{"title":"Glass crafted by master artisans","description":"\u003cp\u003eWe offer works of definite value, focusing on practical items by Living National Treasures and highly acclaimed contemporary craftsmen. Our sake vessels and other tableware, combining aesthetic beauty and functionality, are highly satisfying both as collectibles and for practical use. We carefully describe the background, techniques, and condition of each piece, creating a lineup that allows you to choose with confidence.\u003c\/p\u003e","products":[{"product_id":"4","title":"Hand-blown glass by Koji Ishii, red glass, jellyfish design #4","description":"\u003cp data-path-to-node=\"5\"\u003eThis beautiful sake vessel is a work by Koji Ishii (1946–1996), a leading Japanese glass artist. Koji Ishii is renowned for his fantastical jellyfish-inspired works, using a unique inclusion technique to trap colors and motifs within the glass, expressing a sense of transparency and suspension evocative of the deep sea.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThis sake vessel is also believed to be based on the jellyfish motif. Within the transparent interior of the glass, gold leaf and multicolored glass granules are trapped as if melting together, expressing a fantastical shimmer evocative of jellyfish tentacles drifting in water or the light sparkling within its body. The thin white glass lines depict the graceful movements of the jellyfish and the trajectory of life emerging from the darkness of the deep sea, further accentuating the depth and sense of suspension through the reflection of light.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eEach piece is a one-of-a-kind handmade work, and the artist's high technical skill and artistry are evident in the shape of the glass, the substantial construction of the base, and the meticulous finish of the white wrap-around applied to the rim. Merging traditional Japanese craft beauty with a modern sensibility, this piece is a masterpiece of high artistic value. The accompanying original wooden box (tomobako) and the shiori leaflet signed by the artist guarantee that this is an authentic work.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"9\"\u003eProduced by: Ishii Glass Studio Co., Ltd.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003eArtist: Koji Ishii\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003eNotable Activities: [1979] Work exhibited at Japan New Face II and purchased by Her Imperial Highness Princess Chichibu; [1985] Designed the silhouette bottle for Sanwa Shurui's Iichiko and won a special prize at the Japan Package Design Competition; [1985] Won a special prize at the Seibu Crafts Grand Prize Exhibition; [1994] Held the solo exhibition Symphony of Light and Wind: GLASS Koji Ishii at the Narukawa Museum of Art in Hakone.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003eMajor Collections: The National Museum of Modern Art, Tokyo; Aomori Museum of Art; Chiba Prefectural Museum of Art; Toyama Glass Art Museum; Hida Takayama Museum of Art; Narukawa Art Museum (Hakone-Lake Ashi).\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction period: 1980s-1990s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated box included\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: hand-blown glass\u003c\/span\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height 11cm, diameter 7cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"石井グラススタジオ","offers":[{"title":"Default Title","offer_id":46615789174971,"sku":"","price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4808.jpg?v=1773500903"},{"product_id":"5","title":"Hand-blown glass (white glass) by Koji Ishii #5 ","description":"\u003cp data-path-to-node=\"5\"\u003eThis beautiful sake vessel is a work by Koji Ishii (1946–1996), a leading Japanese glass artist. Koji Ishii is renowned for his fantastical jellyfish-inspired works, using a unique inclusion technique to trap colors and motifs within the glass, expressing a sense of transparency and suspension evocative of the deep sea.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThis sake vessel is also believed to be based on the jellyfish motif. Within the transparent interior of the glass, gold leaf and multicolored glass granules are trapped as if melting together, expressing a fantastical shimmer evocative of jellyfish tentacles drifting in water or the light sparkling within its body. The thin white glass lines depict the graceful movements of the jellyfish and the trajectory of life emerging from the darkness of the deep sea, further accentuating the depth and sense of suspension through the reflection of light.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eEach piece is a one-of-a-kind handmade work, and the artist's high technical skill and artistry are evident in the shape of the glass, the substantial construction of the base, and the meticulous finish of the white wrap-around applied to the rim. Merging traditional Japanese craft beauty with a modern sensibility, this piece is a masterpiece of high artistic value. The accompanying original wooden box (tomobako) and the shiori leaflet signed by the artist guarantee that this is an authentic work.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"9\"\u003eProduced by: Ishii Glass Studio Co., Ltd.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003eArtist: Koji Ishii\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003eNotable Activities: [1979] Work exhibited at Japan New Face II and purchased by Her Imperial Highness Princess Chichibu; [1985] Designed the silhouette bottle for Sanwa Shurui's Iichiko and won a special prize at the Japan Package Design Competition; [1985] Won a special prize at the Seibu Crafts Grand Prize Exhibition; [1994] Held the solo exhibition Symphony of Light and Wind: GLASS Koji Ishii at the Narukawa Museum of Art in Hakone.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003eMajor Collections: The National Museum of Modern Art, Tokyo; Aomori Museum of Art; Chiba Prefectural Museum of Art; Toyama Glass Art Museum; Hida Takayama Museum of Art; Narukawa Art Museum (Hakone-Lake Ashi).\u003cspan class=\"wixui-rich-text__text\" style=\"font-size: 0.875rem;\"\u003e\u0026nbsp;Art (Hida Takayama),\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan class=\"wixui-rich-text__text\" style=\"font-size: 0.875rem;\"\u003eNarukawa Art Museum (Hakone-Lake Ashi)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction period: 1980s-1990s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated box included\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: hand-blown glass\u003c\/span\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height 11cm, diameter 7cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"石井グラススタジオ","offers":[{"title":"Default Title","offer_id":46615791042747,"sku":"","price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4840.jpg?v=1773500903"},{"product_id":"6","title":"Koji Ishii Masterpiece: \"Jellyfish\" Wine Glass – A Fusion of Deep Sea Suspension and Elegance #6","description":"\u003cp data-path-to-node=\"5\"\u003eThis beautiful sake vessel is a work by Koji Ishii (1946–1996), one of Japan's leading glass artists. Koji Ishii is renowned for his fantastical jellyfish-inspired works, using a unique inclusion technique to trap colors and motifs within the glass, expressing a sense of transparency and suspension evocative of the deep sea.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThis \u0026nbsp;wine glass is also believed to be based on the jellyfish motif. The glass expresses a fantastical shimmer, evocative of jellyfish tentacles drifting in water or the light sparkling within its body. The thin white glass lines depict the graceful movements of the jellyfish and the trajectory of life emerging from the darkness of the deep sea, and the reflection of light further accentuates the sense of depth and suspension.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eEach piece is a one-of-a-kind handmade work, and the artist's high technical skill and artistry are evident in the shape of the glass, the substantial construction of the base, and the meticulous finish of the white wrap-around applied to the rim. Merging traditional Japanese craft beauty with a modern sensibility, this piece is a masterpiece of high artistic value. The accompanying original wooden box (tomobako) and the shiori leaflet signed by the artist guarantee that this is an authentic work.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"9\"\u003eProduced by: Ishii Glass Studio Co., Ltd.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003eArtist: Koji Ishii\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003eNotable Activities: [1979] Work exhibited at Japan New Face II and purchased by Her Imperial Highness Princess Chichibu; [1985] Designed the silhouette bottle for Sanwa Shurui's Iichiko and won a special prize at the Japan Package Design Competition; [1985] Won a special prize at the Seibu Crafts Grand Prize Exhibition; [1994] Held the solo exhibition Symphony of Light and Wind: GLASS Koji Ishii at the Narukawa Museum of Art in Hakone.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003eMajor Collections: The National Museum of Modern Art, Tokyo; Aomori Museum of Art; Chiba Prefectural Museum of Art; Toyama Glass Art Museum; Hida Takayama Museum of Art; Narukawa Art Museum (Hakone-Lake Ashi).\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction period: 1980s-1990s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated box included\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: hand-blown\u003c\/span\u003e glass\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height approx. 18cm, diameter approx. 8.5cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"石井グラススタジオ","offers":[{"title":"Default Title","offer_id":46615809687739,"sku":"","price":70000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0128_fbbb432e-a859-49f8-8a94-b0fd3a67a22e.jpg?v=1767406558"},{"product_id":"13","title":"Sakimi's Sake Cup with Rain Design by Yoshitaka Kato, Ceramic Shot Glass #13","description":"\u003cp data-path-to-node=\"4\"\u003eThis one-of-a-kind piece represents the culmination of the work of ceramic artist Yoshitaka Kato (1921-1990), a descendant of the prestigious Kobei Kiln, a Mino ware maker, during his final years. It features a \"rainfall pattern\" (rainy rain design) in which a beautiful blue glaze drips from the rim to the base, creating a beautiful harmony between the rich glaze and the tasteful crazing (fine cracks). The delicate yet powerful design, showcasing the master's skill, is impressive, and its comfortable size makes it suitable for practical use as a shot glass or sake cup.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eThe title of the work, \"Sakimi\" (Happiness and Snake), is a combination of the word for happiness and the zodiac sign for the year of production, 1989. 1989 marked the turning point when the era changed from Showa to Heisei, and it is thought that Yoshitaka, who was 68 years old at the time, had this specially commissioned sake vessel made to celebrate his final zodiac year, or to pray for a new era.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eIt comes in an inscribed paulownia wood box (with the artist's signature and seal) and yellow cloth (with the same cloth), and is in very good condition. Together with his brother, Yoshitaka Kato, a Living National Treasure, Yoshitaka Kato supported the golden age of the Kobei Kiln and was renowned as a leading figure in the Mino pottery world. This masterpiece, with its rich sensibility and unerring technique, is of great historical value.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduced by: Yoshitaka Kato (1921-1990)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eYear of production: 1989 (Heisei 1\/Showa 64, Year of the Snake)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated wooden box\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Ceramic (Mino ware)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height approx. 4.5cm, diameter approx. 4.8cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":46621236428987,"sku":"","price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0303.jpg?v=1747660492"},{"product_id":"16","title":"Special Selection of Three Popular Authors Part 1: Miyanaga Rikichi、Mutsuo Yanagihara、Morino Taimei #16","description":"\u003cp\u003eThis masterpiece was released as a special selection of \"Sansai\" by three contemporary ceramic artists representing Japan. From the left, they are works by \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMiyanaga Rikichi\u003c\/span\u003e, Yanagihara Mutsuo, and \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMorino Taimei\u003c\/span\u003e. Of these three, the work by Morino Yasuaki, \u003cspan class=\"_fadeIn_m1hgl_8\"\u003ea Person of\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eCultural\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eMerit\u003c\/span\u003e , is a rare blown glass, making it a very rare and valuable piece. When drinking precious Japanese whiskey, why not enjoy it in a glass from his hometown?\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduced by: Miyanaga Rikichi、Mutsuo Yanagihara、Morino Taimei\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction period: 1980s - 1990s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips, no cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Special box included\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Ceramic, hand-blown\u003c\/span\u003e glass\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: Height approx. 6.5cm, diameter approx. 5.5cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eNote: Even if the products we offer are new and unused, they are all listed as second-hand products because they were produced very long ago. Please note that the products may have damage due to aging, so please understand and check before considering purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAbout the artist:\u003c\/span\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e* Miyanaga Rikichi (born 1935)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e He began studying sculpture at Kyoto City University of Arts in 1954 under Shindo Tsuji and Masakazu Horiuchi, before dropping out in 1960 to travel to the United States. He had connections with Peter Vocus and others, and after returning to Japan he exhibited at exhibitions such as \"Trends in Contemporary Art\" and attracted attention as a sculptor, becoming a member of the Sodeisha Society in 1971. His \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eorganic\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eforms\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003ethat\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003emake use\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eof\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003ethe texture\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eof\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003ethe earth\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eare\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003echaracteristic of\u003c\/span\u003e his work \u003cspan class=\"_fadeIn_m1hgl_8\"\u003e, and\u003c\/span\u003e he \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eis\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eregarded\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eas\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003ea\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003epioneer\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eof\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003econtemporary\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eceramic\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003esculpture\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003e.\u003c\/span\u003e In 1998 \u003cstrong\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003ehe was awarded the Kyoto Prefecture Order of Cultural Merit , and in 1999 he took on the name Miyaei Tozan III.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e* Mutsuo Yanagihara\u003c\/span\u003e (born 1934)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003eA ceramist from Kochi Prefecture, he studied at Kyoto City University of Arts and studied under Tomimoto Kenkichi. Known for his gorgeous style using gold and silver luster glazes, he pursued artistic beauty with an international sensibility after living in the United States. Professor Emeritus at Osaka University of Arts. One of the leading figures \u003cstrong\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003ein contemporary ceramics .\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003e* Taimei Morino (born 1934)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003eA ceramic artist born in Kyoto. After graduating from Kyoto City University of Arts, he produced many works that combined tradition and modernity. Since the 1980s, he has participated in exhibitions both in Japan and abroad and received high praise for his avant-garde forms and glaze expressions. \u003cstrong\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eHe has been awarded\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003ethe Cultural\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eMerit\u003c\/span\u003e \u003cspan class=\"_fadeIn_m1hgl_8\"\u003eAward\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e and is a member of the Japan Art Academy. He is one of the leading figures in contemporary Japanese ceramics.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":46647482515643,"sku":"","price":80000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0348.jpg?v=1767408313"},{"product_id":"22","title":"Ryuichi Kumakura's Hanashyo-ryu Craft Glass Edo Kiriko Wine Glass #22","description":"\u003cp\u003eRyuichi Kumakura is the second generation owner of Kumakura Glass Crafts, a long-established glass workshop in Kameido, Tokyo, and is highly regarded as an artist who combines the tradition and innovation of Edo Kiriko. In 1990, he founded Edo Kiriko Shop Hanashyo, attracting attention for his self-developed \u003cstrong\u003e\"Hanashyo-ryu\"\u003c\/strong\u003e designs. His works are characterized by delicate cuts, unique patterns, and \u003cstrong\u003ea \"hand-polished\"\u003c\/strong\u003e finish without acid polishing, and his works were selected as gifts for the leaders of the 2008 Toyako Summit.\u003c\/p\u003e\n\u003cp\u003e Their representative series \u003cstrong\u003e, \"Hanashoryu Sake Ware,\"\u003c\/strong\u003e is based on traditional patterns but is designed to fit in with modern aesthetics, and includes wine glasses and sake cups. In particular, wine glasses made with purple or lapis lazuli \"overlay glass\" stand out beautifully as the patterns emerge in the reflection of light, making them extremely popular with collectors both in Japan and abroad.\u003c\/p\u003e\n\u003cp\u003e The glass introduced this time is a masterpiece with intricate patterns unique to the Hanashyo style carved into purple-covered glass, and comes with a special paulownia wood box. It is a work that combines high artistic quality with the formality of a gift. It can be said to be a piece that embodies Kumakura's skilled techniques and aesthetic sense.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduced by: Kumakura Glass Crafts\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAuthor: Ryuichi Kumakura\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eArtist's representative activities: [1982] Grand Prize winner at the 1st Japan Glass Exhibition\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\n\n \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eYear of production: Estimated to be the 2000s\u003c\/span\u003e\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Good (no chips, no cracks, small scratches)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated wooden box\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Glass\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height 17.5cm, diameter 7.5cm\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eNote 1: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand products. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":46718755471547,"sku":"","price":35000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/S__76242953_0.jpg?v=1751105897"},{"product_id":"23","title":"Kagami Crystal Tumbler Glass Set of 2 (8oz, 10oz), Flying Pen, Feather Pen Logo #23","description":"\u003cp\u003eKagami Crystal was founded in 1934 and has been providing high-quality products as Japan's first factory specializing in crystal glass. The product we are introducing today \u003cspan\u003eis a set of two\u003c\/span\u003e \u003cspan\u003ecrystal tumblers, one 8 oz and one 10 oz,\u003c\/span\u003e \u003cspan\u003emanufactured around 1995\u003c\/span\u003e .\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis rare model features the old logo, a \"flying pen\" motif, engraved on the side of the tumbler, which is no longer in use. This logo combines a pen nib, symbolizing the transmission of creativity and technology, with spreading feathers, representing the leap forward of tradition, and is thought to feature an abstraction of a craftsman's hand and engraving tools in the center. This logo, which embodies the philosophy of founder Kagami Kozo, is also known as the \"feather pen logo\" by art lovers and collectors, and is extremely valuable as it has now been discontinued.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe glass itself features delicate diamond cuts, and the solid octagonal base creates a sense of luxury and stability. It can be used for a wide range of drinks, including whiskey, water, and cold tea. This glass comes with the logo sticker and outer box and is in excellent condition. It's a highly collectible piece that conveys the craftsmanship and aesthetic sense of the old logo era.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduced by: Kagami Crystal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eYear of production: Estimated to be around 1995\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated box\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Crystal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: Height approx. 13.4cm, diameter approx. 8cm (10 oz) \/ Height approx. 12.5cm, diameter approx. 7cm (8 oz)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eNote 1: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand products. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"カガミクリスタル","offers":[{"title":"Default Title","offer_id":46766018199739,"sku":null,"price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0528.jpg?v=1768296850"},{"product_id":"25","title":"Hisatoshi Iwata Late Work, Hand-blown Gold-decorated Red Glass \"San-shuku no Hai\" (The Cup of Three Celebrations) #25","description":"\u003cp data-path-to-node=\"25\"\u003eHisatoshi Iwata (1925–1994) was an unparalleled master who elevated Japanese contemporary glass craft to a global standard, transforming it from mere practical tools into pure art. This piece is a unique masterpiece, deeply personal and filled with affection, created in his final years—just about a year before his passing—when his artistic maturity had reached its zenith.\u003c\/p\u003e\n\u003cp data-path-to-node=\"26\"\u003eBehind the overwhelming presence of this sake cup lies a special story: it was designed to celebrate a miraculous moment when three major longevity milestones coincided for a specific individual—Hakuju (99th birthday), a Golden Wedding Anniversary (50 years of marriage), and Kiju (77th birthday). To express these three forms of \"shuku\" (celebration), Hisatoshi specially designed this piece using three colors: the pure white symbolizing Hakuju, the luxurious gold telling of the half-century bond of the Golden Wedding Anniversary, and the red conveying the vitality of Kiju, thereby encapsulating Japanese culture and history within this small vessel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"27\"\u003eThe reason Hisatoshi Iwata's work is internationally acclaimed is due to his exceptional sense of color and the vitality of the material itself, brought out by the \"sora-fuki\" (free-blowing) technique, which involves shaping the glass in the air without a mold. In this work, the expression created by the fine gold particles and the diagonal red flowing patterns is powerful, as if capturing flames and passion, and the beautiful tapering form towards the base fits surprisingly comfortably in the hand.\u003c\/p\u003e\n\u003cp data-path-to-node=\"28\"\u003eHaving served as the founding president of the Japan Glass Art Association and received the Minister of Education Award at Nitten and the Japan Art Academy Prize, Hisatoshi reigned supreme in the postwar Japanese craft world. Now that new supplies have ceased, his posthumous works are cultural heritages that are extremely difficult to obtain. This sake cup, carefully passed down along with its original wooden box (tomobako) bearing his signature and seal, is a crystallization of the \"Japanese beauty\" he pursued until the end. It will continue to exude a unique presence, whether used as a vessel for special occasions or kept as a lifelong collection.\u003c\/p\u003e\n\u003cp data-path-to-node=\"29\"\u003ePlease experience for yourself the texture of authentic hand-blown glass from the Hisatoshi Iwata Glass Studio, and the artist's \"breath\" residing in the exquisite dimensions of approximately 5.8 cm in diameter and 9.4 cm in height.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"30\"\u003eProduced by: Hisatoshi Iwata Glass Studio\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003e\u0026nbsp;Artist: Hisatoshi Iwata\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003eNotable Activities: [1976] Minister of Education Award at Nitten; [1982] Japan Art Academy Prize Production Period: Circa 1992–1993 (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003ePublic Collections: The National Museum of Modern Art, Tokyo, The National Museum of Modern Art, Kyoto, Hokkaido Museum of Modern Art, The Japan Art Academy, The Metropolitan Museum of Art, New York, The Corning Museum of Glass, New York, Museum Kunstpalast, Düsseldorf, Musée des Arts Décoratifs, Paris, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003eCondition: Very good (no chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003eAccessories: Original box included\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003eMaterial: Hand-blown glass\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003eDimensions: Diameter 5.8 cm (Opening 5.0 cm), Height 9.4 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003ePlease note: Even if the products we offer are brand new and unused, they are vintage items from an older production period and are listed as second-hand. Items may show signs of age-related wear. Please review the details carefully before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"岩田久利","offers":[{"title":"Default Title","offer_id":46766045626555,"sku":null,"price":35000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0506.jpg?v=1755336056"},{"product_id":"30","title":"DAUM Crystal Verona Model Wine Glass Set of 2, #30","description":"\u003cp\u003eDAUM Crystal is a luxury crystal brand founded in Nancy, France in 1878. During the Art Nouveau period, the brand was lauded alongside Emile Gallé and received acclaim at the Paris World's Fair. Today, the brand continues to uphold traditional savoir-faire (craftsmanship) while producing a wide range of pieces, from art pieces to tableware. Its highly transparent crystal and artistic cuts are beloved worldwide and are sought after as collector's items.\u003c\/p\u003e\n\u003cp\u003e \"Verona\" is a series that exudes classical elegance among the Dome glasses. The delicate cuts engraved into the crystal's translucency change their appearance with each light that catches them, further enhancing the color of the wine. The slender shape of the cup and the stable proportions of the base create a design that combines elegance with practicality. These glasses embody the beauty of traditional French craftsmanship, making them suitable for elegant dinners and anniversary tables.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eManufacturer: DAUM Crystal, France\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eModel name: Verona\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction start date: 1968\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eYear of production: 1980s (estimated)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated box\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Crystal\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height 16cm, diameter 8cm\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eNote 1: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand products. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"DAUM Crystal","offers":[{"title":"Default Title","offer_id":46887940882619,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0651.jpg?v=1763278192"},{"product_id":"34","title":"Asahi Ichiya Hand-blown Glass Ice Bowl with Gold and Silver Accents #34","description":"\u003cp\u003eAsahi Ichiya (1937–2003) was a leading Japanese glass artist of the modern era, renowned for developing and perfecting his unique technique known as “Yōkisai” (Kiln Rare Colour), which employs exquisite silver foil and gold decoration. His mastery of technique and rich colour expression earned him high acclaim both domestically and internationally.\u003c\/p\u003e\n\u003cp\u003eThe piece presented here is Asahi Ichiya's Yōkisai Ice Bowl. The interplay of light created by the gold and silver decoration. This ice bowl, with its thick hand-blown glass and inherent curved beauty, adds a touch of refined colour to the table. The flowing curves on the substantial glass are exquisite, and the design, where gold delicately spreads within the transparency, exudes a sense of luxury.\u003c\/p\u003e\n\u003cp\u003eMeasuring approximately 10.5 cm in height and 15.4 cm in diameter, it can be used not only as an ice bowl for whisky, but also as an interior decoration to brighten up your table.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eArtist: Asahi Ichiya\u003c\/li\u003e\n\u003cli\u003eRepresentative activities of the artist: [1984] Received the Minister of Education Award at the Sanki Exhibition, [1982] Work acquired by the Cornyn Museum of Glass in New York\u003c\/li\u003e\n\u003cli\u003eDate of production: 1980s (estimated)\u003c\/li\u003e\n\u003cli\u003eCondition: Very good (no chips or cracks)\u003c\/li\u003e\n\u003cli\u003eAccessories: None\u003c\/li\u003e\n\u003cli\u003eMaterial: Hand-blown glass\u003c\/li\u003e\n\u003cli\u003eDimensions: Height approx. 10.5cm, diameter approx. 15.4cm\u003c\/li\u003e\n\u003cli\u003ePlease note: Even if the items offered by our shop are new and unused, they are very old and are listed as second-hand goods. Please understand that the items may show signs of ageing and check them carefully before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":46961520443579,"sku":null,"price":30000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0722.jpg?v=1763284139"},{"product_id":"35","title":"Iwata Hisatoshi Hand-blown Glass Rock Glass #35","description":"\u003cp\u003eThis is \"San,\" a work by Iwata Hisatoshi (1925-1994), one of Japan's leading glass artists. The word \"San\" \u003cspan\u003emeans \"brilliant, dazzling, and beautiful, like the light of a fire shining brightly,\" and as its\u003c\/span\u003e name suggests, it exudes a radiant presence. The entire piece is studded with delicate gold leaf, and when you hold it in your hand, it exudes a luxurious feel, as if you are embracing light. The yellowish exterior is actually made up of countless tiny pieces of gold leaf, and upon closer inspection, the beauty of the delicate goldwork emerges.\u003c\/p\u003e\n\u003cp data-end=\"698\" data-start=\"581\"\u003eFurthermore, the three-dimensional shape on the surface of the vessel is not only beautiful to look at, but also functional, allowing the glass to be held securely in one hand. The size is just right for pouring and enjoying whiskey, making this an exceptional product that will bring a touch of luxury to your everyday life. When enjoying Japanese whiskey, why not try using a Japanese glass?\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduced by: Iwata Hisatoshi Studio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAuthor: Iwata Hisatoshi\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThe artist's notable achievements include the Minister of Education Award at the Nitten Exhibition in 1976 and the Japan Art Academy Award in 1982.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003ePublic Collections: The National Museum of Modern Art, Tokyo, The National Museum of Modern Art, Kyoto, Hokkaido Museum of Modern Art, The Japan Art Academy, The Metropolitan Museum of Art, New York, The Corning Museum of Glass, New York, Museum Kunstpalast, Düsseldorf, Musée des Arts Décoratifs, Paris, and others.\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eYear of production: 1986\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated box included\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: hand-blown\u003c\/span\u003e glass\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height approx. 8.2cm, diameter approx. 8.5cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"岩田久利","offers":[{"title":"Default Title","offer_id":47057540710587,"sku":null,"price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0891.jpg?v=1759036215"},{"product_id":"40","title":"Saint Louis Crystal Éole Amber Glass Set of 2 #40","description":"\u003cp data-start=\"113\" data-end=\"210\"\u003eFounded in the 16th century, Saint Louis is one of France's oldest crystal workshops, and has inherited traditional craftsmanship and a refined aesthetic sense. The advanced techniques cultivated over its history have resulted in delicate cutwork and rich color expression, making it a brand loved around the world as a byword for luxury crystal.\u003c\/p\u003e\n\u003cp data-start=\"212\" data-end=\"378\"\u003e The product we are introducing today is a set of two amber-colored glasses from the Éole series, which Saint-Louis released in limited quantities from 1990 to 1992. The warm amber-hued crystal is unique to Éole, and the rich expression it creates when illuminated is what makes it so appealing. The elegant stem design and silhouette make these glasses not only beautiful drinking glasses to adorn your table, but also make them a highly decorative collectible.\u003c\/p\u003e\n\u003cp data-start=\"212\" data-end=\"378\"\u003e The combination of the Saint-Louis engraving and the amber \"Éole\" makes this glass highly sought after both domestically and internationally. \u003cspan\u003eThe Saint-Louis brand seal remains, suggesting that this piece is unused.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduced by: Saint Louis Crystal\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eModel name: Éole\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction start date: 1990\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction year: 1990-1992\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: None\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Crystal\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height 12.8cm, diameter 8.5cm\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eNote 1: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand products. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Saint Louis Crystal","offers":[{"title":"Default Title","offer_id":47057808785595,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0953.jpg?v=1759326419"},{"product_id":"43","title":"Living National Treasure Nakada Kazuo's Kutani Ware Silver-Glazed Shochu Drinking Glass #43","description":"\u003cp data-path-to-node=\"3\"\u003eKazuo Nakada has been designated as a Living National Treasure (Preserver of Important Intangible Cultural Property) for his ceramic technique known as Yukasai (underglaze coloring), marking the first time this honor has been bestowed upon Kutani ware decoration technology. This designation serves as public proof that the unique world of Yuri-ginsai (underglaze silver foil), which he has refined over many years, represents one of the highest peaks of Japanese traditional beauty.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eThe reason Kazuo Nakada, who has established a new milestone in the history of Kutani ware, is held in such high esteem lies in the almost obsessive precision condensed into this work. The essence of Yuri-ginsai lies in the nearly impossible technical harmony of sealing the brilliance of silver deep beneath a lapis lazuli glaze. While ordinary silver decoration typically oxidizes and turns black when exposed to air, Nakada arranges paper-thin pieces of silver foil one by one like a puzzle based on meticulous calculations. He perfectly controls the risk of the silver foil melting away due to the intense heat during firing, maintaining an eternal sparkle within the glaze. This process is a divine skill that only he can achieve. This specific expression of silver shining with dignity beneath the glaze was the decisive reason for his selection as the first Living National Treasure in the field of Yukasai.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eThis work was created around 2009, a period when Nakada had completely mastered his technique and was receiving intense attention from museums worldwide; it is a representative piece that embodies his true essence. The silver foil hidden beneath the lapis lazuli glaze changes its expression like a kaleidoscope depending on the angle of the light, sometimes shimmering sharply like a gemstone and at other times swaying softly like morning mist. The geometric patterns reminiscent of lotus petals covering the entire vessel are his signature design. The contrast of blue and silver reflecting on the inside when sake is poured can be described as a supreme view that only the owner can enjoy.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eFurthermore, this work is exceptionally outstanding in terms of its form. The footed style exudes the dignity of a fine art craft, yet it maintains excellent center-of-gravity balance when actually held, fusing practicality and aesthetics at a high level. As a testament to its global value, his works are part of the permanent collections of institutions such as the Smithsonian's Arthur M. Sackler Gallery in the United States. Following his designation as a Living National Treasure in 2025, there is no doubt that the rarity of such fulfilling works from his mature period will increase further in the art market. Holding the crystal of light of a master who has carved his name in history while enjoying a supreme drink is nothing less than a luxurious cultural privilege that transcends a mere evening glass.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduced by: Kazuo Nakada\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThe artist's notable achievements include: [ \u003cspan class=\"line\"\u003e\u003cspan class=\"year\"\u003e1990]\u003c\/span\u003e \u003cspan class=\"title\"\u003eMinister of Education Award at the Japan Traditional Crafts Exhibition; [\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"line\"\u003e\u003cspan class=\"year\"\u003e1993]\u003c\/span\u003e \u003cspan class=\"title\"\u003eUnderglaze Silver Vase selected for permanent collection at the Smithsonian Institution's Mackler Gallery in Washington; [\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan class=\"line\"\u003e2001] Grand Prize at the Traditional Kutani Ware Crafts Exhibition; [ \u003cspan class=\"year\"\u003e2011]\u003c\/span\u003e \u003cspan class=\"title\"\u003eMedal with Purple Ribbon; [ \u003cspan class=\"year\"\u003e2019]\u003c\/span\u003e Order of the Rising Sun, Gold Rays with Rosette; [2025] Designated Living National Treasure for his underglaze enamel technique.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction date: circa 2009\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated wooden box, wrapping cloth, artist biography\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Ceramic (Kutani ware, pottery)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height approx. 10.8cm, diameter approx. 8.1cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCharacteristics of Nakata Kazuo's works: His greatest feature is the \"underglaze silver color\" technique, which involves applying a pattern with silver foil under the glaze. This technique allows the shine of the silver to show through the glaze, and the soft, pale colors and shading of light create a delicate expression with depth. Many of his works feature plants and geometric patterns applied with silver color, and are characterized by a cool, modern style.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47058962448571,"sku":null,"price":180000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1088.jpg?v=1767408459"},{"product_id":"41","title":"Hand-blown glass by Sakata Jinnai（Jin）, featuring red and gold accents, gold leaf, and gold accents. Deep Jinmon glass #41","description":"\u003cp\u003eThis is a \"Red and Gold Hand-Blown Glass Sake Cup\" by Sakata Jinnai（Jin）. Gold leaf is scattered across the clear glass, creating a fantastical reflection of the light between the red base and the gold leaf. The elegant design is both elegant and stable, combining aesthetic value with practicality. Sakata Jinnai was born in Tokyo in 1943, studied under Shoji Kamoda in 1964, and established his kiln in Kami-Oba, Mashiko Town, in 1966. Since then, he has been known as an artist who has incorporated glass and gold leaf into his works. This piece is thought to date from the 1990s and 2000s, when he was actively pursuing the fusion of ceramic and glass and increasingly experimenting with gold leaf and decorative elements. This exceptional sake cup (glass) is a rare piece among Sakata Jinnai's works, and is a masterpiece that will add a touch of elegance to any evening drink or dinner table, making it an ideal gift or collectible piece.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eArtist: Sakata Jinnai (1943-present)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThe artist's notable activities include: [ \u003cspan\u003e2009]\u003c\/span\u003e \u003cspan\u003eInvited artist at the 1st Shanghai International Ceramic Living Art Expo; [2013] Donated a large magatama plate with deep-patterned gold leaf and leaf glass, \"The Radiance of Life,\" to the Izumo Taisha Grand Shrine Heisei Grand Shrine Relocation; [2013] Donated a large black porcelain plate with deep-patterned gold leaf and leaf, \"Homage to the Sun,\" to coincide with the Ise Grand Shrine Shikinen Sengu; [\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003e2014] Donated a deep-patterned gold leaf and leaf glass objet d'art, \"Yamanei,\" to Atsuta Shrine; [2014]\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003eDonated a pair of black porcelain engraved gold leaf and leaf boxes, \"Longevity,\" to Kameoka Hachiman Shrine (Mashiko Town).\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction period: 1990s-2000s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Glass, gold leaf\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height 9.5cm, diameter 5.5cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47058981585083,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0997.jpg?v=1767788776"},{"product_id":"42","title":"Living National Treasure Inoue Manji's White Porcelain Carved Teacup #42","description":"\u003cp\u003eManji Inoue (1929-2025) was born in Arita, Saga Prefecture in 1929, and is a representative ceramic artist of Arita ware. While Arita ware is typically characterized by colorful painting, he has always focused on white porcelain, pursuing its pure beauty.\u003c\/p\u003e\n\u003cp\u003e After studying under the master potter's wheel master, Okugawa Chuemon, he honed his skills at the Saga Prefectural Ceramics Testing Laboratory before going independent in 1971. His outstanding potter's wheel skills and the soft, refined beauty of his forms are highly acclaimed both in Japan and overseas. He has also worked tirelessly overseas, teaching at universities in the United States and engaging in cultural exchange activities, spreading the essence of Japanese traditional crafts to the world.\u003c\/p\u003e\n\u003cp\u003e This white porcelain piece exudes tranquil beauty, and we suspect it likely dates from Inoue Manji's later years, when his technique had reached its peak. Flowing lines of bamboo branches and leaves are delicately carved into the surface, gently lifting off the pure white porcelain. This openwork-like technique creates a tasteful shadow that changes appearance with the light. The included lid ensures that the aroma is not lost, making this a truly exceptional piece that maximizes the aroma of whiskey. Enjoy this exceptional piece of Japanese sophistication and the finest craftsmanship with a special glass of whiskey.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eArtist: Inoue Manji (1929-2025)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\n\n \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThe artist's notable achievements include: [1979] Minister of Labor Award, [1987] Minister of Education Award at the Japan Traditional Crafts Exhibition, [1995] Certified as a Living National Treasure and Important Intangible Cultural Property \"White Porcelain\", [1997] Received the Medal with Purple Ribbon, [2003] Received the Order of the Rising Sun, Gold Rays with Neck Ribbon\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction year: 2000s (estimated)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated wooden box\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Ceramic (white porcelain)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height 11cm, diameter 7.5cm\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47059029786811,"sku":null,"price":30000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1019.jpg?v=1759322343"},{"product_id":"54","title":"Koji Ishii's \"Celebration Cup\" Hand-blown Glass Red and White Sake Cup Set #54","description":"\u003cp\u003eKoji Ishii (1946–1996) is one of Japan's leading glass artists, known for his fantastical jellyfish motifs. Using a unique entrapment technique, he captures colors and motifs within the glass, creating a sense of transparency and floating that evokes the deep sea. Each of his works is one-of-a-kind, handmade, and is housed in museums both in Japan and abroad. His works continue to receive high praise, with small pieces starting at around 80,000 yen and medium- to large masterpieces fetching over 1 million yen.\u003c\/p\u003e\n\u003cp\u003eThis work, a set of two hand-blown glass sake cups (guinomi) featuring the artist's signature techniques, is presented in a paulownia wood box as \"celebratory cups.\" The beautiful contrast of red and white makes this pair worthy of adding color to a special occasion drinking party. Both cups have a soft, rounded shape, with a slightly flared rim for easy drinking. The fresh luster unique to glass and the slight distortions and bubbles that can only be found in hand-blown glass create a warm and unique appearance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1. White glass (clear\/multicolored inside)\u003c\/strong\u003e\u003cbr\u003eUsing highly transparent clear glass as a base, Ishii's signature inclusion technique is fully utilized. Gold leaf and multicolored glass fragments (red, blue, green, light blue, etc.) are trapped inside the glass, and the way they rise to the surface with delicate bubbles is reminiscent of champagne bubbles or jewels sparkling in the night sky. The rim has a texture reminiscent of a dusting of whitish powder snow, creating an overall glamorous yet pure and dreamy atmosphere.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2. Red glass (gold-painted interior)\u003c\/strong\u003e\u003cbr\u003eThe base color is a vivid, deep crimson glass. From the inside to the outside, lavish gold decoration (gold leaf and golden glass pieces) reflects the light, giving off a gorgeous sparkle. The combination of red and gold is truly fitting for celebrations, and the organic arrangement of the deep red of the glass and the gold decoration evokes a sense of vitality and nobility.\u003c\/p\u003e\n\u003cp\u003eThese two \"celebratory cups\" each have their own unique charm, but when placed together in red and white, they create a beautiful harmony that is exceptional. Not only are they practical as sake vessels, but they are also highly valued works of art.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduced by: Ishii Glass Studio Co., Ltd.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAuthor: Koji Ishii\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eArtist's representative activities: [1984] Japan Glass Exhibition Grand Prize Winner\u003c\/span\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction period: 1980s-1990s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated wooden box included\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: hand-blown glass\u003c\/span\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: \u003cspan\u003eheight approx. 5cm, diameter approx. 6.5cm\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"石井グラススタジオ","offers":[{"title":"Default Title","offer_id":47085455835323,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1340.jpg?v=1760026877"},{"product_id":"74","title":"Iwata Toushichi's `Gen (Black)` hand-blown crystal wine cooler, ice bowl, masterpiece from his later years, large-scale work #74","description":"\u003cp\u003eThis is a rare hand-blown glass piece by Iwata Toshichi (1893–1980), a master who laid the foundation for modern Japanese glass art. Created in 1972, towards the end of the artist's life, this piece is one of his greatest masterpieces, and its crystal clear transparency and dynamic form give it a particularly striking presence among Toshichi's works.\u003c\/p\u003e\n\u003cp\u003eThis piece's graceful curves resemble the waters of a powerful mountain stream instantly transformed into solid crystal. Despite its imposing dimensions, approximately 27cm high and 21.5cm wide, maintaining its exceptional clarity, free of air bubbles and impurities, requires exceptional skill and delicate temperature control. The hand-blown molding of large, pure crystal glass is prone to cracks and distortions during the cooling process, making it extremely difficult to produce a successful piece, further underscoring its rarity and value. The highly transparent glass creates a deep curve within, evoking a sense of spaciousness. While originally intended as a flower vase, we suggest placing a large block of ice inside to create a fantastical ice bowl, where the ice and glass appear to blend seamlessly. The graceful flow of light and shadows reflect in this captivating piece, drawing you in the moment.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eArtist\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e: Iwata Toshichi (1893–1980)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThe artist's notable achievements: [1943] Certified as a Class A Art Preservation Qualification, [1951] Awarded the Japan Art Academy Prize, [1970] Awarded the Person of Cultural Merit, [1980] Awarded the Order of the Treasure, Second Class\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eWork name: Gen\u0026nbsp;(Black)\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction date: 1972 (Showa 47)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated wooden box, dedicated wrapping cloth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Hand-blown glass, crystal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: Height approx. 27cm, width approx. 21.5cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eSpecial Notes: There are small internal bubbles, cloudiness, and scratches due to the manufacturing process, but no notable damage after production. Please note that \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ethe wooden box has dried out and cracked due to aging\u003c\/span\u003e .\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47125266858171,"sku":null,"price":300000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2308.jpg?v=1761739788"},{"product_id":"78","title":"Koji Ishii Masterpiece: \"Jellyfish\" Art Glass Cup – A Fusion of Ancient Glaze Aesthetics and Hand-blown Brilliance #78","description":"\u003cp\u003eThis hand-blown glass is the work of Koji Ishii (1944-1996), a leading figure in the world of Japanese glass art. Ishii, who made the unusual transition from ceramics to glass art, attempted to express the worldview of traditional Japanese glazes in glass, creating a masterpiece that embodies his unique style.\u003c\/p\u003e\n\u003cp\u003eThe entire glass bowl is inlaid with a unique pattern known as \"Fumon.\" This is an advanced technique that involves spraying silver foil or colored glass powder onto the surface of molten glass and then fusing it with heat, creating complex, fantastical colors and textures. Yellow, blue, white, and silver particles mix together to create a tranquil, deep landscape reminiscent of antique pottery.\u003c\/p\u003e\n\u003cp\u003eThe design features an elegant morning glory shape with a wide opening, a short stem, and a stable, deep blue base. All of Koji Ishii's works are one-of-a-kind, handmade pieces, and are housed in art museums both in Japan and abroad. They continue to receive high praise, with small pieces starting at around 80,000 yen and medium to large masterpieces fetching over 1 million yen.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"9\"\u003eProduced by: Ishii Glass Studio Co., Ltd.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003eArtist: Koji Ishii\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003eNotable Activities: [1979] Work exhibited at Japan New Face II and purchased by Her Imperial Highness Princess Chichibu; [1985] Designed the silhouette bottle for Sanwa Shurui's Iichiko and won a special prize at the Japan Package Design Competition; [1985] Won a special prize at the Seibu Crafts Grand Prize Exhibition; [1994] Held the solo exhibition Symphony of Light and Wind: GLASS Koji Ishii at the Narukawa Museum of Art in Hakone.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003eMajor Collections: The National Museum of Modern Art, Tokyo; Aomori Museum of Art; Chiba Prefectural Museum of Art; Toyama Glass Art Museum; Hida Takayama Museum of Art; Narukawa Art Museum (Hakone-Lake Ashi).\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction date: circa 1988\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated box included\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: hand-blown glass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height approx. 7.5cm, diameter approx. 7.8cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"石井グラススタジオ","offers":[{"title":"Default Title","offer_id":47125283504315,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2321.jpg?v=1762099420"},{"product_id":"79","title":"Takeo Yoshida: `Kousho (Light Dress)` Hand-blown Crystal Ice Bowl, Large-scale Work #79","description":"\u003cp data-path-to-node=\"3\"\u003eYoshida Takeo (1916-2002) was an artist who made a significant contribution to the development of glass art in postwar Japan. His pen name was \"Okibito\" (fireman), and he created a world of work that embodied warmth and tranquility. He studied at the lacquerware department of the Department of Crafts at the Tokyo School of Fine Arts (now Tokyo University of the Arts), specializing in lacquerware. After his postwar pursuit of new materials, he switched to the field of glass.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eYoshida joined Kagami Crystal Manufacturing (now Kagami Crystal), Japan's first factory specializing in crystal glass, in 1935 (Showa 10), as a student of the company's founder, Kagami Kozo. Throughout the turbulent times of war and postwar Japan, he remained at the company's headquarters in Nishirokugo, Ota Ward, from 1949 onwards, holding key positions such as Director of the Crafts Department and Managing Director. Through his many years of experience in production here, particularly his highly demanding work in creating items for the Imperial Household and gifts for state guests, Yoshida developed a unique style of expression that combined the creative sensibility of traditional crafts with the modern material of crystal glass.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eWhile Yoshida's works are based on the \"beauty of utility\" found in tea ceremony utensils, flower vases, and sake cups, they also display a tranquil and refined beauty through the transparency of the materials and the refraction of light. After retiring from Kagami Crystal in 1978 (Showa 53) and going independent, he established his own studio, \"Yoshida Takeo Crystal Crafts,\" in Ibaraki Prefecture. Devoting himself to highly artistic creative endeavors that transcend organizational boundaries, he has produced numerous masterpieces that harmonize smooth textures with organic forms, as exemplified by his signature work, \"Date Gourd\" (1988, National Crafts Museum). His natural-themed sculptures, such as gourds and buds, are imbued with a sense of vitality and inner light, exuding the delicate sensibility and warmth of handwork that come from a background in lacquerware.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThis work, `Kousho (Light Dress)` is believed to have been specially commissioned by Sumitomo Trust Bank while Yoshida was employed at Kagami Crystal. It was created during a time when Yoshida was at the peak of his craft as a businessman, having been selected as a \"Contemporary Master Craftsman\" in 1974. Unlike his later independent works, it displays the refined and refined aesthetic unique to his time as a corporate workshop. This beautiful piece features light flowing like a trailing hem across the crystal's transparent white space. True to its name, this vessel, adorned as if wrapped in light, also excels as an ice bowl, adding a touch of elegance to everyday moments. The thick crystal holds the ice, and the soft, swaying shadows of light envelop the vessel like the hem of a garment. The harmony of the ice and glass, along with the tranquil beauty of the light, creates a rich and unforgettable experience.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eArtist\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e: Takeo Yoshida (1916-2002)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThe artist's notable achievements include: [\u003c\/span\u003e 1974] \u003cstrong\u003eAwarded the Minister of Labor's Commendation as a Contemporary Master Craftsman\u003c\/strong\u003e ; [1977] Selected for the 24th Japan Traditional Art Crafts Exhibition for the first time; [1981] Awarded the Tokyo Governor's Award at the 28th Japan Traditional Art Crafts Exhibition; [1986] Awarded the Medal with Yellow Ribbon; \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e[1988] His representative work, \"Date Gourd,\" is in the collection of the National Crafts Museum;\u003c\/span\u003e \u003cstrong\u003e[1990] Awarded the Minister of International Trade and Industry's Award (Traditional Craft Industry Outstanding Technician Award)\u003c\/strong\u003e ; [1992]\u003cspan data-path-to-node=\"4,5,0\" data-index-in-node=\"0\"\u003e \u003c\/span\u003eHe was awarded the Order of the Sacred Treasure, Fifth Class, and in 1995 received the Japan Crafts Association Holder's Award at the 42nd Japan Traditional Crafts Exhibition. \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eTitle: Kousho (Light Dress)\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction year: 1970s (estimated)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated wooden box\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Hand-blown glass, crystal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height approx. 23cm, width approx. 20cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eSpecial notes: There are small internal bubbles, cloudiness, and scratches due to manufacturing, but no notable damage after manufacturing is found.\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47134669177019,"sku":null,"price":120000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2470.jpg?v=1762763500"},{"product_id":"87","title":"Living National Treasure Kitamura Shinichi's masterpiece: The Silver Arbor, Lost-wax casting (Rōgata) silver and blown glass sake cup #87","description":"\u003cp data-path-to-node=\"6\"\u003eThis sake vessel, titled Wax-mold Cast Silver and Blown Glass Sakazuki, is a masterpiece that distills the exceptional techniques of Kitamura Shinichi, a Living National Treasure. It is an extremely rare piece that demonstrates the depth of the artist's exploration, beautifully fusing the disparate materials and techniques of metalwork and glass craftsmanship.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eBorn in 1952, Kitamura Shinichi is a metal artist who was certified in 2019 as a Preserver of the Important Intangible Cultural Property of Wax-mold Casting. This vessel is an exquisite creation utilizing those traditional techniques. Because silver, which is a metal, and glass have vastly different melting points and thermal expansion coefficients, the task of completely integrating the two requires extremely advanced skill to overcome the risk of bursting or cracking from thermal shock. This work features an ingenious structure that overcomes this challenge by blowing glass into a silver framework shaped like a tree. The silver ornamentation is characterized by an organic texture with numerous perforations and a form resembling a powerful, undulating tree trunk, creating a fantastical beauty.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThis piece is presumed to be an ambitious work from around the year 2000 (Heisei 12), a period of maturity in Kitamura's creative career during which he pursued the ultimate in technical fusion and decorativeness. The silver portion features a delicate design reminiscent of extending branches and leaves, evoking both the vitality of nature and a sense of tranquil beauty. When a drink is poured, light reflects through the intricate gaps in the silver, emitting a quiet radiance unlike any other. The expression of this light changes over time and projects various shadows depending on the viewing angle. The ability to appreciate the sophisticated craftsmanship of a Living National Treasure through an everyday vessel is one of this work's greatest charms. Fusions of glass with such complex silver motifs are rare even within Kitamura's body of work, making this a precious collector's item worthy of high acclaim for both its artistic and technical merit.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eArtist: Kitamura Shinichi (1952-present)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eArtist's major activities: [2019] Certified as a holder of the Important Intangible Cultural Property \"Lost-wax casting (Rōgata)\" (Living National Treasure)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction date: circa 2000\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated box included\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Silver, glass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height 7.5cm, diameter 5.5cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 42, 0);\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\" class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eSpecial note: As this is a silver product, discoloration due to oxidation of silver may occur.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47170608365755,"sku":null,"price":550000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2601.jpg?v=1763175269"},{"product_id":"88","title":"Iwata Toshichi's Ashtray, Purple cherry blossom #88","description":"\u003cp\u003eThis ashtray is a symbol of the colorful style of Iwata Toshichi (1893–1980), a pioneer of contemporary Japanese glass art. The artist's spirit and artistic exploration of color are condensed within the solid block of glass.\u003c\/p\u003e\n\u003cp\u003eThe most distinctive feature of this piece \u003cb\u003eis the deep purple (maroon or purple-red) speckles that blend intricately from the bottom to the top of the glass. Encased in a layer of transparent glass, these speckles are dispersed with countless tiny air bubbles, almost as if they were alive, and when light passes through them, depending on the angle from which it is viewed, they project a fantastical scene reminiscent of a swarm of cherry blossom petals, the colors of spring in Japan\u003c\/b\u003e .\u003c\/p\u003e\n\u003cp\u003eThe shape is close to a square, but each corner is designed to curve upwards, giving it a highly artistic form that is suitable not only as an ashtray but also as \u003cb\u003ean Art Deco or mid-century objet d'art\u003c\/b\u003e . When you pick it up, you can feel the inherent weight of glass and it feels solid and stable.\u003c\/p\u003e\n\u003cp\u003eThe intricately colored glass used in this piece changes color dramatically depending on the lighting conditions. Depending on the light intensity and angle, as well as the type of monitor you are viewing the photo on, the color may appear reddish purple, deep brown, or warm pink. We hope you enjoy the unique color transitions.\u003c\/p\u003e\n\u003cp\u003eThis is a valuable collectible item that combines the magic of color of Iwata Toshichi with the organic beauty that is unique to hand-blown glass.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eArtist\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e: Iwata Toshichi (1893–1980)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThe artist's notable achievements: [1943] Certified as a Class A Art Preservation Qualification, [1951] Awarded the Japan Art Academy Prize, [1970] Awarded the Person of Cultural Merit, [1980] Awarded the Order of the Treasure, Second Class\u003c\/span\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction date: circa 1960 (estimated)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Hand-blown glass, crystal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: Height approx. 8.3cm, width approx. 13.6cm, weight approx. 940g\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eSpecial notes: There are small internal bubbles, cloudiness, and scratches due to manufacturing, but no notable damage after manufacturing is found.\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47184885252283,"sku":null,"price":20000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2649.jpg?v=1763384118"},{"product_id":"94","title":"Hand-blown glass jellyfish by Koji Ishii #94","description":"\u003cp data-path-to-node=\"5\"\u003eThis beautiful sake vessel is a work by Koji Ishii (1946–1996), a leading Japanese glass artist. Koji Ishii is renowned for his fantastical jellyfish-inspired works, using a unique inclusion technique to trap colors and motifs within the glass, expressing a sense of transparency and suspension evocative of the deep sea.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThis sake vessel is also believed to be based on the jellyfish motif. Within the transparent interior of the glass, gold leaf and multicolored glass granules are trapped as if melting together, expressing a fantastical shimmer evocative of jellyfish tentacles drifting in water or the light sparkling within its body. The thin white glass lines depict the graceful movements of the jellyfish and the trajectory of life emerging from the darkness of the deep sea, further accentuating the depth and sense of suspension through the reflection of light.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eEach piece is a one-of-a-kind handmade work, and the artist's high technical skill and artistry are evident in the shape of the glass, the substantial construction of the base, and the meticulous finish of the white wrap-around applied to the rim. Merging traditional Japanese craft beauty with a modern sensibility, this piece is a masterpiece of high artistic value. The accompanying original wooden box (tomobako) and the shiori leaflet signed by the artist guarantee that this is an authentic work.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"9\"\u003eProduced by: Ishii Glass Studio Co., Ltd.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003eArtist: Koji Ishii\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003eNotable Activities: [1979] Work exhibited at Japan New Face II and purchased by Her Imperial Highness Princess Chichibu; [1985] Designed the silhouette bottle for Sanwa Shurui's Iichiko and won a special prize at the Japan Package Design Competition; [1985] Won a special prize at the Seibu Crafts Grand Prize Exhibition; [1994] Held the solo exhibition Symphony of Light and Wind: GLASS Koji Ishii at the Narukawa Museum of Art in Hakone.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003eMajor Collections: The National Museum of Modern Art, Tokyo; Aomori Museum of Art; Chiba Prefectural Museum of Art; Toyama Glass Art Museum; Hida Takayama Museum of Art; Narukawa Art Museum (Hakone-Lake Ashi).\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction period: 1980s-1990s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated wooden box, outer box, wrapping cloth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: hand-blown glass\u003c\/span\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height approx. 6.8cm, diameter approx. 7.8cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"石井グラススタジオ","offers":[{"title":"Default Title","offer_id":47203785113787,"sku":null,"price":30000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2833.jpg?v=1764137147"},{"product_id":"102","title":"Set of 2 hand-blown glass sake cups with a deep Jin pattern, made by Sakata Jinnai (Jin), in red and gold. #102","description":"\u003cp data-path-to-node=\"2\"\u003eThis hand-blown glass sake cup was created by Sakata Jinnai (Jin), a leading Japanese ceramic artist who has pioneered a unique artistic world across a wide range of fields, including spatial design and glass craft. The most distinctive feature of this work is its highly artistic design, which combines the artist's signature \"Shinjin\" pattern with vibrant red. The base features a delicately painted, flowing pattern reminiscent of waves and clouds, crafted in gold on passionate red glass. This pattern goes beyond mere decoration and can be said to visualize the invisible energy and fundamental flow of life. The artist's signature, \"Jin,\" is proudly inscribed in gold on the base, confirming its value as a unique piece.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eThe craftsmanship of the piece requires hand-blown glass, which requires advanced craftsmanship. Of particular note is the beauty of the \"cracked glass\" applied to the cup. Created by rapidly cooling high-temperature glass and then reheating it, these delicate, mesh-like cracks refract light in complex ways, creating a jewel-like sparkle when an amber-colored drink is poured into the piece. The contrasting structure of the smoothly curved cup and the powerful, substantial base embodies Jinnai's unique aesthetic, combining the opposing elements of delicacy and strength in a single vessel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eSakata Jinnai's creative philosophy is to \"convey the intangible spirit through tangible objects.\" In this glass, too, the slight fluctuations and randomness of each crack, which are unique to hand-blown glass, give the impression of the \"pulsation of life\" that cannot be found in mass-produced products.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe period of production is thought to date from the 2000s onwards, when Jinnai first applied the \"red and gold\" technique he had developed in ceramics to glass art, establishing himself as a highly acclaimed artist both in Japan and overseas. This glass cup, with its overwhelming presence that transforms an everyday moment into a special ritual, is a truly supreme work of art that invites the user into the \"abyss of beauty\" that the artist pursues.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eArtist: Sakata Jinnai (1943-present)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThe artist's notable activities include: [ \u003cspan\u003e2009]\u003c\/span\u003e \u003cspan\u003eInvited artist at the 1st Shanghai International Ceramic Living Art Expo; [2013] Donated a large magatama plate with deep-patterned gold leaf and leaf glass, \"The Radiance of Life,\" to the Izumo Taisha Grand Shrine Heisei Grand Shrine Relocation; [2013] Donated a large black porcelain plate with deep-patterned gold leaf and leaf, \"Homage to the Sun,\" to coincide with the Ise Grand Shrine Shikinen Sengu; [\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003e2014] Donated a deep-patterned gold leaf and leaf glass objet d'art, \"Yamanei,\" to Atsuta Shrine; [2014]\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003eDonated a pair of black porcelain engraved gold leaf and leaf boxes, \"Longevity,\" to Kameoka Hachiman Shrine (Mashiko Town).\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction year: 2000s (estimated)\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Glass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height 9.5cm, diameter 5.5cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47321141018811,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3102_2844e4a5-b9d4-4797-932f-edb11ef3e1b2.jpg?v=1766902565"},{"product_id":"103","title":"Hand-blown glass by Jin Sakata, red and gold glaze, Deep Jin Crest Glass #103","description":"\u003cp data-path-to-node=\"2\"\u003eThis hand-blown glass sake cup was created by Sakata Jinnai (Jin), a leading Japanese ceramic artist who has pioneered a unique artistic world across a wide range of fields, including spatial design and glass craft. The most distinctive feature of this work is its highly artistic design, which combines the artist's signature \"Shinjin\" pattern with vibrant red. The base features a delicately painted, flowing pattern reminiscent of waves and clouds, crafted in gold on passionate red glass. This pattern goes beyond mere decoration and can be said to visualize the invisible energy and fundamental flow of life. The artist's signature, \"Jin,\" is proudly inscribed in gold on the base, confirming its value as a unique piece.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eThe craftsmanship of the piece requires hand-blown glass, which requires advanced craftsmanship. Of particular note is the beauty of the \"cracked glass\" applied to the cup. Created by rapidly cooling high-temperature glass and then reheating it, these delicate, mesh-like cracks refract light in complex ways, creating a jewel-like sparkle when an amber-colored drink is poured into the piece. The contrasting structure of the smoothly curved cup and the powerful, substantial base embodies Jinnai's unique aesthetic, combining the opposing elements of delicacy and strength in a single vessel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eSakata Jinnai's creative philosophy is to \"convey the intangible spirit through tangible objects.\" In this glass, too, the slight fluctuations and randomness of each crack, which are unique to hand-blown glass, give the impression of the \"pulsation of life\" that cannot be found in mass-produced products.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe period of production is thought to date from the 2000s onwards, when Jinnai first applied the \"red and gold\" technique he had developed in ceramics to glass art, establishing himself as a highly acclaimed artist both in Japan and overseas. This glass cup, with its overwhelming presence that transforms an everyday moment into a special ritual, is a truly supreme work of art that invites the user into the \"abyss of beauty\" that the artist pursues.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eArtist: Sakata Jinnai (1943-present)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThe artist's notable activities include: [ \u003cspan\u003e2009]\u003c\/span\u003e \u003cspan\u003eInvited artist at the 1st Shanghai International Ceramic Living Art Expo; [2013] Donated a large magatama plate with deep-patterned gold leaf and leaf glass, \"The Radiance of Life,\" to the Izumo Taisha Grand Shrine Heisei Grand Shrine Relocation; [2013] Donated a large black porcelain plate with deep-patterned gold leaf and leaf, \"Homage to the Sun,\" to coincide with the Ise Grand Shrine Shikinen Sengu; [\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003e2014] Donated a deep-patterned gold leaf and leaf glass objet d'art, \"Yamanei,\" to Atsuta Shrine; [2014]\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003cspan\u003eDonated a pair of black porcelain engraved gold leaf and leaf boxes, \"Longevity,\" to Kameoka Hachiman Shrine (Mashiko Town).\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction period: 1990s-2000s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Glass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height 9.5cm, diameter 5.5cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47321142362299,"sku":null,"price":35000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3134.jpg?v=1766903066"},{"product_id":"116","title":"Murano Glass \"Coppa Barovier\" – A 1950s Artisanal Masterpiece of the Golden Era #116","description":"\u003cp data-path-to-node=\"11\"\u003eThis exquisite wedding bowl is a 1950s reproduction of the legendary \"Coppa Barovier,\" originally created around 1470 by the Renaissance master Angelo Barovier. Produced during the golden age of Murano glass revival by the prestigious workshop Ditta Albertini \u0026amp; Spezzamonte, this piece brings 15th-century romance into the modern era.\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eThe original bowl, currently a treasure of the Museo del Vetro in Murano, was commissioned to celebrate a noble wedding in the House of Este. This mid-century tribute preserves that heritage using traditional techniques: hand-blown cobalt blue glass decorated with multiple layers of genuine gold leaf and polychrome enamel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"13\"\u003eThe true charm of this piece lies in its authentic artisanal character. Unlike modern, sterile replicas, the hand-painted figures—the medallion portraits and the allegorical \"Fountain of Youth\"—showcase a distinctive, naive grace typical of 1950s studio work. Each brushstroke carries the warmth of the artisan's hand, offering a soulful, folk-art-inspired interpretation of the Renaissance symbols for love and prosperity.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eIn excellent vintage condition, this rare set remains complete with its original red suede-style presentation box and historic documentation. It is a unique opportunity to own a piece of Murano’s mid-century history that celebrates the timeless beauty of human imperfection and hand-crafted art.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduced by: Ditta Albertini \u0026amp; Spezzamonte\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eworkshop\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAbout the manufacturer: This prestigious workshop is based on the island of Murano, Italy. During the golden age of Murano glass in the 1950s, it was highly praised for reviving the advanced enamel coloring techniques of the medieval Renaissance, which had been on the verge of disappearance.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eTitle: Barovier Wedding Cup (Coppa Barovier)\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eYear of production: 1950s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated box (red suede), artwork commentary (English and Italian)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Murano crystal glass (cobalt blue), pure gold, multicolored enamel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height approx. 9cm, diameter approx. 9.5cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction technique: Cobalt glass is hand-blown, then hand-decorated one by one by skilled artisans using polychrome enamel and pure gold, and then fired.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAllegories depicted: The medallions depicting portraits of men and women, a lady on horseback, and women bathing in a fountain symbolize love, union, and prosperity in the aristocratic culture of the time.\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47335991771323,"sku":null,"price":70000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3383.jpg?v=1767779447"},{"product_id":"131","title":"Hand-blown glass rocks glass by Hisatoshi Iwata #131 ","description":"\u003cp\u003eThis is \"San,\" a work by Iwata Hisatoshi (1925-1994), one of Japan's leading glass artists. The word \"San\" \u003cspan\u003emeans \"brilliant, dazzling, and beautiful, like the light of a fire shining brightly,\" and as its\u003c\/span\u003e name suggests, it exudes a radiant presence. The entire piece is studded with delicate gold leaf, and when you hold it in your hand, it exudes a luxurious feel, as if you are embracing light. The yellowish exterior is actually made up of countless tiny pieces of gold leaf, and upon closer inspection, the beauty of the delicate goldwork emerges.\u003c\/p\u003e\n\u003cp data-end=\"698\" data-start=\"581\"\u003eFurthermore, the three-dimensional shape on the surface of the vessel is not only beautiful to look at, but also functional, allowing the glass to be held securely in one hand. The size is just right for pouring and enjoying whiskey, making this an exceptional product that will bring a touch of luxury to your everyday life. When enjoying Japanese whiskey, why not try using a Japanese glass?\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduced by: Iwata Hisatoshi Studio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAuthor: Iwata Hisatoshi\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThe artist's notable achievements include the Minister of Education Award at the Nitten Exhibition in 1976 and the Japan Art Academy Award in 1982.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003ePublic Collections: The National Museum of Modern Art, Tokyo, The National Museum of Modern Art, Kyoto, Hokkaido Museum of Modern Art, The Japan Art Academy, The Metropolitan Museum of Art, New York, The Corning Museum of Glass, New York, Museum Kunstpalast, Düsseldorf, Musée des Arts Décoratifs, Paris, and others.\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction year: Around 1986\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: hand-blown\u003c\/span\u003e glass\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height approx. 8.2cm, diameter approx. 8.5cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"岩田久利","offers":[{"title":"Default Title","offer_id":47355717812411,"sku":null,"price":20000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3643.jpg?v=1768560194"},{"product_id":"139","title":"Takeo Yoshida's late-life hand-blown crystal sake cup \"Light Sculpture\" #139","description":"\u003cp data-path-to-node=\"1\"\u003eThis crystal sake cup, created by Takeo Yoshida (1916-2002), a leading glass artist of the Showa era, is a supreme piece that embodies the extremely high purity of the material and his creative philosophy of skillfully manipulating the refraction of light. Takeo Yoshida was an artist who dedicated his life not to the pursuit of flashy decoration or new techniques, but to sincerely engaging with the pure material of crystal glass and bringing out its transparency. This philosophy is strongly reflected in this work, whose geometric composition, free of unnecessary decoration, accentuates the beauty of the material.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eParticularly eye-catching is the profound \"sculptural chamfering\" on the base. The sharp cuts, which seem as if light has been sharply carved out of a block of glass, are a design style that is synonymous with the artist, and perfectly embody the aesthetic beauty he pursued by \"giving form to the structure of light.\" Another major highlight of this piece is the single round air bubble intentionally trapped in the center of the thick base's bottom. Located in a space that has been stripped of impurities to the utmost extent, this single particle of air focuses the light reflected by the surrounding chamfered cuts toward its center, giving off a mysterious glow like that of a silvery jewel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe bowl for pouring sake is a neat cylinder, but a closer look at its base reveals a delicate engraved pattern reminiscent of flowing water or wind, lending a soft nuance to the hard crystal. Though the piece measures a modest 3.5cm wide and 8.0cm high, holding it conveys the comfortable weight and solid mass characteristic of crystal in the palm of your hand. The bold \"Made by Takeo\" signature and seal inscribed on the accompanying box symbolize the pride of the artist, who has continually questioned the true value of the material. This piece, which incorporates light itself as part of its design, is a masterpiece that fully expresses Takeo Yoshida's exceptional sensibility through the contrast between its clean lines and the single air bubble at the base.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eArtist\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e: Takeo Yoshida (1916-2002)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eArtist's most notable career: [\u003c\/span\u003e 1974]\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cstrong\u003eHe received the Minister of Labor's Award as a Contemporary Master Craftsman\u003c\/strong\u003e , was selected for the 24th Japan Traditional Crafts Exhibition for the first time in 1977, won the Tokyo Governor's Award at the 28th Japan Traditional Crafts Exhibition in 1981, was awarded the Medal with Yellow Ribbon in 1986, and \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ehis masterpiece \"Date Gourd\" is now in the collection of the National Crafts Museum in\u003c\/span\u003e \u003cstrong\u003e1988. He received the Minister of International Trade and Industry's Award (Traditional Crafts Industry Outstanding Technician Award) in 1990\u003c\/strong\u003e , and in 1992.\u003cspan data-path-to-node=\"4,5,0\" data-index-in-node=\"0\"\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003eHe was awarded the Order of the Sacred Treasure, Fifth Class, and in 1995 received the Japan Crafts Association Holder's Award at the 42nd Japan Traditional Crafts Exhibition. \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction year: 1980s (estimated)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated wooden box\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Hand-blown glass, crystal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height approx. 8cm, width approx. 3.5cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47381244215483,"sku":null,"price":27000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3939.jpg?v=1769161610"},{"product_id":"154","title":"Kutani ware grape crest horse cup made by KAMIDE CHOEMON kiln (KAMIDE CHOEMON, 4th generation Kentaro Kamide) #154","description":"\u003cp data-path-to-node=\"3\"\u003eThis elegant \"Grape Design Horseback Riding Cup\" was created by Kamide Kentaro, the fourth generation master of the prestigious Kutani ware kiln, \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eKamide Choemon\u003c\/span\u003e . Kentaro studied applied chemistry at the Faculty of Engineering at Toyama University, and is believed to be a work from his prime, around the late 1970s or 1980s, when his scientific approach to glazes and color development bore fruit.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003e The core of the design is the deep, vivid indigo \"Choemon Blue\" that is synonymous with the kiln, and a fresh grape pattern in the traditional five colors of Kutani on a thick surface. The grapes, which symbolize fertility and prosperity, are painted with meticulous brushwork, beautifully embellishing the elegant and dignified shape of the horse-riding cup.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e Although this work is made of pottery, the sound that resonates when the glasses touch each other is by no means dull. The delicate, refreshing tone resonates beautifully, like the ringing of a metal bell, allowing all five senses to experience the high purity of the material and the exquisite craftsmanship. The \"refreshing, bell-like sound\" is also evidence of the high density of the clay and the extremely high level of skill with which it was fired.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003e The details of this piece are exemplified by the skilled craftsmanship behind the illustrious achievements, such as receiving the Ministry of International Trade and Industry Director-General's Award in 1984 and producing a gift for the Imperial Family (the Crown Prince and Princess at the time) in 1985. In addition to its artistic value, this masterpiece is also extremely valuable as a historical document that conveys the authenticity of Kutani ware to the present day.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduced by: KAMIDE CHOEMON (4th generation Kentaro Kamide)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAbout Kamide Choemon Kiln: Founded in 1879, Kamide Choemon Kiln is a prestigious Kutani ware manufacturer representing Ishikawa Prefecture. Committed to consistent handcrafting, it is known for its elegant style, featuring vibrant \"Choemon Blue\" blue and white porcelain and five colors. The refined beauty of its ware, backed by a history of presentation to the Imperial Household and scientific evidence, is highly regarded both at home and abroad.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThe artist's notable achievements include: [1957] Received the Ishikawa Prefectural Governor's Award at the New Tableware Exhibition, [1969] Donated a \"vase\" at the request of Meiji Shrine, [1983] Received an Honorable Mention Award at the Kutani Ware Traditional Crafts Exhibition, [1984] Received the Ministry of International Trade and Industry Director-General's Award at the National Traditional Crafts Exhibition, [1985] Created tableware for the Crown Prince and Princess (now the Emperor and Empress Emerita) when they visited the prefecture.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction period: 1970s to early 1980s\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated wooden box, instruction manual (bookmark), wrapping cloth\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Kutani ware (ceramics)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\n\n \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height approx. 9cm, diameter approx. 6cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"151\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47400412807355,"sku":null,"price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4028.jpg?v=1770885309"},{"product_id":"156","title":"Hiroshima Prefectural Important Intangible Cultural Property, Yasuhide Uchida, Late Mature Period, 1980 Masterpiece of Pottery, Lost and Visionary Technique \"Hyori Kantsu Nishiki Neriage\" Ceramic Rock Glass #156","description":"\u003cdiv dir=\"ltr\" aria-busy=\"false\" aria-live=\"polite\" id=\"model-response-message-contentr_460f7b4b0b04bce1\" class=\"markdown markdown-main-panel stronger enable-updated-hr-color\"\u003e\n\u003cp data-path-to-node=\"6\"\u003eYasuhide Uchida is a ceramic artist hailed as a solitary legend in the history of Showa era ceramics. Following immense acclaim at the 1970 Osaka Expo and his subsequent research at the Manufacture nationale de Sèvres, the prestigious national porcelain manufactory of France, he reached a unique artistic pinnacle that harmoniously fused Japanese and French aesthetics. This piece is a miraculous masterpiece created by Uchida during his final years at age 87, a work of such dedication that it took five full months to bring just a single cup to completion.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eAt first glance, the intricate patterns might appear to be beautiful designs painted with a brush. However, the true marvel of this work lies in the fact that these colors and motifs are not created using any pigments or surface painting at all. Instead, they are the result of the lost, phantom technique known as Hyori Kantsu Nishiki Neriagede (Surface-to-Reverse Penetration Brocade Marbling). Clays colored with various metal oxides are assembled like a complex puzzle based on precise calculations, forming the pattern itself as the very structure of the clay body.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThe fantastical flowers appearing at the center of the work, set against a blue mosaic background reminiscent of pond ripples, evoke Claude Monet's Water Lilies. In works like this, which utilize different colored clays, the risk of cracking at the joints is extremely high due to varying shrinkage rates during firing, and any flaws cannot be hidden with glaze. Uchida utilized the advanced techniques he honed at Sèvres to overcome these grueling conditions, achieving vivid, clear colors without turbidity and a robust, flawless finish.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe most defining characteristic is the surface-to-reverse penetration. When peering into the glass, one will be breathless to find that the complex patterns on the exterior extend perfectly through to the interior and even the base without the slightest deviation. This is evidence of the flawless layering of the clay strata and represents a supreme structural beauty imbued with a wish for peace without a back side (sincerity without duplicity) by Uchida, who was a native of the atomic-bombed city of Hiroshima.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eWhen amber whiskey is poured into the glass, the intricate patterns shimmer like a kaleidoscope within the liquid, revealing a new, breathtaking landscape. This is the world of Nishiki (Brocade) where five months of passion and technique are encapsulated. To savor fine spirits in this ultimate rock glass is a luxurious cultural privilege that transcends a mere evening drink.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003eArtist: Uchida Yasuhide (1893–1997)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eNotable Career Highlights: [1952] Solo exhibition at Mitsukoshi Nihonbashi Main Store; [1960s] Studied color and porcelain techniques at the Manufacture nationale de Sèvres in France; [1965] Designated as an Intangible Cultural Property of Miyoshi City; [1970] Exhibited at the Osaka Expo (EXPO'70); [1973] Recognized as a Holder of an Important Intangible Cultural Property of Hiroshima Prefecture.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eDate of Production: April 1980 (Showa 55). Inscribed on the back of the box: Produced over five months, April 1980.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eCondition: Excellent (no chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eAccessories: Original wooden box, wrapping cloth (with signature and seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eMaterial: Nishiki Neriage-de (Ceramic, Through-and-Through technique)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eDimensions: Height approx. 6.5 cm, Diameter approx. 7.4 cm (approximate)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eNote: Although the products we offer may be unused, they were produced many years ago and are listed as vintage\/pre-owned items. Please be aware that products may show signs of aging. We appreciate your understanding and careful review before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47416312070331,"sku":null,"price":155000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4124.jpg?v=1770887564"},{"product_id":"157","title":"Katsumi Eguchi: Masterpiece of His Prime - Washi-Dye Floral Motif, Supreme Whiskey Rock Glass Set of Two #157","description":"\u003cp\u003eEguchi Katsumi (1936–), a master craftsman who revived the Koyamaji Kiln in 1968, is the authentic successor of the Nanbu Kokaratsu tradition in Takeo, Saga Prefecture, which dates back to the late Momoyama period. Celebrating his 88th birthday (Beiju) in 2024, he remains a living legend of Hizen ceramics. This pair of vessels fuses the solemnity of traditional Oribe Karatsu with his original decorative aesthetic, creating a supreme work coveted by discerning craft collectors. The heart of this work is the Washizome (washi-dyeing) technique, which involves adhering thin washi paper to the bisque-fired surface to allow pigments to permeate. This creates a dreamlike gradation—as if the colors are seeping through the gaps in the fibers—that is impossible to achieve through direct brushwork. Eguchi has meticulously calculated the mineral components of the clay and the absorption rates of the pigments; while the indigo and brown floral petals possess the transparency of watercolors, the colors are permanently fused deep into the ceramic body through high-temperature firing.\u003c\/p\u003e\n\u003cp\u003eThe voluminous form, standing 8.5 cm high and 8.4 cm in diameter, represents the pinnacle of Eguchi's aesthetic, which reached its maturity around the late 1980s to early 1990s. This was the era when he won the Prime Minister's Award and his works were acquired by the Victoria and Albert Museum in the UK. The delicate crazing (kannyu) covering the surface is a natural decoration born from the differing shrinkage rates of clay and glaze. When amber whiskey is poured, these intricate patterns come into sharp focus through the liquid. The friction of the ice and the warmth of the hands cause the ceramic to exhibit subtle changes in expression, as if the vessel itself were breathing. This pair encapsulates the artisan's skill that earned him the honor of having his techniques officially recorded by the government and presenting his works to the Crown Prince and Prince Takamatsu.\u003c\/p\u003e\n\u003cp\u003eThe powerful carving of the base demonstrates the structural stability required to support his superb techniques, such as Washizome Kurinuki (hollow-carving), sublimating the rustic charm of Oribe Karatsu once beloved by tea masters into the ultimate modern drinking vessel. To experience the passion of Eguchi Katsumi—who redefined a fading tradition and won national acclaim—alongside a golden aged spirit is a cultural privilege reserved for those who recognize true value.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eArtist: Eguchi Katsumi (1936–)\u003c\/li\u003e\n\u003cli\u003eRepresentative Career Highlights: [1961: West Japan Crafts Exhibition, Asahi Shimbun Prize (Special Award)], [1962: National Prefectural Selection Exhibition, Minister of Education Award], [1972: 19th Japan Traditional Crafts Exhibition, Grand Prize (Asahi Shimbun Prize)], [1979: 5th Japan Ceramic Art Exhibition, Excellent Work Award], [1981: 26th Japan Traditional Crafts Exhibition, Encouragement Award], [1983: West Japan Ceramic Art Exhibition, Grand Prize (Prime Minister's Award)], [1985: Japan Ceramic Society Award] \u0026nbsp;\u003c\/li\u003e\n\u003cli\u003eProduction Period: Circa 1989 to early 1990s\u003c\/li\u003e\n\u003cli\u003eCondition: Excellent (No chips, no cracks)\u003c\/li\u003e\n\u003cli\u003eAccessories: Original wooden box, artist's profile (insert) Material: Ceramic (Pottery)\u003c\/li\u003e\n\u003cli\u003eDimensions: Height approx. 8.5 cm, Diameter approx. 8.4 cm\u003c\/li\u003e\n\u003cli\u003eNote: Of this two-piece set,\u003cstrong\u003e \u003c\/strong\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003ethe cup on the left (with the brown floral pattern) features a deep \"Kannyu\" (crazing) extending from the rim to the body, where a slight catch can be felt with a fingertip. While this does not currently affect the structural integrity or functional use\u003c\/span\u003e, we have explicitly noted it here as a reflection of the proprietor's commitment to transparency regarding the unique characteristics of vintage ceramics. In consideration of this, we are offering this masterpiece from the artist’s peak period at a special discounted price.\u003c\/li\u003e\n\u003cli\u003eNote: Although the products we offer may be unused, they were produced many years ago and are listed as vintage\/pre-owned items. Please be aware that products may show signs of aging. We appreciate your understanding and careful review before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47446953361595,"sku":null,"price":30000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4149.jpg?v=1770884565"},{"product_id":"158","title":"Hiroshima Prefectural Important Intangible Cultural Property, Yasuhide Uchida, Late Mature Period, 1977 Masterpiece, Lost and Visionary Technique \"Hyori Kantsu Nishiki Neriage\" Ceramic Rock Glasses (2-Piece Set) #158","description":"\u003cdiv dir=\"ltr\" aria-busy=\"false\" aria-live=\"polite\" id=\"model-response-message-contentr_460f7b4b0b04bce1\" class=\"markdown markdown-main-panel stronger enable-updated-hr-color\"\u003e\n\u003cp data-path-to-node=\"7\"\u003eYasuhide Uchida is a ceramic artist hailed as a solitary legend in the history of Showa era ceramics. Following immense acclaim at the 1970 Osaka Expo and his subsequent research at the prestigious Manufacture nationale de Sèvres in France, he reached a unique artistic pinnacle that harmoniously fused Japanese and French aesthetics. This specific work, Hyori Kantsu Nishiki Neriage (Surface-to-Reverse Penetration Brocade Marbling), was created in July 1977 (Showa 52), a time when Uchida's technique had reached its full maturity and was approaching its absolute peak. On the reverse side of the accompanying original wooden box (tomobako), there is an ink inscription that reads July 24, Showa 52, Intangible Cultural Property, making this a pair of historical significance where years of dedicated study are kneaded into every single grain of clay.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eAt first glance, the intricate patterns might appear to be beautiful designs painted with a brush. However, the true marvel of this work lies in the fact that these colors and motifs are not created using any pigments or surface painting at all. They are the result of the lost, phantom technique known as Hyori Kantsu Nishiki Neriage. Clays colored with various metal oxides are assembled like a complex puzzle based on precise calculations, forming the pattern itself as the very structure of the clay body. Because different colored clays shrink at different rates during firing, the risk of cracking at the joints is extremely high, and any flaws cannot be hidden with glaze. While most works with such multi-colored and complex patterns would crack during firing, Uchida utilized the exceptional skills he honed at Sèvres to achieve vivid, clear colors without turbidity and a robust, flawless finish.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eUnique discolorations caused during firing can be seen on the surface, but in Uchida's work, these are by no means defects. They are the traces of a battle in which different clays fiercely pulled against one another under grueling heat, eventually merging and sublimating into a single entity. This expression, which looks as if the flickering of the flames themselves has been captured, is the scenery (keshiki) unique to fine kōgei (craft) and absent in industrial products; it is the steadfast proof that this work is a one-of-a-kind piece that survived the harsh kiln fire. Furthermore, the most defining characteristic, surface-to-reverse penetration, means that the complex patterns on the exterior extend perfectly through to the interior and even the base without the slightest deviation. This is evidence of the flawless layering of the clay strata and represents a supreme structural beauty imbued with a wish for peace without a back side (sincerity without duplicity) by Uchida, who was a native of the atomic-bombed city of Hiroshima.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eWe propose this historical Japanese masterpiece not merely as a teacup, but as a supreme whisky rock glass worthy of its esteemed status. When held in the hand, one can feel the profound weight of the kneaded clay and the intricate textures of the patterns beneath the fingertips. The moment amber whisky is poured in, the geometric motifs that penetrate through to the interior shimmer like a kaleidoscope within the liquid, revealing a new, breathtaking landscape at the bottom of the glass. This time spent where fine spirits meld with passion that has not faded after nearly fifty years will be a luxurious cultural privilege that transcends a mere evening drink.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003eArtist: Uchida Yasuhide (1893–1997)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eNotable Career Highlights: [1952] Solo exhibition at Mitsukoshi Nihonbashi Main Store; [1960s] Studied color and porcelain techniques at the Manufacture nationale de Sèvres in France; [1965] Designated as an Intangible Cultural Property of Miyoshi City; [1970] Exhibited at the Osaka Expo (EXPO'70); [1973] Recognized as a Holder of an Important Intangible Cultural Property of Hiroshima Prefecture.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eDate of Production: July 1977 (Showa 52). *Note: The back of the original wooden box (tomobako) bears an ink inscription that reads: July 24, Showa 52, Intangible Cultural Property.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eCondition: Excellent (no chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eAccessories: Original wooden box, wrapping cloth (with signature and seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eMaterial: Nishiki Neriage-de (Ceramic, Through-and-Through technique)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eDimensions: [Large] Height: Approx. 7.5cm, Diameter: Approx. 7.4cm \/ [Small] Height: Approx. 7cm, Diameter: Approx. 6cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eNote: Although the products we offer may be unused, they were produced many years ago and are listed as vintage\/pre-owned items. Please be aware that products may show signs of aging. We appreciate your understanding and careful review before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47454026793147,"sku":null,"price":145000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4188.jpg?v=1771241582"},{"product_id":"159","title":"Koji Ishii Hand-blown Art Glass Gold-decorated Knot Motif Sake Cup, 1 Piece #159","description":"\u003cp data-path-to-node=\"6\"\u003eKoji Ishii (1946–1996) was a pioneer who infused Western glass crafts with a uniquely Japanese sensibility and a traditional Japanese aesthetic. Even after his passing in 1996, he continues to receive enthusiastic praise from collectors around the world. This work, a Hand-blown Glass Gold-decorated Sake Cup, embodies the refined aesthetics of Ishii's prime from the late 1980s to the mid-1990s, making it truly worthy of being called a masterpiece for the table.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eThe greatest appeal of Ishii's work lies in the tranquil and elegant texture of the frosted finish, evocative of the harsh winters of northern Japan. The lavish gold decoration that adorns the matte glass surface is more than just a superficial ornament; by contrasting it with the frosted texture, it exudes a profound brilliance that changes its expression depending on the angle of the light. Of particular note is the Musubi (knot) motif around the midsection. In Japanese culture, knots are considered sacred symbols that connect people and hearts. Expressing this in glass, which begins to harden the instant it is removed from the heat, requires extremely advanced craftsmanship. The way the glass curves, like unwavering brushstrokes, embrace the gold work is a true embodiment of Ishii's pursuit of the Japanese aesthetic.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eFurthermore, the structure of a stemmed sake cup like this one is among the most difficult shapes to create in the field of glass art. During the hand-blown molding process, the thin stem is subjected to extreme thermal stress, often leading to breakage or distortion during the cooling stage. Completing such a piece requires extraordinary concentration and skilled technique. Ishii's signature engraved on the bottom is proof that it is an authentic work that has overcome this rigorous process and passed strict inspection. This sake cup, which has been carefully preserved along with its original box, goes beyond its function as a simple drinking vessel, conveying the passion and creative intensity that Koji Ishii poured into his glass every time it rests in the owner's hand.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"9\"\u003eProduced by: Ishii Glass Studio Co., Ltd.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003eArtist: Koji Ishii\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003eNotable Activities: [1979] Work exhibited at Japan New Face II and purchased by Her Imperial Highness Princess Chichibu; [1985] Designed the silhouette bottle for Sanwa Shurui's Iichiko and won a special prize at the Japan Package Design Competition; [1985] Won a special prize at the Seibu Crafts Grand Prize Exhibition; [1994] Held the solo exhibition Symphony of Light and Wind: GLASS Koji Ishii at the Narukawa Museum of Art in Hakone.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003eMajor Collections: The National Museum of Modern Art, Tokyo; Aomori Museum of Art; Chiba Prefectural Museum of Art; Toyama Glass Art Museum; Hida Takayama Museum of Art; Narukawa Art Museum (Hakone-Lake Ashi).\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003eProduction Era: Late 1980s to mid-1990s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003eCondition: Very good (no chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003eAccessories: Original box and informational brochure included Material: Hand-blown glass\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003eDimensions: Height approx. 10cm, Diameter approx. 6cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003ePlease note: Even if the products we offer are brand new and unused, they are vintage items from an older production era and are listed as second-hand. Items may show signs of age-related wear. Please review the details carefully before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"石井グラススタジオ","offers":[{"title":"Default Title","offer_id":47466202595515,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4243.jpg?v=1771762390"},{"product_id":"160","title":"Hand-blown Art Glass by Hisatoshi Iwata, Kin-aka Kiriko (Gold Ruby Glass) Rocks Glass, 1 Piece, #160","description":"\u003cp data-path-to-node=\"4\"\u003e\u003cspan class=\"\"\u003eThis Kin-aka Kiriko created by the master of contemporary glass art,\u003c\/span\u003e\u003cspan class=\"\"\u003e Hisatoshi Iwata (1925–1994),\u003c\/span\u003e\u003cspan class=\"\"\u003e is more than just a vessel; it is a gem of an art piece that captures the memories of light and heat.\u003c\/span\u003e\u003cspan class=\"\"\u003e Together with his father,\u003c\/span\u003e\u003cspan class=\"\"\u003e Toshichi Iwata,\u003c\/span\u003e\u003cspan class=\"\"\u003e Hisatoshi elevated Japanese glass art from utility tools to pure art.\u003c\/span\u003e\u003cspan class=\"\"\u003e The reason why his works continue to fascinate enthusiasts around the world lies in the overwhelming depth of their colors and the sculptural power that draws out the vitality of the material.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cspan class=\"\"\u003eThe soul of this piece is the supreme coloring technique known as Kin-aka,\u003c\/span\u003e\u003cspan class=\"\"\u003e also called Gold Ruby Glass.\u003c\/span\u003e\u003cspan class=\"\"\u003e This miraculous color is born only by mixing real pure gold into the glass raw material and repeatedly reheating it in a scorching furnace at temperatures exceeding 1,\u003c\/span\u003e\u003cspan class=\"\"\u003e000 degrees Celsius.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003e\u003cspan class=\"\"\u003eThe blending ratio of pure gold is a secret of the artist and the studio,\u003c\/span\u003e\u003cspan class=\"\"\u003e so it cannot be generalized,\u003c\/span\u003e\u003cspan class=\"\"\u003e but it is typically said that the content of pure gold (gold chloride solution) is approximately 0.\u003c\/span\u003e\u003cspan class=\"\"\u003e01% to 0.\u003c\/span\u003e\u003cspan class=\"\"\u003e03% relative to the glass material.\u003c\/span\u003e\u003cspan class=\"\"\u003e For instance,\u003c\/span\u003e\u003cspan class=\"\"\u003e if a piece weighs about 300g,\u003c\/span\u003e\u003cspan class=\"\"\u003e the amount of pure gold contained is calculated to be a mere 0.\u003c\/span\u003e\u003cspan class=\"\"\u003e03g to 0.\u003c\/span\u003e\u003cspan class=\"\"\u003e1g.\u003c\/span\u003e\u003cspan class=\"\"\u003e However,\u003c\/span\u003e\u003cspan class=\"\"\u003e the reason why Kin-aka glass works are so expensive is not simply due to the use of pure gold as a raw material.\u003c\/span\u003e\u003cspan class=\"\"\u003e It lies in the background of having to overcome the strict barrier of an extremely unstable yield (success rate).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cspan class=\"\"\u003eEven among works made of the same Kin-aka glass,\u003c\/span\u003e\u003cspan class=\"\"\u003e inexpensive items tend to have a thinner red layer,\u003c\/span\u003e\u003cspan class=\"\"\u003e which results in a weak contrast with the white parts when Kiriko cuts are applied.\u003c\/span\u003e\u003cspan class=\"\"\u003e However,\u003c\/span\u003e\u003cspan class=\"\"\u003e as seen in this piece,\u003c\/span\u003e\u003cspan class=\"\"\u003e those with a thick,\u003c\/span\u003e\u003cspan class=\"\"\u003e beautiful crimson layer and sharp cut edges possess a completely different sense of visual weight.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cspan class=\"\"\u003eTo achieve this vibrant red,\u003c\/span\u003e\u003cspan class=\"\"\u003e even a slight difference in the process carries the constant risk of wasting expensive gold,\u003c\/span\u003e\u003cspan class=\"\"\u003e and the extreme tension during the production process forms the foundation of this work's value.\u003c\/span\u003e\u003cspan class=\"\"\u003e In particular,\u003c\/span\u003e\u003cspan class=\"\"\u003e the process of reheating the once-molded glass to the appropriate temperature to dramatically develop the color of the gold particles is extremely difficult,\u003c\/span\u003e\u003cspan class=\"\"\u003e even for a master with great experience.\u003c\/span\u003e\u003cspan class=\"\"\u003e Even a slight temperature change causes the color to become cloudy,\u003c\/span\u003e\u003cspan class=\"\"\u003e and failure would result in the piece becoming nothing more than extremely high-cost waste material.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cspan class=\"\"\u003eNevertheless,\u003c\/span\u003e\u003cspan class=\"\"\u003e he pursued a deep dignity and transparency akin to a ruby—a quality that can never be reached with copper-red made from cheaper copper—and dared to invest precious metal.\u003c\/span\u003e\u003cspan class=\"\"\u003e This uncompromising pride of the artist and the fact that it is a unique piece that survived the rigorous selection process determine its rarity.\u003c\/span\u003e\u003cspan class=\"\"\u003e The deep yet transparent red that seems to burn from within is the very embodiment of the color of passion that Hisatoshi pursued throughout his life.\u003c\/span\u003e\u003cspan class=\"\"\u003e The bold and precise Kiriko cuts on the surface brilliantly scrape away this Kin-aka layer,\u003c\/span\u003e\u003cspan class=\"\"\u003e creating a vivid contrast with the transparent glass beneath and causing light to reflect diffusely like a gemstone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003e\u003cspan class=\"\"\u003eThe microscopic bubbles gently trapped within the glass and the soft texture unique to hand-blown glass are by no means defects.\u003c\/span\u003e\u003cspan class=\"\"\u003e They are traces of breath—something lost in modern industrial products—where the artist gathered glass from the crucible and breathed soul into it all at once.\u003c\/span\u003e\u003cspan class=\"\"\u003e Among antique collectors,\u003c\/span\u003e\u003cspan class=\"\"\u003e these are called keshiki (scenery) and are highly valued as aesthetic points that give the work a unique depth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003e\u003cspan class=\"\"\u003eWith an exquisite size of approximately 7.\u003c\/span\u003e\u003cspan class=\"\"\u003e8 cm in diameter and 6.\u003c\/span\u003e\u003cspan class=\"\"\u003e5 cm in height,\u003c\/span\u003e\u003cspan class=\"\"\u003e it shows a perfect harmony as a rocks glass for pouring amber-colored whiskey.\u003c\/span\u003e\u003cspan\u003e The liquid swaying through the Kin-aka Kiriko is the height of luxury,\u003c\/span\u003e\u003cspan\u003e transforming the time spent quietly sipping at the end of the day into a supreme ritual.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003e\u003cspan\u003eThe handwritten signature Hisatoshi (久利) on the bottom and the carefully preserved original box eloquently tell the story that this is an authentic work that has cleared Hisatoshi's strict aesthetic standards.\u003c\/span\u003e\u003cspan\u003e Now,\u003c\/span\u003e\u003cspan\u003e over 30 years after his passing,\u003c\/span\u003e\u003cspan\u003e with no new works being created,\u003c\/span\u003e\u003cspan\u003e acquiring such a well-conditioned posthumous work from his prime carries a special meaning that goes beyond mere ownership—it is the inheritance of culture.\u003c\/span\u003e\u003cspan\u003e This is a masterpiece that shines brilliantly in the history of Japanese glass craft,\u003c\/span\u003e\u003cspan\u003e embodying the madness and passion of 100 years ago that Antique Liquor 1926 continues to uphold.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cspan\u003eProduced by:\u003c\/span\u003e\u003cspan\u003e Hisatoshi Iwata Glass Studio \u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cspan\u003eArtist:\u003c\/span\u003e\u003cspan\u003e Hisatoshi Iwata \u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cspan\u003eArtist's Notable Activities:\u003c\/span\u003e\u003cspan\u003e [1976] Received the Minister of Education Award at Nitten; [1982] Received the Japan Art Academy Prize.\u003c\/span\u003e\u003cspan\u003e Production Period:\u003c\/span\u003e\u003cspan\u003e Late 1970s to early 1990s (estimated) Condition:\u003c\/span\u003e\u003cspan\u003e Very good (no chips or cracks) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cspan\u003eAccessories:\u003c\/span\u003e\u003cspan\u003e Original box and wrapping cloth included \u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cspan\u003eMaterial:\u003c\/span\u003e\u003cspan\u003e Hand-blown glass \u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cspan\u003eDimensions:\u003c\/span\u003e\u003cspan\u003e Approx.\u003c\/span\u003e\u003cspan\u003e 7.\u003c\/span\u003e\u003cspan\u003e8 cm in diameter,\u003c\/span\u003e\u003cspan\u003e 6.\u003c\/span\u003e\u003cspan\u003e5 cm in height\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cspan\u003ePlease Note①: Due to the presence of fine dust particles on the surface during photography, some images may appear to show air bubbles or scratches. Upon detailed inspection, there are no notable scratches, and internal air bubbles are extremely minimal. Please purchase with confidence.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cspan\u003ePlease note②:\u003c\/span\u003e\u003cspan\u003e Even if the products we offer are brand new and unused,\u003c\/span\u003e\u003cspan\u003e they are from a very old production period and are listed as second-hand items.\u003c\/span\u003e\u003cspan\u003e Please understand and confirm that the products may have damage due to aging before considering your purchase.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"岩田久利","offers":[{"title":"Default Title","offer_id":47466345693371,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4296.jpg?v=1771849402"},{"product_id":"161","title":"Jun Fujita's Hand-Blown Glass Large Sake Cup: A Rare Piece by a Nationally Renowned Artist #161","description":"\u003cp data-path-to-node=\"7\"\u003eJun Fujita (b. 1951) is a leading figure in contemporary Japanese glass art, having embarked on his creative journey in 1979 after graduating from the Department of Philosophy, Faculty of Letters at Gakushuin University. Since the 1980s, Fujita has garnered extensive acclaim, receiving numerous prestigious honors including the Chiba Prefectural Exhibition Prize, the Bridgestone Museum of Art Prize at the 1996 Japan Glass Exhibition, and the Gold Medal—the highest honor—at the 2001 International Exhibition of Glass Kanazawa. His illustrious career is reflected in the inclusion of his works in the permanent collections of major domestic institutions such as the National Museum of Modern Art, Tokyo, and the Yokohama Museum of Art, as well as renowned international venues including the Ebeltoft Glass Museum in Denmark, the mudac (Museum of Contemporary Design and Applied Arts) in Lausanne, Switzerland, and the São Paulo Museum of Art in Brazil.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThis hand-blown glass sake cup, measuring approximately 8.7 cm in diameter and 6 cm in height, was produced during Fujita’s highly productive period between 1995 and 1996. Its generous proportions represent a perfect harmony between functional utility and aesthetic splendor. Utilizing his signature hand-blowing technique, Fujita masterfully draws out the soft texture and fluid contours inherent to glass. A band of noble, radiant gold leaf is applied across the center, while the vibrant blue accent at the base provides a stunning contrast to the clear glass, evoking a sense of cool serenity and profound dignity.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe technical brilliance of this piece lies in the artist's exceptional heat management, which allows glass and gold leaf—materials with vastly different thermal expansion coefficients—to be fused at the molecular level in a molten state exceeding 1,200°C. In hand-blown glass, any sudden temperature drop during the shaping process can cause the gold leaf to peel or induce internal structural tension; therefore, precise temperature programming in the annealing furnace is paramount. The flawless adhesion and brilliance of the gold leaf in this work testify to the perfection of this execution. Artistically, the ponte process used to join the colored base with the clear upper body achieves a sophisticated balance between deliberate intent and natural spontaneity, minimizing distortion while preserving the organic fluctuations of hand-blown glass. The gold leaf is not merely a surface adornment; it is strategically positioned to create multiple internal reflections as light penetrates the glass, bounces off the gold, and passes back through the vessel. This calculated interplay enables the coexistence of a heavy metallic luster and airy transparency.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003ePresented in its original signed wooden box (tomobako) featuring the artist's signature and seal, and accompanied by a chronicle of his career, this piece is a complete and pristine example of Fujita’s artistry. His aesthetic has gained significant global recognition, including being featured in the scholarly journals of the Corning Museum of Glass in the United States. The acquisition of his work by the Japan Foundation and major museums worldwide is a tribute not only to its visual beauty but to its status as a symbol of the structural and technical perfection achieved by Japanese glass art at the close of the 20th century.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eArtist: Jun Fujita (b. 1951)\u003c\/li\u003e\n\u003cli\u003eNotable Achievements: [1988] Chiba Prefectural Exhibition Prize, [1996] Bridgestone Museum of Art Prize at the '96 Japan Glass Exhibition, [1999] Silver Award at the Japanese Contemporary Glass Exhibition in Notojima, [2001] Gold Award at the International Glass Exhibition Kanazawa\u0026nbsp;\u003c\/li\u003e\n\u003cli\u003ePublic Collections: The National Museum of Modern Art, Tokyo\u003cspan style=\"font-size: 0.875rem;\"\u003e (MOMAT), \u003c\/span\u003eThe Japan Foundation, Yokohama Museum of Art, Glasmuseet Ebeltoft\u003cspan style=\"font-size: 0.875rem;\"\u003e (Denmark), \u003c\/span\u003emudac - Museum of Contemporary Design and Applied Arts\u003cspan style=\"font-size: 0.875rem;\"\u003e (Lausanne, Switzerland) \/, \u003c\/span\u003eSão Paulo Museum of Art\u003cspan style=\"font-size: 0.875rem;\"\u003e (MASP \/ Brazil),\u0026nbsp;\u003c\/span\u003eand others.\u003c\/li\u003e\n\u003cli\u003eDate of Production: 1995–2000\u003c\/li\u003e\n\u003cli\u003eCondition: Excellent (No chips or cracks)\u003c\/li\u003e\n\u003cli\u003eAccessories: Original signed wooden box, artist's chronicle (shiori)\u003c\/li\u003e\n\u003cli\u003eMaterial: Hand-blown glass, gold leaf\u003c\/li\u003e\n\u003cli\u003eDimensions: Diameter 8.7 cm, Height 6.0 cm\u003c\/li\u003e\n\u003cli\u003eNotice: While this item is in unused condition, it is a vintage piece produced many years ago and is therefore listed as second-hand. Please be aware that vintage items may show minor signs of age. We invite you to examine the provided images carefully before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47469729153211,"sku":null,"price":35000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4271.jpg?v=1771760914"},{"product_id":"162","title":"Isami Matsumoto, Celadon Stem Cup (Bajohai): A Masterpiece of Modern Kyoto Porcelain #162","description":"\u003cp data-path-to-node=\"7\"\u003eIsami Matsumoto (1931–2012) was an artist of the highest pedigree in contemporary Japanese ceramics, having studied under the legendary Yaichi Kusube and Zenju Miyashita, both recipients of the Order of Culture. The spirit of ceramics as a pure art form that transcends mere utility—a philosophy inherited from his masters—is consistently reflected in his work through elegant aesthetic forms and the delicate layering of color. The emerald green hue achieved by Matsumoto in this piece is the result of a precise physical phenomenon. It requires controlling the iron oxide content in the glaze within an incredibly minute range of 0.1 to 0.3 percent while maintaining a perfectly constant reducing atmosphere in the kiln at high temperatures around 1,300 degrees Celsius. This technique represents a modern chemical redefinition of the celestial sky-blue (Ten-seisho) achieved by the Ru kilns of China's Song Dynasty. By intentionally inducing Rayleigh scattering—a phenomenon where light reflects off microscopic air bubbles and undissolved particles within the glaze layer—he creates a profound depth and transparency that industrial colorants cannot replicate.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eIn terms of form, the stem of this Bajohai (stem cup) is an exercise in extreme craftsmanship. Due to the high shrinkage rate characteristic of porcelain clay, such a design is prone to warping or collapsing under its own weight during firing, resulting in an exceptionally low yield. Furthermore, the line-engraving (Senkoku) technique inherited from his master requires an extraordinary level of sensitivity. The artist must maneuver a needle with sub-millimeter precision during the brief window when the clay is semi-dry—an irreversible process where a single mistake is fatal to the piece. The fact that the deep celadon glaze is applied so evenly to such thin, exquisite porcelain while perfectly controlling the crackle pattern (Kanyu) serves as a testament to his absolute mastery of firing schedules, honed through his long tenure as a judge for the Nitten (Japan Fine Arts Exhibition).\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eOwing to this overwhelming technical prowess and artistic dignity, Matsumoto twice won the Special Selection (Tokusen) award at the Nitten, Japan's most prestigious art exhibition, and later assumed key roles as a judge and councilor, leading the Japanese art world. His reputation extends internationally, with his work held in the permanent collection of the Spencer Museum of Art at the University of Kansas. The museum holds his work in high academic regard, utilizing it as a living educational resource for students and researchers to study the modern reinterpretation of Ru-ware celadon and the evolution of Kyoto porcelain.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eStanding approximately six centimeters tall, this diminutive stem cup embodies a celebratory prayer that transcends its function as a drinking vessel. Built upon the conviction that a vessel is a sanctuary where the liquid and the user's heart meet, the modern expressionism inherited from his masters has been captured within this small space as a dynamic moment of life blossoming amidst silence. This blue, which marries classical Chinese beauty with 20th-century Kyoto sophistication, resonates deeply with the aesthetic sensibilities of those who appreciate high-end crystal like Baccarat or Lalique. It is a masterpiece that deserves the highest praise from global collectors for its timeless elegance.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"11\"\u003eArtist: Isami Matsumoto (1931–2012)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003eNotable Career Highlights: [1967] Won the Special Selection Award at the 10th Nitten Exhibition; [1974] Won the Special Selection Award at the 6th Nitten Exhibition; [Later years] Served as a Nitten Judge, Nitten Councilor, and Director of the Kyoto Craft Artists Association.\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003ePublic Collections: Spencer Museum of Art (University of Kansas, USA), Minneapolis Institute of Art (USA), Mary and Jackson Burke Foundation (USA), Kyoto City KYOCERA Museum of Art, Itsuo Art Museum, among others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003eEstimated Production Period: 1990s\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003eCondition: Excellent (No chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003eAccessories: Original signed wooden box (Tomobako), wrapping cloth\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003eMaterial: Porcelain, Celadon Glaze\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003eDimensions: Diameter approx. 6 cm, Height approx. 6 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003eNotice: While this item is in unused condition, it is a vintage piece produced many years ago and is therefore listed as second-hand. Please be aware that vintage items may show minor signs of age. We invite you to examine the provided images carefully before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47473095966907,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4494.jpg?v=1772271576"},{"product_id":"163","title":"Hisatoshi Iwata: \"The Lapis Lazuli Drop\" , Mother Water Pitcher for Spirits#163","description":"\u003cp data-path-to-node=\"7\"\u003eSince graduating from the Tokyo School of Fine Arts (now Tokyo University of the Arts) in 1950, Hisatoshi Iwata (1925–1994) has been a preeminent master of contemporary glass art, earning Japan's most prestigious honors, including the Minister of Education Award at the Nitten Exhibition and the Japan Art Academy Award. His works are held in the permanent collections of world-renowned institutions such as the Metropolitan Museum of Art in New York, the Musée des Arts Décoratifs in Paris, and The Corning Museum of Glass, earning international acclaim for elevating glass craftsmanship to the realm of fine art. This monumental lapis lazuli spouted vessel was created by Iwata with profound respect to commemorate the 1992 designation of Tokiwazu Mojibei as a Holder of Important Intangible Cultural Property (Living National Treasure). It is a rare masterpiece that crystallizes both Iwata's mature aesthetic and a story of deep friendship.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThe technical uniqueness of this piece lies in the exceptionally challenging cased glass (Kise-glass) technique, which requires fusing layers of different colored glass in a molten state. Molecularly bonding glass with different thermal expansion coefficients demands precise physical calculations to prevent cracking during the cooling process, as well as the ability to make split-second decisions at temperatures exceeding 1,200°C. In particular, the design—where the deep lapis lazuli body is seamlessly fused with a clear rim—serves as a testament to Iwata's advanced hot-working skills, capturing the moment when glass exhibits its most beautiful fluidity and imbuing it with a lifelike vitality impossible to replicate in industrial products.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eVisually, light passing through the thick glass refracts in complex patterns, revealing a deep sapphire-like blue that shifts in expression depending on the viewing angle. We propose this dignified piece as a Mother Water Pitcher, specifically designed to unlock the complex aromas of the finest whiskies. Its exquisite size fits perfectly in the hand, possessing the elegance required for the tranquil ritual of adding a few drops of pure water to an amber spirit. The light reflecting off the lapis-hued water and the single drop poured to awaken the whiskey’s profound depths will be elevated to a supreme experience, made possible by Iwata’s world-renowned artistry.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003eProduced by: Iwata Glass Studio\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eArtist: Hisatoshi Iwata (1925–1994)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eNotable Achievements: [1976] Minister of Education Award at the Nitten Exhibition; [1982] Japan Art Academy Award\u003c\/li\u003e\n\u003cli\u003ePublic Collections: The National Museum of Modern Art, Tokyo, The National Museum of Modern Art, Kyoto, Hokkaido Museum of Modern Art, The Japan Art Academy, The Metropolitan Museum of Art, New York, The Corning Museum of Glass, New York, Museum Kunstpalast, Düsseldorf, Musée des Arts Décoratifs, Paris, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eDate of Production: Circa 1992\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eCondition: Excellent (No chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eAccessories: Original box and artist's chronicle (shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eMaterial: Hand-blown glass\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eDimensions: Diameter approx. 10.9 cm, Height approx. 6.8 cm, Depth approx. 9 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eNotice: While this item is in unused condition, it is a vintage piece produced many years ago and is therefore listed as second-hand. Please be aware that vintage items may show minor signs of age. We invite you to examine the provided images carefully before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47473110253755,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4559.jpg?v=1772272109"},{"product_id":"164","title":"Vibrant Scarlet Pulse: Hand-Blown Glass Masterpiece, Aka-Yahazu \"Scarlet Flame\" Ice Bowl #164","description":"\u003cp data-path-to-node=\"7\"\u003eHisatoshi Iwata (1925–1994), born in Tokyo, was a rare master who elevated contemporary Japanese glass art from mere decoration to the status of fine art. His works are held in the permanent collections of world-renowned institutions, including the Metropolitan Museum of Art and the Museum of Modern Art (MoMA) in New York, the Musée des Arts Décoratifs in Paris, and The Corning Museum of Glass, the world's preeminent glass museum. He has established an immovable position as an international artist of whom Japan is justly proud. As the inscription \"September 1981\" on the base of this work indicates, this monumental masterpiece was created during Iwata’s most prolific period, just before he received the Japan Art Academy Award in 1982.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThe core of this work, the Yahazu (arrow-notch) pattern, is a technique that represents the very essence of Iwata’s artistry. It is created by physically stretching and rotating layers of molten glass of different colors. To control the brilliant, flame-like red and pure white glass layers without distortion on such a large vessel—measuring approximately 23 cm in diameter and 25 cm in height—requires highly sophisticated heat management and master-level hotworking skills. The opaque white and transparent red glass, which possess different thermal expansion coefficients, are fused at the molecular level in a molten state exceeding 1,000 degrees Celsius. The precise physical calculations required to avoid breakage during the cooling process represent the pinnacle of the \"dialogue between fire and matter.\"\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eVisually, the passionate scarlet energy appears to well up from the bottom of the vessel, brimming with vitality, while the white lines at the rim and base tighten the overall impression, lending a modern sense of tension. We propose this masterpiece with its overwhelming presence as an \"ice bowl\" for the finest whiskies. The cool brilliance reflected from the ice inside the vessel resonates with Iwata’s \"fire\" pattern, creating the ultimate stage to adorn the amber liquid. Hisatoshi Iwata's aesthetic, recognized by museums worldwide, will elevate the tranquil ritual of a special evening to an unprecedented moment of luxury.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003eProduced by: Iwata Glass Studio\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eArtist: Hisatoshi Iwata (1925–1994)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eArtist's Notable Achievements: [1976] Minister of Education Award at the Nitten Exhibition; [1982] Japan Art Academy Award Date of Creation: September 1981 (inscribed on the base)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eCondition: Excellent (No chips or cracks)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eAccessories: Original signed wooden box (with \"Beni-Yahazu\" calligraphy)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eMaterial: Hand-blown glass\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eDimensions: Diameter approx. 23 cm, Height approx. 25 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eNotice①: The black spots visible in this area are 'iron spots' (iron mottling), caused by the natural iron minerals within the clay reacting during the firing process. Rather than artificial stains, these are an integral part of the vessel's unique 'Keshiki' (scenery), born within the 1,200°C flames. We invite you to appreciate this as a singular, organic characteristic of the piece.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eNotice②: While this item is in unused condition, it is a vintage piece produced many years ago and is therefore listed as second-hand. Please be aware that vintage items may show minor signs of age. We invite you to examine the provided images carefully before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47473125621947,"sku":null,"price":120000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4335.jpg?v=1772272683"},{"product_id":"167","title":"Katsumi Eguchi, Washi-zome Floral Design, Living Legend of Hizen Pottery, Supreme Beer Glass Set of 2 #167","description":"\u003cdiv class=\"source-inline-chip-container ng-star-inserted\"\u003e\n\u003cp data-path-to-node=\"12\"\u003eKatsumi Eguchi (born 1936) is a master craftsman who in 1968 revived the Koyamaji Kiln, the orthodox lineage of Southern Old Karatsu that has continued in Takeo, Saga Prefecture since the late Momoyama period. Celebrating his 88th birthday (Beiju) in 2024, Eguchi remains a legendary figure in the world of Hizen pottery.\u003cspan style=\"font-size: 0.875rem;\"\u003eThis pair of beer glasses represents a pinnacle of craft aesthetics, blending the traditional texture of Karatsu with his original \"Washi-zome\" (Japanese paper dyeing) technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eThe core of this work, the Washi-zome technique, involves adhering thin Washi paper to the bisque-fired ceramic surface and infusing pigments through it. The ethereal gradients that seep through the gaps in the fibers, a result impossible to achieve with a direct brushstroke, give the viewer a sense of watercolor-like transparency. Eguchi meticulously calculates the clay components and pigment absorption rates, ensuring the floral patterns are fused deep into the ceramic through firing, imbuing them with eternal life.\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eThe comfortable weight felt the moment you hold the glass and the powerful carving toward the base evoke the sophisticated style of his peak period—the same era when his work was honored with the Prime Minister's Award and acquired by the Victoria and Albert Museum (V\u0026amp;A) in London. When golden beer is poured, the delicate \"kannu\" (crazing) on the surface emerges as a vivid \"scenery\" in contrast with the liquid. The natural pores of the ceramic maintain a creamy head, and the thickness of the walls prevents heat from being transferred from the hand, ensuring the ideal temperature is maintained until the very last drop.\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eHaving been honored with the privilege of presenting his work to the Crown Prince and Prince Takamatsu, and involved in the national preservation of technical records, Eguchi has poured his supreme craftsmanship into this pair. These are not merely drinking vessels but artistic treasures with significant documentary value. To experience the passion of a master who redefined a lost tradition while enjoying a chilled drink is a cultural privilege reserved for those who understand true value.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"13\"\u003eArtist: Katsumi Eguchi (1936–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003eNotable Achievements: [1961: West Japan Crafts Exhibition, Asahi Shimbun Prize (Grand Prize)], [1962: National Prefectural Selection Exhibition, Minister of Education Award], [1972: 19th Japan Traditional Crafts Exhibition, Best Work Award (Asahi Shimbun Prize)], [1979: 5th Japan Ceramic Art Exhibition, Excellent Work Award], [1981: 26th Japan Traditional Crafts Exhibition, Encouragement Award], [1983: West Japan Ceramic Art Exhibition, Grand Prize (Prime Minister's Award)], [1985: Japan Ceramic Association Award]\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003eProduction Period: Circa 1989 – Early 1990s\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003eCondition: Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003eAccessories: Dedicated wooden box, artist's brochure (Shiori)\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003eMaterial: Ceramic\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003eDimensions: Height approx. 8.5 cm, Diameter approx. 6.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003eNote: Even if the products we offer are brand new and unused, they were produced a long time ago and are listed as second-hand items. Please understand that items may show age-related wear or damage, so please check the condition carefully before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47474483790011,"sku":null,"price":27000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4507.jpg?v=1772276594"},{"product_id":"168","title":"Hiroshima Prefectural Important Intangible Cultural Property, Yasuhide Uchida, Late Mature Period Masterpiece, Lost and Visionary Technique \"Hyori Kantsu Nishiki Neriage\" Ceramic Shot Glass #168","description":"\u003cp data-path-to-node=\"15\"\u003eYasuhide Uchida (1893–1997) is revered as a \"solitary legend\" in the history of Showa-era ceramics. After receiving international acclaim at the 1970 Osaka Expo and refining his craft at the prestigious Manufacture nationale de Sèvres in France, he reached a unique aesthetic realm where Japanese and French sensibilities converged. This exquisite shot glass is a masterpiece from his mature later years. It is crafted using his signature technique, \"Hyorikantsuunishikineriage\" (Through-and-Through Brocade Neriage), a legendary method that has effectively been lost to time.\u003c\/p\u003e\n\u003cp data-path-to-node=\"16\"\u003eAt first glance, the intricate geometric patterns may appear to be delicate brushwork, but they contain no pigments or painted designs whatsoever. This technique involves coloring raw clay with various metal oxides and assembling them like a complex 3D puzzle based on precise calculations, making the pattern itself the very structure of the vessel. Because different colored clays have varying shrinkage rates during firing, the risk of cracking at the joints is extremely high, and no glaze is used to hide imperfections. The vivid, unclouded colors and durable finish are the results of Uchida's mastery of color science at Sèvres and his absolute obsession with controlling every grain of clay.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eTrue to its name, \"Hyorikantsuu\" (Front-to-Back Penetration), the intricate exterior patterns pass through to the interior and base with absolute precision, creating a structure that is literally the same inside and out. This serves as undeniable proof of the perfect layering of the clay. For Uchida, a native of Hiroshima, this \"through-and-through\" beauty was a sublime physical manifestation of his prayer for a world of \"peace without front or back\" (transparency and harmony). The base is engraved with the character \"Tai\" (Yasu), his authentic signature, and one can feel the distinct, woven layers of clay—a hallmark of his work—with their fingertips.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eWe present this historically significant masterpiece as the ultimate shot glass for savoring the finest whiskies or spirits. Measuring 4.2 cm in height and 4.9 cm in diameter, its delicate size fits perfectly in the hand, ideal for appreciating the layered aromas of fine liquor in small sips. The moment amber liquid is poured, the kaleidoscopic patterns shimmering through to the interior create an ever-changing landscape at the bottom of the glass. While this item does not include accessories, the overwhelming presence of the work and the passion that remains undimmed after nearly fifty years offer the profound joy of ownership, transforming an evening drink into a transcendent cultural ritual.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"19\"\u003eArtist: Yasuhide Uchida (1893–1997)\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003eNotable Achievements: Studied color and porcelain techniques at the Manufacture nationale de Sèvres in the 1960s. Exhibited at the 1970 Osaka Expo (EXPO'70). Designated a Holder of the Hiroshima Prefecture Important Intangible Cultural Property for \"Nishikineriage\" in 1973.\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003ePublic Collections: Treasured by craft collectors worldwide as a \"legendary artist,\" with works held in major collections across Hiroshima and beyond.\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003eProduction Period: Late mature period (Late 1970s to 1980s)\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003eCondition: Excellent (no chips or cracks, signed \"\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e泰\u003c\/span\u003e\")\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003eAccessories: None (Item only)\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003eMaterial: Nishikineriage (Ceramic, through-and-through inlay technique)\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003eDimensions: Height approx. 4.2 cm, diameter approx. 4.9 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003ePlease note: Although these items are in unused condition, they are vintage archival pieces and are listed as second-hand. Please understand that items may show characteristics of aging, and we encourage you to review all details before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47476271382715,"sku":null,"price":40000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4387.jpg?v=1772273284"},{"product_id":"169","title":"Bizen Akae Sake Cup by Mitsuru Isezaki, Bizen Ware, Okayama Prefecture Important Intangible Cultural Property #169","description":"\u003cp data-path-to-node=\"29\"\u003eMitsuru Isesaki (1934–2011), the eldest son of the master craftsman Yozan Isesaki and a designated Intangible Cultural Property Holder for Okayama Prefecture, was a towering figure in the world of traditional Bizen ware. He dedicated his life to restoring the medieval \"Old Bizen\" style, serving as the spiritual backbone of the craft.\u003c\/p\u003e\n\u003cp data-path-to-node=\"30\"\u003eThis piece features \u003cb data-path-to-node=\"30\" data-index-in-node=\"20\"\u003eMitsuru’s signature alongside the \"Yozan\" seal\u003c\/b\u003e on its presentation box. Throughout his career, Mitsuru continued to use this prestigious family seal as the head of \"Yozan-gama,\" honoring the legacy of his father. It serves as a testament to his pride in his lineage and a guarantee of the authentic quality of the Isesaki family kilns.\u003c\/p\u003e\n\u003cp data-path-to-node=\"31\"\u003eNotably, this \"Bizen Aka-e\" (red enamel) work is estimated to have been created during \u003cb data-path-to-node=\"31\" data-index-in-node=\"87\"\u003eMitsuru’s mature later years, from the late 1990s into the 2000s\u003c\/b\u003e, when his artistic sensibility reached its zenith. Having mastered the stoic, unglazed aesthetic of traditional Bizen, it is significant that the master chose to embrace the modern challenge of \"color\" in his final decades. He overcame the technical difficulty of bonding enamel to iron-rich Bizen clay through firing techniques refined over half a century, achieving a magnificent contrast between the earth's weight and the vivid red.\u003c\/p\u003e\n\u003cp data-path-to-node=\"32\"\u003eWithin the traditional brownish-brown of Bizen, this work harbors a modern tension. It represents the \"final destination\" of Mitsuru Isesaki—a master who upheld a prestigious name while maintaining a forward-looking, timeless sensibility. This is a masterpiece of exceptional historical and artistic value.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"19\"\u003eArtist: Mitsuru Isezaki (1934-2011)\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003eNotable Achievements: 1961 Sanyo Shimbun Prize at the Okayama Prefectural Exhibition, 1966 First selection for the Japan Traditional Crafts Exhibition, 1972 Grand Prize at the Chunichi International Ceramic Art Exhibition, 1973 Japan Ceramic Society Award, 1984 Okayama Prefecture Cultural Encouragement Award, 1994 Sanyo Culture Award, 1998 Designated a Holder of Okayama Prefecture Important Intangible Cultural Property for Bizen Ware Production Techniques.\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003ePublic Collections: The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; Victoria and Albert Museum (UK); British Museum (UK), among others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003eProduction Period: Circa 1990s to early 2000s\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003eCondition: Excellent (no chips or cracks) Accessories: Dedicated wooden box, wrapping cloth\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003eMaterial: Ceramic Dimensions: Height approx. 6 cm, diameter approx. 5.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003ePlease note: Although these items are in unused condition, they are vintage pieces and are listed as second-hand. Please understand that items may show characteristics of aging, and we encourage you to review all details before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47477934129339,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4540.jpg?v=1772272950"},{"product_id":"170","title":"Living National Treasure Tatsuzo Shimaoka's Masterpiece: Jomon Inlaid Salt Glaze Couple's Teacup and Rocks Glass Set (2 Pieces) #170","description":"\u003cp data-path-to-node=\"8\"\u003eTatsuzo Shimaoka (1919-2007), a designated Living National Treasure, was born in the heart of old Tokyo as the eldest son of a master Kumihimo (traditional braided cord) artist. After completing his specialized education at the Department of Ceramics at the Tokyo Institute of Technology, he became a disciple of Shoji Hamada, the giant of the Mingei (Folk Crafts) movement, in 1946. For over 20 years in Mashiko, he refined his craft. Hamada described Shimaoka as possessing profound inner confidence yet remaining consciously modest in his public presentations, highly praising his unwavering dedication to his personal aesthetic and technical focus.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe primary reason for Shimaoka's global acclaim is his original Jomon Inlay technique. This process involves rolling braided cords into semi-dry clay to impress rope patterns, then meticulously inlaying the depressions with contrasting colored slips before scraping away the excess to reveal the design. Remarkably, the cords used to create these patterns were silk heritage pieces belonging to his father, a renowned Kumihimo master. The exceptionally fine texture of these silk cords imbues the vessels with a refined rhythm and elegance that stands in stark contrast to the ruggedness of ancient Jomon pottery. Although inlaying is an ancient technique, flawlessly controlling the shrinkage of the clay and preventing the delicate patterns from blurring during the carving process requires extraordinary mastery. The impeccable beauty of the patterns in Shimaoka’s work is a testament to his immense concentration and precise engineering.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThis set of inlaid cups is a masterpiece that lavishly incorporates both Jomon Inlay and the salt glaze (or soda glaze) technique that Shimaoka perfected in his final years. Salt glazing is an exceptional method where rock salt or soda ash is introduced directly into the kiln when temperatures peak at 1250 to 1300 degrees Celsius. The volatilized sodium reacts chemically with the silica in the clay, creating a signature orange-peel texture with a subtle, glassy luster. This process severely erodes the kiln itself, requiring a dedicated structure and the intuitive mastery of an expert to control the volatile color development.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eThe defining brilliance of this work lies in its band-like composition, which allows two difficult techniques to coexist harmoniously in a single vessel. The upper section evokes the ancient stillness of Jomon Inlay, while the lower section showcases a vibrant, modern emerald green born from the soda glaze reaction. While Shimaoka’s work is often characterized by the soft, hazy textures his mentor Hamada likened to tsumugi or kasuri textiles, this high-contrast design reflects the sophisticated, modern aesthetic Shimaoka reached through his extensive international exhibitions.\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eWhile originally crafted as Yunomi (teacups), we propose a new way to experience this masterpiece: as the ultimate stage for savoring rare, discontinued vintage whiskies that have captured decades of time. Aged whisky is often described as drinkable perfume, and the slightly tapered rim of these cups is perfectly designed to concentrate the rising aromatic particles, directing them straight to the senses. Picking up the vessel and drawing it near creates a luxurious sanctuary for appreciating the rich bouquet of the spirit.\u003c\/p\u003e\n\u003cp data-path-to-node=\"13\"\u003eThe intricate texture of the Jomon Inlay at your fingertips and the smooth, salt-glazed surface against your lips provide a tactile pleasure that elevates the profound depth of aged spirits. This is the meeting of two arts: the art of earth perfected by Tatsuzo Shimaoka and the art of amber honed by the passage of time. When these two timelines converge, you are not merely drinking; you are engaging in a silent dialogue with the memories of a bygone era. Watching the colors born from the caprice of the flames while savoring a supreme vintage spirit is the ultimate luxury, reserved for those who truly appreciate the authentic.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"3\"\u003e*Comments from Shoji Hamada, Shimaoka's mentor\u003cbr\u003e\u003c\/h3\u003e\n\u003cp data-path-to-node=\"3\"\u003eShimaoka, typical of someone raised in downtown Tokyo, possesses strong inner confidence but consciously remains modest in presenting his work. Having graduated from the Ceramics Department of Tokyo Institute of Technology more than twenty years ago, and having become accustomed to the Mashiko clay, he has the skill to master most techniques, yet he deliberately focuses his work, restraining it to his preferences.\u003cbr\u003eShimaoka has adopted a unique inlay pattern, drawing inspiration from Jomon pottery techniques. The main braided cords used in this work are relics from his father, who was a master kumihimo craftsman. The cleverness with which he entrusts the pattern to the cord to establish his own style is truly characteristic of Shimaoka. His work is generally subdued; if it were a kimono, one might say the thread is tsumugi silk and the pattern is kasuri.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cstrong\u003eShoji Hamada (1894-1978)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"14\"\u003eArtist: Tatsuzo Shimaoka (1919-2007)\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003eNotable Achievements: 1962 Japan Folk Crafts Museum Award, 1980 Tochigi Prefecture Cultural Merit Award, 1994 Japan Ceramic Association Gold Prize, 1996 Designated as a Holder of Important Intangible Cultural Property Jomon Inlay (Living National Treasure), 1999 Received the Order of the Rising Sun, Gold Rays with Rosette.\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003ePublic Collections: Victoria and Albert Museum (London), British Museum (London), Metropolitan Museum of Art (New York), Brooklyn Museum (New York), Museum of Fine Arts, Boston, National Museum of Modern Art, Tokyo, The Japan Folk Crafts Museum (the spiritual home of Shoji Hamada and Soetsu Yanagi), Mashiko Museum of Ceramic Art, Tochigi Prefectural Museum of Fine Arts, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003eProduction Period: Circa 1980s to 1990s (estimated)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003eCondition: Excellent (no chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003eAccessories: Dedicated wooden box, artist's pamphlet\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003eMaterial: Ceramic\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003eDimensions: (Large) Height approx. 8.8 cm, diameter approx. 8.4 cm. (Small) Height approx. 7.8 cm, diameter approx. 7.5 cm.\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003ePlease note: Even if the items are in unused condition, they are vintage pieces and are listed as second-hand. Please understand that items may show characteristics of aging, and we encourage you to review all details before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47478150234299,"sku":null,"price":250000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4410.jpg?v=1772272087"},{"product_id":"171","title":"Hand-blown Glass Cup by Koji Ishii: Lapis Lazuli Blue Jellyfish #171","description":"\u003cp data-path-to-node=\"20\"\u003eA masterpiece by the genius Koji Ishii (1946–1996), a visionary artist whose brilliance continues to resonate in the world of Japanese glass art long after his untimely passing. This exceptional hand-blown glass cup features his iconic \"Kurage\" (Jellyfish) motif, capturing a sense of ethereal beauty.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eThis piece is crafted in the deep, transparent Lapis Lazuli blue that became Koji Ishii’s signature, evoking the profound depths of the sea. Using his unique \"Internal Inclusion Technique,\" fragments of gold leaf and vibrant colored glass particles are suspended within the glass itself. They appear like the mysterious glow of a jellyfish drifting gracefully through the darkness of the deep ocean, or the shimmering trails of its delicate tentacles. Depending on the angle of the light, the appearance of the piece changes constantly, transporting the viewer to a fantastical underwater realm.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eThe soft, warm silhouette unique to hand-blown glass, the heavy and stable base, and the meticulously finished rim all speak to the artist’s superior craftsmanship. As a one-of-a-kind, handmade creation, the glass itself radiates a high level of technical skill and artistic refinement.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23\"\u003eThis small \"microcosm in the palm of your hand\" is more than just a drinking vessel; it is a work of art. Imagine pouring a vintage whisky or aged spirit, matured over decades to a beautiful amber hue, into this masterpiece. As the liquid shimmers and intertwines with the dreamlike light of the glass, you will experience a supreme immersion of both sight and taste.\u003c\/p\u003e\n\u003cp data-path-to-node=\"24\"\u003ePassing away at the young age of 50, Koji Ishii left behind a limited body of work, making his pieces increasingly rare and highly sought after by collectors worldwide. This item includes its original dedicated box and an insert signed by the artist, serving as a guarantee of its authenticity. We confidently recommend this masterpiece to both serious collectors and those seeking an extraordinary glass for their finest spirits.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"25\"\u003eProduced by: Ishii Glass Studio Co., Ltd.\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003eArtist: Koji Ishii\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003eNotable Activities: [1979] Work exhibited at \"Japan New Face II\" was purchased by Her Imperial Highness Princess Chichibu. [1985] Designed the silhouette bottle for Sanwa Shurui's \"iichiko\" (shochu brand) and received a special prize at the Japan Package Design Competition. [1985] Received a special prize at the \"Seibu Crafts Grand Prize Exhibition.\" [1994] Held the \"Symphony of Light and Wind: GLASS Koji Ishii\" exhibition at the Narukawa Art Museum in Hakone.\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003eMajor Collections: The National Museum of Modern Art, Tokyo; Aomori Museum of Art; Chiba Prefectural Museum of Art; Toyama Glass Art Museum; Hida Takayama Museum of Art; Narukawa Art Museum (Hakone), and more.\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003eProduction Period: 1980s–1990s\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003eCondition: Excellent (No chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003eAccessories: Original dedicated box and artist's leaflet included.\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003eMaterial: Hand-blown glass\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003eDimensions: Approx. 11 cm in height, 7 cm in diameter.\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003eNote: Even if the items provided by our store are unused, they are from an older production period and are listed as antique\/second-hand items. Please understand that items may show minor signs of aging before making your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"石井グラススタジオ","offers":[{"title":"Default Title","offer_id":47479789322427,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4622.jpg?v=1772288324"},{"product_id":"172","title":"Isami Matsumoto: A Pair of Emerald Celadon Sake Cups — Redefining Ru Ware and the Zenith of Emerald Green through Rayleigh Scattering #172","description":"\u003cp data-path-to-node=\"16\"\u003eIsami Matsumoto (1931–2012) was a master potter of the highest pedigree in contemporary Japanese ceramics. Having studied under the legendary Kusube Yaichi (recipient of the Order of Culture) and Zenju Miyashita, he dedicated his life to the \"spirit of ceramics as pure art that transcends practical use.\" This set of two sake cups is a quintessential work from his mature period, representing a harmonious fusion of dignified form and meticulously calculated layers of color.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eThe most extraordinary feature of this work is the captivatingly deep emerald green hue. This mystical color is the result of a physical phenomenon achieved only by precisely controlling the iron oxide content in the glaze within a minute range of 0.1% to 0.3%, while maintaining a perfectly constant reducing atmosphere in the kiln at high temperatures around 1,300°C. This technique redefines the \"heavenly blue\" (Tianqing) of China’s legendary Song Dynasty Ru Ware through a modern chemical approach, intentionally inducing \"Rayleigh scattering.\" Light reflects off microscopic bubbles and undissolved particles within the glaze layer, creating a deep, internally luminous transparency that industrial pigments can never replicate.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eIn terms of form, the elegant presence of the cups overcomes the high shrinkage rates inherent to porcelain clay. The \"line engraving technique\" inherited from his masters requires a sublime level of sensitivity, with the needle moving with sub-millimeter precision within the fleeting window when the clay is semi-dry—an irreversible process that allows for no error. The ability to evenly fix a deep celadon glaze on such thin, refined porcelain while perfectly controlling the crackle (kanyu) is a testament to Matsumoto's mastery of firing schedules, honed through his long tenure as a judge for the Nitten (Japan Fine Arts Exhibition).\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eDue to his overwhelming technical prowess and artistic integrity, Matsumoto was twice awarded the \"Tokusen\" (Special Selection) at the Nitten, the most prestigious art exhibition in Japan, and later served in influential roles as a judge and council member. His reputation extends internationally, with works held in world-class institutions such as the Spencer Museum of Art (University of Kansas, USA), the Minneapolis Institute of Art (USA), and the Mary and Jackson Burke Foundation (New York). Notably, the Spencer Museum utilizes his work as \"living teaching material\" for the study of modern reinterpretations of Ru Ware and the evolution of porcelain in Kyoto, underscoring his profound academic value.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eCrafted with the belief that \"a vessel is a sanctuary where the poured liquid and the user’s heart meet,\" these cups embody a celebratory prayer that transcends their function as drinking vessels. Blending classical Chinese aesthetics with the sophisticated modern expressionism of 20th-century Kyoto, this specific shade of \"Blue\" will provide exceptional satisfaction even to discerning collectors of high-end crystal glass such as Baccarat or Lalique. The moment amber whiskey or clear sake is poured, the emerald green born from Rayleigh scattering resonates with the liquid, bringing a quiet dynamism to your table. This is a supreme masterpiece that encapsulates a timeless aesthetic.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003eArtist: Isami Matsumoto (1931–2012)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003eNotable Career Achievements: Awarded the 10th Nitten Tokusen (1967) and the 6th Nitten Tokusen (1974). Served as Nitten Judge, Nitten Council Member, and Director of the Kyoto Craft Artists Association.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003ePublic Collections: Spencer Museum of Art (University of Kansas, USA), Minneapolis Institute of Art (USA), Mary and Jackson Burke Foundation (USA), Kyoto City KYOCERA Museum of Art, Itsuo Art Museum (Osaka, Japan), and more.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003eProduction Period: Circa 1990s (Estimated)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003eCondition: Excellent (no chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003eAccessories: Original signed wooden box (Tomobako) and wrapping cloth (Tomonuno) included.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003eMaterial: Porcelain, Celadon Glaze\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003eDimensions: Diameter approx. 5.6 cm, Height approx. 5.6 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003ePlease Note: Even if items are in unused condition, they are vintage archival pieces and are listed as second-hand. Please understand that products may show characteristics of aging, and we encourage you to review all details before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47482920566971,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4464.jpg?v=1772271581"},{"product_id":"173","title":"Kitade Seiko (Kitade Isamu) Iroe Gold Gilt Floral Motif Gold Silence Illuminating Amber Rocks Glass #173","description":"\u003cp data-path-to-node=\"14\"\u003eWe are pleased to introduce a work featuring Iroe (overglaze painting) and gold gilt floral motifs by Kitade Seiko (1928-2011), a master who inherited the orthodox traditions of Kutani ware while elevating its expression to the level of contemporary art. Kitade Seiko, whose real name was Kitade Isamu, was born in 1928 in Daishoji, Kaga City, Ishikawa Prefecture. Until his passing at the age of 83 in 2011, he consistently pursued a high-standard aesthetic. He was the nephew and the most prominent disciple of Kitade Tojiro, the master who brought innovation to Kutani ware by incorporating Middle Eastern designs. While inheriting his master's passionate and exotic sensibility, Seiko added Japanese delicacy and lyricism to create his own unique, tranquil worldview.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eThe most distinctive feature of this work is the extremely precise gold gilding applied to the traditional Kutani Iroe technique. The depicted flowers are realistic yet wrapped in a dreamlike elegance, featuring the red thistle, the national flower of Scotland and symbol of the home of Scotch whisky, and the blue gentian, which embodies the Japanese heart. The vitality of the thistle, which survives the harsh nature of the northern lands, and the blue of the gentian, which harbors quiet intelligence. The fact that these two contrasting flowers are united in perfect balance through Mr. Seiko's delicate gold gilding is the emotional depth of this work. The gold lines outlining each leaf are fixed using a high-difficulty technique that requires skilled brushwork and strict temperature control. These delicate gold lines add depth to the vessel, creating an atmosphere as if the flowers are breathing depending on the lighting. Our shop proposes this prestigious yunomi not merely as a tea vessel, but as a supreme sake vessel for savoring aged spirits and whisky. Unlike transparent crystal glass, the contrast between the gold gilding and the pale colors depicted by Kitade Seiko provides visual depth when amber liquid is poured, making the liquid surface shine golden. The comfortable weight and smooth texture when held, and the characteristic softness of porcelain on the lips, promise a quiet moment that satisfies all five senses along with the aroma of aged spirits.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eKitade Seiko's achievements are demonstrated by his illustrious career, including winning the Special Selection at the Nitten Exhibition and the Hokua Prize, as well as the Fourth Class Order of the Sacred Treasure awarded by the national government in 1998. Furthermore, he established his position as a regular member of the Japan Kogei Association, and his works are housed in public art museums such as the Ishikawa Prefectural Museum of Art, the Komatsu City Museum, and the Nakamura Memorial Museum of Art, Kanazawa. This is an extremely rare work with almost no information available in overseas markets. This piece, which condenses Japan's peak craftsmanship, will be a valuable opportunity for true collectors around the world to incorporate Japanese aesthetics into their lives.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"15\"\u003eAuthor: Kitade Seiko (Real name: Kitade Isamu, 1928-2011)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003eRepresentative Career History: [1967] Won Special Selection at the 10th Nitten Exhibition, [1974] Won Special Selection at the 6th Nitten Exhibition, [1993] Received the Ishikawa Prefecture Cultural Merit Award, [1998] Awarded the Fourth Class Order of the Sacred Treasure, [Later years] Served as a Nitten judge, Nitten councilor, regular member of the Japan Kogei Association, and director of the Kyoto Craft Artists Association, among other positions.\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003eMuseum Collections: Spencer Museum of Art (University of Kansas, USA), Minneapolis Institute of Art (USA), Mary Griggs Burke Collection (USA), Ishikawa Prefectural Museum of Art, Kyoto City Kyocera Museum of Art (Kyoto Municipal Museum of Art), Itsuo Museum of Art (Ikeda City, Osaka), Nakamura Memorial Museum of Art, Kanazawa, Komatsu City Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003eProduction Date: 2005–2011 (The mature peak of his final years, following his recognition as a Contemporary Master Craftsman)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003eCondition: Very good (no chips, no cracks) Accessories: Original box (tomobako), wrapping cloth, and descriptive leaflet included.\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003eMaterial: Porcelain\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003eDimensions: Diameter approx. 7.0 cm, Height approx. 9.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003eNote: Even if the products provided by our shop are new and unused, they were produced a long time ago and are listed as second-hand items. Please understand and confirm that the products may have damage due to aging before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47516864053435,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4689.jpg?v=1773455852"},{"product_id":"174","title":"Matsui Koyo Masterpiece: The Zenith of Neriage - Structural Beauty of Layered Construction #174","description":"\u003cp data-path-to-node=\"19\"\u003eWe are proud to introduce a masterpiece by Matsui Koyo (1962-), who has established a unique and intellectual compositional beauty in modern Neriage (marbling) techniques. This work legitimately inherits the Neriage techniques scientifically and artistically systematized by his father, Matsui Yasunari, a Living National Treasure (Holder of Important Intangible Cultural Property) for Neri-jōzu. Koyo has elevated these techniques in his own generation to a level of further precision and modern geometric patterning, creating a piece that truly deserves to be called the art of lamination.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThe Core of the Technique: Fractal Structure of Assembly and Layering The most prominent feature of this work lies in the transcendental technique known as Kumiage (assembly) or Layered Neriage, which far exceeds the general concept of marbling. Rather than simply mixing different colors of clay, this technique involves first pressing dozens of thin clay sheets—each only a few tenths of a millimeter thick—into a single pattern block. These blocks are then precisely sliced, and the resulting fragments are reconfigured with other clay based on a different color scheme to redefine a larger and more complex pattern block. This mind-bogglingly repetitive process creates micro-architectures of clay, appearing on the surface as meticulous grids and gradations that challenge the limits of the naked eye.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eTechnical Difficulty: A Struggle with the Laws of Physics The reason this Kumiage technique is considered the pinnacle of ceramic art is its extraordinarily low survival rate. In ceramics, joining clays with different properties means that even a slight difference in shrinkage rates during drying or firing will cause catastrophic cracking or delamination at the interfaces. In a laminated structure like this, thousands to tens of thousands of interfaces exist within a single vessel. To unite them in a kiln exceeding 1,200 degrees Celsius, advanced scientific knowledge is essential to match the thermal expansion coefficients of each colored clay with mathematical precision. Based on the secret clay formulas inherited from his father Yasunari—which maintain constant shrinkage regardless of color change—Koyo's meticulous calculations allow this physical miracle to take shape.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eUniqueness of Form: Static Beauty Without Distortion The dignified presence of this work is also supported by the total elimination of distortion during the forming process. If the clay were pulled up on a potter's wheel like ordinary ceramics, the internal laminated patterns would be brutally stretched by the pressure of the fingers. Therefore, Koyo employs extremely specialized and time-consuming forming methods, such as hammering the clay from the outside or lavishly carving it out, to ensure the patterns are not distorted at all. This perfect coexistence of three-dimensional structural beauty and mathematical pattern accuracy is the unique aesthetic of the Matsui family.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23\"\u003eInheritance and Innovation from Living National Treasure Matsui Yasunari Matsui Koyo has reconstructed the world of Neriage—often called a kaleidoscope of clay—through a compositional perspective cultivated during his studies at the School of Art and Design, University of Tsukuba. While the works of his father, Yasunari, sometimes evoke a sense of wild vitality through techniques like Hahyo (surface cracking), Koyo's works exude a more refined and tranquil order. This is the result of sublimating the supreme techniques received from his great pioneer father into an art of logic that harmonizes with modern spaces.\u003c\/p\u003e\n\u003cp data-path-to-node=\"24\"\u003eThe Ultimate Tool for Savoring Aged Spirits We recommend this piece because its overwhelming lamination resonates with the layers of time carved into whiskey through the aging process. When amber liquid is poured, the fine Neriage lines on the interior refract through the liquid, creating a moment of deep contemplation visually symbolizing the accumulation of time. Beyond simply owning a craft, it is about cherishing in one's hand the product of a human obsession that defied the laws of physics to transform clay into a jewel through fire. It will be a sublime tasting experience that echoes the profound flavors of aged spirits.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"25\"\u003eAuthor: Matsui Koyo (1962-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003eRepresentative Career History: [1985] Graduated from the School of Art and Design, University of Tsukuba, and studied under his father, Matsui Yasunari (Living National Treasure). [1991] Won the Encouragement Award at the 38th Japan Traditional Crafts Exhibition. [2002] Received the Japan Ceramic Society Award. [2005] Won the Encouragement Award at the 33rd Traditional Crafts New Works Exhibition. [Later years] Served as a regular member of the Japan Kogei Association and a committee member of the Ibaraki Ceramic Art Museum. Museum\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003eCollections: Metropolitan Museum of Art (New York, USA), Victoria and Albert Museum (London, UK), National Museum of Modern Art, Tokyo, Ibaraki Ceramic Art Museum, Smith College Museum of Art (USA), etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003eProduction Date: 2000s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003eCondition: Very good (no chips, no cracks) Accessories: Original box (tomobako), wrapping cloth, and descriptive leaflet included.\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003eMaterial: Porcelain (Neriage)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003eDimensions: Diameter approx. 8.0 cm, Base Diameter approx. 4.0 cm, Height approx. 8.2 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003eNote: Even if the products provided by our shop are new and unused, they were produced a long time ago and are listed as second-hand items. Please understand and confirm that the products may have damage due to aging before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47517110239419,"sku":null,"price":135000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4652.jpg?v=1772964629"},{"product_id":"175","title":"Maki Yukichi Masterpiece: Blue and White Gold Dragonfly Flower Motif Mizuzashi - Palm-sized Water Dropper for Spirits #175","description":"\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"markdown markdown-main-panel stronger enable-updated-hr-color\" id=\"model-response-message-contentr_e4a2f8a9c1c4a68e\" aria-live=\"polite\" aria-busy=\"false\" dir=\"ltr\"\u003e\n\u003cp data-path-to-node=\"5\"\u003eWe are pleased to introduce the Sometsuke Gold Dragonfly Flower Motif Mizuzashi by Maki Yukichi (1916-1998), a master who was the top disciple of Itaya Hazan, the emperor of modern ceramics, and who inherited his master's aesthetics most faithfully with his own unique sensibility. Originally created as a suiteki (water dropper) for calligraphy, Antique Liquor redefines this palm-sized piece as the ultimate water dropper for dramatically opening up the aroma and flavor of high-proof whiskey. Maki Yukichi was a master of the postwar Japanese ceramic world, winning the Special Selection at the Nitten Exhibition in both 1951 and 1953, and later receiving the Fourth Class Order of the Sacred Treasure. The elegance radiating from his work stems not only from technical mastery but also from the spiritual depth inherited from his master Hazan, of treating ceramics like jewels.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe highlight of this work is the contrast between the Sometsuke blue, which harbors a deep tranquility, and the Gold Gilt (Kinzai) that shines vividly upon it. First, please observe the floral motif drawn with cobalt and the design of the dragonfly dancing lightly above it. Since ancient times, the dragonfly has been called Katsumushi (victory insect), a lucky motif beloved by samurai and literati for its posture of never retreating. Even in this tiny space, Maki Yukichi used meticulous brushstrokes for each wing of the dragonfly and the center of the flowers, where the Saidei (colored clay) texture inherited from his master is alive. By controlling clay particles to the extreme and discerning subtle differences in firing temperatures, he perfectly achieved the contradictory color design of submerging the Sometsuke blue while making the gold gilt stand out.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eAnalyzing this work from a technical standpoint, the difficulty of production is incomparable to that of ordinary tea utensils. After the main firing of the Sometsuke, a multi-stage firing process is essential to bake the gold at a lower temperature. For such a small water dropper, the thinness of the walls causes rapid heat transfer, frequently leading to breakage or distortion in the kiln. Furthermore, the sharpness of the spout and the fine-tuning of the water drop volume require high-level forming techniques backed by years of experience. Although Maki Yukichi possessed the academic technical strength to serve as a Nitten judge, he poured the same or even greater meticulous passion into these palm-sized tools as he did into his larger works.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eOur gallery proposes this work as a companion for whiskey because of its exceptional tactile quality. The silky, moist porcelain texture pursued by Itaya Hazan is strongly reflected in Maki Yukichi's work. The smooth touch that seems to cling to the fingertips gently stimulates the owner's five senses during the quiet time of savoring the afterglow of aged spirits. When dropping one or two drops of water from this beautiful vessel into the amber liquid, the gold gilt on the vessel reflects the light, casting a glow as if blessing the microcosm within the glass. This elevates the simple act of adding water into a supreme ritual where traditional Japanese beauty and Scottish distilling techniques intersect.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003ePlease confirm in the palm of your hand the life of the artist Maki Yukichi and the pure beauty inherited from Itaya Hazan. As a rare small piece by a master whose works are housed in overseas museums, and as a tool that scientifically and artistically enhances the flavor of whiskey, it will surely become an irreplaceable once-in-a-lifetime treasure for collectors with a true aesthetic eye.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003eAuthor: Maki Yukichi (1916-1998) Representative Career History: Studied under Itaya Hazan, the first ceramic artist to receive the Order of Culture. [1951] Won Special Selection at the 7th Nitten Exhibition, [1953] Won Special Selection at the 9th Nitten Exhibition, [1987] Awarded the Fourth Class Order of the Sacred Treasure. Later served as a Nitten councilor, Nitten member, and chairman of the Ibaraki Prefectural Art Exhibition.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eMuseum Collections: The Museum of Modern Art, Ibaraki; Chikusei Municipal Museum of Art (formerly Shimodate Municipal Museum of Art); Itaya Hazan Memorial Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eProduction Era: Circa 1980s (Showa to Heisei period)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eCondition: Very good (no chips, no cracks)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eAccessories: Original box (tomobako), wrapping cloth, and descriptive leaflet included.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eMaterial: Porcelain (Saidei and Gold Gilt)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eDimensions: Height approx. 7.5 cm, Width approx. 9.4 cm x 7.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eNote: Even if the products provided by our shop are new and unused, they were produced a long time ago and are listed as second-hand items. Please understand and confirm that the products may have damage due to aging before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47518425710779,"sku":null,"price":125000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4732.jpg?v=1772964550"},{"product_id":"176","title":"Hayashikuro Kiln: Somenishiki Gold Gilt Large Ashtray - Revival of Old Imari Style, Hasami Ware Masterpiece #176","description":"\u003cp data-path-to-node=\"22\"\u003eSwirling a glass of the finest single malt while savoring the rising smoke of a cigar—such a blissful moment should be completed not by a mere utilitarian vessel, but by a \"stage\" that possesses its own unwavering narrative. This porcelain ashtray, with an overwhelming diameter of approximately 25 cm, was created by Hayashikuro Kiln (Rinkurogama), founded in 1968 as a maverick of Hasami ware. It is an exceptional piece perfectly suited for the moment where Eastern and Western luxuries intersect.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23\"\u003eHayashikuro Kiln was established by Ishimaru Togei Co., Ltd., infusing 400 years of Hasami ware tradition with the aesthetics of the \"Ko-Imari (Old Imari) Style\" that once captivated the royalty and aristocracy of the Edo period. The interplay between Somenishiki (underglaze blue and overglaze enamels) and lavish gold gilt on this piece vividly revives the opulent world of Kinrande, celebrated in the West as \"Old Imari.\" Likening the deep indigo of the Sometsuke to a tranquil sea, the vibrant red paintings and golden brushstrokes create a dynamic design. This richly colored epic in porcelain was made possible only by the expansive 25 cm canvas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"24\"\u003eThis large ashtray, the pinnacle of Oriental stylistic beauty, resonates surprisingly deeply with the Western cultures of cigars and whiskey. When a premium cigar rests on the edge of this substantial vessel, its brown leaves overlapping with the golden arabesque patterns, an aura of timeless Oriental luxury emerges. While the production date is estimated to be during the 1970s and 80s—an era of peak economic vitality in Japan—the overwhelming scale sought by the successful individuals of that time remains perfectly functional today, elegantly holding the ash of large cigars and setting the tone for a relaxed atmosphere.\u003c\/p\u003e\n\u003cp data-path-to-node=\"25\"\u003eGazing at this kaleidoscope-like painting while smoking a cigar with a glass of matured amber whiskey by your side is nothing less than a ritual. It dispels daily stress along with the flame and invites the spirit into a world of fertile beauty. This work, filled with the pride of Hayashikuro Kiln's pursuit of \"high-quality ceramics,\" far exceeds the scope of a mere smoking accessory. It is a rare collector's piece worthy of centering a unique lifestyle where East and West, stillness and motion, harmonize perfectly.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"26\"\u003eProducer: Hayashikuro Kiln (Ishimaru Togei Co., Ltd.)\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003eNotable Career and History of the Producer: [1968] Founded by Ishimaru Togei Co., Ltd. in Hasami Town, Nagasaki Prefecture. Based on the 400-year traditional techniques of Hasami ware, the kiln established a unique style reviving the Edo-period Ko-Imari style for the modern era. Its opulent designs using Somenishiki and Kinrande (gold gilt) have earned high acclaim both domestically and internationally in the field of luxury gift porcelain, firmly establishing its position as a leader in high-end decorative Hasami porcelain.\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003eProduction Era: Circa late 1970s to 1980s (Showa to Heisei period)\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003eCondition: Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003eAccessories: Original wooden box included Material: Porcelain (Somenishiki and Kinrande)\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003eDimensions: Diameter approx. 25.0 cm, Height approx. 5.0 cm (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003eSpecial Notes: There may be minor glaze spots from production or slight wear on the gold gilt, but no notable post-production damage is present. Note: Even if the products provided by our shop are new and unused, they were produced a long time ago and are listed as second-hand items. Please understand and confirm that the products may have damage due to aging before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47518464278715,"sku":null,"price":35000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4789.jpg?v=1772964195"},{"product_id":"177","title":"The 13th generation Yokoishi Gagyu's work, a revival of Genkawa ware and the ultimate brushstrokes that capture the \"wind\" of the pottery. Ceramic sake cup #177","description":"\u003cp data-path-to-node=\"3\"\u003eThe legendary Utsutsugawa ware, produced in Nagasaki during the mid-Edo period for only about 50 years, suddenly vanished. The solitary potter who revived this \"phantom pottery\" and elevated it to the realm of art was Yokoishi Gagyu XIII (1927-2016). This work is a masterpiece that vividly reflects the aesthetics of Yokoishi Gagyu's heyday, when he reigned as the leading figure in Utsutsugawa ware in both name and reality, and was designated a Nagasaki Prefecture Intangible Cultural Property holder in 1975.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003e When discussing Jusandai's work, it is essential to mention his delicate shaping ability, surpassing even porcelain, by molding iron-rich red clay to the thinnest possible thickness. Despite being ceramic, the thinness of the clay produces a clear, metallic sound when struck with the fingers, and this is the reason why Genkawa ware was once praised as \"exquisite in the East, Genkawa in the West.\" Applied to this unique surface are the elegant \"hakeme\" (brush marks) that have become synonymous with Jusandai. Created by running a brush laden with white engobe clay over the base without a moment's hesitation, the patterns sometimes resemble raging waves and sometimes gently flowing clouds, visualizing the invisible flow of \"wind\" within the vessel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e The design of the Japanese pampas grass depicted in this work is one of Jusandai's specialties, a motif that continues to fascinate enthusiasts around the world. The ears of Japanese pampas grass, blown by the wind and swaying in one direction like ocean waves, are not simply a realistic botanical illustration. They are a \"record of dynamic movement\" created through extreme concentration, with no redo possible, by \"raking\" the grass with a sharp bamboo spatula or similar tool in the mere seconds before the decorative clay dries completely. The scene woven by the brushstrokes and Japanese pampas grass in the background evokes the autumn wilderness, a quintessential Japanese landscape, while also possessing a meticulously calculated, abstract beauty.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003e For whiskey lovers, this piece is sure to be the perfect conversational partner. The deep reddish-brown base, unique to Genkawa ware, brings out the amber color of aged single malt in a truly vibrant way, while the extremely thin rim guides the liquid's delicate aroma directly into the mouth. With the artist's passing in 2016, the supply of his personal creations, which embodied his keen sensibility and superb craftsmanship, has completely ceased. With a glorious history that includes numerous presentations to Emperor Showa and His Majesty the Emperor Emeritus, this vessel embodies the \"beauty of obsession\" that one artist dedicated his life to reviving, it is more than just a sake vessel; it will become a special piece that reflects the pride of its owner.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e Artist: Yokoishi Gagyu 13th (1927-2016)\u003c\/li\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e The artist's notable achievements include: reviving the extinct \"Genkawa-yaki\" style. [1975] Certified as a holder of Nagasaki Prefecture's designated intangible cultural property \"Genkawa-yaki\" (sole certification); [1982] Received the Japan Crafts Association Encouragement Award at the 29th Japan Traditional Crafts Exhibition; [1993] Received the Order of the Sacred Treasure, Fifth Class. He presented his wares to Emperor Showa and the former Emperor (then Crown Prince) on numerous occasions, solidifying the status of Genkawa-yaki.\u003c\/li\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e Collections: Nagasaki Prefectural Art Museum, Sasebo City Museum Shimase Art Center, etc.\u003c\/li\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e Production period: 1980s to 1990s (late Showa period to early Heisei period) *This design (dynamic brushstrokes of pampas grass blown by the wind) is a typical feature of his \"golden period\" from around the time he received an award at the Crafts Exhibition in 1982 to the time he received an award in 1993, when his technique and artistry were at their most mature and he was highly acclaimed both at home and abroad.\u003c\/li\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e Condition: Very good (no chips or cracks)\u003c\/li\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e Accessories: None\u003c\/li\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e Material: Ceramic (Genkawa-yaki, brushed bamboo-patterned)\u003c\/li\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e Dimensions: Diameter approx. 5.5 cm, height approx. 7.5 cm\u003c\/li\u003e\n\n\u003cli data-path-to-node=\"6\"\u003e Please note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47518500356283,"sku":null,"price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4760.jpg?v=1772960777"},{"product_id":"178","title":"Katsumi Eguchi Masterpiece from His Peak Period: Washi-zome Floral Design, Supreme Whiskey Rock Glasses Set of 2 #178","description":"\u003cdiv class=\"source-inline-chip-container ng-star-inserted\"\u003e\n\u003cp data-path-to-node=\"9\"\u003eKatsumi Eguchi is a renowned master who revived the Koyamaji Kiln in 1968, upholding the orthodox lineage of Southern Ko-Karatsu that has continued in Takeo, Saga Prefecture, since the late Momoyama period. As a living legend in the Hizen pottery world, his reputation is widely established. Celebrated his 88th birthday (Beiju) in 2024, this pair of glasses was crafted between the late 1980s and early 1990s, the absolute prime of his artistic career. These works are highly coveted by craft connoisseurs for the way they fuse the formal dignity of traditional Oribe Karatsu with his unique decorative aesthetic. The core of this work lies in the Washi-zome (Japanese paper dyeing) technique, where thin Washi paper is adhered to the bisque-fired surface to allow pigments to permeate through. This process creates a dreamlike gradation—a subtle seeping of color through the fibers—that is impossible to achieve with direct brushwork. Mr. Eguchi has meticulously calculated the interaction between clay composition and pigment absorption; the indigo and brown petals in these pieces possess a watercolor-like transparency, yet the colors are fired deep into the ceramic body. A particular highlight of this work's sculptural beauty is the lush, rounded body line that seems to cling to the palm of the hand. This unique silhouette is ideally designed for rare single malts or aged spirits, allowing the user to slowly swirl the glass to open up the complex aromas. Even with large ice cubes, the glass provides ample space for an elegant swirl, allowing one to enjoy the musical resonance of whiskey and ice. This vessel is truly elevated to a supreme rock glass. The contrast between the substantial texture of the clay and the light floral patterns of the Washi-zome deepens significantly when filled with amber liquid, exuding the grandeur of the finest vessel for a modern lifestyle.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003eArtist: Katsumi Eguchi (Born 1936)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eRepresentative Career: 1961 West Japan Crafts Exhibition Asahi Shimbun Award (Special Prize), 1962 National Prefectural Exhibition Selection Minister of Education Award, 1972 19th Japan Traditional Art Crafts Exhibition Asahi Shimbun Award, 1979 5th Japan Ceramic Art Exhibition Excellence Award, 1981 26th Japan Traditional Art Crafts Exhibition Japan Art Crafts Association Encouragement Award, 1983 West Japan Ceramic Art Exhibition Prime Minister's Award, 1985 Japan Ceramic Society Award.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eMuseum Collections: Saga Prefectural Museum, Saga Prefectural Kyushu Ceramic Cultural Museum, The Japan Foundation, etc.\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eProduction Period: 1989 to early 1990s (Masterpiece from the artist's prime) Condition: Very Good (no chips, no cracks)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eAccessories: Original wooden box, introductory leaflet (Shiori)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eMaterial: Ceramic (Koyamaji Kiln \/ Oribe Karatsu)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eDimensions: [Large] Height approx. 8.7cm, Mouth diameter approx. 8cm, [Small] Height approx. 7.5cm, Mouth diameter approx. 7.7cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eNote: Even if the items we provide are new and unused, they are from a very old production period and are listed as used. Please understand and confirm that the items may have age-related wear before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47518503469243,"sku":null,"price":30000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4904_result.jpg?v=1774140723"},{"product_id":"179","title":"Rikisaburo Fukuda, Iron-Glaze Polychrome Bamboo Design Tea Bowl, The Supreme Whiskey Rock Glass #179","description":"\u003cp data-path-to-node=\"19\"\u003eRikisaburo Fukuda (1912-1993) was a legendary guardian who, for over half a century alongside the great Living National Treasure Shoji Hamada, protected the sacred \"fire\" and \"earth\" of Mashiko pottery. This work, \"Tea Bowl with Iron-Glaze Polychrome Bamboo Design,\" transcends the scope of a mere apprentice's work; it is a masterpiece that represents the culmination of Fukuda's late-career artistry, fully embodying the essence of the Hamada Folk Craft (Mingei) movement. Apprenticing with Shoji Hamada in 1925 at the age of 13, Fukuda served his entire life as the chief workshop manager (Banto), the most trusted pillar of Hamada’s studio. His style, distinct from his teacher’s flamboyant artistry, distills a \"sincerity to the earth\" and \"beauty in utility\" that can only be achieved by a craftsman dedicated to the front lines of production.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThe highlight of this piece is the bold yet delicate technique of \"Tetsu-e Kasai\" (iron-glaze with added polychrome) applied to the surface. Painted without hesitation over traditional Mashiko persimmon (Kaki) and rice husk (Nukajiro) glazes, the bamboo leaf design captures a fleeting moment of vitality swaying in the wind. These brushstrokes possess the robust power of a man who touched clay and conversed with fire daily for decades. The profound dark brown of the iron-glaze and the depth of the added colors create a magnificent contrast with the rustic texture of the Mashiko earth, bringing a spiritual depth to the entire vessel. Connoisseurs will be particularly impressed by the substantial \"heft\" and the mastery of the firing. As the manager of the studio’s climbing kiln, Fukuda understood the nature of fire perfectly, allowing him to achieve a degree of glaze melt that feels like a powerful, uncalculated force of nature. The moment you hold it, you feel the substantial weight and warmth of the earth. This texture, combined with the subtle flare of the rim and the depth of the bowl, elevates its functional perfection to the highest degree.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eThere is a deliberate reason we propose this masterpiece as the \"Supreme Whiskey Rock Glass.\" Originally, a tea bowl is a \"vessel for fragrance\" designed to maximize the aromatic experience. Its wide interior and calculated diameter allow the complex aromas of aged spirits—especially whiskey—to open up more luxuriantly than in a standard glass, delivering the scent directly to the palate. The deep tones of the persimmon glaze and the powerful iron-glaze design resonate with bold single malts, such as a long-aged Macallan from sherry casks or a peaty Lagavulin. The heavy Mashiko earthenware gently embraces the musical sound of amber liquid swirling against ice.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003ePouring a fine Western spirit into a treasure of Japanese Kōgei creates a \"fusion of Eastern and Western cultures\" that defines the essence of modern luxury. Because Fukuda dedicated most of his life to assisting his master, works bearing his own signature—especially tea bowls of this caliber—are exceedingly rare. When the scent of the earth blends with the matured aroma of whiskey, a unique time flows where Showa-era craftsmanship and contemporary sensibility intersect. Feeling the history of the Mingei movement at your fingertips while enjoying amber-colored moments—this piece promises an intellectual and elegant lifestyle.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Rikisaburo Fukuda (1912-1993)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"38\"\u003eKey Activities:\u003c\/b\u003e The very first apprentice of Living National Treasure Shoji Hamada. From the age of 13, he served as the chief manager (Banto) of the Hamada Workshop, overseeing all aspects of production and firing for his entire career. He embodied the spirit of Hamada Folk Craft on the front lines and was revered as the \"Craftsman among Craftsmen.\"\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"391\"\u003eAwards:\u003c\/b\u003e [1972] Honored as Tochigi Prefecture Cultural Contributor, [1984] Recipient of the Shimotsuke Prefectural Citizen's Award, etc. Recognized for his vast contributions to regional culture and his dedication to teaching younger generations.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"637\"\u003eMuseum Collections:\u003c\/b\u003e Mashiko Museum of Ceramic Art, Japan Folk Crafts Museum (Tokyo), Tochigi Prefectural Museum of Fine Arts, Shoji Hamada Memorial Mashiko Sankokan Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"815\"\u003eProduction Period:\u003c\/b\u003e 1980s (Estimated). Believed to be a masterpiece from his later years, when he transitioned from being the workshop foreman to holding solo exhibitions and perfecting his unique iron-glaze style.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1029\"\u003eCondition:\u003c\/b\u003e Very Good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1072\"\u003eAccessories:\u003c\/b\u003e Comes with original signed wooden box (Tomobako)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1134\"\u003eMaterial:\u003c\/b\u003e Ceramic (Iron-glaze polychrome \/ Mashiko Ware)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1191\"\u003eDimensions:\u003c\/b\u003e Height approx. 7.8 cm, Diameter approx. 11 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1249\"\u003eNote:\u003c\/b\u003e Please note that all products, even those in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47518571430075,"sku":null,"price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4938_result.jpg?v=1774140824"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/collections\/fda63a6b57f67753c6e21120d5940c8f.png?v=1763281805","url":"https:\/\/antiqueliquor1926.com\/en\/collections\/sake-vessels-and-tableware-made-by-master-craftsmen.oembed?page=7","provider":"Antique Liquor","version":"1.0","type":"link"}