{"title":"Whisky related products","description":"\u003cp\u003eWe offer a variety of products related to whiskey, how to enjoy whiskey, and whiskey makers.\u003c\/p\u003e","products":[{"product_id":"10","title":"Johnnie Walker Water Jug #10","description":"\u003cp\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThis water jug was produced in the 1980s for the promotion of Johnnie Walker whisky. Both the jug and the special box are in very good condition, and are in a state similar to that of a modern product. Why not use it when enjoying aged liquor from the good old days?\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduced by: CALDBECK\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction period: 1980s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated box\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Pottery (pottery)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: Height approx. 15cm, width 13.5cm, depth 11cm (box standard)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eNote: Even if the products we offer are new and unused, they are all listed as second-hand products because they were produced very long ago. Please note that the products may have damage due to aging, so please understand and check before considering purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"CALDBECK","offers":[{"title":"Default Title","offer_id":46617334382779,"sku":"","price":10000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0218.jpg?v=1746541728"},{"product_id":"11","title":"Suntory Ade First Generation Gundam Mobile Suit Glass 5-piece set Box Damage Minor #11","description":"\u003cp data-path-to-node=\"12\"\u003eThe Suntory Ade Gundam Glass is a novelty item created as part of the promotion for Suntory Ade, a soft drink launched by Suntory in the early 1980s. This glass was born from a collaboration with the popular anime Mobile Suit Gundam (broadcast in 1979). The glasses feature mobile suits from the original Gundam, including Gundam, Zeong, Big Zam, Elmeth, Dom, and Gyan, with a total of five different designs existing. These glasses are believed to have been distributed as prizes in the Suntory Ade promotional campaign.\u003c\/p\u003e\n\u003cp data-path-to-node=\"13\"\u003eAgainst this background, the Suntory Ade Gundam glass is positioned as a valuable item symbolizing the collaboration between the anime and beverage industries in the early 1980s. Although it is not a whiskey-related item, we are introducing it as a glass from Suntory, a leading Japanese whiskey company.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eAny slight cloudiness on the surface of the product is due to light dirt from long-term storage, and we will sell it without cleaning. The first to fifth images show the glass after cleaning for your reference. Please note that while there are no post-production scratches, cracks, chips, or stains on the glass itself, the box has damage due to age. Also, for this product, images of the same product are posted for reference only, and individual photos for each specific stock item are not provided. Please understand that the product you receive may not be exactly the same as the posted images.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"15\"\u003eProducers: Sotsu Agency, Nippon Sunrise, Suntory Limited\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003eProduction period: Early 1980s\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003eCondition: Good (Unused, no damage to glass, note damage to box)\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003eAccessories: Dedicated box\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003eMaterial: Glass\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003eDimensions: Height approx. 9.6 cm, Diameter approx. 5.8 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003eNote: Even if the products we offer are new and unused, they are all listed as second-hand items because they were produced very long ago. Please understand that products may have damage due to aging, so please check and understand this before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"サントリー株式会社","offers":[{"title":"Default Title","offer_id":46617365708987,"sku":"","price":18000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0260.jpg?v=1746580661"},{"product_id":"12","title":"Suntory Ade First Generation Gundam Mobile Suit Glass 5-piece set Box Damage Caution #12","description":"\u003cp data-path-to-node=\"14\"\u003eThe Suntory Ade Gundam Glass is a novelty item created as part of the promotion for Suntory Ade, a soft drink launched by Suntory in the early 1980s. This glass was created in collaboration with the popular anime Mobile Suit Gundam (broadcast in 1979). The glasses feature the mobile suits from the original Gundam, including Gundam, Zeong, Big Zam, Elmeth, Dom, and Gyan, with a total of five different designs. These glasses are believed to have been distributed as prizes in the Suntory Ade promotional campaign.\u003c\/p\u003e\n\u003cp data-path-to-node=\"15\"\u003eBased on this background, the Suntory Ade Gundam glass is positioned as a valuable item symbolizing the collaboration between the anime and beverage industries in the early 1980s. Although it is not a whiskey-related item, we are introducing it as a glass from Suntory, a leading Japanese whiskey company.\u003c\/p\u003e\n\u003cp data-path-to-node=\"16\"\u003eAny part of the product surface that appears cloudy is due to light dirt from long-term storage, and we will sell it without cleaning. The first to fifth images show the glass after cleaning for your reference. Please note that while there are no post-production scratches, cracks, chips, or stains on the glass itself, the box has damage due to age. Also, for this product, images of the same product are posted for reference only, and individual photos for each specific stock item are not provided. Please understand that the product you receive may not be exactly the same as the posted images.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"17\"\u003eProduced by: Sotsu Agency, Nippon Sunrise, Suntory Limited\u003c\/li\u003e\n\u003cli data-path-to-node=\"17\"\u003eProduction period: Early 1980s\u003c\/li\u003e\n\u003cli data-path-to-node=\"17\"\u003eCondition: Good (Unused, no damage to glass, note damage to box)\u003c\/li\u003e\n\u003cli data-path-to-node=\"17\"\u003eAccessories: Dedicated box\u003c\/li\u003e\n\u003cli data-path-to-node=\"17\"\u003eMaterial: Glass\u003c\/li\u003e\n\u003cli data-path-to-node=\"17\"\u003eDimensions: Height approx. 9.6 cm, Diameter approx. 5.8 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"17\"\u003eNote: Even if the products we offer are new and unused, they are all listed as second-hand items because they were produced very long ago. Please understand that products may have damage due to aging, so please check and understand this before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"サントリー株式会社","offers":[{"title":"Default Title","offer_id":46617373343931,"sku":"","price":15000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0260.jpg?v=1746580661"},{"product_id":"15","title":"Suntory Pure Dried Beer Novelty Genuine Leather Tray #15","description":"\u003cp\u003eSuntory's \"Jun-Nama\" was Japan's first full-scale draft beer, released in 1967. Jun-Nama was in circulation for a long time from its release until the new \"Suntory Draft Beer\" was released in April 2023, but sales were not very good from its launch through the 1990s. For this reason, Suntory offered special gifts such as this leather tray as a novelty for those who purchased Jun-Nama during this period.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduced by: Suntory Ltd.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction period: 1970s-1980s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: OK\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Genuine leather, leather\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: Length approx. 18.5cm, width approx. 18.5cm, height approx. 2.5cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eNote: Even if the products we offer are new and unused, they are all listed as second-hand products because they were produced very long ago. Please note that the products may have damage due to aging, so please understand and check before considering purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"サントリー株式会社","offers":[{"title":"Default Title","offer_id":46643511361723,"sku":"","price":5500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0268.jpg?v=1747669997"},{"product_id":"34","title":"Asahi Ichiya Hand-blown Glass Ice Bowl with Gold and Silver Accents #34","description":"\u003cp\u003eAsahi Ichiya (1937–2003) was a leading Japanese glass artist of the modern era, renowned for developing and perfecting his unique technique known as “Yōkisai” (Kiln Rare Colour), which employs exquisite silver foil and gold decoration. His mastery of technique and rich colour expression earned him high acclaim both domestically and internationally.\u003c\/p\u003e\n\u003cp\u003eThe piece presented here is Asahi Ichiya's Yōkisai Ice Bowl. The interplay of light created by the gold and silver decoration. This ice bowl, with its thick hand-blown glass and inherent curved beauty, adds a touch of refined colour to the table. The flowing curves on the substantial glass are exquisite, and the design, where gold delicately spreads within the transparency, exudes a sense of luxury.\u003c\/p\u003e\n\u003cp\u003eMeasuring approximately 10.5 cm in height and 15.4 cm in diameter, it can be used not only as an ice bowl for whisky, but also as an interior decoration to brighten up your table.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eArtist: Asahi Ichiya\u003c\/li\u003e\n\u003cli\u003eRepresentative activities of the artist: [1984] Received the Minister of Education Award at the Sanki Exhibition, [1982] Work acquired by the Cornyn Museum of Glass in New York\u003c\/li\u003e\n\u003cli\u003eDate of production: 1980s (estimated)\u003c\/li\u003e\n\u003cli\u003eCondition: Very good (no chips or cracks)\u003c\/li\u003e\n\u003cli\u003eAccessories: None\u003c\/li\u003e\n\u003cli\u003eMaterial: Hand-blown glass\u003c\/li\u003e\n\u003cli\u003eDimensions: Height approx. 10.5cm, diameter approx. 15.4cm\u003c\/li\u003e\n\u003cli\u003ePlease note: Even if the items offered by our shop are new and unused, they are very old and are listed as second-hand goods. Please understand that the items may show signs of ageing and check them carefully before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":46961520443579,"sku":null,"price":30000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_0722.jpg?v=1763284139"},{"product_id":"74","title":"Iwata Toushichi's `Gen (Black)` hand-blown crystal wine cooler, ice bowl, masterpiece from his later years, large-scale work #74","description":"\u003cp\u003eThis is a rare hand-blown glass piece by Iwata Toshichi (1893–1980), a master who laid the foundation for modern Japanese glass art. Created in 1972, towards the end of the artist's life, this piece is one of his greatest masterpieces, and its crystal clear transparency and dynamic form give it a particularly striking presence among Toshichi's works.\u003c\/p\u003e\n\u003cp\u003eThis piece's graceful curves resemble the waters of a powerful mountain stream instantly transformed into solid crystal. Despite its imposing dimensions, approximately 27cm high and 21.5cm wide, maintaining its exceptional clarity, free of air bubbles and impurities, requires exceptional skill and delicate temperature control. The hand-blown molding of large, pure crystal glass is prone to cracks and distortions during the cooling process, making it extremely difficult to produce a successful piece, further underscoring its rarity and value. The highly transparent glass creates a deep curve within, evoking a sense of spaciousness. While originally intended as a flower vase, we suggest placing a large block of ice inside to create a fantastical ice bowl, where the ice and glass appear to blend seamlessly. The graceful flow of light and shadows reflect in this captivating piece, drawing you in the moment.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eArtist\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e: Iwata Toshichi (1893–1980)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThe artist's notable achievements: [1943] Certified as a Class A Art Preservation Qualification, [1951] Awarded the Japan Art Academy Prize, [1970] Awarded the Person of Cultural Merit, [1980] Awarded the Order of the Treasure, Second Class\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eWork name: Gen\u0026nbsp;(Black)\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction date: 1972 (Showa 47)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated wooden box, dedicated wrapping cloth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Hand-blown glass, crystal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: Height approx. 27cm, width approx. 21.5cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eSpecial Notes: There are small internal bubbles, cloudiness, and scratches due to the manufacturing process, but no notable damage after production. Please note that \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ethe wooden box has dried out and cracked due to aging\u003c\/span\u003e .\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47125266858171,"sku":null,"price":300000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2308.jpg?v=1761739788"},{"product_id":"79","title":"Takeo Yoshida: `Kousho (Light Dress)` Hand-blown Crystal Ice Bowl, Large-scale Work #79","description":"\u003cp data-path-to-node=\"3\"\u003eYoshida Takeo (1916-2002) was an artist who made a significant contribution to the development of glass art in postwar Japan. His pen name was \"Okibito\" (fireman), and he created a world of work that embodied warmth and tranquility. He studied at the lacquerware department of the Department of Crafts at the Tokyo School of Fine Arts (now Tokyo University of the Arts), specializing in lacquerware. After his postwar pursuit of new materials, he switched to the field of glass.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eYoshida joined Kagami Crystal Manufacturing (now Kagami Crystal), Japan's first factory specializing in crystal glass, in 1935 (Showa 10), as a student of the company's founder, Kagami Kozo. Throughout the turbulent times of war and postwar Japan, he remained at the company's headquarters in Nishirokugo, Ota Ward, from 1949 onwards, holding key positions such as Director of the Crafts Department and Managing Director. Through his many years of experience in production here, particularly his highly demanding work in creating items for the Imperial Household and gifts for state guests, Yoshida developed a unique style of expression that combined the creative sensibility of traditional crafts with the modern material of crystal glass.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eWhile Yoshida's works are based on the \"beauty of utility\" found in tea ceremony utensils, flower vases, and sake cups, they also display a tranquil and refined beauty through the transparency of the materials and the refraction of light. After retiring from Kagami Crystal in 1978 (Showa 53) and going independent, he established his own studio, \"Yoshida Takeo Crystal Crafts,\" in Ibaraki Prefecture. Devoting himself to highly artistic creative endeavors that transcend organizational boundaries, he has produced numerous masterpieces that harmonize smooth textures with organic forms, as exemplified by his signature work, \"Date Gourd\" (1988, National Crafts Museum). His natural-themed sculptures, such as gourds and buds, are imbued with a sense of vitality and inner light, exuding the delicate sensibility and warmth of handwork that come from a background in lacquerware.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThis work, `Kousho (Light Dress)` is believed to have been specially commissioned by Sumitomo Trust Bank while Yoshida was employed at Kagami Crystal. It was created during a time when Yoshida was at the peak of his craft as a businessman, having been selected as a \"Contemporary Master Craftsman\" in 1974. Unlike his later independent works, it displays the refined and refined aesthetic unique to his time as a corporate workshop. This beautiful piece features light flowing like a trailing hem across the crystal's transparent white space. True to its name, this vessel, adorned as if wrapped in light, also excels as an ice bowl, adding a touch of elegance to everyday moments. The thick crystal holds the ice, and the soft, swaying shadows of light envelop the vessel like the hem of a garment. The harmony of the ice and glass, along with the tranquil beauty of the light, creates a rich and unforgettable experience.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eArtist\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e: Takeo Yoshida (1916-2002)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThe artist's notable achievements include: [\u003c\/span\u003e 1974] \u003cstrong\u003eAwarded the Minister of Labor's Commendation as a Contemporary Master Craftsman\u003c\/strong\u003e ; [1977] Selected for the 24th Japan Traditional Art Crafts Exhibition for the first time; [1981] Awarded the Tokyo Governor's Award at the 28th Japan Traditional Art Crafts Exhibition; [1986] Awarded the Medal with Yellow Ribbon; \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e[1988] His representative work, \"Date Gourd,\" is in the collection of the National Crafts Museum;\u003c\/span\u003e \u003cstrong\u003e[1990] Awarded the Minister of International Trade and Industry's Award (Traditional Craft Industry Outstanding Technician Award)\u003c\/strong\u003e ; [1992]\u003cspan data-path-to-node=\"4,5,0\" data-index-in-node=\"0\"\u003e \u003c\/span\u003eHe was awarded the Order of the Sacred Treasure, Fifth Class, and in 1995 received the Japan Crafts Association Holder's Award at the 42nd Japan Traditional Crafts Exhibition. \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eTitle: Kousho (Light Dress)\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction year: 1970s (estimated)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated wooden box\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Hand-blown glass, crystal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: height approx. 23cm, width approx. 20cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eSpecial notes: There are small internal bubbles, cloudiness, and scratches due to manufacturing, but no notable damage after manufacturing is found.\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"151\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47134669177019,"sku":null,"price":120000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2470.jpg?v=1762763500"},{"product_id":"88","title":"Iwata Toshichi's Ashtray, Purple cherry blossom #88","description":"\u003cp\u003eThis ashtray is a symbol of the colorful style of Iwata Toshichi (1893–1980), a pioneer of contemporary Japanese glass art. The artist's spirit and artistic exploration of color are condensed within the solid block of glass.\u003c\/p\u003e\n\u003cp\u003eThe most distinctive feature of this piece \u003cb\u003eis the deep purple (maroon or purple-red) speckles that blend intricately from the bottom to the top of the glass. Encased in a layer of transparent glass, these speckles are dispersed with countless tiny air bubbles, almost as if they were alive, and when light passes through them, depending on the angle from which it is viewed, they project a fantastical scene reminiscent of a swarm of cherry blossom petals, the colors of spring in Japan\u003c\/b\u003e .\u003c\/p\u003e\n\u003cp\u003eThe shape is close to a square, but each corner is designed to curve upwards, giving it a highly artistic form that is suitable not only as an ashtray but also as \u003cb\u003ean Art Deco or mid-century objet d'art\u003c\/b\u003e . When you pick it up, you can feel the inherent weight of glass and it feels solid and stable.\u003c\/p\u003e\n\u003cp\u003eThe intricately colored glass used in this piece changes color dramatically depending on the lighting conditions. Depending on the light intensity and angle, as well as the type of monitor you are viewing the photo on, the color may appear reddish purple, deep brown, or warm pink. We hope you enjoy the unique color transitions.\u003c\/p\u003e\n\u003cp\u003eThis is a valuable collectible item that combines the magic of color of Iwata Toshichi with the organic beauty that is unique to hand-blown glass.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eArtist\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e: Iwata Toshichi (1893–1980)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThe artist's notable achievements: [1943] Certified as a Class A Art Preservation Qualification, [1951] Awarded the Japan Art Academy Prize, [1970] Awarded the Person of Cultural Merit, [1980] Awarded the Order of the Treasure, Second Class\u003c\/span\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction date: circa 1960 (estimated)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Good (no chips or cracks)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: None\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Hand-blown glass, crystal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: Height approx. 8.3cm, width approx. 13.6cm, weight approx. 940g\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eSpecial notes: There are small internal bubbles, cloudiness, and scratches due to manufacturing, but no notable damage after manufacturing is found.\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47184885252283,"sku":null,"price":20000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2649.jpg?v=1763384118"},{"product_id":"98","title":"Metal Bottle Opener Grape #98 by Ichiro Kitamura","description":"\u003cdiv class=\"markdown markdown-main-panel stronger enable-updated-hr-color\" id=\"model-response-message-contentr_d54b31ace4702458\" aria-live=\"polite\" aria-busy=\"false\" dir=\"ltr\"\u003e\n\n\u003cp data-path-to-node=\"1\"\u003e This work was created by the renowned metalwork artist Ichiro Kitamura (1917-1968), father and master of Shinichi Kitamura, a holder of an Important Intangible Cultural Property (Living National Treasure).\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"2\"\u003e Like the butterfly bottle opener we looked at earlier, this grape-shaped bottle opener is a masterpiece that combines art and practicality. Each grape cluster has a silver outline and is expressed with a hollowed-out, openwork-like structure. This structure allows light to pass through while maintaining the solid feel of the material, giving it a light impression as an ornamental piece for the dining table. The reverse side serves as a functional bottle opener, completing the whole piece as a practical tool.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"3\"\u003e This piece, which combines Ichiro Kitamura's advanced techniques with the artistic sensibility cultivated through traditional craft exhibitions, is a special masterpiece that adds a touch of Japanese craftsmanship and playfulness to the scene of opening fruit liquors such as sake and wine, or beer as a whiskey chaser. The box is inscribed with the character \"Grape\" and the artist's name, certifying that it is an authentic piece.\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eArtist: Kitamura Ichiro (1917-1968)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThe artist's representative activities: [1967] 14th Japan Traditional Crafts Exhibition, Tokyo Metropolitan Board of Education Award\u003c\/span\u003e\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eYear of production: 1960s (estimated)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated box included\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\n\n \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Copper (estimated)\u003c\/span\u003e\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: Approx. 6cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e\n\u003cp\u003e\u003c!----\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47234420113595,"sku":null,"price":15000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2960.jpg?v=1765540230"},{"product_id":"99","title":"Metal Bottle Opener Butterfly by Ichiro Kitamura #99","description":"\u003cdiv class=\"markdown markdown-main-panel stronger enable-updated-hr-color\" id=\"model-response-message-contentr_d54b31ace4702458\" aria-live=\"polite\" aria-busy=\"false\" dir=\"ltr\"\u003e\n\n\u003cp data-path-to-node=\"3\"\u003e This graceful butterfly-shaped bottle opener was created by the renowned metalwork artist Ichiro Kitamura (1917-1968), father and master of Shinichi Kitamura, a holder of an Important Intangible Cultural Property (Living National Treasure).\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"4\"\u003e As can be seen from the attached biography, Ichiro Kitamura was born in the Taisho era, and after studying metalwork at the Tokyo School of Fine Arts (now Tokyo University of the Arts), he contributed to the development of Japan's traditional crafts world, winning numerous prizes and selections at the Japan Traditional Crafts Exhibition and Bunten Exhibition. His advanced techniques and artistry have also been highly praised by the government, including winning the Tokyo Metropolitan Board of Education Award at the Japan Traditional Crafts Exhibition.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"5\"\u003e This piece is designed in the shape of a simple butterfly, and is characterized by the soft shine of the material and its rounded shape, which delicately change their appearance depending on the angle from which you view it.The back of the bottle is equipped with a functional handle and bottle opener mechanism that support the beautiful curves of the butterfly's wings, and is engraved with the artist's signature, the letter \"K.\"\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"6\"\u003e This piece is both practical and charming enough to decorate the dining table, and also serves as an elegant tool for enjoying whiskey with a beer chaser.It is a masterpiece that combines the triple value of artistry, practicality, and a place in the history of Japanese metalwork.\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eArtist: Kitamura Ichiro (1917-1968)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eThe artist's representative activities: [1967] 14th Japan Traditional Crafts Exhibition, Tokyo Metropolitan Board of Education Award\u003c\/span\u003e\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eProduction year: 1960s (estimated)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eCondition: Very good (no chips or cracks)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAccessories: Dedicated box included\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e\n\n \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eMaterial: Copper (estimated)\u003c\/span\u003e\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eDimensions: Approx. 6cm\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli data-end=\"151\" data-start=\"0\"\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003ePlease note: Even if the products we offer are brand new and unused, they are very old and are listed as second-hand items. Please note that the products may have damage due to aging, so please understand and check before purchasing.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47234420441275,"sku":null,"price":10000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_2949.jpg?v=1765540497"},{"product_id":"163","title":"Hisatoshi Iwata: \"The Lapis Lazuli Drop\" , Mother Water Pitcher for Spirits#163","description":"\u003cp data-path-to-node=\"7\"\u003eSince graduating from the Tokyo School of Fine Arts (now Tokyo University of the Arts) in 1950, Hisatoshi Iwata (1925–1994) has been a preeminent master of contemporary glass art, earning Japan's most prestigious honors, including the Minister of Education Award at the Nitten Exhibition and the Japan Art Academy Award. His works are held in the permanent collections of world-renowned institutions such as the Metropolitan Museum of Art in New York, the Musée des Arts Décoratifs in Paris, and The Corning Museum of Glass, earning international acclaim for elevating glass craftsmanship to the realm of fine art. This monumental lapis lazuli spouted vessel was created by Iwata with profound respect to commemorate the 1992 designation of Tokiwazu Mojibei as a Holder of Important Intangible Cultural Property (Living National Treasure). It is a rare masterpiece that crystallizes both Iwata's mature aesthetic and a story of deep friendship.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThe technical uniqueness of this piece lies in the exceptionally challenging cased glass (Kise-glass) technique, which requires fusing layers of different colored glass in a molten state. Molecularly bonding glass with different thermal expansion coefficients demands precise physical calculations to prevent cracking during the cooling process, as well as the ability to make split-second decisions at temperatures exceeding 1,200°C. In particular, the design—where the deep lapis lazuli body is seamlessly fused with a clear rim—serves as a testament to Iwata's advanced hot-working skills, capturing the moment when glass exhibits its most beautiful fluidity and imbuing it with a lifelike vitality impossible to replicate in industrial products.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eVisually, light passing through the thick glass refracts in complex patterns, revealing a deep sapphire-like blue that shifts in expression depending on the viewing angle. We propose this dignified piece as a Mother Water Pitcher, specifically designed to unlock the complex aromas of the finest whiskies. Its exquisite size fits perfectly in the hand, possessing the elegance required for the tranquil ritual of adding a few drops of pure water to an amber spirit. The light reflecting off the lapis-hued water and the single drop poured to awaken the whiskey’s profound depths will be elevated to a supreme experience, made possible by Iwata’s world-renowned artistry.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003eProduced by: Iwata Glass Studio\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eArtist: Hisatoshi Iwata (1925–1994)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eNotable Achievements: [1976] Minister of Education Award at the Nitten Exhibition; [1982] Japan Art Academy Award\u003c\/li\u003e\n\u003cli\u003ePublic Collections: The National Museum of Modern Art, Tokyo, The National Museum of Modern Art, Kyoto, Hokkaido Museum of Modern Art, The Japan Art Academy, The Metropolitan Museum of Art, New York, The Corning Museum of Glass, New York, Museum Kunstpalast, Düsseldorf, Musée des Arts Décoratifs, Paris, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eDate of Production: Circa 1992\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eCondition: Excellent (No chips or cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eAccessories: Original box and artist's chronicle (shiori) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eMaterial: Hand-blown glass\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eDimensions: Diameter approx. 10.9 cm, Height approx. 6.8 cm, Depth approx. 9 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eNotice: While this item is in unused condition, it is a vintage piece produced many years ago and is therefore listed as second-hand. Please be aware that vintage items may show minor signs of age. We invite you to examine the provided images carefully before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47473110253755,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4559.jpg?v=1772272109"},{"product_id":"164","title":"Vibrant Scarlet Pulse: Hand-Blown Glass Masterpiece, Aka-Yahazu \"Scarlet Flame\" Ice Bowl #164","description":"\u003cp data-path-to-node=\"7\"\u003eHisatoshi Iwata (1925–1994), born in Tokyo, was a rare master who elevated contemporary Japanese glass art from mere decoration to the status of fine art. His works are held in the permanent collections of world-renowned institutions, including the Metropolitan Museum of Art and the Museum of Modern Art (MoMA) in New York, the Musée des Arts Décoratifs in Paris, and The Corning Museum of Glass, the world's preeminent glass museum. He has established an immovable position as an international artist of whom Japan is justly proud. As the inscription \"September 1981\" on the base of this work indicates, this monumental masterpiece was created during Iwata’s most prolific period, just before he received the Japan Art Academy Award in 1982.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThe core of this work, the Yahazu (arrow-notch) pattern, is a technique that represents the very essence of Iwata’s artistry. It is created by physically stretching and rotating layers of molten glass of different colors. To control the brilliant, flame-like red and pure white glass layers without distortion on such a large vessel—measuring approximately 23 cm in diameter and 25 cm in height—requires highly sophisticated heat management and master-level hotworking skills. The opaque white and transparent red glass, which possess different thermal expansion coefficients, are fused at the molecular level in a molten state exceeding 1,000 degrees Celsius. The precise physical calculations required to avoid breakage during the cooling process represent the pinnacle of the \"dialogue between fire and matter.\"\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eVisually, the passionate scarlet energy appears to well up from the bottom of the vessel, brimming with vitality, while the white lines at the rim and base tighten the overall impression, lending a modern sense of tension. We propose this masterpiece with its overwhelming presence as an \"ice bowl\" for the finest whiskies. The cool brilliance reflected from the ice inside the vessel resonates with Iwata’s \"fire\" pattern, creating the ultimate stage to adorn the amber liquid. Hisatoshi Iwata's aesthetic, recognized by museums worldwide, will elevate the tranquil ritual of a special evening to an unprecedented moment of luxury.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003eProduced by: Iwata Glass Studio\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eArtist: Hisatoshi Iwata (1925–1994)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eArtist's Notable Achievements: [1976] Minister of Education Award at the Nitten Exhibition; [1982] Japan Art Academy Award Date of Creation: September 1981 (inscribed on the base)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eCondition: Excellent (No chips or cracks)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eAccessories: Original signed wooden box (with \"Beni-Yahazu\" calligraphy)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eMaterial: Hand-blown glass\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eDimensions: Diameter approx. 23 cm, Height approx. 25 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eNotice①: The black spots visible in this area are 'iron spots' (iron mottling), caused by the natural iron minerals within the clay reacting during the firing process. Rather than artificial stains, these are an integral part of the vessel's unique 'Keshiki' (scenery), born within the 1,200°C flames. We invite you to appreciate this as a singular, organic characteristic of the piece.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eNotice②: While this item is in unused condition, it is a vintage piece produced many years ago and is therefore listed as second-hand. Please be aware that vintage items may show minor signs of age. We invite you to examine the provided images carefully before considering your purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47473125621947,"sku":null,"price":120000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4335.jpg?v=1772272683"},{"product_id":"165","title":"Ichiro Kitamura Metal Craft Bottle Opener Ladybug Auspicious Item #165","description":"\u003cp data-path-to-node=\"7\"\u003eThis realistic ladybug perched on a lifelike leaf is a masterful bottle opener created by the renowned metal artist Ichiro Kitamura (1917-1968). Ichiro was the father and mentor of Shinichi Kitamura, a designated Living National Treasure (Holder of Important Intangible Cultural Property).\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eBorn in the Taisho era, Ichiro Kitamura studied metalwork at the Tokyo School of Fine Arts (now the Tokyo University of the Arts). Throughout his career, he made significant contributions to the development of Japanese traditional crafts, receiving numerous awards at prestigious exhibitions such as the Japan Traditional Crafts Exhibition and the Bunten Exhibition. His exceptional technique and artistic vision were highly recognized by the Japanese government, notably winning the Tokyo Metropolitan Board of Education Award.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe piece features a base designed as a leaf, with every vein rendered in exquisite detail, accented by a ladybug in a striking shade of red. Based on Kitamura's signature style, the leaf is likely crafted from copper or bronze, treated with a traditional patination technique known as nisage. This involves a chemical reaction in a boiling solution of grated radish and specific minerals to achieve a deep, realistic, and understated texture.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThe lustrous red of the ladybug’s wings is achieved through Shippo (cloisonné enamel), where a glass-like glaze is fused onto the metal surface at high temperatures. This creates a plump, vibrant brilliance that breathes life into the cold metal. Furthermore, the golden accents on the head and decorations utilize the natural color of brass or genuine gold plating to represent the radiant energy of life reaching toward the sun.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eIn Japan, the ladybug is known as Tendo-mushi (Heavenly Way Insect), as it always flies upward toward the sun (Tendo). This has made it a beloved symbol of good fortune and a bringer of luck since ancient times. This small object condenses the artist's playful spirit and masterful sense of color through the contrast of heavy metal, vivid red enamel, and gold.\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eThe reverse side features an integrated handle and opener mechanism designed for ergonomic stability, engraved with the artist's signature mark, the letter K.\u003c\/p\u003e\n\u003cp data-path-to-node=\"13\"\u003eWhile a functional tool, this piece also serves as a distinguished tabletop sculpture. It is an elegant instrument for enjoying a whisky with a beer chaser, or as a lucky charm to grace special moments. This work by a master who shaped the history of Japanese metalwork transforms a daily habit into a special ritual.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"14\"\u003eArtist: Ichiro Kitamura (1917-1968)\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003eNotable Achievements: 1967 Received the Tokyo Metropolitan Board of Education Award at the 14th Japan Traditional Crafts Exhibition.\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003eProduction Period: Circa 1960s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003eCondition: Very Good (minor age-related wear, but functionally and aesthetically excellent)\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003eAccessories: Original box included\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003eMaterial: Copper base, Shippo enamel (red), gold plating or brass (gold) (All estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003eDimensions: Approx. 13 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003ePlease note: Although these items may be in unused condition, they are vintage archival pieces and are listed as pre-owned. Items may show characteristics of aging, so we encourage you to review all details before purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47474483757243,"sku":null,"price":20000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4612.jpg?v=1772463249"},{"product_id":"175","title":"Maki Yukichi Masterpiece: Blue and White Gold Dragonfly Flower Motif Mizuzashi - Palm-sized Water Dropper for Spirits #175","description":"\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"markdown markdown-main-panel stronger enable-updated-hr-color\" id=\"model-response-message-contentr_e4a2f8a9c1c4a68e\" aria-live=\"polite\" aria-busy=\"false\" dir=\"ltr\"\u003e\n\u003cp data-path-to-node=\"5\"\u003eWe are pleased to introduce the Sometsuke Gold Dragonfly Flower Motif Mizuzashi by Maki Yukichi (1916-1998), a master who was the top disciple of Itaya Hazan, the emperor of modern ceramics, and who inherited his master's aesthetics most faithfully with his own unique sensibility. Originally created as a suiteki (water dropper) for calligraphy, Antique Liquor redefines this palm-sized piece as the ultimate water dropper for dramatically opening up the aroma and flavor of high-proof whiskey. Maki Yukichi was a master of the postwar Japanese ceramic world, winning the Special Selection at the Nitten Exhibition in both 1951 and 1953, and later receiving the Fourth Class Order of the Sacred Treasure. The elegance radiating from his work stems not only from technical mastery but also from the spiritual depth inherited from his master Hazan, of treating ceramics like jewels.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe highlight of this work is the contrast between the Sometsuke blue, which harbors a deep tranquility, and the Gold Gilt (Kinzai) that shines vividly upon it. First, please observe the floral motif drawn with cobalt and the design of the dragonfly dancing lightly above it. Since ancient times, the dragonfly has been called Katsumushi (victory insect), a lucky motif beloved by samurai and literati for its posture of never retreating. Even in this tiny space, Maki Yukichi used meticulous brushstrokes for each wing of the dragonfly and the center of the flowers, where the Saidei (colored clay) texture inherited from his master is alive. By controlling clay particles to the extreme and discerning subtle differences in firing temperatures, he perfectly achieved the contradictory color design of submerging the Sometsuke blue while making the gold gilt stand out.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eAnalyzing this work from a technical standpoint, the difficulty of production is incomparable to that of ordinary tea utensils. After the main firing of the Sometsuke, a multi-stage firing process is essential to bake the gold at a lower temperature. For such a small water dropper, the thinness of the walls causes rapid heat transfer, frequently leading to breakage or distortion in the kiln. Furthermore, the sharpness of the spout and the fine-tuning of the water drop volume require high-level forming techniques backed by years of experience. Although Maki Yukichi possessed the academic technical strength to serve as a Nitten judge, he poured the same or even greater meticulous passion into these palm-sized tools as he did into his larger works.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eOur gallery proposes this work as a companion for whiskey because of its exceptional tactile quality. The silky, moist porcelain texture pursued by Itaya Hazan is strongly reflected in Maki Yukichi's work. The smooth touch that seems to cling to the fingertips gently stimulates the owner's five senses during the quiet time of savoring the afterglow of aged spirits. When dropping one or two drops of water from this beautiful vessel into the amber liquid, the gold gilt on the vessel reflects the light, casting a glow as if blessing the microcosm within the glass. This elevates the simple act of adding water into a supreme ritual where traditional Japanese beauty and Scottish distilling techniques intersect.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003ePlease confirm in the palm of your hand the life of the artist Maki Yukichi and the pure beauty inherited from Itaya Hazan. As a rare small piece by a master whose works are housed in overseas museums, and as a tool that scientifically and artistically enhances the flavor of whiskey, it will surely become an irreplaceable once-in-a-lifetime treasure for collectors with a true aesthetic eye.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003eAuthor: Maki Yukichi (1916-1998) Representative Career History: Studied under Itaya Hazan, the first ceramic artist to receive the Order of Culture. [1951] Won Special Selection at the 7th Nitten Exhibition, [1953] Won Special Selection at the 9th Nitten Exhibition, [1987] Awarded the Fourth Class Order of the Sacred Treasure. Later served as a Nitten councilor, Nitten member, and chairman of the Ibaraki Prefectural Art Exhibition.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eMuseum Collections: The Museum of Modern Art, Ibaraki; Chikusei Municipal Museum of Art (formerly Shimodate Municipal Museum of Art); Itaya Hazan Memorial Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eProduction Era: Circa 1980s (Showa to Heisei period)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eCondition: Very good (no chips, no cracks)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eAccessories: Original box (tomobako), wrapping cloth, and descriptive leaflet included.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eMaterial: Porcelain (Saidei and Gold Gilt)\u0026nbsp;\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eDimensions: Height approx. 7.5 cm, Width approx. 9.4 cm x 7.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003eNote: Even if the products provided by our shop are new and unused, they were produced a long time ago and are listed as second-hand items. Please understand and confirm that the products may have damage due to aging before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47518425710779,"sku":null,"price":125000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4732.jpg?v=1772964550"},{"product_id":"176","title":"Rinkurou Kiln: Somenishiki Gold Gilt Large Ashtray - Revival of Old Imari Style, Hasami Ware Masterpiece #176","description":"\u003cp data-path-to-node=\"22\"\u003eSwirling a glass of the finest single malt while savoring the rising smoke of a cigar—such a blissful moment should be completed not by a mere utilitarian vessel, but by a \"stage\" that possesses its own unwavering narrative. This porcelain ashtray, with an overwhelming diameter of approximately 25 cm, was created by Rinkurou Kiln (Rinkurogama), founded in 1968 as a maverick of Hasami ware. It is an exceptional piece perfectly suited for the moment where Eastern and Western luxuries intersect.\u003c\/p\u003e\n\u003cp data-path-to-node=\"23\"\u003eRinkurou Kiln was established by Ishimaru Togei Co., Ltd., infusing 400 years of Hasami ware tradition with the aesthetics of the \"Ko-Imari (Old Imari) Style\" that once captivated the royalty and aristocracy of the Edo period. The interplay between Somenishiki (underglaze blue and overglaze enamels) and lavish gold gilt on this piece vividly revives the opulent world of Kinrande, celebrated in the West as \"Old Imari.\" Likening the deep indigo of the Sometsuke to a tranquil sea, the vibrant red paintings and golden brushstrokes create a dynamic design. This richly colored epic in porcelain was made possible only by the expansive 25 cm canvas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"24\"\u003eThis large ashtray, the pinnacle of Oriental stylistic beauty, resonates surprisingly deeply with the Western cultures of cigars and whiskey. When a premium cigar rests on the edge of this substantial vessel, its brown leaves overlapping with the golden arabesque patterns, an aura of timeless Oriental luxury emerges. While the production date is estimated to be during the 1970s and 80s—an era of peak economic vitality in Japan—the overwhelming scale sought by the successful individuals of that time remains perfectly functional today, elegantly holding the ash of large cigars and setting the tone for a relaxed atmosphere.\u003c\/p\u003e\n\u003cp data-path-to-node=\"25\"\u003eGazing at this kaleidoscope-like painting while smoking a cigar with a glass of matured amber whiskey by your side is nothing less than a ritual. It dispels daily stress along with the flame and invites the spirit into a world of fertile beauty. This work, filled with the pride of Rinkurou Kiln's pursuit of \"high-quality ceramics,\" far exceeds the scope of a mere smoking accessory. It is a rare collector's piece worthy of centering a unique lifestyle where East and West, stillness and motion, harmonize perfectly.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eProducer: \u003c\/strong\u003eRinkurou Kiln (Ishimaru Togei Co., Ltd.)\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003eNotable Career and History of the Producer: [1968] Founded by Ishimaru Togei Co., Ltd. in Hasami Town, Nagasaki Prefecture. Based on the 400-year traditional techniques of Hasami ware, the kiln established a unique style reviving the Edo-period Ko-Imari style for the modern era. Its opulent designs using Somenishiki and Kinrande (gold gilt) have earned high acclaim both domestically and internationally in the field of luxury gift porcelain, firmly establishing its position as a leader in high-end decorative Hasami porcelain.\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eProduction Era:\u003c\/strong\u003e Circa late 1970s to 1980s (Showa to Heisei period)\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eOriginal wooden box included Material: Porcelain (Somenishiki and Kinrande)\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eDiameter approx. 25.0 cm, Height approx. 5.0 cm (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eSpecial Notes: \u003c\/strong\u003eThere may be minor glaze spots from production or slight wear on the gold gilt, but no notable post-production damage is present.\u003c\/li\u003e\n\u003cli data-path-to-node=\"26\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products provided by our shop are new and unused, they were produced a long time ago and are listed as second-hand items. Please understand and confirm that the products may have damage due to aging before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47518464278715,"sku":null,"price":35000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_4789.jpg?v=1772964195"},{"product_id":"190","title":"Toyonori Takemura, Ofuke Engraved Design, Mino Ware Suiteki \/ Whisky Dropper #190","description":"\u003cp data-path-to-node=\"6\"\u003eTakemura Toyonori is a potter born in Nagasaki Prefecture in 1957 (Showa 32) who aspired to the path of ceramics from a young age. He traveled from Nagasaki to the land of Bizen and started his career with exceptional precocity, completing his training at the Bizen Pottery Center in 1974 at the young age of 17. Subsequently, he studied under Master Kato Shuntei, a renowned potter of Seto and Mino ware, where he deeply cultivated traditional glazing techniques. In 1979 (Showa 54), he established the Hotoku Kiln in Wake District, Okayama Prefecture, and became independent. While training in the traditional world of Bizen ware, characterized by unglazed, high-fired stoneware, Mr. Takemura did not remain confined within those limits. He has continued to challenge himself as an artist by creating expressions that fuse the glazing techniques inherited from his mentor with his own unique sensibility.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eThe Ofuke glaze (Ofuke-yu) used in this work is a transparent ash glaze technique originating from ceramics fired at the Ofuke-maru within Nagoya Castle during the Edo period. Mr. Takemura applied intricate carved patterns to the surface of the vessel and allowed the glaze to pool thickly in those areas, creating a beautiful gradation of deep bluish-green. The depth of the glaze pools, which gather in the sculptural irregularities, can be described as an art of controlling light that could only be achieved by an artist like him, who knows the struggle between Bizen clay and fire intimately and has learned the essence of glazes under Master Kato Shuntei. This work is a masterpiece that demonstrates a unique realm, fusing the powerful sense of modeling cultivated in Bizen by an artist from Nagasaki with refined traditional beauty.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eAt our shop, we redefine this suiteki (water dropper), originally created as a calligraphy tool to drop water one drop at a time, as a water dropper for perfectly opening the flavors of rare old liquors and single malt whiskies. Its usage is extremely elegant and rational. By covering the air hole at the top of the body with a fingertip and slightly loosening the pressing force, the flow of air into the interior can be adjusted on a millimeter scale, allowing for the free control of water addition with single-drop precision. The intuitive operational feel through the fingertip, which can never be experienced with digital instruments, leads to a deeper time of dialogue with the whisky.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe author, Takemura Toyonori, is an artist who continues to pursue his own aesthetics. Growing up in the natural environment of Nagasaki, honing his skills in the harsh environment of Bizen from his teens, and studying glazes under a master craftsman, his journey is engraved in each of his works as a definite will. The production period dates back to his mature stage from the 1990s to the 2000s, when his techniques were most refined. The work comes with the original wooden box (tomobako) and a bookmark (shiori) containing the artist's personal biography. The condition of the work is excellent, making it a one-of-a-kind collection that connects traditional functional beauty with a modern lifestyle.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eAuthor:\u003c\/b\u003e Takemura Toyonori (1957-)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"34\"\u003eRepresentative Activities:\u003c\/b\u003e Born in Nagasaki Prefecture. Completed training at the Bizen Pottery Center at age 17, then studied under Master Kato Shuntei, a master of Seto and Mino ware. In 1979, established the Hotoku Kiln in Wake District, Okayama Prefecture, and became independent. Established a unique style fusing the modeling sense of Bizen ware with traditional glazing techniques. Designated as a Regular Member of the Japan Art Crafts Association in 1984. Received numerous awards and selections in exhibitions such as the Japan Traditional Art Crafts Exhibition and the Tokai Traditional Crafts Exhibition. He has established a unique style combining the traditional Ofuke technique with intricate carved patterns and is highly regarded both in Japan and abroad as an artist who conveys the prestige of modern Mino ceramics.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"869\"\u003ePublic Collections:\u003c\/b\u003e Okayama Prefectural Museum of Art, Bizen City Museum of Ceramics, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"960\"\u003eProduction Date:\u003c\/b\u003e 1990s–2000s\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"989\"\u003eCondition:\u003c\/b\u003e Excellent (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"1032\"\u003eAccessories:\u003c\/b\u003e Tomobako (original wooden box with artist's signature and seal), Shiori (artist biography)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"1136\"\u003eMaterial:\u003c\/b\u003e Ceramics (Mino-ware style, Ofuke glaze, carved pattern)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"1202\"\u003eDimensions:\u003c\/b\u003e Width approx. 6.5 cm, Height approx. 5.5 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"1258\"\u003eNote:\u003c\/b\u003e Even if items are unused, they are listed as used due to their vintage nature from an old production period. Please understand and confirm potential age-related wear before considering a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47538821333179,"sku":null,"price":43000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5159_result.jpg?v=1774141782"},{"product_id":"191","title":"Prime Minister's Award-Winning Artist, Heian Sokyu (Yoshijo Kubo) Tenmoku Yo-hen Water Dropper \/ Whisky Dropper #191","description":"\u003cp data-path-to-node=\"23\"\u003eYoshijo Kubo (1913-1989), known as Heian Sokyu, is one of the most distinguished master craftsmen who connected the tradition of Kyo ware to modern times. Having inherited the family business in 1933 and continuing the authentic techniques of the first and second generations of Sokyu, he reigned as a leading figure in Kyo-yaki and Kiyomizu-yaki from the Showa to Heisei periods. His achievements are highly acclaimed; he received the Prime Minister's Award, the highest honor for Japanese artisans, at the 25th Japan Traditional Art Crafts Exhibition in 1978, and the Order of the Sacred Treasure, Gold and Silver Rays, in 1984. His works are housed in major public museums in Japan, such as The National Museum of Modern Art, Tokyo, and The National Museum of Modern Art, Kyoto, officially establishing their artistic value.\u003c\/p\u003e\n\u003cp data-path-to-node=\"24\"\u003eThis piece is a Tenmoku Yo-hen (Kiln Transformation) water dropper created by Yoshijo Kubo's masterful technique. Tenmoku Yo-hen is an advanced technique where the glaze transforms into unique crystals and colors due to the complex action of flames within the kiln, possessing a one-of-a-kind beauty resulting from the intersection of the artist's calculations and the natural serendipity of the flames. As he passed away in 1989, his works are now highly rare posthumous pieces by a deceased master that can no longer be newly produced.\u003c\/p\u003e\n\u003cp data-path-to-node=\"25\"\u003eThis tool, originally conceived as a calligraphy instrument for dripping water drop by drop, is redefined by our shop as a \"Water Dropper\" for enjoying Western spirits or rare aged spirits that have matured for decades. High-purity alcohol and aged spirits that have been bottled for decades experience a moment of \"blooming\" when a very small amount of water is added, changing the surface tension and dramatically opening up the complex layers of aroma and flavor that were trapped. To control this extremely delicate change, the shape of this water dropper, which can precisely control water drop by drop, is ideal.\u003c\/p\u003e\n\u003cp data-path-to-node=\"26\"\u003eIts use is surprisingly intuitive and elegant. By lightly pressing a small air hole on the top of the main body with your fingertip and slightly adjusting the pressure, you can control the airflow into the interior in millimeter increments. This allows you to quietly guide the intended \"single drop\" into the amber liquid.\u003c\/p\u003e\n\u003cp data-path-to-node=\"27\"\u003eThe supreme form created by the Prime Minister's Award-winning artist is not only a functional tool for bringing out the true charm of aged spirits but also a proposal for the luxury of enjoying traditional Japanese beauty in daily life. This rare Japanese craft, with limited information available globally, is a unique existence for collectors seeking the finest sake ware and spirit accessories.\u003c\/p\u003e\n\u003cp data-path-to-node=\"28\"\u003e*Artist's comment: Works applied with black-based glazes are commonly called Tenmoku. Tenmoku is the oldest glazed pottery in the East, and its origin is said to have been discovered in the ancient kilns of Yuezhou in Deqing County during the Wu-Pu period (3rd-4th century) in China. Its colors range widely from black to brown, and the variations are infinite—including those with mottled crystal patterns, those partially discolored, and those transformed by layering glazes of other colors. Ancient Chinese Tenmoku calligraphy tools often featured not just a single black color but also partially discolored areas. Referring to various historical materials, I created this piece with a composition of Tenmoku black and other colors.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cb data-path-to-node=\"29\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Heian Sokyu (Yoshijo Kubo, 1913-1989)\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cb data-path-to-node=\"29\" data-index-in-node=\"46\"\u003eRepresentative Activities:\u003c\/b\u003e Reigned as a leading figure in Kyo-yaki and Kiyomizu-yaki from the Showa to Heisei periods. Inherited the family business in 1933 and began activities as the third-generation Sokyu. [1978] Received the \"Prime Minister's Award,\" the highest honor in the Japanese craft world, at the 25th Japan Traditional Art Crafts Exhibition. [1984] Received the Order of the Sacred Treasure, Gold and Silver Rays. His achievements solidified the status of Kyo-yaki Akae and Tenmoku techniques in the history of Japanese art.\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cb data-path-to-node=\"29\" data-index-in-node=\"584\"\u003eMuseum Collections:\u003c\/b\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; Kyoto Prefecture; and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cb data-path-to-node=\"29\" data-index-in-node=\"718\"\u003eProduction Period:\u003c\/b\u003e 1984-1989 (Mature period after receiving the Prime Minister's Award). This \"Tenmoku Yo-hen\" piece features complex crystals and deep colors created by the accidental interplay of fire and glaze. It is a masterpiece from his \"Golden Age,\" representing the culmination of refined form and technique pursued by the artist until his final years.\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cb data-path-to-node=\"29\" data-index-in-node=\"1079\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cb data-path-to-node=\"29\" data-index-in-node=\"1122\"\u003eAccessories:\u003c\/b\u003e Original wooden box (Tomobako, signed and sealed by the artist), introductory leaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cb data-path-to-node=\"29\" data-index-in-node=\"1221\"\u003eMaterial:\u003c\/b\u003e Pottery (Kyo-yaki \/ Tenmoku Yo-hen)\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cb data-path-to-node=\"29\" data-index-in-node=\"1267\"\u003eDimensions:\u003c\/b\u003e Width approx. 5.0 cm, Height approx. 7.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"29\"\u003e\u003cb data-path-to-node=\"29\" data-index-in-node=\"1323\"\u003eNote:\u003c\/b\u003e Please note that all products offered by our shop, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47540057407675,"sku":null,"price":300000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5186_result.jpg?v=1774159664"},{"product_id":"195","title":"Kitsuki-yaki, Tsukasa Kiln, Kenji Suzuki, Seigaiha (Wave) Motif, Nerikomi Inlay Water Dropper \/ Whisky Dropper #195","description":"\u003cp data-path-to-node=\"18\"\u003eBorn in Kitsuki City, Oita Prefecture in 1935, Kenji Suzuki is a master craftsman who studied under Rokubei Kiyomizu VI, a member of the Japan Art Academy and a legendary figure in Kyo-yaki. Inheriting the sophisticated aesthetic sense and refined techniques of Kyoto, Suzuki established the Tsukasa Kiln in 1970. As a holder of the Oita Prefectural Designated Intangible Cultural Property for Kitsuki-yaki, he has pursued a unique artistic vision built upon a foundation of traditional techniques. The \"Nerikomi\" (marbled clay) and \"Inlay\" (Zogan) techniques featured in this work are hallmarks of his mastery. Nerikomi involves the meticulous layering of differently colored clays to create patterns within the cross-section; it is a high-risk process where the varying shrinkage rates of the clays often lead to cracking during firing, thus requiring exceptional skill. As a Full Member of the Japan Art Crafts Association, his work has long been acclaimed at major exhibitions like the Japan Traditional Art Crafts Exhibition. In 1998, he received the Oita Prefectural Distinguished Service Award (Cultural Merit). His artistic value is officially established, with works housed in the Oita Prefectural Art Museum (OPAM) and the Kitsuki City Historical Museum.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eOur shop redefines this vessel, originally designed as a calligraphic \"Suiteki\" for dripping water drop by drop, as a \"Whisky Dropper\" for perfectly unlocking the aromas of rare aged spirits and single malts. When spirits matured for decades are diluted with an extremely small amount of water, the surface tension changes, causing a \"blooming\" effect that dramatically releases complex layers of trapped aroma and flavor. This vessel's specialized form is ideal for the millimeter-precision control required for such a delicate process.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eIts method of use is remarkably intuitive and elegant. By lightly covering the small air hole on the top with a fingertip and subtly adjusting the pressure, the user can control the internal airflow with total precision. This allows one to guide a single drop exactly as intended into the amber liquid. The dignified form inherited from Rokubei Kiyomizu VI combined with the \"Seigaiha\" (Blue Ocean Waves) pattern—a testament to Suzuki’s mastery as an intangible cultural property holder—represents a rare fusion of calculated technique and the raw character of the clay. This rare piece of Japanese craftsmanship is both a functional tool and a unique collector’s item that invites the luxury of traditional beauty into a modern lifestyle.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Kenji Suzuki (born 1935)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"33\"\u003eArtist's Representative Activities:\u003c\/b\u003e Born in Oita Prefecture. Apprenticed under the legendary Rokubei Kiyomizu VI, refining his formative sense and technical mastery in Kyoto. Established Tsukasa Kiln in 1970 in his hometown of Kitsuki. A holder of the Oita Prefectural Designated Intangible Cultural Property \"Kitsuki-yaki.\" As a Full Member of the Japan Art Crafts Association, he has received numerous honors at the Japan Traditional Art Crafts Exhibition and the Seibu Traditional Art Crafts Exhibition. In 1998, he was honored with the Oita Prefectural Distinguished Service Award (Cultural Merit). He established a distinctive style by integrating \"Nerikomi\" (marbled clay) with intricate \"Inlay,\" elevating local traditional craft to the level of fine art.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"796\"\u003eMuseum Collections:\u003c\/b\u003e Oita Prefectural Art Museum (OPAM), Kitsuki City Historical Museum, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"896\"\u003ePeriod of Creation:\u003c\/b\u003e From 1998 onwards (The mature period following his Distinguished Service Award). The \"Nerikomi Inlay\" in this work is a technically demanding process involving the integration of multiple clays with different shrinkage rates, entailing an extremely high risk of damage during firing. This rare masterpiece represents the peak of his technical perfection and modern aesthetic form.\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1297\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1340\"\u003eAccessories:\u003c\/b\u003e Original signed wooden box (Tomobako), wrapping cloth, introductory leaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1429\"\u003eMaterial:\u003c\/b\u003e Pottery (Kitsuki-yaki \/ Nerikomi Inlay)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1479\"\u003eDimensions:\u003c\/b\u003e Height approx. 4.5 cm, Width approx. 6.0 cm, Depth approx. 8.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"1557\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47544827740347,"sku":null,"price":30000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5303_result.jpg?v=1774142188"},{"product_id":"196","title":"Hisatoshi Iwata, Jobun (Striped) Glass Vessel \/ Ice Bowl, Japan Art Academy Award Winning Artist #196","description":"\u003cp data-path-to-node=\"18\"\u003eHisatoshi Iwata (1925-1994) was a pioneer who elevated modern Japanese glass craft to the realm of fine art. As a recipient of the Japan Art Academy Award in 1982, he is considered one of the most distinguished glass artists of the Showa period. Building upon the traditions of Iwata Koge Glass, founded by his father Toshichi Iwata, he pursued a refined aesthetic that has garnered significant international acclaim. His works are held in prestigious global collections, including the Metropolitan Museum of Art in New York and the Corning Museum of Glass.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThis piece features a distinctive striped design known as \"Jobun,\" where opaque milky white glass and colorless transparent glass alternate in layers. This intricate spiral pattern is created using advanced hand-blowing techniques, where a heated mass of glass is twisted instantaneously while being blown and shaped. The minimalist design, devoid of all color and composed solely of white and transparent tones, highlights Hisatoshi Iwata's exceptional technical skill and the intrinsic beauty of glass as a medium.\u0026nbsp;\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eWith its palm-sized dimensions (approx. 9 cm in width and height) and unique, stable form, this vessel is perfectly suited for contemporary use as a personal ice bowl for enjoying aged sake or whiskey. The substantial weight characteristic of his glass work and its comfortable fit in the hand provide excellent practicality as a functional vessel. The contrast between the opaque white lines and transparent lines creates complex light transmission and refraction, producing stunningly beautiful shadows. When ice is added, the texture and coolness are visually accentuated, offering a luxurious experience that blends traditional Japanese aesthetics with a modern lifestyle.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eManufacturer:\u003c\/b\u003e Iwata Hisatoshi Studio\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"37\"\u003eArtist:\u003c\/b\u003e Hisatoshi Iwata\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"61\"\u003eArtist's notable career highlights:\u003c\/b\u003e [1976] Received the Minister of Education Award at the Nitten Exhibition; [1982] Received the Japan Art Academy Award\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"215\"\u003eWorks held in collections at:\u003c\/b\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; Hokkaido Museum of Modern Art; The Japan Art Academy; The Metropolitan Museum of Art, New York; The Corning Museum of Glass, New York; Museum Kunstpalast, Düsseldorf; Musée des Arts Décoratifs, Paris; and others\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"541\"\u003ePeriod of creation:\u003c\/b\u003e 1980s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"579\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"622\"\u003eAccessories:\u003c\/b\u003e Dedicated box included\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"658\"\u003eMaterial:\u003c\/b\u003e Hand-blown glass\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"685\"\u003eDimensions:\u003c\/b\u003e Diameter approx. 8.2-9.1 cm, Height approx. 8.7 cm (approximate)\u003c\/li\u003e\n\u003cli data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"762\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47546926629051,"sku":null,"price":35000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5351_result.jpg?v=1774142207"},{"product_id":"200","title":"Kibiyaki Ware by Contemporary Master Touei Mizukawa II: Salt-Fired Water Dropper \/ Whisky Dropper #200","description":"\u003cp data-path-to-node=\"7\"\u003eThis is a superb water dropper by Touei Mizukawa II (real name: Katsuji Mizukawa, 1914-2001), the legitimate successor of Kibiyaki ware, which has been handed down in the Tsushima region of Okayama City, Okayama Prefecture. Born in 1914 as the second son of the founder of Kibiyaki ware, Touei Mizukawa I (Toyotaro), he graduated from the Ceramics Department of Kyoto Higher School of Crafts (now Kyoto Institute of Technology) in 1937. He elevated Kibiyaki ware, which inherited the Bizen ware tradition established by his father, to the realm of art with the modern sensibilities and solid techniques he learned in Kyoto.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eConclusive evidence identifying the production period of this work is inscribed on the accompanying bookmark (potter's history). The career concludes with \"1981 Juror for the Japan Crafts Council Chugoku Exhibition,\" and the pottery history states \"45 years.\" This proves that this work is a masterpiece from the mature period, specifically from 1981 (Showa 56) to around 1985, when the second generation was at the peak of his creative powers as an artist and had established his authority. This is a work from the period when the path of pottery, which began after his graduation in 1937, reached its culmination after 45 years.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe true essence of Kibiyaki ware lies in its main raw material, the local \"Tsushima clay,\" which is rich in iron, highly viscous, and extremely difficult to handle, combined with its unique \"salt firing (ensho-yaki)\" technique. This technique involves introducing salt into the kiln at the peak firing temperature, reaching 1250 to 1300 degrees Celsius, where the vaporized salt components react violently with the iron in the clay. Through this arduous process, which can be called a \"baptism of fire,\" unique \"curls\" and \"luster\" are created on the surface. This skill, where a pearly, moist shine, or vitrification, appears within deep black and profound reddish-brown colors, requires precise temperature control to achieve the ideal coloration and is considered the pinnacle of craftsmanship.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eIn terms of design, the most prominent feature is the wild, sharp use of the spatula, as if directly reflecting the resistance of the clay. As seen in the attached product images, strong spatula marks are clearly visible, brilliantly expressing the sturdy and robust texture felt when held in the palm. Near the bottom of the water dropper, Touei's signature \"影\" (Kage) is engraved, indicating its authenticity. Touei Mizukawa II, who was awarded the \"Contemporary Master Craftsman\" by the nation in 1986 and the \"Order of the Rising Sun, Sixth Class, Single Ray\" in 1987, is highly regarded, and this piece is a small work from his most technically accomplished period, just before receiving these honors.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eThis work comes with a dedicated wooden box, signed and sealed on the lid with \"Kibiyaki Water Dropper, Made by Touei Mizukawa.\" We propose this rare water dropper as a water dropper for enjoying aged sake or matured whisky in modern times. Incorporating traditional Japanese stationery, once used by literati for grinding ink, into the whisky lifestyle goes beyond mere tool usage; it connects to the joy of possessing the warmth and history of Japanese craftsmanship. This historical masterpiece is sure to enhance the moment when a single drop of water brings out the aroma, making it a more luxurious and profound experience.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cb data-path-to-node=\"12\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Touei Mizukawa II (real name: Katsuji Mizukawa, 1914-2001)\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cb data-path-to-node=\"12\" data-index-in-node=\"67\"\u003eArtist's notable activities:\u003c\/b\u003e [1914] Born in Okayama Prefecture. [1937] Graduated from the Ceramics Department of Kyoto Higher School of Crafts (now Kyoto Institute of Technology). Studied under his father, Touei I, and contributed to the development of Kibiyaki ware. [1981] Served as a juror for the Japan Crafts Council Chugoku Exhibition, active as a leading figure in the regional ceramics world. [1986] Awarded the Contemporary Master Craftsman (Minister of Labor Award, Outstanding Skills Award). [1987] Awarded the Order of the Rising Sun, Sixth Class, Single Ray. [1991] Awarded the Okayama Prefectural Culture Award. Full member of the Japan Crafts Council.\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cb data-path-to-node=\"12\" data-index-in-node=\"734\"\u003eWorks housed:\u003c\/b\u003e Okayama Prefectural Museum of Art, Okayama City Museum of Art, Kasaoka City Chikkyo Art Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cb data-path-to-node=\"12\" data-index-in-node=\"849\"\u003eProduction\u0026nbsp;\u003c\/b\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cb data-path-to-node=\"12\" data-index-in-node=\"849\"\u003ePeriod:\u003c\/b\u003e Circa 1981 - 1985\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cb data-path-to-node=\"12\" data-index-in-node=\"886\"\u003eProduct Condition:\u003c\/b\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cb data-path-to-node=\"12\" data-index-in-node=\"937\"\u003eAccessories:\u003c\/b\u003e Dedicated wooden box, bookmark included\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cb data-path-to-node=\"12\" data-index-in-node=\"990\"\u003eMaterial:\u003c\/b\u003e Pottery (salt-fired, Tsushima clay)\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cb data-path-to-node=\"12\" data-index-in-node=\"1036\"\u003eDimensions:\u003c\/b\u003e Height approx. 4cm, Width approx. 4.1cm, Depth approx. 4.5cm (palm-sized)\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cb data-path-to-node=\"12\" data-index-in-node=\"1122\"\u003eNote:\u003c\/b\u003e All products offered by our shop, even if new and unused, are extremely old productions and are listed as used items. Products may have damage due to age, so please understand and confirm before considering purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47567826649275,"sku":null,"price":30000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5457_result.jpg?v=1774142637"},{"product_id":"201","title":"Hisatoshi Iwata, Jobun (Striped) Glass Vessel, Rock Glass \/ Tasting Glass, Japan Art Academy Award Winning Artist #201","description":"\u003cp data-path-to-node=\"19\"\u003eHisatoshi Iwata (1925-1994) was a pioneer who elevated modern Japanese glass craft to the realm of fine art. As a recipient of the Japan Art Academy Award in 1982, he is considered one of the most distinguished glass artists of the Showa period. Building upon the traditions of Iwata Koge Glass, founded by his father Toshichi Iwata, he pursued a refined aesthetic that has garnered significant international acclaim. His works are held in prestigious global collections, including the Metropolitan Museum of Art in New York and the Corning Museum of Glass.\u003c\/p\u003e\n\u003cp data-path-to-node=\"20\"\u003eThis piece features a distinctive striped design known as \"Jobun,\" where opaque milky white glass and colorless transparent glass alternate in layers. This intricate spiral pattern is created using advanced hand-blowing techniques, where a heated mass of glass is twisted instantaneously while being blown and shaped. The minimalist design, devoid of all color and composed solely of white and transparent tones, highlights Hisatoshi Iwata's exceptional technical skill and the intrinsic beauty of glass as a medium.\u003c\/p\u003e\n\u003cp data-path-to-node=\"21\"\u003eOur store proposes this uniquely shaped and stable vessel as a special sake cup for enjoying Japanese whiskey or long-aged vintage sake. Its palm-sized dimensions and the substantial weight characteristic of his work provide excellent practicality as a functional vessel. When amber-colored whiskey is poured into this vessel, the transparent striped sections act like lenses, brilliantly transmitting the vibrant color of the liquid to the exterior.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eThe visual mechanism where the opaque white lines and the amber color of the spirit appear alternately—thereby completing the vessel's design—is the pinnacle of calculated sculptural beauty. The amber glow transmitted through the glass changes with the angle of light, offering a luxurious experience that merges traditional Jobun patterns with contemporary whiskey culture. Relying not on ornate decoration but on the maximization of light, shadow, and the colors of the liquid, this piece is a unique presence that enriches a sophisticated lifestyle.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"0\"\u003eManufacturer:\u003c\/b\u003e Iwata Hisatoshi Studio\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"37\"\u003eArtist:\u003c\/b\u003e Hisatoshi Iwata\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"61\"\u003eArtist's notable career highlights:\u003c\/b\u003e [1976] Received the Minister of Education Award at the Nitten Exhibition; [1982] Received the Japan Art Academy Award\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"215\"\u003eWorks held in collections at:\u003c\/b\u003e The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; Hokkaido Museum of Modern Art; The Japan Art Academy; The Metropolitan Museum of Art, New York; The Corning Museum of Glass, New York; Museum Kunstpalast, Düsseldorf; Musée des Arts Décoratifs, Paris; and others\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"541\"\u003ePeriod of creation:\u003c\/b\u003e 1980s (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"579\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"622\"\u003eAccessories:\u003c\/b\u003e Dedicated box included\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"658\"\u003eMaterial:\u003c\/b\u003e Hand-blown glass\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"685\"\u003eDimensions:\u003c\/b\u003e Diameter approx. 7.0 cm, Height approx. 9.4 cm (approximate)\u003c\/li\u003e\n\u003cli data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"758\"\u003eNote:\u003c\/b\u003e Please note that all products provided by our store, even if in unused condition, are from vintage production periods and are listed as used. Items may show minor age-related wear; please confirm the condition before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47578210435259,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5328_result.jpg?v=1774142251"},{"product_id":"204","title":"Yohen Tenmoku Tripod Incense Burner by Heian Sokyu III (Yoshizo Kubo), a recipient of the Prime Minister's Award. Museum-grade Yohen Tenmoku. #204","description":"\u003cp data-path-to-node=\"7\"\u003eThis is a Yohen Tenmoku three-legged incense burner by third-generation Heian Sokyu, real name Yoshizo Kubo (1913-1989), a master craftsman who connected the tradition of Kyoyaki to the present day and inscribed his name in the history of pottery, bringing the aesthetics of national treasures back to life in the modern era. Yoshizo Kubo was born in Kyoto in 1913 as the eldest son of a potter family. Building on the legitimate Kyoyaki techniques inherited from the first and second Sokyu generations, he dedicated his entire life to reproducing Yohen Tenmoku, a lost legendary technique whose production method was thought to have been completely lost since it was first fired in China's Jian ware kilns during the Southern Song Dynasty in the 12th century. There are only three complete Yohen Tenmoku pieces in the world, all designated as National Treasures of Japan (owned by Seikado Bunko Art Museum, Fujita Museum, and Ryoko-in Temple). The iridescent glow on the jet-black glaze is said to capture the abyss of the universe, making it the Holy Grail of the pottery world, coveted by warlords throughout history. Challenging this divine realm that was deemed impossible to reproduce, he achieved the remarkable feat of winning the Prime Minister's Award, the highest honor for all artisans, for his Yohen Tenmoku work at the 25th Japan Traditional Crafts Exhibition in 1978. This award was not merely an artistic evaluation; it signified the nation's official recognition of the historical fact that the lost light of Yohen, after 800 years, had been scientifically and artistically reproduced through modern wisdom and perseverance.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThis piece is a three-legged incense burner housing a Yohen of national treasure quality, truly demonstrating the technical pinnacle of the third generation's ceramic career. Yohen, where iridescent or rainbow-colored crystals emerge like stars on the glaze due to accidental effects of the flame within the tenmoku glaze (black glaze), is considered the ultimate gem in pottery. He strictly classified his own works: those with fluid blue or white crystals were called Tenmoku Yohen and cherished as beauty found in everyday use. In contrast, only his confident masterpieces, which represented his technical peak with perfect crystals and iridescent glow appearing vividly like stars in the night sky, were given the designation of Yohen Tenmoku. The tomobako (storage box) for this piece is inscribed with Yohen Tenmoku by the third generation himself with unwavering pride, eloquently attesting that this is an authentic piece of the highest caliber among his existing works. His skill was officially established, as evidenced by receiving the Order of the Sacred Treasure, Gold and Silver Rays (Fifth Class), in 1984. The fact that his works are housed in major museums such as the National Museum of Modern Art, Tokyo, and the National Museum of Modern Art, Kyoto, suggests that this piece will acquire even greater historical value in the future.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eIn terms of design, it adopts the three-legged (hakama-goshi) shape, which has been considered the highest grade for ritual vessels since ancient times, and features an intricately openwork-carved hoya (lid). The glaze covering the entire ultimate body, approximately 13 cm in height—a dimension where precise control of Yohen crystals is considered most difficult—emits a brilliant glow reminiscent of galaxy stars from the profound jet black. The visual effect, changing moment by moment with the angle of light, is truly worthy of being called a microcosm in hand. The bottom clearly bears the square seal of Sokyu, the authentic mark of the third generation. It has been carefully preserved as a flawless, perfect piece with its original box, maintaining the utmost excellent condition. Since his passing in 1989, no new Yohen Tenmoku works of this caliber have been created, making this piece an important legacy in the history of modern ceramics that inherits the soul of national treasures—a museum-quality treasure coveted by enthusiasts and investors worldwide. Savoring fine sake from a bygone era or rich Japanese whisky while gazing at this star-like shimmering iridescent kiln effect will be an exceptionally luxurious lifestyle, allowing one to fully enjoy the supreme tranquility achieved by traditional Japanese crafts.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Heian Sokyu III, Real name: Yoshizo Kubo (1913-1989)\u003c\/li\u003e\n\u003cli data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"0\"\u003eArtist's Representative Career:\u003c\/b\u003e Dominated the Kyoyaki\/Kiyomizu-yaki scene from the Showa to Heisei periods. In 1933, he inherited the family business and began working as Sokyu III. In 1978 (Showa 53), he received the Prime Minister's Award, the highest honor for all artisans, at the 25th Japan Traditional Crafts Exhibition. In 1984 (Showa 59), he was awarded the Order of the Sacred Treasure, Gold and Silver Rays. His achievements are highly regarded in the Japanese craft world, firmly establishing the status of Kyoyaki Aka-e and Tenmoku techniques.\u003c\/li\u003e\n\u003cli data-path-to-node=\"12\"\u003e\u003cb data-path-to-node=\"12\" data-index-in-node=\"0\"\u003eWorks in Collections:\u003c\/b\u003e The National Museum of Modern Art, Tokyo (houses his Prime Minister's Award-winning work Yohen Tenmoku Bowl), The National Museum of Modern Art, Kyoto (houses Aka-e Kin-sai Bowl and others), Kyoto Prefecture, Kyoto City, The Museum of Kyoto, and others.\u003c\/li\u003e\n\u003cli data-path-to-node=\"13\"\u003e\u003cb data-path-to-node=\"13\" data-index-in-node=\"0\"\u003eProduction Period:\u003c\/b\u003e 1984-1989 (his very late period and golden age, after receiving the Prime Minister's Award and being recognized as an intangible cultural asset). *The Yohen Tenmoku of this piece is characterized by complex crystals and deep colors created by the accidental interplay of fire and glaze. This is a masterpiece symbolizing the golden age where the refined forms and techniques pursued by the artist, who stood at the pinnacle of Japan both in name and reality after winning the highest award, culminated in his final years.\u003c\/li\u003e\n\u003cli data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Very good (no chips, no cracks, no scratches), [Authenticity Guaranteed]\u003c\/li\u003e\n\u003cli data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eDate of Production:\u003c\/b\u003e Circa 1984\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"0\"\u003eAccessories:\u003c\/b\u003e Tomobako (wooden box with artist's handwritten signature, Yohen Tenmoku inscription, and seal), Wrapping cloth (with seal)\u003c\/li\u003e\n\u003cli data-path-to-node=\"17\"\u003e\u003cb data-path-to-node=\"17\" data-index-in-node=\"0\"\u003eMaterial:\u003c\/b\u003e Ceramic (Kyoyaki, Yohen Tenmoku)\u003c\/li\u003e\n\u003cli data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e Diameter approx. 10.3 cm, Height approx. 13.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"19\"\u003e\u003cb data-path-to-node=\"19\" data-index-in-node=\"0\"\u003eNote:\u003c\/b\u003e All items we offer, even if new and unused, are from a very old production period and are listed as used. Please understand that items may have age-related damage and consider this before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47581461905595,"sku":null,"price":3000000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5520_result.jpg?v=1774857314"},{"product_id":"207","title":"Direct Lineage of Tokuda Yasokichi I, Katsuzan Yoshida, Kutani-ware Aote Yuri-kinsai Flower Pattern Water Dropper, Whiskey Dropper #207","description":"\u003cp data-path-to-node=\"13\"\u003eKatsuzan Yoshida (Birth name: Takeo Yoshida, 1916-1999), a master of Kutani-ware based in Yokaichi, Kanazawa City, Ishikawa Prefecture, was a renowned craftsman who dedicated his life to the promotion and development of Kanazawa Kutani. He received direct guidance from Tokuda Yasokichi I, the preeminent authority in Kutani-ware coloring, inheriting his exceptionally precise glaze blending and color development techniques. His distinguished career—including winning the Special Selection award at the Nitten Exhibition, his status as an Invited (Exempt from Screening) Artist, and receiving the Kanazawa City Culture Award and the Ishikawa Prefecture Cultural Achievement Award—attests to his prominent stature in the craft world. In particular, his \"Yuri-kinsai\" (Underglaze Gold Foil) technique and his modern sublimation of traditional \"Aote\" (Deep Green-Blue style) into transparent color expressions are highly acclaimed in museum collections worldwide.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eWhile originally created as a water dropper for calligraphy, this piece possesses rare practicality and artistry in the modern era as a water dropper for enhancing the aroma of aged spirits and whiskey. The rich verdigris glaze covering the work is the hallmark of Katsuzan Yoshida’s Aote lineage, featuring deep colors achieved through secret glaze recipes inherited from Tokuda Yasokichi I. The glaze layer is remarkably thick, possessing a jewel-like luster and transparency. The gold foil embedded deep within reflects light with a subtle elegance, serving as a testament to the flawless execution of the highly difficult Yuri-kinsai technique.\u003c\/p\u003e\n\u003cp data-path-to-node=\"15\"\u003eThe large floral motif at the center is a peony, a favorite design of the artist, which radiates an overwhelming presence through realistic line-work and raised overglaze enamels. The vivid crimson hues are further accentuated by the contrast with the deep green glaze, elevating traditional Kutani aesthetics to a modern elegance. The rounded, graceful form fits snugly in the palm, embodying functional beauty designed for precise, drop-by-drop dispensing. Since the artist's passing in 1999, no new works have been released from the Katsuzan Kiln. Pieces from his mature later years that strongly reflect the color sensibility inherited directly from Yasokichi I are rare craft legacies, possessing historical value comparable to works held in the Ishikawa Prefectural Museum of Art and the Kanazawa Yasue Gold Leaf Museum.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Katsuzan Yoshida (1916-1999)\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"37\"\u003eArtist's Major Career Highlights:\u003c\/b\u003e [1948] Studied under Razan Kitamura, [1950s] Studied under Tokuda Yasokichi I and mastered glazing techniques, [1970] Received Special Selection award at Nitten Exhibition, [1980] Received Kanazawa City Culture Award, [1991] Received Ishikawa Prefecture Cultural Achievement Award\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"352\"\u003eWorks in Collections:\u003c\/b\u003e Ishikawa Prefectural Museum of Art, Kanazawa Yasue Gold Leaf Museum, public institutions in Kanazawa City and Ishikawa Prefecture, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"510\"\u003eProduction Period:\u003c\/b\u003e 1980s-1990s (Estimated to be from his mature period \/ late-career work)\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"601\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"644\"\u003eAccessories:\u003c\/b\u003e Original wooden box (signed and sealed by Katsuzan Kiln), leaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"723\"\u003eMaterial:\u003c\/b\u003e Pottery (Kutani-ware)\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"755\"\u003eDimensions:\u003c\/b\u003e Height approx. 5.0cm, Width approx. 7.5cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"809\"\u003eNote:\u003c\/b\u003e Although the products we offer may be unused, they are from a very old production period, and all are listed as used items. Please understand that items may have age-related damage and consider this before making a purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47695919743163,"sku":null,"price":38000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5739_result.jpg?v=1776176055"},{"product_id":"208","title":"Imperial Household Agency Purveyor, 14th Generation Tsuji Hitachi: Blue and White Fukizumi Phoenix Motif Sculptural Water Dropper \/ Whisky Dropper #208","description":"\u003cp data-path-to-node=\"6\"\u003eThis artistic water dropper is the work of 14th Generation Tsuji Hitachi (real name Tsuneshige Tsuji, 1909-2007), the head of the prestigious Tsuji Hitachi family. This lineage inherited the unique official title of Hitachi-no-suke in the history of Arita ware and was the first in the ceramic world to be appointed as a Purveyor to the Imperial Household Ministry (now the Imperial Household Agency) during the Meiji era. The 14th Generation head had an unusual background for a ceramic artist, having graduated from the Sculpture Department of the Tokyo School of Fine Arts (now Tokyo University of the Arts). His masterful modeling skills brought a three-dimensional sculptural beauty to his works that transcends the boundaries of mere vessels. He elevated the traditional techniques of Kinri Goyo (items for the Imperial Family), which had continued since the Edo period, into the modern era, and for his achievements, he was awarded the Order of the Sacred Treasure, Gold Rays with Rosette (Fourth Class). His works are permanently preserved in major museums worldwide, including the British Museum and the National Crafts Museum.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eIn this work, the fukizumi (blown ink) technique, the most highly acclaimed technical feature of the 14th Generation Tsuji Hitachi, and the three-dimensional modeling unique to a sculptor are perfectly fused. Fukizumi is a secret technique unique to the Tsuji family, in which gosu (blue pigment) is sprayed in a fine mist to express the haze of the night sky and deep gradations. The delicate blue particles seen on the surface of this work represent the pinnacle of this technique. Furthermore, its form, which depicts an auspicious bird reminiscent of a phoenix, is composed of flowing curves without any waste, boasting a sculptural perfection that conveys a sense of vital dynamism despite the hard material of porcelain. This contrast between the pure white porcelain, from which impurities have been removed to the utmost limit, and the deep, clear gosu is the authentic aesthetic of Tsuji Hitachi, which has been cherished by the Imperial Family for over 300 years.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eAlthough this water dropper was originally created as a calligraphy tool, its dignified presence and functionality make it an unparalleled high-end whisky dropper (water dispenser) for allowing the aroma of aged spirits or whisky to bloom in the modern day. The precise drop falling from the phoenix's beak possesses a dignity befitting the moment when a magical change is brought to the amber liquid during whisky tasting. Since the passing of the 14th Generation head, original works in the market—especially water droppers with such outstanding modeling—have become extremely rare. It can be described as the ultimate tool for savoring aged spirits as a consumable cultural heritage that embodies the national dignity of Japan.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e 14th Generation Tsuji Hitachi (Real name: Tsuneshige Tsuji, 1909-2007)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"79\"\u003eArtist's Major Career Highlights:\u003c\/b\u003e [1933] Graduated from the Sculpture Department, Tokyo School of Fine Arts, [1981] Received the Saga Prefecture Cultural Merit Award, [1983] Awarded the Order of the Sacred Treasure, Gold Rays with Rosette, [1988] Produced porcelain for Emperor Showa's 80th birthday (Kanshu)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"388\"\u003eWorks in Collections:\u003c\/b\u003e The British Museum (London), Embassy of Japan in the UK, Imperial Household Agency (numerous Imperial treasures), National Crafts Museum (Tokyo), Saga Prefectural Kyushu Ceramic Museum, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"601\"\u003eProduction Period:\u003c\/b\u003e Early 1990s (Estimated to be from his mature period \/ late-career work)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"692\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"735\"\u003eAccessories:\u003c\/b\u003e Original wooden box (with signature and seal of Imperial Household Agency Purveyor, 14th Generation Tsuji Hitachi), \u003cspan\u003ewrapping cloth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"872\"\u003eMaterial:\u003c\/b\u003e Porcelain (Arita ware, pure white porcelain)\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"927\"\u003eDimensions:\u003c\/b\u003e Height approx. 4.0cm, Width approx. 3.5cm, Total length approx. 9.0cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"1009\"\u003eNote:\u003c\/b\u003e All products offered by our store, even if unused, are from a very old production period and are listed as used items. The product may have damage due to age, so please understand and confirm this before considering purchase.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47695919775931,"sku":null,"price":135000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5807_result.jpg?v=1776176312"},{"product_id":"209","title":"Fukuoka Prefectural Intangible Cultural Property Holder, Kunimitsu Takakura, 1986 Work, Koishiwara Ware, Secret Rokushō (Verdigris) Glaze, Tobi-Tetsu-Bori (Flying Iron Carving) Pattern, Suiteki Water Dropper, Whisky Dropper #209","description":"\u003cp data-path-to-node=\"6\"\u003eThis is an extremely rare artistic water dropper by Kunimitsu Takakura (1930-2021), a legendary potter based in Toho Village, Asakura-gun, Fukuoka Prefecture (Koishiwara), who connected the Koishiwara ware tradition to the present day. Born into the Takakura family, which has preserved the Koishiwara ware tradition for generations, he inherited the techniques of the community that have existed since the Edo period, yet elevated those techniques to the realm of fine art. His outstanding achievements are supported by the highest recognition for a regional potter: the Contemporary Master Craftsman award in 1996, the Order of the Sacred Treasure, Silver Rays in 2005, and certification as a holder of Fukuoka Prefecture's Intangible Cultural Property in 2014. His works are housed in the Fukuoka Prefectural Museum of Art and the Kyushu National Museum, making him an indispensable master in the history of Koishiwara ware.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eThis piece transcends ordinary Koishiwara ware for daily use, possessing the dignity of a fine artwork. As proof of this, the inscription on the ceramic base is not the kiln name Takakura, but Kunimitsu—a signature the artist reserved for unique works imbued with his artistic pride, bearing his own name. Furthermore, from the description on the wooden box, it is clear that this piece was specially created on May 26, 1986, through a deep connection with Nara Kobaien, Japan's oldest and most prestigious ink manufacturer, founded in 1577. This vessel, custom-made as a water dropper to accompany the finest ink for Kobaien—a sacred place for calligraphy tools—is more than just a craft item; it is a historical record of a significant cultural exchange.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThe design features the tobikanna (chattering) technique, a hallmark of Takakura's artistry, applied with perfect rhythm. This continuous pattern, carved with a mainspring steel spatula, exhibits the unerring precision of a master alongside the warmth generated by handwork, giving the entire vessel a pleasant sense of dynamism. The deep, transparent verdigris glaze covering the whole piece, applied thickly, emits a jewel-like luster. Although originally conceived as a tool for dispensing water drop by drop for calligraphy, our store redefines this item as a water dropper for enjoying Western spirits or rare aged spirits that have matured for decades.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eHigh-purity alcohol and aged spirits that have been bottled for decades undergo a moment of Blooming when a very small amount of water is added, changing the surface tension and dramatically revealing complex layers of trapped aroma and flavor. To control this extremely delicate change, the shape of this water dropper, which can precisely control water drop by drop, is ideal. Its use is surprisingly intuitive and elegant. By lightly pressing the small air hole on the top of the body with a fingertip, and then slightly lifting or closing that finger, the flow of air into the interior can be controlled with millimeter precision. This allows for a precisely intended single drop to be gently guided into the amber liquid. With his passing in 2021, new works with such a special background will never be created again, making this an extremely rare legacy, equivalent to owning a fragment of history.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Kunimitsu Takakura (1930-2021)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"39\"\u003eArtist's Major Career Highlights:\u003c\/b\u003e [1996] Awarded as a Contemporary Master Craftsman (Outstanding Skilled Worker) by the Minister of Labor, [2005] Received the Order of the Sacred Treasure, Silver Rays, [2014] Certified as a holder of Fukuoka Prefecture's Intangible Cultural Property\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"323\"\u003eWorks in Collections:\u003c\/b\u003e Fukuoka Prefectural Museum of Art, Kyushu National Museum (Exhibition record), Toho Village Koishiwara Traditional Industrial Hall, etc.\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"482\"\u003eProduction Date:\u003c\/b\u003e 1986 (Showa 61 \/ Specially produced for Nara Kobaien)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"553\"\u003eCondition:\u003c\/b\u003e Very good (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"596\"\u003eAccessories:\u003c\/b\u003e Original wooden box (with Kunimitsu Takakura's signature and seal, and Nara Kobaien inscription), Leaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"715\"\u003eMaterial:\u003c\/b\u003e Pottery (Koishiwara ware)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"751\"\u003eDimensions:\u003c\/b\u003e Height approx. 4.5cm, Maximum diameter approx. 4.5cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"816\"\u003eNote:\u003c\/b\u003e All products offered by our store, even if unused, are from a very old production period and are listed as used items. The product may have age-related damage, so please understand and confirm this before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47695919808699,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5813_result.jpg?v=1778063108"},{"product_id":"210","title":"Banko Ware Traditional Craftsman, Mori Iroku IV: Purple Clay Diamond-Cut Geometric Multi-Faceted Water Dropper \/ Whisky Dropper #210","description":"\u003cp data-path-to-node=\"6\"\u003eThis is an exquisitely delicate artistic water dropper created by the Mori Iroku family, masters who elevated the form of the kyusu (teapot) to the level of fine art in the history of Banko ware, a traditional craft of Yokkaichi City, Mie Prefecture. For generations, the Mori Iroku family has been renowned as the foremost authorities in producing teapots using shidei (purple clay), the true essence of Banko ware. In particular, the \"diamond-cut\" (geometric faceting) technique, devised by Iroku II and passed down to Iroku III (1936–2014) and the current Iroku IV (1963–), is considered one of the pinnacle techniques in Banko ware history. Mori Iroku III was certified as a Traditional Craftsman in 1980, and Iroku IV received the same certification in 2000, forming a father-and-son lineage of Traditional Craftsmen whose extraordinary skills are highly acclaimed by the nation.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eThe most distinctive feature of this piece is the diamond-cut applied to the entire surface. This is an incredibly precise technique where the surface of an extremely thin purple clay vessel, formed on a potter's wheel, is meticulously shaved by hand—one geometric facet at a time—using a special spatula at the exact moment before the clay completely dries. Banko ware teapots require their walls to be thrown as thin as possible to mellow the flavor of the tea. To apply such precise faceting without piercing through a \"paper-thin\" ceramic wall requires superhuman concentration and a tactile sense of the fingertips honed over decades of experience. Reflecting light from multiple angles, its appearance—radiant like crystal glass despite being ceramic—and its sharp edges truly deserve to be called the ultimate precision craft achieved by a master's fingertips.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eOriginally conceived as a water dropper for calligraphy to dispense water one drop at a time, our gallery redefines this tool as a water dropper for enjoying Western spirits or rare aged sake that has matured for decades. High-purity alcohol and aged spirits that have been bottled for several decades undergo a moment of \"Blooming\" when a minute amount of water is added, changing the surface tension and dramatically revealing complex layers of trapped aroma and flavor. To control this extremely delicate change, the form of this water dropper, capable of precise drop-by-drop delivery, is ideal. Its usage is surprisingly intuitive and elegant. By lightly covering the small air hole on the top with a fingertip and subtly adjusting the pressure, you can control the airflow into the interior with millimeter precision, guiding the intended \"single drop\" into the amber liquid.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe works of Mori Iroku, which are permanently preserved in the Yokkaichi City Museum, have recently gained fervent support as \"the god of teapots\" in high-end tea markets across Asia, particularly in China and Taiwan. As each piece is a unique creation, their rarity increases year by year. Diamond-cut water droppers like this one are especially rare, with even fewer production opportunities than his teapots. The iron content in Banko purple clay also has the practical benefit of mellowing water quality, making this the ultimate tool for savoring rare aged spirits that are considered global treasures.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Mori Iroku IV (1963–)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"30\"\u003eArtist's Major Career Highlights:\u003c\/b\u003e [1986] Received the Mayor's Award at the Banko Ware Kyusu Exhibition, [1987] Selected for the Japan New Craft Exhibition, [2000] Certified as a Traditional Craftsman by the Minister of Economy, Trade and Industry\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"277\"\u003eWorks in Collections:\u003c\/b\u003e Yokkaichi City Museum, Banko Ceramic Arts Promotion Association, etc. (Family lineage achievements)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"399\"\u003ePeriod of Production:\u003c\/b\u003e 2000s onward (Estimated to be from his mature period after certification as a Traditional Craftsman)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"522\"\u003eCondition:\u003c\/b\u003e Excellent (No chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"565\"\u003eAccessories:\u003c\/b\u003e Original wooden box (signed and sealed by Iroku), \u003cspan\u003ewrapping cloth, \u003c\/span\u003eLeaflet\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"636\"\u003eMaterial:\u003c\/b\u003e Ceramic (Banko ware purple clay)\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"679\"\u003eDimensions:\u003c\/b\u003e Height approx. 5cm, Depth approx. 4.7cm, Width approx. 6cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"750\"\u003eNote:\u003c\/b\u003e All products offered by our gallery, even if unused, are from older production periods and are listed as used items. Items may have age-related wear, so please understand and confirm this before purchasing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47695919841467,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_5860_result.jpg?v=1776176677"},{"product_id":"250","title":"Toshio Takeda, Award-Winning Traditional Crafts Artist, Iron-Painted Green Glaze Grape Design Pitcher, Vintage Premium Water Jug, Studied Under Yasokichi Tokuda #250","description":"\u003cp data-path-to-node=\"23\"\u003eWe are pleased to present an extremely rare pitcher by Toshio Takeda, an orthodox potter born in Komatsu City, Ishikawa Prefecture, in 1932 (Showa 7). Takeda has received numerous awards and commendations at major domestic exhibitions, including the Japan Traditional Crafts Exhibition, and his works are held in public institutions such as the Ishikawa Prefectural Museum of Art and the Komatsu Municipal Museum. At first glance, this piece might evoke the robust, warm feel of folk craft pottery like Mashiko ware. However, this is a supreme ceramic work crafted by Toshio Takeda, a potter of the orthodox Kutani lineage, who applied traditional iron painting and glazing techniques. We propose this distinguished masterpiece as a water jug for luxuriously serving aged spirits or as a premium, high-quality sake vessel to adorn special occasions.\u003c\/p\u003e\n\u003cp data-path-to-node=\"24\"\u003eAt the core of Toshio Takeda's artistic value lies his overwhelming mastery of glaze blending and expressive painting techniques, inherited from the prestigious Yasokichi Tokuda lineage of Kutani ware, whom he apprenticed with from 1950 (Showa 25). The most highly regarded techniques in this work are the iron painting (tetsue), where patterns are dynamically drawn with iron-containing pigments on a white body (or white slip), combined with vivid glass-like green glazes to create iron painting with green accents, and the bold parted application of glazes. These are the culmination of craftsmanship, flawlessly showcasing the traditions of Ko-Kutani and Suisaka ware in the history of Kutani, as well as the advanced heat management techniques cultivated under his master.\u003c\/p\u003e\n\u003cp data-path-to-node=\"25\"\u003eA close observation of this work's design reveals Toshio Takeda's exceptional sense of form and brushwork throughout. The central motif of grapes is depicted with vibrant and powerful iron brushstrokes for the vines and fruits, overlaid with fresh, verdant green leaves that create a striking contrast against the white background. Grapes are an auspicious motif symbolizing abundance, fertility, and prosperity, and this classical theme has been elevated into a modern and powerful design. Furthermore, a rich iron glaze (reminiscent of tenmoku or amber glaze), which develops from deep chocolate to black, is boldly applied to the lower part of the vessel, the sturdily crafted handle, and even the inner rim. This brings visual stability to the entire piece and imparts a folk-craft aesthetic that embodies the beauty of utility. The structure, while substantial, is designed for a clean pour and comfortable grip, representing the pinnacle of calculated handcraftsmanship, from wheel-throwing to the joining of parts, achievable only by a skilled individual artist.\u003c\/p\u003e\n\u003cp data-path-to-node=\"26\"\u003eIn both domestic and international markets, detailed information on large pitcher-type ceramic works by Toshio Takeda is rarely available, making encountering one of these rare masterpieces extremely difficult. The artistic value, supported by a solid track record of awards and acquisitions, and the creativity guaranteed by the direct lineage of Yasokichi Tokuda, who is connected to a Living National Treasure, will only increase in brilliance with time. As a water jug that beautifully enhances amber-colored aged spirits, or as a work of art to adorn the centerpiece of your cabinet, fully enjoy the true beauty of utility achieved by Japanese craftsmanship in your everyday premier spot.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Toshio Takeda (1932-)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cstrong\u003eArtist's Major Activities:\u003c\/strong\u003e [From 1950] Apprenticed under Yasokichi Tokuda, [1955] Established independence, selected for the Japan Traditional Crafts Exhibition, and received numerous awards and commendations at major domestic exhibitions such as the Ishikawa Prefectural Contemporary Art Exhibition and Issuikai Exhibition. Full Member of the Japan Kōgei Association.\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cstrong\u003eWorks held in:\u003c\/strong\u003e Ishikawa Prefectural Museum of Art, Komatsu Municipal Museum, and others.\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cstrong\u003ePeriod of production:\u003c\/strong\u003e 1980s - 1990s (estimated)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good (no chips, no cracks)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Tomobako (Original wooden box signed by the artist), Leaflet (artisan's profile)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePorcelain (Mashiko ware, colored glaze)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 20 cm, Width approx. 22 cm\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e Even if the products offered by our store are new and unused, they are from a very old production period and are all listed as used items. Products may have age-related damage, so please consider purchasing after understanding and confirming this.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47823832580283,"sku":null,"price":65000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6734_result.jpg?v=1779248775"},{"product_id":"258","title":"Hiroshima Prefecture Important Intangible Cultural Property Holder, Yasuhide Uchida, Mature Later Period, 1984 Masterpiece, Lost Legendary Technique \"Hyori-Kantsu Nishiki-Neriage-de\", White Camellia Design Tall-Footed Dish #258","description":"\u003cp data-path-to-node=\"26\"\u003eYasuhide Uchida (1893-1997), a holder of Hiroshima Prefecture's Important Intangible Cultural Property and referred to as a solitary legend in the history of Showa pottery. After exhibiting at the 1970 Osaka Expo and training at the prestigious Manufacture nationale de Sèvres in France, he reached a unique realm by fusing Japanese and French aesthetics. We present his supreme masterpiece, a ceramic confectionary dish (tall-footed dish) crafted on July 14, 1984, during his mature later years, utilizing the lost and legendary technique of Hyori-Kantsu-Nishiki-Neriage-de (double-sided penetrating brocade marbled clay).\u003c\/p\u003e\n\u003cp data-path-to-node=\"27\"\u003eThis piece, created in 1984, is a special item that was carefully preserved by the Uchida family as an unmarketable work for the artist's own collection, representing the pinnacle of his mature techniques during his prime. Later, at the funeral of Mr. Uchida, who lived an astonishingly long life of over a hundred years and attained his Buddhist transition (Sen-ge), it was presented as a token of appreciation to a select few close relatives who attended. The full extent of its valuable history can be meticulously confirmed by deciphering the accompanying memorial thank-you letter from the bereaved family dated March 20, 1997, from Mr. Hitoshi Sayo, Mr. Uchida's third son. This letter provides invaluable historical evidence proving that this work is an authentic and paramount heirloom of the Uchida family. We propose this elegant, tall-footed dish, approximately 19\u0026nbsp;cm in diameter, to the world as the ultimate premium plate for beautifully serving exquisite delicacies when enjoying aged amber sake or premium Japanese whisky.\u003c\/p\u003e\n\u003cp data-path-to-node=\"28\"\u003eThe Hyori-Kantsu-Nishiki-Neriage-de technique represents the pinnacle of Yasuhide Uchida's artistic value. The beautiful patterns on the vessel might appear to be hand-painted at first glance, but they are not superficial colors applied with pigments. This is a masterful technique where various types of clay, colored by blending different metal oxides, are intricately assembled like a puzzle with meticulous calculation, creating the pattern itself as the organizational structure of the clay. Furthermore, as indicated by its most significant characteristic, \"Hyori-Kantsu\" (penetrating front and back), these patterns perfectly penetrate and appear as beautiful, distinct compositions on both the front and back surfaces of the dish, set against a cobalt blue background, without any deviation. This is irrefutable evidence that the layers of clay are perfectly superimposed even in the interior, and within this ultimate structural beauty is completely encased Mr. Uchida's lifelong ardent wish for pure peace without front or back, a desire born from his experience as a native of Hiroshima, a city affected by atomic bombing.\u003c\/p\u003e\n\u003cp data-path-to-node=\"29\"\u003eObserving the design of the dish closely, a beautiful floral pattern of white camellias, quietly blooming from winter to early spring, around March when Mr. Uchida's funeral was held, vibrantly emerges against a striking cobalt blue background. The dignified appearance of white camellias blooming in the crisp air, signaling the end of harsh winter, beautifully overlaps with the lyrical scenery of the season when Mr. Uchida passed away and was seen off by his family and close acquaintances, bringing spiritual depth and endless romance to the work.\u003c\/p\u003e\n\u003cp data-path-to-node=\"30\"\u003eThe surface of the dish is intentionally not formed into an even flatness; instead, it features rich, varied undulations characteristic of handcrafted work. As can be seen in the accompanying photographs, the surface exhibits diffuse white reflection depending on the angle of light. We have photographed and presented the piece in its unaltered state to convey the overwhelming depth of design, unique warmth, and the inherent charm as pottery that arise precisely because of this uneven thickness. Furthermore, it is particularly noteworthy that the back of the dish clearly bears Mr. Uchida's signature (engraving), deeply carved by the artist's own hand. This powerful hand-carved signature is not only irrefutable proof that this piece was created directly by Yasuhide Uchida himself, but it also exudes an overwhelming presence as an important part of the design that strengthens the overall sculptural unity and functional beauty of the vessel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"31\"\u003eDue to the nature of the Hyori-Kantsu-Nishiki-Neriage-de technique, where different colored clays with varying properties and shrinkage rates are joined and fired, it is extremely difficult to achieve a perfect firing, as small cracks or openings are prone to occur at the clay boundaries. In this particular piece, one small opening where the clay boundary is slightly separated is observed in the central part of the brown leaf pattern on the surface, but this does not completely penetrate to the back as a hole. Additionally, two small bubbles formed during the pottery creation process can be seen in the glaze on the surface. Both of these are undeniable evidence of the handcrafted process produced by Yasuhide Uchida during his peak concentration, and they in no way detract from the perfection or dignity of the work. Please enjoy this supreme masterpiece, where the essence of color technology cultivated in Sèvres, France, the quintessence of Japanese spiritual culture, and a letter narrating the history of the family are united, in a prime spot during your special everyday dining occasions.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"32\"\u003e[Content of the letter of condolences from the bereaved family below]\u003c\/h3\u003e\n\u003cp data-path-to-node=\"32\"\u003eGassho As the spring sunshine begins to shine brightly, I sincerely hope that your esteemed family is in excellent health. Thank you very much for traveling a long distance in the cold to attend the funeral of my late father, Yasuhide Uchida, and for your kind and heartfelt condolences. I deeply appreciate the profound grief and fond memories expressed by all those who had a particularly close relationship with my father during his continental period, his Misumi period, and finally in this place, and who provided such a warm funeral. I am sure he would have been deeply moved to tears. Recently, the forty-ninth-day memorial service was concluded at Gokoku-ji Temple in Shimabara, his hometown, and Honju-in Nisshu Shonin (the late Yasuhide Uchida's Buddhist title) returned to the Okutsuki (sacred tomb) overlooking the Ariake Sea. Although it was a tumultuous life of over a hundred years, I believe he earnestly lived the spirit of the founder in each moment. In his later years, he was content with his pottery life, living in accordance with Jinen-Honi (natural spontaneity\/as-it-isness) in his small mountain hermitage. I am truly grateful from the bottom of my heart to everyone for their long-standing kindness and patronage. On the occasion of the forty-ninth day after his passing, I humbly send this token of my appreciation (and kindly ask for your compassionate acceptance). Thank you very much for such a long time. March 20, 1997 Respectfully yours, Hitoshi Sayo (Third son of the deceased)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Yasuhide Uchida (1893-1997)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eArtist's notable career highlights:\u003c\/strong\u003e [1952] Held the \"Yasuhide Uchida Nishiki-Neriage Pottery Exhibition\" at Mitsukoshi Nihonbashi Main Store, [1960s] Acquired color and porcelain techniques at Manufacture nationale de Sèvres, France, [1965] Designated as a Miyoshi City Intangible Cultural Property, [1970] Exhibited works at Osaka Expo (EXPO'70), [1973] Recognized as a holder of Hiroshima Prefecture's Important Intangible Cultural Property.\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eDate of Creation:\u003c\/strong\u003e July 14, 1984 (Showa 59)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good (no chips, no cracks, some surface cracking characteristic of the work)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eAccessories: \u003c\/strong\u003eCustom wooden box, wrapping cloth (signed and sealed), letter \u003cstrong\u003eof condolences from the bereaved family\u003c\/strong\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eNishiki-Neriage-de (pottery, Hyori-Kantsu technique)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eHeight approx. 4.0 cm, diameter approx. 19.0 cm (approximate)\u003cbr\u003e\u003c\/li\u003e\n\u003cli data-path-to-node=\"32\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eEven if the products offered by our store are new and unused, they are from a very old production period and are all listed as used items. Products may have age-related damage, so please consider purchasing after understanding and confirming this.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47849214181563,"sku":null,"price":150000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_6799.jpg?v=1779286318"},{"product_id":"264","title":"Award Recipient at the Shinbi Kogei-kai Exhibition and Selected Artist for the Suntory Museum of Art Grand Prize Exhibition, Hiroyuki Kitagawa, Yakishime Stamped Pattern Three-Footed Water Dropper, High-End Water\/Whisky Dropper #264","description":"\u003cp data-path-to-node=\"3\"\u003eThis piece is a yakishime water dropper featuring a stamped pattern and a three-footed design, crafted by Hiroyuki Kitagawa (1955–2017), a master craftsman who underwent four years of rigorous training as a live-in inner disciple under Moriyasu Kimura, a world-renowned master of Tenmoku and iron glazes. Among traditional water droppers used to pour water into inkstones in Japanese calligraphy culture, this piece is extremely rare, featuring a unique three-footed design. We proudly propose it as a premium water dropper or whisky dropper to enhance contemporary luxury bar experiences. When savoring rare aged spirits that have transformed over time into a deep amber hue, exuding rich aromas and mellow richness, or enjoying a carefully selected whisky with ice, just a few drops of water added with this vessel will intensely unlock the true fragrance of the drink, making it an ultimate tool for connoisseurs. This vessel, which elevates traditional East Asian forms into practical art for modern lifestyles, offers a supremely luxurious experience for international collectors and discerning guests.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eHiroyuki Kitagawa, the artist, was born in Kyoto Prefecture and inherited the artisanal spirit of his grandfather, a master bamboo craftsman. He was a talented ceramic artist of Kyo-yaki and Kiyomizu-yaki, fusing traditional techniques with a contemporary sensibility. While studying at Kyoto Zokei Geijutsu Gakuin (Kyoto Institute of Design), he apprenticed under Moriyasu Kimura in 1977, learning a strict aesthetic, and continued to train under him for four years. Concurrently, in 1978, he graduated from the molding department of Kyoto Prefectural Ceramics Vocational Training School, mastering highly precise potter's wheel forming techniques. After opening his own kiln, Tobo Yasaburo, in Tsuzuki-gun, Kyoto Prefecture in 1987, he rose to prominence, starting with his selection for the Asahi Modern Craft Exhibition and the Shinsho Kogei-kai Exhibition in 1988, and again for the Asahi Modern Craft Exhibition in 1991. Furthermore, in 1992, he achieved the remarkable feat of being selected for the highly prestigious Suntory Museum of Art Grand Prize Exhibition '92: Challenging Forms, and was also successively selected for the Sapporo Art Park Craft Exhibition, the Asahi Ceramics Exhibition, and the Kyoten. Afterward, he continued to achieve brilliant results in major public exhibitions at the forefront of contemporary crafts, receiving the Encouragement Award at the Shinbi Kogei-kai Exhibition in 1995 and the Shimpō Kogyo Award at the same exhibition in 1997. Due to his sudden passing at the young age of 62 in 2017, all existing works are his posthumous creations, making it absolutely impossible for new pieces to be produced in the future, thus possessing extremely high rarity.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe essence of Kitagawa's pottery lies in his highly skilled control of iron glazes and various slip glazes inherited from his mentor, and his meticulous yakishime technique, expressed with overwhelming precision as its foundation. Generally, yakishime is a simple technique where the clay itself is fired at high temperatures without any glaze. However, the greatest excellence of his work lies in meticulously covering the surface with fine granular patterns by precisely timing the firing just before the clay dries and repeatedly making countless accurate indentations. In addition to this painstaking manual work, the natural ash glaze created by wood ash falling naturally during kiln firing combines to produce a serene and modern landscape as intended, involving an extremely difficult firing process.\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eA detailed examination of the aesthetic beauty of this piece reveals that these advanced techniques and the artist's dedication are fully realized within this small spherical form. The minuscule stamped patterns, meticulously etched across the entire surface without any deviation, create delicate shadows when light hits them and convey a uniquely pleasant, adhering texture when held. Furthermore, the three feet placed at the bottom, a special and notable design in this work, carry a very high risk of causing cracks at the joint with the main body or wobbling after firing due to differences in shrinkage rates during drying and high-temperature firing. The forming technique that allows these to stand perfectly horizontally without any distortion is nothing less than proof of the high-precision craftsmanship he cultivated during his vocational school days. This three-footed style evokes an elegant dignity reminiscent of classical East Asian vessel aesthetics, and when placed on a bar counter, it slightly elevates the vessel, creating beautiful three-dimensional shadows and exuding a special presence. Additionally, the natural ash that fell during the intense flames of the climbing kiln perfectly integrates with the clay surface, partially creating subtle green and dark brown gradations from the natural glaze, thus capturing the dramatic moment where fire and earth become one within the vessel. The bottom of the vessel is engraved with the signature \"Hiro\" (宏), indicating it is an authentic work by the artist, and it comes with a dedicated tomobako (wooden box signed and sealed by the artist himself), a wrapping cloth, and a booklet showing his detailed pottery chronology, all intact. It is a complete piece in very good condition without any chips or cracks, possessing an unwavering asset value as a supreme Japanese craft piece that is extremely difficult to obtain overseas.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Hiroyuki Kitagawa (1955-2017)\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"38\"\u003eArtist's Representative Activities:\u003c\/b\u003e [1977] Graduated from Kyoto Zokei Geijutsu Gakuin, selected for the Kyoto Craft Exhibition, [1978] Graduated from Kyoto Prefectural Ceramics Vocational Training School, [1987] Opened the kiln \"Tobo Yasaburo\", [1988] Selected for the Asahi Modern Craft Exhibition and the Shinsho Kogei-kai Exhibition, [1991] Selected for the Asahi Modern Craft Exhibition, [1992] Selected for the Suntory Museum of Art Grand Prize Exhibition '92: Challenging Forms, selected for the Sapporo Art Park Craft Exhibition, the Asahi Ceramics Exhibition, and the Kyoten, [1995] Received the Encouragement Award at the Shinbi Kogei-kai Exhibition, [1996] Selected for the Nissin Men-bachi Grand Prize Exhibition, [1997] Received the Shimpō Kogyo Award at the Shinbi Kogei-kai Exhibition\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"852\"\u003eWorks in Collection:\u003c\/b\u003e Kyoto Ceramic Center (special exhibition - selected ceramic artists), etc. \u003cb data-path-to-node=\"15\" data-index-in-node=\"948\"\u003eProduction Year:\u003c\/b\u003e Circa 2010 (estimated)\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"988\"\u003eProduct Condition:\u003c\/b\u003e Very Good (no chips, no cracks)\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1039\"\u003eAccessories:\u003c\/b\u003e Dedicated tomobako (wooden box) included\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1093\"\u003eMaterial:\u003c\/b\u003e Pottery (Yakishime with natural ash glaze)\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"1146\"\u003eDimensions:\u003c\/b\u003e Height approx. 7.5 cm, Width approx. 7.0 cm\u003c\/li\u003e\n\u003cli data-path-to-node=\"3\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eAlthough the products we offer may be new and unused, they are from a very old production period and are all listed as used items. Products may have damage due to age, so please consider purchasing after understanding and checking.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Antique Liquor","offers":[{"title":"Default Title","offer_id":47881782034619,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/files\/IMG_7323_result.jpg?v=1780464121"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0652\/0510\/8923\/collections\/i-img880x726-1620273856dt5n4d467065.jpg?v=1746810142","url":"https:\/\/antiqueliquor1926.com\/en\/collections\/whisky-related-products.oembed","provider":"Antique Liquor","version":"1.0","type":"link"}