Eguchi Katsumi (1936–), a master craftsman who revived the Koyamaji Kiln in 1968, is the authentic successor of the Nanbu Kokaratsu tradition in Takeo, Saga Prefecture, which dates back to the late Momoyama period. Celebrating his 88th birthday (Beiju) in 2024, he remains a living legend of Hizen ceramics. This pair of vessels fuses the solemnity of traditional Oribe Karatsu with his original decorative aesthetic, creating a supreme work coveted by discerning craft collectors. The heart of this work is the Washizome (washi-dyeing) technique, which involves adhering thin washi paper to the bisque-fired surface to allow pigments to permeate. This creates a dreamlike gradation—as if the colors are seeping through the gaps in the fibers—that is impossible to achieve through direct brushwork. Eguchi has meticulously calculated the mineral components of the clay and the absorption rates of the pigments; while the indigo and brown floral petals possess the transparency of watercolors, the colors are permanently fused deep into the ceramic body through high-temperature firing.
The voluminous form, standing 8.5 cm high and 8.4 cm in diameter, represents the pinnacle of Eguchi's aesthetic, which reached its maturity around the late 1980s to early 1990s. This was the era when he won the Prime Minister's Award and his works were acquired by the Victoria and Albert Museum in the UK. The delicate crazing (kannyu) covering the surface is a natural decoration born from the differing shrinkage rates of clay and glaze. When amber whiskey is poured, these intricate patterns come into sharp focus through the liquid. The friction of the ice and the warmth of the hands cause the ceramic to exhibit subtle changes in expression, as if the vessel itself were breathing. This pair encapsulates the artisan's skill that earned him the honor of having his techniques officially recorded by the government and presenting his works to the Crown Prince and Prince Takamatsu.
The powerful carving of the base demonstrates the structural stability required to support his superb techniques, such as Washizome Kurinuki (hollow-carving), sublimating the rustic charm of Oribe Karatsu once beloved by tea masters into the ultimate modern drinking vessel. To experience the passion of Eguchi Katsumi—who redefined a fading tradition and won national acclaim—alongside a golden aged spirit is a cultural privilege reserved for those who recognize true value.
Artist: Eguchi Katsumi (1936–)
Representative Career Highlights: [1961: West Japan Crafts Exhibition, Asahi Shimbun Prize (Special Award)], [1962: National Prefectural Selection Exhibition, Minister of Education Award], [1972: 19th Japan Traditional Crafts Exhibition, Grand Prize (Asahi Shimbun Prize)], [1979: 5th Japan Ceramic Art Exhibition, Excellent Work Award], [1981: 26th Japan Traditional Crafts Exhibition, Encouragement Award], [1983: West Japan Ceramic Art Exhibition, Grand Prize (Prime Minister's Award)], [1985: Japan Ceramic Society Award]
Production Period: Circa 1989 to early 1990s
Condition: Excellent (No chips, no cracks)
Accessories: Original wooden box, artist's profile (insert) Material: Ceramic (Pottery)
Dimensions: Height approx. 8.5 cm, Diameter approx. 8.4 cm
Note: Of this two-piece set,the cup on the left (with the brown floral pattern) features a deep "Kannyu" (crazing) extending from the rim to the body, where a slight catch can be felt with a fingertip. While this does not currently affect the structural integrity or functional use, we have explicitly noted it here as a reflection of the proprietor's commitment to transparency regarding the unique characteristics of vintage ceramics. In consideration of this, we are offering this masterpiece from the artist’s peak period at a special discounted price.
Note: Although the products we offer may be unused, they were produced many years ago and are listed as vintage/pre-owned items. Please be aware that products may show signs of aging. We appreciate your understanding and careful review before purchase.
