Winner of the Hokkoku Fusetsu Award, Founder of Noto Taisha Ware, Isomi Tadashi (磯見忠司), Shinyote Technique Cylindrical Tea Bowl (Tsutsu-chawan), Japanese-Style Old Fashioned Glass #441
Winner of the Hokkoku Fusetsu Award, Founder of Noto Taisha Ware, Isomi Tadashi (磯見忠司), Shinyote Technique Cylindrical Tea Bowl (Tsutsu-chawan), Japanese-Style Old Fashioned Glass #441
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- Artist
- Isomi Tadashi (磯見忠司)
- Dimensions
- Height approx. 9.0 cm, Mouth diameter approx. 11.2 cm
- Condition
- Very Good (No chips, no cracks). Please regard the crazing that forms in firing, other characteristics of ceramics and the patina of age as part of the pleasure of an antique piece.
- Accompanied by
- Dedicated paulownia wooden box (Tomobako) included (with calligraphy "Taisha-yaki Shinyote Tsutsu-chawan, Isomi Tadashi Zo" and paper label)
- Availability
- One of a kind (this piece only)
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Delivery & payment
- Shipping
- Free within Japan. We also ship overseas for a flat fee (see our Shipping Policy).
- Dispatch
- Within 5 business days after payment is confirmed (excluding weekends, Japanese public holidays and our closing days).
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- Returns
- As our items are antiques and vintage spirits, we cannot accept returns or cancellations for a change of mind. If an item arrives significantly damaged through our clear fault, we refund the full amount once it is returned (Refund Policy).
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About this piece
This cylindrical tea bowl (tsutsu-chawan) featuring the Shinyote technique is a work of Noto Taisha Ware (Taisha Kiln) created by the ceramic artist Isomi Tadashi (磯見忠司, 1923–1999). Isomi studied under Ishii Hakutei, a prominent figure in Western-style painting, to master pictorial composition techniques, and cultivated advanced ceramic artistry under Kitade Tojiro, a master of modern Kutani ware. After graduating from the Imperial Military Academy, Isomi graduated from the Ceramic Arts Department of the Ishikawa Institute of Arts and Crafts, the predecessor of Kanazawa College of Art. Opening the artist's kiln in 1948 (Showa 23) in Jike-machi, Hakui City, Ishikawa Prefecture, at the foot of Keta Taisha, the Ichinomiya (principal shrine) of Noto, Isomi repeatedly selected for and received awards at the Nitten, Asahi Ceramic Art Exhibition, and Contemporary Art Exhibition. Isomi exhibited as a representative of Ishikawa Prefecture at the 5th Ministry of Education Selected Exhibition and received the Ishikawa Prefecture Cultural Activity Encouragement Award as well as the 7th Hokkoku Fusetsu Award. Furthermore, the artist crafted numerous large ceramic wall reliefs for public facilities such as the National Noto Youth Center and Hakui City Hall, making a significant contribution to the development of regional crafts. This work is deduced to be an authentic piece produced between the late 1980s and the early 1990s (late Showa to early Heisei era), a period showing the highest mastery in both form and glaze quality as reflected in the Shinyote technique and the brushwork of the inscription on the accompanying dedicated paulownia wooden box (tomobako), which reads "Taisha-yaki Shinyote Tsutsu-chawan, Isomi Tadashi Zo." The box is bound with green Sanada-himo ribbon, and the piece remains in extremely fine condition.
The paramount value of this piece lies in the dynamic execution of "Shinyote" (real leaf technique)—a unique method independently developed and established by Taisha Kiln—upon the impactful form of a large cylindrical tea bowl. Shinyote is an extraordinarily difficult, original technique in which actual leaves from plants growing wild around the primeval forest of Keta Taisha, a Nationally Designated Natural Monument, are adhered to the vessel and burned away inside a kiln exceeding 1,000°C, leaving the leaf contours and intricate veins three-dimensionally embossed directly onto the surface. Examining the provided image, a profound glaze composition formed by the complex intersection of blue-gray, yellow, and dark brown lies over a rugged, carved skin with a powerful texture evocative of the Earth's crust or tree bark, while on its front, each microscopic vein of an actual leaf is precisely fixed in a vivid bluish-white hue. The contrast between the grand, Earth-like raw surface and the delicate veins woven by nature is breathtaking, and the square seal stamp "Taisha," proof of the Taisha Kiln, is clearly impressed beside the foot.
With a large cylindrical form full of presence, measuring approx. 9.0 cm in height and approx. 11.2 cm in mouth diameter, our shop proposes this work as a dignified "Japanese-style old fashioned glass (Japanese-style Western liquor vessel)" for enjoying aged spirits, vintage whisky, matured sake, or liquors on the rocks with a large ice sphere, tailored to modern refined lifestyles. The rugged, dynamic texture of the clay upon touch, the amber hues of the liquor shifting as the ice melts, and the beautifully emerging botanical patterns of the Shinyote technique intertw to bring a unique craft aesthetic to the table. An authentic masterpiece combining the nature of sacred grounds, the expressive power of Western-style painting, and Kutani ceramic techniques, this piece allows one to thoroughly savor the true essence of traditional Japanese craft through both visual appreciation and practical use.
- Artist: Isomi Tadashi (磯見忠司, 1923–1999)
- Career Highlights: Studied under Ishii Hakutei and Kitade Tojiro. After graduating from the predecessor of Kanazawa College of Art, opened Noto Taisha Ware in 1948. Selected for Nitten numerous times, exhibited as Ishikawa Prefecture representative at the 5th Ministry of Education Selected Exhibition, received Ishikawa Prefecture Cultural Activity Encouragement Award and the 7th Hokkoku Fusetsu Award.
- Public Collections & Murals: Created numerous large ceramic wall reliefs for public facilities such as National Noto Youth Center, Hakui City Cultural Hall, and Hakui City Hall.
- Date: Late 1980s–early 1990s (Late Showa–early Heisei era)
- Condition: Very Good (No chips, no cracks). Please regard the crazing that forms in firing, other characteristics of ceramics and the patina of age as part of the pleasure of an antique piece.
- Accompanied by: Dedicated paulownia wooden box (Tomobako) included (with calligraphy "Taisha-yaki Shinyote Tsutsu-chawan, Isomi Tadashi Zo" and paper label)
- Medium: Ceramic / Porcelain (Shinyote real leaf technique, ash glaze)
- Dimensions: Height approx. 9.0 cm, Mouth diameter approx. 11.2 cm
- Please Note: The items provided by our shop were produced a very long time ago and are all listed as pre-owned items. Please understand and confirm the age-related changes before considering your purchase.
- About the Photographs: We prepare every description with great care, but errors may still remain in the text. Please examine the photos carefully before purchasing. Where the photos and the description differ, please take the photos as the basis for the product information.
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Winner of the Hokkoku Fusetsu Award, Founder of Noto Taisha Ware, Isomi Tadashi (磯見忠司), Shinyote Technique Sake Cup, Stemmed Sake Cup (Bajou-hai), Japanese-Style Shot Glass, Aged Sake Vessel #443
Listed priceYear-End Sale 20% off¥27,500Year-end sale price ¥22,000
Lineage and related information
Isomi Tadashi (磯見忠司, 1923–1999)
- Studied under
- Ishii Hakutei (石井柏亭, 1882–1958)
- Kitade Tojiro (北出塔次郎, 1898–1968)
- Fellow students and related artists
- Also connected with Kitade Tojiro: Mitsui Tamekichi III (三代 三ッ井為吉, 1935–) , Takegoshi Toshiaki (武腰敏昭, 1940–2021) , Kitade Seiko (北出星光, 1926–2011) , Kitade Fujio (北出不二雄, 1919–2014)
Teachers, students and family are listed as documented in our product descriptions and their sources; years are given only where documented.
Our articles about this piece and its maker
These articles on our site feature this piece or its maker.
Mitate Drinking Vessels — Bringing Water Droppers, Tea Bowls and Confectionery Bowls Back into UseThe more beautiful a vessel, the more likely it is to be kept on display as “...
How the Shape of a Cup Changes the Taste — Choosing Flat Cups, Stem Cups, Footed Cups, Cylindrical Cups and GuinomiThe same drink can smell and feel remarkably different depending on the vesse...
Japanese Pottery Seals, Box Signatures and Marks: A Photo Index of 160 MakersThe seal or incised signature on the base of a piece, and the signature and s...








