{"title":"Tokoname Ware Sake Cups \u0026 Vessels","description":"\u003cp\u003eTokoname on the Chita Peninsula, one of Japan's Six Ancient Kilns: sake cups and vessels in lustrous shudei red clay and nerikomi patterns, led by holders of Tokoname City Intangible Cultural Property.\u003c\/p\u003e","products":[{"product_id":"197","title":"Konishi Yohei (小西洋平), Tokoname Ware Neriage, Horseback Cup (Stem Cup) \"Shouchu no Tama\" Sake Vessel #197","description":"\u003cp data-path-to-node=\"20\"\u003eThis \"Bashohai\" (Horseback Cup) is a 1980s masterpiece by Konishi Yohei (born 1941), a master craftsman who elevated the traditional techniques of Tokoname ware to the level of contemporary art. This particular piece has a prestigious provenance, having been selected around May 1985 at Seikado in Ginza, Tokyo—then one of Japan's premier hubs for high-end art and crafts. This was shortly after Konishi established his international reputation by winning the Silver Medal at the Vallauris International Ceramics Biennial in France in 1982. As a designated Intangible Cultural Property holder of Tokoname City, his works are held in prestigious public collections worldwide, including the Victoria and Albert Museum in London and the Philadelphia Museum of Art. This piece offers a rare opportunity to experience his exceptional artistry within the palm of your hand.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eIn Konishi Yohei’s creative work, the most highly acclaimed elements are his \"Neriage\" technique—layering differently colored clays to create intricate internal patterns—and his \"Usu-zukuri\" (thin-walled) wheel-throwing, which pushes the very limits of the medium. The Neriage in this work consists of multiple layers of Tokoname’s characteristic vermilion (Shudei), white, and black clays. Unlike surface painting, this creates a profound visual depth that seems to emanate from within the vessel itself. This technique requires joining multiple clays with different properties and shrinkage rates, entailing an extremely high risk of cracking or warping during drying and firing. Achieving this level of difficulty requires not only the clay selection skills rooted in Tokoname tradition but also the masterful intuition of an artist who understands the nature of fire.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eA detailed observation of the design reveals that the unique form of the horseback cup, flaring gracefully from its high stem, accentuates the complex textures created by the Neriage. The dynamic patterns on the surface, reminiscent of geological strata or cosmic undulations, represent a unique expression where calculated intent meets the natural transformation of the kiln. It encapsulates the creative energy of the 1980s, the peak of Konishi's career. Despite its delicate dimensions (approx. 6.3 cm in height, 5.3 cm in diameter), the contrast between the characteristic lightness of Tokoname ware and its visual density eloquently speaks to the true value that continues to captivate collectors worldwide.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Konishi Yohei (小西洋平, born 1941)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"34\"\u003eRepresentative Career:\u003c\/b\u003e [1982] Awarded the Silver Medal at the Vallauris International Ceramics Biennial in France; [2013] Designated as a holder of the Tokoname City Intangible Cultural Property for \"Tokoname Ware (Hand-thrown pottery).\" Currently a Full Member of the Japan Art Crafts Association, he continues to lead contemporary Tokoname ware, utilizing his self-taught and evolved \"Neriage\" and \"Usu-zukuri\" techniques.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"459\"\u003eMuseum Collections:\u003c\/b\u003e Victoria and Albert Museum (London, UK), Philadelphia Museum of Art (USA), Aichi Prefectural Ceramic Museum, Tokoname Ceramic Art Museum, INAX Live Museum, and others. Notably, the Victoria and Albert Museum in London houses his Neriage works, solidifying his international artistic status.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"770\"\u003ePeriod of Creation:\u003c\/b\u003e Early 1980s (Based on the inscription on the box)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"840\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks; features a vintage patina)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"910\"\u003eAccessories:\u003c\/b\u003e Original signed paper box (with inscription from Ginza Seikado, May 1985)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1020\"\u003eMaterial:\u003c\/b\u003e Pottery (Tokoname Ware \/ Neriage)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1064\"\u003eDimensions:\u003c\/b\u003e Mouth diameter approx. 5.3 cm, Height approx. 6.3 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"1129\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47549040591035,"sku":null,"price":41000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5389_result_1ce32dd9-d47c-4a59-9fdb-1f85d0ca2f6b.jpg?v=1783556279"},{"product_id":"224","title":"Konishi Yohei (小西洋平), Tokoname City Intangible Cultural Heritage Holder, Hand-thrown Shudei Neriage Genshinsai Sake Set, Pair #224","description":"\u003cp data-path-to-node=\"6\"\u003eWe are pleased to introduce a Shudei Neriage Genshinsai work by Konishi Yohei (born 1941), a contemporary master who perfected the technique of hand-thrown pottery in the history of Tokoname ware and was designated as a holder of Tokoname City Intangible Cultural Property in 2013. Konishi is an artist who has established international artistic value, with his works housed in prestigious institutions such as the Victoria and Albert Museum in the UK and the Philadelphia Museum of Art in the US. This piece is an extremely rare pair, combining Konishi's signature neriage technique with thin-walled construction that challenges the limits of pottery wheel techniques. At our store, we propose it as a rock glass for enjoying long-aged koshu or whisky, to maximize its refined aesthetics and exquisite mouthfeel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eThe most highly regarded aspect of Konishi's creations is his neriage technique, which creates intricate patterns by layering different colored clays. In this work, shudei (vermilion clay), symbolic of Tokoname, serves as the base, with white and black clays precisely layered, forming a profound landscape that seems to emanate from within the vessel, distinctly different from mere surface painting. This technique carries an extremely high risk of cracks and distortions during firing due to the joining of multiple clays with different properties and shrinkage rates, but Konishi masterfully controls this through his selection of clays, backed by Tokoname's tradition, and his skilled intuition. This unique color expression, named \"Genshinsai,\" embodies a multi-layered beauty akin to geological strata, revealing ever-changing expressions depending on the viewing angle.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eParticularly noteworthy in terms of form is the thin-walled construction, achieved through the exceptional hand-thrown pottery technique that also led to his certification as an intangible cultural property. When you actually hold this piece, you will first be surprised by its lightness, almost unbelievable for a ceramic, and then by its smooth surface that adheres very delicately to your fingers. The appreciation of this work begins with an admiration for the artist's unique and splendid technique, as the method of stretching the clay to its thinnest limit solely by the sense of the fingertips creates a pleasant tension the moment it is held. Furthermore, the surface features sharp facet-cutting, reminiscent of cut hand-blown glass. This carving exposes the cross-section of the layered neriage clay, elevating it to a more geometric and modern design. This thin construction directly contributes to a pleasant mouthfeel, directly conveying the subtle nuances of sake to the lips and enhancing its rich aroma.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe matte texture of Tokoname ware's characteristic shudei gains luster with use, offering the pleasure of growing with its owner. This piece, which combines artistic merit recognized by the world's leading museums with the practicality of transforming everyday drinking into a dignified ritual, truly deserves to be called the pinnacle of Japanese Kōgei (crafts). This crystal of Tokoname's earth and fire, held in your hand, will take on new life the moment amber liquid is poured into it, bringing deep emotion to your tranquil evening drinks.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Konishi Yohei (小西洋平, 1941-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"30\"\u003eArtist's Notable Career:\u003c\/b\u003e [1982] Awarded the Silver Prize at the International Ceramics Biennale in Vallauris, France. [2013] Certified as a holder of Tokoname City Intangible Cultural Property \"Tokoname Ware (Hand-thrown pottery wheel).\" Currently, as a full member of the Japan Kōgei Association, he continues to work as a leading figure in contemporary Tokoname ware, leveraging his self-taught neriage and usuzukuri (thin-walled) techniques, which evolve traditional methods.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"509\"\u003eWorks Housed In:\u003c\/b\u003e Victoria and Albert Museum (London, UK), Philadelphia Museum of Art (USA), Aichi Prefectural Ceramic Museum (Seto City, Aichi Prefecture), Tokoname City Ceramic Hall (Tokoname City, Aichi Prefecture), INAX Live Museum (Tokoname City, Aichi Prefecture), and others. Notably, the Victoria and Albert Museum in London houses works using his representative neriage technique, confirming his international artistic value.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"943\"\u003ePeriod of Creation:\u003c\/b\u003e 1980s - early 1990s\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"983\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks, aged aesthetic)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"1042\"\u003eAccessories:\u003c\/b\u003e None\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"1060\"\u003eMaterial:\u003c\/b\u003e Pottery (Tokoname ware, Neriage)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"1103\"\u003eDimensions:\u003c\/b\u003e Height approx. 9.3 cm, Mouth diameter approx. 6.3 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"1168\"\u003eNote:\u003c\/b\u003e Even if new and unused, all products offered by our store are from a very old production period and are listed as used items. Products may have damage due to age, so please consider purchasing after understanding and checking their condition.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47701270659259,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6146_result.jpg?v=1778493337"},{"product_id":"246","title":"Tokoname Ware Traditional Craftsman First Generation Hotta Kenji (堀田憲児) Laminated Flowing Patterns Ceramic Whisky Tumbler #246","description":"\u003cp data-path-to-node=\"17\"\u003eWe present the work of Hotta Kenji (1951-2017), a traditional craftsman who, while building upon the traditional \"shudei\" (red clay) techniques of Tokoname ware, pioneered the modern and contemporary world of \"nerikomi\" (marbled clay). This piece, created after he established \"Kenji Toen\" in 1974, is a prime example of his signature retro-modern contemporary craft, where he controlled the properties of clay with his unique self-taught skills, fusing beautiful marble patterns with three-dimensional cutwork.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"18\"\u003eThe Depths of Technique: Constructing Layered Clay and the Rhythm of Three-Dimensional Cuts\u003c\/h3\u003e\n\u003cp data-path-to-node=\"18\"\u003eThe core of Hotta Kenji's work lies in the \"nerikomi\" (or \"neriage\") technique, where he layers clays of different colors and then throws them on a potter's wheel to create patterns resembling natural strata or wood grain. The flowing marble patterns seen on the surface of this piece are not merely surface decoration; they demonstrate that the vessel's thickness itself is an accumulation of different clays. Furthermore, Hotta Kenji perfected his unique design by meticulously hand-carving the surface of these nerikomi patterns, a technique called \"polka dot cut\" (or \"carved work\"), creating a visually and musically rhythmic interplay of geometric patterns and three-dimensional shadows.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"19\"\u003eChallenging Physical Limits: Harmonizing the Shrinkage Rates of Different Clays\u003c\/h3\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe reason this technique is lauded as a highly advanced ceramic craft lies in the immense risk involved in combining multiple clays with different properties and shrinkage rates. Typically, clays of different colors have different compositions, so even a slight miscalculation during the drying or firing process can lead to fatal cracks (kire) or breakage at the joints. Based on his rigorous clay management and experience as an outstanding traditional craftsman, firing a layered structure with countless interfaces like this piece without distortion at high temperatures is an extremely difficult feat. The fact that the intricate geometric patterns and cuts are perfectly maintained from the rim to the foot, without any flaws, eloquently speaks to his high level of technical sophistication.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"20\"\u003eForm and Function: Pure Form and Tactility through Unglazed Firing\u003c\/h3\u003e\n\u003cp data-path-to-node=\"20\"\u003eThis piece is finished with \"muyuyakishime\" (unglazed firing), where it is fired at high temperatures without any glaze. With a refined silhouette, approximately 6.0 cm in diameter and 8.0 cm in height, it directly conveys the fine and high-quality texture of the clay, exuding a pleasing, matte tension that feels as if it adheres to the palm. Precisely because there is no vitreous coating, the oils from your hands will permeate the surface with use, and over time, it will develop an alluring luster and color (aging), embodying the \"beauty of use\" as a craft that \"grows\" with you.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"21\"\u003eAn Intellectual Tasting Experience for Aged Sake and Whisky\u003c\/h3\u003e\n\u003cp data-path-to-node=\"21\"\u003eOur store proposes this piece, originally created as a teacup or free cup, as a Ceramic Whisky Tumbler for savoring amber-colored aged sake or matured Japanese whisky. As you pour the liquid, gently appreciating the smooth clay surface with your fingertips, the hidden nerikomi patterns within the vessel and the amber hues of the liquor, created by the passage of time, quietly resonate with each other. This offering, consisting solely of the main body without accessories, thus allows you to effortlessly incorporate the pinnacle of the artist's technique into your daily life and enjoy the essential pleasure of craft by directly experiencing top-tier craftsmanship in your hands.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eHotta Kenji (堀田憲児, 1951-2017)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist's Key Career Highlights:\u003c\/strong\u003e [1974] Established Kenji Toen. Certified Traditional Craftsman for \"Tokoname Ware,\" a nationally designated traditional craft. [1998] Awarded Encouragement Prize at the Choza Award Ceramics Exhibition (also selected 5 times at the same exhibition). [2001, 2002, 2004] Selected for the Tokyo Dome Tableware Grand Prix. [2002, 2004] Selected for the Kanazu Creation Forest \"Sake no Utsuwa\" (Sake Vessels) Exhibition. Selected for the Itami International Craft Exhibition. Selected and exhibited\/sold as an official original product at \"INAX Live Museum\" in Tokoname City, Aichi Prefecture. Passed away in 2017. His son, Takumi, now carries on his techniques.\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e 1990s-2010s (estimated)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eNone\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Ceramic (Tokoname Ware, Nerikomi)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eApproximately 6.0 cm diameter, 8.0 cm height\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eAll items provided by our store, even if unused, are from a very old production period and are listed as used. Items may have damage due to age; please understand and confirm before considering purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47801254150331,"sku":null,"price":18000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6291_result.jpg?v=1778660371"},{"product_id":"247","title":"Tokoname City Designated Intangible Cultural Property Holder Konishi Yohei (小西洋平), Shudei Neriage Genshin-sai, Hand-thrown Thin-walled Guinomi \/ Shot Glass, With Imperfection (B-Stock) #247","description":"\u003cp data-path-to-node=\"23\"\u003eWe are proud to present an exceptionally rare Shudei Neriage Genshinsai guinomi by Konishi Yohei, a contemporary master who stands at the pinnacle of modern Tokoname ware and was certified as a holder of Tokoname City Designated Intangible Cultural Property in 2013. Konishi's artistry has achieved global recognition, with his works publicly held in prestigious institutions such as the Victoria and Albert Museum in the UK and the Philadelphia Museum of Art in the US, following his silver prize win at the Vallauris International Ceramics Biennale in France in 1982. This piece is a masterpiece from his most energetic and mature period, spanning the 1980s to the early 1990s, where his unique neriage technique—developed through self-study and refined atop traditional Tokoname ware methods—converges with the intricate sculptural beauty achieved by a hand-turned pottery wheel. Our store offers this supreme Japanese craftwork, possessing a verified history and global acclaim, as a vintage premium sake vessel for savoring aged amber spirits or premium Japanese whisky neat.\u003c\/p\u003e\n\u003cp data-path-to-node=\"24\"\u003eAt the core of Konishi Yohei's artistic value, and what experts most highly praise, is his unique neriage technique based on shudei (red clay), the symbol of Tokoname ware, where different colored clays are layered repeatedly to create patterns, along with his ultimate thin-walled construction achieved by a hand-turned pottery wheel. Konishi's neriage is not merely a superficial mixing of colors; by perfectly controlling clays with different compositions and shrinkage rates down to the millimeter, he creates complex and fluid geometric patterns that penetrate the thickness of the vessel. This technique results in a once-in-a-lifetime art where no two patterns are ever the same due to the chemical reaction between fire and clay in the kiln. The fact that works using this technique are housed in the Victoria and Albert Museum in the UK eloquently testifies to its universal beauty. Furthermore, the thin-walled construction, where clay is stretched to its limit using only the artist's fingertips, gives the vessel astonishing lightness and a pleasant feel to the mouth, embodying the ultimate in functional beauty in craftsmanship.\u003c\/p\u003e\n\u003cp data-path-to-node=\"25\"\u003eA detailed professional analysis of the design of this piece confirms that the unparalleled skill and aesthetic sense, synonymous with this master, are clearly evident across the entire surface of this small guinomi. The vessel's surface powerfully and precisely displays laminated neriage lines that beautifully undulate in conjunction with the rotation of the hand-turned pottery wheel, evoking the fluid strata or annual rings of nature. This pattern completely penetrates to the inside, allowing the clay pattern to emerge more vividly through the liquid when sake is poured. Additionally, the surface coloring, called Genshinsai, exhibits deep and delicate shades within the calm reddish-brown characteristic of shudei, possessing the inherent charm of Tokoname ware to mature and gain luster with use. The form of the rim, finished to an extreme thinness, dramatically enhances the tasting experience the moment premium spirits touch the lips.\u003c\/p\u003e\n\u003cp data-path-to-node=\"26\"\u003eThis piece comes with the artist's handwritten signature and seal on the accompanying wooden box, as well as the wrapping cloth, indicating a genuine and authentic condition. However, a noticeable scuff (scratch) is observed on the inner bottom, so we offer it at a special price as a \"B-stock\" item with a history befitting its vintage status. When liquid touches the inside of the vessel, the weight of time held by the amber liquor and the design of the vessel reminiscent of geological strata beautifully resonate. Please fully enjoy a thoughtful evening drink, appreciating the pinnacle of human artistry while directly feeling the rhythm of the clay that Konishi Yohei devoted his life to creating, right in the palm of your hand.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eKonishi Yohei (小西洋平, 1941- )\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eArtist's Major Career Highlights:\u003c\/strong\u003e [1982] Awarded Silver Prize at the Vallauris International Ceramics Biennale, France; [2013] Certified as a holder of Tokoname City Designated Intangible Cultural Property. Regular Member of the Japan Craft Arts Association.\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eWorks Held In: \u003c\/strong\u003eVictoria and Albert Museum (UK), Philadelphia Museum of Art (USA), Aichi Prefectural Ceramic Museum, INAX Live Museum, and others.\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e 1980s - early 1990s (estimated, mature period)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e B-Stock (no chips, no cracks, noticeable scuff on inner bottom)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original wooden box, wrapping cloth\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eCeramic (Tokoname ware, neriage, shudei, genshinsai)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 5.5 cm, Diameter approx. 5.9 cm\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e All items offered by our store, even if unused, are from a very old production period and are listed as used goods. Items may have damage due to age; please understand and confirm before considering purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47823827534011,"sku":null,"price":8000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6433_result.jpg?v=1778895975"},{"product_id":"249","title":"Tokoname City Intangible Cultural Property Holder, Konishi Yohei (小西洋平), Shu-dei Neriage Genshin-sai Sake Set (Sake Bottle and Cups) #249","description":"\u003cp data-path-to-node=\"8\"\u003eWe are pleased to introduce a Shudei Neriage Genshinsai sake set by Konishi Yohei (born 1941), a modern master who stands at the pinnacle of contemporary Tokoname ware and was designated a holder of Tokoname City Intangible Cultural Property in 2013. Konishi's artistry has earned global recognition, including a silver prize at the Vallauris International Ceramics Biennale in France in 1982, and his works are held in prestigious institutions such as the Victoria and Albert Museum in England and the Philadelphia Museum of Art in the United States. This piece is a masterpiece from his mature period in the 1980s to early 1990s, where his self-taught and refined neriage technique, built upon traditional Tokoname ware methods, harmonizes with the intricate sculptural beauty achieved through a hand-turned potter's wheel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe core essence of this work lies in the neriage technique, which involves layering clays of different colors on a base of shudei (vermilion clay), the symbol of Tokoname ware, to create patterns. The flowing, geological-strata-like curves visible in the accompanying images are not drawn on the surface; rather, they emerge from the layers of clay itself, penetrating the thickness of the vessel. Konishi's neriage goes beyond mere color blending; by perfectly controlling the shrinkage rate of the clay, he creates complex geometric patterns where intricate lines, millimeters in scale, intersect. This technique produces unique, one-of-a-kind patterns, making each piece a singular artistic encounter. The fact that works using this same technique are held in the Victoria and Albert Museum eloquently speaks to the universal artistic value of this piece.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eIn terms of form, the transcendent skill of the hand-turned potter's wheel, a reason for his designation as an Intangible Cultural Property, is fully displayed. Especially noteworthy are the extremely constricted neck of the sake bottle (tokkuri) and the thinly crafted (usuzukuri) finish seen in the sake cups (sakazuki), a realm uniquely mastered by Konishi. The usuzukuri technique, where clay is stretched to its limit with only the sensation of the fingertips, imparts astonishing lightness and a pleasant feel to the mouth of the vessel, embodying the beauty of utility in craftwork. Furthermore, the coloration on the surface, called Genshinsai, imbues the characteristic subdued reddish-brown of shudei with deep shading. It possesses the inherent charm of Tokoname ware, which develops a richer luster with use and grows with its owner.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eWe propose this elegant sake set, originally crafted for Japanese sake, as a special vessel for enjoying aged whisky or brandy. When liquid touches the inside of the vessel, the subtle clay patterns created by the neriage technique deepen their contours through the liquid. The weight of time held by amber spirits resonates with the vessel's design, reminiscent of geological strata. The temperature of the liquid conveyed by the ultra-thin sake cup nestled in one's palm, and the rhythm of the clay that Konishi Yohei dedicated his life to creating, will elevate the simple act of drinking into a thoughtful tasting experience, appreciating the pinnacle of human artistry and the harmony of nature.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eKonishi Yohei (小西洋平, born 1941)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eArtist's Notable Activities:\u003c\/strong\u003e [1982] Received a silver prize at the Vallauris International Ceramics Biennale in France, [2013] Designated a holder of Tokoname City Intangible Cultural Property. Regular member of the Japan Kōgei Association.\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eWorks Held In: \u003c\/strong\u003eVictoria and Albert Museum (UK), Philadelphia Museum of Art (USA), Aichi Prefectural Ceramic Museum, INAX Live Museum, and others.\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003ePeriod of Production:\u003c\/strong\u003e 1980s – Early 1990s\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips or cracks)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eTomobako (original signed wooden box), Shiori (informational brochure), Wrapping cloths (2 pieces)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eCeramics (Tokoname Ware, Neriage)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eSake Bottle (Tokkuri): Height approx. 13.5 cm, Mouth diameter approx. 6.3 cm \/ Sake Cup (Sakazuki): Height approx. 6.0 cm, Mouth diameter approx. 6.0 cm\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eEven if the items we offer are new and unused, they are from a very old production period, and all are listed as used items. The products may have damage due to age, so please consider purchasing after understanding and checking.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47823831007419,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6346_result.jpg?v=1778894737"},{"product_id":"327","title":"Holder of Tokoname City Intangible Cultural Property - Konishi Yohei (小西洋平): Shudei Neriage Genshin-sai Water Dropper \/ Whisky Dropper, Water Dropper #327","description":"\u003cp data-path-to-node=\"2\"\u003eReigning at the pinnacle of modern Tokoname ware and certified as a Holder of Tokoname City Designated Intangible Cultural Property in 2013, the contemporary master Konishi Yohei (1941– ) created this water dropper in Shudei Neriage Genshin-sai. Konishi won the Silver Prize at the Vallauris International Ceramics Biennale in France in 1982, and his artistry has established a global reputation, with works collected in prestigious institutions such as the Victoria and Albert Museum in the UK and the Philadelphia Museum of Art in the USA. While this piece was originally created as a water dropper (Suiteki) used in Japanese calligraphy, our gallery proposes it as a special utensil for fine spirits (Whisky Dropper, Water Dropper) to add water drop by drop to aged whiskies and spirits, opening up their aromas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe absolute core of this work lies in the Neriage (marbled clay) technique, in which clays of different colors—starting with Tokoname's iconic Shudei (red clay) and Kokudei (black clay)—are layered multiple times to reveal unique geometric patterns resembling annual rings or geological strata across the cut faces. The flowing spiral and polygonal continuous patterns seen in the image are not painted on the surface; they are formed by the layered clay itself penetrating through the entire thickness of the vessel. Konishi's Neriage relies on supreme craftsmanship that perfectly controls the different shrinkage rates of various clays to prevent cracking, combining clays with millimeter-level precision. Furthermore, in this piece, delicate faceting (facet carving) is applied to the surface of the densely layered Neriage body, forming a polyhedral structure where the geological strata patterns of the Neriage emerge three-dimensionally depending on the angle of light. Inside the foot at the base, along with a vivid spiral Neriage pattern, Konishi's mark \"Yo\" is clearly carved.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eIn terms of form, the ultimate technique of hand-thrown pottery on a potter's wheel—which served as the reason for his designation as an Intangible Cultural Property holder—is demonstrated without reserve. The spout and the top water inlet (Hibikiguchi) are thrown with extreme delicacy, showing the true essence of wheel-throwing technology that pulls the clay up to its absolute structural limit. The surface coloration, referred to as Genshin-sai, harbors deep shadows within the calm hues woven by Shudei and Kokudei. It possesses the inherent charm of Tokoname ware, gaining luster over time through contact with natural skin oils and moisture as it is used, growing alongside its owner. When adding water drop by drop to whisky, the amber liquid resonates with the vessel's polyhedral design reminiscent of geological strata, elevating daily enjoyment into a contemplative tasting experience.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eThe production period of this work is identified as the late 1980s to early 1990s. As evidence, the handwriting style and seal impression on the accompanying original signed wooden box (Tomobako) perfectly match the characteristics of the period when Konishi's Neriage technique and polyhedral forming reached their deepest maturity after winning the Silver Prize at the Vallauris International Ceramics Biennale in 1982. Additionally, the final entry on the enclosed artist biography leaflet reads \"Showa 54 (1979),\" indicating that this version of the biography, used throughout the 1980s, was included. This is a valuable piece showcasing Konishi's unique sculptural beauty established from the mid-1980s to the early 1990s.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"6\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eKonishi Yohei (小西洋平, 1941– )\u003c\/li\u003e\n\u003cli data-path-to-node=\"7\"\u003e\u003cstrong\u003eMajor Career Highlights:\u003c\/strong\u003e [1982] Won the Silver Prize at the Vallauris International Ceramics Biennale in France, [2013] Certified as a Holder of Tokoname City Designated Intangible Cultural Property. Regular Member of the Japan Art Crafts Association.\u003c\/li\u003e\n\u003cli data-path-to-node=\"8\"\u003e\u003cstrong\u003eMuseum Collections:\u003c\/strong\u003e Victoria and Albert Museum (UK), Philadelphia Museum of Art (USA), Aichi Prefectural Ceramic Museum, INAX Live Museum, among others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cstrong\u003eProduction Period:\u003c\/strong\u003e Late 1980s to early 1990s\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cstrong\u003eItem Condition: \u003c\/strong\u003eVery Good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eOriginal signed wooden box (Tomobako), artist biography leaflet (Shiori), wrapping cloth\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cstrong\u003eMaterials: \u003c\/strong\u003ePottery (Tokoname Ware, Neriage \/ Marbled Clay)\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 6.0 cm, Width approx. 5.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eEven if items offered by our store are unused, they were produced a very long time ago and are all listed as pre-owned items. Please inspect and understand that the item may show age-related changes before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48115731103931,"sku":null,"price":38000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_9775_result.jpg?v=1785048463"},{"product_id":"383","title":"Tokoname City Intangible Cultural Property Holder Konishi Yohei (小西洋平): Red Clay Neriage Genshinsai Hand-thrown Wheel Tea \u0026 Sake Vessels, Pair #383","description":"\u003cp data-path-to-node=\"17\"\u003eCrafted by Konishi Yohei (1941–), a supreme master of contemporary Tokoname ware who was designated a holder of Tokoname City Intangible Cultural Property for \"Tokoname Ware (Hand-thrown Wheel)\" in 2013 after self-studying and refining the techniques of \"neriage\" (colored clay kneading) and \"usu-zukuri\" (thin-walled forms) while inheriting Tokoname's traditional technology, this is a pair of free cups in \"Shudei Neriage Genshinsai\" (red clay kneaded clay with vibrant color effect). Konishi Yohei established global acclaim by winning the Silver Award at the Vallauris International Ceramics Biennale in France in 1982, and his works are held in the collections of major museums worldwide, including the Victoria and Albert Museum in London and the Philadelphia Museum of Art in the United States. Our shop presents these pieces—boasting exquisite hand-thrown forms and a superior tactile feel—to the global market not only as daily tea vessels, but also as a pair of luxury Japanese rocks glasses (pair sake vessels) for quietly enjoying amber-hued aged sake, matured whisky, or authentic shochu.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eCarefully examining the details of this work clearly reveals the essence of \"Genshinsai,\" Konishi Yohei's signature technique that marked a new chapter in the history of Tokoname ware. Genshinsai is an extremely high-level neriage technique in which clays of different colors—including Tokoname's signature red clay (shudei), green clay (rokudei), white clay (hakudei), and yellow clay (ōdei)—are layered, creating fluid, geometric patterns through the rotation of the hand-thrown wheel and delicate hand-carving. The vessel's exterior meticulously expresses a complex, regular gradient pattern of wave and oval shapes woven by multicolored clays, which, combined with the thin-walled form achieved through extraordinary wheel-throwing skill, delivers a dignified yet refined texture that fits comfortably in the hand. From the interior bottom (mikomi) down to the base, magnificent spiral-patterned neriage layers created along the rotation of the wheel are exposed continuously without variance, and a round ceramic seal stamp \"Yo\" (洋) certifying the artist's intent is clearly impressed near the outer base beside the foot ring. Furthermore, the bottom surface (tatami-tsuki) is also penetrated by a similar concentric neriage pattern, perfectly preserving the structural beauty of neriage, where patterns are constructed through the combination of clays themselves.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eRegarding the period of production, taking his peak era after winning the Silver Award at the Vallauris International Ceramics Biennale in 1982—when the technique and expressive design of \"Genshinsai\" reached their highest maturity—as a basis, it is identified as an authentic work created between circa 1985 and 1995 (mid-1980s to early 1990s). Utilizing the same system of technique as his masterpiece housed in the Victoria and Albert Museum, this is an outstanding work from an era highly evaluated in the international art market. The vessel bodies themselves have no cracks or chips, maintaining extremely good condition in both the coloration of the multicolored clays and the smooth surface texture. It arrives in complete condition accompanied by its dedicated Tomobako (wooden box), with the lid inscribed in ink \"Genshinsai\" and \"Yohei\" and stamped with his seal.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"20\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Konishi Yohei (小西洋平, 1941–, Holder of Tokoname City Intangible Cultural Property for \"Tokoname Ware [Hand-thrown Wheel]\")\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cstrong\u003eArtist's Key Activities: \u003c\/strong\u003e[1982] Won the Silver Award at the Vallauris International Ceramics Biennale in France; [2013] Designated as a holder of Tokoname City Intangible Cultural Property for \"Tokoname Ware (Hand-thrown Wheel).\" Currently active as an official member of the Japan Art Crafts Association and a supreme master of contemporary Tokoname ware, leveraging his self-taught and refined \"neriage\" and \"usu-zukuri\" techniques while preserving traditional craft methods.\u003c\/li\u003e\n\u003cli data-path-to-node=\"22\"\u003e\u003cstrong\u003eWorks Housed In:\u003c\/strong\u003e Victoria and Albert Museum (London, UK), Philadelphia Museum of Art (USA), Aichi Prefectural Ceramic Museum (Seto City, Aichi), Tokoname Ceramic Hall (Tokoname City, Aichi), INAX Live Museum (Tokoname City, Aichi), etc. In particular, the Victoria and Albert Museum in London holds works created using his signature neriage technique, establishing his international artistic value.\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cstrong\u003ePeriod of Production: \u003c\/strong\u003e1980s–early 1990s\u003c\/li\u003e\n\u003cli data-path-to-node=\"24\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks, with age-appropriate patina)\u003c\/li\u003e\n\u003cli data-path-to-node=\"25\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Dedicated Tomobako included (inscribed with \"Genshinsai\" and \"Yohei\" in ink and stamped with seal on the lid)\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePottery (Tokoname ware, neriage)\u003c\/li\u003e\n\u003cli data-path-to-node=\"27\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 7.0 cm, Mouth diameter approx. 5.6 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"28\"\u003e\u003cstrong\u003eCaution: \u003c\/strong\u003eAll products offered by our shop are pre-owned items due to their historical production period, even if unused. Products may have age-related damage, so please consider purchasing after understanding and verifying these condition details.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":48287449088187,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_1941_result.jpg?v=1787751215"}],"url":"https:\/\/antiqueliquor1926.com\/en\/collections\/tokoname-ware.oembed","provider":"Antique Liquor","version":"1.0","type":"link"}