{"title":"Seto Ware Sake Cups \u0026 Vessels","description":"\u003cp\u003eSeto, the thousand-year-old kiln town that gave Japan the word \"setomono\" for ceramics: tenmoku, ash-glazed and nerikomi pieces by holders of Seto City Intangible Cultural Property.\u003c\/p\u003e","products":[{"product_id":"261","title":"Seto City Designated Intangible Cultural Property Holder, First Generation Mizuno Sokaku (初代 水野双鶴), Nerikomi Chawan Ceramic Whisky Tumbler #261","description":"\u003cp data-path-to-node=\"0\"\u003eThis work is a nerikomi chawan by the first generation Mizuno Sokaku \u003cspan\u003e(1912-1996)\u003c\/span\u003e, a holder of Seto City Designated Intangible Cultural Property and a master who elevated the traditional technique, which was on the verge of extinction in Seto, into contemporary art. With a height of approximately 10.5 cm and a mouth diameter of approximately 10.7 cm, its unique proportions, which are slightly deeper than a typical chawan, lead us to propose it as a premium Japanese craft Ceramic Whisky Tumbler for slowly enjoying aged sake that has transformed into a rich amber color over time, or carefully selected whisky with large ice cubes. The overwhelming presence and dignity as an artwork, combined with the attempt to integrate a vessel deeply rooted in Japanese tea ceremony culture, the chawan, into modern luxurious alcoholic enjoyment, will provide a lavish experience for international collectors and special guests seeking the ultimate in Japanese hospitality.\u003c\/p\u003e\n\u003cp data-path-to-node=\"0\"\u003eThe artist, Mizuno Sokaku I, was born in 1912 in Seto City, Aichi Prefecture, a pottery town. He studied under \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E4%BA%95%E9%81%94%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujii Tatsukichi\u003c\/a\u003e, a pioneer of modern crafts, and was educated in free artistic expression untethered by tradition. Throughout his ceramic career, he achieved remarkable success on major domestic stages, including 27 selections for the Nitten Exhibition, three top awards at the Seto Ceramics Exhibition followed by designation as a non-juried artist, two Governor's Awards at the Asahi Ceramics Exhibition, the Toto Award at the National Ceramics Exhibition, the Tokai TV Award and a meritorious service award at the Japan New Crafts Exhibition, and numerous other awards including the Kansai Art Exhibition. He also held important positions such as councilor of the Japan New Craft Artists Federation, contributing to the development of younger artists and the craft industry. In 1987, his long-standing efforts in independently researching and refining the traditional nerikomi technique were officially recognized, and he was certified as a holder of the Seto City Designated Craft Technique, Ceramic Nerikomi Technique. He passed away on January 18, 1996, at the age of 84, leaving behind a legacy of exceptional skill as the great founder of the prestigious Nerikomi Mizuno family, whose traditions are still carried on by his son Mizuno Norio, who is also a holder of intangible cultural property, and his grandson Mizuno Tomoji, who enjoys global popularity with his unique sensibility. All works currently on the market are precious posthumous pieces with no new supply, making them extremely rare as top-class Japanese art, with very little information available overseas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"0\"\u003eThe most highly regarded technique in Mizuno Sokaku's pottery is nerikomi, which involves meticulously layering multiple clays with different components and firing characteristics, resulting in beautiful continuous patterns that appear no matter where the piece is cut, much like Kintaro-ame candy. Since each of the different clays has varying drying speeds and shrinkage rates during firing, even a slight miscalculation can cause cracks or firing tears in the kiln, making it an extremely difficult technique that requires extreme blending precision and strict temperature control. A detailed examination of this piece reveals that these advanced techniques and the artist's raw sensibility are expressed with overwhelming power across the entire surface of the vessel. On the surface of the vessel, orderly striped patterns woven from different colored clays and organic flow patterns reminiscent of flowing geological strata are dynamically expressed, achieving both the cold beauty of calculation and the warmth of handwork. As a unique characteristic of the nerikomi technique, the same pattern appears completely through the outside and inside at exactly the same position. Therefore, when sake is poured and ice floats, the geometric layers spreading inside the vessel shimmer beautifully, creating a visually stunning and refined experience.\u003c\/p\u003e\n\u003cp data-path-to-node=\"0\"\u003eBased on the artist's ceramic activity and physical evidence from his lifetime, the production period of this work is clearly estimated to be during his mature period, from the late 1970s to the early 1980s, just before he was designated as an intangible cultural property, when his technique was at its peak. The strongest evidence for this is the clear, unadorned handwritten signature style on the tomobako (wooden box), which does not include the title of cultural property holder, strongly reflecting the style of his era as a powerful artist who relied solely on the quality of his work rather than authority. Furthermore, the design of the logo mark featuring a pair of yellow cranes facing each other on the accompanying artist's profile booklet (shiori) perfectly matches the period from the late 1970s to the early 1980s, when he was actively rising to prominence on the forefront of the Japanese modern craft world as a councilor of the Japan New Craft Artists Federation. Due to the varying shrinkage rates of different clays, large and deep vessels like this one were impossible to fire without distortion during his younger years. The fusion of orderly striped patterns and dynamic flow patterns seen in this work is a monumental design feature that crystallizes the pinnacle of mature technique that directly led to his highest honor, the designation as an intangible cultural property in 1987.\u003c\/p\u003e\n\u003cp data-path-to-node=\"0\"\u003eThis work is perfectly accompanied by physical evidence that proves the artist's established style. The bottom of the vessel is engraved with the Sokaku pottery seal, indicating its authenticity, and it comes with a dedicated tomobako, wrapping cloth, and a detailed artist's profile booklet (shiori), all showing that it has been carefully preserved. In particular, the design of a pair of yellow cranes on the booklet, named after his artist name, expresses the artist's delightful playfulness. The lid of the tomobako has \"Nerikomi Chawan\" written on it, and the inside of the lid bears Sokaku's handwritten inscription, along with two perfect seals (round stamps). It is a complete piece in very good condition, without any chips or cracks, and as a supreme Japanese craft piece that is extremely difficult to encounter overseas, it possesses unwavering asset value.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Mizuno Sokaku I (初代 水野双鶴, 1912-1996)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"36\"\u003eArtist's Major Activities:\u003c\/b\u003e [1912] Born in Seto City, Aichi Prefecture, he studied under Fujii Tatsukichi, a pioneer of modern crafts, and was educated in free artistic expression untethered by tradition. Throughout his ceramic career, he achieved remarkable success on major domestic stages, including 27 selections for the Nitten Exhibition, three top awards at the Seto Ceramics Exhibition followed by designation as a non-juried artist, two Governor's Awards at the Asahi Ceramics Exhibition, the Toto Award at the National Ceramics Exhibition, the Tokai TV Award and a meritorious service award at the Japan New Crafts Exhibition, and numerous other awards including the Kansai Art Exhibition. He also held important positions such as councilor of the Japan New Craft Artists Federation, contributing to the development of younger artists and the craft industry. [1987] His long-standing efforts in independently researching and refining the traditional nerikomi technique were officially recognized, and he was certified as a holder of the Seto City Designated Craft Technique, Ceramic Nerikomi Technique. [1996] He passed away on January 18, at the age of 84, leaving behind a legacy of exceptional skill as the great founder of the prestigious Nerikomi Mizuno family, whose traditions are still carried on by his son and grandson, attracting global attention.\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1403\"\u003eProduction Period:\u003c\/b\u003e Late 1970s - Early 1980s (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1459\"\u003eCondition:\u003c\/b\u003e Very Good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1502\"\u003eAccessories:\u003c\/b\u003e Dedicated tomobako, wrapping cloth, artist's profile booklet (shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1594\"\u003eMaterial:\u003c\/b\u003e Ceramic (Nerikomi, Neriage)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1623\"\u003eDimensions:\u003c\/b\u003e Height approx. 10.5 cm, Mouth diameter approx. 10.7 cm \u003cbr\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e All products offered by our shop, even if new and unused, are from very old production periods and are listed as used items. Please understand that products may have age-related damage and consider your purchase after checking them.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47855264202939,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7368_result.jpg?v=1780464479"},{"product_id":"262","title":"Seto City Designated Intangible Cultural Property Holder, First Generation Mizuno Sokaku (初代 水野双鶴), Nerikomi Chawan Ceramic Whisky Tumbler #262","description":"\u003cp data-path-to-node=\"3\"\u003eThis is a nerikomi chawan (tea bowl) by Mizuno Sokaku \u003cspan\u003e(1912-1996)\u003c\/span\u003e the First, a holder of Seto City's Designated Intangible Cultural Property and a master who elevated traditional techniques, which were on the verge of dying out in the Seto region, into modern art. With a height of approximately 8.6 cm and a diameter of approximately 12.2 cm, this vessel boasts the classic and dignified proportions of a matcha bowl. Our store proposes it as a premium Japanese craft Ceramic Whisky Tumbler for slowly enjoying aged sake, which has deepened to a rich amber color over time, or carefully selected whiskies with large spherical ice cubes. The wide mouth and moderate shallow depth of this shape significantly enhance the rich aroma of the poured alcohol by allowing it to interact with the air, while the warmth of the clay and the pleasant weight are directly conveyed to the hand. Equipped with an overwhelming presence as a work of art, this attempt to merge a traditional chawan, deeply rooted in Japanese tea ceremony culture, with modern luxurious bar time will be an extravagant experience for entertaining international collectors and special guests with the utmost Japanese hospitality.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eMizuno Sokaku the First, born in Seto City, Aichi Prefecture in 1912, studied under \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E4%BA%95%E9%81%94%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujii Tatsukichi\u003c\/a\u003e, a pioneer of modern craft, and directly received his artistic spirit as a free expressionist, unconstrained by tradition. He achieved a brilliant record, including 27 selections for the Nitten Exhibition, and swept numerous top awards at major open-call exhibitions. In 1987, his exceptional skills were recognized, and he was designated as a holder of Seto City's Intangible Cultural Property. The Mizuno family, led by Mizuno Sokaku the First, is a prestigious lineage that has continued to captivate collectors worldwide for three generations, including his son Mizuno Norio, who also became an intangible cultural property holder, and his grandson Mizuno Tomoji, who enjoys global popularity with his unique sensibilities. Mizuno Sokaku the First is the great founder and source of all this. Since his passing in 1996, all works available in the market are precious posthumous works with no new supply, making them extremely rare as top-class Japanese designer crafts for which information is almost unobtainable overseas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe most highly regarded technique in Mizuno Sokaku's pottery is the nerikomi technique, in which multiple clays with different compositions and firing colors are meticulously layered, creating beautiful, continuous patterns that appear no matter where the piece is cut, much like Kintaro-ame candy. Since each of the different clays has a different drying speed and shrinkage rate during firing, even a slight miscalculation can cause cracks or tears in the kiln. This makes it the most challenging technique, requiring extreme blending skill and strict temperature control. A detailed examination of this work reveals that these advanced techniques and the artist's raw sensibility are expressed with overwhelming power across the entire surface of the vessel. The surface of the vessel dynamically displays orderly striped patterns woven by different colored clays and intricate flowing patterns reminiscent of tree rings or the texture of beautiful silk fabrics, achieving a balance between cold, calculated beauty and the warmth of handcraft. A unique feature of the nerikomi technique is that the exact same pattern appears through both the exterior and interior surfaces. When sake is poured and ice is floated, the organic geometric layers spreading within the vessel shimmer beautifully, creating a visually sophisticated experience.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eBased on the traces of his ceramic activities and circumstantial evidence during his lifetime, the production period of this work is clearly estimated to be from the late 1970s to the early 1980s, his mature period just before he was designated an intangible cultural property, when his skill was at its peak. The strongest evidence for this lies in the style of the autographed signature on the wooden box and the square seal, which does not include the title of cultural property holder. This strongly reflects the style of his era as a master who competed on the quality of his work itself, without relying on authority. Furthermore, the design of the logo on the accompanying bookmark, depicting a pair of yellow cranes facing each other, is identical to that from the period when he was actively involved in the forefront of the Japanese modern craft world. Due to differences in shrinkage rates between clays, it is prone to cracking, and it would have been impossible for him in his youth to fire a vessel with such a wide mouth and imposing proportions without distortion. The fusion of uniform and complex flowing patterns seen in this work is precisely the monumental design feature that crystallizes the pinnacle of his mature technique, which directly led to his highest honor, the designation as an Intangible Cultural Property in 1987.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThis work is perfectly accompanied by evidence that proves the artist's unique style. A clear \"Sokaku\" potter's mark, indicating the authenticity of the artist, is engraved on the bottom of the vessel, next to the footring. It also comes with its dedicated tomobako (wooden box), wrapping cloth, and an artist's profile booklet (shiori) detailing his ceramic history, all showing that it has been carefully preserved. In particular, the design of the booklet, featuring a pair of yellow cranes facing each other, named after his artist's name, expresses the artist's endearing playfulness. The lid of the wooden box is inscribed \"練込 茶盌\" (Nerikomi Chawan) on the outside, and \"双鶴\" (Sokaku) in his own handwriting on the inside, with a perfectly stamped square seal. It is a complete piece in very good condition, with no chips or cracks, and possesses unwavering asset value as a supreme Japanese craft piece that is extremely difficult to encounter overseas.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Mizuno Sokaku I (初代 水野双鶴, 1912-1996)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"36\"\u003eArtist's Representative Activities:\u003c\/b\u003e [1912] Born in Seto City, Aichi Prefecture, he studied under Fujii Tatsukichi, a pioneer of modern craft, and received training in free artistic expression, unconstrained by tradition. Throughout his ceramic career, he was selected for the Nitten Exhibition a total of 27 times, won the top prize at the Seto Ceramics Exhibition three times, later being designated without examination, received the Governor's Award twice at the Asahi Ceramics Exhibition, the Toto Award at the National Ceramics Exhibition, and the Tokai TV Award and Achievement Award at the Japan New Craft Exhibition, as well as numerous other awards including at the Kansai Art Exhibition, accumulating a brilliant record on major domestic stages. He also served in important positions such as a councilor of the Japan New Craft Artists Federation, contributing to the development of future generations and the craft world. [1987] His achievements in independently researching and refining the traditional nerikomi technique over many years were officially recognized, and he was designated as a holder of Seto City's Designated Craft Technique (Ceramics, Nerikomi Technique). [1996] He passed away on January 18th at the age of 84, leaving behind a lineage of exceptional skill as the great founder of the prestigious Nerikomi Mizuno family, which continues to attract global attention through his son and grandson.\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1460\"\u003eWorks in Collections:\u003c\/b\u003e Aichi Prefectural Ceramic Museum, Seto City Museum of Art, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1546\"\u003eProduction Period:\u003c\/b\u003e 1970s - Early 1980s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1597\"\u003eProduct Condition:\u003c\/b\u003e Very good (no chips, no cracks, please note the natural crackle (not a defect))\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1696\"\u003eAccessories:\u003c\/b\u003e Dedicated tomobako (wooden box), artist's profile booklet (shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1785\"\u003eMaterial:\u003c\/b\u003e Ceramic (nerikomi)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1814\"\u003eDimensions:\u003c\/b\u003e Height approx. 8.6 cm, Diameter approx. 12.2 cm \u003cbr\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products offered by our store are new and unused, they are from a very old production period and are all listed as used items. The product may have damage due to age, so please understand and confirm this before considering purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47881781969083,"sku":null,"price":65000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7420_result.jpg?v=1780464896"},{"product_id":"280","title":"Seto City Designated Intangible Cultural Property Holder, First Generation Mizuno Sokaku (初代 水野双鶴), Nerikomi Chawan Ceramic Whisky Tumbler #280","description":"\u003cp data-path-to-node=\"3\"\u003eThis is a nerikomi chawan (tea bowl) by Mizuno Sokaku \u003cspan\u003e(1912-1996)\u003c\/span\u003e the First, a holder of Seto City's Designated Intangible Cultural Property and a master who elevated traditional techniques, which were on the verge of dying out in the Seto region, into modern art. With a height of approximately 8.6 cm and a diameter of approximately 12.2 cm, this vessel boasts the classic and dignified proportions of a matcha bowl. Our store proposes it as a premium Japanese craft Ceramic Whisky Tumbler for slowly enjoying aged sake, which has deepened to a rich amber color over time, or carefully selected whiskies with large spherical ice cubes. The wide mouth and moderate shallow depth of this shape significantly enhance the rich aroma of the poured alcohol by allowing it to interact with the air, while the warmth of the clay and the pleasant weight are directly conveyed to the hand. Equipped with an overwhelming presence as a work of art, this attempt to merge a traditional chawan, deeply rooted in Japanese tea ceremony culture, with modern luxurious bar time will be an extravagant experience for entertaining international collectors and special guests with the utmost Japanese hospitality.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eMizuno Sokaku the First, born in Seto City, Aichi Prefecture in 1912, studied under \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E4%BA%95%E9%81%94%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujii Tatsukichi\u003c\/a\u003e, a pioneer of modern craft, and directly received his artistic spirit as a free expressionist, unconstrained by tradition. He achieved a brilliant record, including 27 selections for the Nitten Exhibition, and swept numerous top awards at major open-call exhibitions. In 1987, his exceptional skills were recognized, and he was designated as a holder of Seto City's Intangible Cultural Property. The Mizuno family, led by Mizuno Sokaku the First, is a prestigious lineage that has continued to captivate collectors worldwide for three generations, including his son Mizuno Norio, who also became an intangible cultural property holder, and his grandson Mizuno Tomoji, who enjoys global popularity with his unique sensibilities. Mizuno Sokaku the First is the great founder and source of all this. Since his passing in 1996, all works available in the market are precious posthumous works with no new supply, making them extremely rare as top-class Japanese designer crafts for which information is almost unobtainable overseas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe most highly regarded technique in Mizuno Sokaku's pottery is the nerikomi technique, in which multiple clays with different compositions and firing colors are meticulously layered, creating beautiful, continuous patterns that appear no matter where the piece is cut, much like Kintaro-ame candy. Since each of the different clays has a different drying speed and shrinkage rate during firing, even a slight miscalculation can cause cracks or tears in the kiln. This makes it the most challenging technique, requiring extreme blending skill and strict temperature control. A detailed examination of this work reveals that these advanced techniques and the artist's raw sensibility are expressed with overwhelming power across the entire surface of the vessel. The surface of the vessel dynamically displays orderly striped patterns woven by different colored clays and intricate flowing patterns reminiscent of tree rings or the texture of beautiful silk fabrics, achieving a balance between cold, calculated beauty and the warmth of handcraft. A unique feature of the nerikomi technique is that the exact same pattern appears through both the exterior and interior surfaces. When sake is poured and ice is floated, the organic geometric layers spreading within the vessel shimmer beautifully, creating a visually sophisticated experience.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eBased on the traces of his ceramic activities and circumstantial evidence during his lifetime, the production period of this work is clearly estimated to be from the late 1970s to the early 1980s, his mature period just before he was designated an intangible cultural property, when his skill was at its peak. The strongest evidence for this lies in the style of the autographed signature on the wooden box and the square seal, which does not include the title of cultural property holder. This strongly reflects the style of his era as a master who competed on the quality of his work itself, without relying on authority. Furthermore, the design of the logo on the accompanying bookmark, depicting a pair of yellow cranes facing each other, is identical to that from the period when he was actively involved in the forefront of the Japanese modern craft world. Due to differences in shrinkage rates between clays, it is prone to cracking, and it would have been impossible for him in his youth to fire a vessel with such a wide mouth and imposing proportions without distortion. The fusion of uniform and complex flowing patterns seen in this work is precisely the monumental design feature that crystallizes the pinnacle of his mature technique, which directly led to his highest honor, the designation as an Intangible Cultural Property in 1987.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThis work is perfectly accompanied by evidence that proves the artist's unique style. A clear \"Sokaku\" potter's mark, indicating the authenticity of the artist, is engraved on the bottom of the vessel, next to the footring. It also comes with its dedicated tomobako (wooden box), wrapping cloth, and an artist's profile booklet (shiori) detailing his ceramic history, all showing that it has been carefully preserved. In particular, the design of the booklet, featuring a pair of yellow cranes facing each other, named after his artist's name, expresses the artist's endearing playfulness. The lid of the wooden box is inscribed \"練込 茶盌\" (Nerikomi Chawan) on the outside, and \"双鶴\" (Sokaku) in his own handwriting on the inside, with a perfectly stamped square seal. It is a complete piece in very good condition, with no chips or cracks, and possesses unwavering asset value as a supreme Japanese craft piece that is extremely difficult to encounter overseas.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Mizuno Sokaku I (初代 水野双鶴, 1912-1996)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"36\"\u003eArtist's Representative Activities:\u003c\/b\u003e [1912] Born in Seto City, Aichi Prefecture, he studied under Fujii Tatsukichi, a pioneer of modern craft, and received training in free artistic expression, unconstrained by tradition. Throughout his ceramic career, he was selected for the Nitten Exhibition a total of 27 times, won the top prize at the Seto Ceramics Exhibition three times, later being designated without examination, received the Governor's Award twice at the Asahi Ceramics Exhibition, the Toto Award at the National Ceramics Exhibition, and the Tokai TV Award and Achievement Award at the Japan New Craft Exhibition, as well as numerous other awards including at the Kansai Art Exhibition, accumulating a brilliant record on major domestic stages. He also served in important positions such as a councilor of the Japan New Craft Artists Federation, contributing to the development of future generations and the craft world. [1987] His achievements in independently researching and refining the traditional nerikomi technique over many years were officially recognized, and he was designated as a holder of Seto City's Designated Craft Technique (Ceramics, Nerikomi Technique). [1996] He passed away on January 18th at the age of 84, leaving behind a lineage of exceptional skill as the great founder of the prestigious Nerikomi Mizuno family, which continues to attract global attention through his son and grandson.\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1460\"\u003eWorks in Collections:\u003c\/b\u003e Aichi Prefectural Ceramic Museum, Seto City Museum of Art, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1546\"\u003eProduction Period:\u003c\/b\u003e 1970s - Early 1980s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1597\"\u003eProduct Condition:\u003c\/b\u003e Very good (no chips, no cracks, please note the natural crackle (not a defect))\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1696\"\u003eAccessories:\u003c\/b\u003e Dedicated tomobako (wooden box), Ukon cloth, artist's profile booklet (shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1785\"\u003eMaterial:\u003c\/b\u003e Ceramic (nerikomi)\u003c\/li\u003e\n\u003cli data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1814\"\u003eDimensions:\u003c\/b\u003e Height approx. 8.6 cm, Diameter approx. 12.2 cm \u003cbr\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products offered by our store are new and unused, they are from a very old production period and are all listed as used items. The product may have damage due to age, so please understand and confirm this before considering purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974191988923,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_8822_result.jpg?v=1783738626"},{"product_id":"310","title":"Seto City Intangible Cultural Property Holder Suzuki Hachiro (鈴木八郎), Taishi Kiln: Ash-Glazed Tea Cup with Slanted Comb Marks and Flowing Glaze, Imperial Poetry Theme \"Journey\", Whisky Rock Glass-Style Sake Vessel #310","description":"\u003cp data-path-to-node=\"23\"\u003eThis is an ash-glazed tea cup by Suzuki Hachiro (1915–2005) of the Taishi Kiln, who pursued the tradition and innovation of Seto ware from the Taisho to Heisei periods and was designated a Holder of Seto City's Intangible Cultural Property for \"Ceramic Ash Glaze Technique.\" Suzuki Hachiro studied design and craft philosophy under \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E4%BA%95%E9%81%94%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujii Tatsukichi\u003c\/a\u003e, a master of modern crafts, and trained under \u003ca href=\"\/en\/search?q=%22%E4%BA%80%E4%BA%95%E6%B8%85%E5%B8%82%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKamei Seiichi\u003c\/a\u003e. From 1944 to 1945, he traveled to Manchuria for ceramic research, deeply studying ancient Chinese pottery. After the war, he was selected 13 times for the Bunten and Nitten exhibitions, and his work was selected for the Japan Traditional Crafts Exhibition and exhibited at the Metropolitan Museum of Art in the United States. His works are housed and permanently preserved in the Aichi Prefectural Museum of Art, the Aichi Prefectural Ceramic Museum, the Ichinomiya City Museum, and Seto City, earning him high acclaim as a leading master of Seto ceramics.\u003c\/p\u003e\n\u003cp data-path-to-node=\"24\"\u003eThis custom-commissioned piece features the handwritten ink inscription \"O-dai Tabi Chahai\" (Annual Imperial Poetry Theme: Journey, Tea Cup) by the artist on the lid of the accompanying Tomobako. It represents a harmonious fusion of Suzuki Hachiro's signature ash glaze technique and the natural kiln transformations brought about by anagama firing. The upper half of the vessel is covered with a soft-textured grayish-white glaze displaying fine, elegant crackles. From the lower body down to the foot ring, slanted comb patterns expertly incised with a carving tool encircle the vessel, where dense, deep-green ash glaze—formed by the flames and wood ash of the anagama kiln—has flowed down and pooled. Near the foot ring, the rustic and powerful raw clay body is exposed, with glassy glaze drips that have solidified clearly visible along the border. The sophisticated blending of plant ash, high-temperature reduction firing, and the advanced technique of guiding glaze into carved recesses fully manifest the fruits of his research into ancient Koseto designs and anagama firing.\u003c\/p\u003e\n\u003cp data-path-to-node=\"25\"\u003eWe propose this vessel, endowed with historical value and a refined cylindrical form, as an exquisite Japanese Kogei sake vessel (whisky rock glass) for enjoying aged sake, premium whisky, or shochu over ice in modern lifestyles. The tactile carved contours felt in the hand, alongside the colors woven by the deep-green ash glaze and clear liquor when poured, elevate everyday moments into a special experience encountering peak art. Handcrafted during his active period of anagama firing exhibitions after 1975, this authentic piece is identified by the included biography leaflet as having been produced between 1980 and 1982—the era when his scholarly book was published and his masterpiece was selected for permanent preservation by Seto City. It is a masterpiece in pristine condition, complete with its dedicated Tomobako bearing the artist's handwritten title, theme, and seal, along with the original biography leaflet.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eArtist：\u003c\/strong\u003eSuzuki Hachiro (鈴木八郎, Taishi Kiln \/ Bujian, 1915–2005)\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eArtist's Key Activities：\u003c\/strong\u003eStudied under Fujii Tatsukichi and Kamei Seiichi; Traveled to Manchuria for ceramic research in 1944–1945; Selected 13 times for the Bunten and Nitten exhibitions; Selected for the Japan Traditional Crafts Exhibition; Awarded the Toto Encouragement Prize and Toto Chairman's Prize at the National Ceramics Exhibition; Exhibited at the Metropolitan Museum of Art in the USA; Held anagama firing exhibitions from 1975; Published \"Koseto Moyo Tekikaicho\" (Handbook of Ancient Seto Patterns) in 1980; \"Shida Moyo Obachi\" (Large Fern Pattern Bowl) selected for permanent preservation by Seto City in 1981; Designated a Holder of Seto City's Intangible Cultural Property for \"Ceramic Ash Glaze Technique\" in 2003\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eWorks Housed In：\u003c\/strong\u003eAichi Prefectural Museum of Art, Aichi Prefectural Ceramic Museum, Ichinomiya City Museum, Hekinan City Fujii Tatsukichi Museum of Contemporary Art, Seto City\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cstrong\u003ePeriod of Production：\u003c\/strong\u003e1980–1982\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003e\u003cstrong\u003eCondition：\u003c\/strong\u003eVery good (no chips, no cracks, excluding aged texture characteristic of antique art)\u003c\/li\u003e\n\u003cli data-path-to-node=\"31\"\u003e\u003cstrong\u003eAccessories：\u003c\/strong\u003eDedicated Tomobako (with \"O-dai Tabi Chahai\" and \"Hachiro Saku\" inscribed in ink with red seal on the lid), original biography leaflet included\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eMaterial：\u003c\/strong\u003eStoneware (ash glaze, anagama fired, slanted comb pattern, flowing glaze, exposed raw clay foot ring)\u003c\/li\u003e\n\u003cli data-path-to-node=\"33\"\u003e\u003cstrong\u003eDimensions：\u003c\/strong\u003eHeight approx. 10.0 cm, Mouth diameter approx. 10.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"34\"\u003e\u003cstrong\u003eCaution：\u003c\/strong\u003eAll products offered by our shop are historical items from an old production period and are listed as antique art \/ pre-owned items. Products may have subtle changes due to age, so please consider purchasing after understanding and verifying the nature of antique art.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48055748231355,"sku":null,"price":33000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_9525_result.jpg?v=1784704819"},{"product_id":"336","title":"Nitten Judge, Vice President of Japan Contemporary Arts and Crafts Association, Master of Seto Ware Kato Sho (加藤釥): Oribe Daisai Guinomi Pair, Japanese Shot Glasses #336","description":"\u003cp data-path-to-node=\"9\"\u003eBorn in Seto City, Aichi Prefecture in 1927 and passed away in 2001, this refined pair of Oribe daisai guinomi (sake cups) is created by Kato Sho, a master representing the Seto ceramic realm. After graduating from Aichi Prefectural Seto Ceramic High School in 1944, Kato Sho fused Seto's advanced traditional techniques with scientific glaze theory, establishing a new sculptural beauty of modern craft that transcended the framework of traditional tea ceramics. Starting with Special Selection awards at Nitten in 1962 and 1964, his works were purchased by The National Museum of Modern Art, Tokyo in 1968 and by the Ministry of Foreign Affairs in 1970, leaving remarkable achievements; he also led post-war Japanese ceramics by holding key positions such as Nitten judge and Vice President of the Japan Contemporary Arts and Crafts Association. His works are officially housed in public collections such as the Aichi Prefectural Ceramic Museum, Seto City Art Museum, and Setogura Museum. Our shop presents this creation, in which Seto's long tradition and modern sculptural consciousness crystalize, to the global market not only as traditional sake cups, but also as vintage shot glasses (a pair of Japanese shot glasses) for enjoying the rich depth of amber aged sake or matured whisky.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThis work clearly manifests a design in which the daisai (clay slip coloring) technique—Kato Sho's specialty which earned high acclaim—and vibrant glaze expressions draw a splendid contrast. On the surface of the small, comfortably hand-held pair measuring approximately 5.2 cm in height and 6.0 cm in mouth diameter, a pale yellow-ochre clay slip base with a matte, rustic texture is applied, where vertical bands of deep, vivid indigo and cobalt blue glaze flow down, constructing a dignified, modern geometric pattern. The beauty of coloration based on calculated scientific glaze theory merges with the pleasant tactile quality of the clay body, and the artist's own incised signature \"Sho\" is firmly carved on the unglazed clay base inside the foot ring.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eRegarding the period of production, it is identified as an authentic work created between 1974 and circa 1980, when he served as a Nitten judge and his artistic style reached completion. The vessels themselves have no cracks or chips, maintaining extremely good condition in both glaze coloration and texture. It arrives in complete condition as a pair, accompanied by its dedicated Tomobako (wooden box) inscribed in ink on the lid \"Sakazuki\" with a red seal stamped by the artist, as well as a biography leaflet.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eKato Sho (加藤釥, 1927–2001)\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eArtist's Key Activities: \u003c\/strong\u003e1957 Selected for the 13th Nitten Exhibition for the first time; 1962 Received Special Selection at the 5th Nitten Exhibition; 1964 Received Special Selection at the 7th Nitten Exhibition and Minister of International Trade and Industry Award; 1968 Nitten entry purchased by The National Museum of Modern Art, Tokyo; 1969 \u0026amp; 1974 Appointed Nitten Judge; 1970 Nitten entry \"Soyo\" purchased by the Ministry of Foreign Affairs\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eWorks Housed In: \u003c\/strong\u003eThe National Museum of Modern Art, Tokyo; Ministry of Foreign Affairs; Aichi Prefectural Ceramic Museum; Seto City Art Museum; Setogura Museum, etc.\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003ePeriod of Production: \u003c\/strong\u003eCirca 1974–1980\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated Tomobako, biography leaflet included\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eCeramic (Oribe daisai clay-slip glaze, incised seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 5.2 cm, Mouth diameter approx. 6.0 cm (Pair)\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eCaution: \u003c\/strong\u003eAll products offered by our shop are pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48145415930043,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0779_result.jpg?v=1786434921"},{"product_id":"343","title":"Aichi Prefecture Designated Intangible Cultural Property Holder, Studied under Kitaoji Rosanjin: Oe Bunsho (大江文象), Seto Ware Red Frost-Dappled Glaze Evening Geese Tea Bowl, Rocks Glass #343","description":"\u003cp data-path-to-node=\"16\"\u003eCreated by Oe Bunsho (1898–1979), a master of Seto ware born in Chita District, Aichi Prefecture in 1898 (Meiji 31) and passed away in 1979 (Showa 54), this is a masterpiece Red Frost-Dappled Glaze Evening Geese Tea Bowl. Oe Bunsho studied Japanese painting under Undo Kotera during his youth, polishing a delicate eye for sketching and a sense of composition, before studying under \u003ca href=\"\/en\/search?q=%22%E5%8C%97%E5%A4%A7%E8%B7%AF%E9%AD%AF%E5%B1%B1%E4%BA%BA%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKitaoji Rosanjin\u003c\/a\u003e—a monumental figure in modern ceramics—to master the essence of ceramic techniques and formal beauty. In addition to being selected nine times in total for the Teiten, Bunten, and Nitten exhibitions, he earned numerous selections and awards across various exhibitions, and in 1975, his outstanding skills were recognized when he was designated as a Holder of Aichi Prefecture Designated Intangible Cultural Property (Craft Technique: \"Kushimemon\" Combed Pattern). His works are officially housed and specially purchased by public institutions such as the Aichi Prefectural Ceramic Museum and Seto City. Our shop presents this dignified creation, in which tradition and pictorial sophistication fuse to a high degree, to the global market not only as a tea utensil for whisking matcha, but also as a supreme vintage rocks glass (a Japanese free cup) for slowly savoring aged sake or matured Japanese sake with large ice cubes, enveloped in rich depth and amber radiance over time.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eThis work expresses at an exceptionally high level the chorie (carved pictorial design) motif originating from Japanese painting—Oe Bunsho’s greatest specialty—alongside the expression of benisobora-yu (red frost-dappled glaze), the culmination of his many years of glaze research. On the surface of the vessel, which possesses an excellent tactile grip measuring approximately 9.2 cm in height and 12.0 cm in diameter, his original red frost-dappled glaze is applied, featuring white crystals scattered like frost across a deep reddish-brown base evocative of an evening sky. On the vessel's exterior, a delicate carved drawing of \"YUkari\" (Evening Geese) is rendered, depicting geese flying in flocks across the dusk sky. YUkari is a traditional seasonal motif that has symbolized the deepening of autumn, travel sentiment, and refined nostalgia in Japanese waka poetry and Japanese painting since ancient times, brilliantly showcasing the exquisite line carving unique to Bunsho, who was so adept at animal and bird-and-flower designs that he was praised as \"Bunsho of Quails.\" A gentle glaze texture spreads inside the interior base (mikomi), while the artist's own seal is firmly incised into the unglazed clay beside the foot ring, demonstrating a splendid harmony between the bold yet refined form taking advantage of the clay's natural character inherited from Rosanjin and the delicate pictorial expression.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eRegarding the period of production, taking clues from the inclusion of \"Selected nine times for Teiten, Bunten, Nitten, etc.\" in the accompanying biography leaflet and the absence of any mention of his Aichi Prefecture Designated Intangible Cultural Property designation (1975), it is identified as an authentic work produced between the 1960s and circa 1974, a mature period when he repeatedly won selections at Nitten and perfected his unique red frost-dappled glaze and carved pictorial expression styles. The vessel itself has no chips or cracks, maintaining excellent condition in both glaze coloration and carved drawing preservation. It arrives as a complete masterpiece accompanied by its dedicated Tomobako (wooden box) inscribed in ink on the lid \"Red Frost-Dappled Glaze, Evening Geese Tea Cup\" with a red seal stamped, along with a biography leaflet.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eArtist：\u003c\/strong\u003e Oe Bunsho (大江文象, 1898–1979)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist's Key Activities：\u003c\/strong\u003e [1933] First selected for the 14th Teiten Exhibition (subsequently selected 9 times in total for Teiten, Bunten, Nitten, etc.); [1972] Received the CBC Club Cultural Award; [1975] Designated as a Holder of Aichi Prefecture Designated Intangible Cultural Property (Kushimemon Combed Pattern) Works Housed In： Aichi Prefectural Ceramic Museum, Seto City (Specially Purchased for Permanent Preservation), etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003ePeriod of Production：\u003c\/strong\u003e Circa 1960s–1974 (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eCondition：\u003c\/strong\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003eAccessories：\u003c\/strong\u003e Dedicated Tomobako, biography leaflet included\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eMaterial：\u003c\/strong\u003e Ceramic (Seto ware, red frost-dappled glaze, carved pictorial design, incised seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eDimensions：\u003c\/strong\u003e Height approx. 9.2 cm, Mouth diameter approx. 12.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eCaution：\u003c\/strong\u003e All products offered by our shop are pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48145422483643,"sku":null,"price":75000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0367_result.jpg?v=1786022833"},{"product_id":"349","title":"Nitten Judge, Vice President of Japan Contemporary Arts and Crafts Association, Master of Seto Ware Kato Sho (加藤釥): Oribe Daisai Cylindrical Tea Bowl, Japanese Rocks Glass #349","description":"\u003cp data-path-to-node=\"16\"\u003eBorn in Seto City, Aichi Prefecture in 1927 and passed away in 2001, this refined cylindrical tea bowl is created by Kato Sho, a master representing the Seto ceramic realm. After graduating from the prestigious Aichi Prefectural Seto Ceramic High School in 1944, Kato Sho fused Seto's advanced traditional techniques with scientific glaze theory, establishing a new sculptural beauty of modern craft that transcended the framework of traditional tea ceramics. Starting with Special Selection awards at Nitten in 1962 and 1964, his works were purchased by The National Museum of Modern Art, Tokyo and the Ministry of Foreign Affairs; he also led post-war Japanese ceramics by holding key positions such as Nitten judge and Vice President of the Japan Contemporary Arts and Crafts Association. His works are housed in institutions such as the Aichi Prefectural Ceramic Museum, Seto City Art Museum, and Setogura Museum. Our shop presents this creation, in which Seto's long tradition and modern sculptural consciousness crystalize, to the global market not only as a tea utensil for enjoying traditional tea ceremonies, but also as a vintage rocks glass (a Japanese free cup) for quietly savoring aged sake or matured whisky enveloped in rich depth and amber radiance over time with large ice cubes.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eThis work features a design in which the daisai (clay slip coloring) technique—Kato Sho's specialty which earned high acclaim—and the application of traditional Oribe glaze and ash glaze draw a splendid contrast. On the surface of the dignified cylindrical form measuring approximately 8.0 cm in height and 7.5 cm in mouth diameter, smooth horizontal ridges (wheel rings) left during wheel-throwing are carved, bringing a comfortable tactile sensation when held in the hand. The upper half of the vessel displays a delicate gradation from yellow-ochre to dark brown that evokes the rustic warmth of clay, while layer upon layer of pale emerald green and milky blue glazes are applied toward the lower half, constructing a landscape of poured glazes dripping toward the base. The powerful droplet sculpting where the glaze stays in wave-like formations, as well as the artist's own incised seal \"Sho\" carved on the black clay base inside the foot ring, demonstrate an achievement where calculated scientific glaze theory meets the vitality of clay.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eRegarding the period of production, taking clues from the accompanying biography leaflet which records his achievements up to serving as a judge at the 6th Nitten Exhibition in Showa 49 (1974), as well as the absence of any records of official positions from the Showa 50s onward, it is identified as an authentic work created between 1974 and circa 1980, when he served as a Nitten judge and his artistic style reached completion. The vessel itself has no cracks or chips, maintaining extremely good condition in both glaze coloration and texture. It arrives in complete condition, accompanied by its dedicated Tomobako (wooden box) inscribed in ink on the lid \"Tsutsu-chawan\" (Cylindrical Tea Bowl) with a red seal stamped by the artist, as well as a biography leaflet detailing his career.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cstrong\u003eArtist：\u003c\/strong\u003eKato Sho (加藤釥, 1927–2001)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist's Key Activities：\u003c\/strong\u003e1957 Selected for the 13th Nitten Exhibition for the first time, 1962 Received Special Selection at the 5th Nitten Exhibition, 1964 Received Special Selection at the 7th Nitten Exhibition and Minister of International Trade and Industry Award, 1968 Nitten entry purchased by The National Museum of Modern Art, Tokyo, 1969 \u0026amp; 1974 Appointed Nitten Judge, 1970 Nitten entry \"Soyo\" purchased by the Ministry of Foreign Affairs Works Housed In：The National Museum of Modern Art, Tokyo; Ministry of Foreign Affairs; Aichi Prefectural Ceramic Museum; Seto City Art Museum; Setogura Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eWorks Housed In：\u003c\/strong\u003eAichi Prefectural Ceramic Museum, Seto City Art Museum, Setogura Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003ePeriod of Production：\u003c\/strong\u003eCirca 1974–1980\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003eCondition：\u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eAccessories：\u003c\/strong\u003eDedicated Tomobako, biography leaflet included\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eMaterial：\u003c\/strong\u003eCeramic (Oribe daisai clay-slip glaze, incised seal) Dimensions：Height approx. 8.0 cm, Mouth diameter approx. 7.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eCaution：\u003c\/strong\u003eAll products offered by our shop are pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48199388397755,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0619_result.jpg?v=1786204660"},{"product_id":"379","title":"Seto City Designated Intangible Cultural Property Holder, Prince Kiln, Suzuki Hachiro (鈴木八郎): Tenmoku Tea Cup, Oil Spot Tenmoku, Cylindrical Sake Vessel, Japanese Rocks Glass #379","description":"\u003cp data-path-to-node=\"17\"\u003ePursuing the traditions and innovations of Seto ware from the Taisho through Heisei eras, this Tenmoku tea cup was crafted by Suzuki Hachiro (1915–2005) of Prince Kiln (Taishi-gama), who was designated a holder of Seto City Designated Intangible Cultural Property for ceramic ash glaze techniques. Suzuki Hachiro studied under. \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E4%BA%95%E9%81%94%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujii Tatsukichi\u003c\/a\u003e, a giant of modern Japanese crafts, to master design and craft philosophy, and after honing his skills under. \u003ca href=\"\/en\/search?q=%22%E4%BA%80%E4%BA%95%E6%B8%85%E5%B8%82%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKamei Seiichi\u003c\/a\u003e, he traveled to Manchuria from 1944 to 1945 for ceramic research, deeply studying ancient Chinese ceramics. In the post-war period, he achieved selection 13 times in total for the Bunten and Nitten exhibitions, and earned high acclaim as a master representing the Seto ceramic world through selections for the Japan Traditional Art Crafts Exhibition and exhibiting at The Metropolitan Museum of Art in the United States, as well as having his works collected and permanently preserved in institutions such as the Aichi Prefectural Museum of Art, Aichi Prefectural Ceramic Museum, Ichinomiya City Museum, Hekinan City Fujii Tatsukichi Museum of Contemporary Art, and Seto City. Our shop offers this heavy, dignified piece—originally created as a traditional Tenmoku tea cup—to the global market as a luxurious Japanese-style rocks glass (cylindrical free cup) for quietly savoring the rich aroma and flavor of amber aged sake, matured whisky, or authentic shochu over large ice cubes.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eCarefully examining the details of this work clearly reveals the scenery of Oil Spot Tenmoku (crystal Tenmoku), in which the beauty of ancient Chinese Tenmoku ceramics deeply researched by Suzuki Hachiro during his Manchurian travels and his masterful firing technique have brilliantly come to fruition. Over a pitch-black glaze ground, beautiful silver-white oil-spot and crystalline markings float densely across the entire vessel body down to the mikomi (inner bottom), creating a fantastical sense of depth depending on the light angle. The cylindrical form features powerful manual horizontal carving and organic warpage, bestowing three-dimensional shadows and a delightful, palm-fitting tactile feel not found in simple cylinders. Around the foot ring, the glaze is cleanly scraped off to reveal the tight, rustic clay unique to Seto (\"tsuchimise\"), while beautiful spiral carving is executed inside the foot ring. Standing approximately 10.7 cm in height with a mouth diameter of approximately 7.7 cm, the cylindrical structure with moderate thickness and height offers excellent heat insulation and cold retention, serving as a perfect stage for savoring the deep flavor of aged spirits and the resonant sound of ice through all five senses.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eRegarding the period of production, it can be estimated to be an authentic work created in the 1980s to 1990s (latter Showa to early Heisei period), when his Tenmoku and ash-glaze techniques—the fruits of his ancient Chinese ceramic research—reached a complete pinnacle of maturity following the opening of his anagama kiln in 1975, the publication of his book \"Kusetomonyou Tehikaecho\" in 1980, and the selection of his work for permanent preservation by Seto City in 1981. With Suzuki Hachiro's passing in 2005, the creation of new works has completely ceased, establishing its enduring value as a legacy of a master recognized even by The Metropolitan Museum of Art. The vessel itself has no cracks or chips, maintaining extremely good condition in its oil spot Tenmoku glaze coloration, appearance of spot markings, and glaze texture. The piece arrives in complete condition, accompanied by its dedicated Tomobako (wooden box) inscribed on the lid with \"Tenmoku Chahai\" in ink and stamped with Hachiro's red seal, alongside a dedicated cloth stamped with his seal stamp.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist:\u0026nbsp;\u003c\/strong\u003eSuzuki Hachiro (鈴木八郎, 1915–2005)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist's Key Activities:\u003c\/strong\u003e Studied under Fujii Tatsukichi and Kamei Seiichi; Traveled to Manchuria for ceramic research from 1944–1945; Selected 13 times for Bunten\/Nitten exhibitions; Selected for Japan Traditional Art Crafts Exhibition; Received National Ceramic Exhibition Toto Encouragement Award and Toto President's Award; Exhibited at The Metropolitan Museum of Art (USA); Held anagama kiln ceramic exhibitions from 1975; Published book \"Kusetomonyou Tehikaecho\" in 1980; \"Fern Motif Large Bowl\" selected for permanent preservation by Seto City in 1981; Designated as holder of Seto City Designated Intangible Cultural Property for \"Ceramic Ash Glaze Technique\" in 2003\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eWorks Housed In:\u003c\/strong\u003e Aichi Prefectural Museum of Art, Aichi Prefectural Ceramic Museum, Ichinomiya City Museum, Hekinan City Fujii Tatsukichi Museum of Contemporary Art, Seto City\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e Circa 1980s–1990s (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks, excluding age-related character inherent to antique crafts)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated Tomobako, dedicated cloth with seal stamp included\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Pottery (Seto ware, Tenmoku glaze, Oil Spot Tenmoku)\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 10.7 cm, Mouth diameter approx. 7.7 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eCaution:\u003c\/strong\u003e All products offered by our shop are historical craft items with older production periods and are listed as antiques\/vintage art. Products may exhibit minor changes over time, so please consider purchasing after understanding and verifying the essential nature of antique crafts.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48265439183035,"sku":null,"price":65000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1595_result.jpg?v=1787563610"},{"product_id":"393","title":"Seto City Designated Intangible Cultural Property Ash Glaze Technique Holder Taishi Kiln Suzuki Hachiro (鈴木八郎): Ash Glazed Tenmoku Chahai, Matcha Bowl, Sake Vessel, Japanese Rocks Glass #393","description":"\u003cp data-path-to-node=\"19\"\u003eThis Ash Glazed Tenmoku Chahai is crafted by Suzuki Hachiro (1915–2005), a master of the Seto ceramic world, holder of the Seto City Designated Intangible Cultural Property \"Ceramic Ash Glaze Technique,\" and founder of Taishi Kiln. Having studied under \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E4%BA%95%E9%81%94%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujii Tatsukichi\u003c\/a\u003e, a giant of modern craft art, to acquire design theory and craft philosophy, and after training under the traditional potter \u003ca href=\"\/en\/search?q=%22%E4%BA%80%E4%BA%95%E6%B8%85%E5%B8%82%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eKamei Seiichi\u003c\/a\u003e, he traveled to Manchuria between 1944 and 1945 to deeply study ancient Chinese ceramics. Winning selection a total of 13 times at the Bunten and Nitten Exhibitions, and earning exceptionally high acclaim with his works exhibited at the Metropolitan Museum of Art in the United States and housed in the Aichi Prefectural Museum of Art, the Aichi Prefectural Ceramic Museum, and the Hekinan City Fujii Tatsukichi Museum of Contemporary Art, Suzuki Hachiro mastered the research of traditional Old Seto ash glaze techniques and anagama kiln firing.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eAlthough the inscription on the box lid reads \"Tenmoku Chahai (Chawan)\", unlike typical black-glazed Tenmoku vessels originating from Jian kilns (such as oil-spot Tenmoku or hare's-fur Tenmoku), this piece is fired with \"Ash Glaze\" (Haiyu), an ancient traditional technique native to Seto. Tenmoku tea bowls imported from China to Japan established themselves in Japan under the concept of \"Tenmoku-nari\" (Tenmoku form), which refers not only to black glaze but to a distinct stylistic beauty characterized by a slightly flaring rim (\"Suppon-guchi\" or turtle-beak rim), a mortar-shaped silhouette tapering sharply from the waist to the foot ring, and a small, low foot. Grounded in the historical context of Seto as the sole region in Japan to replicate and develop Chinese Tenmoku forms during the Kamakura and Muromachi periods, Suzuki Hachiro fused his profound insights into ancient Chinese ceramics gained during his time in Manchuria with the craft aesthetic inherited from his mentor Fujii Tatsukichi, establishing the domain of \"Ash Glazed Tenmoku\" by applying a translucent ash glaze to the Tenmoku form rather than a black glaze.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eInspecting the details of this work clearly reveals the essence of the \"Ceramic Ash Glaze Technique\" certified as a Seto City Designated Intangible Cultural Property. From the upper section to the mid-body of the mortar-shaped Tenmoku silhouette, a translucent ash glaze with a delicate yellowish-green tint covers the vessel moistly, with fine crazing (crackles reminiscent of ice-crack patterns) and pinholes creating a beautiful gradation of scenery. From the lower portion where the glaze shifts toward the foot ring, a dark brown band emerges through carbonization reduction and fire paths from the anagama kiln firing, while the lowest base exposes raw, heavy clay containing coarse sand. The interior bottom (mikomi) radiates a soft luster from the pooled ash glaze, and beside the foot, the artist's stamp mark \"Hachi\" (八) is clearly impressed by his own hand.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eThe greatest charm of this \"non-black Tenmoku\" piece lies in the light translucency and the dramatic color shifts when liquid is poured inside. While traditional black Tenmoku absorbs light to generate heavy shadows, the interior of this piece finished with ash glaze features glass-like delicate crazing that irregularly reflects light, imparting a deep brilliance to poured liquids. Not only does it accentuate the vivid green of Matcha, but when floating a large ice cube and quietly pouring in amber aged sake, matured whisky, or authentic shochu, the translucent, pale yellowish-green glaze pool and the amber liquid overlap, creating a kaleidoscope of beautiful hues depending on the viewing angle and lighting. When held in hand, the taut form characteristic of the Tenmoku shape and the rustic clay texture near the foot offer a tactile comfort, acting as a luxury Japanese rocks glass (sake vessel) that engages all five senses to savor the aroma and flavor of aged spirits during a supreme moment.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23\"\u003eRegarding the period of production, as the final record in the accompanying pamphlet notes his award of the Medal with Dark Blue Ribbon in 1988 (Showa 63), this piece is identified as an authentic work from circa 1980 to 1988 (late Showa 50s to early Showa 60s), during his peak period when he brought his intangible cultural property technique of ash glaze and anagama firing to a unique level of mastery through his solo exhibition series \"Anagama Sakutoten\" that began in 1975. The vessel body itself suffers no damage such as cracks or chips, maintaining an outstanding condition in both ash glaze coloration and clay texture. It is a complete, pristine offering accompanied by its dedicated paulownia Tomobako inscribed on the lid face with \"Tenmoku Chahai\" and on the back with \"Made by Hachiro\" with his red seal, a dedicated cloth with his seal mark, and a pamphlet recording his full ceramic career up to 1988.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eSuzuki Hachiro (鈴木八郎, 1915–2005)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eArtist's Key Activities: \u003c\/strong\u003e[1944] Traveled to Manchuria for ceramic research; [1962, 1984, 1988] Awarded the Medal with Dark Blue Ribbon; [1975] Held the 1st Anagama Sakutoten solo exhibition (followed by many subsequent exhibitions); [1981] \"Fern Pattern Large Bowl\" designated as a permanently preserved work by Seto City; [1988] Certified as holder of the Seto City Designated Intangible Cultural Property \"Ceramic Ash Glaze Technique\"\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eWorks Housed In: \u003c\/strong\u003eThe Metropolitan Museum of Art (USA), Aichi Prefectural Museum of Art, Aichi Prefectural Ceramic Museum, Ichinomiya City Museum, Hekinan City Fujii Tatsukichi Museum of Contemporary Art, Seto City\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003ePeriod of Production: \u003c\/strong\u003eCirca 1980–1988 (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated Tomobako, pamphlet included\u003c\/li\u003e\n\u003cli data-path-to-node=\"30\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePottery (Seto ware, ash glaze, Tenmoku form, with artist's mark)\u003c\/li\u003e\n\u003cli data-path-to-node=\"31\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 8.0 cm, Mouth diameter approx. 12.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eCaution: \u003c\/strong\u003eAll products offered by our shop are pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48302503100603,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2179_result.jpg?v=1788483990"},{"product_id":"396","title":"Seto Oyoshi the Fourth, Kato Yasuhiro (加藤恭博): Oil Spot Tenmoku Chawan, Matcha Bowl, Sake Vessel, Japanese Rocks Glass #396","description":"\u003cp data-path-to-node=\"17\"\u003eBorn as the eldest grandchild (fourth generation) of Oyoshi Kato the Second from a traditional kiln in Seto City, Aichi Prefecture, Kato Yasuhiro (1926–) studied traditional techniques such as Seto-Sometsuke under his grandfather after graduating from Aichi Prefectural Seto Ceramic High School in 1944, creating this \"Oil Spot Tenmoku Chawan.\" Engaging in the technical development of large-scale public art, such as the production of soundproof ceramic walls at the Ebetsu City Public Hall in Hokkaido in 1971 and pictorial tiles on the Yokohama City Promenade in Kanagawa Prefecture in 1976, he taught for many years as an instructor at the Meiji Life Ceramic Class starting in 1985; in 1994, taking the opportunity of crafting a set of vessels for the Crown Prince and Crown Princess (the current Emperor and Empress) at Kagaya in Wakura Onsen, Ishikawa Prefecture, he embarked on full-scale research into oil spot glazes and gold crystal glazes. Originally crafted as a dignified Tenmoku-shaped tea vessel, our shop presents this piece to the global market not only as a Matcha bowl for enjoying a bowl of tea, but also as a luxury Japanese rocks glass (sake vessel) for quietly pouring amber aged sake, matured whisky, or authentic shochu over large ice cubes—taking advantage of its exquisite depth and beautiful mortar-shaped slope—to savor alongside the mystical brilliance woven by silver oil spot mottling.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eCarefully inspecting the details of this piece reveals in full the advanced control technology of oil spot glaze research achieved by Kato Yasuhiro after 1994. Along the sculptural beauty of the taut Tenmoku shape with a turtle-beak rim (suppon-guchi), fine oil spot spots (crystal spots) shining dazzlingly in silver and silken silver precipitate in high density and three-dimensionally across the entire body, which transitions from jet-black to deep brown. Spreading seamlessly from the vessel's exterior to the interior bottom (mikomi), these crystal spots represent an extraordinarily high-difficulty technical scene that manifests solely through precise temperature management during high-temperature firing and cooling processes inside the kiln, irregularly reflecting light to emit a splendid coloration like a nebula twinkling in the night sky. When liquid is poured in, the silver oil spot mottling focused at the center of the interior sways, imparting a mystical depth and luxurious air to the poured sake or tea. Beside the foot ring, the raw reddish-brown ceramic body is exposed, where the artist's stamp mark \"Yasu\" (恭) is clearly carved by his own dependable hand.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eRegarding the period of production, based on the explicit biography in the accompanying pamphlet noting that he \"embarked on full-scale research into oil spot glazes following the production of a set of vessels for the Crown Prince and Crown Princess at Kagaya in Wakura Onsen in 1994,\" it is identified as an authentic work produced in 1994 or later (circa mid-1990s to 2000s). In Oil Spot Tenmoku, where variations in individual completion tend to occur due to the requirement for advanced temperature control within the kiln, this piece stands out as a masterpiece boasting exceptional completion in both spot coloration and density. The vessel body itself suffers no damage such as cracks or chips, maintaining excellent condition in both the brilliance of the oil spot spots and the clay body. It arrives in complete condition accompanied by its dedicated paulownia Tomobako inscribed on the lid face with \"Oil Spot Tenmoku Chawan\" and on the lower left with \"Made by Yasuhiro\" stamped with his red seal, along with the accompanying pamphlet.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eKato Yasuhiro (加藤恭博, 1926–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist's Key Activities: \u003c\/strong\u003e[1944] Acquired techniques under Oyoshi Kato the Second after graduating from Aichi Prefectural Seto Ceramic High School; [1971] Crafted soundproof ceramic wall at Ebetsu City Public Hall, Hokkaido; [1976] Crafted pictorial tiles for Yokohama City Promenade, Kanagawa Prefecture; [1985] Appointed instructor at Meiji Life Ceramic Class; [1994] Crafted the \"Fureai Large Ceramic Wall\" at the Seto Riverbed, Seto City, Aichi Prefecture; [1994] Crafted a set of vessels for the Crown Prince and Crown Princess at Kagaya in Wakura Onsen, Ishikawa Prefecture (commenced research into oil spot glazes and gold crystal glazes thereafter)\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eWorks Housed In \/ Production Achievements:\u003c\/strong\u003e Ebetsu City Public Hall (Hokkaido), Yokohama City Promenade (Kanagawa Prefecture), Seto Riverbed (Seto City, Aichi Prefecture), Kagaya in Wakura Onsen (Ishikawa Prefecture; vessels for the Crown Prince and Crown Princess)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003ePeriod of Production: \u003c\/strong\u003e1994 or later (Circa mid-1990s–2000s, estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated Tomobako, pamphlet included\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Pottery (Seto ware, oil spot Tenmoku, with artist's mark)\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 6.6 cm, Mouth diameter approx. 12.3 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eCaution: \u003c\/strong\u003eAll products offered by our shop are pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48302504575163,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2300_result.jpg?v=1788485953"},{"product_id":"448","title":"In the National Crafts Museum Collection, Selected Artist for Permanent Preservation Work of Seto City, Winner of First Aichi Prefecture Arts \u0026 Culture Award, Second-Generation Kato Shuntei (二代 加藤春鼎), Kiseto Sake Cup (Guinomi), Japanese Shot Glass #448","description":"\u003cp data-path-to-node=\"1\"\u003eInheriting the bloodline of master potters tracing back to Kato Kagemasa (Toshiro), considered the founder of Seto ware, the Teiyo Kiln in Akazu-cho, Seto City, Aichi Prefecture, mastered the study of ancient ceramics and traditional techniques unique to Seto. This Kiseto sake cup (guinomi) is a work by master Second-Generation Kato Shuntei (1927–1995, artist name: Shunrin), who received extremely strict transmission of techniques from First-Generation Kato Shuntei and succeeded to the name in 1961 (Showa 36). Second-Generation Shuntei boasted outstanding skill in Seto tea ceramics such as traditional Kiseto, Hikidashi-guro (Seto-guro), Shino, and Oribe, winning the First Aichi Prefecture Arts \u0026amp; Culture Award. Furthermore, his representative work \"Old Seto Bowl\" was selected for permanent preservation by Seto City, and his works were acquired by the National Crafts Museum of Independent Administrative Institution National Museum of Art, earning him the highest acclaim in the contemporary Seto ceramic world. On the front of the lid of the accompanying dedicated paulownia wooden box (tomobako), the handwritten calligraphy reads \"Kiseto Guinomi,\" and on the reverse side, \"Shuntei\" along with his signature seal. Produced after his succession as the second generation in 1961, during his mature period from the 1970s to the 1980s (Showa 40s to 50s) when he actively demonstrated his skills at solo and public exhibitions as a regular member of the Japan Kougei Association, it is deduced to be an authentic work.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eExamining the design of this piece, a yellow oil-like Kiseto glaze (ash glaze) with a moist, oil-film-like luster that perfectly follows the traditional aesthetics of Azuchi-Momoyama period Old Kiseto covers the entire body. On the front surface of the vessel, a deep green splash of \"Tanpan\" (copper-green glaze), the greatest highlight of Kiseto ware, is dynamically applied, creating a magnificent contrast between the pale yellow ground and the vivid green glaze. The form is not a perfect circle, but is shaped into a charming rounded square (four-cornered) form with gentle distortion through hand-kneading and facet-cutting techniques, while the fine craze marks (kannyu) and scorched marks over the body impart a profound depth reminiscent of ancient ceramics. The interior bottom (mikomi) of the vessel is covered with a softly lustrous ash glaze, while the area near and inside the foot ring reveals rustic, unglazed clay (rotai), with a round seal stamp of \"Tei\" (鼎), the mark of Teiyo Kiln, clearly impressed beside the foot ring.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eMeasuring approx. 5.8 cm by 5.8 cm and approx. 4.5 cm in height, an exquisite dimension that fits comfortably in the palm along with a pleasant thickness, our shop proposes this work as a dignified \"Japanese-style shot glass (Japanese-style Western liquor vessel)\" for slowly savoring aged spirits, premium whisky, matured sake, or spirits straight neat, tailored to modern drinking culture and refined lifestyles. The warm texture unique to Kiseto and the green of the copper glaze beautifully enhance the amber color of poured whisky or aged sake, bringing elegant and high-quality craft beauty to the table. Containing the skill and aesthetics of an artist represented in the collection of the National Crafts Museum, this masterpiece allows one to fully enjoy the true essence of traditional Japanese ceramics through both touch and sight.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"4\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eSecond-Generation Kato Shuntei (二代 加藤春鼎, 1927–1995, Born name \/ artist name: Shunrin)\u003c\/li\u003e\n\u003cli data-path-to-node=\"5\"\u003e\u003cstrong\u003eArtist's Representative Career Highlights:\u003c\/strong\u003e Studied under First-Generation Kato Shuntei. Succeeded to the name Second-Generation Shuntei in 1961 and led the Teiyo Kiln. Won the First Aichi Prefecture Arts \u0026amp; Culture Award and received the Aichi Prefecture Educational and Cultural Merit Award. Served as a regular member of the Japan Kougei Association, judge for the Aichi Prefecture Art Exhibition, operating committee member of the Asahi Ceramic Art Exhibition, and board member of the Seto Ceramic Art Association.\u003c\/li\u003e\n\u003cli data-path-to-node=\"6\"\u003e\u003cstrong\u003ePublic Collections: \u003c\/strong\u003eNational Crafts Museum of Independent Administrative Institution National Museum of Art, \"Old Seto Bowl\" selected for permanent preservation by Seto City (owned by Seto City), etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"7\"\u003e\u003cstrong\u003eProduction Period: \u003c\/strong\u003e1970s–1980s (Showa 40s–Showa 50s)\u003c\/li\u003e\n\u003cli data-path-to-node=\"8\"\u003e\u003cstrong\u003eItem Condition: \u003c\/strong\u003eVery Good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated paulownia wooden box (Tomobako) included (with calligraphy \"Kiseto Guinomi, Shuntei\" and seal), wrapping cloth (with seal) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramics (Seto clay, Kiseto glaze, copper green glaze\/Tanpan)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eApprox. 5.8 cm × 5.8 cm × Height approx. 4.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e The items provided by our shop were produced a very long time ago and are all listed as pre-owned items. Please understand and confirm the age-related changes before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48359790248123,"sku":null,"price":25000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3573_result.jpg?v=1790495224"},{"product_id":"458","title":"Holder of Seto City Intangible Cultural Property for Ceramic Ash Glaze Technique, Taishi Kiln, Suzuki Hachiro (鈴木八郎), Irabo Tea Bowl, Japanese-Style Rocks Glass, Exhibited Artist at The Metropolitan Museum of Art USA, Studied under Fujii Tatsukichi #458","description":"\u003cp data-path-to-node=\"1\"\u003eThis is a hand-formed Irabo tea bowl (Irabo Chawan) created by Suzuki Hachiro (1915–2005), a master craftsman of Taishi Kiln (Saijian) in Akatsu, Seto City, Aichi Prefecture, who studied under \u003ca href=\"\/en\/search?q=%22%E8%97%A4%E4%BA%95%E9%81%94%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFujii Tatsukichi\u003c\/a\u003e, a giant of modern craft art, and achieved the remarkable feat of being selected 13 times for official exhibitions (Bunten and Nitten) as well as exhibiting at The Metropolitan Museum of Art in the United States, a palace of world art. Having traveled to Manchuria to study ceramic art in the final stages of World War II between 1944 and 1945, Mr. Suzuki built upon the traditional glazing techniques of Seto-Akatsu ware—one of Japan's Six Ancient Kilns—while integrating refined graphic design beauty and a modern sculptural spirit inherited from his master, Fujii Tatsukichi, creating works that stood out in the Showa period Seto ceramic art world. The lid of the accompanying dedicated paulownia wooden box (tomobako) bears the handwritten inscription \"Irabo Chawan\" on the outside and the signature seal and seal stamp \"Hachiro Saku\" on the inside. Furthermore, as the included explanatory pamphlet (sakureki) records his five selections for the Japan Contemporary Arts and Crafts Exhibition (established in 1962), this work can be identified as an authentic piece produced after 1966 when the 5th exhibition was held, specifically during the late 1960s (early Showa 40s), a period when his artistic style and technique reached their zenith.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eThe \"Irabo\" technique used in this work originates from a type of Goryeo tea bowl made during the Joseon Dynasty in the 16th to 17th centuries, which was brought to Japan as a vessel for the tea ceremony. It is said to have derived its name from the coarse, rough texture of the clay body rich in sand particles (\"irai-ra\" meaning rough or scratchy in texture), characterized by a rustic, understated expression lightly coated with an iron-bearing glaze. Utilizing the clay and glazes of Seto-Akatsu, Mr. Suzuki faithfully reproduced the rough texture and quiet coloration ranging from yellowish-brown to brown inherent to Irabo. At the same time, from the body to the waist, he carved horizontal and grid-like geometric \"kamaboko-bori\" (stepped\/convex carvings) inherited from his master Fujii Tatsukichi, elevating it into a unique, modern three-dimensional expression. On both the interior and exterior of the vessel, yellowish-brown and dark brown glazes form fluid layers, drawing deep and complex shadows depending on how the light strikes them. The area from the foot ring to the foot-side is intentionally left unglazed, exposing the rough and rustic clay body (rotai) characteristic of Irabo, where a seal stamp proving it to be Mr. Suzuki's work is clearly impressed into the exposed clay.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eBoasting substantial and generous handcrafted dimensions measuring approx. 12.8 cm in outer diameter and approx. 8.3 cm in height, our shop proposes this work, in alignment with modern refined lifestyles and fine spirits culture, as a dignified \"Japanese-style rocks glass (Japanese liquor vessel)\" for enjoying vintage whisky, aged sake, matured Japanese liquor, or premium spirits over a large ice cube. The tactile pleasure when your fingertips touch the rough clay texture characteristic of Irabo and the three-dimensional stepped carvings, along with the visual effect of the poured amber liquor reflecting beautifully against the deep yellowish-brown and brown gradation inside the vessel, dramatically deepens a special evening drink. A masterpiece in which international acclaim—represented by his exhibition at The Metropolitan Museum of Art—coalesces with the traditions of Seto-Akatsu and the design aesthetics of modern craft art, this piece allows one to relish the true essence of Japanese craft beauty through both visual appreciation and practical use.\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"4\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eSuzuki Hachiro (鈴木八郎, 1915–2005)\u003c\/li\u003e\n\u003cli data-path-to-node=\"5\"\u003e\u003cstrong\u003eArtist's Representative Career Highlights: \u003c\/strong\u003e[1944] Traveled to Manchuria for ceramic research, [1962, 1984, 1988] Awarded Medal with Blue Ribbon, [1975] Held 1st Anagama Kiln Pottery Exhibition (and many thereafter), [1981] Large Bowl with Fern Motif designated as a Seto City Permanently Preserved Work, [1988] Recognized as Holder of Seto City Intangible Cultural Property \"Ceramic Ash Glaze Technique\"\u003c\/li\u003e\n\u003cli data-path-to-node=\"6\"\u003e\u003cstrong\u003eMuseum Collections: \u003c\/strong\u003eThe Metropolitan Museum of Art (USA), Aichi Prefectural Museum of Art, Aichi Prefectural Ceramic Museum, Ichinomiya City Museum, Hekinan City Fujii Tatsukichi Museum of Contemporary Art, Seto City\u003c\/li\u003e\n\u003cli data-path-to-node=\"7\"\u003e\u003cstrong\u003eProduction Period: \u003c\/strong\u003eLate 1960s (early Showa 40s)\u003c\/li\u003e\n\u003cli data-path-to-node=\"8\"\u003e\u003cstrong\u003eItem Condition: \u003c\/strong\u003eVery Good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated paulownia wooden box (Tomobako with handwritten calligraphy \"Irabo Chawan\" on the lid, signature seal \"Hachiro Saku\" and seal stamp on the inside of the lid), career pamphlet (sakureki) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eCeramic \/ Pottery (Seto-Akatsu clay, Irabo glaze, stepped carving decoration)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eOuter diameter approx. 12.8 cm, Height approx. 8.3 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e The items provided by our shop were produced a very long time ago even if unused, and are all listed as pre-owned items. Please understand and confirm the age-related changes before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48396667814075,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3935_result.jpg?v=1791081673"},{"product_id":"465","title":"First Ceramic Biennale Grand Prix Winner, Kato Juitsu (加藤寿逸), Celadon Sake Cup, Three-Legged Vessel, Japanese-Style Shot Glass, Designated Seto City Permanent Preservation Work, Nitten Associate Member, Aged Sake Vessel #465","description":"\u003cp data-path-to-node=\"1\"\u003eThis celadon (seiji) three-legged sake cup (guinomi) is created by Kato Juitsu (b. 1946), a ceramic artist who has achieved exceptionally high public acclaim in the Seto ceramic world, including winning the Grand Prix at the 1st Ceramic Biennale—with his winning work \"Ennetsu\" (Fierce Heat) designated for purchase and permanent preservation by Seto City—winning the Minister of Education Award at the Chunichi International Ceramic Arts Exhibition, donating his work \"Yuibi\" (Exquisite Beauty) to the Nagoya City Guest House, and being active as an Associate Member of Nitten. Having completed specialized ceramic education and firing theory at Aichi Prefectural Seto Ceramic High School and Tokai Gakuen, Mr. Kato established Dosen Kiln in Kawakita-cho as his base, developing his own unique style that sophisticatedly fused the traditional techniques of Old Seto with modern three-dimensional sculpture. On the lid of the accompanying dedicated paulownia wooden box (tomobako), the handwritten calligraphy reads \"Celadon Sake Cup\" (Seiji Guinomi), accompanied by the signature seal \"Juitsu\" and square seal stamps reading \"Dosen Kiln\" and \"Juitsu.\" Applying the dynamic, sculptural formal expression seen in his Grand Prix-winning work to the compact form of a sake vessel, it is identified as an authentic piece produced between the late 1980s and early 1990s (late Showa to early Heisei era), a period when his techniques of facet-carving and carving out three legs reached full maturity.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eAnalyzing the design details of this piece confirms that the contrast between stillness and motion, a hallmark of Mr. Kato's sculptural aesthetic, is masterfully expressed. From the upper portion of the body into the interior bowl, a clear, pale blue-green celadon glaze is applied, with a delicate web-like network of craze marks (kannyu) carved across the entire surface. Where the glaze pools at the lower body, its increased thickness produces a deep turquoise green coloration reminiscent of fine jade, bestowing beautiful transparency and light refraction upon the bottom of the interior bowl as well. On the other hand, from the base to the legs, no celadon glaze is applied, exposing the iron-bearing, unglazed high-fired red clay (vermilion clay tone). The sides of the body are sharply faceted into a polygonal form, and the lower section is forcefully carved out into three legs, creating a vivid contrast between the serene, glassy celadon above and the rustic, dynamic red clay sculpture below. It is a masterpiece condensing advanced forming techniques that realize asymmetric distortion and plane-shaving as beauty, alongside precise control over the melting and color development of the celadon glaze.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eWith substantial yet comfortable dimensions measuring approx. 6.0 cm in height, approx. 6.1 cm in width, and approx. 5.8 cm in depth that rest comfortably in the hand, our shop proposes this work as a dignified \"Japanese-style shot glass (Japanese liquor vessel)\" for enjoying aged spirits, vintage whisky, matured sake, or premium liquors neat straight, tailored to modern refined lifestyles and drinking culture. The stable form supported by three legs and the visual effect of amber-toned aged liquor filled in the bowl shining beautifully through the celadon glaze's craze marks create a special atmosphere for evening drinks. A masterpiece in which the highest technology and sculptural power of Seto contemporary ceramics coalesce, this piece allows one to relish the true essence of traditional Japanese craft through both visual appreciation and practical use.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"4\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eKato Juitsu (加藤寿逸, b. 1946)\u003c\/li\u003e\n\u003cli data-path-to-node=\"5\"\u003e\u003cstrong\u003eArtist's Representative Career Highlights:\u003c\/strong\u003e Graduated from Aichi Prefectural Seto Ceramic High School and Tokai Gakuen. Won the Grand Prix at the 1st Ceramic Biennale (work \"Ennetsu\" purchased and designated for permanent preservation by Seto City), won the Minister of Education Award at the Chunichi International Ceramic Arts Exhibition, donated work to Nagoya City Guest House (\"Yuibi\"), Nitten Associate Member, member of Japan New Craft Artists Association, member of Seto Ceramic Artists Association.\u003c\/li\u003e\n\u003cli data-path-to-node=\"6\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e Late 1980s–early 1990s (late Showa to early Heisei era)\u003c\/li\u003e\n\u003cli data-path-to-node=\"7\"\u003e\u003cstrong\u003eItem Condition:\u003c\/strong\u003e Very Good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"8\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated paulownia wooden box (Tomobako with handwritten calligraphy \"Celadon Sake Cup\", signature seal, and seal stamps), yellow wrapping cloth (with seal stamp)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramic \/ Pottery (Red clay body, celadon glaze)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 6.0 cm, Width approx. 6.1 cm, Depth approx. 5.8 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eThe items provided by our shop were produced a very long time ago and are all listed as pre-owned items. Please understand and confirm the age-related changes before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":67598484177083,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4118_result.jpg?v=1791082336"}],"url":"https:\/\/antiqueliquor1926.com\/en\/collections\/seto-ware.oembed","provider":"Antique Liquor","version":"1.0","type":"link"}