{"title":"Sodeisha: Avant-Garde Ceramics","description":"\u003cp\u003eSodeisha, the avant-garde ceramic group founded in Kyoto in 1948 by Yagi Kazuo, Suzuki Osamu, Yamada Hikaru and others: cups and vessels by members who reimagined what a vessel could be.\u003c\/p\u003e","products":[{"product_id":"16","title":"Miyanaga Rikichi (宮永理吉), Yanagihara Mutsuo (柳原睦夫), Morino Taimei (森野泰明) - Sodeisha Special Selection No. 1 \"Sanpai\": Avant-Garde Ceramic Masters Take On the Miniature Vessel, 3-Piece Set Including a Rare Hand-Blown Glass Sake Cup #16","description":"\u003cp data-path-to-node=\"15\"\u003eThis masterpiece was released as a special selection of \"Sanpai\" (Three Sake Cups) by three contemporary ceramic artists representing Japan. It brings together the works of Miyanaga Rikichi, Yanagihara Mutsuo, and Morino Taimei—masters who led the golden age of \"Sodeisha,\" the legendary avant-garde art group that rejected the concept of practical vessels and elevated ceramics into the realm of pure contemporary art known as \"Objets-yaki\" (sculptural ceramics). Among these three pieces, the work by Morino Taimei, a Person of Cultural Merit and a member of the Japan Art Academy, is crafted from hand-blown glass, which is extremely unusual for a ceramic artist. This highly rare and precious piece symbolizes Sodeisha's core philosophy of \"liberating art from the preconceived notions of materials.\" You can fully appreciate the wondrous paradox where the avant-garde aesthetic of dismantling and reconstructing tradition is confined within the miniature frame of a palm-sized sake cup. When savoring a precious Japanese whisky, why not enjoy it from a glass born of the same homeland where their passion still breathes?\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"0\"\u003eArtists:\u003c\/b\u003e Miyanaga Rikichi (宮永理吉), Yanagihara Mutsuo (柳原睦夫), Morino Taimei (森野泰明)\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"60\"\u003eEra of Production:\u003c\/b\u003e 1980s–1990s\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"91\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"134\"\u003eAccessories:\u003c\/b\u003e Original box included\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"169\"\u003eMaterial:\u003c\/b\u003e Ceramic, hand-blown glass\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"205\"\u003eDimensions:\u003c\/b\u003e Height approx. 6.5 cm, diameter approx. 5.5 cm each\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"269\"\u003eNote:\u003c\/b\u003e Even if the products we offer are new and unused, they are all listed as second-hand products because they were produced very long ago. Please note that the products may have damage due to aging, so please understand and check before considering purchasing.\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"533\"\u003eAbout the Artists:\u003c\/b\u003e As follows\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-path-to-node=\"17\"\u003e\u003cb data-path-to-node=\"17\" data-index-in-node=\"0\"\u003eMiyanaga Rikichi (Born 1935)\u003c\/b\u003e He began studying sculpture at the Kyoto City University of Arts in 1954 under Shindo Tsuji and Masakazu Horiuchi, before dropping out of the postgraduate course in 1960 to travel to the United States. There, he engaged with Peter Voulkos and others. After returning to Japan, he garnered attention as a sculptor through exhibitions such as the \"Trends in Contemporary Art\" exhibition and became a member of the Sodeisha group in 1971. While possessing a background in the highest traditions of celadon techniques from the prestigious \"Miyanaga Tozan\" lineage, he developed organic and sculptural avant-garde forms that eliminated utility. By expressing the inherent vitality and tension of clay as a raw material, he powerfully embodied Sodeisha's vision of \"breaking away from the beauty of utility.\" He received the Kyoto Prefecture Order of Cultural Merit in 1998 and inherited the title of Miyanaga Tozan III in 1999.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eYanagihara Mutsuo (Born 1934)\u003c\/b\u003e A ceramic artist from Kochi Prefecture, he studied at the Kyoto City University of Arts and studied under \u003ca href=\"\/en\/search?q=%22%E5%AF%8C%E6%9C%AC%E6%86%B2%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTomimoto Kenkichi\u003c\/a\u003e. He joined Sodeisha in 1958. In contrast to the avant-garde ceramics of the time, which tended to favor stoic, monochrome tones, he injected brilliant color expressions using gold and silver luster glazes and vivid primary colors. Through his experience living in the United States, he pursued a sculptural beauty endowed with an international sensibility, opening up a new horizon of the \"liberation of color\" for Sodeisha's avant-garde objects. He is one of the leading figures representing contemporary ceramics. Professor Emeritus at Osaka University of Arts.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003e\u003cb data-path-to-node=\"19\" data-index-in-node=\"0\"\u003eMorino Taimei (Born 1934)\u003c\/b\u003e A ceramic artist born in Kyoto. Born to the master craftsman Yoshimitsu Morino, he graduated from the Kyoto City University of Arts and subsequently released numerous works that fused tradition with modernity. He joined Sodeisha in 1957. Since the 1980s, he has participated in both domestic and international exhibitions, receiving high acclaim for his avant-garde forms and glaze expressions. Excelling in sharp, architectural geometric compositions—as symbolized by this hand-blown glass piece—he transcended the very boundaries of clay as a material. Through a supreme conceptual expression that controlled the fluidity of fire and material, as well as the transmission of light and space, he embodied the pinnacle of the unique sculptural philosophy that Sodeisha aspired to achieve. He is a Person of Cultural Merit, a member of the Japan Art Academy, and one of the supreme titans of contemporary Japanese ceramics.\u003c\/p\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":46647482515643,"sku":"","price":120000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_8214_result.jpg?v=1781791862"},{"product_id":"181","title":"Miyanaga Tozan III (三代 宮永東山・宮永理吉), Member of Sodeisha (Avant-Garde Group in Contemporary Ceramic History), Crafted by Miyanaga Rikichi, Tozan Kiln, Kyo-yaki (Kyoto Ware), Ceramic Sculpture, Polychrome Enameled Sake Cup, Guinomi #181","description":"\u003cp data-path-to-node=\"18\"\u003eMiyanaga Rikichi (1935-), known as Miyanaga Tozan III, is an internationally acclaimed artist who, while inheriting the lineage of the prestigious Miyanaga Tozan kiln in Kyoto, has pioneered contemporary ceramic sculpture. From 1954, he studied under Shindo Tsuji and Masakazu Horiuchi, leaders of Japanese abstract sculpture, at the Department of Sculpture, Kyoto City University of Arts. During his travels to the United States in 1960, he engaged with Peter Voulkos and others, honing an avant-garde sensibility that treats clay as a pure artistic medium. After returning to Japan in 1971, he joined the influential avant-garde group Sodeisha as a member, pursuing forms as \"objets\" that transcend mere functionality. His journey, marked by receiving the Kyoto Prefecture Cultural Achievement Award in 1998 and succeeding to the title of Miyanaga Tozan III in 1999, demonstrates a sophisticated fusion of Kyoto's traditional heritage and contemporary artistic innovation.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThis work is a small guinomi (sake cup) that reflects his exceptional skill as a sculptor, featuring an organic form that maximizes the natural plasticity of clay. Rather than being formed on a potter’s wheel, the unique texture created through sculptural techniques such as hand-forming and carving fits comfortably in the palm. The vessel creates complex shadows depending on the light, giving it a commanding presence as a complete ceramic sculpture. His artistic achievements are highly regarded both in Japan and abroad, with his works permanently housed in major institutions, including The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; Kyoto City KYOCERA Museum of Art; and the Ibaraki Ceramic Art Museum.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eWe propose this piece as the ultimate vessel for enjoying aged whisky and rare old bottles. The organic sculptural beauty of the ceramic gains visual depth when filled with amber liquid, offering a sensory experience that connects with the spirituality of Japanese contemporary craft. Bearing the prestigious name of Miyanaga Tozan and imbued with the avant-garde spirit of Sodeisha, this work is an invaluable find for international art lovers and collectors, representing a rare intersection of tradition and modernity in Japanese ceramic culture.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003e\u003cb data-path-to-node=\"4\" data-index-in-node=\"0\"\u003eComment from a master potter who socialized with Miyanaga Rikichi:\u003c\/b\u003e \"Hereditary potters carry a heavy burden. Even when their work is exceptional, people are quick to suspect that tradition played a part—as if success were a given. Rikichi is the third generation of the renowned master Miyanaga Tozan. While I hear that many third-generation successors are prone to rebellion, his spatial processing transcends that of a typical potter. This is because he is also a sculptor, and his work is not born of mere defiance. However, in this world that prizes the 'distortions' of refined ceramics, his resolute attempt to expand the realm of precise porcelain—and the gentle, disciplined elegance beneath that bold action—is this, perhaps, the subtle shadow inherent to a third-generation master?\" — \u003cb data-path-to-node=\"4\" data-index-in-node=\"795\"\u003e\u003ca href=\"\/en\/search?q=%22%E5%85%AB%E6%9C%A8%E4%B8%80%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYagi Kazuo\u003c\/a\u003e\u003c\/b\u003e (1918–1979)\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eComment from a literary giant who socialized with Miyanaga Rikichi:\u003c\/b\u003e \"The art of Miyanaga Rikichi is composed of purely abstract planes and straight lines. There is no room for the intervention of ambiguous curves or accidental irregularities. This product of a completely rational spirit delights me, having had my eyes opened to beauty in my youth by Mondrian’s 'Composition.' Yet, the difference between that Dutch painter and this Kyoto potter lies in the space between Miyanaga's lines and planes. From those gaps, the various other possibilities the artist explored during the creative process emerge like a dream, inviting us into a play of creation. The artist's passion is transformed on the surface of the work into a lyrical and graceful elegance.\" — \u003cb data-path-to-node=\"5\" data-index-in-node=\"761\"\u003eNakamura Shinichiro\u003c\/b\u003e (1918–1997)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Miyanaga Tozan III (三代 宮永東山・宮永理吉, Miyanaga Rikichi, 1935-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"53\"\u003eArtist's Major Activities:\u003c\/b\u003e 1970 Japan Ceramic Society Award, 1971 Sodeisha member, 1993 Kyoto City Cultural Contributor, 1998 Kyoto Prefecture Cultural Achievement Award, 1999 Succeeded to the title Miyanaga Tozan III.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"272\"\u003eWorks in Collections:\u003c\/b\u003e The National Museum of Modern Art, Kyoto; The Japan Foundation; Kyoto City KYOCERA Museum of Art; Ibaraki Ceramic Art Museum; Enbe China Modern Art Museum (China); Victoria and Albert Museum (UK); Musée Ariana (Switzerland); Museu de la Garrotxa (Spain); Musée des Arts Décoratifs (France); Everson Museum of Art (USA); Canterbury Museum (New Zealand); Newcastle Art Gallery (Australia); Art Gallery of New South Wales (Australia); La Casa Japonesa en Argentina (Argentina), and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"452\"\u003ePeriod of Creation:\u003c\/b\u003e Circa 1999-2005 (The mature period around the time of his succession)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"542\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"585\"\u003eAccessories:\u003c\/b\u003e Original wooden box, wrapping cloth, introductory leaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"656\"\u003eMaterial:\u003c\/b\u003e Ceramic (Ceramic sculpture, Celadon glaze, etc.)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"715\"\u003eDimensions:\u003c\/b\u003e Height approx. 4 cm, Mouth diameter approx. 5.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"778\"\u003eNote:\u003c\/b\u003e Please note that all products, even those in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47518877778107,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4878_result.jpg?v=1774141055"},{"product_id":"271","title":"Winner of the Gold Prizes at the Prague and Vallauris International Ceramics Exhibitions, Founder of Sodeisha, Suzuki Osamu (鈴木治), \"Return to Primitive Art,\" Bakushu-nomi Beer Mug Ceramic Whisky Tumbler #271","description":"\u003cp data-path-to-node=\"9\"\u003eThis is a handled sake vessel directly crafted by Suzuki Osamu (1926-2001), a master who reigns at the pinnacle of Japan's contemporary ceramic art world, whose works are permanently housed in major modern art museums both in Japan and abroad. The dedicated wooden box (kyobako) bears the artist's own inscription, \"Bakushu-nomi,\" written in elegant, powerful cursive script. The vessel itself has a substantial cylindrical form that sits weightily in the hand, and a thick, powerfully drawn handle. While the artist created it as a vessel for savoring beer at its finest, in today's luxurious lifestyle, it also possesses an overwhelming presence as a supreme on-the-rocks Ceramic Whisky Tumbler for slowly enjoying rare aged spirits that have transformed into a beautiful amber color over many years, or premium single malt whiskies with large ice cubes. The extremely precise skeletal structure born from the bloodline of master potters, the carefully studied thickness, and the direct texture of the rough clay surface, which immediately conveys itself to the touch and sets it apart from blown glass or ordinary hand-formed vessels, elevates the time spent enjoying alcohol into an exceptional artistic experience. This is an avant-garde craft piece from Japan that is extremely difficult to obtain in overseas art markets and possesses the highest asset value to satisfy the discerning eye of an avid collector.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThe artist, Suzuki Osamu, was born in 1926 as the third son of \u003ca href=\"\/en\/search?q=%22%E9%88%B4%E6%9C%A8%E5%AE%87%E6%BA%90%E6%B2%BB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eSuzuki Ugenji\u003c\/a\u003e, a renowned potter in Kyoto. Until his sudden passing in 2001, he relentlessly pursued avant-garde expressions that rewrote the history of Japanese craft. In 1948 (Showa 23), he formed the avant-garde ceramic art group \"Sodeisha\" with \u003ca href=\"\/en\/search?q=%22%E5%85%AB%E6%9C%A8%E4%B8%80%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYagi Kazuo\u003c\/a\u003e, \u003ca href=\"\/en\/search?q=%22%E5%B1%B1%E7%94%B0%E5%85%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYamada Hikaru\u003c\/a\u003e, Matsui Bisuke, and Kano Tetsuo, initiating a movement that fundamentally broke the spell of practicality (\"beauty of utility\") – the absolute norm in the Japanese ceramic world, where ceramics were primarily for serving food or pouring water. They redefined clay not merely as a material for vessels but as a medium for pure self-expression, giving birth to a completely new genre of art: objet ceramics, the first of its kind in Japan. Sodeisha subsequently led the forefront of Japan's contemporary art scene for half a century, and with its 50th exhibition in 1998, it dissolved amicably, having fully fulfilled its historic mission of elevating ceramics to contemporary art within the art world. Amidst this tumultuous movement, Suzuki preferred to use the term \"deisho\" (mud-form) for his works, meaning to manifest the form of the world through clay (mud), rather than simply calling them \"objects.\" He continued to pursue unique, poetic forms by deforming and deconstructing his superb potting wheel techniques. By 1999, his global status was firmly established, as evidenced by a large-scale retrospective exhibition held at the National Museum of Modern Art, Tokyo.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eThe distinctive face-shaped motif that dominates the front of this work perfectly embodies Suzuki's lifelong pursuit of reverence for nature and a return to primitive art. The eyes and nose carved into this circular bas-relief, along with the continuous spiral patterns arranged at the bottom, personify the life force of great nature, such as the sun and wind, with his unique poetic humor, imbuing the modern vessel with the pure magical energy of Jomon clay figurines and ancient masks. The surface of the vessel intentionally exposes a powerful, clay texture like Mikage clay containing coarse particles, over which a thin layer of feldspar glaze with a pale greenish-gray tint is applied. This masterfully merges the organic warmth of the clay with the sparkling beauty of the finely appearing crazing (fine crack patterns) on the surface. Furthermore, at the bottom edge of the vessel, a vibrant reddish \"hi-iro\" (fire color) has emerged, a result of the chemical reaction between the edge of the glaze and the unglazed body caused by the intense flames of the climbing kiln, thus encapsulating the dramatic moment when fire and earth became one within the vessel. At the base of the handle, Suzuki's circular \"治\" (Osamu) seal is clearly impressed, confirming its authenticity. The handwritten signature and seal on the lid of the wooden box, along with the official ceramic history (bookmark) from Yodo Gallery in Osaka, which conveys the atmosphere of his solo exhibitions at the time, are perfectly preserved. This is a supreme piece in excellent condition, condensing the artist's lifelong artistry, where Suzuki's object philosophy (Deisho) admirably returns to its origin as a functional vessel.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\"\u003eArtist\u003c\/b\u003e: Suzuki Osamu (鈴木治, 1926-2001)\u003c\/li\u003e\n\u003cli\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\"\u003eArtist's Major Career History\u003c\/b\u003e: [1926] Born in Kyoto as the third son of master potter Suzuki Ugenji, [1948] Formed the avant-garde ceramic art group \"Sodeisha\" with Yagi Kazuo and Yamada Hikaru, holding their first exhibition, [1961] Received the Japan Ceramic Society Award, [1962] Won a Gold Medal at the Prague International Ceramics Exhibition, [1968] Appointed Assistant Professor of Ceramics at Osaka University of Arts, [1970] Won a Gold Medal at the Vallauris International Ceramics Biennale and invited to exhibit at \"Contemporary Ceramics - Europe and Japan\" organized by the National Museum of Modern Art, Kyoto, [1971] Won the Minister of International Trade and Industry Award at the Faenza International Ceramics Exhibition and invited to exhibit at the Japan Ceramics Exhibition (subsequently exhibiting every time), invited to exhibit at \"Contemporary Ceramics - America, Canada, Mexico and Japan\" exhibition organized by the National Museums of Modern Art, Kyoto and Tokyo, [1975] Exhibited at \"International Ceramics Exhibition '75\", [1979] Exhibited at \"Art Now '79\", [1999] A large-scale retrospective exhibition \"Poetic Objects: Suzuki Osamu's Ceramics\" was held at the National Museum of Modern Art, Tokyo, [2001] Passed away at the age of 73\u003c\/li\u003e\n\u003cli\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\"\u003eMuseum Collections\u003c\/b\u003e: Permanently housed in public collections of major modern art museums around the world, including The National Museum of Modern Art, Tokyo, and The National Museum of Modern Art, Kyoto.\u003c\/li\u003e\n\u003cli\u003e\u003cb data-path-to-node=\"0\" data-index-in-node=\"0\"\u003eCirca:\u003c\/b\u003e c. 1955 (Presumed identical or same-series works are currently in the collection of institutions such as The National Museum of Modern Art, Kyoto)\u003c\/li\u003e\n\u003cli\u003e\u003cb data-path-to-node=\"12,5,0\" data-index-in-node=\"0\"\u003eAccessories\u003c\/b\u003e: Original wooden box, wrapping cloth, official ceramic history (bookmark) issued by Yodo Gallery.\u003c\/li\u003e\n\u003cli\u003e\u003cb data-path-to-node=\"12,6,0\" data-index-in-node=\"0\"\u003eMaterial\u003c\/b\u003e: Pottery (feldspar glaze)\u003c\/li\u003e\n\u003cli\u003e\u003cb data-path-to-node=\"12,7,0\" data-index-in-node=\"0\"\u003eDimensions\u003c\/b\u003e: Approx. 9.0 cm diameter, approx. 9.5 cm height\u003c\/li\u003e\n\u003cli\u003e\u003cb data-path-to-node=\"12,8,0\" data-index-in-node=\"0\"\u003eNote\u003c\/b\u003e: Even if the products offered by our shop are new and unused, they are from a very old production period and are all listed as used items. The products may have damage due to age, so please understand and confirm this before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47930758725819,"sku":null,"price":260000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7923_result.jpg?v=1781230271"},{"product_id":"279","title":"Recipient of the Kyoto Prefecture Order of Cultural Merit, Sodeisha Co-Founder Yamada Hikaru (山田光), Kohiki Iron-Painted Dotted Line Pattern Coffee Cup and Saucer, A White Sake Vessel Where the Amber Color of Whisky Beautifully Reflects #279","description":"\u003cp data-path-to-node=\"17\"\u003eThis is a Kohiki iron-painted coffee cup and saucer crafted by Yamada Hikaru (1923–2001), a titan of modern ceramic art who co-founded the avant-garde ceramic art group \"Sodeisha\" in 1948 alongside \u003ca href=\"\/en\/search?q=%22%E5%85%AB%E6%9C%A8%E4%B8%80%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYagi Kazuo\u003c\/a\u003e and \u003ca href=\"\/en\/search?q=%22%E9%88%B4%E6%9C%A8%E6%B2%BB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eSuzuki Osamu\u003c\/a\u003e, and consistently led the group until its dissolution in 1998. The artist, Yamada Hikaru, grew up immersed in pottery making from an early age under his father, the ceramic artist Yamada Tetsu, and acquired professional expertise in the Ceramics Department of the Kyoto Higher School of Crafts (currently Kyoto Institute of Technology). He is one of the most vital artists who liberated ceramics from the conventional \"beauty of utility\" and established the genre of objet ceramics as pure artistic creation in Japan. Throughout his life, he was awarded the Japan Ceramic Society Award (and later its Gold Prize), recognized as a Kyoto City Person of Cultural Merit, and received the Kyoto Art and Culture Award. His works are extensively housed in major museums both within Japan and internationally.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eOur shop proposes this precious coffee cup and saucer, left behind by this leading figure of avant-garde ceramics, not merely as a coffee cup, but as a special Japanese Kogei sake vessel tailored for slowly savoring the highest quality Japanese whisky or aged sake that has deepened with time. The mug-shaped design, featuring a slightly smaller size, possesses an ample presence to thoroughly enjoy the rich aroma of aged sake right in your hand. Furthermore, the soft white tone of the Kohiki glaze that envelops the entire vessel vividly highlights the beautiful amber gradation of whisky, maximizing its visual allure. The entire surface of the vessel exhibits a fine, beautiful crazing that is evenly distributed without being overly assertive, forming a profound expression nurtured by time. In addition, the authentic pottery mark of the character \"Hikaru\" is clearly discernible at the base of the cup's handle and on the reverse side of the saucer.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe greatest highlight of this work lies in the exceptional integration of Yamada Hikaru's signature avant-garde objet-making philosophy into a practical vessel. While Yamada Hikaru focused primarily on the production of one-of-a-kind objets, he also possessed a profound passion for craft design, establishing \"Mon Kobo\" in the 1960s to pursue modern design in everyday vessels. In contrast to the cup body, which features an organic, soft distortion born of hand-molding, the handle is joined with a linear, architectural geometric structure, demonstrating an intellectual form that controls the properties of clay with peak technical mastery. The dark brown iron-painted dotted line pattern running vertically on the front elevates the design into a sophisticated graphic statement reminiscent of Mid-Century Modernism and abstract painting. Furthermore, the circular exposed clay area at the base of the cup can be analyzed as a uniquely conceptual expression by the artist, visually translating the philosophy of holes and windows that permeate spaces—as seen in his representative \"Screen Series\"—into a practical vessel where physical holes cannot be made. The lid of the original wooden box bears the artist's handwritten title \"Kohiki,\" his signature \"Hikaru Zo,\" and a genuine seal verifying its authenticity, completely confirming its reliability as a historical collection. All items offered by our shop, even if new and unused, are from a very old production period and are listed as used. Please be aware that products may have damage due to age, and consider your purchase after understanding and confirming this.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Yamada Hikaru (山田光, 1923–2001)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"34\"\u003eArtist's Representative Activities:\u003c\/b\u003e [1948] Co-founded the avant-garde ceramic art group \"Sodeisha\" with Yagi Kazuo and Suzuki Osamu, [1962] Established \"Mon Kobo\" to pursue modern design in living spaces, [1970s] Received the Japan Ceramic Society Award (and later the Gold Prize), [1990s] Received the Kyoto Art and Culture Award and recognized as a Kyoto City Person of Cultural Merit\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"421\"\u003eMuseum Collections:\u003c\/b\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; Shigaraki Ceramic Cultural Park; Kyoto City KYOCERA Museum of Art, and others\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"0\" data-index-in-node=\"0\"\u003eCirca:\u003c\/b\u003e Early 1960s (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"665\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"708\"\u003eAccessories:\u003c\/b\u003e Original wooden box included\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"750\"\u003eMaterial:\u003c\/b\u003e Ceramic (Kohiki, Iron Paint)\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"789\"\u003eDimensions:\u003c\/b\u003e Cup: Height approx. 7.5 cm, mouth diameter approx. 6.5 cm \/ Saucer: Height approx. 1.0 cm, diameter approx. 13.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"917\"\u003eNote:\u003c\/b\u003e All items offered by our shop, even if new and unused, are from a very old production period and are listed as used. Please be aware that products may have damage due to age, and consider your purchase after understanding and confirming this.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974191923387,"sku":null,"price":125000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7995_result.jpg?v=1781794764"},{"product_id":"295","title":"Grand Prix Winner at the Belgium World's Fair, Sodeisha Member, Kumakura Junkichi (熊倉順吉), Green Glazed Yohen Vessel, Side Dish #295","description":"\u003cp data-path-to-node=\"33\"\u003eThis ceramic vessel is a masterwork by Kumakura Junkichi (1920-1985), a legendary figure who left an indelible mark on the avant-garde ceramic art world of modern Japan. Born in Kyoto in 1920 and passing away in 1985, Kumakura Junkichi was a magnificent pioneer who led the post-war history of Japanese ceramics. After thoroughly studying modernism design and architectural structural expression at the Kyoto City First Industrial School of Architecture and the Kyoto Higher College of Arts and Crafts (currently the Kyoto Institute of Technology) Department of Pattern Design and Drawing, he pursued his artistic career in ceramics. He apprenticed under \u003ca href=\"\/en\/search?q=%22%E7%A6%8F%E7%94%B0%E5%8A%9B%E4%B8%89%E9%83%8E%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFukuda Rikisaburo\u003c\/a\u003e at the Shosai Toen atelier in Kyoto, and further had his creative spirit rigorously instilled by \u003ca href=\"\/en\/search?q=%22%E5%AF%8C%E6%9C%AC%E6%86%B2%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTomimoto Kenkichi\u003c\/a\u003e, a giant of modern ceramics and a Living National Treasure. His style, which fused the strict modernist philosophy of \"never create patterns from existing patterns\" inherited from Tomimoto Kenkichi with his own industrial design and architectural background, shone with a unique brilliance in the ceramic world of his era. In 1957, he joined the legendary avant-garde ceramic artist group \"Sodeisha,\" formed by \u003ca href=\"\/en\/search?q=%22%E5%85%AB%E6%9C%A8%E4%B8%80%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYagi Kazuo\u003c\/a\u003e and \u003ca href=\"\/en\/search?q=%22%E9%88%B4%E6%9C%A8%E6%B2%BB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eSuzuki Osamu\u003c\/a\u003e, and as a central member, reigned at the pinnacle of the Japanese ceramic art world. His artistry achieved high international acclaim, winning the prestigious Grand Prix at the 1958 Brussels World's Fair in Belgium and a silver prize at the 1962 International Ceramics Exhibition in Prague, Czechoslovakia. His works are publicly housed in leading national institutions, including the National Museum of Modern Art, Tokyo, and the National Museum of Modern Art, Kyoto.\u003c\/p\u003e\n\u003cp data-path-to-node=\"34\"\u003eThis piece is a true masterpiece that clearly demonstrates Kumakura Junkichi’s most highly regarded philosophy: the modernization of traditional glazes. The surface of the vessel presents a beautiful and magnificent landscape, as if the rich, volatile variations of the deep sea have been encapsulated within its glaze. This deeply vibrant green glazed kiln transformation (yohen), while utilizing traditional mineral glazes, has been elevated into a contemporary abstract expression through the graphic design sensibility the artist cultivated in his youth. The fluid undulations of the glaze and the meticulously controlled color gradations create a three-dimensional depth, painting an abstract expressionist drama upon the serene clay body. While other core members of Sodeisha moved towards pure sculptural objects that completely denied the utility of the vessel form, Kumakura Junkichi pursued his unique artistic conviction of how far avant-garde expression could be extended while strictly maintaining the practical utility and elegant form of the vessel. His spatial and architectural intelligence is fully expressed in the fusion of this piece's structured form and overwhelming tactile texture. Due to his relatively short active period of ceramic creation and the fact that many of his major works are held in public museums, the number of authentic pieces circulating in the private market is extremely limited, making this item highly rare as a global collector's piece.\u003c\/p\u003e\n\u003cp data-path-to-node=\"35\"\u003eWith its exquisite size of 18.5 cm in diameter, we propose this bowl as a Japanese KOGEI masterpiece perfectly tailored for enjoying matured vintage sake (Koshu) within a sophisticated contemporary lifestyle. It is particularly ideal as a dish for serving simmered foods or as an appetizer plate when savoring aged sake that has acquired a deep richness and noble aroma over many years. The overwhelming seascape of the glaze, where tradition and the avant-garde intersect, elegantly enhances the dishes served, creating a luxurious experience that satisfies all five senses alongside the rich flavor of matured vintage sake. This vessel, embodying the spirit of a master who relentlessly pursued beauty without compromise, is a supreme modern piece that brings undeniable dignity and a unique presence to the everyday dining table.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"36\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Kumakura Junkichi (熊倉順吉, 1920-1985)\u003c\/li\u003e\n\u003cli data-path-to-node=\"37\"\u003e\u003cstrong\u003eArtist's Notable Activities: \u003c\/strong\u003e[1955] Received the 1st Japan Ceramic Society Award, [1957] Joined the avant-garde ceramic artist group \"Sodeisha\" as a central member, [1958] Awarded the Grand Prix at the Brussels World's Fair in Belgium, [1962] Received a silver award at the International Ceramics Exhibition in Prague, Czechoslovakia\u003c\/li\u003e\n\u003cli data-path-to-node=\"38\"\u003e\u003cstrong\u003eWorks Housed In:\u003c\/strong\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; The Shigaraki Ceramic Cultural Park; The Museum of Modern Ceramic Art, Gifu, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"39\"\u003e\u003cstrong\u003eProduction Period: \u003c\/strong\u003e1970s - 1980s (Maturity period as a prominent Sodeisha member)\u003c\/li\u003e\n\u003cli data-path-to-node=\"40\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"41\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original Tomobako (wooden box signed by the artist), wrapping cloth, artist's profile brochure included\u003c\/li\u003e\n\u003cli data-path-to-node=\"42\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePottery (green glaze with kiln transformation \/ yohen)\u003c\/li\u003e\n\u003cli data-path-to-node=\"43\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 6.2 cm, Diameter approx. 18.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"44\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003ePlease note that all products offered by our store, even if unused, originate from a historic production period and are listed as antique fine art items. Vintage products may exhibit subtle age-related characteristics; please consider purchasing upon full understanding and confirmation.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47974194315451,"sku":null,"price":130000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_8558_result.jpg?v=1783258162"},{"product_id":"334","title":"Winner of the Gold Prizes at the Prague and Vallauris International Ceramics Exhibitions, Founder of Sodeisha, Suzuki Osamu (鈴木治), \"Return to Primitive Art,\" Bakushu-nomi Beer Mug Ceramic Whisky Tumbler #334","description":"\u003cp data-path-to-node=\"9\"\u003eThis is a handled sake vessel directly crafted by Suzuki Osamu (1926-2001), a master who reigns at the pinnacle of Japan's contemporary ceramic art world, whose works are permanently housed in major modern art museums both in Japan and abroad. The dedicated wooden box (kyobako) bears the artist's own inscription, \"Bakushu-nomi,\" written in elegant, powerful cursive script. The vessel itself has a substantial cylindrical form that sits weightily in the hand, and a thick, powerfully drawn handle. While the artist created it as a vessel for savoring beer at its finest, in today's luxurious lifestyle, it also possesses an overwhelming presence as a supreme on-the-rocks Ceramic Whisky Tumbler for slowly enjoying rare aged spirits that have transformed into a beautiful amber color over many years, or premium single malt whiskies with large ice cubes. The extremely precise skeletal structure born from the bloodline of master potters, the carefully studied thickness, and the direct texture of the rough clay surface, which immediately conveys itself to the touch and sets it apart from blown glass or ordinary hand-formed vessels, elevates the time spent enjoying alcohol into an exceptional artistic experience. This is an avant-garde craft piece from Japan that is extremely difficult to obtain in overseas art markets and possesses the highest asset value to satisfy the discerning eye of an avid collector.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThe artist, Suzuki Osamu, was born in 1926 as the third son of \u003ca href=\"\/en\/search?q=%22%E9%88%B4%E6%9C%A8%E5%AE%87%E6%BA%90%E6%B2%BB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eSuzuki Ugenji\u003c\/a\u003e, a renowned potter in Kyoto. Until his sudden passing in 2001, he relentlessly pursued avant-garde expressions that rewrote the history of Japanese craft. In 1948 (Showa 23), he formed the avant-garde ceramic art group \"Sodeisha\" with \u003ca href=\"\/en\/search?q=%22%E5%85%AB%E6%9C%A8%E4%B8%80%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYagi Kazuo\u003c\/a\u003e, \u003ca href=\"\/en\/search?q=%22%E5%B1%B1%E7%94%B0%E5%85%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYamada Hikaru\u003c\/a\u003e, Matsui Bisuke, and Kano Tetsuo, initiating a movement that fundamentally broke the spell of practicality (\"beauty of utility\") – the absolute norm in the Japanese ceramic world, where ceramics were primarily for serving food or pouring water. They redefined clay not merely as a material for vessels but as a medium for pure self-expression, giving birth to a completely new genre of art: objet ceramics, the first of its kind in Japan. Sodeisha subsequently led the forefront of Japan's contemporary art scene for half a century, and with its 50th exhibition in 1998, it dissolved amicably, having fully fulfilled its historic mission of elevating ceramics to contemporary art within the art world. Amidst this tumultuous movement, Suzuki preferred to use the term \"deisho\" (mud-form) for his works, meaning to manifest the form of the world through clay (mud), rather than simply calling them \"objects.\" He continued to pursue unique, poetic forms by deforming and deconstructing his superb potting wheel techniques. By 1999, his global status was firmly established, as evidenced by a large-scale retrospective exhibition held at the National Museum of Modern Art, Tokyo.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eThe distinctive face-shaped motif that dominates the front of this work perfectly embodies Suzuki's lifelong pursuit of reverence for nature and a return to primitive art. The eyes and nose carved into this circular bas-relief, along with the continuous spiral patterns arranged at the bottom, personify the life force of great nature, such as the sun and wind, with his unique poetic humor, imbuing the modern vessel with the pure magical energy of Jomon clay figurines and ancient masks. The surface of the vessel intentionally exposes a powerful, clay texture like Mikage clay containing coarse particles, over which a thin layer of feldspar glaze with a pale greenish-gray tint is applied. This masterfully merges the organic warmth of the clay with the sparkling beauty of the finely appearing crazing (fine crack patterns) on the surface. Furthermore, at the bottom edge of the vessel, a vibrant reddish \"hi-iro\" (fire color) has emerged, a result of the chemical reaction between the edge of the glaze and the unglazed body caused by the intense flames of the climbing kiln, thus encapsulating the dramatic moment when fire and earth became one within the vessel. At the base of the handle, Suzuki's circular \"治\" (Osamu) seal is clearly impressed, confirming its authenticity. The handwritten signature and seal on the lid of the wooden box, along with the official ceramic history (bookmark) from Yodo Gallery in Osaka, which conveys the atmosphere of his solo exhibitions at the time, are perfectly preserved. This is a supreme piece in excellent condition, condensing the artist's lifelong artistry, where Suzuki's object philosophy (Deisho) admirably returns to its origin as a functional vessel.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\"\u003eArtist\u003c\/b\u003e: Suzuki Osamu (鈴木治, 1926-2001)\u003c\/li\u003e\n\u003cli\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\"\u003eArtist's Major Career History\u003c\/b\u003e: [1926] Born in Kyoto as the third son of master potter Suzuki Ugenji, [1948] Formed the avant-garde ceramic art group \"Sodeisha\" with Yagi Kazuo and Yamada Hikaru, holding their first exhibition, [1961] Received the Japan Ceramic Society Award, [1962] Won a Gold Medal at the Prague International Ceramics Exhibition, [1968] Appointed Assistant Professor of Ceramics at Osaka University of Arts, [1970] Won a Gold Medal at the Vallauris International Ceramics Biennale and invited to exhibit at \"Contemporary Ceramics - Europe and Japan\" organized by the National Museum of Modern Art, Kyoto, [1971] Won the Minister of International Trade and Industry Award at the Faenza International Ceramics Exhibition and invited to exhibit at the Japan Ceramics Exhibition (subsequently exhibiting every time), invited to exhibit at \"Contemporary Ceramics - America, Canada, Mexico and Japan\" exhibition organized by the National Museums of Modern Art, Kyoto and Tokyo, [1975] Exhibited at \"International Ceramics Exhibition '75\", [1979] Exhibited at \"Art Now '79\", [1999] A large-scale retrospective exhibition \"Poetic Objects: Suzuki Osamu's Ceramics\" was held at the National Museum of Modern Art, Tokyo, [2001] Passed away at the age of 73\u003c\/li\u003e\n\u003cli\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\"\u003eMuseum Collections\u003c\/b\u003e: Permanently housed in public collections of major modern art museums around the world, including The National Museum of Modern Art, Tokyo, and The National Museum of Modern Art, Kyoto.\u003c\/li\u003e\n\u003cli\u003e\u003cb data-path-to-node=\"0\" data-index-in-node=\"0\"\u003eCirca:\u003c\/b\u003e c. 1955 (Presumed identical or same-series works are currently in the collection of institutions such as The National Museum of Modern Art, Kyoto)\u003c\/li\u003e\n\u003cli\u003e\u003cb data-path-to-node=\"12,5,0\" data-index-in-node=\"0\"\u003eAccessories\u003c\/b\u003e: Original wooden box, wrapping cloth, official ceramic history (bookmark) issued by Yodo Gallery.\u003c\/li\u003e\n\u003cli\u003e\u003cb data-path-to-node=\"12,6,0\" data-index-in-node=\"0\"\u003eMaterial\u003c\/b\u003e: Pottery (feldspar glaze)\u003c\/li\u003e\n\u003cli\u003e\u003cb data-path-to-node=\"12,7,0\" data-index-in-node=\"0\"\u003eDimensions\u003c\/b\u003e: Approx. 9.0 cm diameter, approx. 9.5 cm height\u003c\/li\u003e\n\u003cli\u003e\u003cb data-path-to-node=\"12,8,0\" data-index-in-node=\"0\"\u003eNote\u003c\/b\u003e: Even if the products offered by our shop are new and unused, they are from a very old production period and are all listed as used items. The products may have damage due to age, so please understand and confirm this before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48133573312699,"sku":null,"price":180000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0147_result.jpg?v=1785638661"},{"product_id":"338","title":"Artist Housed in The National Museum of Modern Art, Tokyo; Sodeisha Member: Kumakura Junkichi (熊倉順吉), Oribe Glaze Bowl, Grand Prix Winner at Brussels World’s Fair Master #338","description":"\u003cp data-path-to-node=\"17\"\u003eThis is a masterpiece Oribe glaze bowl by Kumakura Junkichi (1920–1985), a legendary master who left an indelible mark on modern Japanese avant-garde ceramics. Born in Kyoto in 1920 (Taisho 9) and passing away in 1985 (Showa 60), Kumakura was a pioneer who led postwar Japanese ceramic history. After thoroughly studying modern design and architectural structural expression at the Architectural Department of Kyoto Municipal First Technical School and the Design Department of Kyoto Higher School of Arts and Crafts (now Kyoto Institute of Technology), he embarked on the path of ceramics. He studied under \u003ca href=\"\/en\/search?q=%22%E7%A6%8F%E7%94%B0%E5%8A%9B%E4%B8%89%E9%83%8E%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFukuda Rikisaburo\u003c\/a\u003e at Shosai Toen in Kyoto, and was further imbued with a creative spirit under \u003ca href=\"\/en\/search?q=%22%E5%AF%8C%E6%9C%AC%E6%86%B2%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTomimoto Kenkichi\u003c\/a\u003e, a giant of modern ceramics and Living National Treasure. His style, which fused the strict modernist ethos inherited from Tomimoto—\"do not create patterns from existing patterns\"—with his own design and architectural background, stood out remarkably in the ceramic world of the time. In 1957, he joined Sodeisha, the legendary avant-garde ceramic group formed by \u003ca href=\"\/en\/search?q=%22%E5%85%AB%E6%9C%A8%E4%B8%80%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYagi Kazuo\u003c\/a\u003e, \u003ca href=\"\/en\/search?q=%22%E9%88%B4%E6%9C%A8%E6%B2%BB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eSuzuki Osamu\u003c\/a\u003e, and others, becoming a core member and reigning at the pinnacle of Japanese ceramics. His artistry earned high international acclaim, including winning the Grand Prix at the 1958 Brussels World's Fair in Belgium and the Silver Prize at the 1962 Prague International Ceramic Exhibition in Czechoslovakia. His works are officially housed in public institutions such as The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; The Shigaraki Ceramic Cultural Park; and The Museum of Modern Ceramic Art, Gifu. Because his period of production was short and most of his major works reside in public museum collections, genuine pieces circulating in the private market are extremely limited, making this an extraordinarily rare worldwide collector's item.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eThis work represents a supreme fusion of Kumakura’s most highly acclaimed achievements: the \"modernization of traditional glazes\" and his \"architectural and graphic design approach.\" Inside the bowl, which boasts an impressive presence measuring approximately 23.0 cm in width and 7.0 cm in height, fine, powerful incised lines radiate outwards from the center, while the rim features an elegantly wavy, rinka (scalloped) form resembling frills. Dynamic Oribe glaze flows along these incised lines, pooling in the deep center to create rich green tonal gradations and a crystalline, glass-like texture overflowing with transparency. Observing the outer body near the foot ring, while retaining the white, raw clay texture of the body, a delicate line of hiiro (fire marks \/ scorching) emerges along the boundary, over which the wavy, dripping Oribe glaze displays a dynamic sculptural beauty. While other members of Sodeisha moved toward pure objet d'art by completely denying vessel functionality, Kumakura pursued his unique artistic philosophy of extending avant-garde expression as far as possible while maintaining functional utility and morphological beauty as a vessel. The artist's own seal \"Jun\" (顺) is clearly stamped beside the foot ring, fully demonstrating his sculptural and architectural intelligence. We present this piece tailored to modern lifestyles as a Japanese Kogei creation to enjoy traditional Japanese aesthetics. It is particularly ideal as a large serving bowl or side-dish plate to elegantly present seasonal simmered dishes or gourmet appetizers when savoring aged sake that has acquired deep richness and aroma over time, creating a luxurious experience that satisfies the five senses alongside the rich flavor of koshu.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eRegarding the period of production, it is identified as an authentic work created between 1975 and 1985 (his late, peak period), when the architectural design concepts developed in his youth and his interpretation of traditional Oribe glaze reached maturity after fully establishing his international reputation as a Sodeisha member. The vessel itself has no chips or cracks, remaining in very good condition. It arrives as a complete set, accompanied by its dedicated Tomobako (wooden box) inscribed in ink on the lid \"Oribe-yu Hachi\" with a red seal, a wrapping cloth, and a biography leaflet.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist：\u003c\/strong\u003e Kumakura Junkichi (熊倉順吉, 1920–1985)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist's Key Activities：\u003c\/strong\u003e [1955] Received the 1st Japan Ceramic Society Award; [1957] Joined the avant-garde ceramic group \"Sodeisha\" and became a core member; [1958] Won the Grand Prix at the Brussels World’s Fair in Belgium; [1962] Won the Silver Prize at the Prague International Ceramic Exhibition in Czechoslovakia\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eWorks Housed In：\u003c\/strong\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; The Shigaraki Ceramic Cultural Park; The Museum of Modern Ceramic Art, Gifu, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003ePeriod of Production：\u003c\/strong\u003e 1975–1985\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eCondition：\u003c\/strong\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eAccessories：\u003c\/strong\u003e Dedicated Tomobako, leaflet included\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eMaterial：\u003c\/strong\u003e Ceramic (Oribe glaze, green glaze, incised lines, rinka scalloped form, artist's seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eDimensions：\u003c\/strong\u003e Height approx. 7.0 cm, Width approx. 23.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eCaution：\u003c\/strong\u003e All products offered by our shop are pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48145420124347,"sku":null,"price":61000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0251_result.jpg?v=1785639300"},{"product_id":"341","title":"Grand Prix Winner at the Belgium World's Fair, Sodeisha Member, Kumakura Junkichi (熊倉順吉), Green Glazed Yohen Vessel, Side Dish #295","description":"\u003cp data-path-to-node=\"33\"\u003eThis ceramic vessel is a masterwork by Kumakura Junkichi (1920-1985), a legendary figure who left an indelible mark on the avant-garde ceramic art world of modern Japan. Born in Kyoto in 1920 and passing away in 1985, Kumakura Junkichi was a magnificent pioneer who led the post-war history of Japanese ceramics. After thoroughly studying modernism design and architectural structural expression at the Kyoto City First Industrial School of Architecture and the Kyoto Higher College of Arts and Crafts (currently the Kyoto Institute of Technology) Department of Pattern Design and Drawing, he pursued his artistic career in ceramics. He apprenticed under \u003ca href=\"\/en\/search?q=%22%E7%A6%8F%E7%94%B0%E5%8A%9B%E4%B8%89%E9%83%8E%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFukuda Rikisaburo\u003c\/a\u003e at the Shosai Toen atelier in Kyoto, and further had his creative spirit rigorously instilled by \u003ca href=\"\/en\/search?q=%22%E5%AF%8C%E6%9C%AC%E6%86%B2%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTomimoto Kenkichi\u003c\/a\u003e, a giant of modern ceramics and a Living National Treasure. His style, which fused the strict modernist philosophy of \"never create patterns from existing patterns\" inherited from Tomimoto Kenkichi with his own industrial design and architectural background, shone with a unique brilliance in the ceramic world of his era. In 1957, he joined the legendary avant-garde ceramic artist group \"Sodeisha,\" formed by \u003ca href=\"\/en\/search?q=%22%E5%85%AB%E6%9C%A8%E4%B8%80%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYagi Kazuo\u003c\/a\u003e and \u003ca href=\"\/en\/search?q=%22%E9%88%B4%E6%9C%A8%E6%B2%BB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eSuzuki Osamu\u003c\/a\u003e, and as a central member, reigned at the pinnacle of the Japanese ceramic art world. His artistry achieved high international acclaim, winning the prestigious Grand Prix at the 1958 Brussels World's Fair in Belgium and a silver prize at the 1962 International Ceramics Exhibition in Prague, Czechoslovakia. His works are publicly housed in leading national institutions, including the National Museum of Modern Art, Tokyo, and the National Museum of Modern Art, Kyoto.\u003c\/p\u003e\n\u003cp data-path-to-node=\"34\"\u003eThis piece is a true masterpiece that clearly demonstrates Kumakura Junkichi’s most highly regarded philosophy: the modernization of traditional glazes. The surface of the vessel presents a beautiful and magnificent landscape, as if the rich, volatile variations of the deep sea have been encapsulated within its glaze. This deeply vibrant green glazed kiln transformation (yohen), while utilizing traditional mineral glazes, has been elevated into a contemporary abstract expression through the graphic design sensibility the artist cultivated in his youth. The fluid undulations of the glaze and the meticulously controlled color gradations create a three-dimensional depth, painting an abstract expressionist drama upon the serene clay body. While other core members of Sodeisha moved towards pure sculptural objects that completely denied the utility of the vessel form, Kumakura Junkichi pursued his unique artistic conviction of how far avant-garde expression could be extended while strictly maintaining the practical utility and elegant form of the vessel. His spatial and architectural intelligence is fully expressed in the fusion of this piece's structured form and overwhelming tactile texture. Due to his relatively short active period of ceramic creation and the fact that many of his major works are held in public museums, the number of authentic pieces circulating in the private market is extremely limited, making this item highly rare as a global collector's piece.\u003c\/p\u003e\n\u003cp data-path-to-node=\"35\"\u003eWith its exquisite size of 18.5 cm in diameter, we propose this bowl as a Japanese KOGEI masterpiece perfectly tailored for enjoying matured vintage sake (Koshu) within a sophisticated contemporary lifestyle. It is particularly ideal as a dish for serving simmered foods or as an appetizer plate when savoring aged sake that has acquired a deep richness and noble aroma over many years. The overwhelming seascape of the glaze, where tradition and the avant-garde intersect, elegantly enhances the dishes served, creating a luxurious experience that satisfies all five senses alongside the rich flavor of matured vintage sake. This vessel, embodying the spirit of a master who relentlessly pursued beauty without compromise, is a supreme modern piece that brings undeniable dignity and a unique presence to the everyday dining table.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"36\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Kumakura Junkichi (熊倉順吉, 1920-1985)\u003c\/li\u003e\n\u003cli data-path-to-node=\"37\"\u003e\u003cstrong\u003eArtist's Notable Activities: \u003c\/strong\u003e[1955] Received the 1st Japan Ceramic Society Award, [1957] Joined the avant-garde ceramic artist group \"Sodeisha\" as a central member, [1958] Awarded the Grand Prix at the Brussels World's Fair in Belgium, [1962] Received a silver award at the International Ceramics Exhibition in Prague, Czechoslovakia\u003c\/li\u003e\n\u003cli data-path-to-node=\"38\"\u003e\u003cstrong\u003eWorks Housed In:\u003c\/strong\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; The Shigaraki Ceramic Cultural Park; The Museum of Modern Ceramic Art, Gifu, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"39\"\u003e\u003cstrong\u003eProduction Period: \u003c\/strong\u003e1970s - 1980s (Maturity period as a prominent Sodeisha member)\u003c\/li\u003e\n\u003cli data-path-to-node=\"40\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"41\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original Tomobako (wooden box signed by the artist), wrapping cloth, artist's profile brochure included\u003c\/li\u003e\n\u003cli data-path-to-node=\"42\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePottery (green glaze with kiln transformation \/ yohen)\u003c\/li\u003e\n\u003cli data-path-to-node=\"43\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 6.2 cm, Diameter approx. 18.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"44\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003ePlease note that all products offered by our store, even if unused, originate from a historic production period and are listed as antique fine art items. Vintage products may exhibit subtle age-related characteristics; please consider purchasing upon full understanding and confirmation.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48145420681403,"sku":null,"price":65000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0220_result.jpg?v=1785639061"},{"product_id":"409","title":"Kyoto Prefecture Cultural Merit Award Winner, Sodeisha Member, Miyanaga Tozan III (三代 宮永東山・宮永理吉, Miyanaga Rikichi), Yatou Colored Glazed Incised Bowl, Fruit Bowl, Ice Bowl #409","description":"\u003cp data-path-to-node=\"1\"\u003eThis \"Yatou Colored Glazed Incised Bowl\" (Yatou Saiyu Koku-no-Hachi) is created by Miyanaga Tozan III (real name: Miyanaga Rikichi, b. 1935), the third-generation master of the renowned Tozan Kiln of Kyo-ware ceramics, who left a monumental legacy in modern Japanese ceramic history as a member of the avant-garde ceramic group \"Sodeisha.\" After studying sculpture under Shindo Tsuji and others at the Kyoto City College of Fine Arts (now Kyoto City University of Arts), Miyanaga Rikichi traveled to the United States in 1959 to study at the Art Students League of New York. Upon returning to Japan, through the formation of the sculpture group \"Zero\" and activities at the Kodo Bijutsu Association, he became a member (Dojin) of the avant-garde ceramic artist group \"Sodeisha\" in 1970, developing intellectual structural expressions that overturned traditional ceramic frameworks. The original leaflet accompanying this piece includes an essay by art critic Yoshida Kozo stating, \"This solo exhibition is an attempt by him to create everyday items by applying his innovative sculptural sensibility,\" along with his career history up to 1966 (Showa 41). The description in this leaflet serves as direct, objective evidence specifically identifying this piece as a precious early work from the 1966 solo exhibition that attempted the fusion of utility and sculpture.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eTitled \"Yatou Saiyu Koku-no-Hachi\" on the original wooden box (Tomobako), this work bears a stamped signature \"Ri\" (理) in gosu (underglaze cobalt blue) on the bottom surface. The greatest charm of this piece lies in its overwhelming structural beauty, where intellectual structural expression as a sculptor and traditional techniques of Tozan Kiln fuse at a high level. On the solid vessel body reminiscent of bedrock carved from a rocky mountain, geometric and powerful incised motifs (sculptural cutout lines) are deeply carved into the sides, creating heavy shadows depending on the angle of light. The \"Yatou colored glaze\" covering the surface exhibits a matte, rustic glaze quality based on feldspar and wood ash, highlighting the rough texture of sand grains and minute feldspar particles mixed into the clay body. The thick construction and stable form of the vessel dissolve the traditional concept of a bowl, perfectly harmonizing sculptural three-dimensionality with functional utility—a true crystallization of structural thinking unique to a Sodeisha member.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003ePossessing a commanding scale and overwhelming weight with a height of approximately 12.0 cm and a diameter of approximately 26.5 cm, our shop proposes this bowl tailored to modern lifestyles as a supreme Japanese Kogei piece where traditional Japanese beauty intersects with modernism. In particular, in refined spaces for savoring aged spirits and whisky that have acquired rich depth and aroma over time, it exudes a distinctive presence as a fruit basket for vibrant seasonal fruits or an ice bowl filled with rock ice. The contrast between the rough yet serene rock-like texture and the colors of ice or fruit placed within brings a definite dignity and modern art sophistication to dining tables and living spaces. Created on the eve of his transition to thin celadon and white porcelain works in later years, this is an extremely rare authentic masterpiece created in the mid-1960s that challenged everyday items with a sculptural approach, serving as a supreme craft piece to be savored with all five senses.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003e\u003cstrong\u003e\u0026lt;Comment from an Art Critic Who Knew Miyanaga Tozan III (Miyanaga Rikichi)\u0026gt;\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003e\u0026nbsp;\"Miyanaga Rikichi is currently creating unique sculptures using ceramics as his medium, presenting his work as a member of Kodo-kai and the 'Zero' group. While he is undoubtedly a sculptor, he also has a career working as a potter in the workshop of his father, Miyanaga Tozan. This solo exhibition represents an attempt by him to apply his innovative sculptural sensibility to the creation of everyday goods, which I am greatly looking forward to. I hope that through efforts like this, a new frontier will open up in the domestic ceramics around us.\"\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\" style=\"text-align: right;\"\u003eYoshida Kozo (1915-2013, Art Critic and Ceramic Researcher)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"5\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eMiyanaga Tozan III (三代 宮永東山・宮永理吉) \/ Miyanaga Rikichi (1935-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"6\"\u003e\u003cstrong\u003eRepresentative Career Highlights: \u003c\/strong\u003e[1958] Graduated from Kyoto City College of Fine Arts, Department of Sculpture, [1959] Traveled to the U.S. and studied at the Art Students League of New York, [1961] Formed the sculpture group \"Zero\", [1970] Joined the avant-garde ceramic group \"Sodeisha\" as a member, [1998] Received the Kyoto Prefecture Cultural Merit Award, [1999] Succeeded to the name Miyanaga Tozan III, [2008] Received the Kyoto City Arts Merit Award, [2024] Received the Special Cultural Merit Award at the 42nd Kyoto Prefecture Cultural Award\u003c\/li\u003e\n\u003cli data-path-to-node=\"7\"\u003e\u003cstrong\u003ePublic Collections: \u003c\/strong\u003eThe National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; The Museum of Modern Ceramic Art, Shigaraki (Shigaraki Ceramic Cultural Park); Kyoto City KYOCERA Museum of Art; etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"8\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e 1966 (Showa 41, work presented at solo exhibition)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eItem Condition:\u003c\/strong\u003e Very Good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated original wooden box (Tomobako) included (with artist's calligraphy and red seal), original leaflet included (featuring essay by Yoshida Kozo)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramics (Yatou colored glaze, incised decoration)\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 12.0 cm, Width (Diameter) approx. 26.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eEven if the products provided by our shop are unused, they were produced a very long time ago and are all listed as pre-owned items. Please understand and confirm that the item may have age-related wear before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48313814810811,"sku":null,"price":100000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3302_result.jpg?v=1790256838"},{"product_id":"420","title":"Kyoto Prefecture Cultural Merit Award Recipient, Sodeisha Founder Yamada Hikaru (山田光), White-Glazed Bowl, Ice Bowl #420","description":"\u003cp data-path-to-node=\"1\"\u003eThis white-glazed bowl is created by Yamada Hikaru, a master who founded the avant-garde ceramic group \"Sodeisha\" in 1948 alongside \u003ca href=\"\/en\/search?q=%22%E5%85%AB%E6%9C%A8%E4%B8%80%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYagi Kazuo\u003c\/a\u003e and \u003ca href=\"\/en\/search?q=%22%E9%88%B4%E6%9C%A8%E6%B2%BB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eSuzuki Osamu\u003c\/a\u003e, overturning the conventional concept of ceramics bound by \"utility\" and establishing a monumental peak in Japanese avant-garde ceramics (objet pottery). While establishing international acclaim for his objet creations as pure sculptural forms, Yamada also founded \"Mon Kobo\" in 1962 with Yagi Kazuo and others, launching practical craft works that fused refined modernist design with artisan craftsmanship. The lid of the included original wooden box (Tomobako) bears the artist's handwritten inscription \"White Glaze Bowl\" (Hakuyu Hachi), and on the bottom of the piece, the stamp \"HiKaru\" (光) indicating an authentic work by Yamada Hikaru can be confirmed. Produced between the 1960s and 1970s—a period when Sodeisha's activities deepened most significantly after the founding of Mon Kobo in 1962—this piece is identified as an outstanding work in which sculptural beauty and practicality harmonize at a high level.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eWhat is most highly acclaimed in Yamada Hikaru's ceramic art is his intellectual structural thinking utilizing geometric plane compositions, openings, and cutouts, as well as the smooth, serene texture of his white glaze. Examining the design of this piece, while the overall silhouette of the vessel assumes a gentle roundness, sharp and precise cutouts are executed along the rim together with regular wavelike curves. These cutouts clearly articulate a Sodeisha aesthetic that deconstructs and reconstructs the boundaries of traditional bowls. The white glaze covering the surface exhibits a moist, matte, milky-white glaze quality, creating extremely delicate shadows on the body depending on how the light falls upon it.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eA particular highlight of this vessel is the relief-like spiral decoration applied to the center of the interior bottom (Mikomi). The subtle concavities and convexities that smoothly swirl from the center impart visual rhythm and dynamism to the quiet white glaze texture. The form, which gracefully tapers toward the foot, and its commanding sense of scale—measuring approximately 9.5 cm in height and approximately 17.0 cm in width—go beyond mere appreciation value as an artwork, perfectly fulfilling the function of an exceptionally high-quality ice bowl in modern dining and contemporary spaces.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eFilled with large ice blocks and arranged with bottles of aged amber vintage sake, vintage whisky, or chilled Japanese sake, the glitter and chill of the ice reflect beautifully on the spiral decoration of the interior bottom, drawing a magnificent contrast with the serene white-glazed body. As a precious authentic work by one of the most important artists in the history of Japanese ceramics, whose works are housed in the National Museum of Modern Art, Tokyo, the National Museum of Modern Art, Kyoto, and the Centre Pompidou in Paris, we propose this piece not only as a tea utensil or ice bowl, but also as a supreme liquor vessel and craft work where one can experience sculptural beauty as modern art with all five senses.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"5\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eYamada Hikaru (山田光, 1923-2001)\u003c\/li\u003e\n\u003cli data-path-to-node=\"6\"\u003e\u003cstrong\u003eRepresentative Career Highlights:\u003c\/strong\u003e [1948] Founded the avant-garde ceramic art group \"Sodeisha\" alongside Yagi Kazuo, Suzuki Osamu, and others; [1962] Established \"Mon Kobo\" to pursue modern design in living spaces; [1970s] Received the Japan Ceramic Society Award (later also received the Gold Prize); [1990s] Received the Kyoto Art and Culture Award, and was honored as a Person of Cultural Merit by Kyoto City.\u003c\/li\u003e\n\u003cli data-path-to-node=\"7\"\u003e\u003cstrong\u003ePublic Collections:\u003c\/strong\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; The Museum of Modern Ceramic Art, Shigaraki (Shigaraki Ceramic Cultural Park); Kyoto City KYOCERA Museum of Art, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"8\"\u003e\u003cstrong\u003eProduction Period: \u003c\/strong\u003e1960s-1970s (Estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eItem Condition: \u003c\/strong\u003eVery Good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated original wooden box (Tomobako) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eCeramics (White glaze)\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 9.5 cm, Width approx. 17.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eEven if the products provided by our shop are unused, they were produced a very long time ago and are all listed as pre-owned items. Please understand and confirm that the item may have age-related wear before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48332184682683,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3059_result.jpg?v=1789969799"},{"product_id":"450","title":"Brussels World's Fair Grand Prix Winning Artist, Sodeisha Member Kumakura Junkichi (熊倉順吉), Oribe Glazed Cylindrical Ashtray, Cigar Ashtray #450","description":"\u003cp data-path-to-node=\"1\"\u003eThis Oribe glazed ashtray is a piece by Kumakura Junkichi (1920-1985), a master who left a legendary mark on the avant-garde ceramic art world of modern Japan. Born in Kyoto in 1920 (Taisho 9) and passing away in 1985 (Showa 60), Kumakura was a pioneer who led post-war Japanese ceramic history. After thoroughly studying modernist design and architectural structural expression at the Architectural Department of Kyoto Municipal First Industrial School and the Design Department of Kyoto Higher School of Arts and Crafts (currently Kyoto Institute of Technology), he pursued the path of ceramics. He studied under \u003ca href=\"\/en\/search?q=%22%E7%A6%8F%E7%94%B0%E5%8A%9B%E4%B8%89%E9%83%8E%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFukuda Rikisaburo\u003c\/a\u003e at Shosai Toen in Kyoto, and was further instilled with the creative spirit under \u003ca href=\"\/en\/search?q=%22%E5%AF%8C%E6%9C%AC%E6%86%B2%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTomimoto Kenkichi\u003c\/a\u003e, a master of modern ceramics and a Living National Treasure. Inheriting the strict modernist philosophy from Tomimoto Kenkichi of \"not creating patterns from existing patterns,\" combined with his own background in design and architecture, his style stood out uniquely in the ceramic art world at that time. In 1957, he joined \"Sodeisha,\" the legendary avant-garde ceramic group formed by \u003ca href=\"\/en\/search?q=%22%E5%85%AB%E6%9C%A8%E4%B8%80%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYagi Kazuo\u003c\/a\u003e, \u003ca href=\"\/en\/search?q=%22%E9%88%B4%E6%9C%A8%E6%B2%BB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eSuzuki Osamu\u003c\/a\u003e, and others, becoming a member (Dojin) and reigning at the pinnacle of Japanese ceramics as a central figure. His artistry gained high international acclaim, winning the Grand Prix at the 1958 Brussels World's Fair in Belgium and the Silver Prize at the 1962 Prague International Ceramics Exhibition in Czechoslovakia, with his works publicly collected in institutions such as The National Museum of Modern Art, Tokyo and The National Museum of Modern Art, Kyoto.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eTitled \"Oribe Glazed Ashtray\" (Oribe-yu Haizara) on the original wooden box (Tomobako), this work is a masterpiece where Kumakura's architectural modeling thought and the modern elevation of traditional glazes crystalize splendidly. Measuring approximately 14 cm in height and 11 cm in diameter, its powerful cylindrical form highlights its structural backbone as an upright entity unique to Kumakura with his architectural background. The Oribe glaze covering the entire vessel draws a delicate gradient from a dense deep green brimming with fluid luster to yellow-green where the glaze pools, and deep dark green that seems to absorb light. Particularly breathtaking is the decoration on the top surface, where deep, geometric relief (sculptural relief) is meticulously carved radially toward the central elliptical opening. The flow of Oribe glaze into this three-dimensional groove structure creates a powerful contrast of light and shadow, high-dimensionally fusing graphic design intelligence with sculptural beauty. The bottom of the piece is left as unglazed raw clay (Rotai), where a square stamp reading \"Jun\" (順) is confirmed, indicating an authentic work by Kumakura Junkichi. While other members of Sodeisha moved toward pure objets that completely rejected the vessel form, Kumakura maintained the beauty of utility and form as a vessel while pushing the boundaries of avant-garde expression under his own artistic philosophy. Because his career as a potter was relatively short and many of his major works are housed in public museums, the number of authentic pieces circulating in the private market is extremely limited, making this an exquisite item of very high rarity as a world-class collector's piece.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003ePossessing a commanding cylindrical form and refined coloration, our shop proposes this piece as a cigar ashtray to adorn high-end spaces for enjoying aged spirits and whisky, tailored to modern lifestyles. The deep radial grooves carved on the top surface provide an ideal structure for resting cigars, while the central opening allows ash and butts to be neatly collected within the deep interior, perfectly balancing practicality with aesthetic beauty. The heavy, deep green Oribe glaze and three-dimensional sculptural form exude overwhelming dignity alongside glasses of aged amber spirits or smoky whisky. Imbued with the spirit of a master who pursued beauty without a single compromise, this vessel is a supreme craft piece that brings a defining presence and the refinement of modern art to daily moments of luxury.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"4\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eKumakura Junkichi (熊倉順吉, 1920-1985)\u003c\/li\u003e\n\u003cli data-path-to-node=\"5\"\u003e\u003cstrong\u003eRepresentative Career Highlights: \u003c\/strong\u003e[1955] Received the 1st Japan Ceramic Society Award, [1957] Joined the avant-garde ceramic group \"Sodeisha\" and became a member, [1958] Won the Grand Prix at the Brussels World's Fair in Belgium, [1962] Won the Silver Prize at the Prague International Ceramics Exhibition in Czechoslovakia\u003c\/li\u003e\n\u003cli data-path-to-node=\"6\"\u003e\u003cstrong\u003ePublic Collections: \u003c\/strong\u003eThe National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; The Museum of Modern Ceramic Art, Shigaraki (Shigaraki Ceramic Cultural Park); Museum of Modern Ceramic Art, Gifu; etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"7\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e Late 1960s-1970s (Mature period as a Sodeisha member)\u003c\/li\u003e\n\u003cli data-path-to-node=\"8\"\u003e\u003cstrong\u003eItem Condition: \u003c\/strong\u003eVery Good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eDedicated original wooden box (Tomobako) included (with artist's calligraphy and red seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eCeramics (Oribe glaze)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Diameter approx. 11.0 cm, Height approx. 14.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eEven if the products provided by our shop are unused, they were produced a very long time ago and are all listed as pre-owned items. Please understand and confirm that the item may have age-related wear before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48359790313659,"sku":null,"price":41000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3135_result.jpg?v=1790256259"},{"product_id":"451","title":"Grand Prix Winner at the Belgium World's Fair, Sodeisha Member, Kumakura Junkichi (熊倉順吉), Green Glazed Yohen Vessel, Side Dish #451","description":"\u003cp data-path-to-node=\"1\"\u003eThis bowl is a piece by Kumakura Junkichi (1920-1985), a master who left a legendary mark on the avant-garde ceramic art world of modern Japan. Born in Kyoto in 1920 (Taisho 9) and passing away in 1985 (Showa 60), Kumakura was a pioneer who led post-war Japanese ceramic history. After thoroughly studying modernist design and architectural structural expression at the Architectural Department of Kyoto Municipal First Industrial School and the Design Department of Kyoto Higher School of Arts and Crafts (currently Kyoto Institute of Technology), he pursued the path of ceramics. He studied under \u003ca href=\"\/en\/search?q=%22%E7%A6%8F%E7%94%B0%E5%8A%9B%E4%B8%89%E9%83%8E%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eFukuda Rikisaburo\u003c\/a\u003e at Shosai Toen in Kyoto, and was further instilled with the creative spirit under \u003ca href=\"\/en\/search?q=%22%E5%AF%8C%E6%9C%AC%E6%86%B2%E5%90%89%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eTomimoto Kenkichi\u003c\/a\u003e, a master of modern ceramics and a Living National Treasure. Inheriting the strict modernist philosophy from Tomimoto Kenkichi of \"not creating patterns from existing patterns,\" combined with his own background in design and architecture, his style stood out uniquely in the ceramic art world at that time. In 1957, he joined \"Sodeisha,\" the legendary avant-garde ceramic group formed by \u003ca href=\"\/en\/search?q=%22%E5%85%AB%E6%9C%A8%E4%B8%80%E5%A4%AB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eYagi Kazuo\u003c\/a\u003e, \u003ca href=\"\/en\/search?q=%22%E9%88%B4%E6%9C%A8%E6%B2%BB%22\u0026amp;type=product\" target=\"_blank\" rel=\"noopener\"\u003eSuzuki Osamu\u003c\/a\u003e, and others, becoming a member (Dojin) and reigning at the pinnacle of Japanese ceramics as a central figure. His artistry gained high international acclaim, winning the Grand Prix at the 1958 Brussels World's Fair in Belgium and the Silver Prize at the 1962 Prague International Ceramics Exhibition in Czechoslovakia, with his works publicly collected in institutions such as The National Museum of Modern Art, Tokyo and The National Museum of Modern Art, Kyoto.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eAlthough titled \"Green Glazed Bowl\" (Ryokuyu Hachi) on the original wooden box (Tomobako), this work is a masterpiece where Kumakura's unique sense of modernism and Yohen (kiln transformation) technique crystalize splendidly. Across the surface of the vessel spreads a breathtakingly beautiful and grand landscape, where layers of Yohen interweave from eye-dazzling vivid turquoise blue to deep cobalt blue, with olive green and golden-brown hues floating around the rim and center. In the midst of radial waves of delicate, reticulated crystalline glaze, at the central interior bottom (Mikomi), an irregular three-dimensional relief (an island-like motif) adorned in golden-brown and green is constructed, reminiscent of an ancient solitary island or a lagoon floating upon a blue ocean. Furthermore, the sculpturally deformed rim line that waves freely in organic curves demonstrates the structural backbone unique to Kumakura Junkichi, high-dimensionally fusing graphic design sensibility with architectural modeling thought. While other members of Sodeisha moved toward pure objets that completely rejected the vessel form, Kumakura maintained the beauty of utility and form as a vessel while pushing the boundaries of avant-garde expression under his own artistic philosophy. Because his career as a potter was relatively short and many of his major works are housed in public museums, the number of authentic pieces circulating in the private market is extremely limited, making this an exquisite item of very high rarity as a world-class collector's piece.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003ePossessing an exquisite size with a diameter of approximately 18.5 cm, our shop proposes this bowl as a Japanese Kogei piece to enjoy traditional Japanese aesthetics tailored to modern lifestyles. It is particularly ideal as a small dish for simmered dishes, appetizers, or a deep bowl when savoring aged sake or chilled sake that has acquired deep richness and aroma over time. The mysterious solitary island motif floating in the center of the interior bottom and the overwhelming ocean colors surrounding it elegantly complement served dishes, creating a luxurious time that satisfies all five senses alongside the rich flavor of sake. Imbued with the spirit of a master who pursued beauty without a single compromise, this vessel is a supreme modern piece that brings refined dignity and a unique presence to daily dining tables.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"36\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Kumakura Junkichi (熊倉順吉, 1920-1985)\u003c\/li\u003e\n\u003cli data-path-to-node=\"37\"\u003e\u003cstrong\u003eArtist's Notable Activities: \u003c\/strong\u003e[1955] Received the 1st Japan Ceramic Society Award, [1957] Joined the avant-garde ceramic artist group \"Sodeisha\" as a central member, [1958] Awarded the Grand Prix at the Brussels World's Fair in Belgium, [1962] Received a silver award at the International Ceramics Exhibition in Prague, Czechoslovakia\u003c\/li\u003e\n\u003cli data-path-to-node=\"38\"\u003e\u003cstrong\u003eWorks Housed In:\u003c\/strong\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; The Shigaraki Ceramic Cultural Park; The Museum of Modern Ceramic Art, Gifu, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"39\"\u003e\u003cstrong\u003eProduction Period: \u003c\/strong\u003e1970s - 1980s (Maturity period as a prominent Sodeisha member)\u003c\/li\u003e\n\u003cli data-path-to-node=\"40\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"41\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original Tomobako (wooden box signed by the artist), wrapping cloth, artist's profile brochure included\u003c\/li\u003e\n\u003cli data-path-to-node=\"42\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePottery (green glaze with kiln transformation \/ yohen)\u003c\/li\u003e\n\u003cli data-path-to-node=\"43\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 6.2 cm, Diameter approx. 18.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"44\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003ePlease note that all products offered by our store, even if unused, originate from a historic production period and are listed as antique fine art items. Vintage products may exhibit subtle age-related characteristics; please consider purchasing upon full understanding and confirmation.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48371985154235,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_3181_result.jpg?v=1790256383"}],"url":"https:\/\/antiqueliquor1926.com\/en\/collections\/sodeisha.oembed","provider":"Antique Liquor","version":"1.0","type":"link"}