; the career history in the leaflet runs to the 37th Japan Traditional Art Crafts Exhibition in 1990)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent (no chips, no cracks)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eIncluded:\u003c\/strong\u003e Tomobako (box inscribed by the artist), shiori (leaflet recording the artist’s ceramic career)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003ePorcelain (colored glazes)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 10.0 cm, rim diameter approx. 7.9 cm\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003ePlease Note: \u003c\/strong\u003eAll items we offer, even those that are new and unused, were produced a very long time ago and are therefore listed as pre-owned. Items may have age-related damage; please understand and check this before considering a purchase.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47701266956475,"sku":null,"price":30000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6659_result.jpg?v=1779248311"},{"product_id":"224","title":"Konishi Yohei (小西洋平), Tokoname City Intangible Cultural Heritage Holder, Hand-thrown Shudei Neriage Genshinsai Sake Set, Pair #224","description":"\u003cp data-path-to-node=\"6\"\u003eWe are pleased to introduce a Shudei Neriage Genshinsai work by \u003ca href=\"\/en\/collections\/maker-konishi-yohei\" target=\"_blank\" rel=\"noopener\"\u003eKonishi Yohei\u003c\/a\u003e (小西洋平, 1941–), a contemporary master who perfected the technique of hand-thrown pottery in the history of \u003ca href=\"\/en\/collections\/tokoname-ware\" target=\"_blank\" rel=\"noopener\"\u003eTokoname ware\u003c\/a\u003e and was designated as a holder of Tokoname City Intangible Cultural Property in 2013. Konishi is an artist who has established international artistic value, with works housed in prestigious institutions such as the Victoria and Albert Museum in the UK and the Philadelphia Museum of Art in the US. This piece is an extremely rare pair, combining Konishi's signature neriage technique with thin-walled construction that challenges the limits of pottery wheel techniques. At our store, we propose it as a rock glass for enjoying long-aged koshu or whisky, to maximize its refined aesthetics and exquisite mouthfeel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eThe most highly regarded aspect of Konishi's creations is the neriage technique, which creates intricate patterns by layering different colored clays. In this work, shudei (vermilion clay), symbolic of Tokoname, serves as the base, with white and black clays precisely layered, forming a profound landscape that seems to emanate from within the vessel, distinctly different from mere surface painting. This technique carries an extremely high risk of cracks and distortions during firing due to the joining of multiple clays with different properties and shrinkage rates, but Konishi masterfully controls this through a careful selection of clays, backed by Tokoname's tradition, and Konishi's skilled intuition. This unique color expression, named \"Genshinsai,\" embodies a multi-layered beauty akin to geological strata, revealing ever-changing expressions depending on the viewing angle.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eParticularly noteworthy in terms of form is the thin-walled construction, achieved through the exceptional hand-thrown pottery technique that also led to the artist's certification as an intangible cultural property. When you actually hold this piece, you will first be surprised by its lightness, almost unbelievable for a ceramic, and then by its smooth surface that adheres very delicately to your fingers. The appreciation of this work begins with an admiration for the artist's unique and splendid technique, as the method of stretching the clay to its thinnest limit solely by the sense of the fingertips creates a pleasant tension the moment it is held. Furthermore, the surface features sharp facet-cutting, reminiscent of cut hand-blown glass. This carving exposes the cross-section of the layered neriage clay, elevating it to a more geometric and modern design. This thin construction directly contributes to a pleasant mouthfeel, directly conveying the subtle nuances of sake to the lips and enhancing its rich aroma.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe matte texture of Tokoname ware's characteristic shudei gains luster with use, offering the pleasure of growing with its owner. This piece, which combines artistic merit recognized by the world's leading museums with the practicality of transforming everyday drinking into a dignified ritual, truly deserves to be called the pinnacle of Japanese Kōgei (crafts). This crystal of Tokoname's earth and fire, held in your hand, will take on new life the moment amber liquid is poured into it, bringing deep emotion to your tranquil evening drinks.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e \u003ca href=\"\/en\/collections\/maker-konishi-yohei\" target=\"_blank\" rel=\"noopener\"\u003eKonishi Yohei\u003c\/a\u003e (小西洋平, 1941–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"30\"\u003eArtist's Notable Career:\u003c\/b\u003e [1982] Awarded the Silver Prize at the International Ceramics Biennale in Vallauris, France. [2013] Certified as a holder of Tokoname City Intangible Cultural Property \"Tokoname Ware (Hand-thrown pottery wheel).\" Currently, as a full member of the Japan Kōgei Association, Konishi continues to work as a leading figure in contemporary Tokoname ware, leveraging self-taught neriage and usuzukuri (thin-walled) techniques, which evolve traditional methods.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"509\"\u003eWorks Housed In:\u003c\/b\u003e Victoria and Albert Museum (London, UK), Philadelphia Museum of Art (USA), Aichi Prefectural Ceramic Museum (Seto City, Aichi Prefecture), Tokoname City Ceramic Hall (Tokoname City, Aichi Prefecture), INAX Live Museum (Tokoname City, Aichi Prefecture), and others. Notably, the Victoria and Albert Museum in London houses works using the artist's representative neriage technique, confirming Konishi's international artistic value.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"943\"\u003ePeriod of Creation:\u003c\/b\u003e 1980s - early 1990s\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"983\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks, aged aesthetic)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"1042\"\u003eAccessories:\u003c\/b\u003e None\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"1060\"\u003eMaterial:\u003c\/b\u003e Pottery (Tokoname ware, Neriage)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"1103\"\u003eDimensions:\u003c\/b\u003e Height approx. 9.3 cm, Mouth diameter approx. 6.3 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"1168\"\u003eNote:\u003c\/b\u003e Even if new and unused, all products offered by our store are from a very old production period and are listed as used items. Products may have damage due to age, so please consider purchasing after understanding and checking their condition.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47701270659259,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6146_result.jpg?v=1778493337"},{"product_id":"240","title":"Kida Hiroyuki (木田弘之) Kutani Ware Celadon Teabowl and Ceramic Whisky Tumbler (Selected for the Nitten Exhibition, Awarded Minister of Education Prize) #240","description":"\u003cp data-path-to-node=\"14\"\u003eThis is a celadon chawan (tea bowl) by Hiroyuki Kida (木田弘之, 1944–), a modern \u003ca href=\"\/en\/collections\/kutani-ware\" target=\"_blank\" rel=\"noopener\"\u003eKutani ware\u003c\/a\u003e master whose works have received numerous top honors, including the Nitten Special Selection and the Minister of Education Award, and whose pieces are permanently held by Japan's Ministry of Foreign Affairs. This piece has the beautiful proportions of a matcha bowl that fits comfortably in the hand, and our shop proudly proposes it as a premium Japanese craft Ceramic Whisky Tumbler for slowly enjoying aged sake that has matured into a rich amber color over time, or carefully selected whisky with large ice cubes. Its traditional shape, with a wide mouth and moderate depth, significantly enhances the rich aroma of the poured liquor by allowing it to interact with the air, and when held, it directly conveys the smooth texture and pleasant weight characteristic of Kutani porcelain. The attempt to merge the traditional chawan, which possesses an overwhelming presence as an art object and is deeply rooted in Japanese tea ceremony culture, with the modern enjoyment of luxury spirits will surely provide a luxurious experience for entertaining overseas collectors and special guests with the highest form of Japanese hospitality.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eThe artist, Hiroyuki Kida, was born in Hachiman, Komatsu City, Ishikawa Prefecture in 1944. As the third-generation successor of Kida Seito, a renowned family of Kutani ware three-dimensional sculptors, the artist inherited the highly precise modeling techniques passed down through generations. Furthermore, not content with the scope of traditional crafts, the artist completed Kida's studies at the Government Industrial Research Institute, Nagoya, a national research institution, acquiring scientific and modern ceramic technology. Kida has established a truly rare, completely handmade style in the world of Kutani ware, overseeing every step from mold making and shaping to meticulous overglaze painting personally. The artist has achieved brilliant results on major stages both domestically and internationally, including receiving the Nitten Special Selection, the Minister of Education Award, being selected for the Faenza International Ceramics Competition in Italy, and winning the Chunichi Grand Prize. Kida's extraordinary modeling sense and technique have been officially recognized as national art pieces, purchased by the Ministry of Foreign Affairs, and permanently housed as part of the public collection of the Hokkaido Museum of Modern Art, among other accolades, widely proving their cultural asset value. Kida continues to be a leading figure who relentlessly pursues the art of pottery, and complete pieces bearing the artist's original signature on the box, which circulate in the market, possess extremely high rarity due to the lack of new supply.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eOne of the most highly regarded aspects of Hiroyuki Kida's pottery is the advanced glaze color control technology, backed by years of research. Upon careful examination of this piece, as can be seen in the accompanying images, it stands out as an exceptionally well-executed work among the artist's celadon pieces, a masterpiece full of artistic flavor. The beautiful glaze covering the entire vessel achieves a vivid and deeply clear coloration reminiscent of the highest quality jade, possessing an incredibly high, captivating transparency. Furthermore, as can be meticulously observed in the detailed photographs, a splendid network of crackle, like finely woven ice cracks, spreads beautifully and seamlessly from the inner and outer walls of the vessel all the way to the deep interior. The thickness of this transparent glaze and the countless layers of fine cracks within it allow light to pass through, creating a three-dimensional visual effect as if a mystical natural landscape unfolds deep within the vessel when gazed upon. When sake is poured and ice floats within, the amber liquid of aged sake, the jade color, and the sparkling crackle will harmonize beautifully within the vessel, evoking the highest level of sophistication.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eThis piece is perfectly accompanied by physical evidence that confirms its authenticity and the artist's distinct style. On the base of the vessel, within the carefully finished foot, a clear square seal \"Hiroyuki\" is engraved, indicating it is an authentic work by the artist. Furthermore, the lid of the dedicated wooden box, which shows careful preservation, bears the artist's handwritten inscription \"Celadon Tea Bowl\" on the front and \"Kutani Hiroyuki\" with a square seal on the inside. In addition, a dedicated yellow wrapping cloth beautifully stamped with the artist's seal, and a detailed artist's profile booklet (shiori) are all included in excellent condition. This is a complete piece in very good condition, free from chips or cracks, and represents an asset of undeniable value as a supreme Japanese craft piece, extremely difficult to encounter overseas. Please note that the fine crackle patterns visible on the surface of the vessel are a traditional, natural characteristic unique to celadon, known as \"kannyu,\" and are not damage from later impact or wear. Please feel free to pour your drink and enjoy its beautiful appearance. We invite you to enjoy the supreme beauty cultivated by Japanese tradition in your own hands.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e \u003ca href=\"\/en\/pages\/makers#ceramic\" target=\"_blank\" rel=\"noopener\"\u003eKida Hiroyuki\u003c\/a\u003e (木田弘之, 1944–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"30\"\u003eArtist's Major Activities:\u003c\/b\u003e [1944] Born in Kaga Hachiman, Komatsu City, Ishikawa Prefecture, completed studies at the Government Industrial Research Institute, Nagoya. [1966] First accepted into the 22nd Ishikawa Prefectural Contemporary Art Exhibition and first exhibited and accepted into the 9th Nitten Exhibition (work title: Town with a Forest). Since then, Kida has achieved brilliant results in major public exhibitions. [1974] Selected for the 32nd Faenza International Ceramics Competition in Italy, a globally renowned authority. [1977] Received the Chunichi Grand Prize, the highest award at the 5th Chunichi International Ceramics Exhibition (work later publicly acquired by Komatsu City). [1979] Received the Minister of Education Award, the highest award category at the Prefectural Exhibition Selection organized by the Agency for Cultural Affairs. [1980] Recommended as a member of the Japan New Craft Artists Federation, and the artist's work exhibited at the 2nd Japan New Craft Exhibition in the same year (Serving Dish, Sui) was publicly acquired by the Ministry of Foreign Affairs. [1995] Received the Special Selection, one of the highest honors of the Nitten Exhibition.\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1212\"\u003eWorks in Public Collections:\u003c\/b\u003e Ministry of Foreign Affairs (public acquisition), Komatsu City, Ishikawa Prefecture (public acquisition), Hokkaido Museum of Modern Art (1973 work, ceramic three-dimensional piece \"Untitled\" permanently housed), etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1458\"\u003eProduction Period:\u003c\/b\u003e Circa 1977–1980 (Showa 52–Showa 55 \/ The pinnacle of Kida's golden age, during which the artist won the Chunichi Grand Prize and the Minister of Education Award, and achieved public acquisition by the Ministry of Foreign Affairs)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1622\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks; please note the natural crackle)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1698\"\u003eAccessories:\u003c\/b\u003e Dedicated wooden box, wrapping cloth, artist's profile booklet (shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1792\"\u003eMaterial:\u003c\/b\u003e Porcelain (celadon)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1822\"\u003eDimensions:\u003c\/b\u003e Height approx. 8.0 cm, Diameter approx. 12.2 cm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products offered by our shop are unused, they are very old production items and are all listed as used. Products may have age-related damage, so please consider purchasing after understanding and checking.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47766438576315,"sku":null,"price":70000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7468_result.jpg?v=1780730527"},{"product_id":"246","title":"Tokoname Ware Traditional Craftsman First Generation Hotta Kenji (堀田憲児) Laminated Flowing Patterns Ceramic Whisky Tumbler #246","description":"\u003cp data-path-to-node=\"17\"\u003eWe present the work of Hotta Kenji (初代堀田憲児, 1951–2017), a traditional craftsman who, while building upon the traditional \"shudei\" (red clay) techniques of \u003ca href=\"\/en\/collections\/tokoname-ware\" target=\"_blank\" rel=\"noopener\"\u003eTokoname ware\u003c\/a\u003e, pioneered the modern and contemporary world of \"nerikomi\" (marbled clay). This piece, created after Hotta established \"Kenji Toen\" in 1974, is a prime example of the artist's signature retro-modern contemporary craft, where Hotta controlled the properties of clay with Hotta's unique self-taught skills, fusing beautiful marble patterns with three-dimensional cutwork.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"18\"\u003eThe Depths of Technique: Constructing Layered Clay and the Rhythm of Three-Dimensional Cuts\u003c\/h3\u003e\n\u003cp data-path-to-node=\"18\"\u003eThe core of Hotta Kenji's work lies in the \"nerikomi\" (or \"neriage\") technique, where the artist layers clays of different colors and then throws them on a potter's wheel to create patterns resembling natural strata or wood grain. The flowing marble patterns seen on the surface of this piece are not merely surface decoration; they demonstrate that the vessel's thickness itself is an accumulation of different clays. Furthermore, Hotta Kenji perfected a unique design by meticulously hand-carving the surface of these nerikomi patterns, a technique called \"polka dot cut\" (or \"carved work\"), creating a visually and musically rhythmic interplay of geometric patterns and three-dimensional shadows.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"19\"\u003eChallenging Physical Limits: Harmonizing the Shrinkage Rates of Different Clays\u003c\/h3\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe reason this technique is lauded as a highly advanced ceramic craft lies in the immense risk involved in combining multiple clays with different properties and shrinkage rates. Typically, clays of different colors have different compositions, so even a slight miscalculation during the drying or firing process can lead to fatal cracks (kire) or breakage at the joints. Based on the artist's rigorous clay management and experience as an outstanding traditional craftsman, firing a layered structure with countless interfaces like this piece without distortion at high temperatures is an extremely difficult feat. The fact that the intricate geometric patterns and cuts are perfectly maintained from the rim to the foot, without any flaws, eloquently speaks to Hotta's high level of technical sophistication.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"20\"\u003eForm and Function: Pure Form and Tactility through Unglazed Firing\u003c\/h3\u003e\n\u003cp data-path-to-node=\"20\"\u003eThis piece is finished with \"muyuyakishime\" (unglazed firing), where it is fired at high temperatures without any glaze. With a refined silhouette, approximately 6.0 cm in diameter and 8.0 cm in height, it directly conveys the fine and high-quality texture of the clay, exuding a pleasing, matte tension that feels as if it adheres to the palm. Precisely because there is no vitreous coating, the oils from your hands will permeate the surface with use, and over time, it will develop an alluring luster and color (aging), embodying the \"beauty of use\" as a craft that \"grows\" with you.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"21\"\u003eAn Intellectual Tasting Experience for Aged Sake and Whisky\u003c\/h3\u003e\n\u003cp data-path-to-node=\"21\"\u003eOur store proposes this piece, originally created as a teacup or free cup, as a Ceramic Whisky Tumbler for savoring amber-colored aged sake or matured Japanese whisky. As you pour the liquid, gently appreciating the smooth clay surface with your fingertips, the hidden nerikomi patterns within the vessel and the amber hues of the liquor, created by the passage of time, quietly resonate with each other. This offering, consisting solely of the main body without accessories, thus allows you to effortlessly incorporate the pinnacle of the artist's technique into your daily life and enjoy the essential pleasure of craft by directly experiencing top-tier craftsmanship in your hands.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003e\u003ca href=\"\/en\/pages\/makers#ceramic\" target=\"_blank\" rel=\"noopener\"\u003eHotta Kenji\u003c\/a\u003e (堀田憲児, 1951–2017)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist's Key Career Highlights:\u003c\/strong\u003e [1974] Established Kenji Toen. Certified Traditional Craftsman for \"Tokoname Ware,\" a nationally designated traditional craft. [1998] Awarded Encouragement Prize at the Choza Award Ceramics Exhibition (also selected 5 times at the same exhibition). [2001, 2002, 2004] Selected for the Tokyo Dome Tableware Grand Prix. [2002, 2004] Selected for the Kanazu Creation Forest \"Sake no Utsuwa\" (Sake Vessels) Exhibition. Selected for the Itami International Craft Exhibition. Selected and exhibited\/sold as an official original product at \"INAX Live Museum\" in Tokoname City, Aichi Prefecture. Passed away in 2017. The artist's son, Takumi, now carries on Hotta's techniques.\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e 1990s-2010s (estimated)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eNone\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramic (Tokoname Ware, Nerikomi)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eApproximately 6.0 cm diameter, 8.0 cm height\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eAll items provided by our store, even if unused, are from a very old production period and are listed as used. Items may have damage due to age; please understand and confirm before considering purchase.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47801254150331,"sku":null,"price":18000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6291_result.jpg?v=1778660371"},{"product_id":"253","title":"Shimaoka Tatsuzo (島岡達三, Living National Treasure) 1961 15th Anniversary Work \"Roar of a New Star\" Jomon Inlay Pair of Teacups, Sake Set, Rock Glasses (2-piece set) #253","description":"\u003cp data-path-to-node=\"18\"\u003eWe are pleased to introduce a highly significant cup by \u003ca href=\"\/en\/collections\/maker-shimaoka-tatsuzo\" target=\"_blank\" rel=\"noopener\"\u003eShimaoka Tatsuzo\u003c\/a\u003e (島岡達三, 1919–2007), a living national treasure in contemporary pottery, renowned for the \"Jomon Zogan\" (Jomon inlay) technique. This piece marks a pivotal moment when Shimaoka re-evaluated personal artistic roots and declared independence as an artist. This monumental work was created in 1961, fifteen years after Shimaoka became an apprentice to the great master \u003ca href=\"\/en\/search?q=%22%E6%BF%B1%E7%94%B0%E5%BA%84%E5%8F%B8%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eHamada Shoji\u003c\/a\u003e in 1946. The year 1961 was a historical turning point that could be called the \"eve of a leap,\" as Shimaoka built a personal climbing kiln in Mashiko, and the following year, 1962, Shimaoka received the Japan Folk Crafts Museum Award, rapidly emerging as a rising star in the pottery world.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eThe design applied to this piece features Shimaoka's signature Jomon inlay technique, with the braided cords at the core of the pattern utilizing relics from the artist's father, a master kumihimo (braiding) craftsman. Shimaoka's mentor, Hamada Shoji, described Shimaoka's style as possessing the skill to master most techniques but deliberately focusing the work to suit personal preferences, praising Shimaoka's subdued work by likening it to the pattern of tsumugi silk. This aesthetic of restraint is alive in this piece as well, with a bold ridge applied midway through the vessel, giving the form an architectural stability and a profound presence. The Jomon pattern running diagonally from this ridge is pressed more deeply and powerfully compared to the refined expressions of the artist's later \u003ca href=\"\/en\/collections\/living-national-treasures\" target=\"_blank\" rel=\"noopener\"\u003eLiving National Treasure\u003c\/a\u003e era, inscribing the raw yet pure passion of the young Shimaoka as Shimaoka sought to establish Shimaoka's own style on the surface of the clay.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eAnalyzing this work from a technical perspective, the contrast of the white clay (inlay) embedded in the Jomon grooves is remarkably vivid, indicating the high level of perfection in the inlay technique that unifies different clays at temperatures exceeding 1200 degrees Celsius. The masterful skill with which Shimaoka established a unique style, entrusting the Jomon pattern to the tool of a cord, is precisely the manifestation of originality that Shimaoka's mentor Hamada acknowledged, saying, \"Indeed, this is exactly what one would expect from Shimaoka.\" This piece embodies Shimaoka's characteristic sincere personality, which, while harboring strong inner confidence, consciously maintains a humble presentation, culminating in the form of a pair of teacups, an everyday item closely tied to life.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eWe propose this historic teacup, created at the milestone of Shimaoka's 15th year of pottery, as a rock glass for enjoying amber-colored aged sake or Japanese whisky. When clear aged spirits are poured into it, the inlay lines that penetrate the interior of the vessel and the powerful Jomon irregularities refract through the liquid, creating a moment of deep contemplation that visually symbolizes the accumulation of time. On the inside of the lid of the accompanying wooden box, the inscription \"Commemorating 15 Years of Pottery\" is clearly written in the artist’s own hand. Among Shimaoka's many works, its documentary value, allowing for the specific dating of its production, is extremely high, making it a benchmark piece closely watched by curators and collectors worldwide.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"3\"\u003e*Comments from Hamada Shoji, Shimaoka's mentor\u003cbr\u003e\u003c\/h3\u003e\n\u003cp data-path-to-node=\"3\"\u003eShimaoka, typical of someone raised in downtown Tokyo, possesses strong inner confidence but consciously remains modest in presenting the work. Having graduated from the Ceramics Department of Tokyo Institute of Technology more than twenty years ago, and having become accustomed to the Mashiko clay, the artist has the skill to master most techniques, yet Shimaoka deliberately focuses Shimaoka's work, restraining it to Shimaoka's preferences.\u003cbr\u003eShimaoka has adopted a unique inlay pattern, drawing inspiration from Jomon pottery techniques. The main braided cords used in this work are relics from Shimaoka's father, who was a master kumihimo craftsman. The cleverness with which the artist entrusts the pattern to the cord to establish Shimaoka's own style is truly characteristic of Shimaoka. Shimaoka's work is generally subdued; if it were a kimono, one might say the thread is tsumugi silk and the pattern is kasuri.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cstrong\u003eHamada Shoji (浜田庄司, 1894–1978)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e \u003ca href=\"\/en\/collections\/maker-shimaoka-tatsuzo\" target=\"_blank\" rel=\"noopener\"\u003eShimaoka Tatsuzo\u003c\/a\u003e (島岡達三, 1919–2007)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist's Major Achievements:\u003c\/strong\u003e [1962] Awarded the Japan Folk Crafts Museum Award, [1980] Awarded the Tochigi Prefecture Cultural Merit Award, [1994] Awarded the Japan Ceramic Society Gold Award, [1996] Designated as a Holder of Important Intangible Cultural Property \"Jomon Zogan\" (Living National Treasure), [1999] Awarded the Order of the Rising Sun, Gold Rays with Rosette\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eWorks Housed In: \u003c\/strong\u003eVictoria and Albert Museum (London), British Museum (London), Metropolitan Museum of Art (New York), Brooklyn Museum (New York), Museum of Fine Arts, Boston, National Museum of Modern Art, Tokyo, Japan Folk Crafts Museum (a sacred site carrying on the legacy of the artist's mentor Hamada Shoji and Soetsu Yanagi), Mashiko Museum of Ceramic Art, Tochigi Prefectural Museum of Fine Arts, etc.\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eDate of Production: \u003c\/strong\u003e1961 (15th anniversary of Shimaoka Tatsuzo's pottery career)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eTomobako (original wooden box)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eCeramic (Jomon Inlay)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e [Large] Height approx. 9.2cm, Mouth diameter approx. 9.0cm, [Small] Height approx. 8.2cm, Mouth diameter approx. 8.0cm\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eAll products offered by our store, even if unused, are very old productions and are listed as used items. Products may have damage due to age, so please consider purchasing after understanding and confirming this.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47835534786747,"sku":null,"price":180000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6517_result.jpg?v=1778943846"},{"product_id":"261","title":"Seto City Designated Intangible Cultural Property Holder, First Generation Mizuno Sokaku (初代 水野双鶴), Nerikomi Chawan Ceramic Whisky Tumbler #261","description":"\u003cp data-path-to-node=\"0\"\u003eThis work is a nerikomi chawan by the first generation \u003ca href=\"\/en\/collections\/maker-mizuno-sokaku-i\" target=\"_blank\" rel=\"noopener\"\u003eMizuno Sokaku\u003c\/a\u003e \u003cspan\u003e(水野双鶴, 1912–1996)\u003c\/span\u003e, a holder of Seto City Designated Intangible Cultural Property and a master who elevated the traditional technique, which was on the verge of extinction in Seto, into contemporary art. With a height of approximately 10.5 cm and a mouth diameter of approximately 10.7 cm, its unique proportions, which are slightly deeper than a typical chawan, lead us to propose it as a premium Japanese craft Ceramic Whisky Tumbler for slowly enjoying aged sake that has transformed into a rich amber color over time, or carefully selected whisky with large ice cubes. The overwhelming presence and dignity as an artwork, combined with the attempt to integrate a vessel deeply rooted in Japanese tea ceremony culture, the chawan, into modern luxurious alcoholic enjoyment, will provide a lavish experience for international collectors and special guests seeking the ultimate in Japanese hospitality.\u003c\/p\u003e\n\u003cp data-path-to-node=\"0\"\u003eThe artist, Mizuno Sokaku I, was born in 1912 in Seto City, Aichi Prefecture, a pottery town. Sokaku I studied under \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E4%BA%95%E9%81%94%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujii Tatsukichi\u003c\/a\u003e, a pioneer of modern crafts, and was educated in free artistic expression untethered by tradition. Throughout the artist's ceramic career, Sokaku I achieved remarkable success on major domestic stages, including 27 selections for the Nitten Exhibition, three top awards at the Seto Ceramics Exhibition followed by designation as a non-juried artist, two Governor's Awards at the Asahi Ceramics Exhibition, the Toto Award at the National Ceramics Exhibition, the Tokai TV Award and a meritorious service award at the Japan New Crafts Exhibition, and numerous other awards including the Kansai Art Exhibition. Sokaku I also held important positions such as councilor of the Japan New Craft Artists Federation, contributing to the development of younger artists and the craft industry. In 1987, the artist's long-standing efforts in independently researching and refining the traditional nerikomi technique were officially recognized, and Sokaku I was certified as a holder of the Seto City Designated Craft Technique, Ceramic Nerikomi Technique. Sokaku I passed away on January 18, 1996, at the age of 84, leaving behind a legacy of exceptional skill as the great founder of the prestigious Nerikomi Mizuno family, whose traditions are still carried on by Sokaku I's son Mizuno Norio, who is also a holder of intangible cultural property, and grandson Mizuno Tomoji, who enjoys global popularity with unique sensibility. All works currently on the market are precious posthumous pieces with no new supply, making them extremely rare as top-class Japanese art, with very little information available overseas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"0\"\u003eThe most highly regarded technique in Mizuno Sokaku's pottery is nerikomi, which involves meticulously layering multiple clays with different components and firing characteristics, resulting in beautiful continuous patterns that appear no matter where the piece is cut, much like Kintaro-ame candy. Since each of the different clays has varying drying speeds and shrinkage rates during firing, even a slight miscalculation can cause cracks or firing tears in the kiln, making it an extremely difficult technique that requires extreme blending precision and strict temperature control. A detailed examination of this piece reveals that these advanced techniques and the artist's raw sensibility are expressed with overwhelming power across the entire surface of the vessel. On the surface of the vessel, orderly striped patterns woven from different colored clays and organic flow patterns reminiscent of flowing geological strata are dynamically expressed, achieving both the cold beauty of calculation and the warmth of handwork. As a unique characteristic of the nerikomi technique, the same pattern appears completely through the outside and inside at exactly the same position. Therefore, when sake is poured and ice floats, the geometric layers spreading inside the vessel shimmer beautifully, creating a visually stunning and refined experience.\u003c\/p\u003e\n\u003cp data-path-to-node=\"0\"\u003eBased on the artist's ceramic activity and physical evidence from Sokaku I's lifetime, the production period of this work is clearly estimated to be during Sokaku I's mature period, from the late 1970s to the early 1980s, just before Sokaku I was designated as an intangible cultural property, when Sokaku I's technique was at its peak. The strongest evidence for this is the clear, unadorned handwritten signature style on the tomobako (wooden box), which does not include the title of cultural property holder, strongly reflecting the style of Sokaku I's era as a powerful artist who relied solely on the quality of the work itself rather than on authority. Furthermore, the design of the logo mark featuring a pair of yellow cranes facing each other on the accompanying artist's profile booklet (shiori) perfectly matches the period from the late 1970s to the early 1980s, when Sokaku I was actively rising to prominence on the forefront of the Japanese modern craft world as a councilor of the Japan New Craft Artists Federation. Due to the varying shrinkage rates of different clays, large and deep vessels like this one were impossible to fire without distortion during Sokaku I's younger years. The fusion of orderly striped patterns and dynamic flow patterns seen in this work is a monumental design feature that crystallizes the pinnacle of mature technique that directly led to the artist's highest honor, the designation as an intangible cultural property in 1987.\u003c\/p\u003e\n\u003cp data-path-to-node=\"0\"\u003eThis work is perfectly accompanied by physical evidence that proves the artist's established style. The bottom of the vessel is engraved with the Sokaku pottery seal, indicating its authenticity, and it comes with a dedicated tomobako, wrapping cloth, and a detailed artist's profile booklet (shiori), all showing that it has been carefully preserved. In particular, the design of a pair of yellow cranes on the booklet, named after the art name, expresses the artist's delightful playfulness. The lid of the tomobako has \"Nerikomi Chawan\" written on it, and the inside of the lid bears Sokaku's handwritten inscription, along with two perfect seals (round stamps). It is a complete piece in very good condition, without any chips or cracks, and as a supreme Japanese craft piece that is extremely difficult to encounter overseas, it possesses unwavering asset value.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e \u003ca href=\"\/en\/collections\/maker-mizuno-sokaku-i\" target=\"_blank\" rel=\"noopener\"\u003eMizuno Sokaku\u003c\/a\u003e I (初代 水野双鶴, 1912–1996)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"36\"\u003eArtist's Major Activities:\u003c\/b\u003e [1912] Born in Seto City, Aichi Prefecture, the artist studied under Fujii Tatsukichi, a pioneer of modern crafts, and was educated in free artistic expression untethered by tradition. Throughout Sokaku I's ceramic career, the artist achieved remarkable success on major domestic stages, including 27 selections for the Nitten Exhibition, three top awards at the Seto Ceramics Exhibition followed by designation as a non-juried artist, two Governor's Awards at the Asahi Ceramics Exhibition, the Toto Award at the National Ceramics Exhibition, the Tokai TV Award and a meritorious service award at the Japan New Crafts Exhibition, and numerous other awards including the Kansai Art Exhibition. The artist also held important positions such as councilor of the Japan New Craft Artists Federation, contributing to the development of younger artists and the craft industry. [1987] Sokaku I's long-standing efforts in independently researching and refining the traditional nerikomi technique were officially recognized, and the artist was certified as a holder of the Seto City Designated Craft Technique, Ceramic Nerikomi Technique. [1996] The artist passed away on January 18, at the age of 84, leaving behind a legacy of exceptional skill as the great founder of the prestigious Nerikomi Mizuno family, whose traditions are still carried on by Sokaku I's son and grandson, attracting global attention.\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1403\"\u003eProduction Period:\u003c\/b\u003e Late 1970s - Early 1980s (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1459\"\u003eCondition:\u003c\/b\u003e Very Good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1502\"\u003eAccessories:\u003c\/b\u003e Dedicated tomobako, wrapping cloth, artist's profile booklet (shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1594\"\u003eMaterial:\u003c\/b\u003e Ceramic (Nerikomi, Neriage)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1623\"\u003eDimensions:\u003c\/b\u003e Height approx. 10.5 cm, Mouth diameter approx. 10.7 cm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e All products offered by our shop, even if new and unused, are from very old production periods and are listed as used items. Please understand that products may have age-related damage and consider your purchase after checking them.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47855264202939,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7368_result.jpg?v=1780464479"},{"product_id":"262","title":"Seto City Designated Intangible Cultural Property Holder, First Generation Mizuno Sokaku (初代 水野双鶴), Nerikomi Chawan Ceramic Whisky Tumbler #262","description":"\u003cp data-path-to-node=\"3\"\u003eThis is a nerikomi chawan (tea bowl) by \u003ca href=\"\/en\/collections\/maker-mizuno-sokaku-i\" target=\"_blank\" rel=\"noopener\"\u003eMizuno Sokaku\u003c\/a\u003e \u003cspan\u003e(水野双鶴, 1912–1996)\u003c\/span\u003e the First, a holder of Seto City's Designated Intangible Cultural Property and a master who elevated traditional techniques, which were on the verge of dying out in the Seto region, into modern art. With a height of approximately 8.6 cm and a diameter of approximately 12.2 cm, this vessel boasts the classic and dignified proportions of a matcha bowl. Our store proposes it as a premium Japanese craft Ceramic Whisky Tumbler for slowly enjoying aged sake, which has deepened to a rich amber color over time, or carefully selected whiskies with large spherical ice cubes. The wide mouth and moderate shallow depth of this shape significantly enhance the rich aroma of the poured alcohol by allowing it to interact with the air, while the warmth of the clay and the pleasant weight are directly conveyed to the hand. Equipped with an overwhelming presence as a work of art, this attempt to merge a traditional chawan, deeply rooted in Japanese tea ceremony culture, with modern luxurious bar time will be an extravagant experience for entertaining international collectors and special guests with the utmost Japanese hospitality.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eMizuno Sokaku the First, born in Seto City, Aichi Prefecture in 1912, studied under \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E4%BA%95%E9%81%94%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujii Tatsukichi\u003c\/a\u003e, a pioneer of modern craft, and directly received Sokaku I's artistic spirit as a free expressionist, unconstrained by tradition. The artist achieved a brilliant record, including 27 selections for the Nitten Exhibition, and swept numerous top awards at major open-call exhibitions. In 1987, Sokaku I's exceptional skills were recognized, and the artist was designated as a holder of Seto City's Intangible Cultural Property. The Mizuno family, led by Mizuno Sokaku the First, is a prestigious lineage that has continued to captivate collectors worldwide for three generations, including the artist's son Mizuno Norio, who also became an intangible cultural property holder, and Sokaku I's grandson Mizuno Tomoji, who enjoys global popularity with unique sensibilities. Mizuno Sokaku the First is the great founder and source of all this. Since Sokaku I's passing in 1996, all works available in the market are precious posthumous works with no new supply, making them extremely rare as top-class Japanese designer crafts for which information is almost unobtainable overseas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe most highly regarded technique in Mizuno Sokaku's pottery is the nerikomi technique, in which multiple clays with different compositions and firing colors are meticulously layered, creating beautiful, continuous patterns that appear no matter where the piece is cut, much like Kintaro-ame candy. Since each of the different clays has a different drying speed and shrinkage rate during firing, even a slight miscalculation can cause cracks or tears in the kiln. This makes it the most challenging technique, requiring extreme blending skill and strict temperature control. A detailed examination of this work reveals that these advanced techniques and the artist's raw sensibility are expressed with overwhelming power across the entire surface of the vessel. The surface of the vessel dynamically displays orderly striped patterns woven by different colored clays and intricate flowing patterns reminiscent of tree rings or the texture of beautiful silk fabrics, achieving a balance between cold, calculated beauty and the warmth of handcraft. A unique feature of the nerikomi technique is that the exact same pattern appears through both the exterior and interior surfaces. When sake is poured and ice is floated, the organic geometric layers spreading within the vessel shimmer beautifully, creating a visually sophisticated experience.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eBased on the traces of the artist's ceramic activities and circumstantial evidence during Sokaku I's lifetime, the production period of this work is clearly estimated to be from the late 1970s to the early 1980s, Sokaku I's mature period just before Sokaku I was designated an intangible cultural property, when Sokaku I's skill was at its peak. The strongest evidence for this lies in the style of the autographed signature on the wooden box and the square seal, which does not include the title of cultural property holder. This strongly reflects the style of Sokaku I's era as a master who competed on the quality of the work itself, without relying on authority. Furthermore, the design of the logo on the accompanying bookmark, depicting a pair of yellow cranes facing each other, is identical to that from the period when the artist was actively involved in the forefront of the Japanese modern craft world. Due to differences in shrinkage rates between clays, it is prone to cracking, and it would have been impossible for the young Sokaku I to fire a vessel with such a wide mouth and imposing proportions without distortion. The fusion of uniform and complex flowing patterns seen in this work is precisely the monumental design feature that crystallizes the pinnacle of the artist's mature technique, which directly led to Sokaku I's highest honor, the designation as an Intangible Cultural Property in 1987.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThis work is perfectly accompanied by evidence that proves the artist's unique style. A clear \"Sokaku\" potter's mark, indicating the authenticity of the artist, is engraved on the bottom of the vessel, next to the footring. It also comes with its dedicated tomobako (wooden box), wrapping cloth, and an artist's profile booklet (shiori) detailing Sokaku I's ceramic history, all showing that it has been carefully preserved. In particular, the design of the booklet, featuring a pair of yellow cranes facing each other, named after the art name, expresses the artist's endearing playfulness. The lid of the wooden box is inscribed \"練込 茶盌\" (Nerikomi Chawan) on the outside, and \"双鶴\" (Sokaku) in Sokaku I's own handwriting on the inside, with a perfectly stamped square seal. It is a complete piece in very good condition, with no chips or cracks, and possesses unwavering asset value as a supreme Japanese craft piece that is extremely difficult to encounter overseas.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e \u003ca href=\"\/en\/collections\/maker-mizuno-sokaku-i\" target=\"_blank\" rel=\"noopener\"\u003eMizuno Sokaku\u003c\/a\u003e I (初代 水野双鶴, 1912–1996)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"36\"\u003eArtist's Representative Activities:\u003c\/b\u003e [1912] Born in Seto City, Aichi Prefecture, the artist studied under Fujii Tatsukichi, a pioneer of modern craft, and received training in free artistic expression, unconstrained by tradition. Throughout Sokaku I's ceramic career, the artist was selected for the Nitten Exhibition a total of 27 times, won the top prize at the Seto Ceramics Exhibition three times, later being designated without examination, received the Governor's Award twice at the Asahi Ceramics Exhibition, the Toto Award at the National Ceramics Exhibition, and the Tokai TV Award and Achievement Award at the Japan New Craft Exhibition, as well as numerous other awards including at the Kansai Art Exhibition, accumulating a brilliant record on major domestic stages. The artist also served in important positions such as a councilor of the Japan New Craft Artists Federation, contributing to the development of future generations and the craft world. [1987] Sokaku I's achievements in independently researching and refining the traditional nerikomi technique over many years were officially recognized, and the artist was designated as a holder of Seto City's Designated Craft Technique (Ceramics, Nerikomi Technique). [1996] The artist passed away on January 18th at the age of 84, leaving behind a lineage of exceptional skill as the great founder of the prestigious Nerikomi Mizuno family, which continues to attract global attention through Sokaku I's son and grandson.\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1460\"\u003eWorks in Collections:\u003c\/b\u003e Aichi Prefectural Ceramic Museum, Seto City Museum of Art, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1546\"\u003eProduction Period:\u003c\/b\u003e 1970s - Early 1980s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1597\"\u003eProduct Condition:\u003c\/b\u003e Very good (no chips, no cracks, please note the natural crackle (not a defect))\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1696\"\u003eAccessories:\u003c\/b\u003e Dedicated tomobako (wooden box), artist's profile booklet (shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1785\"\u003eMaterial:\u003c\/b\u003e Ceramic (nerikomi)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1814\"\u003eDimensions:\u003c\/b\u003e Height approx. 8.6 cm, Diameter approx. 12.2 cm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products offered by our store are new and unused, they are from a very old production period and are all listed as used items. The product may have damage due to age, so please understand and confirm this before considering purchase.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47881781969083,"sku":null,"price":65000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7420_result.jpg?v=1780464896"},{"product_id":"263","title":"Aida Yusuke (会田雄亮), Gold Medalist at the International Ceramic Art Competition Faenza, Nerikomi Sake Cup, Oshino Kiln, Shot Glass, Ceramic Whisky Tumbler #263","description":"\u003cp data-path-to-node=\"21\"\u003eThis piece is a nerikomi work by the master Aida Yusuke (会田雄亮, 1931–2015), who led Japan's modern craft design movement and established an international reputation. With a diameter of approximately 6.6 cm and a height of approximately 6.2 cm, this vessel fits comfortably in the hand. We propose it as a premium large shot glass or small rocks glass for aged spirits, to enjoy the deep, rich aroma and dense flavor of vintage liquor, which has taken on a beautiful amber hue over time. The time spent savoring aged spirits from this vessel, with its overwhelming modernism as an art piece and its architectural functional beauty, will be a supremely luxurious experience for international collectors and discerning guests alike.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eThe artist, Aida Yusuke, studied urban planning at Chiba University, then apprenticed under the renowned potter \u003ca href=\"\/en\/search?q=%22%E5%AE%AE%E4%B9%8B%E5%8E%9F%E8%AC%99%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKen Miyanohara\u003c\/a\u003e. Aida then moved to the United States, where the artist served as an instructor at the School of the Museum of Fine Arts, Boston, and as chief designer for prominent ceramic companies. In 1968, the artist achieved a global triumph by winning the gold prize at the Concorso Internazionale della Ceramica d'Arte di Faenza in Italy. Aida held important positions such as Chairman of the Japan Craft Design Association and committee member of the Design Promotion Council of the Ministry of International Trade and Industry, and also served as President of Tohoku University of Art and Design. The artist is known not only for indoor vessels but also as a pioneer of monumental environmental ceramics integrated with urban plazas and buildings. Since Aida's regrettable sudden death in 2015, all works available on the market are precious legacies with no new supply, making them extremely rare as top-class Japanese designer crafts, with information largely unobtainable overseas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eThe most highly regarded technique in Aida Yusuke's pottery is the nerikomi technique, which involves meticulously combining different colored clays to create geometric patterns. Since multiple clays have different shrinkage rates during firing, even a slight miscalculation can cause cracks or firing tears in the kiln, making this a highly difficult technique that requires extremely advanced blending skills and strict temperature control. It was precisely because of the artist's background in urban planning and architecture that Aida achieved the pinnacle of modern craft, creating sharp designs such as stripes and mosaics through the very structure of the clay, rather than by drawing patterns on the surface.\u003cbr\u003eA detailed examination of this work reveals that these characteristics are clearly and beautifully expressed in this vessel. The surface of the vessel exhibits the intricate geometric layers characteristic of Aida Yusuke's signature nerikomi technique, where the orderly striped patterns woven from different colored clays balance a cool, calculated beauty with the warmth of handcrafted work. The form, finished into smooth curves by throwing on the wheel, shines beautifully when sake is poured and conveys an urban sophistication when held. The bottom of the vessel is engraved with a sign indicating it is an authentic piece made at Aida's Oshino kiln. Although it is offered without a box and as the main body only, it is in very good condition with no chips or cracks. This is a special item of undeniable value, a first-class collector's piece that captivates lovers of modern art and design worldwide.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e \u003ca href=\"\/en\/pages\/makers#ceramic\" target=\"_blank\" rel=\"noopener\"\u003eAida Yusuke\u003c\/a\u003e (会田雄亮, 1931–2015)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"32\"\u003eArtist's Major Activities:\u003c\/b\u003e [1956] Apprenticed under Ken Miyanohara, [1968] Won gold prize at the Concorso Internazionale della Ceramica d'Arte di Faenza in Italy, [1972] Director of the Japan Designer Craftsmen Association, [1976] Chairman of the Japan Craft Design Association, [1986] Committee member of the Design Promotion Council of the Ministry of International Trade and Industry, [1991] Director of the Japan Architectural Art and Craft Association, [1992] Professor at the Faculty of Art, Tohoku University of Art and Design, [1993] Received the Design Achievement Award, [1998] President of Tohoku University of Art and Design, [2002] Professor Emeritus at Tohoku University of Art and Design, [2006] Visiting Professor at Aichi Prefectural University of the Arts\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"810\"\u003eWorks in Collections:\u003c\/b\u003e International Museum of Ceramics in Faenza (Italy), public art walls and monuments in various locations nationwide, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"953\"\u003eProduction Period:\u003c\/b\u003e 1980s-1990s (estimated, produced during the heyday of Japanese modern craft design)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1056\"\u003eProduct Condition:\u003c\/b\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1107\"\u003eAccessories:\u003c\/b\u003e None (Piece only)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1142\"\u003eMaterial:\u003c\/b\u003e Ceramic (Nerikomi)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1171\"\u003eDimensions:\u003c\/b\u003e Height approx. 6.2 cm, Diameter approx. 6.6 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1230\"\u003eNote:\u003c\/b\u003e Although the products we offer may be unused new items, they are from a very old production period and are all listed as used items. Please understand and confirm that the product may have damage due to age before considering purchase.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47881782001851,"sku":null,"price":65000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7117_result.jpg?v=1780155923"},{"product_id":"265","title":"Kawai Kanjiro Orthodox Lineage, Untitled and Uncrowned Folk Craft Master: Kawai Toru (河井透), ceramic beer mugs, Set of Two, Rock Glass #265","description":"\u003cp data-path-to-node=\"18\"\u003eThis is a set of two faceted ceramic beer mugs by Kawai Toru (河井透, 1941–), a master craftsman who inherited the authentic artistic spirit of \u003ca href=\"\/en\/search?q=%22%E6%B2%B3%E4%BA%95%E5%AF%9B%E6%AC%A1%E9%83%8E%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKawai Kanjiro\u003c\/a\u003e, the brilliant potter who led Japan's Mingei (folk craft) movement. It is characterized by its dignified style, which brings a comfortable weight to the palm of the hand. We propose this work as premium ceramic rock cups for enjoying Japan's excellent traditional crafts in a modern luxurious lifestyle. It is of the highest value as a vessel for slowly savoring rare aged sake that has transformed into a deep amber color over many years, exuding a rich aroma and mellow depth, or carefully selected whisky with ice. The time spent enjoying the finest sake in these vessels, which possess an overwhelming dignity as works of art, will be a luxurious experience for entertaining international collectors and special guests with the highest Japanese hospitality.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe artist, Kawai Toru, was born in Kyoto City in 1941 and is a master of contemporary Mingei pottery who continues to create vigorously today. Kawai Toru was born into the pure lineage of Mingei, as the nephew of Kawai Kanjiro, who established unique aesthetics from the Taisho to Showa eras, and the eldest son of \u003ca href=\"\/en\/products\/273\" target=\"_blank\" rel=\"noopener\"\u003eKawai Takeichi\u003c\/a\u003e, who supported Kanjiro's pottery production as a right-hand man for approximately 40 years. After studying pottery in the art department of Kyoto City Hiyoshigaoka High School, the artist began a full-fledged pottery career in 1962 under the guidance of Kawai Toru's father, Takeichi, and at the same time received direct instruction in technique and spirit from the late Kawai Kanjiro in Kanjiro's final years. As a noteworthy fact in the art market, Kawai Toru has no record of receiving any public awards or national titles from exhibitions such as the Nitten or the Japan Traditional Crafts Exhibition. This unique stance, independent of authority, is because Kawai Toru has completely inherited, along with Toru's father Takeichi, the noble spirit of Kawai Toru's great-uncle Kawai Kanjiro, who declined all public honors, including \u003ca href=\"\/en\/collections\/living-national-treasures\" target=\"_blank\" rel=\"noopener\"\u003eLiving National Treasure\u003c\/a\u003e and the Order of Culture, and upheld the beauty of anonymity—the beauty of nameless artisans—as a master without rank. This stance independent of authority is the ultimate proof of the artist's genuine Mingei lineage, and Kawai Toru's noble pedigree is highly sought after by museums and enthusiastic Mingei connoisseurs both domestically and internationally, and is included in the collections of prestigious museums such as the Asahi Group Oyamazaki Villa Museum of Art and the ZENBI -Kagizen Art Museum-. We proudly offer this rare work by a top-class Japanese artist, about whom there is almost no information overseas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eWhat makes Kawai Toru's pottery highly specialized is the artist's thorough commitment to traditional techniques. The artist never uses an electric potter's wheel, instead forming Kawai Toru's pieces using a traditional kick wheel, which allows the rhythm of the human body to be directly transmitted to the clay. This imbues the vessels with a non-mechanical warmth, subtle undulations, and a strong skeletal structure. Furthermore, they are fired rapidly by the intense flames of firewood in the Nantan kiln, a traditional climbing kiln Kawai Toru built in Kameoka City, Kyoto Prefecture, in 1976. The artist has authentically inherited the vast glaze recipes left by Kawai Toru's great-uncle Kanjiro and possesses exceptional skill in freely controlling traditional Mingei glazes such as deep blue Gosu, vibrant red Shinsha, iron glaze, amber glaze, and ash glaze.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eA detailed examination of this work reveals that these exceptional techniques and the artist's raw sensibility are expressed with overwhelming power down to the smallest details of the two beer mugs. The true essence of this work, the faceted design, is created when the thick clay body, formed on the potter's wheel, is in an extremely delicate semi-dry state, and the artist swiftly and roughly shaves it vertically with an unwavering stroke of the knife. The sharpness of the edges of the shaved surfaces and the bold undulations that appear when the clay is removed create a dramatic contrast of sculptural shadows when illuminated, while also providing an excellent grip for the fingertips when holding the large mugs. The color contrast between the two mugs is also very dramatic; one mug is coated with a deep, lustrous black-brown iron glaze or amber glaze, almost like jet black, on which iron-rust colored kiln changes and crystalline spots, brought about by the intense flames of the climbing kiln, are powerfully baked as if they were splashes of Earth's magma. The other mug features a warm, rustic clay surface as its base, with bold iron paintings drawn with an unwavering brushstroke, and the delicate, bluish, glassy pooling of flowing ash glaze lends a fresh moisture to the rugged expression of the vessel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eFurthermore, the texture of the robust handle, condensed with the power of handcraftsmanship, also exudes a special presence. Regarding this handle portion, there is a linear pattern on one of the mugs, extending from the inside to the surface of the handle, which at first glance may appear to be a crack. However, this is a crackle pattern in the glaze called kannyu (natural glaze crazing), unique to ceramics. There are no snags or steps on the surface, and since it is formed within the glassy glaze layer, the surface texture is extremely smooth, just like other areas, and has absolutely no impact on its strength or practicality during use. This is a natural testament to the clay and glaze breathing together at the moment of rapid cooling in the climbing kiln, and as a unique landscape inherent in handcrafted works, it is a point to be cherished deeply and for a long time, including this part, while pouring the finest aged sake. The bottom of the vessel is engraved with the workshop mark indicating that it is an authentic work from the Kawai studio, and it comes complete with its dedicated tomobako (original wooden box signed by the artist), wrapping cloth, and an official brochure. It is in excellent condition without any chips or cracks, and is a valuable item as a supreme Japanese craft piece that is extremely difficult to obtain overseas.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e \u003ca href=\"\/en\/pages\/makers#ceramic\" target=\"_blank\" rel=\"noopener\"\u003eKawai Toru\u003c\/a\u003e (河井透, 1941–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"34\"\u003eArtist's Notable Career:\u003c\/b\u003e [1962] Began a pottery career under Kawai Toru's father, Kawai Takeichi, and received direct instruction from the late Kawai Kanjiro; [1970] Moved Kawai Toru's studio to Higashiyama Ward, Kyoto City; [1976] Built Nantan Kiln, a traditional climbing kiln, in Kameoka City, Kyoto Prefecture.\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"333\"\u003eWorks in Collection:\u003c\/b\u003e Asahi Group Oyamazaki Villa Museum of Art, ZENBI - Kagizen Art Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"430\"\u003eProduction Period:\u003c\/b\u003e 2000s-2010s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"473\"\u003eProduct Condition:\u003c\/b\u003e Very Good (no chips, no cracks, no surface cracks, \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eplease note the characteristic crackle glaze\u003c\/span\u003e)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"564\"\u003eBox:\u003c\/b\u003e Dedicated tomobako (wooden box) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"610\"\u003eMaterial:\u003c\/b\u003e Ceramic (Iron glaze, Ash glaze, Iron painting)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"667\"\u003eDimensions:\u003c\/b\u003e Height approx. 11.8 cm, Mouth diameter approx. 8.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"733\"\u003eNote:\u003c\/b\u003e Even if the products offered by our store are new and unused, they are from a very old production period and are all listed as used items. The product may have damage due to age, so please understand and confirm this before considering purchase.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47881782067387,"sku":null,"price":80000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7184_result.jpg?v=1780240394"},{"product_id":"268","title":"MITI Minister's Award Winner at the Banko Ceramic Competition \/ Produced Large Jars for Naritasan Osaka Betsuin Temple - Hisamura Toshihide (久村俊英), Nagashima-yaki Kiln Toshihide, Gold-painted Nunome Three-legged Ceramic Whisky Tumbler #268","description":"\u003cp data-path-to-node=\"23\"\u003eThis is an exquisitely designed three-legged sake cup by Toshihide Hisamura (久村俊英, 1956–), a highly skilled ceramist who has won the highest awards, such as the Minister of International Trade and Industry Award and the semi-grand prize, in traditional Japanese ceramics competitions. Hisamura is also known for having provided large jars and basins to adorn important spaces in the Kisshokaku building of Naritasan Osaka Betsuin Temple. The accompanying wooden box (tomobako) bears the artist's elegant handwritten inscription \"Nagashima-yaki Kiln Toshihide.\" The cup features a unique multifaceted form that fits perfectly in the hand, and an overwhelming presence where modern design is fused with functional beauty. We proudly present this rare craft piece as a premium Japanese Ceramic Whisky Tumbler, perfect for slowly enjoying rare aged sake that has matured into a deep amber color over many years, or a special single malt whisky with large ice cubes. This is a very rare masterpiece of Nagashima-yaki from Kuwana, Mie Prefecture, rarely seen in overseas markets, and a supreme vessel that brings the spirited sculptural beauty of Japanese contemporary crafts (Japanese KOGEI) to luxurious spaces.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23\"\u003eToshihide Hisamura, the artist, was born in Shizuoka Prefecture in 1956 and graduated from the prestigious Kanazawa College of Art, giving Hisamura a very unique and intellectual background in the traditional ceramics world. After graduating from university, Hisamura worked in product design, involved in the design of industrial products, and further built a career as an international creator by traveling to the United States and Europe to study cutting-edge overseas designs. Later, in Nagashima-cho, Kuwana City, Mie Prefecture, Toshihide and Atsuko Hisamura opened the Nagashima-yaki Tajin Kiln. While based on traditional \u003ca href=\"\/en\/collections\/banko-ware\" target=\"_blank\" rel=\"noopener\"\u003eBanko-yaki\u003c\/a\u003e techniques, they developed simple and gentle works that reflect Hisamura's meticulous sculptural calculations as a product designer and thoughts on the changing seasons of Suigo Nagashima, surrounded by the Kiso Three Rivers. Hisamura's exceptional technical skill and modern sensibility have been widely and publicly recognized, including selections for the Asahi Ceramic Exhibition and consecutive awards in the Banko Ceramic Comprehensive Competition, where the artist received the highest award, the Minister of International Trade and Industry Award, as well as the semi-grand prize and three other awards. After receiving the highest award, the artist completely stopped submitting to public exhibitions, which are influenced by trends in the art market, and has since been immersed in ideal creations with Hisamura's wife, making Hisamura known as a phantom artist whose works are extremely scarce in the market. In 1996, Hisamura's outstanding craftsmanship was recognized, and the artist was nominated to create large jars and basins for important spaces, the Gatsurin-no-ma and reception room Kaori, for the construction of Kisshokaku at Naritasan Osaka Betsuin Temple, thus establishing a solid position in the Japanese architectural craft world as well.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23\"\u003eA professional analysis of the sculptural beauty of this work reveals that Hisamura's unique spatial composition ability, highly praised as a former product designer, and the advanced traditional techniques of Banko-yaki are perfectly harmonized in this small vessel. The beautiful seams that clearly run from the side to the inner bottom of the vessel are clear evidence that instead of typical wheel-throwing, a forming technique was used where clay sheets (tatara) were rolled and their ends boldly overlapped and joined. By intentionally leaving these joints as sharp, un-smoothed lines, a three-dimensional edge and modern shadow are created on the front, reminiscent of folded origami or fabric, or even modern architecture. Furthermore, the unique three legs supporting the bottom of the vessel, and the entire unglazed base, clearly show that coarse fabric was pressed very strongly with the artist's specific intention, and the \"nunome (fabric texture) technique\" is perfectly executed, clearly engraving the deep and sharp texture of the weave down to every detail. The powerful pleat-like undulations extending radially from the three legs towards the center, and even the central annular detail, show that the fabric texture is preserved three-dimensionally without being crushed, indicating that this is not an accidental byproduct of the work but a meticulously calculated and advanced decorative expression. The dramatic contrast in texture created between the rustic iron-containing stoneware body characteristic of Banko-yaki and the smooth glazed layer on top is simply magnificent. In terms of decoration, a base of deep olive-green feldspar glaze is adorned with fluid black iron-painting curves drawn directly, and gold accents are luxuriously placed between the glaze, emitting an elegant metallic sparkle. A sharp red painting and gold horizontal band encircles the lower part of the vessel, embodying the modern design philosophy that tightens the overall organic form in a sophisticated way. The artist's handwritten signature, seal, and mark on the lid of the tomobako, along with a red seal certifying its authenticity, are perfectly intact, making this an art craft piece of unwavering asset value in superb condition without any flaws.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"24,0,0\"\u003e\u003cb data-path-to-node=\"24,0,0\" data-index-in-node=\"0\"\u003eArtist\u003c\/b\u003e: \u003ca href=\"\/en\/pages\/makers#ceramic\" target=\"_blank\" rel=\"noopener\"\u003eHisamura Toshihide\u003c\/a\u003e (久村俊英, 1956–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24,1,0\"\u003e\u003cb data-path-to-node=\"24,1,0\" data-index-in-node=\"0\"\u003eArtist's Major Career History\u003c\/b\u003e: [1956] Born in Shimizu Ward, Shizuoka City, Shizuoka Prefecture, [c. 1979] Engaged in product design after graduating from Kanazawa College of Art, studied overseas design in the U.S. and Europe, [1980s] Established Nagashima-yaki Tajin Kiln in Nagashima-cho, Kuwana City, Mie Prefecture, selected for the Asahi Ceramic Exhibition, consecutively awarded the highest prize \"Minister of International Trade and Industry Award,\" \"Semi-Grand Prize,\" and \"3 Awards\" in the Banko Ceramic Comprehensive Competition (subsequently ceased submitting to public exhibitions to concentrate on unique creations), [1996] Commissioned to create large jars and basins for the Gatsurin-no-ma and reception room Kaori, important spaces for the construction of Naritasan Osaka Betsuin Temple Kisshokaku.\u003c\/li\u003e\n\u003cli data-path-to-node=\"24,2,0\"\u003e\u003cb data-path-to-node=\"24,2,0\" data-index-in-node=\"0\"\u003eWorks in Collection\u003c\/b\u003e: Naritasan Osaka Betsuin Temple (permanent installation in public spaces of Kisshokaku)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24,3,0\"\u003e\u003cb data-path-to-node=\"24,3,0\" data-index-in-node=\"0\"\u003eProduction Period\u003c\/b\u003e: 1990s-2000s (estimated, works from the mature period before and after completing the major project for Naritasan, following the award of the Minister of International Trade and Industry Award)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24,4,0\"\u003e\u003cb data-path-to-node=\"24,4,0\" data-index-in-node=\"0\"\u003eProduct Condition\u003c\/b\u003e: Excellent (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24,5,0\"\u003e\u003cb data-path-to-node=\"24,5,0\" data-index-in-node=\"0\"\u003eAccessories\u003c\/b\u003e: Dedicated tomobako (wooden box) (lid inscribed \"Nagashima-yaki Kiln Toshihide\"), with wrapping cloth\u003c\/li\u003e\n\u003cli data-path-to-node=\"24,6,0\"\u003e\u003cb data-path-to-node=\"24,6,0\" data-index-in-node=\"0\"\u003eMaterial\u003c\/b\u003e: Ceramic (Oribe-style feldspar glaze, red overglaze painting with gold accents)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24,7,0\"\u003e\u003cb data-path-to-node=\"24,7,0\" data-index-in-node=\"0\"\u003eDimensions\u003c\/b\u003e: Height approx. 7.8 cm, mouth diameter approx. 6.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"24,8,0\"\u003e\u003cb data-path-to-node=\"24,8,0\" data-index-in-node=\"0\"\u003eNote\u003c\/b\u003e: Even if the products offered by our store are unused, they are from a very old production period and are all listed as used items. The product may have age-related damage, so please consider purchasing after understanding and checking.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47881783410875,"sku":null,"price":10000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7786_result.jpg?v=1781228883"},{"product_id":"269","title":"Kokugakai Member and Nojima Prize Winner Matsuzaki Ken (松崎健), White-slip Red-painted Windowed Floral Sake Cup, Japanese Kogei, Ceramic Rock Cup #269","description":"\u003cp data-path-to-node=\"8\"\u003eThis piece is a white-slip red-painted yunomi (teacup) that fully exhibits the exceptional sensibility and technique of \u003ca href=\"\/en\/collections\/maker-matsuzaki-ken\" target=\"_blank\" rel=\"noopener\"\u003eMatsuzaki Ken\u003c\/a\u003e (松崎健, 1950–), a powerful ceramic artist who has established a solid position in Japan's modern applied arts and crafts world, rising to the highest rank of member at the prestigious public exhibition, the Kokugakai. The artist meticulously created this as a yunomi, and on the lid of the dedicated wooden box (tomobako), \"White-slip Red-painted Yunomi\" is inscribed in ink in Ken's own hand, along with a signature and a vivid seal. We propose this piece, with its superb wheel-thrown size of approximately 8.0 cm in height that fits solidly in the hand, and its painterly and modern design that transcends the traditional beauty of utility, as the ultimate Japanese kogei (craft) sake vessel (ceramic rock cup) for slowly enjoying rare aged sake that has matured to a beautiful amber color over many years, or premium single malt whisky with large ice cubes. It is a masterpiece of Japanese contemporary avant-garde craft rarely seen in overseas markets, possessing a solid asset value that brings joy to ownership and elevates everyday moments into an exceptional artistic experience.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe artist, Matsuzaki Ken (1950–), was born in Machida City, Tokyo, in 1950, and graduated from Tamagawa University, Faculty of Letters, Department of Arts, specializing in ceramics, in 1972. The artist grew up in an artistic family with a father who was a Japanese painter, Matsuzaki Osami, and an elder brother who was a woodworker. Since Matsuzaki's father was a close friend of Noriyuki Ushijima, a Western-style painter and member of the Japan Art Academy, since junior high school, Matsuzaki was fortunate to be exposed to pure art education daily from a young age. After graduating from university, the artist underwent five years of strict live-in training under \u003ca href=\"\/en\/collections\/maker-shimaoka-tatsuzo\" target=\"_blank\" rel=\"noopener\"\u003eShimaoka Tatsuzo\u003c\/a\u003e, a master of \u003ca href=\"\/en\/collections\/mashiko-ware\" target=\"_blank\" rel=\"noopener\"\u003eMashiko ware\u003c\/a\u003e, and became independent in 1977 by building Matsuzaki's own kiln in Mashiko's Kitago Valley. Matsuzaki's essential achievement lies in pursuing a unique modern sculptural beauty based on the reliable traditional techniques inherited from the artist's mentor, which has been highly acclaimed in the Japanese art world. Less than three years after becoming independent, in 1980, the artist achieved the remarkable feat of winning the Kokugakai Nojima Prize. In 1982, Matsuzaki was recommended as an associate member of the Kokugakai, and in 1984, the artist again received the Kokugakai Associate Member Excellent Work Prize. In 1986, the artist was promoted to the highest rank of Kokugakai member at a young age. Furthermore, through three trips abroad to the United States and Canada, Matsuzaki luxuriously absorbed the essence of contemporary art overseas. In addition to holding solo exhibitions annually in Tokyo and Osaka, the artist actively organized mentor-disciple exhibitions and three-person family exhibitions in various locations, establishing a solid reputation as an individual artist both domestically and internationally.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eA professional analysis of the form and decorative beauty of this piece reveals the successful culmination of Matsuzaki Ken's unique painterly sophistication and calculated spatial composition, cultivated at the forefront of the Kokugakai. On the front of the vessel, on the rustic and soft texture of white slip (a technique of thinly applying white engobe to the surface of the vessel), one of the most highly regarded techniques, a dignified windowed decorative frame is created with sharp red-painted lines. Within this frame, flowing floral patterns are depicted with powerful strokes of red painting, and vivid green dots are arranged in a calculated balance at the top, creating an urban and modern rhythm amidst the warmth of traditional folk art. Furthermore, looking inside the vessel, iron glazes such as iron-rich black glaze and amber glaze show a dynamic swirling pattern along the rotation of the potter's wheel, creating a wonderful effect that produces visual depth and beautiful shimmering light when sake is poured and ice is floated. At the bottom of the vessel, next to the foot ring, a modern round pottery seal, designed with the artist's name, is clearly engraved, proving the authenticity of the piece. The precious official leaflet (with a brief biography) from that time, featuring handwritten recommendations from Western-style painter Noriyuki Ushijima and others, is included in perfect condition, making this a supreme piece of art and craft in the best possible state without any flaws.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"11\"\u003e*Comment from Shimaoka Tatsuzo, Matsuzaki's mentor\u003c\/h3\u003e\n\u003cp data-path-to-node=\"11\"\u003eMr. Matsuzaki majored in ceramics at the Department of Arts at Tamagawa University in Tokyo and then studied with me for five years after graduation. He grew up in a good environment with a Japanese painter for a father and a woodworker for an elder brother, possessing a gifted talent in addition to an unparalleled passion for his work. Mr. Matsuzaki is directing his work towards tableware that is closely linked to daily life. This is a solid idea, rare among young people today, and though it may seem understated at first glance, it is the most correct attitude when creating pottery as craft, and I believe that the true beauty of pottery emerges from within it. Having accumulated over ten years of training and developed ample skill, Mr. Matsuzaki has now become independent, owning his own kiln and workshop, and is free to express his ideas. I look forward to seeing what kind of blossoms will unfold.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"12\"\u003e*Comment from Noriyuki Ushijima, Member of the Japan Art Academy\u003c\/h3\u003e\n\u003cp data-path-to-node=\"12\"\u003eMatsuzaki Ken, who works with ceramics in Mashiko, is the son of my close friend Matsuzaki Osami, with whom I often went sketching in junior high school. I wonder if the humanistic guidance provided by his father has had a significant influence on Ken's ceramic work. Our work emerges from our daily living environment, and I believe this is important not only for painting but also for pottery. I hope that he will accomplish magnificent work in the future, leaving no regrets.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"13,0,0\"\u003e\u003cb data-path-to-node=\"13,0,0\" data-index-in-node=\"0\"\u003eArtist\u003c\/b\u003e: \u003ca href=\"\/en\/collections\/maker-matsuzaki-ken\" target=\"_blank\" rel=\"noopener\"\u003eMatsuzaki Ken\u003c\/a\u003e (松崎健, 1950–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"13,1,0\"\u003e\u003cb data-path-to-node=\"13,1,0\" data-index-in-node=\"0\"\u003eArtist's Major Career Highlights\u003c\/b\u003e: [1950] Born in Machida City, Tokyo, [1972] After graduating from Tamagawa University, Faculty of Letters, Department of Arts, specializing in ceramics, the artist studied under Shimaoka Tatsuzo in Mashiko, [1977] Built a kiln and became independent in Mashiko Kitago Valley, [1980] Awarded the Kokugakai Nojima Prize, [1982] Recommended as an associate member of Kokugakai, [1984] Awarded the Kokugakai Associate Member Excellent Work Prize, [1986] Promoted to a full member of Kokugakai. Three overseas trips (Canada, USA), held solo exhibitions annually in Tokyo and Osaka, organized mentor-disciple exhibitions and three-person family exhibitions in various locations.\u003c\/li\u003e\n\u003cli data-path-to-node=\"13,2,0\"\u003e\u003cb data-path-to-node=\"13,2,0\" data-index-in-node=\"0\"\u003eWorks in Public Collections\u003c\/b\u003e: Permanently housed in public collections including the Metropolitan Museum of Art (USA), Museum of Fine Arts, Boston (USA), Victoria and Albert Museum (UK), Asian Art Museum of San Francisco (USA), Minneapolis Institute of Arts (USA), Cleveland Museum of Art (USA), Mashiko Museum of Ceramic Art (Tochigi Prefecture), and Tochigi Prefectural Museum of Fine Arts (Tochigi Prefecture).\u003c\/li\u003e\n\u003cli data-path-to-node=\"13,3,0\"\u003e\u003cb data-path-to-node=\"13,3,0\" data-index-in-node=\"0\"\u003eProduction Period\u003c\/b\u003e: Late 1980s - Around 1990s (estimated, presumed to be a fine piece from Matsuzaki's mid-prime period when the dignified beauty of traditional white slip and red painting reached its peak, before the style boldly shifted towards dynamic kiln changes and Oribe ware in later years).\u003c\/li\u003e\n\u003cli data-path-to-node=\"13,4,0\"\u003e\u003cb data-path-to-node=\"13,4,0\" data-index-in-node=\"0\"\u003eProduct Condition\u003c\/b\u003e: Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"13,5,0\"\u003e\u003cb data-path-to-node=\"13,5,0\" data-index-in-node=\"0\"\u003eAccessories\u003c\/b\u003e: Dedicated tomobako (wooden box), official artist's biography (leaflet) included.\u003c\/li\u003e\n\u003cli data-path-to-node=\"13,6,0\"\u003e\u003cb data-path-to-node=\"13,6,0\" data-index-in-node=\"0\"\u003eMaterial\u003c\/b\u003e: Pottery (white slip, red painting, iron glaze, transparent glaze)\u003c\/li\u003e\n\u003cli data-path-to-node=\"13,7,0\"\u003e\u003cb data-path-to-node=\"13,7,0\" data-index-in-node=\"0\"\u003eDimensions\u003c\/b\u003e: Height approx. 8.0 cm, Mouth diameter approx. 7.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"13,8,0\"\u003e\u003cb data-path-to-node=\"13,8,0\" data-index-in-node=\"0\"\u003eNote\u003c\/b\u003e: All products offered by our shop, even if unused, are from a very old production period and are listed as used items. Products may have damage due to age; please understand and confirm this before considering a purchase.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47881783443643,"sku":null,"price":32000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7739_result.jpg?v=1781228030"},{"product_id":"271","title":"Winner of the Gold Prizes at the Prague and Vallauris International Ceramics Exhibitions, Founder of Sodeisha, Suzuki Osamu (鈴木治), \"Return to Primitive Art,\" Bakushu-nomi Beer Mug Ceramic Whisky Tumbler #271","description":"\u003cp data-path-to-node=\"9\"\u003eThis is a handled sake vessel directly crafted by \u003ca href=\"\/en\/collections\/maker-suzuki-osamu\" target=\"_blank\" rel=\"noopener\"\u003eSuzuki Osamu\u003c\/a\u003e (鈴木治, 1926–2001), a master who reigns at the pinnacle of Japan's contemporary ceramic art world, whose works are permanently housed in major modern art museums both in Japan and abroad. The dedicated wooden box (kyobako) bears the artist's own inscription, \"Bakushu-nomi,\" written in elegant, powerful cursive script. The vessel itself has a substantial cylindrical form that sits weightily in the hand, and a thick, powerfully drawn handle. While the artist created it as a vessel for savoring beer at its finest, in today's luxurious lifestyle, it also possesses an overwhelming presence as a supreme on-the-rocks Ceramic Whisky Tumbler for slowly enjoying rare aged spirits that have transformed into a beautiful amber color over many years, or premium single malt whiskies with large ice cubes. The extremely precise skeletal structure born from the bloodline of master potters, the carefully studied thickness, and the direct texture of the rough clay surface, which immediately conveys itself to the touch and sets it apart from blown glass or ordinary hand-formed vessels, elevates the time spent enjoying alcohol into an exceptional artistic experience. This is an avant-garde craft piece from Japan that is extremely difficult to obtain in overseas art markets and possesses the highest asset value to satisfy the discerning eye of an avid collector.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThe artist, Suzuki Osamu, was born in 1926 as the third son of \u003ca href=\"\/en\/search?q=%22%E9%88%B4%E6%9C%A8%E5%AE%87%E6%BA%90%E6%B2%BB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eSuzuki Ugenji\u003c\/a\u003e, a renowned potter in Kyoto. Until Suzuki's sudden passing in 2001, the artist relentlessly pursued avant-garde expressions that rewrote the history of Japanese craft. In 1948 (Showa 23), the artist formed the avant-garde ceramic art group \"\u003ca href=\"\/en\/collections\/sodeisha\" target=\"_blank\" rel=\"noopener\"\u003eSodeisha\u003c\/a\u003e\" with \u003ca href=\"\/en\/search?q=%22%E5%85%AB%E6%9C%A8%E4%B8%80%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYagi Kazuo\u003c\/a\u003e, \u003ca href=\"\/en\/collections\/maker-yamada-hikaru\" target=\"_blank\" rel=\"noopener\"\u003eYamada Hikaru\u003c\/a\u003e, Matsui Bisuke, and Kano Tetsuo, initiating a movement that fundamentally broke the spell of practicality (\"beauty of utility\") – the absolute norm in the Japanese ceramic world, where ceramics were primarily for serving food or pouring water. They redefined clay not merely as a material for vessels but as a medium for pure self-expression, giving birth to a completely new genre of art: objet ceramics, the first of its kind in Japan. Sodeisha subsequently led the forefront of Japan's contemporary art scene for half a century, and with its 50th exhibition in 1998, it dissolved amicably, having fully fulfilled its historic mission of elevating ceramics to contemporary art within the art world. Amidst this tumultuous movement, Suzuki preferred to use the term \"deisho\" (mud-form) for Suzuki's own works, meaning to manifest the form of the world through clay (mud), rather than simply calling them \"objects.\" Suzuki continued to pursue unique, poetic forms by deforming and deconstructing Suzuki's superb potting wheel techniques. By 1999, the artist's global status was firmly established, as evidenced by a large-scale retrospective exhibition held at the National Museum of Modern Art, Tokyo.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eThe distinctive face-shaped motif that dominates the front of this work perfectly embodies Suzuki's lifelong pursuit of reverence for nature and a return to primitive art. The eyes and nose carved into this circular bas-relief, along with the continuous spiral patterns arranged at the bottom, personify the life force of great nature, such as the sun and wind, with Suzuki's unique poetic humor, imbuing the modern vessel with the pure magical energy of Jomon clay figurines and ancient masks. The surface of the vessel intentionally exposes a powerful, clay texture like Mikage clay containing coarse particles, over which a thin layer of feldspar glaze with a pale greenish-gray tint is applied. This masterfully merges the organic warmth of the clay with the sparkling beauty of the finely appearing crazing (fine crack patterns) on the surface. Furthermore, at the bottom edge of the vessel, a vibrant reddish \"hi-iro\" (fire color) has emerged, a result of the chemical reaction between the edge of the glaze and the unglazed body caused by the intense flames of the climbing kiln, thus encapsulating the dramatic moment when fire and earth became one within the vessel. At the base of the handle, Suzuki's circular \"治\" (Osamu) seal is clearly impressed, confirming its authenticity. The handwritten signature and seal on the lid of the wooden box, along with the official ceramic history (bookmark) from Yodo Gallery in Osaka, which conveys the atmosphere of the artist's solo exhibitions at the time, are perfectly preserved. This is a supreme piece in excellent condition, condensing the artist's lifelong artistry, where Suzuki's object philosophy (Deisho) admirably returns to its origin as a functional vessel.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\"\u003eArtist\u003c\/b\u003e: \u003ca href=\"\/en\/collections\/maker-suzuki-osamu\" target=\"_blank\" rel=\"noopener\"\u003eSuzuki Osamu\u003c\/a\u003e (鈴木治, 1926–2001)\u003c\/li\u003e\n\u003cli\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\"\u003eArtist's Major Career History\u003c\/b\u003e: [1926] Born in Kyoto as the third son of master potter Suzuki Ugenji, [1948] Formed the avant-garde ceramic art group \"Sodeisha\" with Yagi Kazuo and Yamada Hikaru, holding their first exhibition, [1961] Received the Japan Ceramic Society Award, [1962] Won a Gold Medal at the Prague International Ceramics Exhibition, [1968] Appointed Assistant Professor of Ceramics at Osaka University of Arts, [1970] Won a Gold Medal at the Vallauris International Ceramics Biennale and invited to exhibit at \"Contemporary Ceramics - Europe and Japan\" organized by the National Museum of Modern Art, Kyoto, [1971] Won the Minister of International Trade and Industry Award at the Faenza International Ceramics Exhibition and invited to exhibit at the Japan Ceramics Exhibition (subsequently exhibiting every time), invited to exhibit at \"Contemporary Ceramics - America, Canada, Mexico and Japan\" exhibition organized by the National Museums of Modern Art, Kyoto and Tokyo, [1975] Exhibited at \"International Ceramics Exhibition '75\", [1979] Exhibited at \"Art Now '79\", [1999] A large-scale retrospective exhibition \"Poetic Objects: Suzuki Osamu's Ceramics\" was held at the National Museum of Modern Art, Tokyo, [2001] Passed away at the age of 73\u003c\/li\u003e\n\u003cli\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\"\u003eMuseum Collections\u003c\/b\u003e: Permanently housed in public collections of major modern art museums around the world, including The National Museum of Modern Art, Tokyo, and The National Museum of Modern Art, Kyoto.\u003c\/li\u003e\n\u003cli\u003e\u003cb data-path-to-node=\"0\" data-index-in-node=\"0\"\u003eCirca:\u003c\/b\u003e c. 1955 (Presumed identical or same-series works are currently in the collection of institutions such as The National Museum of Modern Art, Kyoto)\u003c\/li\u003e\n\u003cli\u003e\u003cb data-path-to-node=\"12,5,0\" data-index-in-node=\"0\"\u003eAccessories\u003c\/b\u003e: Original wooden box, wrapping cloth, official ceramic history (bookmark) issued by Yodo Gallery.\u003c\/li\u003e\n\u003cli\u003e\u003cb data-path-to-node=\"12,6,0\" data-index-in-node=\"0\"\u003eMaterial\u003c\/b\u003e: Pottery (feldspar glaze)\u003c\/li\u003e\n\u003cli\u003e\u003cb data-path-to-node=\"12,7,0\" data-index-in-node=\"0\"\u003eDimensions\u003c\/b\u003e: Approx. 9.0 cm diameter, approx. 9.5 cm height\u003c\/li\u003e\n\u003cli\u003e\u003cb data-path-to-node=\"12,8,0\" data-index-in-node=\"0\"\u003eNote\u003c\/b\u003e: Even if the products offered by our shop are new and unused, they are from a very old production period and are all listed as used items. The products may have damage due to age, so please understand and confirm this before considering a purchase.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47930758725819,"sku":null,"price":260000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7923_result.jpg?v=1781230271"},{"product_id":"272","title":"Ando Hidetake (安藤日出武), Holder of Gifu Prefecture Important Intangible Cultural Property “Kiseto”, Regular Member of the Japan Kogei Association, Sentaro Kiln, Shino Cylindrical Yunomi Pair with Plum Blossom Design, Japanese-Style Rocks Glasses #272","description":"\u003cp dir=\"ltr\"\u003eThis is a pair of cylindrical Shino yunomi cups by \u003ca href=\"\/en\/collections\/maker-ando-hidetake\" target=\"_blank\" rel=\"noopener\"\u003eAndo Hidetake\u003c\/a\u003e, a ceramic artist designated as a Holder of Gifu Prefecture Important Intangible Cultural Property “Kiseto” (Yellow Seto). The set consists of one large and one small cup and was originally made as meoto-yunomi, a matched pair of teacups for a couple. We present them as Japanese-style rocks glasses for two, to savor vintage spirits neat or over a large piece of ice.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAndo Hidetake was born in 1938 (Showa 13) in Tajimi, Gifu Prefecture. Ando is the third generation of the \u003ca href=\"\/en\/products\/455\" target=\"_blank\" rel=\"noopener\"\u003eSentaro Kiln\u003c\/a\u003e, founded in Ichinokura by the first-generation Sentaro in the early Meiji era, and in artist biographies the artist is also introduced under the name “Sensan Kiln.” According to the Sentaro Kiln’s artist profile, the earlier generations ran a workshop producing small porcelain sake cups and small dishes. The artist’s turning point came at around the age of 22, when Kato Tokuro, who had come to visit Ando’s father, told the young Ando, “If you are going to make pottery, you must make the pottery that was born in Mino.” From then on Ando was devoted to the study of the Momoyama-period wares of Shino, Kiseto, and Oribe.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAndo had no particular teacher. The artist walked the mountains of Mino, dug at old kiln sites, and learned from potsherds how the clay was used and how the designs and firings were achieved. Convinced that gas kilns could never fully achieve Momoyama pottery, Ando built a semi-underground anagama kiln on open land in Kukuri Kakishita, Kani City, near the Taihei old kiln site, preserving the natural slope of the terrain. According to the Museum of Modern Ceramic Art, Gifu, each firing lasts six days and nights and consumes 1,500 bundles of firewood. Ando insists on making both clay and glazes personally from natural materials, and the museum highly regards Ando’s distinctive style, “Ko-Mino,” forged with the clay of the Tono region and this anagama, as having reached “the realm of antique refinement.”\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAndo’s principal achievements include first selections for the 1st Asahi Ceramic Art Exhibition in 1963, the 11th Japan Traditional Art Crafts Exhibition in 1964, and the 1st Japan Ceramic Art Exhibition in 1971, each followed by further selections. In 1970 the artist received the Governor’s Prize at the 8th Asahi Ceramic Art Exhibition and exhibited a large Shino platter at the Life Industry Pavilion of the Japan World Exposition. In 1973 Ando received the Encouragement Prize at the 11th Asahi Ceramic Art Exhibition, in 1974 the artist became a regular member of the Japan Kogei Association, and in 1990 Ando received the 8th Kobei Prize.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIn 1993 the artist’s “Ko-Mino Large Jar” was designated a Mino Ceramic Art Permanent Preservation Work. In 1998 Ando’s “Ko-Mino Tea Bowl” received the Grand Prize at the Mino Ceramic Art Shoroku Prize Tea Bowl Exhibition, and in the same year the artist was certified as a Holder of Tajimi City Intangible Cultural Property. In 2003 the artist was designated a Holder of Gifu Prefecture Important Intangible Cultural Property “Kiseto,” and Ando went on to receive the Gifu Prefecture Cultural Merit Honor in 2013 and the Order of the Rising Sun, Gold and Silver Rays, in 2016.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIn its commentary, Gifu Prefecture describes Ando’s Kiseto as a distinctive style of the artist’s own, with a depth and gravity unlike conventional Kiseto. From 2025 to 2026, the Museum of Modern Ceramic Art, Gifu, held the exhibition “The Lineage of Mino Ceramics: Ando Hidetake.” The exhibition introduced the artist’s representative and recent works, presenting Ando as an artist who has continued to make Momoyama-style Kiseto and Shino using the same clays and firing methods as in that era.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eShino is a ware representative of Mino in the Momoyama period, fired with a thick coating of white glaze composed mainly of feldspar. It is characterized by a milky-white warmth and the expressive “landscapes” that emerge in firing.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThese pieces are a large and a small cylindrical cup of differing sizes. A generous coat of milky-white feldspar glaze gives them a substantial texture. The surface is densely covered, from the exterior to the interior, with the fine pinhole marks known as yuzu-hada (citron-skin texture), characteristic of Shino. On the body, a plum blossom design stands out as a white reserved motif. Around the rim, the lower body, and near the base, vivid orange hiiro (fire color) appears in gradations, and its contrast with the white feldspar glaze creates a natural landscape. The cylindrical form, which fits comfortably in the hand, is also well suited to enjoying the deep flavor of vintage spirits and the sound of ice.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eNo documentation has been confirmed that would identify the year of production. It is certain only that the pieces date from the 1960s or later, after the artist began Ando’s study of Momoyama pottery. The cups themselves are free of cracks and chips, and the glaze color, yuzu-hada, and hiiro are all in excellent condition. They come with the dedicated tomobako (the original wooden box signed by the artist), inscribed in ink on the lid “Shino Yunomi” and bearing the red seal of Hidetake.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003e\u003ca href=\"\/en\/collections\/maker-ando-hidetake\" target=\"_blank\" rel=\"noopener\"\u003eAndo Hidetake\u003c\/a\u003e (安藤日出武, 1938–; Andō Hidetake)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMajor Career Highlights:\u003c\/strong\u003e [1963] First selection, 1st Asahi Ceramic Art Exhibition; [1964] First selection, 11th Japan Traditional Art Crafts Exhibition; [1970] Governor’s Prize, 8th Asahi Ceramic Art Exhibition; large Shino platter exhibited at the Life Industry Pavilion, Japan World Exposition; [1971] First selection, 1st Japan Ceramic Art Exhibition; [1973] Encouragement Prize, 11th Asahi Ceramic Art Exhibition; [1974] Regular member of the Japan Kogei Association; [1975] First selection, 1st Chunichi International Ceramic Art Exhibition; [1990] 8th Kobei Prize; [1992] Tajimi City Culture and Arts Merit Award; [1993] “Ko-Mino Large Jar” designated a Mino Ceramic Art Permanent Preservation Work; [1998] Grand Prize for “Ko-Mino Tea Bowl,” Mino Ceramic Art Shoroku Prize Tea Bowl Exhibition; certified as a Holder of Tajimi City Intangible Cultural Property; [2002] Gifu Shimbun Grand Prize, Culture Award; [2003] Designated a Holder of Gifu Prefecture Important Intangible Cultural Property “Kiseto”; [2011] Gifu Prefecture Education and Culture Merit Award; [2013] Gifu Prefecture Cultural Merit Honor; [2016] Order of the Rising Sun, Gold and Silver Rays; Tokai TV Culture Prize; [2017] Publication of “Mikan no Mama ni” (Chubu Keizai Shimbun); [2025] “The Lineage of Mino Ceramics: Ando Hidetake,” Museum of Modern Ceramic Art, Gifu (through 2026)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMuseum Collections:\u003c\/strong\u003e Museum of Modern Ceramic Art, Gifu (“Kiseto Tea Bowl,” “Kiseto Large Jar”)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003ePeriod of Production: \u003c\/strong\u003e1960s or later (no date inscribed on the tomobako)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated tomobako\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eStoneware (\u003ca href=\"\/en\/collections\/mino-ware\" target=\"_blank\" rel=\"noopener\"\u003eMino ware\u003c\/a\u003e, Shino, plum blossom design)\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Large: height approx. 10.0 cm, mouth diameter approx. 7.0 cm \/ Small: height approx. 9.5 cm, mouth diameter approx. 6.5 cm\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eAll items offered by our shop, even if new and unused, were produced a very long time ago, and all are therefore listed as pre-owned. Items may show age-related wear or damage. Please understand and confirm this before considering a purchase.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47930758758587,"sku":null,"price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1409_result.jpg?v=1787477614"},{"product_id":"279","title":"Recipient of the Kyoto Prefecture Order of Cultural Merit, Sodeisha Co-Founder Yamada Hikaru (山田光), Kohiki Iron-Painted Dotted Line Pattern Coffee Cup and Saucer, A White Sake Vessel Where the Amber Color of Whisky Beautifully Reflects #279","description":"\u003cp data-path-to-node=\"17\"\u003eThis is a Kohiki iron-painted coffee cup and saucer crafted by \u003ca href=\"\/en\/collections\/maker-yamada-hikaru\" target=\"_blank\" rel=\"noopener\"\u003eYamada Hikaru\u003c\/a\u003e (山田光, 1923–2001), a titan of modern ceramic art who co-founded the avant-garde ceramic art group \"\u003ca href=\"\/en\/collections\/sodeisha\" target=\"_blank\" rel=\"noopener\"\u003eSodeisha\u003c\/a\u003e\" in 1948 alongside \u003ca href=\"\/en\/search?q=%22%E5%85%AB%E6%9C%A8%E4%B8%80%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYagi Kazuo\u003c\/a\u003e and \u003ca href=\"\/en\/collections\/maker-suzuki-osamu\" target=\"_blank\" rel=\"noopener\"\u003eSuzuki Osamu\u003c\/a\u003e, and consistently led the group until its dissolution in 1998. The artist, Yamada Hikaru, grew up immersed in pottery making from an early age under Yamada Hikaru's father, the ceramic artist Yamada Tetsu, and acquired professional expertise in the Ceramics Department of the Kyoto Higher School of Crafts (currently Kyoto Institute of Technology). The artist is one of the most vital artists who liberated ceramics from the conventional \"beauty of utility\" and established the genre of objet ceramics as pure artistic creation in Japan. Throughout Yamada Hikaru's life, the artist was awarded the Japan Ceramic Society Award (and later its Gold Prize), recognized as a Kyoto City Person of Cultural Merit, and received the Kyoto Art and Culture Award. The artist's works are extensively housed in major museums both within Japan and internationally.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eOur shop proposes this precious coffee cup and saucer, left behind by this leading figure of avant-garde ceramics, not merely as a coffee cup, but as a special Japanese Kogei sake vessel tailored for slowly savoring the highest quality Japanese whisky or aged sake that has deepened with time. The mug-shaped design, featuring a slightly smaller size, possesses an ample presence to thoroughly enjoy the rich aroma of aged sake right in your hand. Furthermore, the soft white tone of the Kohiki glaze that envelops the entire vessel vividly highlights the beautiful amber gradation of whisky, maximizing its visual allure. The entire surface of the vessel exhibits a fine, beautiful crazing that is evenly distributed without being overly assertive, forming a profound expression nurtured by time. In addition, the authentic pottery mark of the character \"Hikaru\" is clearly discernible at the base of the cup's handle and on the reverse side of the saucer.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe greatest highlight of this work lies in the exceptional integration of Yamada Hikaru's signature avant-garde objet-making philosophy into a practical vessel. While Yamada Hikaru focused primarily on the production of one-of-a-kind objets, the artist also possessed a profound passion for craft design, establishing \"Mon Kobo\" in the 1960s to pursue modern design in everyday vessels. In contrast to the cup body, which features an organic, soft distortion born of hand-molding, the handle is joined with a linear, architectural geometric structure, demonstrating an intellectual form that controls the properties of clay with peak technical mastery. The dark brown iron-painted dotted line pattern running vertically on the front elevates the design into a sophisticated graphic statement reminiscent of Mid-Century Modernism and abstract painting. Furthermore, the circular exposed clay area at the base of the cup can be analyzed as a uniquely conceptual expression by the artist, visually translating the philosophy of holes and windows that permeate spaces—as seen in Yamada Hikaru's representative \"Screen Series\"—into a practical vessel where physical holes cannot be made. The lid of the original wooden box bears the artist's handwritten title \"Kohiki,\" Yamada Hikaru's signature \"Hikaru Zo,\" and a genuine seal verifying its authenticity, completely confirming its reliability as a historical collection. All items offered by our shop, even if new and unused, are from a very old production period and are listed as used. Please be aware that products may have damage due to age, and consider your purchase after understanding and confirming this.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e \u003ca href=\"\/en\/collections\/maker-yamada-hikaru\" target=\"_blank\" rel=\"noopener\"\u003eYamada Hikaru\u003c\/a\u003e (山田光, 1923–2001)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"34\"\u003eArtist's Representative Activities:\u003c\/b\u003e [1948] Co-founded the avant-garde ceramic art group \"Sodeisha\" with Yagi Kazuo and Suzuki Osamu, [1962] Established \"Mon Kobo\" to pursue modern design in living spaces, [1970s] Received the Japan Ceramic Society Award (and later the Gold Prize), [1990s] Received the Kyoto Art and Culture Award and recognized as a Kyoto City Person of Cultural Merit\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"421\"\u003eMuseum Collections:\u003c\/b\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; Shigaraki Ceramic Cultural Park; Kyoto City KYOCERA Museum of Art, and others\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"0\" data-index-in-node=\"0\"\u003eCirca:\u003c\/b\u003e Early 1960s (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"665\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"708\"\u003eAccessories:\u003c\/b\u003e Original wooden box included\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"750\"\u003eMaterial:\u003c\/b\u003e Ceramic (Kohiki, Iron Paint)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"789\"\u003eDimensions:\u003c\/b\u003e Cup: Height approx. 7.5 cm, mouth diameter approx. 6.5 cm \/ Saucer: Height approx. 1.0 cm, diameter approx. 13.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"917\"\u003eNote:\u003c\/b\u003e All items offered by our shop, even if new and unused, are from a very old production period and are listed as used. Please be aware that products may have damage due to age, and consider your purchase after understanding and confirming this.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974191923387,"sku":null,"price":125000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7995_result.jpg?v=1781794764"},{"product_id":"280","title":"Seto City Designated Intangible Cultural Property Holder, First Generation Mizuno Sokaku (初代 水野双鶴), Nerikomi Chawan Ceramic Whisky Tumbler #280","description":"\u003cp data-path-to-node=\"3\"\u003eThis is a nerikomi chawan (tea bowl) by \u003ca href=\"\/en\/collections\/maker-mizuno-sokaku-i\" target=\"_blank\" rel=\"noopener\"\u003eMizuno Sokaku\u003c\/a\u003e \u003cspan\u003e(水野双鶴, 1912–1996)\u003c\/span\u003e the First, a holder of Seto City's Designated Intangible Cultural Property and a master who elevated traditional techniques, which were on the verge of dying out in the Seto region, into modern art. With a height of approximately 8.6 cm and a diameter of approximately 12.2 cm, this vessel boasts the classic and dignified proportions of a matcha bowl. Our store proposes it as a premium Japanese craft Ceramic Whisky Tumbler for slowly enjoying aged sake, which has deepened to a rich amber color over time, or carefully selected whiskies with large spherical ice cubes. The wide mouth and moderate shallow depth of this shape significantly enhance the rich aroma of the poured alcohol by allowing it to interact with the air, while the warmth of the clay and the pleasant weight are directly conveyed to the hand. Equipped with an overwhelming presence as a work of art, this attempt to merge a traditional chawan, deeply rooted in Japanese tea ceremony culture, with modern luxurious bar time will be an extravagant experience for entertaining international collectors and special guests with the utmost Japanese hospitality.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eMizuno Sokaku the First, born in Seto City, Aichi Prefecture in 1912, studied under \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E4%BA%95%E9%81%94%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujii Tatsukichi\u003c\/a\u003e, a pioneer of modern craft, and directly received Sokaku I's artistic spirit as a free expressionist, unconstrained by tradition. The artist achieved a brilliant record, including 27 selections for the Nitten Exhibition, and swept numerous top awards at major open-call exhibitions. In 1987, Sokaku I's exceptional skills were recognized, and the artist was designated as a holder of Seto City's Intangible Cultural Property. The Mizuno family, led by Mizuno Sokaku the First, is a prestigious lineage that has continued to captivate collectors worldwide for three generations, including the artist's son Mizuno Norio, who also became an intangible cultural property holder, and Sokaku I's grandson Mizuno Tomoji, who enjoys global popularity with unique sensibilities. Mizuno Sokaku the First is the great founder and source of all this. Since Sokaku I's passing in 1996, all works available in the market are precious posthumous works with no new supply, making them extremely rare as top-class Japanese designer crafts for which information is almost unobtainable overseas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe most highly regarded technique in Mizuno Sokaku's pottery is the nerikomi technique, in which multiple clays with different compositions and firing colors are meticulously layered, creating beautiful, continuous patterns that appear no matter where the piece is cut, much like Kintaro-ame candy. Since each of the different clays has a different drying speed and shrinkage rate during firing, even a slight miscalculation can cause cracks or tears in the kiln. This makes it the most challenging technique, requiring extreme blending skill and strict temperature control. A detailed examination of this work reveals that these advanced techniques and the artist's raw sensibility are expressed with overwhelming power across the entire surface of the vessel. The surface of the vessel dynamically displays orderly striped patterns woven by different colored clays and intricate flowing patterns reminiscent of tree rings or the texture of beautiful silk fabrics, achieving a balance between cold, calculated beauty and the warmth of handcraft. A unique feature of the nerikomi technique is that the exact same pattern appears through both the exterior and interior surfaces. When sake is poured and ice is floated, the organic geometric layers spreading within the vessel shimmer beautifully, creating a visually sophisticated experience.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eBased on the traces of the artist's ceramic activities and circumstantial evidence during Sokaku I's lifetime, the production period of this work is clearly estimated to be from the late 1970s to the early 1980s, Sokaku I's mature period just before Sokaku I was designated an intangible cultural property, when Sokaku I's skill was at its peak. The strongest evidence for this lies in the style of the autographed signature on the wooden box and the square seal, which does not include the title of cultural property holder. This strongly reflects the style of Sokaku I's era as a master who competed on the quality of the work itself, without relying on authority. Furthermore, the design of the logo on the accompanying bookmark, depicting a pair of yellow cranes facing each other, is identical to that from the period when the artist was actively involved in the forefront of the Japanese modern craft world. Due to differences in shrinkage rates between clays, it is prone to cracking, and it would have been impossible for the young Sokaku I to fire a vessel with such a wide mouth and imposing proportions without distortion. The fusion of uniform and complex flowing patterns seen in this work is precisely the monumental design feature that crystallizes the pinnacle of the artist's mature technique, which directly led to Sokaku I's highest honor, the designation as an Intangible Cultural Property in 1987.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThis work is perfectly accompanied by evidence that proves the artist's unique style. A clear \"Sokaku\" potter's mark, indicating the authenticity of the artist, is engraved on the bottom of the vessel, next to the footring. It also comes with its dedicated tomobako (wooden box), wrapping cloth, and an artist's profile booklet (shiori) detailing Sokaku I's ceramic history, all showing that it has been carefully preserved. In particular, the design of the booklet, featuring a pair of yellow cranes facing each other, named after the art name, expresses the artist's endearing playfulness. The lid of the wooden box is inscribed \"練込 茶盌\" (Nerikomi Chawan) on the outside, and \"双鶴\" (Sokaku) in Sokaku I's own handwriting on the inside, with a perfectly stamped square seal. It is a complete piece in very good condition, with no chips or cracks, and possesses unwavering asset value as a supreme Japanese craft piece that is extremely difficult to encounter overseas.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e \u003ca href=\"\/en\/collections\/maker-mizuno-sokaku-i\" target=\"_blank\" rel=\"noopener\"\u003eMizuno Sokaku\u003c\/a\u003e I (初代 水野双鶴, 1912–1996)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"36\"\u003eArtist's Representative Activities:\u003c\/b\u003e [1912] Born in Seto City, Aichi Prefecture, the artist studied under Fujii Tatsukichi, a pioneer of modern craft, and received training in free artistic expression, unconstrained by tradition. Throughout Sokaku I's ceramic career, the artist was selected for the Nitten Exhibition a total of 27 times, won the top prize at the Seto Ceramics Exhibition three times, later being designated without examination, received the Governor's Award twice at the Asahi Ceramics Exhibition, the Toto Award at the National Ceramics Exhibition, and the Tokai TV Award and Achievement Award at the Japan New Craft Exhibition, as well as numerous other awards including at the Kansai Art Exhibition, accumulating a brilliant record on major domestic stages. The artist also served in important positions such as a councilor of the Japan New Craft Artists Federation, contributing to the development of future generations and the craft world. [1987] Sokaku I's achievements in independently researching and refining the traditional nerikomi technique over many years were officially recognized, and the artist was designated as a holder of Seto City's Designated Craft Technique (Ceramics, Nerikomi Technique). [1996] The artist passed away on January 18th at the age of 84, leaving behind a lineage of exceptional skill as the great founder of the prestigious Nerikomi Mizuno family, which continues to attract global attention through Sokaku I's son and grandson.\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1460\"\u003eWorks in Collections:\u003c\/b\u003e Aichi Prefectural Ceramic Museum, Seto City Museum of Art, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1546\"\u003eProduction Period:\u003c\/b\u003e 1970s - Early 1980s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1597\"\u003eProduct Condition:\u003c\/b\u003e Very good (no chips, no cracks, please note the natural crackle (not a defect))\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1696\"\u003eAccessories:\u003c\/b\u003e Dedicated tomobako (wooden box), Ukon cloth, artist's profile booklet (shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1785\"\u003eMaterial:\u003c\/b\u003e Ceramic (nerikomi)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1814\"\u003eDimensions:\u003c\/b\u003e Height approx. 8.6 cm, Diameter approx. 12.2 cm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products offered by our store are new and unused, they are from a very old production period and are all listed as used items. The product may have damage due to age, so please understand and confirm this before considering purchase.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974191988923,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_8822_result.jpg?v=1783738626"},{"product_id":"283","title":"Kyoto Prefectural Traditional Craft Techniques Holder, Hayashi Makuu (林沐雨) - A Phantom Kiyomizu-yaki Masterpiece Fusing Vivid Cobalt Enamel and Fine Gold Leaf: Gold-Accented Enamel \"Oosuzume \/ Red-flanked Bluetail\" Yunomi Tea Bowl \/ Rock Glass #283","description":"\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"markdown markdown-main-panel enable-luminous-fast-follows enable-updated-hr-color stronger\" id=\"model-response-message-contentr_126626194aeeb34d\" aria-busy=\"false\" aria-live=\"polite\" dir=\"ltr\"\u003e\n\u003cp data-path-to-node=\"27\"\u003eThis is an exceptionally elegant Iroe-Kinsai (overglaze enamel painting with gold accents) Yunomi tea bowl, representing the absolute pinnacle of classic Kyoto elegance, meticulously crafted by the grand master of \u003ca href=\"\/en\/collections\/kyo-kiyomizu-ware\" target=\"_blank\" rel=\"noopener\"\u003eKiyomizu ware\u003c\/a\u003e, Makuu Hayashi (林沐雨, 1901–1991; real name: Yoshikazu Hayashi). The artist is widely recognized among elite collectors as an extremely rare individual whose works are seldom found within the Japanese secondary market or domestic digital archives. This extreme rarity is due to Hayashi Makuu's unwavering lifelong commitment to working completely independently without ever aligning with major Japanese art establishments such as the Nitten Exhibition, combined with Hayashi Makuu's extensive mid-century production of bespoke pieces direct-exported to overseas trading houses, notably in Hawaii, both before and after World War II.\u003c\/p\u003e\n\u003cp data-path-to-node=\"28\"\u003eOur gallery proudly presents this rare, historically significant masterpiece by a legendary artisan, not merely as an everyday utilitarian vessel, but as a supreme expression of Japanese Kōgei. It is specifically curated to serve as a premium sake cup for savoring rare vintage and aged sakes that have developed a profound complexity and rich character over decades of cellaring. The comfortable, organic proportion that nestles perfectly within the palm of your hand and its deliberate depth are beautifully designed to gently capture and concentrate the volatile, opulent aromas of mature spirits, creating a deeply luxurious sensory experience that delights both the eye and the palate.\u003c\/p\u003e\n\u003cp data-path-to-node=\"29\"\u003eMakuu Hayashi's most historically celebrated achievements lie in an exquisite mastery of overglaze enameling, which directly inherits the grand classical traditions of the legendary historical potters Ogata Kenzan and Nonomura Ninsei, along with revolutionary color expressions utilizing traditional Japanese mineral pigments and Kochi glazes set against a low-temperature red-flame translucent glaze that Hayashi Makuu independently developed in 1928. This specific vessel beautifully demonstrates these exceptional techniques, adorned with the bird motif that the master favored above all else. The \"Oosuzume\" (modeled after the Red-flanked bluetail) depicted on the front facing of the cup utilizes a pristine, piercingly vivid cobalt Japanese mineral pigment, with incredibly precise brushwork that beautifully captures the dynamic vitality of life. Furthermore, sophisticated gold leaf detailing is layered over deep black enamels around the bird's face and across the primary feathers, retaining the imperial elegance of traditional Kiyomizu ware while simultaneously elevating the composition into a sharp, modern graphic design reminiscent of mid-century Western fine art.\u003c\/p\u003e\n\u003cp data-path-to-node=\"30\"\u003eAnother exceptional highlight of this piece extends beyond the surface painting to showcase the sublime, organic fusion of clay and kiln fire throughout the entire vessel body. Observing the reverse and side profiles of the cup, one can discern delicate pink speckles, historically known as \"higaawari\" (accidental kiln fire transformations), gently blushing through the fine crackled cream-white glaze base. Although the piece is technically crafted from fine porcelain, this breathing organic phenomenon beautifully evokes the material warmth and aesthetic depth unique to traditional Kyoto pottery, entirely distinguishing the object from cold, sterile commercial wares. On the underside of the foot rim, Makuu's authentic signature, inheriting the artistic lineage of Hayashi Makuu's historical studio \"Isshian,\" is boldly and sharply incised with a master's spatula. The exterior lid of the accompanying dedicated wooden box (Tomobako), which has safely protected the artwork for decades, bears the artist's personal, fluid calligraphy titled \"Oosuzume Yunomi\" along with Hayashi Makuu's signature and official vermilion seal (rakkan)—an absolute certification of provenance that fully guarantees its reliability, authenticity, and profound historical collection value. We invite you to experience the absolute zenith of traditional Japanese craftsmanship, a rarity virtually nonexistent in international markets, alongside your finest spirits.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"31\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003e\u003ca href=\"\/en\/pages\/makers#ceramic\" target=\"_blank\" rel=\"noopener\"\u003eHayashi Makuu\u003c\/a\u003e (林沐雨, 1901–1991; Birth name: Yoshikazu Hayashi)\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eArtist's Notable Activities:\u003c\/strong\u003e [1916] Studied the core fundamentals of ceramic arts under the artist's biological father, the master potter \u003ca href=\"\/en\/search?q=%22%E6%9E%97%E7%A5%A5%E5%B1%B1%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eShozan Hayashi\u003c\/a\u003e; [1921] Entered \"Gojodo,\" the highly exclusive purveyor to the Imperial Household Ministry, where Hayashi Makuu thoroughly acquired advanced imperial porcelain manufacturing techniques; [1932] Studied under \u003ca href=\"\/en\/search?q=%22%E6%B8%85%E6%B0%B4%E5%85%AD%E5%85%B5%E8%A1%9B%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKiyomizu Rokubei\u003c\/a\u003e V, the undisputed titan of modern Kyoto ceramic arts (until 1936); [1948] Formally certified as a \"Holder of Traditional Craft Techniques\" by the Kyoto Prefectural Government for Hayashi Makuu's outstanding contributions to cultural preservation\u003c\/li\u003e\n\u003cli data-path-to-node=\"33\"\u003e\u003cstrong\u003eMuseum Collections:\u003c\/strong\u003e Ibaraki Ceramic Art Museum, and other prominent public fine art institutions\u003c\/li\u003e\n\u003cli data-path-to-node=\"34\"\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e Circa 1950s–1970s (Mid-Showa era)\u003c\/li\u003e\n\u003cli data-path-to-node=\"35\"\u003e\u003cstrong\u003eProduct Condition: \u003c\/strong\u003eVery Good (pristine archival condition with no chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"36\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated Tomobako (Original wooden box signed and sealed by the artist)\u003c\/li\u003e\n\u003cli data-path-to-node=\"37\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Porcelain (Porcelain body featuring colored clay slip and fine gold leaf decoration)\u003c\/li\u003e\n\u003cli data-path-to-node=\"38\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 8.9 cm, Mouth diameter approx. 8.1 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"39\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003ePlease be advised that all historical works curated by our gallery, even if unused, originate from a historic production era and are strictly categorized as antique\/pre-owned fine art. Vintage objects may display subtle age-related nuances; we kindly invite you to consider your purchase with a full understanding of the unique character of antique Japanese ceramics.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c!----\u003e\u003c\/div\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974192251067,"sku":null,"price":66000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_9062_result.jpg?v=1784251734"},{"product_id":"296","title":"Otowayama Kiln, Sansei Sawamura Tosai (三世 澤村陶哉): Shiga Hino Anagama Fired Ash-Covered Unglazed Stoneware Sake Cup, Japanese Free Cup #296","description":"\u003cp data-path-to-node=\"16\"\u003eCreated by Sansei Tosai Sawamura (三世澤村陶哉, 1951–) of the Otowayama Kiln, born in Kyoto City, Kyoto Prefecture in 1951, this is an ash-covered unglazed stoneware sake cup woven by the flames and wood ash of a wood-firing kiln. The Sawamura Tosai lineage is a prestigious family of \u003ca href=\"\/en\/collections\/kyo-kiyomizu-ware\" target=\"_blank\" rel=\"noopener\"\u003eKyo ware\u003c\/a\u003e founded in 1919 (Taisho 8) by the first generation at the foot of Mount Otowa in Kiyomizu, Higashiyama Ward, Kyoto. Tosai II (二代澤村陶哉, b. 1918) studied at the Japanese Painting Department of Kyoto City Specialist School of Painting and the National Ceramic Experimental Station, and was designated a National Technical Preservation Artist. Sansei Tosai studied under Sawamura's father, Tosai II, and after completing ten years of rigorous kiln-firing and pottery training at the Gojobaka Communal Climbing Kiln starting in 1970, the artist succeeded to the name Sansei Tosai Sawamura in 1995. In 2004, the artist established the Garyu Kiln in Hino-cho, Shiga Prefecture, equipped with a climbing kiln and an anagama kiln, where Sawamura has pursued unglazed stoneware and natural ash glazes alongside traditional Kyo ware techniques. Our shop presents this creation, in which the dignity of traditional Kyo ware and the beauty of natural flames merge, to the global market not only as a traditional Japanese sake vessel, but also as a vintage free cup (Japanese shot glass) for quietly savoring the rich aroma and umami of amber aged sake or matured whisky.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eObserving the details of this work reveals the true essence of haikaburi (ash-covered firing) embodied by Sansei Tosai through Sawamura's anagama firing in Hino, Shiga. On the surface of the cylindrical form measuring approximately 6.5 cm in height and 5.5–6.5 cm in mouth diameter, gently flaring into a morning-glory shape, pine ash dancing inside the kiln during several days of continuous wood-firing fell onto the piece, melting at high temperatures to produce a dense deposit of yellow-green to yellow-brown natural ash glaze (haikaburi). While the ash-covered side takes on a vitreous luster, the opposite body and lower section display heavy scorched textures and fire-skin in dark brown and purplish-brown hues created by direct contact with wood flames and soot, constructing a dramatic interplay of light and dark unique to unglazed stoneware. From the interior base (mikomi) to the rim where the lips touch, the rustic warmth of clay and the smooth texture of natural ash glaze extend throughout, and the artist's oval seal reading \"Tosai\" is stamped on the bottom inside the foot ring.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eRegarding the period of production, taking clues from Sansei Tosai building an anagama kiln (Garyu Kiln) in Hino-cho, Shiga Prefecture in 2004 and fully launching the creation and exhibition of unglazed stoneware and ash-covered works through anagama firing, it is identified as an authentic work produced from 2004 (Heisei 16) to circa the 2020s. The vessel itself has no cracks or chips, maintaining extremely good condition in natural glaze coloration, scorched texture, and raw clay state. It arrives in complete condition, accompanied by its dedicated Tomobako (wooden box) inscribed in ink on the lid \"Haikaburi Sake Cup\" with a seal stamped, signed on the back of the lid \"Otowayama Kiln Tosai\" with a red seal, as well as a Tomonuno (wrapping cloth) with a red seal.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eArtist:\u0026nbsp;\u003c\/strong\u003e\u003ca href=\"\/en\/pages\/makers#ceramic\" target=\"_blank\" rel=\"noopener\"\u003eSawamura Tosai\u003c\/a\u003e (三世 澤村陶哉, 1951–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist's Key Activities: \u003c\/strong\u003e[1970] Trained for 10 years at the Gojobaka Communal Climbing Kiln; [1995] Succeeded to the name Sansei Tosai Sawamura; [2004] Built a climbing kiln and an anagama kiln (Garyu Kiln) in Hino-cho, Shiga Prefecture and began creating unglazed stoneware pottery, holding regular solo exhibitions at Takashimaya and other venues\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003ePeriod of Production: \u003c\/strong\u003eCirca 2004–2020s\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated Tomobako, Tomonuno included\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eCeramic (Kyo ware, ash-covered unglazed stoneware, natural ash glaze, stamped seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 6.5 cm, Mouth diameter approx. 5.5–6.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eCaution: \u003c\/strong\u003eAll products offered by our shop are pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974194348219,"sku":null,"price":23000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0821_result.jpg?v=1786435086"},{"product_id":"300","title":"Purchased by Former Prime Ministers of Japan: Master Morishima Isshin (森島一伸), Hagi Ware Katamigawari Tea Bowl with Loquat-Toned Base and Shirahagi Glaze, Whisky Rock Glass-Style Sake Vessel #300","description":"\u003cp data-path-to-node=\"16\"\u003eThis \u003ca href=\"\/en\/collections\/hagi-ware\" target=\"_blank\" rel=\"noopener\"\u003eHagi ware\u003c\/a\u003e tea bowl is crafted by Isshin Morishima (森島一伸, 1937–; kiln name: Kanbo-an), a master of Hagi ceramics with a distinguished record of supplying matcha tea bowls to key political figures—including former Prime Minister Fukuda Takeo, former Chief Cabinet Secretary Masaharu Gotoda, and former Minister for Foreign Affairs Shintaro Abe—as well as creating the memorial work for the first anniversary of the late former Prime Minister Eisaku Sato. Establishing Morishima's kiln in Tamae, Hagi City, Yamaguchi Prefecture in 1967 and relocating it to Tsubakihigashi Uenodai in 1981, Morishima established an elegant, dignified tea ceramic technique through continuous selections at the Yamaguchi Prefectural Art Exhibition, as well as the Japan Traditional Crafts Western Exhibition and the Issuikai Exhibition. Following the classic forms of traditional Goryeo tea bowls while pursuing the rustic, warm beauty of natural kiln transformations created by clay and glaze, the artist earned high acclaim in the Showa-era Hagi pottery world.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eThis work represents a splendid culmination of Morishima's signature expressions achieved through traditional coarse clay and thick white Hagi (Shirahagi) glaze. The entire body is generously covered with a soft-textured, opaque Shirahagi glaze, across which fine crackles and pinholes spread beautifully. A section of the body employs the Katamigawari (half-and-half) technique, where glaze is applied diagonally off-center, creating a striking contrast between the pristine white glaze and the warm loquat-colored fire marks and rough clay texture beneath. From the lower body to the foot ring, a bamboo-node foot is hand-sculpted, while a powerful Kairagi (plum-skin effect)—formed by un-melted, contracted glaze—manifests around the foot, alongside the artist's clear stamp \"Isshin\" beside the foot ring.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eWe propose this vessel, combining dignified sculptural elegance and substantial texture, as a supreme Japanese Kogei sake vessel (whisky rock glass) for savoring aged sake, premium whisky, or shochu over ice in modern lifestyles. The moist, tactile feel of the clay when held, along with the crackle patterns that deepen in character when liquid is poured, elevates daily drinks into a special artistic experience. Based on the accompanying biography leaflet and Morishima's relocation to Tsubakihigashi Uenodai in 1981, this piece is identified as an authentic work created between 1981 and 1985 in exceptional condition, coming complete with its original Tomobako bearing the artist's handwritten calligraphy and red seal, a matching cloth (tomogire), and the original biography leaflet.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eArtist：\u003c\/strong\u003e\u003ca href=\"\/en\/pages\/makers#ceramic\" target=\"_blank\" rel=\"noopener\"\u003eMorishima Isshin\u003c\/a\u003e (森島一伸, 1937–; Kanbo-an)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist's Key Activities：\u003c\/strong\u003e[1967] Established kiln in Tamae, Hagi City; [1974] First selected for the Yamaguchi Prefectural Art Exhibition (selected continuously thereafter); [1975, 1978] Selected for the Japan Traditional Crafts Western Exhibition; [1976] Created memorial work for the first anniversary of late former Prime Minister Eisaku Sato; [1977] Delivered (purchased) matcha tea bowls to Prime Minister Fukuda Takeo and the Director-General of the Prime Minister's Office; [1977] Selected for the Issuikai Exhibition; [1981] Relocated kiln to Tsubakihigashi Uenodai, Hagi City; [1983] Delivered (purchased) matcha tea bowls to Chief Cabinet Secretary Masaharu Gotoda and Minister for Foreign Affairs Shintaro Abe\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003ePeriod of Production：\u003c\/strong\u003e1981–1985\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eCondition：\u003c\/strong\u003eVery good (no chips, no cracks, excluding age-related character typical of antique art)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003eAccessories：\u003c\/strong\u003eDedicated Tomobako (with \"Hagi Chawan\" on the lid and \"Isshin\" inscribed in ink with red seal on the lower left), matching cloth (tomogire), original biography leaflet included\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eMaterial：\u003c\/strong\u003eStoneware (Hagi ware, Shirahagi glaze, loquat-toned fire mark, Katamigawari half-and-half glaze, Kairagi plum-skin effect, crackle glaze)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eDimensions：\u003c\/strong\u003eHeight approx. 9.3 cm, Width (body diameter) approx. 12.9 cm, Inner mouth diameter approx. 10.7 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eCaution：\u003c\/strong\u003eAll products offered by our shop are historical items from an old production period and are listed as antique art \/ pre-owned items. Products may have subtle changes due to age, so please consider purchasing after understanding and verifying the nature of antique art.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974194512059,"sku":null,"price":35000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_9602_result.jpg?v=1784706506"},{"product_id":"306","title":"Councillor of Nitten \u0026 Vice Chairman of Japan Contemporary Arts and Crafts Association, Kato Sho (加藤釥) - A Masterpiece of Contemporary Ceramic Art: Deisai-kashoku Line Engraving and Inlay Tea Bowl \/ Rock Glass #306","description":"\u003cp data-path-to-node=\"24\"\u003eThis is an exceptionally modern and sophisticated tea bowl by the grand master \u003ca href=\"\/en\/collections\/maker-kato-sho\" target=\"_blank\" rel=\"noopener\"\u003eKato Sho\u003c\/a\u003e, who broke away from the traditional framework of Akazu ware and took the art world by storm as a leading figure in the post-war contemporary craft movement. Kato Sho (加藤釥, 1927–2001) was a master who represented the Seto ceramic world in post-war contemporary ceramics. After graduating from the prestigious Aichi Prefectural Seto Ceramic School in 1944, Kato Sho thoroughly mastered Seto's advanced traditional techniques and scientific glaze theory. While deeply immersed in the long history of \u003ca href=\"\/en\/collections\/seto-ware\" target=\"_blank\" rel=\"noopener\"\u003eSeto ware\u003c\/a\u003e, Kato Sho continuously sought a unique form that embodied earthiness and strength, without being content with the framework of traditional tea ceremony ceramics or overly refined classical styles. Kato Sho served successively as a Councillor and Consultant of the Nitten Exhibition, and as Vice Chairman of the Japan Contemporary Arts and Crafts Association, leading the craft world at its absolute pinnacle. The artist's great achievements in elevating post-war contemporary craft to a world-class sculptural art are deeply etched into the history of modern Japanese ceramics.\u003c\/p\u003e\n\u003cp data-path-to-node=\"25\"\u003eThis tea bowl is a masterpiece that perfectly expresses Kato Sho's signature and most highly regarded unique \"Oribe-sai\" aesthetic. At first glance, it appears to be a traditional nerikomi technique of layering different colored clays, but its essence lies in Kato Sho's greatest technical characteristic: organic shaping using hand-building, coil building, and slab building (tatara) without using a potter's wheel, and the intricate mud-colored decoration (Deisai) and incised inlay applied to the surface. Completely departing from the mass production style of traditional Seto ware, Kato Sho constructed a thick body with a slight undulation unique to hand-building, which cannot be created by the rotating motion of a potter's wheel, and deeply carved sharp, linear geometric lines into its surface.\u003c\/p\u003e\n\u003cp data-path-to-node=\"26\"\u003eThe technique of mud-colored inlay, where different colored clays (slip) are embedded in these incised lines, and the bold approach of arranging Oribe glaze, which presents a vibrant green glass-like quality, and mud colors such as black, brown, and white, as geometric stripes, gives the vessel an intellectual and hard beauty reminiscent of an architectural monument. The intense presence that dominates space, characteristic of an artist who created numerous massive ceramic walls that blend with modern architecture, not just tabletop crafts, is condensed within this tea bowl. The character \"釥\" is proudly carved on the bottom of the vessel, certifying it as a genuine work by Kato Sho, and the artist's handwritten calligraphy and seal are vividly preserved on the inside of the lid of the accompanying wooden box (Tomobako).\u003c\/p\u003e\n\u003cp data-path-to-node=\"27\"\u003eWe propose this vessel, imbued with artistic historical authority and exceptional skill, as the ultimate Japanese kogei sake vessel (rock glass) for enjoying traditional Japanese beauty in the palm of your hand, in line with modern refined lifestyles. The comfortable weight unique to hand-building and the rich form that fits snugly in the palm of your hand make it the perfect vessel for savoring aged sake or mature spirits with large ice cubes. The profound Oribe and mud-colored geometric stripes on the front and sides resonate beautifully with the elegant amber color of aged sake and the sparkle of ice, elevating your daily evening drink to a luxurious time of appreciating modern art.\u003c\/p\u003e\n\u003cp data-path-to-node=\"28\"\u003eKato Sho passed away in 2001 at the age of 74, so the total number of the artist's works is very limited, and many major works from Kato Sho's prime are housed in public museums such as the Aichi Prefectural Ceramic Museum and the Seto City Museum. Therefore, very few authentic masterpieces circulate in the private market, giving them overwhelming historical rarity. The genes of this advanced artistic spirit and technique have been legitimately passed down to the artist's eldest son, \u003ca href=\"\/en\/search?q=%22%E5%8A%A0%E8%97%A4%E4%BB%A4%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKato Reikichi\u003c\/a\u003e (加藤令吉, 1955–), who currently serves as a top runner in the ceramic world as a Nitten member and director of the Japan Contemporary Arts and Crafts Association. This vessel, a crystallization of historical miracles that confined the essence of tradition within the framework of a vessel, perfectly harmonizes with modern refined spaces, both Japanese and Western, and is a supreme modern piece that brings undeniable dignity and a unique presence to the daily dining table.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003e\u003ca href=\"\/en\/collections\/maker-kato-sho\" target=\"_blank\" rel=\"noopener\"\u003eKato Sho\u003c\/a\u003e (加藤釥, 1927–2001)\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003e\u003cstrong\u003eArtist's Notable Activities:\u003c\/strong\u003e [1960] Awarded Special Selection at the 3rd Nitten Exhibition; [1964] Awarded Special Selection again at the 7th Nitten Exhibition; [1980s-1990s] Served as Nitten Councillor, Nitten Consultant, and Vice Chairman of the Japan Contemporary Arts and Crafts Association\u003c\/li\u003e\n\u003cli data-path-to-node=\"31\"\u003e\u003cstrong\u003eWorks Housed in: \u003c\/strong\u003eAichi Prefectural Ceramic Museum, Seto City Museum, Seto Kura Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eProduction Period: \u003c\/strong\u003e1970s-1980s (Peak mature period during Kato Sho's tenure as Nitten Councillor and Vice Chairman of the Japan Contemporary Arts and Crafts Association)\u003c\/li\u003e\n\u003cli data-path-to-node=\"33\"\u003e\u003cstrong\u003eProduct Condition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"34\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated Tomobako (Original wooden box signed and sealed by the artist)\u003c\/li\u003e\n\u003cli data-path-to-node=\"35\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePottery (Oribe glaze and colored mud slip decoration)\u003c\/li\u003e\n\u003cli data-path-to-node=\"36\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 8.5 cm, Mouth diameter approx. 12.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"37\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e All products offered by our store, even if unused, are very old productions and are strictly listed as antique\/pre-owned items. Products may have age-related characteristics, so please consider your purchase after understanding and confirming the nature of historic Japanese ceramics.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48055748067515,"sku":null,"price":75000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_8931_result.jpg?v=1784010825"},{"product_id":"307","title":"Prize Winner of the Minister of Education Award, Artist Permanently Collected in the Museum of Fine Arts, Boston - Kano Mitsuo (叶光夫): Iron-painted Hakeme Cylindrical Teabowl \/ Rock Glass #307","description":"\u003cp data-path-to-node=\"2\"\u003eIn modern Japanese ceramic history, \u003ca href=\"\/en\/collections\/maker-kano-mitsuo\" target=\"_blank\" rel=\"noopener\"\u003eKano Mitsuo\u003c\/a\u003e was a master potter in Kyoto who stood at the absolute pinnacle of glaze research based on scientific analysis, while holding only six solo exhibitions throughout a lifetime. Born into the prestigious Kano family of \u003ca href=\"\/en\/collections\/kyo-kiyomizu-ware\" target=\"_blank\" rel=\"noopener\"\u003eKiyomizu ware\u003c\/a\u003e, the artist completed Kano Mitsuo's studies at the Kyoto Ceramic Testing Institute and studied under \u003ca href=\"\/en\/search?q=%22%E5%B0%8F%E6%A3%AE%E5%BF%8D%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eShinobu Komori\u003c\/a\u003e, a renowned pioneer of scientific ceramics in Japan, thoroughly investigating the glazes and firing mechanisms of ancient Chinese ceramics. Kano Mitsuo was the master under whom Kano Tetsuo (Kano Shokoku II), a founding member of \u003ca href=\"\/en\/collections\/sodeisha\" target=\"_blank\" rel=\"noopener\"\u003eSodeisha\u003c\/a\u003e, chose to inherit the pinnacle of functional beauty after much psychological conflict. Kano Mitsuo established a unique ceramic world where tradition and modernity merge, as seen in the creation of cutting-edge western tableware at the request of Noemi Raymond, designer and wife of the famous architect Antonin Raymond.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe most highly acclaimed techniques and designs in Kano Mitsuo's works are the advanced glaze expressions backed by scientific inquiry, along with Kano Mitsuo's rich expressions of Hakeme (brush mark) and Yusai (glaze coloring) that elevate traditional Eastern designs into a modern sculptural spirit. The true essence of the artist's art is clearly demonstrated in this Iron-painted Hakeme Cylindrical Teabowl. Dynamic brush strokes applying white slip and iron glaze cover the entire body, creating a exquisite scenery through the contrast and texture of the exposed clay beneath the brush marks. Furthermore, dense dark brown iron glaze applied from near the foot to the lower body fuses intricately with the warm cream-toned glaze on the upper part inside the kiln, presenting a fluid, flowing kiln-change effect. The uneven, deep glazed surface, interspersed with traces of bubbles and fine pinholes, is a technique born from flawless firing control rooted in the physical and chemical knowledge cultivated through Kano Mitsuo's research at the Ceramic Testing Institute and ancient Chinese ceramics. Inside the foot, a square seal mark reading \"Hikari\" (Mitsuo) is clearly stamped.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eThe production period of this work corresponds to the artist's golden age from the mid-1950s—following Kano Mitsuo's receipt of the Nitten Hokuto Prize in 1953—to the late 1950s and early 1960s, when Kano Mitsuo served as a judge and member of Nitten. The powerful ink inscription on the lid of the accompanying original signed wooden box (Tomobako), along with the signature and red seal of \"Mitsuo-zo\" on the lower left, perfectly match the handwriting characteristics of box inscriptions from this period. This is a valuable piece showing a period when both Kano Mitsuo's sculpting and glazing were at their sharpest, just before entering the artist's late style. Its exquisite cylindrical form fits snugly in the hand, making it a deeply charming piece that can be enjoyed not only as a cylindrical teabowl for preparing matcha, but also as a rock glass.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"5\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e \u003ca href=\"\/en\/collections\/maker-kano-mitsuo\" target=\"_blank\" rel=\"noopener\"\u003eKano Mitsuo\u003c\/a\u003e (叶光夫, 1903–1970)\u003c\/li\u003e\n\u003cli data-path-to-node=\"6\"\u003e\u003cstrong\u003eMajor Career Highlights:\u003c\/strong\u003e [1920] Entered the China Ceramic Research Institute in Dalian to engage in ancient Chinese ceramic research, [1943] Traveled to Manchuria as a consultant for the Manchukuo government to select sites for official kilns, [1946] Exhibited for the first time at the Japan Fine Arts Exhibition (Nitten), [1949] Won the Special Selection Award at Nitten, [1953] Won the Hokuto Prize at Nitten, [1957] Appointed as a Nitten Judge, [1958] Became a member of the Nitten Corporation, [1967] Served as a Nitten Judge and received the Minister of Education Award, [1968] Appointed as a Nitten Councillor, [1969] Specially crafted a white porcelain vase for the inauguration of the new Imperial Palace.\u003c\/li\u003e\n\u003cli data-path-to-node=\"7\"\u003e\u003cstrong\u003eMuseum Collections:\u003c\/strong\u003e The National Museum of Modern Art, Kyoto; Museum of Fine Arts, Boston (USA); São Paulo Museum of Art (Brazil); The Japan Art Academy; Musée des Arts Décoratifs \/ Musée de la Parole (France); International Museum of Ceramics in Faenza (Italy).\u003c\/li\u003e\n\u003cli data-path-to-node=\"8\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e Circa 1955–1962 (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eItem Condition: \u003c\/strong\u003eVery Good (No chips, no cracks, with cracks and staining on the box due to age)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eOriginal signed wooden box (Tomobako), matching cloth (Tomogire with seal mark), box ribbon (Sanada-himo)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e Pottery (Iron Glaze, Hakeme)\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 9.6 cm, Width approx. 10.5 cm, Inner Rim Diameter approx. 8.9 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eEven if items offered by our store are unused, they were produced a very long time ago and are all listed as pre-owned items. Please inspect and understand that the item may show age-related changes before considering your purchase.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48055748100283,"sku":null,"price":65000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_9822_result.jpg?v=1785048735"},{"product_id":"310","title":"Seto City Intangible Cultural Property Holder Suzuki Hachiro (鈴木八郎), Taishi Kiln: Ash-Glazed Tea Cup with Slanted Comb Marks and Flowing Glaze, Imperial Poetry Theme \"Journey\", Whisky Rock Glass-Style Sake Vessel #310","description":"\u003cp data-path-to-node=\"23\"\u003eThis is an ash-glazed tea cup by \u003ca href=\"\/en\/collections\/maker-suzuki-hachiro\" target=\"_blank\" rel=\"noopener\"\u003eSuzuki Hachiro\u003c\/a\u003e (鈴木八郎, 1915–2005) of the Taishi Kiln, who pursued the tradition and innovation of \u003ca href=\"\/en\/collections\/seto-ware\" target=\"_blank\" rel=\"noopener\"\u003eSeto ware\u003c\/a\u003e from the Taisho to Heisei periods and was designated a Holder of Seto City's Intangible Cultural Property for \"Ceramic Ash Glaze Technique.\" Suzuki Hachiro studied design and craft philosophy under \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E4%BA%95%E9%81%94%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujii Tatsukichi\u003c\/a\u003e, a master of modern crafts, and trained under \u003ca href=\"\/en\/search?q=%22%E4%BA%80%E4%BA%95%E6%B8%85%E5%B8%82%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKamei Seiichi\u003c\/a\u003e. From 1944 to 1945, Suzuki traveled to Manchuria for ceramic research, deeply studying ancient Chinese pottery. After the war, the artist was selected 13 times for the Bunten and Nitten exhibitions, and Suzuki's work was selected for the Japan Traditional Crafts Exhibition and exhibited at the Metropolitan Museum of Art in the United States. Suzuki's works are housed and permanently preserved in the Aichi Prefectural Museum of Art, the Aichi Prefectural Ceramic Museum, the Ichinomiya City Museum, and Seto City, earning the artist high acclaim as a leading master of Seto ceramics.\u003c\/p\u003e\n\u003cp data-path-to-node=\"24\"\u003eThis custom-commissioned piece features the handwritten ink inscription \"O-dai Tabi Chahai\" (Annual Imperial Poetry Theme: Journey, Tea Cup) by the artist on the lid of the accompanying Tomobako. It represents a harmonious fusion of Suzuki Hachiro's signature ash glaze technique and the natural kiln transformations brought about by anagama firing. The upper half of the vessel is covered with a soft-textured grayish-white glaze displaying fine, elegant crackles. From the lower body down to the foot ring, slanted comb patterns expertly incised with a carving tool encircle the vessel, where dense, deep-green ash glaze—formed by the flames and wood ash of the anagama kiln—has flowed down and pooled. Near the foot ring, the rustic and powerful raw clay body is exposed, with glassy glaze drips that have solidified clearly visible along the border. The sophisticated blending of plant ash, high-temperature reduction firing, and the advanced technique of guiding glaze into carved recesses fully manifest the fruits of the artist's research into ancient Koseto designs and anagama firing.\u003c\/p\u003e\n\u003cp data-path-to-node=\"25\"\u003eWe propose this vessel, endowed with historical value and a refined cylindrical form, as an exquisite Japanese Kogei sake vessel (whisky rock glass) for enjoying aged sake, premium whisky, or shochu over ice in modern lifestyles. The tactile carved contours felt in the hand, alongside the colors woven by the deep-green ash glaze and clear liquor when poured, elevate everyday moments into a special experience encountering peak art. Handcrafted during Suzuki's active period of anagama firing exhibitions after 1975, this authentic piece is identified by the included biography leaflet as having been produced between 1980 and 1982—the era when Suzuki's scholarly book was published and a masterpiece was selected for permanent preservation by Seto City. It is a masterpiece in pristine condition, complete with its dedicated Tomobako bearing the artist's handwritten title, theme, and seal, along with the original biography leaflet.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eArtist：\u003c\/strong\u003e\u003ca href=\"\/en\/collections\/maker-suzuki-hachiro\" target=\"_blank\" rel=\"noopener\"\u003eSuzuki Hachiro\u003c\/a\u003e (鈴木八郎, 1915–2005; Taishi Kiln \/ Bujian)\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eArtist's Key Activities：\u003c\/strong\u003eStudied under Fujii Tatsukichi and Kamei Seiichi; Traveled to Manchuria for ceramic research in 1944–1945; Selected 13 times for the Bunten and Nitten exhibitions; Selected for the Japan Traditional Crafts Exhibition; Awarded the Toto Encouragement Prize and Toto Chairman's Prize at the National Ceramics Exhibition; Exhibited at the Metropolitan Museum of Art in the USA; Held anagama firing exhibitions from 1975; Published \"Koseto Moyo Tekikaicho\" (Handbook of Ancient Seto Patterns) in 1980; \"Shida Moyo Obachi\" (Large Fern Pattern Bowl) selected for permanent preservation by Seto City in 1981; Designated a Holder of Seto City's Intangible Cultural Property for \"Ceramic Ash Glaze Technique\" in 2003\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eWorks Housed In：\u003c\/strong\u003eAichi Prefectural Museum of Art, Aichi Prefectural Ceramic Museum, Ichinomiya City Museum, Hekinan City Fujii Tatsukichi Museum of Contemporary Art, Seto City\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cstrong\u003ePeriod of Production：\u003c\/strong\u003e1980–1982\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003e\u003cstrong\u003eCondition：\u003c\/strong\u003eVery good (no chips, no cracks, excluding aged texture characteristic of antique art)\u003c\/li\u003e\n\u003cli data-path-to-node=\"31\"\u003e\u003cstrong\u003eAccessories：\u003c\/strong\u003eDedicated Tomobako (with \"O-dai Tabi Chahai\" and \"Hachiro Saku\" inscribed in ink with red seal on the lid), original biography leaflet included\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eMaterial：\u003c\/strong\u003eStoneware (ash glaze, anagama fired, slanted comb pattern, flowing glaze, exposed raw clay foot ring)\u003c\/li\u003e\n\u003cli data-path-to-node=\"33\"\u003e\u003cstrong\u003eDimensions：\u003c\/strong\u003eHeight approx. 10.0 cm, Mouth diameter approx. 10.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"34\"\u003e\u003cstrong\u003eCaution：\u003c\/strong\u003eAll products offered by our shop are historical items from an old production period and are listed as antique art \/ pre-owned items. Products may have subtle changes due to age, so please consider purchasing after understanding and verifying the nature of antique art.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48055748231355,"sku":null,"price":33000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_9525_result.jpg?v=1784704819"},{"product_id":"335","title":"Prize Winner of the Minister of Education Award, Artist Permanently Collected in the Museum of Fine Arts, Boston - Kano Mitsuo (叶光夫): Iron-painted Hakeme Cylindrical Teabowl \/ Rock Glass #335","description":"\u003cp data-path-to-node=\"2\"\u003eIn modern Japanese ceramic history, \u003ca href=\"\/en\/collections\/maker-kano-mitsuo\" target=\"_blank\" rel=\"noopener\"\u003eKano Mitsuo\u003c\/a\u003e was a master potter in Kyoto who stood at the absolute pinnacle of glaze research based on scientific analysis, while holding only six solo exhibitions throughout a lifetime. Born into the prestigious Kano family of \u003ca href=\"\/en\/collections\/kyo-kiyomizu-ware\" target=\"_blank\" rel=\"noopener\"\u003eKiyomizu ware\u003c\/a\u003e, the artist completed Kano Mitsuo's studies at the Kyoto Ceramic Testing Institute and studied under \u003ca href=\"\/en\/search?q=%22%E5%B0%8F%E6%A3%AE%E5%BF%8D%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eShinobu Komori\u003c\/a\u003e, a renowned pioneer of scientific ceramics in Japan, thoroughly investigating the glazes and firing mechanisms of ancient Chinese ceramics. Kano Mitsuo was the master under whom Kano Tetsuo (Kano Shokoku II), a founding member of \u003ca href=\"\/en\/collections\/sodeisha\" target=\"_blank\" rel=\"noopener\"\u003eSodeisha\u003c\/a\u003e, chose to inherit the pinnacle of functional beauty after much psychological conflict. Kano Mitsuo established a unique ceramic world where tradition and modernity merge, as seen in the creation of cutting-edge western tableware at the request of Noemi Raymond, designer and wife of the famous architect Antonin Raymond.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe most highly acclaimed techniques and designs in Kano Mitsuo's works are the advanced glaze expressions backed by scientific inquiry, along with Kano Mitsuo's rich expressions of Hakeme (brush mark) and Yusai (glaze coloring) that elevate traditional Eastern designs into a modern sculptural spirit. The true essence of the artist's art is clearly demonstrated in this Iron-painted Hakeme Cylindrical Teabowl. Dynamic brush strokes applying white slip and iron glaze cover the entire body, creating a exquisite scenery through the contrast and texture of the exposed clay beneath the brush marks. Furthermore, dense dark brown iron glaze applied from near the foot to the lower body fuses intricately with the warm cream-toned glaze on the upper part inside the kiln, presenting a fluid, flowing kiln-change effect. The uneven, deep glazed surface, interspersed with traces of bubbles and fine pinholes, is a technique born from flawless firing control rooted in the physical and chemical knowledge cultivated through Kano Mitsuo's research at the Ceramic Testing Institute and ancient Chinese ceramics. Inside the foot, a square seal mark reading \"Hikari\" (Mitsuo) is clearly stamped.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eThe production period of this work corresponds to the artist's golden age from the mid-1950s—following Kano Mitsuo's receipt of the Nitten Hokuto Prize in 1953—to the late 1950s and early 1960s, when Kano Mitsuo served as a judge and member of Nitten. The powerful ink inscription on the lid of the accompanying original signed wooden box (Tomobako), along with the signature and red seal of \"Mitsuo-zo\" on the lower left, perfectly match the handwriting characteristics of box inscriptions from this period. This is a valuable piece showing a period when both Kano Mitsuo's sculpting and glazing were at their sharpest, just before entering the artist's late style. Its exquisite cylindrical form fits snugly in the hand, making it a deeply charming piece that can be enjoyed not only as a cylindrical teabowl for preparing matcha, but also as a rock glass.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"5\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e \u003ca href=\"\/en\/collections\/maker-kano-mitsuo\" target=\"_blank\" rel=\"noopener\"\u003eKano Mitsuo\u003c\/a\u003e (叶光夫, 1903–1970)\u003c\/li\u003e\n\u003cli data-path-to-node=\"6\"\u003e\u003cstrong\u003eMajor Career Highlights:\u003c\/strong\u003e [1920] Entered the China Ceramic Research Institute in Dalian to engage in ancient Chinese ceramic research, [1943] Traveled to Manchuria as a consultant for the Manchukuo government to select sites for official kilns, [1946] Exhibited for the first time at the Japan Fine Arts Exhibition (Nitten), [1949] Won the Special Selection Award at Nitten, [1953] Won the Hokuto Prize at Nitten, [1957] Appointed as a Nitten Judge, [1958] Became a member of the Nitten Corporation, [1967] Served as a Nitten Judge and received the Minister of Education Award, [1968] Appointed as a Nitten Councillor, [1969] Specially crafted a white porcelain vase for the inauguration of the new Imperial Palace.\u003c\/li\u003e\n\u003cli data-path-to-node=\"7\"\u003e\u003cstrong\u003eMuseum Collections:\u003c\/strong\u003e The National Museum of Modern Art, Kyoto; Museum of Fine Arts, Boston (USA); São Paulo Museum of Art (Brazil); The Japan Art Academy; Musée des Arts Décoratifs \/ Musée de la Parole (France); International Museum of Ceramics in Faenza (Italy).\u003c\/li\u003e\n\u003cli data-path-to-node=\"8\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e Circa 1955–1962 (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eItem Condition: \u003c\/strong\u003eVery Good (No chips, no cracks, with cracks and staining on the box due to age)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eOriginal signed wooden box (Tomobako), box ribbon (Sanada-himo)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e Pottery (Iron Glaze, Hakeme)\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 9.6 cm, Width approx. 10.5 cm, Inner Rim Diameter approx. 8.9 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eEven if items offered by our store are unused, they were produced a very long time ago and are all listed as pre-owned items. Please inspect and understand that the item may show age-related changes before considering your purchase.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48093147726011,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1286_result.jpg?v=1787475876"},{"product_id":"314","title":"Fukuoka City Intangible Cultural Property Holder, Chikuzen Kuroda Clan Official Kiln, Kamei Miraku XIV (十四代 亀井味楽): Takatori Mottled Dripped Glaze Meoto Yunomi Pair, Japanese Free Cup Pair, Sake Vessel #314","description":"\u003cp data-path-to-node=\"17\"\u003eCrafted by Kamei Miraku XIV (十四代 亀井味楽, 1931–2014), a Fukuoka City Intangible Cultural Property Holder born in Fukuoka Prefecture in 1931 and passed away in 2014, this is a pair of traditional craft \u003ca href=\"\/en\/collections\/takatori-ware\" target=\"_blank\" rel=\"noopener\"\u003eTakatori ware\u003c\/a\u003e meoto yunomi (husband-and-wife teacups). Takatori ware was founded in 1606 (Keicho 11) by Hachizan (Hachizo), who was brought back from Korea by the Chikuzen Kuroda clan lords Kuroda Josui and Nagamasa; under the guidance of Kobori Enshu, it established the prestige of kirei-sabi (refined elegance) as the head of the Enshu Seven Kilns. Miraku XIV studied under the preceding head and father, Miraku XIII—who was recognized as a Technical Preservation Artist by the Ministry of Agriculture and Commerce in 1944—learning the secret glazes and advanced thin-throwing techniques of Takatori ware, and succeeded to the name Miraku XIV in 1964. In 1975 (Showa 50), the artist was designated an Intangible Cultural Property Craft Technique Holder, gained high renown as Miraku XIV's representative works were acquired by the Kitakyushu Folk Crafts Museum, and Her Imperial Highness Princess Mikasa visited the Miraku Kiln. Our shop presents this pair, fusing traditional dignity with modern sculptural beauty, to the global market not only as everyday teaware, but also as a pair of vintage free cups (Japanese rocks glasses) for quietly savoring the rich umami of amber aged sake or matured whisky.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eObserving the details of this work, the multi-color double-glazing and dripping techniques in which Miraku XIV excelled draw a magnificent contrast with the artist's remarkably precise throwing technique. On the surface of the comfortable cylindrical form measuring approximately 7.7 cm in height and 6.3 cm in mouth diameter for the larger cup, yellow glaze, momigara (rice husk ash) glaze, and furashi (white-mottled) glaze are applied in multiple layers over a reddish-brown iron-rich clay body, producing geometric mottled patterns and beautiful dripping effects through thermal shifts and chemical reactions inside the kiln. One cup features spots neatly lined along horizontal wheel-turned lines, while the other exhibits a powerful net-like landscape formed by yellow glaze flowing vertically, showing distinct natural expressions despite being a matched pair. A band of milky-white furashi glaze coats the rim, and delicate mottled glazing is seamlessly applied down to the back of the foot ring, with the artist's seal stamped at the center of the base.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eRegarding the period of production, taking clues from the included Takatori ware overview leaflet, which records the publication of the commemorative catalog \"Chato Takatori\" in October 1975 (Showa 50) upon the artist's designation as an Intangible Cultural Property Craft Technique Holder, the acquisition of Miraku XIV's work by the Kitakyushu Folk Crafts Museum, and HIH Princess Mikasa's visit, it is identified as an authentic creation produced between 1975 and circa 1985, when Miraku XIV's artistic style reached its peak immediately following Miraku XIV's Intangible Cultural Property designation. The vessel bodies themselves have no cracks or chips, maintaining extremely good condition in both glaze luster and texture. It arrives in complete condition as a pair, accompanied by its dedicated Tomobako (wooden box) inscribed in ink on the lid \"Takatori Meoto Yunomi\" with the signature \"Miraku saku\" and red seal stamped, along with the overview leaflet.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003e\u003ca href=\"\/en\/pages\/makers#ceramic\" target=\"_blank\" rel=\"noopener\"\u003eKamei Miraku\u003c\/a\u003e XIV (十四代 亀井味楽, 1931–2014)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist's Key Activities: \u003c\/strong\u003e[1944] Studied under the artist's father, Miraku XIII (Ministry of Agriculture and Commerce Technical Preservation Artist); [1964] Succeeded to the name Kamei Miraku XIV; [1975] Designated as a Fukuoka City Intangible Cultural Property Holder, visited by HIH Princess Mikasa, Regular Member of the Japan Art Crafts Association\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eWorks Housed In: \u003c\/strong\u003eKitakyushu Folk Crafts Museum, Fukuoka City Folk Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e Circa 1975–1985 (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated Tomobako, leaflet included\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eCeramic (Takatori ware, multi-color dripped glaze, stamped seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e (Larger cup) Height approx. 7.7 cm, Mouth diameter approx. 6.3 cm (Pair)\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eCaution:\u003c\/strong\u003e All products offered by our shop are pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlease check the photos:\u003c\/strong\u003e We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48093148512443,"sku":null,"price":38000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0944_result.jpg?v=1786499941"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/collections\/IMG_1608_result.jpg?v=1793680919","url":"https:\/\/antiqueliquor1926.com\/en\/collections\/rocks-glasses.oembed","provider":"Antique Liquor","version":"1.0","type":"link"}